
Rayna and Juliette’s pre-tour press event.
Hidden motives abound as Rayna (
Connie Britton) and Juliette (
Hayden Panettiere) kick off their Red Lips, White Lies tour. Picking up from the last episode, Juliette married boyfriend Sean in a quickie wedding, then left him at the altar instead of going though with the large flashy wedding his mother had planned. Instead Juliette took a private jet to the first show on the tour.
While signing autographs for fans outside the venue, Barnes is shocked to be served an annulment request from Sean. Instead, Barnes insists on a divorce that is a quick as their marriage, leading to more animosity between the two.
Her personal troubles spill over into rehearsals, where Juliette refuses to sing a song she wrote about Sean, titled “Love Like Mine” (penned by
Kelly Archer,
Justin Weaver, and
Emily Shackelton). During rehearsal and performance scenes, Barnes performs “Boys and Buses” (written by
Shane McAnally,
Brandy Clark, and
Josh Osborne) and later “Telescope” (which, in reality, is currently at No. 33 on the
MusicRow Country Breakout chart for Panettiere and written by
Hillary Lindsey and
Cary Barlowe). During rehearsals, she keeps playing long over her allotted rehearsal time, prompting Rayna’s producer Liam to lie in the middle of the stage until Barnes leaves.
The episode includes several of Nashville’s own television journalists, including
Charlie Chase and
Lorianne Crook, GAC’s
Storme Warren and CMT’s
Katie Cook. Barnes uses an interview with Cook to send a message to husband Sean admitting that their attempt to marry was a mistake (while hiding from her fans that the two are actually married). The admission doesn’t work, and, after flying out to meet with Sean and his representative, Barnes agrees to an annulment.
Meanwhile, Rayna convinces Liam to fill in as her guitar player, after more than one attempt to find the right fit for her band and tour. Liam reluctantly agrees, though he deadpans that he nor anyone else can take the place of Deacon. As the mayoral election in Nashville is the next day, she ultimately decides to return to Nashville to support Teddy on election night. Teddy is elected mayor (and Rayna is officially First Lady of Music City), though side conversations reveal Coleman had more votes and that, unbeknownst to Teddy or Rayna, Rayna’s father Lamar bought the extra votes that Teddy needed to win.
Deacon Claybourne, still playing guitar for The Revel Kings, invites niece Scarlett to visit him during a concert in Texas. Scarlett O’Connor hitches a ride with her songwriting partner/sometimes romantic partner Gunnar Scott, who is also headed to town, but with a different motive–this episode reveals he has a brother, Jason Scott, who served six years of jail time. His crime? An armed robbery incident where Gunnar abandoned his brother. Gunnar has gone to meet him as he is released. Shortly after bringing his brother back to a hotel room, the two brothers reminisce about their younger years and their mutual love of music, singing the duet “I’m A Lonesome Fugitive.”
Scarlett is initially starstuck by Cy, the lead singer for The Revel Kings, until Cy isolates Scarlett and attempts to make out with her. Uncle Deacon becomes suspicious and rushes in on the pair, throwing Cy onto a table, roughing him up a bit and immediately quitting the band.
While Scarlett is getting a harsh lesson in some of the apparent job hazards of touring, her ex Avery Barker is getting some lessons of his own. He’s still sleeping with his manager Marilyn, who tells him his contract with label chief Dominic is a bad deal. Barker visits Dominic in Atlanta, and Dominic convinces him to sign the deal, leaving fans to wonder who is right about the deal–Dominic or Marilyn? (though ‘neither’ is probably closer to the right answer).
In one scene, Rayna James performs the song “Buried Under,” (written by
Chris DeStefano and
Natalie Hemby), Barnes is shown sitting in her dressing room, pondering her recent life events.
Meanwhile, at the end of the episode, after Teddy and his family celebrate his victory, a familiar character returns. Peggy (the woman who overdosed on pills in an earlier episode) returns to congratulate him on his win–and gets a little more intimate than she should to a man who is now a married mayor.
• • •
In next week’s episode, be on the lookout for two country star guest appearances. Chris Young and Brantley Gilbert both greet Rayna James (Britton) during a No. 1 party. See a preview photo below.

Chris Young and Brantley Gilbert on ‘Nashville.’ Photo: ABC/Chris Hollo
MusicRowRecess: A Rough Day in the Studio
/by Jessica NicholsonAlthough this would never happen in Nashville, sometimes a day in the life of a recording engineer can be challenging. Just ask this guy. (PS: Don’t bail before the 0:35 mark.)
http://youtu.be/ZhO08wO8Bvg
Luke Bryan Extends Headlining Tour
/by Caitlin Rantala“I feel like I have waited a lifetime to take my own show on the road,” shared Bryan. “The band and I have a lot of exciting things in store for the fans and are eager to get it started!”
Bryan was recently tapped to co-host the 48th Annual Academy Of Country Music Awards, airing on April 7 on CBS.
Dirt Road Diaries Tour – Second Leg:
May 17–Virginia Beach, Va.-Farm Bureau Live at Virginia Beach
May 18– Washington, D.C.–Jiffy Lube Live
May 31–Hartford, Conn.–Comcast Theatre
June 1–Philadelphia, Pa.–Susquehanna Bank Center
June 2–Boston, Mass.–Comcast Center
June 13–Peoria, Ill.–Peoria Civic Center
June 14–St. Louis–Verizon Wireless Amphitheatre
June 15–Chicago–First Midwest Bank Amphitheatre
July 11–Birmingham, Ala.–Oak Mountain Amphitheatre
July 12–Charlotte, N.C.–Verizon Wireless Amphitheatre
July 13–Raleigh, N.C.–Time Warner Cable Music Pavilion
July 14–Atlanta, Ga.–Aaron’s Amphitheatre at Lakewood
July 20–Detroit–Energy Music Theatre
July 21–Indianapolis–Klipsch Music Center
July 26–Albuquerque, N.M.–Isleta Amphitheatre
July 27–Phoenix, Ariz.–Desert Sky Pavilion
Aug. 8–Sacramento, Ca.–Sleep Train Amphitheatre
Aug. 9–Mountain View, Ca.–Shoreline Amphitheatre
Aug. 10–Irvine, Ca.–Verizon Wireless Amphitheatre
Aug. 11–San Diego–Sleep Train Amphitheatre formerly Cricket Wireless Amphitheatre
Aug. 23–Bethel, N.Y.–Bethel Woods Center for the Arts
Aug. 24–Holmdel, N.J.–PNC Bank Arts Center
Aug. 25–Saratoga Springs, N.Y.–Saratoga Performing Arts Center
Sept. 12–Wichita, Kan.–INTRUST Bank Arena
Sept. 14–Tulsa, Okla.–BOK Center
Sept. 20–Salt Lake City–USANA Amphitheatre
Sept. 21–Denver–Fiddler’s Green Amphitheatre
Sept. 26–Cincinnati–Riverbend Music Center
Sept. 27–Cleveland–Blossom Music Center
Sept. 28–Pittsburgh–First Niagara Pavilion
Oct. 17–Little Rock, Ark.–Verizon Arena
Oct. 18–Nashville, Tenn.–Bridgestone Arena
Oct. 19–Lexington, Ky.–Rupp Arena
Oct. 25–Tampa, Fla.–1-800-ASK GARY Amphitheatre
Oct. 26–West Palm Beach, Fla.–Cruzan Amphitheatre
Industry Ink (1/18/13)
/by Jessica Nicholson• • •
SOLID held their first General Assembly meeting of the year on Jan. 8 at the iconic Oceanway Studios. Warner Music Nashville’s President and CEO John Esposito was the guest speaker.
(L-R): Kent Wolfenbarger, SOLID Education Chair, Brittany Adkins Schaffer, SOLID Education Co-chair, SOLID President Sarah McGrady, John Esposito, SOLID Treasurer Michelle Tigard Kammerer and SOLID Vice President Brian O’Neil.
Weekly Chart Report (1/18/13)
/by Sherod RobertsonTyler Farr recently visited WGNA’s PD Tom Jacobsen in Albany during an acoustic tour. Farr’s “Redneck Crazy” is expected as the next release from the Columbia Nashville singer.
SPIN ZONE
The Band Perry tops the chart this week at No. 1 with “Better Dig Two” after only nine weeks running. The sibling trio succeeds Little Big Town‘s “Tornado,” which topped the chart last week, now landing at No. 2. Gary Allan‘s “Every Storm (Runs Out Of Rain)” climbs a spot to No. 3 while Jason Aldean‘s “The Only Way I Know” sits at No. 4. Rounding out the top five, Taylor Swift‘s “Begin Again” jumps two places this week to No. 5. New to the top ten this week are Tim McGraw‘s “One Of Those Nights,” leaping from No. 11 to No. 6; Carrie Underwood‘s “Two Black Cadillacs,” jumping six spots to No. 7; and Kacey Musgraves‘ “Merry Go Round,” which lands at No. 9.
Blake Shelton‘s “Sure Be Cool If You Did” at No. 21 was the top mover this week with 677 additional spins. Miranda Lambert‘s “Mama’s Broken Heart” at No. 25 gained another 603 spins while Eric Church‘s “Like Jesus Does” added 503 spins and lands at No. 44. All three top movers are in their second week on the chart.
Debuts this week were plentiful. Nine newcomers were added to the chart, including Andy Griggs‘ “Twenty Little Angels” at No. 62. Jake Owen followed with his “Anywhere With You” at No. 66, Josh Pruno‘s “23rd Psalm” took No. 67 and Kip Moore‘s “Hey Pretty Girl” occupies the No. 68 slot. Train‘s “Bruises” (feat. Ashley Monroe) also was among the debuts this week appearing on the chart at No. 74.
Frozen Playlists: KTHK, WBYZ, WCMS, WDHR
Upcoming Singles
January 22
Florida Georgia Line/Get Your Shine On/Republic Nashville
Lonestar/Maybe Someday/Tenacity
Chris Janson/Better I Don’t/Bigger Picture
Train feat. Ashley Monroe/Bruises/Crush-Columbia-9 North
Kelly Parkes/As Good As Me/Ocala
January 24
John Karl/That’s What I Believe
Andy Griggs/Don’t Let Go
January 28
Eric Church/Like Jesus Does/EMI
Billy Ray Cyrus/Hillbilly Heart (Keeping It Country)/Blue Cadillac
Blackberry Smoke/Pretty Little Lie/Southern Ground
February 4
Joel Crouse/If You Want Some/Show Dog–Universal
Kendall Phillips/You Should Know/HMG-Stellar Vision
New On The Chart—Debuting This Week
Artist/song/label — chart pos.
Andy Griggs/Twenty Little Angels/Little Hannel Records-Spin Doctors Music Group – 62
Jake Owen/Anywhere With You/RCA – 66
Josh Pruno/23rd Psalm/Lawrence Music Group – 67
Kip Moore/Hey Pretty Girl/MCA – 68
Train (feat. Ashley Monroe)/Bruises/Columbia – 74
Summer Schappell/It Ought To Be a Sin/615 Records – 76
Aaron Watson/Lips – 78
Drankmore/You Got To Me/Back Lounge – 79
The Farm/Be Grateful/Warner Nashville – 80
Most Added
Artist/song/label — New Adds
Eric Church/Like Jesus Does/EMI Nashville – 39
Miranda Lambert/Mama’s Broken Heart/RCA – 26
Blake Shelton/Sure Be Cool If You Did/Warner Bros. – 24
Florida Georgia Line/Get Your Shine On/Republic Nashville – 24
Jake Owen/Anywhere With You/RCA – 23
The Henningsens/American Beautiful/Arista – 22
Darius Rucker/Wagon Wheel/Capitol – 21
Rascal Flatts/Changed/Big Machine – 18
Easton Corbin/All Over The Road/Mercury – 16
Greatest Spin Increase
Artist/song/label — spin+
Blake Shelton/Sure Be Cool If You Did/Warner Bros. – 677
Miranda Lambert/Mama’s Broken Heart/RCA – 603
Eric Church/Like Jesus Does/EMI Nashville – 503
Chris Young/I Can Take It From There/RCA Nashville – 462
Darius Rucker/Wagon Wheel/Capitol – 445
On Deck—Soon To Be Charting
Artist/song/label — spins
Samantha Landrum/Hometown/Reviver-RED-BDG – 149
Lonestar/Maybe Someday – 139
Big & Rich/Party Like Cowboyz/Warner – 135
Phoenix Stone/100 Proof Moonshine/Stonehall – 132
Hannah McNeil/I Gotta Leave You For Me – 117
Brett Eldredge Visited with WGTY staff to promote his latest single, “Don’t Ya.” A music video for the song was recently shot in Nashville. Pictured (L-R): Katie Bright, Scott Donato (WGTY/York) and Brett Eldredge
Andy Griggs recently visited with WSM and Bill Cody about his new song, “Twenty Little Angels,” written for and benefiting those involved in the Newtown tragedy. The track takes our highest debut this week at No. 62. Pictured (L-R): Al Brock (Spin Doctors Music Group President), Cathy Nakos (Andy’s manager), Andy Griggs, and Bill Cody (WSM)
Lonestar met up with KSON/San Diego PD Kevin Callahan at show to benefit St. Jude recently. A 2013 album is expected to follow the reunited band’s current single, “Maybe Someday,” which lands On Deck this week. Pictured (L-R): Chris DeCarlo (Bigger Picture Group), Dave Taft (WBCT PD), Chris Janson, Doug Montgomery (WBCT OM), Michael Powers (Bigger Picture Group)
Hunter Hayes Is 'Wanted' At No. 1
/by Jessica NicholsonPictured (back row, L-R): Scott Hendricks, Universal Music Group’s Cyndi Forman and Whitney Williams, Martingale Entertainment’s Betsy McHugh and Ansel Davis, and producer Dann Huff; (front row, L-R): Universal Music Publishing Group’s Kent Earls, co-writer Troy Verges, Hunter Hayes, BMI’s Jody Williams, and Warner Music Nashville’s John Esposito.
The multi-talented Hunter Hayes celebrated his first No. 1 single, “Wanted,” with a New Orleans-themed brunch at Nashville’s BMI offices on Thursday (Jan. 17). “Wanted” was co-written with veteran songwriter Troy Verges, who also co-wrote Kip Moore’s “Beer Money.”
“Wanted” is currently nominated for a Grammy for Best Country Solo Performance (Hayes is nominated for three Grammy Awards this year). During the event, Hayes was surprised with a plaque commemorating “Wanted” as a double-platinum single.
In keeping with BMI tradition for writers earning their first No. 1 song, Jody Williams presented Hayes with a special-edition acoustic guitar. Meanwhile, as attendees dined on an array of breakfast treats, including French toast and yogurt parfaits, Warner Music Nashville CEO John Esposito took a moment to praise Hayes’ parents, who were also in attendance, for instilling an admirable work ethic in their son. “If all the artists worked as hard as this kid,” said Esposito, “our life would be better.”
Hayes took the stage to thank Verges for co-writing the song and the industry for supporting him. “I’ve never known anything but music,” he said. “It blows me away that my parents let me move to Nashville and moved with me. One of the first things I learned from them was that there’s no ‘right way’ to write a song. You just write it.”
Charlie Cook On Air: Music Row Investments
/by contributorLast year the hot stocks were Luke Bryan, Eric Church and Jason Aldean. Miranda Lambert was like a municipal bond that we bought in 2009. She just kept paying off year after year. All growth and no downside. If you watched the CMA awards shows from around 2006 on, you knew that Lambert was going to be a fund to buy and hold for years. Your investment has paid off handsomely.
Bryan and Church were like IPOs last year that had built a base in the last few years. They were ready to come onto the market in 2012 and BAM! Both came out hot and got hotter as the year progressed. What does 2013 hold? Kenny Chesney loaded up on all the Church stock he could get his hands on for 2013 so he looks like a great bet.
Aldean is a blue chip stock that you can buy and leave alone for years. Just collect the dividends year in and year out. If you bought Blake Shelton at the beginning of 2012 you made money. There is concern that inflation is on the horizon. It makes sense to have a few stocks that are protected against inflation. Shelton is one of them because he is so diversified, not only radio but TV, Concerts, chart-topping records and marketing (Twitter). I would continue buying Blake.
It is always good to invest in some small caps. You can get real growth out of these small caps because the upside is so high. Bryan would have been a small cap in 2010. Look at him now. Small caps for 2013? Hunter Hayes and Jana Kramer would be a couple of picks. I would also put some money into Kip Moore, Casey James and Dustin Lynch. If you want a runner pick, try Florida Georgia Line.
I think we want a few more blue chips to balance the portfolio. How about Carrie Underwood, the aforementioned Chesney, Tim McGraw and what about the Google of Country Music, Taylor Swift?
Even with the military being cut back under the current administration, I like to be in defense stocks. This is a crazy world and having a foot in the defense sector seems like a good idea to me. I would buy some Lady Antebellum, a little Zac Brown Band and Rascal Flatts. This will protect you against missing out on big hits.
I am not a great stock picker and trying to unearth a penny stock that makes your portfolio a big gainer is very difficult. Perhaps being in a fund is the best bet. How about a fund that is called Country Music. That sounds like a winner to me.
(The views expressed in this article are those of the author and do not necessarily reflect those of MusicRow.)
Truck Auctions Culminate 'Road to the Ram Jam'
/by Eric T. ParkerFive trucks in all will be sold throughout the next three months, to benefit select charities. Other artists taking part include Brantley Gilbert, whose truck will be auctioned off on Feb. 5, Billy Currington (Feb. 19), Zac Brown Band (March 5), and Easton Corbin (March 18).
Pickler’s proceeds will go towards the USO Warrior and Family Care program’s long-term effort to help wounded, ill and injured troops, families and caregivers in recovery.
“I love everything there is to love about my Ram Truck,” said Pickler. “And I have to be honest I am a little sad about giving it up but its for a great cause, and we really want to raise a lot of money for the USO, so please log on and bid.”
Gilbert has selected Iraq and Afghanistan Veterans of America (IAVA) as his charity, while Currington selected Team Rubicon. Zac Brown Band’s proceeds will support Camp Southern Ground, and Corbin is directing funds towards the Freedom Alliance Scholarship Fund.
“The Road to the Ram Jam” series included exclusive video, prizes, free music downloads, as well as a chance to win trips for two to the exclusive Ram Jam concert, held Dec. 29, 2012 in Nashville, Tenn. The show featured performances by all five participating artists. Watch highlights from the concert’s live stream here.
Fans will have two weeks to bid on each truck. To get more information on Pickler’s truck, visit ebay.
Primetime 'Nashville': 'I'm Sorry For You My Friend'
/by Jessica NicholsonRayna and Juliette’s pre-tour press event.
Hidden motives abound as Rayna (Connie Britton) and Juliette (Hayden Panettiere) kick off their Red Lips, White Lies tour. Picking up from the last episode, Juliette married boyfriend Sean in a quickie wedding, then left him at the altar instead of going though with the large flashy wedding his mother had planned. Instead Juliette took a private jet to the first show on the tour.
While signing autographs for fans outside the venue, Barnes is shocked to be served an annulment request from Sean. Instead, Barnes insists on a divorce that is a quick as their marriage, leading to more animosity between the two.
Her personal troubles spill over into rehearsals, where Juliette refuses to sing a song she wrote about Sean, titled “Love Like Mine” (penned by Kelly Archer, Justin Weaver, and Emily Shackelton). During rehearsal and performance scenes, Barnes performs “Boys and Buses” (written by Shane McAnally, Brandy Clark, and Josh Osborne) and later “Telescope” (which, in reality, is currently at No. 33 on the MusicRow Country Breakout chart for Panettiere and written by Hillary Lindsey and Cary Barlowe). During rehearsals, she keeps playing long over her allotted rehearsal time, prompting Rayna’s producer Liam to lie in the middle of the stage until Barnes leaves.
The episode includes several of Nashville’s own television journalists, including Charlie Chase and Lorianne Crook, GAC’s Storme Warren and CMT’s Katie Cook. Barnes uses an interview with Cook to send a message to husband Sean admitting that their attempt to marry was a mistake (while hiding from her fans that the two are actually married). The admission doesn’t work, and, after flying out to meet with Sean and his representative, Barnes agrees to an annulment.
Meanwhile, Rayna convinces Liam to fill in as her guitar player, after more than one attempt to find the right fit for her band and tour. Liam reluctantly agrees, though he deadpans that he nor anyone else can take the place of Deacon. As the mayoral election in Nashville is the next day, she ultimately decides to return to Nashville to support Teddy on election night. Teddy is elected mayor (and Rayna is officially First Lady of Music City), though side conversations reveal Coleman had more votes and that, unbeknownst to Teddy or Rayna, Rayna’s father Lamar bought the extra votes that Teddy needed to win.
Deacon Claybourne, still playing guitar for The Revel Kings, invites niece Scarlett to visit him during a concert in Texas. Scarlett O’Connor hitches a ride with her songwriting partner/sometimes romantic partner Gunnar Scott, who is also headed to town, but with a different motive–this episode reveals he has a brother, Jason Scott, who served six years of jail time. His crime? An armed robbery incident where Gunnar abandoned his brother. Gunnar has gone to meet him as he is released. Shortly after bringing his brother back to a hotel room, the two brothers reminisce about their younger years and their mutual love of music, singing the duet “I’m A Lonesome Fugitive.”
Scarlett is initially starstuck by Cy, the lead singer for The Revel Kings, until Cy isolates Scarlett and attempts to make out with her. Uncle Deacon becomes suspicious and rushes in on the pair, throwing Cy onto a table, roughing him up a bit and immediately quitting the band.
While Scarlett is getting a harsh lesson in some of the apparent job hazards of touring, her ex Avery Barker is getting some lessons of his own. He’s still sleeping with his manager Marilyn, who tells him his contract with label chief Dominic is a bad deal. Barker visits Dominic in Atlanta, and Dominic convinces him to sign the deal, leaving fans to wonder who is right about the deal–Dominic or Marilyn? (though ‘neither’ is probably closer to the right answer).
In one scene, Rayna James performs the song “Buried Under,” (written by Chris DeStefano and Natalie Hemby), Barnes is shown sitting in her dressing room, pondering her recent life events.
Meanwhile, at the end of the episode, after Teddy and his family celebrate his victory, a familiar character returns. Peggy (the woman who overdosed on pills in an earlier episode) returns to congratulate him on his win–and gets a little more intimate than she should to a man who is now a married mayor.
• • •
In next week’s episode, be on the lookout for two country star guest appearances. Chris Young and Brantley Gilbert both greet Rayna James (Britton) during a No. 1 party. See a preview photo below.
Chris Young and Brantley Gilbert on ‘Nashville.’ Photo: ABC/Chris Hollo
BMI Debuts Corporate Positioning Campaign
/by Sarah SkatesThe goal of the campaign is to raise awareness of BMI’s corporate identity and capabilities within the evolving music and entertainment business and to reflect its enduring commitment to music creators. The new slogans include: Write On, Powered By, and Valuing Music Since 1939.
The campaign logo includes a symbol that resembles a red spark, representing a spark of creativity. It is a play on the original logo from the ’40’s, which used an asterisk to indicate a spotlight on the writer. The new visual identity does not replace the current corporate BMI logo.
Ads in the campaign feature photos by legendary rock and roll photographer Danny Clinch. BMI tapped creative agency Delevante for the campaign.
Ratings Rundown: 'Idol' Premiere and 'Nashville'
/by Sarah Skates• • • •
ABC’s Nashville averaged 6.5 million viewers last night. According to the L.A. Times, the show is attracting an unusual set of viewers—it is tied as the most popular new show among women 18-34. For advertising reasons, the network expected, and wants to, draw in more 18-49 year old fans. Among the theories for the younger-skewing watchers: thanks to hit acts including Taylor Swift and Carrie Underwood, younger women like country music more than older women. Or perhaps younger women are more interested in Hayden Paneittere, or the competing singers storyline. The program also has unusually high DVR numbers.