
Kip Moore discusses his new album Wild Ones. Photo: Alan Poizner
Three years ago, on his debut album, Kip Moore sang “don’t give up on me yet, I’m still growing up.” Fans and his MCA Nashville team stuck with him, and his long-awaited sophomore effort proves why—and how much he grew up in the meantime.
Up All Night was a quality project marked by Moore’s restlessness, with songs about moving around (“Everything But You,” “Reckless”) and youthful loving and leaving (“Crazy One More Time”). Today he’s mostly left behind the field parties and small town shenanigans (“Beer Money,” “Somethin’ ‘Bout A Truck”) that populated the first album.
What hasn’t changed on his upcoming release is Moore’s penchant for red dresses (“What Ya Got On Tonight”), back seats (“That Was Us,” and, yes, “Backseat”) and passing green around the campfire (“That’s Alright With Me”), as he told the crowd gathered at his short performance last night (Aug. 12) at the Basement East in Nashville.
“I like to have a song on the record that’s a statement song about who I am, and ‘Reckless’ was that song on the Up All Night record,” he said. “People say I can’t talk about left–handed cigarettes in music, and I say ‘yes I can.’”
Today he’s a man who knows what he wants, and he’s upfront about it: “Girl what’s the matter with you… Come and get it,” he sings on the new album. He also knows what his fans want. He never stopped touring between projects and the title track “Wild Ones” is an ode to them.

MCA Nashville’s Kip Moore, UMG Nashville Chairman and CEO Mike Dungan. Photo: Alan Poizner
Overall, Wild Ones shares the same top-notch songwriting as his first album but with a heavier sound and bolder lyrics. Whatever a song’s mood, Moore owns it—whether it’s the quieter introspection of “Comeback Kid” or the brashy “I’m To Blame,” where he sings, “Where there’s blue lights, just read me my rights.” Other standout tracks include “What Ya Got On Tonight,” and “Girl of the Summer.” Of the latter, Moore got the idea during a trip to the beach, and the storyline is reminiscent of Don Henley’s classic “Boys of Summer.”
Moore said, “I’ve kept the same core group of writers, because I believe in them and they believe in me. I keep the people close to me that were there for me at the beginning. But Westin [Davis] introduced me to this quirky bird named Luke Dick a little while back. And I love the dude. He really expanded my mind in a different way on this record.”
Moore, Davis and Dick conjured up “Magic,” an album highlight. “We were talking about all the fairy tale stuff that’s written and how we didn’t feel that way a lot of times about love,” said Moore. “So that’s how the song started.”
He closed the set with “Running For You,” which could be the next single. Wild Ones will be released Aug. 21.
Wild Ones Tracklist
1. Wild Ones (Kip Moore, Chris DeStefano, Brett James)
2. Come And Get It (Kip Moore, Brett James, Manny Medina)
3. Girl of Summer (Kip Moore, Troy Verges, Blair Daly)
4. Magic (Kip Moore, Westin Davis, Luke Dick)
5. That Was Us (Kip Moore, Westin Davis, Dan Couch)
6. Lipstick (Kip Moore, Justin Weaver, David Frasier, Westin Davis)
7. What Ya Got On Tonight (Kip Moore, Troy Verges, Blair Daly)
8. Heart’s Desire (Kip Moore, Dan Couch, Adam Browder, Erich Wigdahl)
9. Complicated (Kip Moore, Chris DeStefano, Rodney Clawson)
10. I’m To Blame (Kip Moore, Justin Weaver, Westin Davis)
11. That’s Alright With Me (Kip Moore, Dan Couch, Luke Dick)
12. Running For You (Kip Moore, Troy Verges, Blair Daly)
13. Comeback Kid (Kip Moore, Erik Dylan, Ross Copperman, Jeff Hyde)

Kip Moore Conjures ‘Magic’ On Sophomore Album
/by Sarah SkatesKip Moore discusses his new album Wild Ones. Photo: Alan Poizner
Three years ago, on his debut album, Kip Moore sang “don’t give up on me yet, I’m still growing up.” Fans and his MCA Nashville team stuck with him, and his long-awaited sophomore effort proves why—and how much he grew up in the meantime.
Up All Night was a quality project marked by Moore’s restlessness, with songs about moving around (“Everything But You,” “Reckless”) and youthful loving and leaving (“Crazy One More Time”). Today he’s mostly left behind the field parties and small town shenanigans (“Beer Money,” “Somethin’ ‘Bout A Truck”) that populated the first album.
What hasn’t changed on his upcoming release is Moore’s penchant for red dresses (“What Ya Got On Tonight”), back seats (“That Was Us,” and, yes, “Backseat”) and passing green around the campfire (“That’s Alright With Me”), as he told the crowd gathered at his short performance last night (Aug. 12) at the Basement East in Nashville.
“I like to have a song on the record that’s a statement song about who I am, and ‘Reckless’ was that song on the Up All Night record,” he said. “People say I can’t talk about left–handed cigarettes in music, and I say ‘yes I can.’”
Today he’s a man who knows what he wants, and he’s upfront about it: “Girl what’s the matter with you… Come and get it,” he sings on the new album. He also knows what his fans want. He never stopped touring between projects and the title track “Wild Ones” is an ode to them.
MCA Nashville’s Kip Moore, UMG Nashville Chairman and CEO Mike Dungan. Photo: Alan Poizner
Overall, Wild Ones shares the same top-notch songwriting as his first album but with a heavier sound and bolder lyrics. Whatever a song’s mood, Moore owns it—whether it’s the quieter introspection of “Comeback Kid” or the brashy “I’m To Blame,” where he sings, “Where there’s blue lights, just read me my rights.” Other standout tracks include “What Ya Got On Tonight,” and “Girl of the Summer.” Of the latter, Moore got the idea during a trip to the beach, and the storyline is reminiscent of Don Henley’s classic “Boys of Summer.”
Moore said, “I’ve kept the same core group of writers, because I believe in them and they believe in me. I keep the people close to me that were there for me at the beginning. But Westin [Davis] introduced me to this quirky bird named Luke Dick a little while back. And I love the dude. He really expanded my mind in a different way on this record.”
Moore, Davis and Dick conjured up “Magic,” an album highlight. “We were talking about all the fairy tale stuff that’s written and how we didn’t feel that way a lot of times about love,” said Moore. “So that’s how the song started.”
He closed the set with “Running For You,” which could be the next single. Wild Ones will be released Aug. 21.
Wild Ones Tracklist
1. Wild Ones (Kip Moore, Chris DeStefano, Brett James)
2. Come And Get It (Kip Moore, Brett James, Manny Medina)
3. Girl of Summer (Kip Moore, Troy Verges, Blair Daly)
4. Magic (Kip Moore, Westin Davis, Luke Dick)
5. That Was Us (Kip Moore, Westin Davis, Dan Couch)
6. Lipstick (Kip Moore, Justin Weaver, David Frasier, Westin Davis)
7. What Ya Got On Tonight (Kip Moore, Troy Verges, Blair Daly)
8. Heart’s Desire (Kip Moore, Dan Couch, Adam Browder, Erich Wigdahl)
9. Complicated (Kip Moore, Chris DeStefano, Rodney Clawson)
10. I’m To Blame (Kip Moore, Justin Weaver, Westin Davis)
11. That’s Alright With Me (Kip Moore, Dan Couch, Luke Dick)
12. Running For You (Kip Moore, Troy Verges, Blair Daly)
13. Comeback Kid (Kip Moore, Erik Dylan, Ross Copperman, Jeff Hyde)
Sara Evans and REO Speedwagon Team For “Crossroads”
/by Lorie HollabaughSara Evans
The latest artists to meet at the CMT Crossroads are Sara Evans and REO Speedwagon. The two will team up on songs and trade stories on an all-new episode of the series, which will premiere Sept. 19. This will mark Evans’ third time on the show.
“We met Sara Evans when REO played with Brad Paisley at the Sony Music Nashville annual cruise and we all became fast friends,” said REO Speedwagon’s Kevin Cronin. “When we got the offer to do ‘CMT Crossroads’ with her we jumped at the chance to hear Sara’s sweet voice on our songs, and to put our spin on hers. Sara put me at ease right away and her energy is contagious.”
“I’ve been a huge fan of REO Speedwagon for as long as I can remember,” said Evans. “Their songs have been a part of the soundtrack of my life and I’m thrilled to be joining them on stage for ‘CMT Crossroads.’ It truly is a dream come true!”
Lynn Anderson’s Final Recording Goes To Radio
/by Sarah SkatesAnderson’s daughter, Lisa Sutton, says, “Bridges is Mom’s first religious CD in her long career of making music. It has been our soundtrack the past few months and now it’s become the perfect memoir. Like a gift left behind, delivered as only Mom can… It’s almost like it was meant to be.”
Nancy Tunick’s GrassRoots Promotion is spearheading promotion efforts.
Anderson passed away on July 31 at age 67.
Charlie Daniels’ Volunteer Jam Welcomes Eric Church, More Surprises
/by Lorie HollabaughCharlie Daniels and Eric Church
Photo: Rick Diamond / Getty Images for Webster PR
Charlie Daniels celebrated the 40th Anniversary of his annual Volunteer Jam in the biggest way possible last night (Aug. 12) at Nashville’s Bridgestone Arena, offering up surprises galore for the sold-out crowd including bombshell appearances by Eric Church, Jamey Johnson, Lynyrd Skynyrd, and Blackberry Smoke.
The benefit for servicemen and veterans through the Journey Home Project featured plenty of great music. In the middle of Daniels’ performance of “In America,” Church busted out onstage to join Daniels for a duet. Though the two both hail from North Carolina, the Jam was the first time they had shared a stage.
The evening’s four surprise guests joined billed acts Ted Nugent, Trace Adkins, Alabama, Terri Clark, Billy Ray Cyrus, Colt Ford, The Grascals, Lee Greenwood, The Kentucky Headhunters, Tracy Lawrence, The Oak Ridge Boys, Ryan Weaver, Wynonna, Craig Morgan, Lee Roy Parnell, Billy Dean, Michael W. Smith, Travis Tritt, Phil Vassar, Montgomery Gentry, Natalie Stovall and of course Daniels himself.
The 40th Anniversary Volunteer Jam raised hundreds of thousands in proceeds for the non-profit organization, The Journey Home Project, which aids veterans’ organizations in meeting the health care, education and career needs of military servicemen and women and their families. Since 1974, Daniels has rounded up his music friends and peers to come together on a “volunteer” basis to hang out and jam. The Charlie Daniels Band has grown the concept from its early days at the War Memorial Auditorium to the Starwood Amphitheater, to its first year at Music City’s Bridgestone Arena.
Daniels is celebrating another milestone and bringing his career spanning over 50 years full circle with a new release, Live At Billy Bob’s Texas, and its companion DVD on Oct. 16. Recorded in February, the 14-track project pairs The Charlie Daniels Band with Willie Nelson, Merle Haggard, David Allan Coe, Pat Green, Randy Rogers Band, Stoney LaRue, and others as a member of the Live at Billy Bob’s Texas family.
Lynyrd Skynyrd and Charlie Daniels at the 40th Volunteer Jam. Photo: John Shearer / Getty Images for Webster PR
Charlie Daniels and Billy Dean. Photo: John Shearer / Getty Images for Webster PR
Charlie Daniels and Natalie Stovall trade licks at the Volunteer Jam. Photo: John Shearer / Getty Images for Webster PR
Industry Ink: NSAI Bluebird Show, Michael Knox, Belmont Beatles Tour
/by Lorie HollabaughNSAI Bluebird Series
NSAI kicked off its Performance Series Tuesday night (August 11) at the Bluebird Cafe. Songwriters Ashley Gorley, Chris DeStefano, Dallas Davidson and Rhett Akins performed hits including Jason Aldean‘s three latest No. 1’s “Burnin’ It Down,” “Just Gettin’ Started,” and “Tonight Looks Good On You,” with the crowd singing along. Remaining shows in the series will take place on September 9, October 8, November 17 and December 1.
Songwriters and representatives from Bank of America at the NSAI’s Performance Series at the Bluebird Cafe.
Michael Knox’s No. 1 Week
Independent producer and peermusic publishing’s Pres./CEO Michael Knox had a big week this week with the triple No. 1 celebration for Jason Aldean and his own birthday celebration.
Pictured (L-R): Jennifer Crouch, Michael Tyler, Kim Wiggins, Rachel Farley, Shalacy Griffin, Knox and Craig Currier. Photo: C McTyre
Belmont Students’ Beatles Adventure
Students from Belmont traveled to England recently for a course on The British Music Industry led by Dr. Don Cusic. Highlights of the trip included a visit to Liverpool for a “Beatles Day” where they toured the Beatles Museum, the Cavern, and took a bus tour of the early homes of the Beatles.
Pictured (L-R): Michael Crecca, Olivia Autry, Alexa Walther, Athena Kulb, Don Cusic, Anna Gregory, Hailey Nelson and Brittany Waldrep
DisClaimer: The Purebred Strut
/by Robert K OermannSure enough, you’ll find some “dogs” among these new sounds. But there are some real purebred pups strutting around in this column, too. Listen to Rick Monroe, Shanna Henderson and Rusty Golden, for instance. Our DisCovery Award goes to an excellent vocalist named Mike Ryan. He has an album that’s a gem from start to finish.
Unquestionably today’s Best In Show is the classy duet record by Willie Nelson & Merle Haggard. It is the Disc of the Day.
LESLIE COURS MATHER/Hell Hath No Fury
Writer: Kelly Lang; Producer: Denny Diante
—She handles this horn-punctuated, feminist, retro-styled blues tune with aplomb. It’s a warning to a guy who hurts a woman that he’s doomed, and how. Nice work.
DEREK ANTHONY/If I Don’t
Producer: Steve Mandile; Bluant Music Group
—He sings well, but the song is pretty wordy and seems to take an awfully long time to get to its hook.
WILLIE NELSON & MERLE HAGGARD & JAMEY JOHNSON/It’s All Going to Pot
Writer: Buddy Cannon/Jamey Johnson/Larry Shell; Producer: Buddy Cannon; Publisher: Run Slow/BMG Rights/EMI Blackwood/Big Gassed Hitties/Not Her Money
—The Willie-Hag duet CD is called Django and Jimmie. It contains a handful of classics (Willie’s “Family Bible,” Haggard’s “Swinging Doors” and “Somewhere Between”), but really comes alive when the two legends swap lines on new Music Row tunes. This one is a lively, Mexicali-flavored bopper that romps through humorous lyrics with delightfully light-hearted finesse. Jamey Johnson adds harmonies, and later on you’ll find Bobby Bare guesting on the boom-chicka-boom Haggard tune “Missing Ol’ Johnny Cash.” Buy this record.
ANITA STAPLETON & GENE WATSON/Just Someone I Used to Know
Writer: Jack Clement; Producer: Dirk Johnson; Publisher: Glad/Pappy Daily/Universal; DirkWorks
—This is such a brilliant country song. Its new revival won’t erase the memory of the 1969 Porter & Dolly original (or the fine Jeannie Seely/Jack Greene version), but these voices blend quite well, and the production is perfect. Newcomer Anita handles the melody, while the fabulous Gene shadows her in flawless harmony.
MIKE RYAN/Bad Reputation
Writer: Ryan/Anderson/DuBois; Producer: Brent Anderson & Ben Phillips
—This strong singing Lone Star State boy rocks and wails on this energetic outing, the title tune of his current CD. The accompaniment is tighter and slicker than we are used to hearing on Texas productions. Special kudos to the lead electric guitarist.
Rusty Golden
RUSTY GOLDEN/Sober
Writer: Jeffrey Steele; Producer: Scott Baggett;RGM
—I have always liked this guy’s work, from way back when he was a kid in the Nashville pop/rock groups The Boys Band, GoldenSpeer and The Goldens. The son of new Country Hall of Fame member William Lee Golden of the Oaks has since had a tumultuous life as a gospel and country songwriter, a session musician, a record producer, a survivor of heart bypass surgery and a druggie. His first solo album is a collection of songs about recovery. The title tune by Nashville Songwriters Hall of Famer Jeffrey Steele will touch your heart with its inspirational fervor. Whether you’ve ever been through recovery or not, this album will do you a world of good.
SARAH ROSS/Shotgun
Average Joes
—Female white rap. Pass.
RICK MONROE/Just the Same
Writer: Jason Brunswick/Josh Dunne/Rick Monroe; Producer: Steve Freeman; MRG
—I dig this fellow. His recent EP spawned the excellent “Great Minds Drink Alike” and “Fire’s Out.” Now expanded into a full-length CD titled It’s a Love Thing, it includes this new, atmospheric. romantic crooner. I like the way he goes from a whisper to a baritone swoon. A relentless touring artist, this solid citizen, talented vocalist and fine songwriter deserves some kind of major-label endorsement.
LINDI ORTEGA/Tell It Like It Is
Writer: Lindi Ortega; Producer: Colin Linden; Last Gang
—I remain a fan. Lindi’s new collection is called Faded Gloryville. It features this throbbing, echo-chamber performance that shines a spotlight on her penetrating soprano as well as her songwriting chops. Americana programmers also take note.
SHANNA HENDERSON/Hell Or Highwater
Writer: Ben Stennis/Katie Kessler; Producer: Ben Stennis & Blake Bollinger
—Banjo notes decorate this moody, sultry performance. Her forceful, laser-arrow vocal hits a bullseye with every phrase. Promising.
2nd Annual ASCAP Showcase P.R.O.motes CMA Voting
/by Sherod RobertsonLee Ann Womack performs at ASCAP’s 2015 P.R.O.mote The Vote event.
The American Society of Composers, Authors and Publishers (ASCAP) held its second annual “P.R.O.mote The Vote” industry showcase yesterday (Aug. 11), the same day CMA ballots were emailed to voting members. The invitation-only crowd gathered mid-day at The Rosewall in Nashville to enjoy a much-welcomed schmoozefest, complimentary cocktails and hors d’oeuvres, and artist performances.
Michael Martin, who heads the ASCAP Nashville membership office, says, “ASCAP created this event to remind people that every vote counts, and that just one vote can make the difference in these artists getting on the CMA Awards final ballot. We developed P.R.O.mote the Vote to raise as much awareness as possible on the day the CMA Awards second round ballot comes out.”
(L-R): RaeLynn, Kelsea Ballerini, Striking Matches’ Sarah Zimmermann and Justin Davis
ASCAP Creative Director Robert Filhart adds, “We created P.R.O.mote the Vote in 2014 as a way to recognize our ASCAP artist members and all of their accomplishments of the past year, and to support them in the upcoming CMA Awards voting season. Building on last year’s event, we once again partnered with Fifth Third Bank’s music group and Loeb & Loeb for another hugely successful event that we plan to continue for years to come.”
ASCAP Executive V.P. of Membership John Titta served as host and introduced featured acoustic performers RaeLynn, Striking Matches, Kelsea Ballerini, Canaan Smith and Lee Ann Womack. While welcoming the crowd from the stage, he quipped, “Thank you for letting a New York guy come up here!”
(L-R): ASCAP Nashville VP Michael Martin, Lee Ann Womack, ASCAP EVP of Membership John Titta
Valory Music Co.’s RaeLynn opened the performances with a new song, “The Zoo” followed by her hit, “God Made Girls,” but not before expressing how thankful she was to everyone in the room for the song’s success. I.R.S. Records’ recording artist Striking Matches (Justin Davis and Sarah Zimmermann) hit the stage next with two songs from their project, Nothing But The Silence, produced by T Bone Burnett. After performing “Trouble Is As Trouble Does” and “Make A Liar Out Of Me,” there was no doubt Zimmermann had left the audience mesmerized with her signature guitar shredding.
Black River’s Kelsea Ballerini was up next and performed the Eddy Arnold classic, “Make The World Go Away.” Having celebrated her first No. 1 song the previous day for “Love Me Like You Mean It,” Ballerini sang her chart topper while everyone grooved along.
Canaan Smith then took the stage with “American Muscle” and “One of Those” from his recently released album, Bronco. He excitedly shared news that he was upgrading to his first touring bus right after the party was over.
“This is the stuff legends are made of,” proclaimed Titta as he introduced Lee Ann Womack who rounded out the “P.R.O.mote The Vote” bash with “Chances Are” followed by the title track to her latest album, “The Way I’m Livin’.”
Now it was time to go vote. CMA ballots for the second round have been sent out and voting closes Thursday, Aug. 20 at 6:00 p.m. CST.
Artist Canaan Smith and ASCAP’s EVP John Titta
All Photos: Ed Rode
Clay Bradley Exits BMI, Launches New Venture
/by Sarah SkatesClay Bradley
Clay Bradley has exited his longtime post at BMI as Asst. VP, Writer-Publisher Relations. He has launched his own company with a focus on managing I.R.S. Nashville duo Muddy Magnolias.
BMI’s Jody Williams says, “Clay Bradley is one of the best creative people I’ve ever had the pleasure to work with. He is an excellent talent scout and his song sense is spot on. It’s in his blood. So, it’s no surprise to me that he would follow his instincts and venture out to work with the Muddy Magnolias. Clay was incredible in his role at BMI and signed some of our best writers…from Toby Keith and Kenny Chesney to Johnnyswim and Muddy Magnolias. At BMI we worked hard and had a lot of fun together. I’m certain there will be a lot of success in his future.”
Since joining BMI in 2008, Bradley worked to grow the performing rights organization’s roster by recruiting, signing, and retaining songwriters and publishers.
Bradley can be reached at cbradley@thirdgenent.com.
BMG Signs Marshall Altman
/by Sarah SkatesPictured (L-R): Kent Marcus (Marcus & Colvin, LLP); Penny Gattis (BMI); Kos Weaver (BMG Chrysalis, Executive Vice President); Rishon Blumberg (Brick Wall Management); Marshall Altman; Daniel Lee (BMG Chrysalis, Senior Creative Director); Lainie Allbee (Martin, Allbee & Associates, LLC); Breanne Miller (Martin, Allbee & Associates, LLC); Sara Knabe (BMG Chrysalis, Senior Creative Director)
BMG Nashville is proud to welcome multi-genre hit songwriter and producer Marshall Altman. He has produced five top-10 country singles, including Eric Paslay‘s No. 1 “Friday Night,” and Frankie Ballard‘s No. 1s “Sunshine and Whiskey” and “Helluva Life,” and current top five “Young And Crazy.”
Altman has also enjoyed stints as a major label artist, a successful A&R executive at Capitol, Hollywood, and Columbia Records, and a producer for Natasha Bedingfield, Matt Nathanson, Kate Voegele and other hit acts. As a songwriter he had the international No. 1 song “Parachute,” co-written with acclaimed artist Ingrid Michaelson.
Industry Ink: Sam Tinnesz, Joe Spann, Gene Watson
/by Lorie HollabaughSam Tinnesz Re-inks With Daywind
SESAC songwriter Sam Tinnesz has renewed his publishing agreement with Daywind Publishing. Tinnesz is an artist, songwriter, and publisher with recent activity in some of today’s hottest television shows including MTV’s Scream, ABC’s new show Quantico and FOX’s American Idol, and has received many SESAC Christian Music Awards.
Pictured (L-R): Daywind’s Rick Shelton and Chad Green, Tinnesz, SESAC’s Tim Fink and Daywind’s Ed Leonard. Photo: Peyton Hoge
Spann Joins IBMA Member Services
Joe Spann
Joe Spann has joined the IBMA as Member Services Manager. In his new duties Spann will report to Executive Director Paul Schiminger and will maintain communication regarding memberships, identify new programs to assist member career advancement, and coordinate the World of Bluegrass registrations.
The Florida native spent 10 years on the road playing guitar and banjo entertaining at Florida theme parks and also served as director of the Polk County Historical & Genealogical Library for 20 years. In 2011 he authored the reference book Spann’s Guide to Gibson 1902-1941, now considered the definitive guide to identifying and dating the stringed instruments built by the Gibson Company prior to World War II. In more IBMA news, the organization has announced nominations for it upcoming awards show.
Watson Taps Webster
Gene Watson
Gene Watson has signed with Webster Public Relations for representation. “I am excited to work with Kirt Webster and the excellent team at Webster PR,” said Watson of the new affiliation. “The company Kirt has built has done so much to preserve the legacy of real country music that I could not think of a better home.”