BOBBY KARL WORKS THE ROOM
Chapter 561
When is an awards show more like a par-tay?
Why, when it’s the AIMP celebration, of course. Those initials stand for Association of Independent Music Publishers. On Monday, the organization staged its second annual awards show at the Ryman Auditorium (May 8).
As was the case last year, the event was characterized by unbridled schmoozing, light-hearted stage banter, gloriously unvarnished performances and immense joie de vivre.
“Welcome to the loosest awards show in Nashville history,” said Storme Warren. “Sit down!” The attendees were merrily milling around amid the Ryman pews, oblivious to the 7 p.m. starting time. “You’ve been with songwriters long enough!” Well, what do you expect when you throw a 6 p.m. cocktail party in front of your gala?
To give you some idea of the flavor of this event, here are some snippets of acceptance remarks.
“Thanks to the open bar for making this speech possible,” said Clint Lagerberg, who won Song of the Year for “Blue Ain’t Your Color” with co-writers Hillary Lindsey and an absent Steven Lee Olsen.
“It’s kinda cool [that] I’ve gotten an award for being drunk in a bar and forcing people to listen to a song on my iPhone,” said Song Champion winner Courtney Crist of HoriPro Entertainment.
Rising Independent Songwriter of the Year winner Kelly Archer wryly observed, “Getting a ‘rising’ award in your 16th year in publishing…is kinda like [being] a houseplant that withered, and the next thing you know, it’s good as new. That’s how I feel tonight.”
“I’m looking around at everybody I grew up with,” commented Carla Wallace, whose Big Yellow Dog won the AIMP Publisher honor.
“This is without a doubt the music-community feel-good event of the year,” observed BMI’s Jody Williams.
The briskly-paced show featured acoustic performances of various AIMP song nominees. Everyone who performed did a number that they did NOT write.
So Old Dominion did a lively, upbeat arrangement of Maren Morris’s “’80s Mercedes.” Maren subsequently won the Artist-Writer of the Year award. “All of you in this room I’ve written with or had a beer with, thank you so much,” she said, “the people I respect most in this world.”
She was the night’s only double winner. Maren also earned a Publisher Pick Award for “Rich,” performed with feisty sass on the show by Natalie Hemby. “We actually wrote together today, so this is so cool,” said Maren of her cowriters and co-winners Jessie Jo Dillon and Laura Veltz (who was a hoot). The award is for a song that is not yet a hit.
Rising Independent Artist-Songwriter of the Year (RIASY) nominee Devin Dawson sang a tender rendition of “Sleep Without You,” which was an AIMP Song of the Year (AIMPSY) nominee.
RIASY nominee Carly Pearce performed the Song of the Year winner, “Blue Ain’t Your Color,” giving it a soulful spin. RIASY nominee Ryan Beaver did a relaxed, low-key rendition of AIMPSY nominee “Head Over Boots.”
Vocally, RIASY nominee Caitlyn Smith’s performance of AIMPSY nominee “Vice” was terrific. The looped, hip production of RIASY nominee Walker Hayes on guitar and percussion distracted from it, alas.
Unquestionably, the performance of the evening was by Brandy Clark. The RIASY nominee totally nailed AIMPSY nominee “Kill a Word.” It drew a standing ovation.
The Rising Independent Artist-Songwriter of the Year winner was Natalie Hemby, whose Puxico CD is an artistic triumph. “I want to keep going; I want to keep growing,” she said. “Thank you for encouraging me to make a record. I didn’t want to do it for a long time.”
The Independent Songwriter of the Year winner was Busbee, who was not present. Daniel Lee accepted.
Presenters included Bob DiPiero, Brad Tursi, RaeLynn, Hillary Lindsey, Don Schlitz (“I’ve worked for nearly every independent publisher in this town”), Robin Palmer, Jon Pardi, Brothers Osborne (“And the winner is Brothers Osborne!” Alas, not this time, although we still adore them), Maren Morris, Pat Rolfe, Celia Froelig and John Ozier.
“In the past year, we’ve doubled in size.” said AIMP executive director Ozier. “It’s just great to be on this side of the business,” said Big Yellow Dog winner Kerry O’Neill. “Sixty per cent of Billboard’s charts are filled with people that are published independently,” added Warren.
It was such a fun time. Dozens of youngsters with start-ups were there, working the room with their own kind and/or with vets such as Leslie Fram, Leslie Tomasino DiPiero, Marc Beeson, Mark Brown, David Ross, David Preston, John Marks, John Allen, Michael McAnally Baum, Mike Sistad, B.J. Hill, Tim Wipperman, Walter Campbell, Dennis Lord, Anthony Smith, Andrew Kintz, Kos Weaver, Pat Higdon, Craig Wiseman, Barry Coburn and Sherod Robertson.
Befitting the festive atmosphere of this awards event, the dress code was all over the map. It was everything from cocktail sheaths to blue jeans, from ball caps to fedoras, from high heels to sandals, from floor-length frocks to mini skirts, from sport coats to flannel shirts, from cowboy boots to sneakers, from t-shirts to designer western wear. Floral fabric was used for both ball gowns and full dress suits.
Luke Laird, Nicolle Galyon, Arturo Buenahora, Ben Vaughn, Jewel Coburn & Jason Morris (who is recovering from shoulder surgery), Cindy Owen, Dennis Lord, Ree Guyer Buchanan and Eric T. Parker mingled.
Here’s another wonderfully eclectic aspect of this gig: It is a boatload of fun that only lasts an hour and ten minutes. So we can get back to partying.
Luke Combs To Release Debut ‘This One’s For You’ On June 2
/by Jessica NicholsonThis One’s For You is produced by Scott Moffatt, while Sammy Mitchell and Jackie Boyz produced the track “One Number Away.”
This One’s For You follows Combs’ independently released EPs, including Can I Get An Outlaw (2014), The Way She Rides (2014) and This One’s For You – EP (2015).
Combs has already performed at the Tortuga Music Festival and will join Brantley Gilbert’s eight-month Devil Don’t Sleep Tour through September 2017 in addition to performances at Bonnaroo Music & Arts Festival, CMA Music Fest and Stagecoach Festival this summer.
“I couldn’t be more proud of this album. These songs mean so much to me and all my friends who I wrote them with,” shares Combs. “This project has been such a long time in the making and I can’t wait for the fans to hear it. I sincerely hope they enjoy the album because they are the reason I do what I do.”
This One’s For You will be available for pre-order at digital retailers and LukeCombs.com starting April 28.
This One’s For You Track Listing
1. Out There (Luke Combs, James McNair, Ray Fulcher, Jacob Bryant)
2. Memories Are Made Of (Luke Combs, Ray Fulcher, Cody Webb)
3. Lonely One (Luke Combs, Drew Parker, Erin Ashley O’Keefe)
4. Beer Can (Luke Combs, James McNair, Ray Fulcher)
5. Hurricane (Luke Combs, Thomas Archer, Taylor Phillips)
6. One Number Away (Luke Combs, Robert Williford, Sammy Mitchell, Steven Andre Battey)
7. Don’t Tempt Me (Luke Combs, Robert Williford, Joseph Michael Costa)
8. When It Rains It Pours (Luke Combs, Ray Fulcher, Jordan Walker)
9. This One’s For You (Luke Combs, Ray Fulcher, Pat Cooper)
10. Be Careful What You Wish For (Luke Combs, Rob Crosby, Ray Fulcher)
11. I Got Away With You (Luke Combs, Ray Fulcher, Tyler Reeve)
12. Honky Tonk Highway (Luke Combs, Ray Fulcher, Rob Crosby)
LOCASH, Maggie Rose Kick Off BMI’s New Rooftop Summer Concert Series
/by Lorie Hollabaugh“Rooftop On The Row” will include five concerts throughout the summer, and will include a mix of up-and-comers and established veterans. William Michael Morgan, Fairground Saints, Emily Earle, Aaron Lewis, and Walker McGuire are among the artists tapped to perform during the summer shows, with many more to be announced.
“We’re excited to host some of Nashville’s best country acts on the rooftop of BMI,” said Mason Hunter, Executive Director, Strategic Partnerships and Events. “We’ve got great music, top notch cocktails and an unbeatable view, making for an unforgettable evening. The whole series is going to be great.”
Warner Music Nashville Promotes Tim Foisset To VP, Streaming
/by Jessica NicholsonWarner Music Nashville has promoted Tim Foisset from Senior Director to Vice President, Streaming. The position reports to Senior Vice President, Radio & Streaming Kristen Williams.
“Tim is an integral part of the Radio & Streaming team, especially as we continue to see an evolution in how people discover and consume music,” said Williams. “He greets one of the most quickly-developing parts of our industry with an innovation and dedication that will serve our WMN artists well in the months and years to come.”
Foisset will continue to focus on maximizing marketing opportunities and revenue potential with Warner Music Nashville’s streaming partners including Spotify, Apple Music, Google Play, Pandora, Amazon, Napster, Soundcloud, iHeartRadio, YouTube, VEVO, TouchTunes and more. His role as VP will allow him to drive the overall streaming strategy for WMN’s artists, new releases and catalog, in addition to guiding dedicated members of the Radio & Streaming team to execute.
“I’m excited to continue working with our great partners and artists, and grateful for the opportunity to work closely with Espo, Matt Signore, Peter Strickland, Kristen Williams and the most forward-thinking team in Nashville,” said Foisset. “Streaming is a big part of the future of our business, and I’m truly inspired to help navigate this label toward that future.”
Foisset began his career in 1998 at Burly Bear Network and later joined Fuse Networks as the Manager of Consumer Marketing. He moved to Razor & Tie in 2005 as Director of Digital Marketing, where he managed the label’s relationships with digital partners and oversaw online marketing initiatives.
Leslie Fram, Tracy Gershon, Sarah Trahern, Jessica Sobhraj Join Music Biz’s Leading Ladies Panel
/by Lorie HollabaughThe panel, set for Tuesday, May 16, will close the Music’s Leading Ladies Speak Out series of panels, which will kick off with a welcome presentation from Erin Crawford, SVP and General Manager of Nielsen Music, who will share exclusive insights, including female-focused data and fan affinity analytics, on the marketability of female artists. Ann Powers, a critic and correspondent at NPR Music, will then lead a keynote conversation with Julie Greenwald, Chairman and COO of the Atlantic Records Group, and GRAMMY-winning recording artist Kelly Clarkson. They will each share their experiences in the music business and discuss their path to success on their own terms.
The full agenda for the Music’s Leading Ladies Speak Out event can be found at musicbiz2017.sched.com
Music Biz 2017 runs from May 15-18 at the Renaissance Nashville Hotel.
CMT Music Awards Announce Nominees
/by Jessica NicholsonThe nominees for this year’s CMT Music Awards have been announced.
This year, Kelsea Ballerini, Thomas Rhett and Keith Urban top the awards this year, with four nominations each.
Carrie Underwood, who holds the title of most CMT Music Awards wins, nabs three nominations this year, along with Florida Georgia Line, Lauren Alaina and Luke Bryan.
Fan voting is live at cmt.com and will continue through Monday, June 5 at 12:01 a.m. ET. The CMT Music Awards will be held Wednesday, June 7 at Nashville’s Music City Center and airing live beginning at 7 p.m. CT.
This year, the show will introduce a new category, Social Superstar of the Year, which honors the most creative and engaging social media posts by an artist. Nominees include Brett Eldredge, Jake Owen, Keith Urban, Kelsea Ballerini, Lauren Alaina and Thomas Rhett.
CMT Video of the Year
Artists of Then, Now, and Forever- “Forever Country”
Brad Paisley- “Today”
Brett Eldredge-“Wanna Be That Song”
Carrie Underwood-“Church Bells”
Cole Swindell-“Middle Of A Memory”
Dierks Bentley and Elle King- “Different For Girls”
Florida Georgia Line-“H.O.L.Y.”
Jon Pardi-“Dirt On My Boots”
Keith Urban – “Blue Ain’t Your Color”
Kelsea Ballerini – “Peter Pan”
Little Big Town- “Better Man”
Luke Bryan- “Huntin’, Fishin’, and Lovin’ Every Day”
Miranda Lambert- “Vice”
Thomas Rhett- “Star Of The Show”
Male Video of the Year
Blake Shelton- “Came Here To Forget”
Eric Church- “Record Year”
Jason Aldean-“Lights Come On”
Keith Urban-“Blue Ain’t Your Color”
Luke Bryan- “Huntin’, Fishin’, and Lovin’ Every Day”
Thomas Rhett-“Star Of The Show”
Female Video of the Year
Carrie Underwood-“Church Bells”
Kelsea Ballerini- “Peter Pan”
Lauren Alaina-“Road Less Traveled”
Maren Morris-“80s Mercedes”
Miranda Lambert-“Vice”
Reba McEntire-“Back To God”
Duo Video of the Year
Big & Rich ft. Tim McGraw- “Lovin’ Lately”
Brothers Osborne-“21 Summer”
Dan+Shay-“How Not To”
Florida Georgia Line-“H.O.L.Y.”
LOCASH-“I Know Somebody”
Group Video of the Year
Eli Young Band-“Saltwater Gospel”
Lady Antebellum-“You Look Good”
Little Big Town-“Better Man”
Midland-“Drinkin’ Problem”
Old Dominion-“Song For Another Time”
Breakthrough Video of the Year
Brett Young- “In Case You Didn’t Know”
Jon Pardi-“Dirt On My Boots”
Kane Brown-“Used To Love You Sober”
Lauren Alaina-“Road Less Traveled”
Luke Combs-“Hurricane”
RaeLynn-“Love Triangle”
Collaborative Video of the Year
Artists of Now, Then, and Forever-“Forever Country”
Chris Young ft. Vince Gill-“Sober Saturday Night”
Dierks Bentley ft. Elle King-“Different For Girls”
Florida Georgia Line ft. Tim McGraw-“May We All”
Keith Urban ft. Carrie Underwood-“The Fighter”
Kenny Chesney with Pink-“Setting The World On Fire”
CMT Performance Of The Year
Jason Aldean-“Hicktown” (from CMT Concert Of The Summer)
Jason Derulo and Luke Bryan-“Want To Want Me” (from CMT Crossroads)
John Mellencamp and Darius Rucker- “Pink Houses” (from CMT Crossroads)
Alicia Keys and Maren Morris-“80s Mercedes” (from CMT Crossroads)
Meghan Trainor, Jill Scott and Kelsea Ballerini-“You’re Still The One/Any Man of Mine/Man I Feel Like A Woman” (from CMT Artists of the Year)
Nick Jonas and Thomas Rhett- “Close” (from CMT Crossroads)
Social Superstar of the Year
Brett Eldredge
Jake Owen
Keith Urban
Kelsea Ballerini
Lauren Alaina
Thomas Rhett
‘American Idol’ Finds New Life On ABC
/by Lorie HollabaughA little more than a year after American Idol crowned its last singing star and went off the air, the show has been resurrected with a new life at ABC-TV. The network announced its acquisition of the show this morning on Good Morning America ahead of its renewals and series pickup announcements.
“‘American Idol’ on ABC…that has a nice ring to it,” said Ben Sherwood, co-chairman, Disney Media Networks and president, Disney|ABC. “‘Idol’ is an entertainment icon, and now it will air where it belongs, in ABC’s lineup of addictive fan favorites alongside ‘Dancing with the Stars’ and ‘The Bachelor.’ America, get ready for the return of a bigger, bolder and better-than- ever ‘Idol’.”
No details have been offered yet as to what the new configuration of the popular show, which ran for 15 seasons on Fox, would look like, and no on-camera talent has been announced yet.
The show signed off with a legion of still-loyal viewers, though its numbers had dissipated a bit in recent years. At the height of its popularity, the competition averaged 31 million weekly viewers for each of two telecasts, and ranked No. 1 in adults 18-49 for seven consecutive seasons. Its season premieres regularly out-rated the Oscars as the biggest entertainment telecasts of the year, and even towards the end, it garnered huge ratings, with the final season averaging a 3.0 rating among adults 18-49 and 11.5 million viewers.
”ABC’s passion and enthusiasm make them a perfect home for ‘American Idol,’ said Cecile Frot-Coutaz, CEO, FremantleMedia Group. “We are excited to be partnering with them to discover the next generation of talented artists. It’s an irresistible combination that means now is the ideal time to welcome back one of the most successful shows in the history of contemporary television.”
No word yet on whether longtime host Ryan Seacrest would potentially return to his hosting duties for the competition, which made household names out of artists like Carrie Underwood and Kelly Clarkson, since he’s now at Disney as Kelly Ripa’s new full-time Live! co-host.
Watch the announcement below:
Pilgrimage Music & Cultural Festival Announces Daily Lineup
/by Jessica NicholsonJustin Timberlake, a partner and producer for the festival, will headline on Saturday, Sept. 23. Also on the Saturday lineup are The Avett Brothers, Gary Clark Jr., Walk The Moon, Trombone Shorty & Orleans Avenue, Better Than Ezra, Shovels & Rope, Jerry Douglas Band, Nikki Lane, Colony House, Karen Elson, Ruby Amanfu with Steelism, Big Sam’s Funky Nation, Colter Wall, The Texas Gentlemen, Sinclair, The Shadowboxers, Blackfoot Gypsies, Jillian Jacqueline, The Bros. Landreth, and Bishop Gunn.
The lineup for Sunday, Sept. 24 will feature Eddie Vedder, Ryan Adams, Mavis Staples, Fitz and The Tantrums, The Revivalists, Marty Stuart and His Fabulous Superlatives, Valerie June, Langhorne Slim, Joseph, The Sweet Tea Project, Pokey LaFarge, Amanda Shires, Larkin Poe, Muddy Magnolias, The Band of Heathens, Banditos, Kingfish, Devon Gilfillian, The Sisterhood, Towne, and The Settles Connection.
Single Day Pilgrimage Passes, available for $135, go on sale this Friday, May 12 at 10 a.m. CT at pilgrimagefestival.com.
Florida Georgia Line, Lady A, Eric Church, More Set For ‘Good Morning America’ Summer Series
/by Lorie HollabaughThe GMA Summer Concert Series will kick off later this month with a performance by Green Day, and will continue every Friday throughout the summer with performances by artists from every type of music. The concerts, held at Rumsey Playfield in Central Park, are free to attend and can also be viewed on Good Morning America Fridays from 7-9 a.m. on ABC.
GMA Summer Concert Series Schedule:
May 19 – Green Day
May 26 – Florida Georgia Line & Nelly
June 2 – Fifth Harmony
June 9 – The Chainsmokers
June 16 – The Lumineers
June 23 – Little Big Town
June 30 – Bebe Rexha
July 7 – Big Sean
July 14 – Lady Antebellum
July 21 – Zedd featuring Alessia Cara
July 28 – Imagine Dragons
Aug. 4 – Linkin Park
Aug. 11 – Bleachers
Aug. 18 – Eric Church
Aug. 25 – Paramore
Sept. 1 – Jason Derulo
Date TBD – Dierks Bentley*
Bobby Karl Works The Room: Second Annual AIMP Awards
/by Bobby KarlChapter 561
When is an awards show more like a par-tay?
Why, when it’s the AIMP celebration, of course. Those initials stand for Association of Independent Music Publishers. On Monday, the organization staged its second annual awards show at the Ryman Auditorium (May 8).
As was the case last year, the event was characterized by unbridled schmoozing, light-hearted stage banter, gloriously unvarnished performances and immense joie de vivre.
“Welcome to the loosest awards show in Nashville history,” said Storme Warren. “Sit down!” The attendees were merrily milling around amid the Ryman pews, oblivious to the 7 p.m. starting time. “You’ve been with songwriters long enough!” Well, what do you expect when you throw a 6 p.m. cocktail party in front of your gala?
To give you some idea of the flavor of this event, here are some snippets of acceptance remarks.
“Thanks to the open bar for making this speech possible,” said Clint Lagerberg, who won Song of the Year for “Blue Ain’t Your Color” with co-writers Hillary Lindsey and an absent Steven Lee Olsen.
“It’s kinda cool [that] I’ve gotten an award for being drunk in a bar and forcing people to listen to a song on my iPhone,” said Song Champion winner Courtney Crist of HoriPro Entertainment.
Rising Independent Songwriter of the Year winner Kelly Archer wryly observed, “Getting a ‘rising’ award in your 16th year in publishing…is kinda like [being] a houseplant that withered, and the next thing you know, it’s good as new. That’s how I feel tonight.”
“I’m looking around at everybody I grew up with,” commented Carla Wallace, whose Big Yellow Dog won the AIMP Publisher honor.
“This is without a doubt the music-community feel-good event of the year,” observed BMI’s Jody Williams.
The briskly-paced show featured acoustic performances of various AIMP song nominees. Everyone who performed did a number that they did NOT write.
So Old Dominion did a lively, upbeat arrangement of Maren Morris’s “’80s Mercedes.” Maren subsequently won the Artist-Writer of the Year award. “All of you in this room I’ve written with or had a beer with, thank you so much,” she said, “the people I respect most in this world.”
She was the night’s only double winner. Maren also earned a Publisher Pick Award for “Rich,” performed with feisty sass on the show by Natalie Hemby. “We actually wrote together today, so this is so cool,” said Maren of her cowriters and co-winners Jessie Jo Dillon and Laura Veltz (who was a hoot). The award is for a song that is not yet a hit.
Rising Independent Artist-Songwriter of the Year (RIASY) nominee Devin Dawson sang a tender rendition of “Sleep Without You,” which was an AIMP Song of the Year (AIMPSY) nominee.
RIASY nominee Carly Pearce performed the Song of the Year winner, “Blue Ain’t Your Color,” giving it a soulful spin. RIASY nominee Ryan Beaver did a relaxed, low-key rendition of AIMPSY nominee “Head Over Boots.”
Vocally, RIASY nominee Caitlyn Smith’s performance of AIMPSY nominee “Vice” was terrific. The looped, hip production of RIASY nominee Walker Hayes on guitar and percussion distracted from it, alas.
Unquestionably, the performance of the evening was by Brandy Clark. The RIASY nominee totally nailed AIMPSY nominee “Kill a Word.” It drew a standing ovation.
The Rising Independent Artist-Songwriter of the Year winner was Natalie Hemby, whose Puxico CD is an artistic triumph. “I want to keep going; I want to keep growing,” she said. “Thank you for encouraging me to make a record. I didn’t want to do it for a long time.”
The Independent Songwriter of the Year winner was Busbee, who was not present. Daniel Lee accepted.
Presenters included Bob DiPiero, Brad Tursi, RaeLynn, Hillary Lindsey, Don Schlitz (“I’ve worked for nearly every independent publisher in this town”), Robin Palmer, Jon Pardi, Brothers Osborne (“And the winner is Brothers Osborne!” Alas, not this time, although we still adore them), Maren Morris, Pat Rolfe, Celia Froelig and John Ozier.
“In the past year, we’ve doubled in size.” said AIMP executive director Ozier. “It’s just great to be on this side of the business,” said Big Yellow Dog winner Kerry O’Neill. “Sixty per cent of Billboard’s charts are filled with people that are published independently,” added Warren.
It was such a fun time. Dozens of youngsters with start-ups were there, working the room with their own kind and/or with vets such as Leslie Fram, Leslie Tomasino DiPiero, Marc Beeson, Mark Brown, David Ross, David Preston, John Marks, John Allen, Michael McAnally Baum, Mike Sistad, B.J. Hill, Tim Wipperman, Walter Campbell, Dennis Lord, Anthony Smith, Andrew Kintz, Kos Weaver, Pat Higdon, Craig Wiseman, Barry Coburn and Sherod Robertson.
Befitting the festive atmosphere of this awards event, the dress code was all over the map. It was everything from cocktail sheaths to blue jeans, from ball caps to fedoras, from high heels to sandals, from floor-length frocks to mini skirts, from sport coats to flannel shirts, from cowboy boots to sneakers, from t-shirts to designer western wear. Floral fabric was used for both ball gowns and full dress suits.
Luke Laird, Nicolle Galyon, Arturo Buenahora, Ben Vaughn, Jewel Coburn & Jason Morris (who is recovering from shoulder surgery), Cindy Owen, Dennis Lord, Ree Guyer Buchanan and Eric T. Parker mingled.
Here’s another wonderfully eclectic aspect of this gig: It is a boatload of fun that only lasts an hour and ten minutes. So we can get back to partying.
Grammys Officially Set For NYC In 2018
/by Jessica NicholsonThe 60th annual Grammy Awards will take place at New York City’s Madison Square Garden on Sunday, Jan. 28, 2018. The telecast will be broadcast live on CBS at a new time: 7:30–11 p.m. ET and 4:30–8 p.m. PT. The 60th Annual Grammy Awards will mark the 46th consecutive year that CBS will broadcast the show, and the network has a commitment in place to host it through 2026.
Most recently, Madison Square Garden hosted the 45th GRAMMY Awards in 2003. Music’s Biggest Night has been broadcast from Staples Center in Los Angeles for the past 14 years.
The Grammy telecast’s return to Madison Square Garden is estimated to bring $200 million in economic benefit to the city.
“Playing host to the music industry’s marquee awards show is a unique creative, artistic and economic boon to the rich cultural fabric of our city,” said NYC mayor Bill de Blasio. “We welcome the Grammy Awards back to New York City with open arms and we look forward to continuing to partner with a music industry that supports access and empowerment in the arts.”
“MSG has been the site of many of the most legendary and enduring moments in music history — and we think the 2018 Grammys will be a perfect addition to that great legacy,” said James L. Dolan, executive chairman, The Madison Square Garden Company. “We are thankful to Mayor de Blasio and all of those who worked so hard to make this return possible.”