Sam Williams Set To Release Debut Album ‘Glasshouse Children’ This Summer

Sam Williams. Photo: Alexa King.

Sam Williams will be releasing his indie debut album, Glasshouse Children, this summer.

The grandson of country pioneer Hank Williams and the son of outlaw legend Hank Jr., Williams fuses gut-wrenching honesty with raw vulnerability. Suffering such a sudden loss this past year of his sister Katie has been profoundly devastating, but he has found himself on a journey that has led to a deeper understanding of his purpose in life.

YouTube video

Williams made his TV debut on The Late Show with Stephen Colbert, last night (April 22) performing his latest single, “Can’t Fool Your Own Blood.”  This newest release was preceded by “Shuteye” and “The World: Alone,” a song he released in honor of his late sister’s 28th birthday.

Williams debut album, Glasshouse Children, is available for pre-order and pre-save now.

‘Shady Ladies’ Susan Nadler And Evelyn Shriver Talk Business, Friendship, And Hilarity [Interview]

Susan Nadler and Evelyn Shriver, also known as the ‘Shady Ladies of Music City,’ have been forging their own paths through the Nashville music business since the 1980s.

The close friends and industry stalwarts have always demanded a seat at the table that was largely made up of men, and eventually became first women ever to helm a major Nashville record label. They’ve both led a fascinating career, which they talk about in their hilarious podcast, Shady Ladies of Music City.

The recently announced second season of the podcast is available to stream now–and Susan and Evelyn just revealed more guest stars for the second season, including Clint Higham, Bonnie Garner, Michael Campbell, Shane McAnally and the late Connie Bradley. They join previously announced episodes featuring Martina McBride, Lorrie Morgan, Joel Katz, Raul Malo and Tony Conway.

Evelyn came to Nashville after having started her career in PR in New York, where her husband had a record deal. While in New York Evelyn worked with actors Cary Grant, Bette Davis, and Joan Crawford, and musicians Cher, Diana Ross, and more. She was part of the team that launched People magazine, Entertainment Tonight and MTV.

Eventually she and her husband grew tired of New York and moved to Nashville. Once in Music City, her first management client in Nashville was a young, handsome country newcomer from North Carolina: Randy Travis.

“A girl named Susan Niles who used to work at Warner Brothers, she was my assistant in New York at one time, and she was a huge country music fan,” Evelyn said. “One day I said to her, ‘You should really move to Nashville,’ and she did. So when I came down here, she was the only person I knew and she took me and my husband out to the Nashville Palace to meet Randy.

“They wanted to have somebody outside of Nashville, he had been rejected by so many people in Nashville that they wanted somebody that didn’t have that attitude—and it turned out to be me.”

Evelyn Shriver, Susan Nadler. Photo: Courtesy Shriver & Nadler

Susan grew up in Pittsburg and was a music lover from birth. She started her college degree in Wisconsin, and finished in Jerusalem. Susan returned to the United States, but got involved in smuggling hashish through Mexico. She and her partners were caught and she ended up spending time in prison in Mexico. Susan later published a book about the experience called, The Butterfly Convention.

Susan then moved to Key West, where she owned and operated a popcorn stand and started writing books. She briefly married a songwriter, which got her to Nashville and eventually led her to a career in PR.

“I couldn’t make a dime as a writer, so I decided to get into the music business,” Susan said. “I had just done a series of interviews for my book and I went to talk to a woman named Liz Thiels who had a great PR company called Network Inc. I told her what my background was, I had just had a second book come out, and she hired me right away. So I started off doing PR. I had never worked before, I had never even operated a fax machine.”

After cutting her teeth in PR working with country and blues artists, Susan went to work for manager Stan Moress, doing PR for his artist list that included names such as Lorrie Morgan, Eddie Rabbit, Ronnie Milsap, Roger Miller, KT Oslin, Restless Heart and more. “He was the only management company in town that was going to have an in-house press person, and that was me.”

Eventually Susan became Lorrie Morgan’s manager. “We still are very good friends. We had a long history together and we made a lot of money together, Susan said. “I went on the road a lot with her, she’s an incredible talent. She really has the most authentic country voice.”

Susan Nadler, Lorrie Morgan, Evelyn Shriver. Photo: Courtesy Shriver & Nadler

Evelyn and Susan’s paths crossed in 1988. The two were fast friends.

“We both came from different backgrounds than most people in Nashville,” Evelyn said. “I came from New York, and she thought I was Jewish and that I was more sophisticated, so she was hell-bent on becoming friends. She called me all the time, we would have breakfast or lunch or whatever. We ended up becoming really good friends.”

“Evelyn was fantastic. She was so intelligent and from New York, she knew everybody,” Susan said. “She was representing Randy Travis and I was representing Tammy Wynette. We just became really good friends and that was the beginning of a long and very productive friendship. We have done a lot together.”

Pictured (L-R): Asylum Records Stan Byrd (VP Promotion), Susan Nadler (Exec. VP/A&R), Nancy Jones, George Jones, Evelyn Shriver (Label Head) in 1999. Photo: Courtesy Shriver & Nadler

Evelyn earned the title of the first female president of a major country label when she took over Asylum Records in 1998; Susan served as Asylum’s Exec. VP/A&R. They released the critically-acclaimed projects Cold Hard Truth (George Jones) and Trio II (Emmylou Harris/Dolly Parton/Linda Ronstadt) until Asylum was folded into Nashville-based Warner Bros. Records in 2002.

“We were unbelievably busy. We were overwhelmed with how much work there was,” Susan said. “When we came in [to Asylum] the first day they had fired everybody and we couldn’t even open the door. We had to rehire people back to figure out how to work the switchboard. It was an incredible time in the business. There were some very powerful women in the business, and we really didn’t realize it that much.”

Susan and Evelyn continued working together, forming Bandit Records in 2003 and adding Jones on the roster. In 2009, they launched Country Crossings Records, with artists John Anderson and Lorrie Morgan. By 2015, Susan and Evelyn were serving as a talent managers for the TV show Soundstage.

Susan Nadler and Evelyn Shriver’s first Shady Ladies of Music City podcast session. Photo: Courtesy Shriver & Nadler

Over the years, Evelyn and Susan have seen the Nashville music business grow and change, which they often discuss in their podcast.

“I think country music has more pride in itself now, even though it’s gotten so far away from country music. When I came to town, there was like this step-bastard child mentality. Nashville didn’t see itself as being competitive [to other genres],” Evelyn said. “But there was more of a sense of community. It was before everyone became a brand. I remember when people would have No. 1 records, everybody on the Row came. It was a big open family and that was the thing that really appealed to me. Though they had this bastard child mentality, they had a great sense of community. If one person had success, it felt like everybody had it.”

With all the adventures they shared through the ups and downs, the podcast is a perfect media for sharing the good, the bad, the ugly and the hilarious. Click here to stream the Shady Ladies of Music City, and hear about all the fun.

Pictured (L-R): Joel Katz Willie Nelson Evelyn Shriver at Farm Aid in 1993. Photo: Courtesy Shriver & Nadler

Pictured (L-R): Susan Nadler, KT Oslin, Evelyn Shriver in 2014. Photo: Courtesy Shriver & Nadler

Chart Action: Thomas Rhett Sweeps Country Charts

Thomas Rhett‘s new single, “Country Again,” claims most added and highest spin gain across the country charts this week. He received 88 new stations adds and a spin gain of +1,415 on Billboard‘s Country Airplay Chart debuting at No. 26. On the Mediabase Chart, he debuted at No. 35, earning 117 new station adds and +1,391 spins. Rhett rakes in 21 new station adds and +318 spins on the MusicRow CountryBreakout Radio Chart, rising 20 positions to No. 32.

“Country Again” is the title track to his upcoming double album, Country Again: Side A, which will release April 30 via The Valory Music Co, while Side B is planned for release later this year.

Rhett also announced rescheduled tour dates for his headlining Center Point Road Tour starting August 13. Cole Swindell and Gabby Barrett are tapped to open for Rhett.

YouTube video

Luke Combs Shines On MusicRow Radio Chart

“Forever After All” by Luke Combs is this week’s No. 1 single on the MusicRow CountryBreakout Radio Chart. The single was penned by Combs, Drew Parker, and Robert Williford. It appears on Combs’  deluxe album, What You See Ain’t Always What You Get.

Comb’s teamed with bluegrass star Billy Strings for his latest release called “The Great Divide.” Combs shares, “Something that I’ve always wanted to do is write and put out a bluegrass album. This is a song that was supposed to be a part of that project. It’s not a lead single or a lead-in to that project yet, because that is not done. But it felt like the right time to put this song out. When we wrote it, there were a lot of crazy things going on in the world. There’s still a lot of crazy things going on in the world. And I just felt like I had some stuff to say. It’s not meant to be political. It’s not meant to try and tell you what to think or tell you how to believe. That’s not my job. It’s just a guy kinda saying the way he was feeling when he wrote it.”

Click here or above to view the latest edition of The MusicRow Weekly.

The MLC Partners With Data Quality Initiative On New Web Series

The Mechanical Licensing Collective is hosting a new five-part webinar series highlighting its Data Quality Initiative starting on April 27.

Each of the five sessions, hosted by The MLC’s Head of Third-Party Partnerships Dae Bogan, will feature one of The MLC’s DQI partners – Vistex, Blokur, Exactuals, Music Data Services and TuneRegistry – presenting their version of the DQI as made available to their customers to showcase its capabilities for checking musical works data in bulk.

The MLC created the Data Quality Initiative to provide a streamlined way for publishers, administrators, self-administered songwriters, and foreign collective management organizations to compare large schedules of their musical works’ data against The MLC’s data. Through the DQI, The MLC provides participants with reports that highlight the discrepancies between the two sets of data so that they can more easily address those discrepancies and improve the quality of The MLC’s data.

Dates, details, and registrations links for the DQI Partner Showcase Series:

Showcase #1: Featuring Stephen Carlisle, Vistex Music Team Leader – April 27 | 1 p.m. CT/2 p.m. ET
Register Here

Showcase #2: Featuring Phil Barry, Blokur Founder and CEO – May 4 | 1 p.m. CT/2 p.m. ET
Register Here

Showcase #3: Featuring Chris McMurty, Exactuals Head of Music Product –  May 11 | 1 p.m. CT, 2 p.m. ET
Register Here

Showcase #4: Featuring Abby North, Music Data Services CEO – May 18 | 1 p.m. CT/2 p.m. ET
Register Here

Showcase #5: Featuring William Gary, TuneRegistry Manager of Operations – May 25 | 1 p.m. CT/2 p.m. ET
Register Here

Shannan Hatch Exits Fourward Music

Shannan Hatch

Shannan Hatch has exited her position as President of Fourward Music. She can be reached via email at hatchshannan@gmail.com.

Fourward, the management, production and business development company, formed its music publishing venture, Fourward Music, in the summer of 2019 with offices in both Nashville and Los Angeles.

Prior to her post at Fourward, Hatch served as Vice President of Creative Services for SESAC, where she led the Nashville-based Creative Services team in supporting SESAC-affiliated songwriters and publishers.

Her honors include MusicRow Rising Women on the Row and Nashville Business Journal Women in Music City Award. With two decades of experience as a respected member of the Nashville music industry, she’s a member of the Academy of Country Music and prior board member, as well as a member of Americana Music Association, Country Music Association, The Recording Academy, SOURCE, NSAI, and a board member of AIMP’s Nashville chapter.

Ryan Kinder Makes ‘Room To Dream’ On New Indie Debut

Ryan Kinder describes the sound of his upcoming debut album Room To Dream as “riff-roaring rock with a sweet side of southern soul,” and fans will get it on July 31.

He has released two new singles from Room To Dream, “Hell Is,” a radio-ready heartbreaker inspired by an argument overheard in a YMCA locker room, and “Blame,” a guitar-laden rocker driven along with stomps, claps, and thick background vocals.

“I had a lot of time to figure out what I wanted to do after a certain time in my life, and all these songs came together with different aspects of who I was when I wrote them,” says Kinder. “It was a beautiful realization that some of the bad things and not-so-fun situations led to the opportunity for me to have the room to dream, and to really be myself.”

Kinder began his journey towards a music career while enrolled in college in Tuscaloosa, Alabama, and commuted to and from Nashville to write songs with his mentor, producer Keith Stegall. A couple of short-lived record deals came and went before Kinder secured the opening slot on a huge tour with some of his heroes,  ZZ Top and John Fogerty. During that tour, Fogerty gave Kinder a piece of advice that’s carried him steadily through to today: “Don’t play to the empty seats.” “It took me a couple of days to figure out what he was talking about,” Kinder admits, “and it was as simple as playing to the people who are there, who care enough to come early and hear the guy that nobody knows about. I think about that every time I go on stage.”

The first two singles from the project, “Hell Is” and “Blame,” are available to stream and download now.
Room To Dream Track List:
1. Something
2. Hell Is
3. Room To Dream
4. Tangled Up
5. Blame
6. Southbound
7. Want
8. Friends
9. Jane
10. Nothing But Time

Brett Young Explores Big Life Changes On New Album Due June 4

Brett Young has announced that he will release his newest album, Weekends Look A Little Different These Days, on June 4 via BMLG Records. The first single from the new collection, “Not Yet,” follows on the heels of his seventh consecutive No. 1 and is out today.

As Young’s career catapults to new heights while he simultaneously experiences the life-altering changes of early fatherhood and an expanding family, the singer-songwriter has funneled each milestone into creative inspiration. Young co-wrote the entire Dann Huff-produced collection which explores love, family, loss and everything in between. Other writers contributing to the project include Jimmy Robbins, Jon Nite, Justin Ebach, Ross Copperman, and Ashley Gorley.

“It’s hard to describe just how ready I am to finally get to share this new project with everyone,” says Young. “With so many special moments over the last year-and-a-half and creative jolts translating to writing so many different songs, it was important for me to pick the right ones to reflect where I am right now. I’m grateful and can’t wait to share everything we have planned!”

The album is available for pre-order and pre-save now on all digital platforms.

Weekends Look A Little Different These Days Track List:
1. Weekends Look A Little Different These Days (Brett Young, Ben Caver, Zach Crowell)
2. Lady (Brett Young, Ross Copperman, Jon Nite)
3. This (Brett Young, Justin Ebach, Amy Wadge, Geoffrey Warburton)
4. Dear Me (Brett Young, Justin Ebach, Ashley Gorley, Jon Nite, Jimmy Robbins)
5. Leave Me Alone (Brett Young, Jesse Frasure, Steven Lee Olsen)
6. Not Yet (Brett Young, Kelly Archer, Justin Ebach)
7. You Got Away With It (Brett Young, Justin Ebach, Ashley Gorley, Jon Nite, Jimmy Robbins)
8. You Didn’t (Brett Young, Ashley Gorley, Jon Nite, Jimmy Robbins)

Devin Dawson Drops Live Version Of ‘The Pink Slip EP’

Devin Dawson has released The Pink Slip EP Live, a six-song collection that was recorded during a full-band, no audience set last year in Nashville in attempt to keep music alive during COVID-19.

“In a year where live music was pretty much wiped off the face of the earth, this EP was a muse for my creative heart,” explains Dawson. “We recorded this project in late August 2020, still in the middle of the ‘unknown’ and dreadfully missing the connection of an audience and the one of a kind feeling of playing live. This was the first time my band and I had played these songs since we finished recording them earlier that year and was the first time I had really sang in months. The first time I got to have a taste of the ‘live show feeling’ that I had probably taken for granted. I’m so glad we got to immortalize this moment. It will always remind me how lucky I am to be an artist, to be able to play live, and to be surrounded by the best band and fans in the world.”

The Pink Slip EP was originally released in January and marked the first new music from the Warner Music Nashville/Atlantic Records artist since his debut album, Dark Horse, in 2018.

Dawson most recently topped the charts again as a featured artist alongside Lauren Alaina on Hardy‘s “One Beer,” which received a nomination for Music Event of the Year at the 56th ACM Awards. This follows the massive success of his Grammy-nominated, ACM, and CMA Single of the Year, “God’s Country,” that he co-wrote for country superstar Blake Shelton. The multi-week No. 1 also landed Dawson his first-ever ACM and CMA award nominations for Song of the Year.

The Pink Slip EP Live is available on all digital platforms now.

Timmy Brown Announces Debut Album ‘Good Life’

Timmy Brown is preparing for the release of his upcoming debut album Good Life on May 14.

Produced by Joshua Gleave, Good Life gives listeners a glimpse into Brown’s life as he experiences personal loss, love, heartbreak, and good times while also revealing his true soul. The project consists of songs written by Brown, Gleave, Chris Young, Eric Paslay, Johnny Bulford, Charlotte Sands, Regan Stewart and more.

“I really want to thank you all for the continued support over the years and for allowing me to find myself as a person and artist. I’m so excited for you to hear this album,” says Brown. “What a life I live… it’s never perfect, but at the end of the day, I have a good life, and I’m forever grateful for my loyal fans and the new ones that are hopping on this ride with us. Anything is possible if you are willing to put in the work.”

Brown has multiple events planned to celebrate the release of this album, including a livestream release show on May 13. Tickets for the event can be purchased here.

In the weeks following, Brown will be playing Whiskey Jam at Winner’s on May 24 as well as a headlining show at 3rd & Lindsley on May 25, both of which are free to attend. Opening for his full band set will be a round featuring Karissa Ella, Alexis Wilkins, Regan Stewart and Angie K.

Good Life is available for pre-order and pre-save now.

Good Life Track List:
1. That’s Where You Come In (Timmy Brown, Ryan Robinette, Davis Branch)
2. Summer Of Us (Joshua Gleave, Chris Young, Eric Paslay)
3. If You Were Here (Timmy Brown, Joshua Gleave)
4. Play It By Beer (Charlotte Sands, Joshua Gleave)
5. Nothing to See Here (Chris Young, Joshua Gleave, Johnny Bulford)
6. You Do (Joshua Gleave, Johnny Bulford, Isaac Harris)
7. That’s How We Drink Here (Timmy Brown, Regan Stewart, Christopher Housman)
8. See Through (Timmy Brown, Joshua Gleave, Blake Densmore)
9. Wish You Knew Me Better (Timmy Brown, Joshua Gleave, Christopher Moreno)
10. Good Life (Timmy Brown, Joshua Gleave)