
Alan Jackson. Photo: Russ Harrington
Spring has sprung, but not all the blossoms are beautiful.
Today’s survey of current country sounds can serve as a textbook for what is wrong with some of the directions that contemporary country acts are taking. We have pop-rock, teen pop and hip-hop influenced tracks here, flaunting any classic definitions of the genre.
I have always been a traditionalist at heart. That’s why Alan Jackson easily wins the Disc of the Day award.
Mind you, I’m not averse to modern country stylings. Hence, my hearty endorsement of the tunes by Gary Allan, Mitchell Tenpenny, Brittney Spencer and our DisCovery Award winner, Savannah Keyes.
ROSS COPPERMAN / “Holdin’ You”
Writers: Ross Copperman/Ashley Gorley/Shane McAnally; Producer: Ross Copperman/Alex Mendoza; Label: Photo Finish Records
— Copperman has produced and/or written a blue-zillion country hits (Darius, Dierks, Kelsea, Phil, Jake, Brad, Eldredge, Gabby, etc. etc.), but his own music is quite pop. Processed vocals, electronic track, the works. A pleasant surprise.
GARY ALLAN / “Temptation”
Writers: Nicolle Galyon/Chase McGill/Jon Nite; Producer: Mark Wright/Tony Brown; Label: EMI Nashville
— Rocking and dramatic with a percussive undertow, bell-clear guitar chiming, a driving melody and a terrific vocal performance. Allan exchanges his rasp for tenor clarity and the shift is ear opening. Highly recommended.
SOUTHERLAND / “Boot Up”
Writers: Greg Bates/Matt Chase/Chris Rogers/Austin Taylor Smith; Producer: Greg Bates; Label: River House/Sony Nashville
— This has a slight “outlaw” vibe and more than a little macho attitude. Blue-collar listening.
ALAN JACKSON / “Where Have You Gone”
Writers: Alan Jackson; Producer: Robert Keith Stegall; Label: EMI Nashville
— Tender, wistful, yearning, profound and bluer than blue. A ballad of loss, wrapped in fiddle and steel and performed by a country-music master. “Sweet country music, where have you gone?” Amen, bro.
BRITTNEY SPENCER & COMMON HYMNAL / “Whiskey Lows”
Writers: Brittney Spencer/Shelley Scarr/Stephan Hovsepian; Producer: Will Reagan; Label: BS
— A plea from the depths of addiction that echoes with emotional truth and honesty. The gospel-infused performance of this ballad is riveting. Former Underwood backup singer Spencer steps into a solo spotlight with her debut on the Grand Ole Opry Friday night.
MITCHELL TENPENNY / “To Us It Did”
Writers: Mitchell Tenpenny/Michael Hardy/Jordan Schmidt; Producer: none listed; Label: Columbia Nashville/Riser House
— Marvelously energetic and charmingly written. It’s a anthem for small-town kids everywhere that Tenpenny sings with immense verve. Loved it.
WALKER HAYES & JAKE OWEN / “Country Stuff”
Writers: Walker Hayes/Joe Thibodeau/Adam Stark; Producer: Walker Hayes/Joe Thibodeau/Shane McAnally; Label: Monument Records
— Is this title meant to be ironic? Neither of these artists has shown much affinity for real country music. This utterly tuneless, monotonous outing doesn’t change that.
SAVANNAH KEYES / “I’m Not California”
Writers: Savannah Keyes/Blair Daly; Producer: Jason Afable; Label: SK
— Youthful, yet strong. Her singing has a striking clarity of tone and unmistakable confidence. The song is cool and hooky, too.
SAMMY KERSHAW / “Evangeline”
Writers: Bob McDill/Carson Chamberlain; Producer: none listed; Label: Kershaw
— Cajun-flavored party-tempo music. Tap your toes and smile while guitars stutter, fiddles saw and Sammy drawls his best honky-tonkin’ heartache phrasing.
ALANA SPRINGSTEEN / “California”
Writers: Alana Springsteen/Jerry Flowers/Jared Keim; Producer: Alana Springsteen/Jerry Flowers/Jared Keim; Label: none listed
— Contemporary pop-country with a sunny teen twist. Electronics mixed with acoustics. It gets old fast.
DREW GREEN / “The Rest of Our Lives”
Writers: Andrew Rollins/Drew Green/Mitch Allan/Russell Sutton; Producer: none listed; Label: Villa 40/Sony
— His singing voice is rather ordinary, but conveys sincerity. The song is a mundane romance outing.
CASSADEE POPE, KAREN FAIRCHILD & LINDSEY ELL / “What the Stars See”
Writers: Cassadee Pope/Jake Rose/Lindsay Rimes; Producer: Karen Fairchild/Nick Wheeler; Label: Awake
— The obnoxiously loud track is all rocked up, frothing, cluttered and junky. The vocals are pitched high above and piercing. I breathed a sigh of relief when it ended.
Academy Of Country Music Announces New Hires Across Three Departments
/by Lydia FarthingPictured (L-R): Rory Levine, Vice President, Digital Strategy & Engagement; Haley Montgomery, Manager, Awards & Membership; and David Sassano, Executive Assistant to Academy of Country Music CEO, Damon Whiteside.
The Academy of Country Music has announced new hires within three departments. Rory Levine joins as Vice President, Digital Strategy & Engagement; Haley Montgomery has been named Manager, Awards & Membership; and David Sassano is now Executive Assistant to Academy of Country Music CEO Damon Whiteside.
Levine joins the Academy of Country Music most recently from The Atlantic where he led consumer recruitment and registration efforts, supporting a slate of 150+ premiere live journalism events staged across the U.S. Prior to that, he served as Vice President, Marketing and Audience Engagement at CMT, heading consumer-facing advertising campaigns, promotional partnerships, and social media activation. Over the last year, he has worked as a marketing and brand strategy consultant for a variety of businesses, including the Grand Ole Opry, Blake Shelton’s Ole Red restaurants, public-private partnership state organization Launch Tennessee, and user-generated content showcase tool TINT.
In his role at the Academy, Levine is responsible for building and executing strategies for the organization’s digital portfolio, aiming to build and develop authentic communities across platforms. Levine reports to Whiteside, and can be reached at rory@acmcountry.com.
Originally from Huntsville, Alabama, Montgomery joins the Academy of Country Music as Manager, Awards & Membership. Previous stops for Montgomery include Opry Entertainment Group (OEG) as Manager for the Artist & Label Relations team, where she served as a liaison between artists’ teams and the various properties across the OEG portfolio. Montgomery spent three years working on the strategic partnership team at the Country Music Association. There, she managed the assets owed to CMA’s 50+ brand partners across the team for all of their tent pole events. Her previous personal accounts have included Vera Bradley, Playstation, Crocs, KIND bars, Philosophy, Rent the Runway, Monster, Cracker Barrel and more.
In her role as Manager, Montgomery is responsible for supporting all initiatives and development of the Academy’s membership, as well as spearheading the Awards & Voting processes. Montgomery reports to Tommy Moore, Vice President, Artist & Industry Relations and Board & Governance and can be reached at haley.montgomery@acmcountry.com.
Sassano joins the Academy of Country Music as Executive Assistant to Academy of Country Music CEO Damon Whiteside. Previously, Sassano spent 14 years at Warner Music Group as Director of Operations & Administration. Sassano has been responsible for many duties ranging from supporting C-level executives, organizing board meetings and managing major office moves both in New York and Nashville.
In his current role as Executive Assistant, he will provide administrative support to the CEO, Board of Directors and Executive Team. He reports directly to Whiteside and can be reached at david.sassano@acmcountry.com.
“The Academy is thrilled to welcome Rory, Haley and David to the team,” says Whiteside. “Each of these professionals brings with them valuable expertise and knowledge of the country music industry that we know will provide a fresh perspective to the ACM team, helping to propel us forward in our future endeavors!”
DISClaimer Single Reviews: Alan Jackson, Gary Allan, Brittney Spencer
/by Robert K OermannAlan Jackson. Photo: Russ Harrington
Spring has sprung, but not all the blossoms are beautiful.
Today’s survey of current country sounds can serve as a textbook for what is wrong with some of the directions that contemporary country acts are taking. We have pop-rock, teen pop and hip-hop influenced tracks here, flaunting any classic definitions of the genre.
I have always been a traditionalist at heart. That’s why Alan Jackson easily wins the Disc of the Day award.
Mind you, I’m not averse to modern country stylings. Hence, my hearty endorsement of the tunes by Gary Allan, Mitchell Tenpenny, Brittney Spencer and our DisCovery Award winner, Savannah Keyes.
ROSS COPPERMAN / “Holdin’ You”
Writers: Ross Copperman/Ashley Gorley/Shane McAnally; Producer: Ross Copperman/Alex Mendoza; Label: Photo Finish Records
— Copperman has produced and/or written a blue-zillion country hits (Darius, Dierks, Kelsea, Phil, Jake, Brad, Eldredge, Gabby, etc. etc.), but his own music is quite pop. Processed vocals, electronic track, the works. A pleasant surprise.
GARY ALLAN / “Temptation”
Writers: Nicolle Galyon/Chase McGill/Jon Nite; Producer: Mark Wright/Tony Brown; Label: EMI Nashville
— Rocking and dramatic with a percussive undertow, bell-clear guitar chiming, a driving melody and a terrific vocal performance. Allan exchanges his rasp for tenor clarity and the shift is ear opening. Highly recommended.
SOUTHERLAND / “Boot Up”
Writers: Greg Bates/Matt Chase/Chris Rogers/Austin Taylor Smith; Producer: Greg Bates; Label: River House/Sony Nashville
— This has a slight “outlaw” vibe and more than a little macho attitude. Blue-collar listening.
ALAN JACKSON / “Where Have You Gone”
Writers: Alan Jackson; Producer: Robert Keith Stegall; Label: EMI Nashville
— Tender, wistful, yearning, profound and bluer than blue. A ballad of loss, wrapped in fiddle and steel and performed by a country-music master. “Sweet country music, where have you gone?” Amen, bro.
BRITTNEY SPENCER & COMMON HYMNAL / “Whiskey Lows”
Writers: Brittney Spencer/Shelley Scarr/Stephan Hovsepian; Producer: Will Reagan; Label: BS
— A plea from the depths of addiction that echoes with emotional truth and honesty. The gospel-infused performance of this ballad is riveting. Former Underwood backup singer Spencer steps into a solo spotlight with her debut on the Grand Ole Opry Friday night.
MITCHELL TENPENNY / “To Us It Did”
Writers: Mitchell Tenpenny/Michael Hardy/Jordan Schmidt; Producer: none listed; Label: Columbia Nashville/Riser House
— Marvelously energetic and charmingly written. It’s a anthem for small-town kids everywhere that Tenpenny sings with immense verve. Loved it.
WALKER HAYES & JAKE OWEN / “Country Stuff”
Writers: Walker Hayes/Joe Thibodeau/Adam Stark; Producer: Walker Hayes/Joe Thibodeau/Shane McAnally; Label: Monument Records
— Is this title meant to be ironic? Neither of these artists has shown much affinity for real country music. This utterly tuneless, monotonous outing doesn’t change that.
SAVANNAH KEYES / “I’m Not California”
Writers: Savannah Keyes/Blair Daly; Producer: Jason Afable; Label: SK
— Youthful, yet strong. Her singing has a striking clarity of tone and unmistakable confidence. The song is cool and hooky, too.
SAMMY KERSHAW / “Evangeline”
Writers: Bob McDill/Carson Chamberlain; Producer: none listed; Label: Kershaw
— Cajun-flavored party-tempo music. Tap your toes and smile while guitars stutter, fiddles saw and Sammy drawls his best honky-tonkin’ heartache phrasing.
ALANA SPRINGSTEEN / “California”
Writers: Alana Springsteen/Jerry Flowers/Jared Keim; Producer: Alana Springsteen/Jerry Flowers/Jared Keim; Label: none listed
— Contemporary pop-country with a sunny teen twist. Electronics mixed with acoustics. It gets old fast.
DREW GREEN / “The Rest of Our Lives”
Writers: Andrew Rollins/Drew Green/Mitch Allan/Russell Sutton; Producer: none listed; Label: Villa 40/Sony
— His singing voice is rather ordinary, but conveys sincerity. The song is a mundane romance outing.
CASSADEE POPE, KAREN FAIRCHILD & LINDSEY ELL / “What the Stars See”
Writers: Cassadee Pope/Jake Rose/Lindsay Rimes; Producer: Karen Fairchild/Nick Wheeler; Label: Awake
— The obnoxiously loud track is all rocked up, frothing, cluttered and junky. The vocals are pitched high above and piercing. I breathed a sigh of relief when it ended.
Anderson Benson Appointed As A Coverholder By Lloyd’s Of London
/by LB CantrellAnderson Benson’s George Anderson and Brent Daughrity on the floor of Lloyd’s of London
Anderson Benson, a privately-held insurance and risk management firm headquartered in Nashville, has been appointed as a Coverholder by Lloyd’s of London for a worldwide Media Liability E&O (errors and omissions) program.
Anderson Benson has been covering songwriting, composing, producing, creating, and distribution; licensed or original music content; all forms of dissemination including online, commercial release, streaming, TV commercials, background music for programs and movies; actions for emotional distress arising from the music content and associated advertising and promotional videos and more since inception.
The firm’s coverage is made up of Music, Publishing, Film, and Social Influencing and is tailored for each sector including songwriters, composers, music catalogues, artists, record labels, music publishers and social influencers. Anderson Benson’s coverage is broad in form but the key component is music copyright, including affirmative cover for royalties forming part of a damages settlement.
Now, as an appointed coverholder by Lloyd’s of London, Anderson Benson has expanded its coverage and now has the authority to underwrite, make decisions and issue coverage in-house.
“This coverage is critical in today’s environment for a lot of reasons,” says George Anderson, president and co-founder of the firm. “It had not been modernized in years, so this is revolutionary from an insurance and risk management standpoint in that it’s been years since this coverage has been updated. The world changes about every six months now, and this coverage is very nimble in that way. It’s changing on a monthly basis and our coverage very fluid on terms. Social influencers were not even a part of this a year ago, now it’s a very large part of it.”
Brent Daughrity, a partner at Anderson Benson, speaks on the value of social media content as intellectual property, and how social influencers can benefit from protection. “It’s no different than a song. It’s original content that is filmed, produced and released. The big thing is protecting them in the event that a suit is brought alleging infringement in some way.”
Additionally, Anderson Benson can protect social influencers from regulatory fines—a fee that can be accrued when a social media post does not disclose a paid advertising agreement—as well as NFTs (non-fungible tokens) and future unknown risks.
“What we have done is created wording within the policy forms to pick up these new exposures,” Daughrity says. “Prior, the forms were really black and white, associated with a true songwriter or true film producer. That’s the flexibility of being appointed Coverholders with Lloyd’s. We have the ability to manuscript coverage as needed.”
Anderson sums, “Copyright infringement, intellectual property, errors and omissions, those are all critical risks and perils that protect anybody’s balance sheet—whether it be the owner of a catalog, a songwriter, a social influencer, or anyone in between.”
Reservoir Signs Breland To First-Ever Publishing Deal
/by LB CantrellBreland
Reservoir has announced the signing of Platinum-selling songwriter and artist Breland to a worldwide publishing deal. The signing includes his full catalog, including breakout hit “My Truck,” and future works. The agreement marks Breland’s first-ever publishing deal.
After finding success with a number of high-profile cuts for YK Osiris and ELHAE, Breland self-released “My Truck” on social media in February 2020. The track exploded, reaching Platinum certification, and helped pave the way for his signing a record deal with Bad Realm Records/Atlantic Records.
Breland has since released his debut self-titled EP in May of 2020, and followed that up with a two-song compilation titled Rage & Sorrow in honor of Juneteenth. He most recently released his newest single, “Cross Country,” plus a remix with Mickey Guyton.
“I’m a genreless songwriter that wants to blur the lines between cultures with my pen, and I’ve been looking for a team of people that would know how to take what I’m doing to the next level,” says Breland. “I think the Reservoir team embodies that genrelessness in a really exciting and progressive way.”
Reservoir EVP of Creative, John Ozier says, “Breland is a signing that really excites us. Not only is he creating some great country crossover songs, but he exudes such an inspiring energy that we know he’s going to be fantastic to work with.”
Adds Reservoir EVP Global Creative Director, Donna Caseine, “From New York to London, and Nashville to LA, our team is eager to dive in. Breland’s personality is infectious and his talent immeasurable. It’s an honor to welcome him to the Reservoir family.”
Ryman Auditorium To Host Annual Community Day On May 30
/by Lydia FarthingThe Ryman Auditorium
Nashville’s historic Ryman Auditorium has announced its annual Ryman Community Day will take place Sunday, May 30. Presented by PNC Bank and supporting partners Farm Bureau Health Plans, Hiller and Nissan, complimentary self-guided tours will be available from 9 a.m. until 4 p.m. free of charge with presentation of a valid Tennessee state ID.
“We are thrilled to safely welcome back full-capacity daytime tours at the Ryman, and there is no better way to do that than with Ryman Community Day,” says Gary Levy, Ryman Auditorium General Manager. “Events like these signal the resurgence of Downtown Nashville, and together with PNC, our neighbors at the National Museum of African American Music, local artists and all of our great partners, we look forward to safely hosting thousands of guests throughout the day as we’ve done in past years.”
The Ryman and PNC, in conjunction with 650 AM WSM, the National Museum of African American Music and Jefferson Street Sound Museum, will provide free live music throughout the day from 50 Shades of Hay, Bizz & Everyday People, The Magi, Miss Tess and Saaneah. Guests are also encouraged to bring non-perishable food items as part of a community-wide food drive in partnership with Second Harvest Food Bank of Middle Tennessee.
Once inside the Mother Church of Country Music, guests will see genuine artifacts and enjoy videos with hosts Sheryl Crow, Marty Stuart, Nicole Kidman, Ricky Skaggs, Robin Roberts and Trisha Yearwood that take them through each chapter of the Ryman’s illustrious history. Fans also will be able to have their picture taken on stage where so many legends have stood before them.
“The Ryman Auditorium is a first-class entertainment venue in the heart of the city and we are excited to help more members of the community enjoy it through Ryman Community Day,” says Mike Johnson, PNC regional president for Tennessee. “At a time when we are slowly returning toward normalcy, what better way to connect communities, neighborhoods and generations together through the power of music to create a stronger, more vibrant region.”
Safety procedures and training have been implemented at the venue to help promote guest safety. Ryman Auditorium strictly complies with safety regulations set forth by Metro Nashville that include mandatory masks indoors for all guests and staff and enhanced cleaning practices. For complete details and more information about the safety precautions, please visit ryman.com.
Wilco, Lord Huron, Drew Holcomb & The Neighbors Set For Moon River Festival
/by Lydia FarthingMoon River Music Festival, presented by Drew Holcomb and The Neighbors, will return to Chattanooga, Tennessee’s Coolidge Park on Sept. 11 and 12. In partnership with AC Entertainment, the full lineup was revealed this morning and tickets for the festival are on sale now.
Among the list of 2021 Moon River performers are Wilco, Lord Huron, Drew Holcomb & the Neighbors, Old Crow Medicine Show, Lake Street Dive, Dr. Dog, Indigo Girls, Hippo Campus, Dawes, COIN, Shovels & Rope, YOLA, Mipso, Amythyst Kiah, Molly Tuttle, Madison Cunningham, Rebirth Brass Band, Seratones, Overcoats, The National Parks, American Aquarium and Allison Russell.
“I am beyond thrilled that we can gather again together around our mutual love of music and community!” Drew shares. “It means the world to me to be able to announce that Moon River is back on! Can’t wait to see you in Chattanooga.”
Photo: Nathan Zucker
Founded in 2014, Moon River Music Festival celebrates its sixth installment this year and its third in Chattanooga. As in previous years, a portion of every ticket supports Outdoor Chattanooga and St. Jude Children’s Research Hospital. A special Friday night event will be held on September 10 exclusively for VIP ticket holders. For more information and to purchase tickets, visit www.moonriverfestival.com.
Health & safety measures will also be in place to ensure a safe and comfortable experience for fans, artists, and staff with Moon River festival organizers continuing to work closely with local health and public safety officials to implement guidelines that are current at the time of the event. As the festival approaches, Moon River patrons will receive regular updates with important information regarding safety policies and procedures before entering the festival grounds.
Maren Morris, Miranda Lambert Lead CMT Music Awards Nominees
/by LB CantrellMaren Morris, Miranda Lambert
CMT has revealed the nominees for the 2021 CMT Music Awards, country music’s only entirely fan-voted award show.
Maren Morris and Miranda Lambert lead the nominations with four each, including Female Video of the Year, Collaborative Video of the Year, and two nominations each for Video of the Year. Artists with three nominations include recently announced show co-hosts Kelsea Ballerini and Kane Brown, alongside Little Big Town and first-time nominee Mickey Guyton.
There were 13 first-time nominees, including Guyton, Dylan Scott, Hailey Whitters, HARDY, Lainey Wilson, Margo Price, Nathaniel Rateliff, Niko Moon, Noah Cyrus, Parmalee, Ryan Hurd, Tyler Hubbard and Willie Jones.
The first round of nominees for the top honor, Video of the Year, includes 14 acts. The top five nominees for this category, determined from the first round of voting, will be announced on June 1. The top 3 nominees, from the second round of voting, will be announced on June 8. Final voting will be determined via social media and announced as the final category during the live show.
The CMT Music Awards air Wednesday, June 9 at 8:00 p.m. ET/7:00 p.m. CT on CMT, with a five channel simulcast across MTV, MTV2, Logo, Paramount Network and TV Land. Each winner is selected by the fans, with voting now open at vote.cmt.com.
The nominees for the 2021 CMT Music Awards are below:
Video Of The Year
Best video of the year; awarded to the artist (male, female, group/duo or collaboration)
Female Video Of The Year
Best video by a female artist; awarded to the artist
Male Video Of The Year
Best video by a male artist; awarded to the artist
Duo/Group Video Of The Year
Best video by a duo or group; awarded to the artists
Breakthrough Video Of The Year
Best video from an artist’s major breakthrough album; awarded to the artist (male, female or group/duo)
Collaborative Video Of The Year
Best video from a collaboration; awarded to the artists
CMT Performance Of The Year
Musical performance on a television show, series or variety special on CMT; awarded to the artist (individual, group or duo)
Norman North Releases New EP ‘The Otherside’
/by Lydia FarthingNewcomer Norman North’s brand new EP, The Otherside, is available now and is celebrating a No. 10 spot on the iTunes country chart and a spot in the Top 40 of all genre sales chart.
North has been successfully writing and producing hip-hop music for years for the likes of Megan Thee Stallion, Kevin Gates, Akon, and Moneybagg Yo, but North rediscovered his love for country music after his mother’s recent passing. His single “Plain Jain” merges North’s infamous hip-hop writing and production with country elements.
The EP is a manifestation of the Sunnyside, Texas native’s relationship with music which he uses as a way to connect with people. North’s goal for this EP, which he solely penned except for “Us Now”, is for fans to discover the same feelings he felt when he first listened to country as a kid.
North’s music is distributed by pop and hip-hop industry stalwart Troy Carter (Lady Gaga, John Legend, Meghan Trainor) and Suzy Ryoo’s company Venice
“It’s amazing how channeling yourself and being authentic shines through a project and connects with the fans in indescribable ways,” explains North. “This is the first time in my life I’ve ever charted on a sales chart and for it to be Top 10 and rising is insane. I didn’t really expect any of this to happen. I just wanted to make a great body of work and I’m happy the world likes the vibes I provide.”
The Otherside Track Listing:
1. Us Now
2. Always
3. Plain Jane
4. You’re Not Alone
5. Here Goes Nothing
Lauren Daigle Announces Exclusive Online Streaming Event At The Ryman
/by Lydia FarthingTwo-time Grammy Award winner and multi-Platinum recording artist Lauren Daigle has announced an exclusive online streaming event to take place on June 6 at the Ryman Auditorium.
A Night at The Ryman with Lauren Daigle and Friends features never before seen collaborations with multi-Platinum recording artist Jon Foreman of Switchfoot, Grammy Award winner and five-time CMA nominee Natalie Hemby of The Highwomen, singer-songwriter Ellie Holcomb, and Petey Martin.
“Sharing the stage and collaborating with other musicians has always been a high-point of any live show for me,” shares Daigle. “To be joined with some of my dearest friends for a night of music and fun is such a blessing and makes me eager to be able to get back on the road!”
The stream is available for fans in the US and Canada at two different times on June 6, 6:30 p.m. ET and 6:30 p.m. PT. A limited number of VIP tickets are also available which include an intimate virtual Q&A with Daigle, livestream access, and exclusive behind the scenes content. Tickets can be purchased at LaurenDaigle.com and include a 48-hour replay of the broadcast. $1 from every ticket sold will be donated to the Price Fund, Daigle’s foundation.
Since the release of her Grammy award winning, Platinum certified album Look Up Child, Lauren Daigle has reigned on the Billboard Charts. The album debuted at No. 3 on the Top 200 Albums chart while the crossover hit, “You Say,” became the longest-running No. 1 song of any genre on the weekly Billboard Hot charts for an incredible 125 weeks.
Industry Ink: Round Hill, Tenille Arts, Hard 8 // Working Group, Flying Buffaloes
/by Lydia FarthingRound Hill Music Nashville Adds Lindsay Will As Manager, A&R
Lindsay Will
Round Hill Music Nashville has hired Lindsay Will as the new manager of A&R.
As an Arkansas native, Will previously interned for Big Deal Music and Round Hill prior to graduating from Middle Tennessee State University. She joins Round Hill most recently from Liv Write Play where she operated as the Creative Manager.
“We’re thrilled to have Lindsay on board,” says Round Hill’s Bob Squance. “Her knowledge, experience, and energy are a great addition to the creative team, and we look forward to building upon the amazing success of our songwriters.”
Since opening its doors in 2014, Round Hill Music Nashville has celebrated over 50 No. 1 songs from its roster of hit songwriters, including Ashley Gorley, Jimmy Robbins, Zach Crowell, Katie Pruitt, Eric Arjes, Kyd the Band, Adam Sanders, and more.
Tenille Arts And Her Team Celebrate Her No. 1 ‘Somebody Like That’
Pictured (L-R): 19th & Grand Records’ Anna Bea Major; Gator Michaels Consulting’s Gator Michaels; Girlilla Marketing’s Lindsey Feinstein; Tenille Arts; 19th & Grand’s Dave Collins, Kellie Longworth, Jim Malito, Suzanne Durham, and Jim Dandy.
Tenille Arts and her 19th & Grand Records’ team were finally able to celebrate Arts latest No. 1 on country radio with “Somebody Like That.”
She first celebrated the historic milestone last month when the hit single placed the top spot on the Mediabase/Country Aircheck chart and became the first song in country music that was written, performed, and produced by all females to do so.
Arts co-wrote “Somebody Like That” with Allison Cruz and Alex Kline; Kline also produced the track which made her the first solo female producer to have a No. 1 single at country radio. The single took a record 70 weeks to hit the top spot, making it the longest chart run for a female act in the history of Mediabase/Country Aircheck chart.
Hard 8 //Working Group Adds Aimee Beren To Manager Roster
Aimee Beren.
Dirk Hemsath, Co-Founder and CEO of Hard 8 // Working Group has announced that manager Aimee Beren and her client Awfultune will be joining the company’s Nashville division.
Beren signed Awfultune while previously working in a label services role at the indie record label Amuse. She will continue to handle the artist, who has over 125 million streams globally, and be the day to day manager for multi-Platinum selling artist Daughtry.
“I’m so happy to welcome Aimee to the Hard 8//Working Group family. Aimee comes so highly regarded and recommended by people inside and outside of the company. I’m proud she chose our company to be the home base for herself and her wonderful client,” says Hemsath.
“It feels great to be part of such a collaborative team and work alongside such esteemed individuals in the industry with Hard 8//Working Group. They were the perfect home for my artist and I,” shares Beren.
Ontourage Management Signs The Flying Buffaloes
Pictured (L-R): Manager Cody Payne, Flying Buffaloes members Danny Pratt, Brandon Cantwell, Barry Stone, and Tommy Leland, Sr. Vice President of Ontourage Management/Manager Brandon Mauldin, and President of Conway Entertainment Group, Tony Conway.
East Nashville-based, alt/roots rockers Flying Buffaloes have signed with Ontourage Management for exclusive representation, and they will also be releasing a new single “A New Day is Gonna Dawn” on May 21.
Co-written collectively by the Flying Buffaloes and produced by Donnie Reis at Twelve 3 South Recording, “A New Day is Gonna Dawn” reflects upon the group’s approach to times of trouble—to fight through the darkness with positivity and light.
“We couldn’t be more pleased to have the support of such a notable and respected industry leader like Conway Entertainment Group,” says frontman Barry Stone. “After many years in the trenches, we finally feel we have the backing we need to elevate the band to its highest level and we can’t wait to see what the future holds!”
Ontourage Management will represent the band in its entirety with Manager Cody Payne running point as the band’s day-to-day representative. The team is currently booking dates in-house as well.