
ACM Award-winning recording artist Brett Young released his third studio album, Weekends Look A Little Different These Days, today (June 4) via BMLG Records.
Since making his debut in 2016 with his No. 1 smash hit “Sleep Without You,” Young has continued with an impressive string of success, evident by the fact that he is one of four modern-day artists to have their first seven singles go No. 1 on Mediabase/Country Aircheck. These seven consecutive singles have also gone on to receive Gold and Platinum certifications, including “In Case You Didn’t Know” at 5X Platinum; “Mercy” at 3X Platinum; “Sleep Without You,” “Like I Loved You,” “Here Tonight,” and “Catch” which all went Platinum, and his previous radio single “Lady,” which has already been Gold-certified.
Now, with more than 5 billion global streams, international tours under his belt, his own clothing line, and his first ever Caliville Weekend festival this coming September, Young has also stepped into a new phase of life with the birth of his first child, Presley, in October of 2019. With this little addition plus another baby due in July, Young has had to make a wave of adjustments both in his personal life and in his songwriting.
“I finally reached a stage of my life that, if I’m lucky, is going to be pretty static for a while,” Young tells MusicRow. “I’m married with a baby and another one on the way, but you can’t just talk about adding the next child in every song. That’s not interesting for people,” he explains. “The biggest challenge with the songwriting for this record was to continue to be myself—to be super honest and vulnerable, but also not write eight songs about my daughter. That alienates a lot of the listeners that have been there since the first record and ‘Sleep Without You.’
“I would sit down with writers and say, ‘I need a break up song but I’m happily married, so tell me a story about your worst breakup.’ I would try to take something they said about their experience and find something that reminded me of an experience that I went through and tap into how I felt when I was there,” he shares. “It was really challenging, but I think it made me a better songwriter. It was an interesting thing to emotionally put myself in a bunch of different people’s shoes while writing and choosing songs for this record.”
Working again with producer Dann Huff, Young takes listeners through the full spectrum of emotions and several sonic landscapes on the eight tracks that make up Weekends Look A Little Different These Days. Songs like the project’s lead single, “Lady,” acts as an open letter to Presley, while the title track and songs “This” and “Dear Me” find Young reflecting on his personal growth. Meanwhile, his current single at country radio, “Not Yet,” reminds listeners of the importance of being present in the moment. “Leave Me Alone” finds Young letting things in the past melt away with a tropical, easy-going sound. Also included on the project is the ‘80s rock anthem-esque “You Got Away With It,” and the soulful album closer, “You Didn’t.”
As he puts out each new record, Young constantly aims to pull back the curtain on his life little by little, each time becoming more and more vulnerable with his music. With Weekends Look A Little Different These Days, he’s found a new level of authenticity and yet another way to let people in. “I hope that it never feels fake, but that it always feels vulnerable and honest. It’s like being naked when you get this honest with your music, so if I don’t feel that way, I’ve done it wrong,” he shares. “There’s nothing that’s left unsaid or anything that I left out in these eight songs.”
Since having to postpone his headlining tour in the early months of 2020 due to the COVID-19 pandemic, Young chose to look at the silver linings that came with lockdown. Most importantly, during that time without touring, he was able to be present for much of Presley’s first year.
“I got to see all of the firsts or at least most of them. I heard her say ‘da-da’ for the first time and all of the important stuff,” he gushes. “If I was going to pick a year for this to happen, it would definitely be my child’s first year of life. [Having a baby] is a huge adjustment and it changes everything, but in a way that you would never trade for the world.”

Brett Young. Photo: Seth Kupersmith
With the release of a new album, Young also has his eyes set on the future, including what shows might look like with these eight new tracks to add to the setlist. However, getting back out on the road and finding a new normal with two little ones will undoubtedly be an adjustment, but one that Young is excited for. He just announced he will be heading back out on the road this fall on his headlining The Weekends Tour. Launching Sept. 11, the tour features special guests Maddie & Tae and Filmore, with Ryan Hurd and Matt Ferranti on select shows.
In April, Young also announced that his first stab at a festival, Caliville Weekend, will take place over Labor Day Weekend in Palm Springs, California with tickets on sale now. What first began as three days full of the California native’s favorite things and capped off by a concert on the last night has quickly become a weekend full of activities, events, and live music each night. With his friends Maddie & Tae, Filmore, Chase Rice, Seaforth, and Devin Dawson, Young has created yet another opportunity for fans to pull back the curtain on his life a little more.
“I’m looking forward to everything about [that weekend]. It’s going to be full of all my favorite things, so if you want to really get to know me, here’s another chance,” Young says. “I’ll be there hanging out with everybody, golfing, swimming, and going to the concerts every night… One thing I will promise is that it’s going to make it late into the night every night.”
Big Machine Music City Grand Prix Adds Partnership & Sponsor
/by Steven BoeroPictured (clockwise): Brooks & Dunn, Jamey Johnson, Vince Neil, Tyler Farr
The Big Machine Music City Grand Prix adds Wesley Financial Group as presenting sponsor for the Grand Prix’ opening day Friday, Aug. 6. The announcement comes days after the Grand Prix joined three other Nashville institutions in support of the Charlie and Hazel Daniels Veterans and Military Family Center at Middle Tennessee State University.
The Wesley Financial Group Freedom Friday concert will honor members of the military, police, fire, first responders, and frontline heroes. That night’s Freedom Friday Tribute Concert: Music City’s Best Honor All Those Who Serve and Protect will feature special guest appearances by several of Nashville’s top artists, including Brooks & Dunn, Jamey Johnson, Tyler Farr and Vince Neil. Aside from providing thousands of tickets to members of those groups, that night’s concert will bring awareness to military charities, including the Charlie and Hazel Daniels Veterans and Military Family Center at MTSU.
“Wesley Financial Group is proud to be a part of one of Nashville’s first big events since the beginning of the COVID-19 pandemic,” says Chuck McDowell, founder and CEO. “We are especially excited to be able to honor our military and first responders and provide tickets to those who protect us every day. The Big Machine Music City Grand Prix is a landmark event for our city and we look forward to being a part of it.”
On Saturday, Grand Prix CEO Matt Crews, a MTSU alumnus, joined retired Army Lt. Gen. Keith Huber, MTSU’s senior advisor for veterans and leadership initiatives, for the announcement from the stage of the Grand Ole Opry during the sold-out Opry Salute the Troops show.
The Grand Prix joins the Opry, the Nashville Predators and the Nashville Sounds to help the approximately 1,100 military connected students at MTSU who are “seeking academic success and quality employment.”
“We are incredibly proud to partner with Wesley Financial Group to honor the frontline heroes who serve and protect us on a daily basis – and excited to announce our Freedom Friday line-up,” says Crews. “Our hope is this performance shows a small token of appreciation to those in the service that work so hard to allow us to live lives of freedom– and enjoy events like this year’s Big Machine Music City Grand Prix.”
Big Machine Music City Grand Prix, a three-day international festival of speed and sound, will be staged on a temporary 2.17-mile grand prix circuit in Nashville and around the Nissan Stadium campus. The course will cross the Cumberland River via the Korean Veterans Memorial Bridge, making it the only current event in motorsports to cross over a major body of water.
CMA Foundation To Host Session With Trisha Yearwood Discussing Music Education
/by Lorie HollabaughPhoto Credit: Russ Harrington
Trisha Yearwood will join CMA CEO/CMA Foundation President Sarah Trahern for a special online conversation on June 8 during the annual National School Boards Association’s Advocacy Institute to discuss the importance of music education.
The NSBA’s Advocacy Institute features key policy makers and advocates working to improve educational outcomes and ensure that every student has access to a quality education. In addition to Trahern and Yearwood, this year’s Advocacy Institute will feature U.S. Secretary of Education Miguel Cardona, Federal Communications Commission Acting Chairwoman Jessica Rosenworcel, U.S. House Education and Labor Committee Chairman Bobby Scott and U.S. Senators Charles Grassley and Susan Collins.
“My mom was a third-grade teacher, so I’ve always understood the importance of a good education,” said Yearwood. “She and my dad also encouraged me to participate in talent shows and music events held by my school, church, and community. It was that early exposure to music, along with support from my parents and friends, that made me into who I am. I’m an advocate for music education today because I want every child in our country to have the same opportunities I did.”
Through its partnership with NSBA, CMA and the CMA Foundation continue to strategically raise awareness and shine a light on advocacy efforts in support of music educators, students and parents.
“The CMA Foundation was birthed from the passion our artists and industry professionals felt when they first fell in love with music within the four walls of a classroom,” said Trahern. “Working with an artist like Trisha and incredible partners like NSBA, the CMA Foundation works to ensure that music is a part of every student’s education. For us, it’s not just about lifting up the next generation of musicians, but leveraging the impact that music has on students’ lives.”
Thomas Rhett Soars To No. 1 On MusicRow CountryBreakout Radio Chart
/by Alex ParryIn just eight weeks since its release, “Country Again” by Thomas Rhett claims the No. 1 position on the MusicRow CountryBreakout Radio Chart. The single is the title track to Rhett’s double album and appears on Side A of the release. Rhett co-wrote every song on Side A, and penned “Country Again” with Zach Crowell and Ashley Gorley.
“It’s one of my favorite songs I’ve written yet and honestly just feels full circle in so many ways… it’s about the crazy journey I’ve been on over the last decade and ultimately finding my way back home,” Rhett says of the song.
Dates have been rescheduled for Rhett’s Center Point Road Tour with Cole Swindell and Gabby Barrett. The tour kicks off in Aug. 13 in Orange Beach, Alabama.
Click here or above to view the latest edition of The MusicRow Weekly containing the MusicRow CountryBreakout Chart.
Brett Young Pulls Back The Curtain With New Album Out Now [Interview]
/by Lydia FarthingACM Award-winning recording artist Brett Young released his third studio album, Weekends Look A Little Different These Days, today (June 4) via BMLG Records.
Since making his debut in 2016 with his No. 1 smash hit “Sleep Without You,” Young has continued with an impressive string of success, evident by the fact that he is one of four modern-day artists to have their first seven singles go No. 1 on Mediabase/Country Aircheck. These seven consecutive singles have also gone on to receive Gold and Platinum certifications, including “In Case You Didn’t Know” at 5X Platinum; “Mercy” at 3X Platinum; “Sleep Without You,” “Like I Loved You,” “Here Tonight,” and “Catch” which all went Platinum, and his previous radio single “Lady,” which has already been Gold-certified.
Now, with more than 5 billion global streams, international tours under his belt, his own clothing line, and his first ever Caliville Weekend festival this coming September, Young has also stepped into a new phase of life with the birth of his first child, Presley, in October of 2019. With this little addition plus another baby due in July, Young has had to make a wave of adjustments both in his personal life and in his songwriting.
“I finally reached a stage of my life that, if I’m lucky, is going to be pretty static for a while,” Young tells MusicRow. “I’m married with a baby and another one on the way, but you can’t just talk about adding the next child in every song. That’s not interesting for people,” he explains. “The biggest challenge with the songwriting for this record was to continue to be myself—to be super honest and vulnerable, but also not write eight songs about my daughter. That alienates a lot of the listeners that have been there since the first record and ‘Sleep Without You.’
“I would sit down with writers and say, ‘I need a break up song but I’m happily married, so tell me a story about your worst breakup.’ I would try to take something they said about their experience and find something that reminded me of an experience that I went through and tap into how I felt when I was there,” he shares. “It was really challenging, but I think it made me a better songwriter. It was an interesting thing to emotionally put myself in a bunch of different people’s shoes while writing and choosing songs for this record.”
Working again with producer Dann Huff, Young takes listeners through the full spectrum of emotions and several sonic landscapes on the eight tracks that make up Weekends Look A Little Different These Days. Songs like the project’s lead single, “Lady,” acts as an open letter to Presley, while the title track and songs “This” and “Dear Me” find Young reflecting on his personal growth. Meanwhile, his current single at country radio, “Not Yet,” reminds listeners of the importance of being present in the moment. “Leave Me Alone” finds Young letting things in the past melt away with a tropical, easy-going sound. Also included on the project is the ‘80s rock anthem-esque “You Got Away With It,” and the soulful album closer, “You Didn’t.”
As he puts out each new record, Young constantly aims to pull back the curtain on his life little by little, each time becoming more and more vulnerable with his music. With Weekends Look A Little Different These Days, he’s found a new level of authenticity and yet another way to let people in. “I hope that it never feels fake, but that it always feels vulnerable and honest. It’s like being naked when you get this honest with your music, so if I don’t feel that way, I’ve done it wrong,” he shares. “There’s nothing that’s left unsaid or anything that I left out in these eight songs.”
Since having to postpone his headlining tour in the early months of 2020 due to the COVID-19 pandemic, Young chose to look at the silver linings that came with lockdown. Most importantly, during that time without touring, he was able to be present for much of Presley’s first year.
“I got to see all of the firsts or at least most of them. I heard her say ‘da-da’ for the first time and all of the important stuff,” he gushes. “If I was going to pick a year for this to happen, it would definitely be my child’s first year of life. [Having a baby] is a huge adjustment and it changes everything, but in a way that you would never trade for the world.”
Brett Young. Photo: Seth Kupersmith
With the release of a new album, Young also has his eyes set on the future, including what shows might look like with these eight new tracks to add to the setlist. However, getting back out on the road and finding a new normal with two little ones will undoubtedly be an adjustment, but one that Young is excited for. He just announced he will be heading back out on the road this fall on his headlining The Weekends Tour. Launching Sept. 11, the tour features special guests Maddie & Tae and Filmore, with Ryan Hurd and Matt Ferranti on select shows.
In April, Young also announced that his first stab at a festival, Caliville Weekend, will take place over Labor Day Weekend in Palm Springs, California with tickets on sale now. What first began as three days full of the California native’s favorite things and capped off by a concert on the last night has quickly become a weekend full of activities, events, and live music each night. With his friends Maddie & Tae, Filmore, Chase Rice, Seaforth, and Devin Dawson, Young has created yet another opportunity for fans to pull back the curtain on his life a little more.
“I’m looking forward to everything about [that weekend]. It’s going to be full of all my favorite things, so if you want to really get to know me, here’s another chance,” Young says. “I’ll be there hanging out with everybody, golfing, swimming, and going to the concerts every night… One thing I will promise is that it’s going to make it late into the night every night.”
Brit Taylor Plans New Deluxe Version Of ‘Real Me’
/by Lorie HollabaughBrit Taylor is releasing Real Me Deluxe, an expanded edition of her Real Me album, on July 9. The latest single from the project, “At Least There’s No Babies,” is being released on June 4. Both albums and the single are produced by Grammy-award winner Dave Brainard.
“At Least There’s No Babies,” features Dee White and is a continuation of Taylor’s musical journey through self-discovery. Taylor and White penned the song while touring in late 2018 as the opening act for Ashley McBryde. Taylor had endured a journey that included the dissolution of her marriage and her band, her dog dying and financial problems. As she battled depression, she endured a bunch of well-meaning friends and family telling her, “At least there’s no babies.”
“The album Real Me told my story, and it wasn’t always easy to share it,” Taylor said. “But I did and it was soul cleansing. I knew the story wouldn’t be finished until ‘At Least There’s No Babies’ was on the record and out into the world. It is the final chapter of the story. Its combination of humor and sadness meant I was ready to move forward and live my next story.”
DISClaimer Single Reviews: Balsam Range, Rhonda Vincent, Danny Paisley
/by Robert K OermannBalsam Range
The bluegrass grows all around in today’s edition of DisClaimer.
Unquestionably, the DisCovery Award goes to The Kody Norris Show, a band that simply delighted my senses.
The Disc of the Day contest is a little more complicated, so I’m giving out three of these prizes. The Female vocal winner is bluegrass queen Rhonda Vincent with her Porter Wagoner song revival. The Male vocal winner is big Danny Paisley, who has soul to spare. The Group performance award goes to the lovely gospel effort by Balsam Range.
Happy listening.
THE KODY NORRIS SHOW / “Love Bug”
Writers: Kody Norris; Producer: none listed; Label: Rebel
— Charming. This rhinestoned, retro costumed foursome plays with crisp precision and sings with high-lonesome authenticity. The song is an upbeat, light-hearted ditty about falling head over heels… and it will leave you with a grin on yer face.
DALE ANN BRADLEY / “Falling Down”
Writers: Ashby Frank; Producer: none listed; Label: Pine Castle Records
— This much awarded bluegrass Female Vocalist winner has a sterling collection titled Things She Couldn’t Get Over that is currently the No. 1 bluegrass album. This thoughtful, mid-tempo song from it has both poetry and rippling instrumental textures to transport you to hillbilly nirvana.
ALAN BIBEY & GRASSTOWNE / “Hitchhiking to California”
Writers: Wes Goldberg/Alan Bibey/Jerry Salley; Producer: Alan Bibey, Grasstowne, Ron Stewart, Jerry Salley; Label: Billy Blue
— The sprightly title tune of this quintet’s current CD is presently at No. 1 on the Bluegrass Unlimited chart. The vocals are somewhat creamy, rather than edgy, so it goes down smoothly.
ROLAND WHITE & FRIENDS / “Alabama Jubilee”
Writers: George L. Cobb/Jack Yellen; Producer: Ty Gilpin & Jon Weisberger; Label: Mountain Home
— White’s illustrious career has included stints with Country Gazette and The Nashville Bluegrass Band. His current CD is A Tribute to The Kentucky Colonels, the group that launched the legendary mandolinist’s career. On this deliciously lively instrumental track, he’s joined by Kristin Scott Benson of The Grascals, and the album’s other bluegrass celeb guests include Darin & Brooke Aldridge, Gina Furtado, David Grier, Billy Strings and Molly Tuttle. At age 83, his fingers still fly over the fretboard like greased lightning.
BALSAM RANGE / “Grit and Grace”
Writers: Ann Melton/Beth Husband/Milan Miller; Producer: Balsam Ridge; Label: Mountain Home
— Sublimely lovely. The gentle gospel ballad is caressed by this durable ensemble with enormous heart. As a man looks back at his life’s ups and downs, he recognizes, “I supplied the grit, and God supplied the grace.”
RHONDA VINCENT / “What Ain’t to Be Just Might Happen”
Writers: Porter Wagoner; Producer: Rhonda Vincent; Label: Upper Management
— Vincent takes a 1972 Porter Wagoner country oldie out for a brisk romp with dynamic fiddle, mandolin and banjo breaks. It goes without saying that her wailin’ vocal is supreme. This new track is headed skyward.
DANNY PAISLEY & THE SOUTHERN GRASS / “Blink of an Eye”
Writers: Robert Amos; Producer: Wes Easter, Danny Paisley, Ryan Paisley & Bobby Lundy; Label: Pinecastle
— This new release is the lead track from Paisley’s Bluegrass Troubadour collection. It has a captivating, cool, rolling groove, and the excellent, bluesy singing is mountain soulful in the extreme. Mournful majesty. So nice I played it twice.
LARRY CORDLE / “Cherokee Fiddle”
Writers: Michael Martin Murphey; Producer: none listed; Label: Mighty Cord
— I’ve always liked this Michael Martin Murphey tune from 1977 (revived by Johnny Lee on the Urban Cowboy soundtrack) and am not at all surprised by how well it adapts to a bluegrass treatment. Nashville tunesmith Cordle can always be counted on for quality.
BARRY ABERNATHY & VINCE GILL / “Birmingham Jail”
Writers: none listed; Producer: Barry Abernathy & Jim VanCleve; Label: Billy Blue
— Banjo picking singer Abernathy has rounded up a busload of buddies for his new CD, which debuted on the bluegrass album chart this month. They include Dan Tyminski, Rhonda Vincent, Steve Gulley, Doyle Lawson, Sam Bush, Bryan Sutton, Rob Ickes and, on this toe-tapping album opener, everyone’s favorite tenor harmony singer.
JUNIOR SISK / “Just Load the Wagon”
Writers: J.R. Satterwhite; Producer: none listed; Label: Mountain Fever
— Rural nostalgia reigns here, and it doesn’t get much more down-home and old timey than this. The tempo will have you dancing around the kitchen, and the vintage mood will make you smile. Pure pleasure.
HIGH FIDELITY / “Banjo Player’s Blues”
Writers: Charlie Monroe; Producer: Jeremy Stephens, Corrina Rose Logston & Brad Benge; Label: Rebel
— Infectious. It’s the title track of this Nashville band’s current album. Jeremy Stephens’ hearty lead vocal is nearly outshone by the dashing fiddle of Corrina Rose Logston, and the overall effect is good vibrations all around.
BRONWYN KEITH-HYNES & SARAH JAROSZ / “Last Train”
Writers: Peter Rowan; Producer: none listed; Label: Sugar Petunia
— Fiddler Keith-Hynes has a high, yearning vocal delivery, but the spotlight shines brightest here on the sizzling instrumental work featuring mandolin magician Jarosz as well as her own slippery, silvery bowed notes.
Warner Chappell Production Music Opens Sandtrack Sound Studio In Nashville
/by Lorie HollabaughPhoto: Michael Dominic Tedesco
Warner Chappell Production Music has opened two new recording studios – Sandtrack Sound in Nashville and SkyLight Studios in Los Angeles.
WCPM’s Sandtrack Sound is situated on Music Row in the more than 8,200+ square foot building originally known as Emerald Sound Studio and later, Benchmark Sound. Built in 1981 by pioneering acoustic designer Tom Hidley, it has been home to the creation of many Gold and Platinum albums, including releases by Johnny Cash, George Strait, Alabama, Brooks & Dunn, Foreigner, Bon Jovi, Olivia Newton-John, and more.
Photo: Michael Dominic Tedesco
Sandtrack features three studios, the largest of which, Studio A, is capable of holding more than 30 musicians. Studio A, along with two additional control rooms, received substantial equipment upgrades, including a custom hybrid Avid S6/Tonelux 1628 console and microphone preamplifiers by Rupert Neve Designs.
“We’re thrilled to be working out of such a historic studio and using it to bring together Music City’s talented songwriters and musicians to record for Warner Chappell Production Music,” says SVP of Production, Aaron Gant, who oversees WCPM’s operations in Nashville. “Our team is extremely excited for the future.”
Jordan Rager Signs Publishing Deal With Sprockets Music
/by LB CantrellPictured (L-R): Elizabeth Brahan (Publishing Director, Sprockets Music), Jordan Rager, Will Edwards (CEO, Sprockets Music)
Country singer-songwriter Jordan Rager has signed an exclusive publishing agreement with Sprockets Publishing, a division of Copperline Music.
Rager moved to Nashville in 2014 and has since landed cuts with artists including Jason Aldean, Granger Smith, Jon Langston and Muscadine Bloodline.
“A lot of people know Jordan the artist, but we know him as a true songwriter and we are very excited about having Jordan on our roster,” says Elizabeth Brahan, Publishing Director at Sprockets.
Rager’s own music has generated over 60 million streams and he has a new project set for release this summer.
He says, “I couldn’t be more excited to join the Sprockets family and I am grateful for their belief in me and my songs. This is my publishing dream team and I can’t wait to see what we accomplish together.”
BREAKING: UTA Opens New Nashville Headquarters
/by LB CantrellPhoto: Eric Laignel, HASTINGS Architecture
Global talent, entertainment and sports company UTA has officially opened its new Nashville headquarters, now occupying the site of the former downtown Carnegie Library at 225 Polk Avenue.
The office was designed by award-winning firm HASTINGS Architecture, which transformed the three-story, mid-century historic building into the agency’s new Nashville headquarters. Elements of the original library have been preserved and integrated into the office with highlights such as the old book drop on the parking level.
“We are thrilled to open the doors to our new Nashville headquarters and bring new life to this historic space that will now serve as a gathering place for colleagues, artists and storytellers across the community,” says David Zedeck, Partner and Co-Head of Worldwide Music. “Nashville’s music roots run deep and these new offices are meant to reflect UTA’s commitment to sharing this city’s powerful creativity with the world.”
Photo: Eric Laignel, HASTINGS Architecture
Over the past year, UTA Music’s Nashville office has expanded its agent ranks by bringing in key hires, including Jeffrey Hasson, Jenny DeLoach, Brett Saliba, Matt Korn and Emily Wright.
The Nashville team recently welcomed Grammy Award-nominated country band Midland and Diamond-selling Billy Ray Cyrus to the roster. Other recent signings include Brittney Spencer, Alana Springsteen, Sam Williams, Reyna Roberts, Josh Kiser, Lathan Warlick and Chase Martin, among others.
UTA also represents country stars Toby Keith, Jamey Johnson, Jimmie Allen, Matt Stell, Blanco Brown, Clay Walker, Clint Black, Wheeler Walker Jr., Ian Munsick, Elvie Shane and Chris Bandi, in addition to Young The Giant, Tori Kelly, Surfaces, Dashboard Confessional, Dayglow, COIN, Ruston Kelly, Ayron Jones, Timbaland, Blues Traveler, Laine Hardy and more.
Photo: Eric Laignel, HASTINGS Architecture
Photo: Eric Laignel, HASTINGS Architecture
Chris Lindsey Goes ‘Down The Velvet Rabbit Hole’ On New EP
/by Lorie HollabaughHit songwriter Chris Lindsey is releasing a rock project titled Down the Velvet Rabbit Hole on Thursday, June 3 via Black Box Records. He describes the project as a melting pot of ’70s British rock, ’80s power pop and ‘90s alt. Celestial-themed tracks include the bittersweet “Aurora Borealis,” the sultry “Shooting Star” and the ELO-inspired “Electric Love.” He rounds out the EP with the guitar-charged “Z28” juxtaposed with the orchestral overtones of “Blind.”
Lindsey is a Grammy nominated country music songwriter and producer whose hits include “Amazed,” Lonestar; “This One’s For The Girls,” Martina McBride; “I Wanna Be Your Everything,” Keith Urban; and “Every Time I Hear That Song,” Blake Shelton. He resides in Nashville and is married to hit songwriter/author Aimee Mayo.
“I have been blessed throughout my career to have collaborated with so many talented artists and writers,” said Lindsey. “It has been an incredible journey and, honestly, one I thank God for. But it was fun to try something totally different. I had an absolute blast working on this project, and I hope you enjoy it!”
Lindsey’s podcast Pitch List is in its fourth season and has featured Bill Anderson, Emily Weisband, Lori McKenna, Ashley Gorley, and many more.