
Pictured (top row, L-R): Founder and CEO of Solo Music Barron Solomon; Developer Kyle Reeves; Tech Entrepreneur Luke Porter; (bottom row, L-R): Marketing Executive Tim Gerst; Tech Entrepreneur Meghan Andrykowski; Music Talent Pioneer Nick Hartley
Solo Music, the first global music marketplace built on the Solana blockchain for artists, fans and the industry, is launching the Solo Music Marketplace, a music service aimed at revolutionizing the way artists, fans, and industry professionals do business with blockchain technology.
The platform’s debuting artist partners include Eric Paslay, songwriter-producer Tommy Cecil, and recording studio Capricorn Studios, each releasing several exclusive NFTs starting in October.

The marketplace aims to create new pathways for fans to connect with their favorite artists and provide artists with innovative ways to monetize their creations through experiential and digital art NFT sales. Additional products that simplify digital asset sales through smart-contract ticketing and tokenized royalties for artists and industry professionals will launch on the platform in the coming months.
Solo Music is led by a team of industry members of Nashville’s music scene and blockchain and tech entrepreneurs. Barron Solomon, blockchain trailblazer and music enthusiast, is the visionary behind Solo Music. Other team members include music industry entrepreneur and developer Kyle Reeves, music marketing executive Tim Gerst, music talent pioneer Nick Hartley and blockchain and tech entrepreneurs Luke Porter and Meghan Andrykowski.
“Solo Music was born out of necessity. Technology has not evolved at the same rapid pace of the music and entertainment industry, resulting in slow ambiguous royalty payouts, illiquid artist assets, overpriced secondary market tickets, forged merchandise and counterfeit concert tickets,” says Solomon, founder and CEO of Solo Music. “Solo Music solves this and bridges the technology gap. With a mission of driving blockchain adoption in the music industry, we are making digital asset sales simple and profitable while providing fans with unique experiences at affordable prices.”
Fans and collectors can access the Solo Music Marketplace featuring curated artist pages, upcoming artist NFT releases or drops and charitable giving opportunities. The Marketplace will soon allow fans to purchase unique experiences and digital art designed by their favorite artists and store them on Solo Music’s secure and decentralized network. It will also allow users to pay for NFTs in U.S. dollars via credit card, making it accessible for fans of all levels of crypto knowledge to support their favorite artists. To further encourage platform adoption, the platform supports fast and direct transactions with major wallets including Sollet and Phantom. As a Solana-built marketplace, the platform benefits from low transaction fees to offer a wide range of price points for users, making the Solo NFT releases more affordable than many NFTs in the market today, with prices as low as $20.
“As a music creator and as a craftsman, I have been excited about the potential of NFTs in offering fans rare and exciting items, while generating income—not just for myself but also for my favorite charities,” says Eric Paslay, who will be launching his own NFTs on the platform. “Solo Music stood out as it is fully committed to the music space and to making the NFT process uncomplicated for fans. I’m even more excited after sitting down with the Solo Music team to map out a long-term strategy of curated drops that touch on songwriting, performances, artwork, and hand-crafted items.”
In the coming months, Solo Music will expand to include concert ticketing and tokenized royalties in partnership with the industry. The ticketing platform will offer smart-contract technology for concert tickets, and tokenized royalties will enable artists to manage their royalty streams and sell portions of or all of the rights to the cash flow associated with their royalties, while also allowing fans to invest in their favorite artists.
The company is also committed to becoming a decentralized autonomous organization with community governance in the near future and giving back to its community through monetization and experiential opportunities.
Recording Academy Promotes Ruby Marchand & Joanna Chu In Awards Department
/by Lydia FarthingThe Recording Academy has appointed Ruby Marchand to Chief Awards & Industry Officer and Joanna Chu has been elevated to Vice President of Awards, effective immediately. The redefined roles and restructuring of the Awards Department is another step in the Academy’s efforts to better serve its membership and the music industry at-large.
In April and May 2021, new rules and updates were made to the Recording Academy’s awards process in order to better reflect the changing music community. In June the Recording Academy restructured its leadership, appointing Valeisha Butterfield Jones and Panos A. Panay as Co-Presidents. Weeks later the organization invited 2,710 music creators and professionals of “wide-ranging backgrounds, genres and disciplines” to be members.
“I am proud to welcome Ruby and Joanna into their new positions as we work to enhance our awards processes from the inside out,” says Harvey Mason Jr., CEO of the Recording Academy. “Their expertise in this space is highly valuable as we continue to refine the Recording Academy’s role in the music industry and work to provide the highest quality of service to our members.”
In her new role, Marchand will continue to oversee both Awards and Membership & Industry Relations, reporting to the Academy’s Co-President, Valeisha Butterfield Jones. She will work closely with Genre Managers on the Awards team to effect outreach to musical communities around the world, bringing innovative new possibilities into the Awards process.
Prior to joining the Academy’s executive team, Marchand held several elected leadership roles at the Academy. She was elected Governor and Vice President of the New York Chapter in 2004, where she chaired Grammy In The Schools for more than 12 years. In 2011, she was elected a National Trustee from the New York Chapter and served for two terms. She was elected Vice Chair of the Academy by the National Board of Trustees in 2015 and served until 2019. Additionally, she was Co-Chair of the Awards & Nominations Committee for seven years and helped drive new eligibility rules as well as the process of refreshing Fields and Categories for the Grammy Awards. Marchand previously held leadership roles at Warner Music Group, including vice president of international A&R for 25 years, head of A&R for Cordless Recordings and Rykodisc, and senior vice president of revenue and repertoire assurance.
In the newly created role of Vice President of Awards, Chu will further her expertise in Awards systems and operations by leading the team through all aspects of the Awards season. Chu will report to Marchand and join her in reinforcing key Academy initiatives throughout the Awards process, with a special emphasis on Diversity, Equity and Inclusion.
Chu previously held Director and Managing Director roles in the Academy’s Awards Department, where she was responsible for overseeing the departmental staff and upholding the integrity of the awards process. Prior to joining the Academy, Chu worked in Silicon Valley as one of the few female software engineers in the aerospace industry for 15 years.
Raleigh Keegan Gets Personal On New Project ‘Clocks Roll Forward’
/by Lorie HollabaughRaleigh Keegan. Photo: Sean McGee
Raleigh Keegan’s upcoming full-length album, Clocks Roll Forward, is slated for release on Oct. 15. To celebrate the upcoming project, Keegan has released“Sure Like Lovin’ You,” co-written with Leslie Satcher and Phil Barton.
Produced by Grammy-award winning Ryan Gore, Clocks Roll Forward features 13 tracks all co-written by Keegan, including the powerful “Our First Goodbye” written about his birth mother; the push and pull of a toxic relationship in “I Love You;” the personal “Like My Daddy Was” written about his biological father; and the driving “Tell Me Something I Don’t Know.”
“I have been waiting for this moment since late 2019 when I started this project,” Keegan shares. “I think it will help people truly get to know me from the stories woven into the songs on this album, and it’s exciting to me to be able to connect in that way. Clocks Roll Forward is the album title because time moves so fast and this album has brought so many influences of my past to life through song. That’s also a lyric from ‘Way Back’ that speaks to me personally. This album is a full length introduction to my life and a segue to the projects ahead that are already underway.”
Keegan will perform some of the new music and talk about the album from Old Hickory Lake with host Misty Wells on Let’s Take It Outside, which airs on Bally Sports on Tuesday, Sept. 21 at 3 p.m. CT.
Keegan has accumulated over 7 million streams across his catalog to date, and has opened for artists such as Eric Church, Brothers Osborne, Florida Georgia Line, Thomas Rhett, Drake White, and Mitchell Tenpenny. He has grown his social media fan base to nearly 150,000 followers and has more than 200,000 monthly listeners across platforms.
Way Back (Raleigh Keegan, Kyle Sturrock)
Long Line of Lovers (Raleigh Keegan, Lonnie Fowler, Joel Shewmake)
Trainwreck (Raleigh Keegan, Leslie Satcher)
Jealous Of The Sun (Raleigh Keegan, Thomas Archer, Tyler Reeve)
Easy On The Trigger (Raleigh Keegan, Alex Dooley, Brian Carper)
Drink For That (Raleigh Keegan, Eric Torres, Matt Rogers)
Another Good Day (Raleigh Keegan, Alex Dooley, Brian Carper)
Handyman (Raleigh Keegan, Marshall Altman)
Like My Daddy Was (Raleigh Keegan, Autumn McEntire)
Our First Goodbye (Raleigh Keegan, Kyle Jacobs, Brice Long)
I Love You (Raleigh Keegan, Keith Follese, Adrienne Follese)
Sure Like Lovin’ You (Raleigh Keegan, Leslie Satcher, Phil Barton)
Tell Me Somethin’ I Don’t Know (Raleigh Keegan, Danielle Blakey, Steve Lester)
Tracy Lawrence Announces 16th Annual Turkey Fry & Concert
/by Lorie HollabaughTracy Lawrence will once again give back to the city of Nashville around Thanksgiving time with his 16th annual Mission Possible Turkey Fry and Benefit Concert to support Nashville Rescue Mission. Taking place on Nov. 23, this year’s event will include the annual turkey fry event held in the parking lot of Nashville Rescue Mission.
The event will then move to the SkyDeck at Assembly Hall on top of the 5th + Broadway building where Dustin Lynch, Michael Ray, Lainey Wilson and more will join Lawrence for the special benefit concert. Tickets go on sale this Friday, Sept. 24.
Since its inception in 2006, the Turkey Fry event has since raised over $600,000 for Nashville Rescue Mission, frying up over 6,400 turkeys and providing over 90,000 meals to the homeless and hungry of Middle Tennessee. To inquire about becoming a sponsor for the the 16th Annual Turkey Fry & Benefit Concert, contact Lindsey Ray at lindsey@thesteadfastco.com.
The organization recently donated $10,000 during Loretta Lynn‘s Friends: Hometown Rising fundraising event, which to date has raised nearly $1 million for United Way of Humphreys County following the Aug. 21 floods.
Lawrence is celebrating his 30th anniversary in country music this year, and to commemorate the milestone has been releasing his Hindsight 2020 project through three volumes that include new music along with his classics that fans have enjoyed for three decades.
Records Nashville Adds Chele Fassig & Laurel Kittleson-Cobb
/by Lydia FarthingChele Fassig & Laurel Kittleson-Cobb
Records Nashville, the Music City division of Barry Weiss‘ label Records, has expanded its team with two new staffing additions.
Chele Fassig will take on the role of Promotion Manager, reporting to Records Nashville co-heads of promotion, Jamice Jennings and Andy Elliott. She joins the company with over 28 years of experience in the radio industry.
Fassig began her career in Decatur, Illinois at WDZQ. After stops at WNAP and WGRL, Fassig joined WSOC in Charlotte, North Carolina, where she remained the marketing, promotion and NTR director for over 25 years. She currently serves in a Senior Media Consultant role for Beasley and officially starts in her new role on Sept. 22. Fassig can be reached at chele@recordsco.com / (704) 724-1166.
Laurel Kittleson-Cobb has been brought on as A&R Consultant. Formerly the VP of Artist Development and A&R at Curb Records, she recently launched Rainier Entertainment, a consulting company for A&R, artist development and publishing. Kittleson-Cobb’s prior stops include Big Machine Label Group, Show Dog-Universal Records and Elevation Music Publishing. She can be reached at laurel@rainierentertainment.com.
“We’re excited to continue to build out the team at Records Nashville,” comments Weiss, Partner and Co-Founder of Records. “Chele and Laurel are great additions to help take the label to the next level. Let’s go!”
Records Nashville’s roster includes chart-topping Platinum singer-songwriter Matt Stell; breakout artists George Birge, Chris Bandi, Jennifer Smestad, and Lathan Warlick; and Nelly, whose recently released Heartland album is currently Top 10 on Billboard’s Top Country albums chart.
Jackson Michelson Releases Six-Song EP, ‘Back To That Summer’
/by LB CantrellMCC/Curb Records recording artist Jackson Michelson released his new EP, Back To That Summer, today (Sept. 17).
With six original songs including his current radio single, “Tip Jar,” Michelson gives listeners a glimpse into his life as an artist, songwriter, husband and father on Back To That Summer. “I wanted to peel back the layers of who I am and where I’m from with this EP,” he shares. “The EP is filled with upbeat songs that paint the picture of summer love and sunshine mixed with a bit of Pacific Northwest edge.”
Michelson co-wrote half of the project’s songs with additional writing contributions from Patrick Mencel, Justin Morgan, Jeff Pardo, Billy Montana, Ben Glover and Josh Osborne, among others.
Back To That Summer EP Track List:
1. Tip Jar (Jackson Michelson, Patrick Mencel, Justin Morgan)
2. Back To That Summer (Jackson Michelson, Kyle Schlienger, Nick Bailey)
3. Amplifier (Ben Glover, Billy Montana, Kyle Jacobs)
4. Love High (Jackson Michelson, Jeff Pardo, Wade Kirby)
5. Call Me No One (Justin Ebach, Jon Nite, Josh Osborne)
6. Stay Over (Jackson Michelson, Jeff Pardo, Molly Reed)
Chart Action: Sam Hunt Impacts Chart With “23”
/by Alex ParryThis week, MCA Nashville artist Sam Hunt is at the top of the most added list across three country charts with his latest single “23.” The song earned 166 cumulative adds across the Billboard, Mediabase, and MusicRow CountryBreakout Radio charts landing him at No. 30, No. 34, and No. 61 respectively.
Written by Hunt with Shane McAnally, Josh Osborne, and Chris LaCorte who also produced the track, “23” has the singer thinking back warmly on a past relationship. Using an early photo of his wife, Hannah’s, aunt and uncle when they were a young couple for his song art, Hunt further illustrates the nostalgia and fondness of days gone by.
For more chart data, view the latest edition of The MusicRow Weekly.
Brett Eldredge Becomes ‘Mr. Christmas’ This Holiday Season
/by Lorie HollabaughBrett Eldredge. Photo: Andrew Eccles
Brett Eldredge is the latest artist to give fans a special holiday gift this year with his new Christmas album, Mr. Christmas. The project includes beloved classics alongside two never-before-heard originals, including the title track which is available everywhere now.
Written by Eldredge and frequent collaborator Ross Copperman, title track “Mr. Christmas” showcases the singer-songwriter’s vocals backed by strings, a warm big band sound, and pops of jingle bells, giving the listener an infusion of holiday spirit.
“Mr. Christmas is something that I’ve been planning out for quite a while,” explains Eldredge. “This album is so much fun and full of joy and magic. From the album cover, you can find the magic of Mr. Christmas standing in the windowfront, looking out just like the old stores on the Rockefeller Plaza in New York City and people passing by in the window. We captured that nostalgic, classic feel that Christmas brings and mixed it with the soulful side of my music influences. It’s got a lot of heart and magic–it’s a special one for people to hear.”
Mr. Christmas follows the 2020 release of his original duet with Kelly Clarkson, “Under the Mistletoe,” and his 2016 Christmas album, Glow, which peaked at No. 2 on the country charts upon release. The project also inspired a single live Christmas show in Nashville that has grown into the annual “Glow Live” holiday tour which is set to return this winter with stops in major cities across the country, including back-to-back nights in Nashville, Boston, Chicago and New York City.
“Getting to take ‘Glow Live’ on the road again after unfortunately having to miss it last year gives me so much joy, especially knowing that this tour and this music could bring a lot of joy to a lot of people that need it right now,” Eldredge adds. “My hope is that attending these shows with friends and family can be a tradition people look forward to every year for many years to come. I cannot wait to get back out there because performing these songs makes me so happy and I just hope to share that feeling with everyone in the audience as well.”
Fan club members will have early access to ticket pre-sales beginning Sept. 21. Fans can also catch Eldredge on tour this fall with his Good Day Tour which kicked off Thursday, Sept. 16.
Glow Live Tour Dates:
Nov. 13 – Las Vegas, NV – Theater at Virgin Hotels Las Vegas*
Nov. 26 – Nashville, TN – Ryman Auditorium*
Nov. 27 – Nashville, TN – Ryman Auditorium*
Dec. 03 – Boston, MA – Boch Center Wang Theatre+
Dec. 04 – Boston, MA – Boch Center Wang Theatre+
Dec. 10 – New York, NY – Beacon Theatre+
Dec. 11 – New York, NY – Beacon Theatre+
Dec. 17 – Chicago, IL – The Chicago Theatre+
Dec. 18 – Chicago, IL – The Chicago Theatre+
*on sale Sept 24
+on sale Oct 1
Nashville-Based Solo Music Creating First Global Music Marketplace On Blockchain Platform Solana
/by Lorie HollabaughPictured (top row, L-R): Founder and CEO of Solo Music Barron Solomon; Developer Kyle Reeves; Tech Entrepreneur Luke Porter; (bottom row, L-R): Marketing Executive Tim Gerst; Tech Entrepreneur Meghan Andrykowski; Music Talent Pioneer Nick Hartley
Solo Music, the first global music marketplace built on the Solana blockchain for artists, fans and the industry, is launching the Solo Music Marketplace, a music service aimed at revolutionizing the way artists, fans, and industry professionals do business with blockchain technology.
The platform’s debuting artist partners include Eric Paslay, songwriter-producer Tommy Cecil, and recording studio Capricorn Studios, each releasing several exclusive NFTs starting in October.
The marketplace aims to create new pathways for fans to connect with their favorite artists and provide artists with innovative ways to monetize their creations through experiential and digital art NFT sales. Additional products that simplify digital asset sales through smart-contract ticketing and tokenized royalties for artists and industry professionals will launch on the platform in the coming months.
Solo Music is led by a team of industry members of Nashville’s music scene and blockchain and tech entrepreneurs. Barron Solomon, blockchain trailblazer and music enthusiast, is the visionary behind Solo Music. Other team members include music industry entrepreneur and developer Kyle Reeves, music marketing executive Tim Gerst, music talent pioneer Nick Hartley and blockchain and tech entrepreneurs Luke Porter and Meghan Andrykowski.
“Solo Music was born out of necessity. Technology has not evolved at the same rapid pace of the music and entertainment industry, resulting in slow ambiguous royalty payouts, illiquid artist assets, overpriced secondary market tickets, forged merchandise and counterfeit concert tickets,” says Solomon, founder and CEO of Solo Music. “Solo Music solves this and bridges the technology gap. With a mission of driving blockchain adoption in the music industry, we are making digital asset sales simple and profitable while providing fans with unique experiences at affordable prices.”
Fans and collectors can access the Solo Music Marketplace featuring curated artist pages, upcoming artist NFT releases or drops and charitable giving opportunities. The Marketplace will soon allow fans to purchase unique experiences and digital art designed by their favorite artists and store them on Solo Music’s secure and decentralized network. It will also allow users to pay for NFTs in U.S. dollars via credit card, making it accessible for fans of all levels of crypto knowledge to support their favorite artists. To further encourage platform adoption, the platform supports fast and direct transactions with major wallets including Sollet and Phantom. As a Solana-built marketplace, the platform benefits from low transaction fees to offer a wide range of price points for users, making the Solo NFT releases more affordable than many NFTs in the market today, with prices as low as $20.
“As a music creator and as a craftsman, I have been excited about the potential of NFTs in offering fans rare and exciting items, while generating income—not just for myself but also for my favorite charities,” says Eric Paslay, who will be launching his own NFTs on the platform. “Solo Music stood out as it is fully committed to the music space and to making the NFT process uncomplicated for fans. I’m even more excited after sitting down with the Solo Music team to map out a long-term strategy of curated drops that touch on songwriting, performances, artwork, and hand-crafted items.”
In the coming months, Solo Music will expand to include concert ticketing and tokenized royalties in partnership with the industry. The ticketing platform will offer smart-contract technology for concert tickets, and tokenized royalties will enable artists to manage their royalty streams and sell portions of or all of the rights to the cash flow associated with their royalties, while also allowing fans to invest in their favorite artists.
The company is also committed to becoming a decentralized autonomous organization with community governance in the near future and giving back to its community through monetization and experiential opportunities.
Warner Chappell Music Nashville, Low Country Sound Extend Deal With Aaron Raitiere
/by Lydia FarthingAaron Raitiere. Photo: Alysse Gafkjen
Singer-songwriter Aaron Raitiere has extended his worldwide deal with Warner Chappell Music (WCM) Nashville and Low Country Sound, the imprint founded by Grammy-winning producer/songwriter Dave Cobb.
Raitiere’s recent cuts include four songs on Anderson East’s latest album, Maybe We Never Die, including “Hood of My Car” and “Drugs;” as well as “Heroes” (Natalie Hemby); “Rock My Soul” (Oak Ridge Boys); and Midland’s upcoming radio single, “Sunrise Tells The Story.” He was also a co-writer on the Grammy Award-winning song “I’ll Never Love Again” from A Star is Born.
Raitiere’s debut single as an artist, “Everybody Else,” is available now on Dinner Time Records via Thirty Tigers.
The Kentucky native is slated to perform at the Manchester Music Hall in Lexington alongside The Steel Woods tonight (Sept. 17), and at the Americana Music Festival in Nashville on Sept. 24. He has previously toured with Paul Cauthen and Willie Nelson, and recently performed at the Barefoot Country Festival.
Raitiere is managed by Michelle Szeto (Paquin Entertainment Group) and distributed by Thirty Tigers. His publicist is Asha Goodman (Sacks & Co.), and his agents are Marc Dennis and Justin Cahill (CAA).
John Prine Livestream Tribute To Air From Galway
/by Lorie HollabaughJohn Prine. Photo: Danny Clinch
“Souvenirs: Celebrating the Life and Songs of John Prine with Family and Friends,” a special livestream tribute, will broadcast from Galway’s The Mick Lally Theatre on Oct. 4 at 1:30 p.m. CT via the theatre’s website. Tickets for the event, which will also be available for on-demand viewing Oct. 7-10, are on-sale now.
As the first public celebration of Prine’s legendary life and career, the event will feature performances from several of Prine’s close friends and supporters, including Mary Black, Paul Brady, Pat Crowley, Mette Jensen, Ruth McGill, Tanya McCole, Chris Meehan, Paul Mulligan, Little John Nee, Declan O’Rourke, Brian Palm, Bill Shanley, Sharon Shannon, Mary Staunton, Mary Stokes and Ciaran Tourish as well as Prine’s youngest son, Tommy Prine.
In addition to the performances, the broadcast will include conversations between each performer and the evening’s MC, John Creedon.
“John recognized that in Ireland people loved and accepted him outside of his life as a celebrated artist. His Irish passport was one of his most prized possessions,” shares John’s wife Fiona Whelan Prine. “We are delighted to be able to remember him with his family and musician friends from Ireland, with this very special tribute event from Galway.”
Proceeds from the event will benefit two local Irish organizations: Doras, an independent non-profit working to promote and protect the rights of people from migrant and refugee backgrounds in Ireland, and The Druid Theatre Company, Ireland’s leading touring theatre company.