Diversify The Stage has released its official mission statement, as well as revealed details about its new “Diversify The Stage” Inclusion Initiative.
“The tremendous efforts of everyone involved in this process thus far has been incredibly inspiring,” says Noelle Scaggs of Fitz & The Tantrums and Diversify The Stage founder. “This collective push will encourage other artists to look at our touring businesses through a new lens, to see where we may have greater impact; but also, by creating safe spaces for our fans, care for our crews and everyone who works behind the scenes to make these shows come to life. I look forward to seeing how the goals of this initiative will help move the needle towards a more inclusive, fair, and equitable live events and production industry.”
In its mission statement, Diversify The Stage states: “Diversify The Stage recognizes that Black, Indigenous, Latin/Hispanic, Asian, and Pacific Islander Identifying persons, as well as Women of all backgrounds and identities, Gender Nonconforming and Non-Binary Individuals, LGBTQIA2+ (Lesbian, Gay, Bisexual, Transgender, Queer or Questioning, Intersexual, Asexual, Two-Spirit and all sexual identifications), Disabled Persons, and all intersecting identities between these groups, have been marginalized and are drastically underrepresented in our industry.
“To address this, several leading organizations, including Diversify The Stage, UTA, WME, CAA, Wasserman, ICM, Live Nation, C3 Presents, AEG Presents, TAIT, Touring Professionals Alliance, Omalilly Projects, TMWRK; NIVA AND NIVF, and others, have pledged to strengthen the industry’s diversity, equity, inclusion, and accessibility practices by creating and utilizing a strong pipeline of professionals from historically excluded, and or underrepresented groups, and increasing the experience, diversity and strength of the talent pool within this sector of the industry. We strive to encourage more fair and equitable systems for the benefit of all persons, including all social and intersecting identities, throughout the concerts, events and touring industry.”
This initiative provides guidance and recommendations aimed towards specific objectives on Inclusion, Diversity, Equity and Access (I.D.E.A), as well as a range of resources to further the DTS mission.
To take the pledge or to learn more about the “Diversify The Stage” Inclusion Initiative, click here.
Contributing Members:
Sam Kirby-Yoh, Kristen Saig, Kevin Bhatia, Shanique Bonelli-Moore, Marissa Smith – United Talent Agency
Kevin Shivers, Gisselle Ruiz, Romola Ratnam, Brian Edelman, James Rubin, Steve Gaches – WME/Endeavor
Ali Harnell & Lesley Olenik – Live Nation
Binta Niambi Brown – Omalilly Projects
Rob Light, Ina Jacobs, Niloofar Shepherd, Sharoni Little – CAA
Jessica Blanc, Denise Melanson, Stephanie Morris, Lindsay LaBennett – Wasserman
Shakira Gagnier – Lightbay Capital
Jae Pi’ilani Requiro – AEG
Marni Bobich – AEG Presents
Tadia Taylor – W.O.Q.E & The DoLab
Aluna – AlunaGeorge
Mike Kadziulis – Talent Manger- Aluna/AlunaGeorge
Matthew Walt – Thrive Entertainment/ Hustle Like You Broke.
Susan Eisner – PRG
Talia Ortisi – Contractor, Music Festivals
Adam S Harrison – FullStop Management
Rob Gibbs, Joi Brown, Yves Pierre, Julia Johnson, Travis Merriweather – ICM
Lotje Horvers – Tour Manager
Diversify The Stage Releases Mission Statement, Launches Inclusion Initiative
/by Lorie HollabaughDiversify The Stage has released its official mission statement, as well as revealed details about its new “Diversify The Stage” Inclusion Initiative.
“The tremendous efforts of everyone involved in this process thus far has been incredibly inspiring,” says Noelle Scaggs of Fitz & The Tantrums and Diversify The Stage founder. “This collective push will encourage other artists to look at our touring businesses through a new lens, to see where we may have greater impact; but also, by creating safe spaces for our fans, care for our crews and everyone who works behind the scenes to make these shows come to life. I look forward to seeing how the goals of this initiative will help move the needle towards a more inclusive, fair, and equitable live events and production industry.”
In its mission statement, Diversify The Stage states: “Diversify The Stage recognizes that Black, Indigenous, Latin/Hispanic, Asian, and Pacific Islander Identifying persons, as well as Women of all backgrounds and identities, Gender Nonconforming and Non-Binary Individuals, LGBTQIA2+ (Lesbian, Gay, Bisexual, Transgender, Queer or Questioning, Intersexual, Asexual, Two-Spirit and all sexual identifications), Disabled Persons, and all intersecting identities between these groups, have been marginalized and are drastically underrepresented in our industry.
“To address this, several leading organizations, including Diversify The Stage, UTA, WME, CAA, Wasserman, ICM, Live Nation, C3 Presents, AEG Presents, TAIT, Touring Professionals Alliance, Omalilly Projects, TMWRK; NIVA AND NIVF, and others, have pledged to strengthen the industry’s diversity, equity, inclusion, and accessibility practices by creating and utilizing a strong pipeline of professionals from historically excluded, and or underrepresented groups, and increasing the experience, diversity and strength of the talent pool within this sector of the industry. We strive to encourage more fair and equitable systems for the benefit of all persons, including all social and intersecting identities, throughout the concerts, events and touring industry.”
This initiative provides guidance and recommendations aimed towards specific objectives on Inclusion, Diversity, Equity and Access (I.D.E.A), as well as a range of resources to further the DTS mission.
To take the pledge or to learn more about the “Diversify The Stage” Inclusion Initiative, click here.
Contributing Members:
Sam Kirby-Yoh, Kristen Saig, Kevin Bhatia, Shanique Bonelli-Moore, Marissa Smith – United Talent Agency
Kevin Shivers, Gisselle Ruiz, Romola Ratnam, Brian Edelman, James Rubin, Steve Gaches – WME/Endeavor
Ali Harnell & Lesley Olenik – Live Nation
Binta Niambi Brown – Omalilly Projects
Rob Light, Ina Jacobs, Niloofar Shepherd, Sharoni Little – CAA
Jessica Blanc, Denise Melanson, Stephanie Morris, Lindsay LaBennett – Wasserman
Shakira Gagnier – Lightbay Capital
Jae Pi’ilani Requiro – AEG
Marni Bobich – AEG Presents
Tadia Taylor – W.O.Q.E & The DoLab
Aluna – AlunaGeorge
Mike Kadziulis – Talent Manger- Aluna/AlunaGeorge
Matthew Walt – Thrive Entertainment/ Hustle Like You Broke.
Susan Eisner – PRG
Talia Ortisi – Contractor, Music Festivals
Adam S Harrison – FullStop Management
Rob Gibbs, Joi Brown, Yves Pierre, Julia Johnson, Travis Merriweather – ICM
Lotje Horvers – Tour Manager
A2IM Reups Dr. Richard James Burgess As President & CEO For Third Term
/by Lorie HollabaughRichard James Burgess
The American Association of Independent Music (A2IM) has renewed Dr. Richard James Burgess‘ contract as President and CEO for a third term.
Burgess took the helm of the organization in January 2016 and, since being under his leadership, A2IM has seen a 28% growth in membership. He will continue his work in advocacy, education, and community across the independent music industry, including continuing the fight for diversity and gender equality as well as equal pay policies.
Prior to stepping up as CEO of A2IM, Burgess served on the board for over two years and was chair of the board for the last six months of 2015. He was promoted to President and CEO in the 2019 renewal.
In his time at A2IM, the organization has launched and championed groundbreaking initiatives and changes, including bringing greater diversity to the independent music industry. In 2018, A2IM was the first U.S.-based organization to sign on to the Keychange pledge that encouraged festivals to achieve 50:50 gender balance by 2022. A2IM had already gender-balanced and diversified all of its events, including A2IM Indie Week, and the A2IM Libera Awards.
“Richard has proven to be a dynamic leader, expanding the reach of A2IM in the past several years,” says Zena White, chair of the A2IM board and managing director of Partisan Records. “The team he leads is stronger than ever, having been able to grow its membership and execute meaningful community initiatives, such as BIMA, at a time when our community is most in need. The board of directors looks forward to continuing A2IM’s mission with Richard at the helm as our industry faces new challenges, both known and unknown.”
In 2021, A2IM launched the Black Independent Music Accelerator, a grant program designed to amplify Black voices in the independent music community. The initiative provides a platform for Black-owned businesses in the music industry and delivers greater visibility, networking, and mentorship opportunities for those business owners.
“The recorded music industry is at an inflection point. We are faced with the maturation of the streaming business model in the U.S. and the ongoing challenge of preserving the value of copyrights,” adds Burgess. “A2IM will be at the forefront of leveling the playing field for independents and returning more of the value generated by recorded music to its creators and investors.”
Jameson Rodgers Announced As Opry NextStage Artist For December
/by Lorie HollabaughJameson Rodgers. Photo: Chris Hollo
Jameson Rodgers has been named the Opry NextStage featured artist for December. Rodgers joins prior 2021 Opry NextStage artists Hailey Whitters, Parker McCollum, Lainey Wilson, Niko Moon, Yola and Priscilla Block.
Rodgers’ new single “Missing One” just landed at radio and follows his two consecutive No. 1s: his Platinum-certified debut single “Some Girls” and “Cold Beer Calling My Name” featuring labelmate Luke Combs. Rodgers is currently on his headlining “Cold Beer Calling My Name Tour,” which wraps with two nights at Nashville’s Exit/In on Dec. 16-17.
“I’ll never forget the day I got to invite my grandmother to Nashville for my Opry debut. My late grandfather named my dad after Ernest Tubb and my family has listened to the Opry on WSM radio for over 80 years,” shares Rodgers. “Not only have I been able to perform several times at the Opry but to be their NextStage artist for December is truly an honor. I’m grateful every time I step in the circle and am excited about this opportunity as a NextStage artist!”
With the release of his debut album, Bet You’re from a Small Town, the singer-songwriter has been credited on multi-Platinum-selling songs for Florida Georgia Line (Top 10 single “Talk You Out of It”) and Chris Lane (No. 1 hit “I Don’t Know About You”). Rodgres was named a member of MusicRow’s Next Big Thing Class of 2021, and hit the Opry stage Nov. 21 during the first-ever Opry NextStage Live in Concert.
Opry NextStage collaborations include live performances, strategic marketing support and short-form documentary-style storytelling created by Opry Entertainment’s content team. Opry NextStage presents rising artists who are making standout music at the forefront of their careers through the Opry’s marketing platforms, which are set to deliver more than 100 million impressions.
Danny Myrick, Deluge Music Launch West Coast-Based Canyon Coast Entertainment
/by Lorie HollabaughDanny Myrick
Songwriter and producer Danny Myrick and Deluge Music have teamed up to form L.A.-based company Canyon Coast Entertainment.
Inspired by the West Coast’s history of roots music, Canyon Coast Entertainment aims to find and develop emerging Americana and country artists in the region, as well as provide production, publishing and performance opportunities.
Myrick landed his first No. 1 gospel song at 17 before forming 90’s country rock band Western Flyer and releasing numerous top 40 hits. He has penned songs for Jason Aldean, Maddie & Tae, Craig Morgan, Tim McGraw, and more. In 2020, he released his first solo EP, King Of Jones County, and produced The Voice Season 17 winner Jake Hoot’s No. 1 album, Love Out Of Time. Most recently, Myrick co-wrote and produced Reyna Roberts’ single “Raised Right,” and co-produced Leslie Jordan’s debut album, Company’s Comin’.
“From Buck & Merle to The Flying Burrito Brothers, to Ronstadt, the Eagles and Jackson Brown, to Dwight, Blackhawk, Highway 101 and Gary Allan, the untamed wildness of the California ‘country’ sound has always deeply resonated with me in an almost spiritual way,” shares Myrick. “I believe one of the main reasons that sound is essentially nonexistent in current country music is the lack of attention given to the immense and unique talent pool in that region. The recent critical and chart success of artists like Cam, Brett Young, Devin Dawson and Jon Pardi, songwriters Kyle Fishman and Sara Haze, and the freshness of emerging superstar Reyna Roberts, are just a few reminders of what could have been developed out there before even giving a thought to heading to Nashville.”
Canyon Coast Entertainment will host a monthly “Gold Rush Roots Revival” showcase at Hotel Cafe, spotlighting local artists. The series kicks off on Dec. 6 with Adam Chaffin, whose 2020 debut album, Some Things Won’t Last, garnered acclaim from Billboard, American Songwriter, Rolling Stone, and more.
Emily Peacock Rises To Senior Creative Director At Tree Vibez Music
/by Lydia FarthingEmily Peacock
Music publishing company Tree Vibez Music, which was founded by FGL‘s Tyler Hubbard and Brian Kelley, have elevated main staff member Emily Peacock to Senior Creative Director.
First joining TVM in 2018, Peacock plays a pivotal role in leading the company’s songwriters, including Kelley, Hubbard, Jordan Schmidt, Corey Crowder, RaeLynn, Canaan Smith, Blake Redferrin, and Chris Loocke. For the third consecutive year, Peacock is featured in MusicRow’s N.B.T. Industry Directory among rising Nashville music business professionals who are having a major impact on the industry.
The Belmont University graduate first launched her professional career alongside BMI’s Bob DiPiero at Love Monkey Music. For over a decade, she’s worked hand-in-hand with veteran publisher Leslie T. DiPiero at Tom-Leis Music and Advanced Alternative Media (AAM). Peacock is a member of the ACM, CMA, Recording Academy, and AIMP, and participates in NSAI programs such as “R.I.S.E.,” Pitch to Publisher, plus judging their annual song contest. She’s also served in various volunteer and leadership roles with the Musicians On Call organization since 2013.
“Emily’s dedication to our roster and attention to detail is unsurpassed,” shares TVM General Manager Leslie T. DiPiero. “We are grateful for her enviable work ethic and air traffic control skills. Our entire Tree Vibez Music family extends our heartfelt congratulations to Emily Peacock!”
Peacock can be reached at emily@treevibezmusic.com.
Jeff Krones Promoted To Co-Head Of CAA’s Nashville Music Office
/by LB CantrellJeff Krones
Creative Artists Agency (CAA) has announced that veteran agent Jeff Krones has been promoted to Co-Head of CAA Nashville Music.
Krones works with some of CAA’s high-profile clients such as Dan + Shay, Twenty One Pilots, Brett Young, Needtobreathe, and NF, among many others. He has helped build out the agency’s broader country music roster, in addition to other areas. He joins Nashville Music Co-Heads Marc Dennis, Brian Manning, and Darin Murphy in his new role.
Krones began his career as an intern at CAA in 2004 and was promoted to Agent in 2007. He was elected to the Board of the Academy of Country Music in 2017, and has been featured in many distinguished lists from Pollstar and Billboard. Krones lended his expertise in a story about his client Dan + Shay’s return to the road for MusicRow‘s recently released Touring & Next Big Thing Issue.
“I’m honored to join my fellow Co-Heads in helping to build on our success in Nashville. As a team, we’re passionate about discovering, developing, and serving a wide range of artists that touch many different genres and cultures,” says Krones. “I’m fortunate to have spent my entire career at CAA, surrounded by the best agents, and I’m excited by the opportunity to help shape our future.”
Additionally, CAA announced that Bruno Del Granado has been promoted to Head of the agency’s global Latin Music touring group. Based in Miami, Del Granado joined the agency in 2013 from RM Entertainment Group, which he formed in partnership with Ricky Martin. Previously, he founded Entertainment Media Factory, Inc. a music, television, and film production and programming company specializing in content for Latin America, Europe, and Asia.
“Today’s appointments of two superbly talented new leaders attest to the tremendous momentum CAA is experiencing across our touring business,” shares CAA’s Head of Music, Rob Light. “Jeff and Bruno’s individual instincts, taste, and experience have made them world-class agents, and we look forward to them expanding their impact for clients and CAA in their new leadership roles.”
In This Issue: Dan + Shay’s Return To The Road, The Transition From Cyberspace To Center Stage, More
/by Lydia FarthingNashville’s leading music industry publication MusicRow Magazine has released its 2022 Touring & Next Big Thing Print Issue, featuring Warner Music Nashville’s Brett Eldredge on the cover.
Included in this issue is a discussion surrounding the return to the road as Dan + Shay embarked on their relaunched “The (Arena) Tour.” After being forced to postpone their first headlining arena tour after only four shows, members from the award-winning duo’s team—including CAA’s Jeff Krones and Sandbox Entertainment’s Leslie Cohea—explain what the last eighteen months looked like for their camp, including rescheduling, changing production, and keeping up with COVID-19 protocols across the country. The Touring & Next Big Thing issue also tackles some of the challenges involved in the transition from success on TikTok to becoming a viable touring act for the many artists that were discovered on the platform during the pandemic. “For an artist that is used to performing within the confines of a vertical screen, it’s massive,” offers WME Music Agent, Lindsey Dodge. “It’s exciting for them to get to play on a real stage, but it’s a big change.”
Additionally, MusicRow catches up with Executive Vice President of Entertainment and Venues for Bridgestone Arena David Kells, who pulls back the curtain on some of the hardships the Nashville arena faced over the last eighteen months. The 2022 Touring & Next Big Thing Print Issue also features a Q&A with WME’s Nate Towne about his evolution from the company’s mailroom to becoming a Partner. This edition also breaks down the Nashville Number System, chronicles its beginnings from the late 1950s, and explains how it is used in modern day recording and performing.
MusicRow also remembers Randy “Baja” Fletcher, a titan of the touring industry who tragically passed away in August, with a special tribute for his journey through the live entertainment space and his vast contributions to the industry. The touring veteran had stints on the road with several entertainment giants, such as ZZ Top, Waylon Jennings, Willie Nelson, Johnny Cash, Merle Haggard, George Jones, Randy Travis, Brooks & Dunn, and Keith Urban. “His knack for engaging people of all sorts was a gift we could use more of, and he was truly an ambassador for the country music industry and humanity, in general,” says longtime tour manager for Urban, Chuck Hull, of Baja.
Celebrated in this issue is MusicRow’s eighth annual Next Big Thing class of artists, including Bexar (Warner Music Nashville), Cooper Alan (Cooped Up Records), Callista Clark (Big Machine Records), Hannah Dasher (Independent), Brooke Eden (BBR Music Group/BMG), Willie Jones (Sony Music Nashville), Ian Munsick (Warner Music Nashville), Lily Rose (Big Loud Records/ Back Blocks Music and Republic Records), Brittney Spencer (Independent), Tiera (The Valory Music Co.), and Sam Williams (Mercury Nashville).
Also featured is the N.B.T. Industry Directory Class of 2022, which spotlights rising Nashville music representatives who are having a major impact on the industry. These industry members occupy important roles at their respective companies, and are on a trajectory of excellence to successfully lead the Nashville music industry into the future. Click here to view the 70 N.B.T. members of 2022.
Additionally, the 2022 Touring Directory is included in this issue, featuring contact information for touring transportation, production and insurance companies.
Single copies of MusicRow’s 2022 Touring & Next Big Thing Issue are available for purchase at musicrow.com for $45, and are included with yearly MusicRow memberships.
Keith Urban To Embark On ‘The Speed Of Now World Tour’ In Summer 2022
/by Lydia FarthingKeith Urban
Four-time Grammy award winner Keith Urban will make his return to the road as he sets course on “The Speed Of Now World Tour” North American leg with special guest, three-time Grammy nominee, Ingrid Andress.
Kicking off on June 17 at Tampa’s MIDFLORIDA Credit Union Amphitheatre, Urban will also make a handful of stops in Canada before trekking across the U.S., including his first performances at Los Angeles’ The Forum and the Jacksonville Daily’s Place. Tickets will go on sale in all markets on Friday, Dec. 10 at 10 a.m. local time.
“Every night is the first time we’ve played these songs for that audience, in that moment,” says Urban. “After two years, we’re finally gonna get the chance to play some of the new songs we haven’t done live before. We’ll throw in a bunch of the songs that everyone comes to hear, a couple of which we’ll rework a bit, and it’s really gonna be tough to get us off the stage.”
Urban continues: “I’ve always considered myself a live performer first. It’s what I’ve always done and it’s what my music needs to live and breathe. Our shows are all about living in the moment. They’re a totally interactive and immersive experience where everyone can participate in whatever way they want-sing, dance, do whatever.”
With the announcement of the North American debut of “The Speed Of Now World Tour,” Urban will embark on his first world tour in four years. The North American leg will add fifty shows to the tour’s previously announced dates in Australia, Germany, Netherlands, and the United Kingdom. For more information, click here.
“The Speed Of Now World Tour” Dates:
June 17 Tampa MIDFLORIDA Credit Union Amphitheatre
June 18 West Palm Beach iTHINK Financial Amphitheatre
July 8 Toronto Budweiser Stage
July 9 Toronto Budweiser Stage
July 10 Canandaigua CMAC
July 15 Cleveland Blossom Music Center
July 16 Cincinnati Riverbend Music Center
July 22 Mansfield Xfinity Center
July 23 Bangor Maine Savings Amphitheater
July 24 Gilford Bank of New Hampshire Pavilion
July 29 Holmdel PNC Bank Arts Center
July 30 Bristow Jiffy Lube Live
July 31 Camden BB&T Pavilion
Aug. 4 Jacksonville Daily’s Place
Aug. 5 Jacksonville Daily’s Place
Aug. 6 Orange Beach The Wharf Amphitheater
Aug. 12 Charlotte PNC Music Pavilion
Aug. 13 Raleigh Coastal Credit Union Music Park
Aug. 14 Virginia Beach Veterans United Home Loans Amphitheater
Aug. 18 Rogers Walmart AMP
Aug. 19 St. Louis Hollywood Casino Amphitheatre
Aug. 20 Des Moines Iowa State Fair
Aug. 26 Detroit DTE Energy Music Theatre
Aug. 27 Indianapolis Ruoff Music Center
Aug. 28 Milwaukee American Family Insurance Amphitheater
Sept. 1 Lake Tahoe Lake Tahoe Outdoor Arena at Harveys
Sept. 3 Mountain View Shoreline Amphitheatre
Sept. 8 Phoenix Footprint Center
Sept. 9 San Diego North Island Credit Union Amphitheatre
Sept. 10 Los Angeles The Forum
Sept. 15 Salt Lake City USANA Amphitheatre
Sept. 16 Denver Ball Arena
Sept. 17 Wichita INTRUST Bank Arena
Sept. 22 Grand Rapids Van Andel Arena
Sept. 23 Columbus Nationwide Arena
Sept. 24 Chicago Hollywood Casino Amphitheater
Sept. 29 Kansas City T-Mobile Center
Sept. 30 Oklahoma City Paycom Center
Oct. 1 Ft. Worth Dickies Arena
Oct. 6 Lexington Rupp Arena
Oct. 7 Nashville Bridgestone Arena
Oct. 8 Atlanta State Farm Arena
Oct. 13 Savannah Enmarket Arena
Oct. 14 Knoxville Thompson Boling Arena
Oct. 15 Charleston Charleston Coliseum
Oct. 21 Uncasville Mohegan Sun Arena
Oct. 22 Long Island UBS Arena at Belmont Park
Nov. 3 Madison Alliant Energy Center
Nov. 4 Peoria Peoria Civic Center
Nov. 5 St. Paul Xcel Center
Hailey Whitters Announces 2022 ‘Heartland’ Tour
/by Lorie HollabaughHailey Whitters
Hailey Whitters is kicking off her 2022 “Heartland” Tour on Feb. 4.
The rising singer-songwriter will make stops in Chicago, New York, Philadelphia and more, leading into a festival-filled year with performances at the C2C: Country To Country Festival, Stagecoach Festival, Tortuga Music Festival, and others.
Members of Whitters’ The Heartlanders fan club will receive an early access presale today (Nov. 30) ahead of general on-sale which begins Friday, Dec. 3.
“I’ve been dreaming about one day playing my own headlining tour since the early days of cover bar gigs and graveyard shifts in a 15-passenger van,” explains Whitters. “I’m so excited to get to now play my own headlining set for fans and give back all that they’ve given me while chasing this dream. They’re the reason I get to do this and I hope to create an experience and a night they won’t ever forget. I’m playing some of my favorite cities and looking forward to seeing a lot of familiar faces.”
Whitters recently received her first Grammy nomination for Song of the Year for “A Beautiful Noise.” She is currently in the midst of Midland’s “The Last Resort Tour,” which will make a stop at Nashville’s Ryman Auditorium on Dec. 1-2.
Hailey Whitters Upcoming Tour Dates:
12/1 – Nashville, TN – Ryman Auditorium *
12/2 – Nashville, TN – Ryman Auditorium *
12/3 – Charlotte, NC – The Fillmore *
12/4 – Asheville, NC – Thomas Wolfe Auditorium *
12/9 – Knoxville, TN – The Tennessee Theatre *
12/10 – Chattanooga, TN – Soldiers and Sailors Memorial Auditorium *
12/11 – Atlanta, GA – Coca Cola Roxy *
12/16 – Shreveport, LA – Shreveport Municipal Memorial Auditorium *
12/17 – Houston, TX – The Terminal *
12/18 – Grand Prairie, TX – The Theatre at Grand Prairie *
12/22 – Austin, TX – ACL Live at the Moody Theater *
12/23 – Austin, TX – ACL Live at the Moody Theater *
2/4 – Des Moines, IA – Wooly’s
2/5 – Kansas City, MO – recordBar
2/10 – Chicago, IL – Joe’s on Weed Street
2/11 – Omaha, NE – Barnato Lounge
2/12 – Minneapolis, MN – 7th Street Entry
2/17 – Columbus, OH – A&R Music Bar
2/18 – Detroit, MI – El Club
2/19 – Pittsburgh, PA – Thunderbird Café & Music Hall
2/22 – New York, NY – The Mercury Lounge
2/24 – Boston, MA – Brighton Music Hall
2/25 – Philadelphia, PA – The Foundry at The Fillmore
3/11 – Glasgow, United Kingdom – The SSE Hydro – C2C: Country To Country Festival
3/12 – Dublin, Ireland – 3Arena – C2C: Country To Country Festival
3/13 – London, United Kingdom – The O2 – C2C: Country To Country Festival
3/25 – Decatur, GA – Eddie’s Attic
3/26 – Birmingham, AL – Zydeco
4/10 – Fort Lauderdale, FL – Tortuga Music Festival
4/14 – Houston, TX – White Oak Music Hall-Upstairs
4/15 – New Braunfels, TX – Whitewater Amphitheatre #
4/16 – New Braunfels, TX – Whitewater Amphitheatre #
4/22 – Portland, OR – Mississippi Studios
4/23 – Seattle, WA – Tractor Tavern
4/26 – Felton, CA – Felton Music Hall
4/29 – San Francisco, CA – The Independent
5/1 – Indio, CA – Stagecoach Festival
5/6 – Swisher, IA – DanceMor Ballroom
8/4 – Oro-Medonte, CA – Boots And Hearts Country Music Festival
* – with Midland
# – with Jon Pardi and Lainey Wilson
Kiss Breast Cancer Goodbye Benefit Raises $167,000 For Susan G. Komen
/by Lorie HollabaughPictured (L-R): Joshua Daniel, Tara Joseph, Katie Larson, Sydni Joseph, Tim Newman
Following the success of Nashville’s inaugural Kiss Breast Cancer Goodbye Benefit Concert on Oct. 24 at the Country Music Hall of Fame, the Joseph Family Foundation recently presented a $167,000 donation to Susan G. Komen.
The event featured appearances from Dolly Parton, Dennis Quaid, Artimus Pyle, LOCASH, Captain Sandy Yawn, Collin Raye, and many others. Breast cancer survivors and the powerful songwriters behind the song, “Pink,” took the stage to educate and honor those affected by the disease, and VIP ticket holders enjoyed a silent auction and cocktail reception before the benefit concert began.
Parton was greeted by a standing ovation as she closed out the show with a once-in-a-lifetime performance featuring never before heard personal stories, jokes, and behind the scenes insight into the legend’s songwriting process.
Development Director of Tennessee for Susan G. Komen, Joshua Daniel, says: “$167,000 is so much money. You would be shocked as to how many lives $20,000 can save… Just imagine what an impact this is going to make.”
Kiss Breast Cancer Goodbye 2022 will be held on Oct. 23, 2022 at the Country Music Hall of Fame’s CMA Theater.