Caitlyn Smith Plots ‘High And Low Tour’ For Spring

Caitlyn Smith. Photo: Shervin Lainez

Caitlyn Smith is heading into spring on her new headlining tour, “The High & Low Tour 2022.”

Kicking off in Smith’s hometown of Minneapolis, Minn. on April 1, the tour will visit 13 cities, including Chicago, Philadelphia, Atlanta, Savannah, and a show on April 7 at Brooklyn Bowl in Nashville. Tickets go on sale Feb. 11 at caitlynsmith.com.

“I can’t think of a better place to kick off this tour than my home state of Minnesota,” comments Smith. “We were supposed to tour with my last record but were unable to due to the pandemic. Needless to say, I’m beyond thrilled to see all your faces on the road and finally be able to play Supernova live. I’m also very excited to share a taste of the new music I’ve been working on the last year, too!”

“The High & Low Tour” comes on the heels of Smith’s recent release, “High,” which she penned with Miley Cyrus and Jennifer Erin Decilveo. The track was originally released by Cyrus on her Plastic Hearts album.

Smith is currently working on her next project, a self-produced album arriving later this year. More details will be released in the coming weeks.

Bill Cody Sits Down With Country Legends In New Circle Network Show ‘Bill Cody Presents’ [Interview]

Pictured (L-R): Garth Brooks with Bill Cody at Allentown Studios. Photo: Danielle Piazza

Iconic country radio announcer Bill Cody‘s voice has been heard on the airwaves for nearly 50 years. The Country Music Disc Jockey Hall of Famer is 25 years into his role as host of WSM’s Coffee, Country & Cody show, and as a Grand Ole Opry announcer/host.

But now, Cody is venturing into a new television show with Circle TV called, Bill Cody Presents, where he will sit down with some of country music’s biggest stars in places that are special to them.

Cody isn’t a stranger to television, as he previously worked for TNN and GAC. “A lot of us who were on radio were also doing things over at the television networks,” explains Cody in an interview with MusicRow. “So I’ve always had that connection to television.”

With Bill Cody Presents, Cody and Circle are bringing fans a long-form interview show where legendary country artists get to tell stories of their past in specific places that are special to each individual. Garth Brooks, Ray Benson (Asleep At The Wheel), Kathy Mattea, Pam Tillis, Marty Stuart, Brenda Lee and Ronnie Milsap will be featured on the first season.

“Radio is helping me in television in large part because I know these artists,” says Cody. “I was an on-air personality playing their records as they were starting their careers. So in a way, we all kind of grew up together.”

YouTube video

The first episode of the new series is with Brooks at his famed Allentown Studios, named in honor of his legendary producer Allen Reynolds. This interview stood out to Cody in particular, not only because of where it was, but because of how he has followed Brooks’ career from when he was just a young writer from Oklahoma doing radio tours. 

“To sit in that room where it all happened, there was a spiritual nature to that visit, I can’t explain it,” says Cody. “There were ghosts in the room.”

Every single note Brooks has ever recorded, except the Chris Gaines project, was recorded in that studio, Cody explains. The Brooks interview was emotional at times, and Cody could feel the energy from stories Brooks told. 

“That was forever memorable to me and I think it will be for the people [who watch]. Certainly if you’re a fan of Garth, you’ll feel that way. If you are on the fringe and he’s not your favorite artist but you know who he is, I think you’ll be endeared to him in a way that you never have been before [after watching the interview].”

Though Cody has interviewed many of the artists, many times throughout the years, he was able to learn something new about each of them. Cody gleaned insight from Pam Tillis at her interview at the Exit/In and the Villager Tavern about her making her own way in the music industry without the help from her father, Mel Tillis. He also spoke with Marty Stuart on his tour bus about his love for the road, traveling, and the memories made on tour busses. 

“I think each episode, as much as you may be a fan of a specific artist, or a country music trivia expert, I think you’re going to learn something,” says Cody. “You’re going to hear some things you didn’t know about these artists.”

Cody is most excited for fans to see the honest and personal side of these artists. Because the interviews were at places that meant something to these country legends, Cody feels that the setting brings out more than it would in a standard TV studio.

“It’s a conversation between two old friends, who’ve known each other through the best of times and the worst times, in many cases on a very personal level. We share things with each other,” sums Cody. “I hope that my curiosity in asking some of these questions comes through and marries the curiosity of the viewer.”

The dates and times for Bill Cody Presents episodes:

February 9, 2022 – 8/7c – Garth Brooks
Cody and Garth Brooks sit down in the famed Allentown Studios. The studio is full of history including being the place Garth recorded all of his albums.

February 16, 2022 – 8/7c – Kathy Mattea
Cody and Kathy Mattea take a trip down memory lane (and Music Row) including the publishing company Kathy called home (literally).

February 23, 2022 – 8/7c – Ray Benson
Cody and Asleep at the Wheel’s Ray Benson look back at the band’s 50-year history including a stop at the studio where they recorded their first album.

March 2, 2022 – 8/7c – Marty Stuart
What better place to revisit Marty’s history than his tour bus? A place he’s called his home away from home since he was a little kid. Cody visits with Marty to talk about his storied career.

March 9, 2022 – 8/7c – Pam Tillis
Cody and Pam Tillis visit the Exit/In and the Villager Tavern to talk about life as Mel Tillis’ daughter and making her own mark on the music industry.

March 16, 2022 – 8/7c – Ronnie Milsap/Brenda Lee
Join Bill Cody backstage at the Grand Ole Opry House as he sits down with the iconic Brenda Lee & Opry legend Ronnie Milsap to talk about their careers and memories of the Opry stage.

My Music Row Story: KP Entertainment’s Kerri Edwards

Kerri Edwards. Photo: Angelina Olivia

The “My Music Row Story” weekly column features notable members of the Nashville music industry selected by the MusicRow editorial team. These individuals serve in key roles that help advance and promote the success of our industry. This column spotlights the invaluable people that keep the wheels rolling and the music playing.

As the founder and president of management firm KP Entertainment, Kerri Edwards is a key figure in the careers of country stars Luke Bryan and Cole Swindell.

The West Virginia native started her career as an intern while studying at David Lipscomb University in Nashville. Edwards interned at Arista Records, and was eventually brought on to the staff who helped guide the careers of Alan Jackson, Brooks & Dunn, Pam Tillis, Diamond Rio and other ’90s country greats.

Edwards later joined EMI Music Publishing, followed by the High Five video production house, and then took a job with producer Mark Bright, before landing at Murrah Music. That’s where she met Luke Bryan, a staff writer at the time, and would start working with him to help further his career.

Now a decade into management, Edwards is the ultimate insider, involved in the touring, publishing, branding and business decisions for some of the genre’s most-sought-after performers. She spoke with MusicRow about her journey to the top, and the special moments along the way.

Pictured (L-R): Former Arista Records head Tim DuBois, Kerri Edwards. Photo: Courtesy KP Entertainment

MusicRow: You started your career at Arista Records. Tell me about those days.

Arista then was ran by Tim DuBois and it was a smaller label. What was awesome about that was you learned a ton of stuff because you heard everything that was going on—whether it was somebody calling a radio station or the mail room guy getting the stuff that was shipping out for somebody’s next single, you just overheard everything. I interned there probably a year and a half and then graduated and they found a job for me there as an A&R assistant.

I have never been in an environment like that. We were so tight. I don’t know that it would ever be repeated, to be honest. It was just a great era.

After Arista merged into RCA, you went into publishing where you met Luke Bryan. How did your relationship start?

It felt natural for A&R to switch sides to publishing, so I stayed in publishing probably seven years or so. During that seven year period, I met Luke at [Murrah Music], the company where he had just gotten signed to his first publishing deal. I really wasn’t trying to get into management at all, I was just trying to help him find his way in town and figure out how to help him eventually get a deal. I was still pitching songs and working with the other writers.

I went and saw him do a show in Georgia and was truly shocked. I think I’d focused so much on writing and the books and all that, I just wasn’t expecting what I saw on stage. Looking back, he was still obviously very green, but he just had this thing about him.

But even at that point I wasn’t trying to be his manager, I really was just trying to help him. I started calling in favors from writers, begging them to write with this guy. That’s how that started and then we just kept working together. I introduced him to Jeff Stevens, who ended up being his producer. Then we got in with Larry Willoughby, who at the time was an A&R at Capitol. Larry [suggested to Jeff for Luke to keep singing demos]. That’s how all the pieces started falling together.

Pictured (L-R): Kerri Edwards, Luke Bryan. Photo: Courtesy KP Entertainment

What pushed you into officially becoming Luke’s manager?

Three or four years later, [Mike] Dungan had agreed to sign him. So I took him around to manager meetings, I thought that’s the next step you do, right?

While we were doing that, he had asked me a few times, “Why don’t you just do it?” I was like, “No, I don’t know how to do that. I’ve never done that nor do I think I want to do that.” But then I thought, if I don’t do this, I wouldn’t be working with him anymore—and that kept haunting me. I called Mike Dungan and said, “Luke keeps asking me to do this, but I won’t do it without your blessing. You’re taking a risk on him and I do not want to walk in and you be in a panic that now he has a brand new manager.” So we talked it out and he graciously gave me the nod. Then I just started trying to stay above water.

When did you feel comfortable in your new role as a manager?

I guess when I truly took a breath was with “Do I.” That felt like a big moment for [Luke]. And then “Country Girl (Shake It For Me)” felt really different.

Truthfully, there’s still always a weight in this business no matter what level you’re at. It’s just a different kind of weight. So it’s not like I felt like we had made it, not at all. But I felt like I could breathe for a second at that moment.

Pictured (L-R): Waylon Weatherholt (KPE), John Esposito (WMN), Cole Swindell, Kerri Edwards (KPE), Michael Monaco (FlyHi Films), Jacoby Plyler (KPE), Luke Bryan, Caroline Bryan. Photo: Courtesy KP Entertainment

After Luke became established, you added Cole Swindell as a management client, who had worked for Luke for years selling merch. What made you decide to take him on?

He obviously didn’t want to sell merch for the rest of his life. His dream was to start writing songs, so Luke and I tried to help him get a publishing deal. Once that happened…when I say workhorse, that guy started writing and writing. To this day, he is probably one of my favorite writers.

One day he calls and he’s like, “Where are you?” I was like, “I’m in the office.” He goes, “Can I play you a song?” So he comes by and he had “Chillin’ It.”

He was pacing. In that moment, with someone staring you down, listening to your song [he was nervous]. I turned it off and he’s like, “Okay, well I probably just got excited.” I just looked over and said, “Cole, do you really want to do this artist thing? Then that’s it.” He was like, “Oh God, I thought you hated it!” (laughs)

Now KP Entertainment has grown to include Dylan Scott, Jon Langston, CB30, DJ Rock and Whitney Duncan. How did you build your team?

I had teamed up with Red Light and Coran [Capshaw] on Luke early on. I still had a standalone office, but I didn’t really have that many employees. I was still doing most of it by myself. Then Waylon Weatherholt came on the team from Capitol Records. He’s been with me 12 years now, but it was he and I forever. It was just so busy, I couldn’t stop to even realize I needed more people. But once I did start hiring a few people, it was obviously life changing. I have great people here. They’re so awesome.

When do you feel most fulfilled in your role?

I truly still pinch myself that I get to work in music every day. I really do love it. The minute that I walked in that Arista door, not even understanding what I was about to get into, I’ve never not felt that. Luckily that feeling has truly stayed this whole time.

Pictured (L-R): DJ Rock, Waylon Weatherholt (KPE), Kerri Edwards (KPE), Dylan Scott, Jacoby Plyler (KPE), Dustin Eichten (KPE). Photo: Courtesy KP Entertainment

What’s something that people may not know about you?

I still do publishing stuff. I’m not in it every single day, because I can’t be, but I love it. It’s not something I’ve hung a separate sign for, but we have seven writers under our umbrella and it’s still something I’m super passionate about.

If someone says “old school Music Row,” what do you think of?

I just go to community. We’re competitive, but we would kill for each other. Even our artists do that with each other. They’re competitive, they don’t want to lose to the other one, but they also are truly great friends. I think that is a special thing in the country music industry.

What is some of the best advice you’ve ever gotten?

I go back to something my parents have said about finding that thing that makes you happy. I do truly feel like I was blessed to find that and fulfill it. I surround myself with artists that I’m super proud to represent. Not to sound cheesy, but I really do feel like I have the best staff. It’s all mind blowing some days with some of the things that they have accomplished with our clients. I guess it’s just surrounding yourself with the people that keep you going and bring out the good in you.

Nashville’s Historic Exit/In Celebrates 50 Years With Commemorative Book

One of Music City’s most beloved independent venues, Exit/In, is celebrating 50 years of music with its new commemorative book, Exit/In: Fifty Years and Counting.

The book chronicles the history of the local, family-owned and operated music venue through never-before-seen photographs from its thousands of shows and a well-researched narrative text.

Starting off with a foreword by the legendary entertainer Jimmy Buffett, who christened the venue’s stage in 1971, readers can find candid shots of ’70s country outlaws such as Willie Nelson, Waylon Jennings and John Prine; behind-the-scenes photos from the set of Robert Altman’s Nashville film; and performance shots of national recording artists like The Police, The Ramones, Garbage and Gwar. The book also features interviews with Exit/In legends from John Hiatt to Darius Rucker to Margo Price and more.

There is also a Limited Collector’s Edition of the book which features a special gold foil-stamped slipcase and autographs from Hiatt, Marshall Chapman, Rodney Crowell, Jason Ringenberg, Rucker, Moon Taxi, Price, and All Them Witches.

Exit/In has stood at 2208 Elliston Place since 1971 and has made its mark on Nashville’s music scene. The complete list of performers numbers in the tens of thousands and includes notable acts such as Etta James, Rosanne Cash, Johnny Cash, Linda Rondstadt, Talking Heads, Billy Joel, Muddy Waters, Leonard Cohen, The Red Hot Chili Peppers, Willie Nelson, Chuck Berry, Sharon Jones, Kings Of Leon, Lucinda Williams, The Allman Brothers Band, Cage The Elephant, REM, and many more.

Exit/In: Fifty Years and Counting is available online and in select retail locations, including Hurry Back, Gifthorse Nashville, Parnassus, Grimeys, and Nashville with Love. For more information on Exit/In: Fifty Years and Counting or to order the book, click here.

Tim McGraw, Eric Church, Morgan Wallen To Headline 2022 Faster Horses Festival

Pictured (L-R): Eric Church, Tim McGraw, Morgan Wallen

Faster Horses Festival has announced that Eric Church, Tim McGraw and Morgan Wallen will headline this year’s lineup for the July 22-24 event in Brooklyn, Michigan.

Lauren Alaina, Brothers Osborne, Jordan Davis, Larry Fleet, Chris Janson, Ashley McBryde, Jake Owen, Caitlyn Smith, Cole Swindell, Michael Ray, Jameson Rodgers, Runaway June, Morgan Wade and DeeJay Silver will also perform as part of the festival’s main stage lineup.

The genre’s hottest rising artists will also perform on the Faster Horses Next From Nashville stage, which will feature Cooper Alan, Priscilla Block, Tyler Braden, Ben Burgess, Dillon Carmichael, Ashley Cooke, Jackson Dean, Ray Fulcher, Angie K, Tiera Kennedy, King Calaway, Robyn Ottolini, Restless Road and Alana Springsteen.

Passes for the three-day, two-stage camping experience festival will go on sale Friday, March 11 at 9 a.m. CT at fasterhorsesfestival.com.

Crowd Surf Elevates Two Nashville Team Members [Exclusive]

Pictured (L-R): Kacey Kovacs, Nicki von Seckendorff. Photos: Ford Fairchild

Crowd Surf has promoted two key Nashville team members to new roles. Nicki von Seckendorff has been elevated to General Manager and Kacey Kovacs has risen to Senior Account Manager.

Seckendorff has been with Crowd Surf for over 3 years, beginning as an office assistant. Rising through multiple promotions and roles, she has made herself invaluable to the company and its culture.

Kovacs has been at Crowd Surf for over 4 years, starting as an intern and then taking on a marketing assistant role. She has played an integral part in many key projects, including the social media marketing success of country duo CB30 and pop superstar Camila Cabello.

“I remember immediately being struck by Nicki’s can do attitude and knew she was the missing part of our team,” says Jade Driver, co-founder and CEO of Crowd Surf. “Watching her parlay herself into this integral role for the company has been fantastic to watch.” She continues, “In addition, I am thrilled to see what Kacey has achieved over 4 short years. She has that innate ‘fan girl whisperer’ mentality that we covet at Crowd Surf and watching her use that knowledge to break artists has been exhilarating!”

Founded in 2007 by MTSU alumni Driver and Cassie Petrey, Crowd Surf’s roster now boasts over 1 billion collective followers. The company’s Nashville roster of clients includes Universal Music Nashville, Sony Music Nashville, Capitol Christian Music Group, Jimmie Allen, Cody Johnson, Hayley Williams, Matthew West, and more.

Erin Kinsey’s Six-Track Debut, ’40 East,’ Due In March

Erin Kinsey. Photo: Robby Stevens

RECORDS Nashville’s rising new artist Erin Kinsey is set to release her debut EP, 40 East, on March 25. She just released “Hate This Hometown” from the project, which she penned along with Kathleen Higgins and Dave Cohen.

The new project features six tracks all co-written by Kinsey, including her debut single, “Just Drive,” which has over 20 million streams/views to date and hits country radio on Feb. 14. After sharing sneak peek video clips of the song on her socials, Kinsey garnered more than 7.2 million views on TikTok and over 62,500 pre-saves prior to release.

“Naming this debut EP 40 East is very special to me,” shares Kinsey. “Highway 40 East is the road that gets me most of the way from Texas to Nashville, and it’s a road I’ve driven many times since I started coming to town with my family, my boyfriend, my friends, and [my dog] Chewy. All of these songs, and this project, are a reflection of my life up until now, and one of the biggest parts of my story is chasing this crazy dream of mine.” She continues, “What I didn’t know, is that 40 East was taking me to so many of my dreams coming true, including this EP.”

The 21-year-old Texas native has been working towards a music career since the age of 11. Having moved from Texas to Tennessee the morning after her high school graduation, Kinsey quickly immersed herself in country music and was embraced by music insiders. She consistently receives close to ten million views on original songs on TikTok, and “Just Drive” has been featured on SiriusXM The Highway’s On The Horizon.

40 East Track List:
“Just Drive” (Erin Kinsey, Michael August, Josh Ronen)
“This Ain’t Heaven” (Erin Kinsey, Michael August, Josh Ronen)
“I Got You” (Erin Kinsey, Barrett Baber, Lonnie Fowler)
“Hate This Hometown” (Erin Kinsey, Dave Cohen, Kathleen Higgins)
“Better On Me” (Erin Kinsey, Michael August, Josh Ronen)
“Just Drive” (Radio Edit) (Erin Kinsey, Michael August, Josh Ronen)

Brooke Eden Signs With Maximum Artist Group For Management

Brooke Eden

BMG Nashville/BBR Music Group recording artist Brooke Eden has signed an exclusive artist management agreement with Maximum Artist Group.

Eden burst on the scene with the 2016 debut EP release, Welcome to the Weekend. Throughout her career, she’s shared the stage with Garth Brooks, Tim McGraw, Trisha Yearwood, Sam Hunt, Dan + Shay, Florida Georgia Line and Kane Brown.

In 2021, Eden released a trio of new singles: “No Shade,” “Got No Choice” and “Sunroof,” which hit No. 1 on iTunes and secured a nomination at the 2021 CMT Awards. To date, she has accumulated over 42 million streams, according to Nielsen’s MRC Data. The singer-songwriter was recently named a member of MusicRow‘s Next Big Thing Class of 2022.

“Brooke’s talents are obvious to anyone who has listened to her music, or been to one of her shows,” shares Maximum Artist Group Founder Mitchell Solarek. “But the heart of this artist, and the light she brings into every room she enters, is not only what makes her special, it’s what makes me so proud and grateful to be a part of her life.”

Eden joins a roster that includes Gold and Platinum selling, multi-award winners Natalie Grant, Tauren Wells, Cory Asbury, and producer/writer Bernie Herms, among others.

Jason Aldean’s Night Train Records Signs John Morgan

Pictured (L-R): Colton McGee (BBR Music Group/BMG), JoJaimie Hahr (BBR Music Group), Sara Knabe (BBR Music Group), Chris Parr (Maverick), Jason Aldean, John Morgan, Jon Loba (BBR Music Group/BMG), Tori MacDonald (Maverick), Clarence Spalding (Maverick), Tully Kennedy, Kurt Allison. Photo: Jessica Crans

BBR Music Group/BMG has signed singer-songwriter John Morgan to Night Train Records, Jason Aldean‘s imprint with the label group.

The North Carolina native is a co-writer on the Grammy nominated smash hit “If I Didn’t Love You,” by Aldean and Carrie Underwood. Morgan has seven other cuts on Aldean’s upcoming double album, Macon, Georgia, including his current single “Trouble with a Heartbreak.”

Growing up in the Appalachian mountains, Morgan began playing guitar at the age of eight before hitting the festival circuit in a family Bluegrass band for 10 years. He eventually sold his small plot of land and moved to Nashville where he connected with Kurt Allison and Tully Kennedy, two songwriters and longtime bandmates of Aldean.

“The first time I heard about John Morgan was a 2 a.m. phone call with Aldean that lasted over 30 minutes as he told me why he wanted to sign him. He was so excited; he didn’t want to wait until the next day to talk about offering him a deal,” explains Jon Loba, President BMG Nashville. “When we started working with John, it was easy to see why Jason picked up the phone and woke me up in the middle of the night… and I’m so glad he did!”

“Three years ago, I never would have imagined that I would be signed to one of the best labels here in Nashville,” adds Morgan. “I’m excited to get started on this journey and grateful for the team I have working with me.”

The songwriter is published by Triple Play Music, managed by Maverick, booked by The Neal Agency and represented by Milom Law.

Betsy Lee Upped To Business Manager At FBMM

Betsy Lee

Business management firm FBMM has promoted Betsy Lee to business manager. In her new role, she will continue to oversee all financial aspects for her roster of clients, including award-winning artists and Rock and Roll Hall of Fame inductees.

With nearly two decades of experience at FBMM, Lee brings a sharp attention to detail and expertise in tour management. She oversees all aspects of her clients’ financial well-being and strategically advises and enables them to make sound business decisions. Lee has extensive worldwide touring experience and, while working at FBMM, has served as an interim European tour accountant for both stadium and arena tours for major headliners.

“Since Betsy joined our team in 2003, I have seen firsthand not only her proven track record with our clients, but also her vested interest in each of them,” offers FBMM Owner and President Jamie Cheek. “She considers her clients family, and it is those relationships combined with her strategic counsel that have established her as a trusted adviser.”

“In addition to the excellent work Betsy does on behalf of her clients, she is also key to our company culture at FBMM and is the definition of a team player,” adds Mary Ann McCready, founding owner of FBMM. “Betsy oversees our philanthropy committee and has played a key role in our expansion into Los Angeles over the last several years.”

Lee earned her Bachelor of Business Administration degree from the University of Georgia and graduated summa cum laude with highest honors. She is a member of the Recording Academy, the 2020 Grammy Next class, the Society of Leaders in Development (SOLID), the Country Music Association, the Academy of Country Music and SOURCE.