
Pictured: Morgan Wallen and surprise guest Jimmie Allen at Bridgestone Arena on March 16. Photo: David Lehr
Morgan Wallen kicked off his three-night stay at Nashville’s Bridgestone arena with a jam-packed evening of music on Wednesday (March 16).
His entertaining show covered a lot of his 30-song, top-selling sophomore project, Dangerous: The Double Album. The project, which topped the all-genre Billboard 200 Albums year-end chart with 3.2 million units sold in 2021, also just won Album of the Year at the 2022 ACM Awards.

Pictured: Morgan Wallen and surprise guest Ronnie Dunn at Bridgestone Arena on March 16. Photo: David Lehr
Interestingly, the singer started his set tenderly, rising up onto the stage, seated at a piano to play his most recent No. 1 hit, “Sand In My Boots.” Wallen donned a brown corduroy pearl-snap shirt, jeans and Tecovas, and smiled up into the crowd who cheered furiously.
After ramping things up for “Something Country” and “Up Down,” Wallen addressed the hometown crowd.
“My name is Morgan Wallen. I really appreciate you being here tonight,” he said. “There’s a lot of people who believed in me for a long time in the building tonight, a lot of people who have been through a lot with me. This is very special to me.
“Most of the songs we’re going to play tonight just won ACM Album of the Year,” he added. “And it wouldn’t have been possible without y’all.”
Wallen played 17 songs from Dangerous, in addition to some older material. He sounded great throughout the night, sometimes with an even more pronounced country accent than what’s featured on the recordings. Fans raged for his redneck-and-proud anthems, “Still Goin Down,” “Country Ass Shit,” and “Somethin’ Country.” The women in the audience, of which there were many, squealed over his romantic side on “Silverado For Sale,” “Somebody’s Problem,” “More Than My Hometown,” and “Seven Summers.”
Wallen also kept the visual affects to a minimum. The two big screens stayed on him most of the time, and his stage lit up with flames and smoke on his more hard-hitting tracks. But as it turns out, he didn’t need much pizzazz. If Wallen and his arsenal of streaming hits weren’t enough, he enlisted a lot of special guests throughout the night.

Pictured: Morgan Wallen and Ernest perform “Flower Shops” at Bridgestone Arena. Photo: David Lehr
Frequent collaborator and label-mate Ernest, who Wallen referenced throughout the night when telling stories behind some of the songs, finally joined him on stage to perform their collaboration, “Flower Shops.” Bridgestone Arena went wild for Ernest, and the Nashville native gleamed back.
Jimmie Allen joined him at one point to perform a rousing version of Wallen’s debut single, “The Way I Talk.”
Perhaps the biggest surprise of the night was when Country Music Hall of Famer Ronnie Dunn casually strolled out onstage to help Wallen sing “Talkin’ Tennessee.” The two then traded verses on “Neon Moon,” with Wallen grinning ear to ear at the legend. “You’re killin’ it man!” Dunn told him.
Both Hardy and Larry Fleet, who served as openers for the show, re-joined Wallen at some point to sing with the star.
A highlight of the evening came with Wallen’s cover of Jason Isbell‘s “Cover Me Up.” He instructed concert-goers to pull out their cell phones to light the arena as he sang. His signature rasp, paired with thousands of people singing along, made for a special moment.
Wallen closed his set with an encore of “Heartless,” his new single “Wasted On You,” and his first No. 1, “Whiskey Glasses.”
Throughout the night, Wallen spoke with a lot of pride for his homestate, and a lot of love for his fans.
“For me it was always music and baseball,” he said. “I always imagined myself playing the World Series or something. I never thought I’d be in Bridgestone Arena singing music, that’s for sure. But it feels like the World Series for me tonight.”

Pictured: Hardy and Morgan Wallen performing Hardy’s “He Went To Jared.” Photo: David Lehr
Hardy was also thrilled to play for a Nashville crowd. The singer-songwriter leaned heavily into his rock sensibilities throughout his high-energy set, even playing his brand new rock single “Sold Out.” He was visibly psyched performing “4X4” and “Unapologetically Country As Hell,” showing off his significant growth in confidence as a showman.
“I’m very thankful to call myself a hit songwriter at this point in my career,” Hardy told the crowd before performing a hit he co-wrote for Blake Shelton, “God’s Country.” He also brought special guests for the first Nashville night. Lauren Alain and Devin Dawson joined him for their hit song, “One Beer.”
Larry Fleet got the evening started with some songs from his first full-length album, Stack Of Records. Later he joined Wallen onstage for his critically-acclaimed track “Where I Find God.”
Wallen, Hardy, and Fleet will hit the Nashville stage again Thursday and Friday night. Tickets are still available here.
Cole Swindell & Lainey Wilson Hit No. 1 On MusicRow Radio Chart
/by Alex ParryCole Swindell and Lainey Wilson are crowned No. 1 this week on the MusicRow CountryBreakout Radio Chart for their single “Never Say Never.” Swindell co-wrote the single with Jessi Alexander and Chase McGill and it will appear on his album, Sterotype, coming out in April.
Swindell and Wilson recently sat down with MusicRow to discuss the song. “I don’t know anyone who hasn’t been in this situation at some point in time,” Wilson says. “I was telling Cole the other day, it’s like that piece of chocolate cake that you know you shouldn’t have but you take it anyway. We’ve all been there, so we can all relate even if you’ve never been in a relationship in your life.” She continues, “It’s hard sometimes to have a rocking song that’s also passionate, and I think this song does that. It makes you feel all the things. It makes you wanna say ‘Hell yeah!’ and it makes you want to kiss somebody.”
Wilson recently won New Female Artist of the Year and Song of the Year for “Things A Man Oughta Know” at the 57th Annual ACM Awards.
Swindell is currently on his headlining “Down To The Bar Tour” with Travis Denning and Ashley Cooke.
Click here to view the latest edition of The MusicRow Weekly containing the MusicRow CountryBreakout Radio Chart.
Industry Ink: Randall King, Restless Road, KBFM, Pickers Original Vodka
/by Lydia FarthingRandall King Celebrates Upcoming Shot Glass Release With Invite-Only Show
Pictured (L-R): Taylor Aretz (Manager of Artist Development, Warner Music Nashville); Howie Edelman (Durango Artist Management); Shane Tarleton (EVP of Artist Development, Warner Music Nashville); Cris Lacy (EVP of A&R, Warner Music Nashville); Randall King; Stephanie Davenport (Sr. Director of A&R, Warner Music Nashville); Scott Gunter (Durango Artist Management). Photo: Alan Poizner
Just one day after making his Grand Ole Opry debut, Warner Music Nashville’s Randall King celebrated his forthcoming major label debut album, Shot Glass, with an invite-only show at the Nashville Palace on March 16.
Industry and fans alike gathered for King’s 30 minute set, which was filled with honky tonk tracks from the upcoming release. The debut record will be available everywhere tomorrow (March 18).
Kat & Alex, Shelby Darrall To Join Restless Road As Direct Support
Restless Road. Photo: Angelea Presti
Restless Road, composed of Zach Beeken, Colton Pack and Garrett Nichols, have announced the direct support for their upcoming “Bar Friends Tour.”
Kat & Alex and Shelby Darrall will join the trio on the upcoming trek. The tour will kick off in Milwaukee on April 6 with visits to New York, Chicago, Boston and Dallas, as well as sold out shows in Nashville and Pittsburgh. For a full list of dates, click here.
Restless Road’s first official radio single, “Growing Old With You,” is set to impact stations on March 28 via Sony Music Nashville’s RCA Nashville imprint. The song previously held the No. 1 slot on Billboard’s Digital Country Song Sales chart.
“It really does feel like a dream come true to be able to launch our own headlining tour and have our single be available at radio,” notes Pack.
“Thank you to the songwriters and for everyone who has shown us so much love out on the road the last two years, we can’t wait to show you what we can do,” adds Nichols.
King Business and Financial Management Moves To New Nashville Office
King Business and Financial Management (KBFM) has moved their Nashville office to a new part of Music City. The office is now located at 509 Craighead St, Suite 110, Nashville, TN 37204.
To christen the new building, KBFM commissioned local graffiti artist Troy Duff to add a custom design of the KBFM logo.
KBFM is an entertainment business and financial management firm providing services to international touring and recording artists, songwriters, producers, publishing companies, record labels and entertainment professionals.
Maggie Rose & Wanda Jackson Featured In Pickers Original Vodka Mural Series
Pickers Original Vodka, Tennessee’s first craft vodka, has unveiled the next mural in its ongoing series. The newest installment honors Maggie Rose and Wanda Jackson and is located at Exit/In at 2208 Elliston Place.
The mural series serves to highlight Pennington Distilling Company’s pledge that $1 for every bottle of Pickers Original Vodka sold at Middle Tennessee bars, restaurants, and venues that support live music will be donated to Music Health Alliance. For every $1 donation, MHA is able to provide $30 in life-saving healthcare resources.
“It was an honor to be featured in a mural on the exterior of the historic Exit/In, but what made it even more special was the fact that I was pictured next to rockabilly hero and Rock and Roll Hall of Fame Wanda Jackson,” shares Rose. “Thanks to Pickers Vodka for letting me be a part of their campaign supporting the wonderful work of the Music Health Alliance.”
Jeff and Jenny Pennington, co-founders of Pickers Vodka, add: “We are excited to honor Maggie Rose and Wanda Jackson with this mural at Exit/In. Also, we are proud to help the Music Health Alliance in their mission to support all musicians for many years to come.”
Pickers Vodka commissioned Nashville mural artist Bryan Deese to launch the mural series in 2020. So far, the series has featured LadyCouch, Moon Taxi, Chris Schruggs, Guthrie Trap, Sam Bush & Kendell Marvel, Alyanna Royale and Jerry Pentecost. Additional murals will be commissioned through 2022.
Tiffany Woys Talks ‘All About Love’ On Upcoming EP
/by Lydia FarthingTiffany Woys. Photo: Robert Chavers
Tiffany Woys is set to release her new EP, All About Love, this Friday (March 18), which features her current single “About Love,” as well as her newly released version of LeAnn Rimes’ “Probably Wouldn’t Be This Way.”
Writers featured on Woys’ project include Hannah Ellis, Emily Shackelton, John Kennedy, the late busbee, and more. The project was produced by Tammi Kidd Hutton and Ben Phillips.
“I have always said I want to sing about love. That means all that comes with it. The good parts, the bad parts and in true country fashion, the sad parts,” Woys shares. “Love is a universal language. It’s a feeling that everyone experiences along with heartbreak. It’s all I’ve really wanted to convey with listeners. I want people to know we are all more related than you think. That’s through love. So now I am releasing six songs that I hope relate to you too. That through love and music you feel a little less alone. This EP is All About Love and I think we can all agree we need more of it!”
Written by Jason Saenz, Sara Haze, and Sam Ellis, “About Love” is the singer’s fifth song to chart on Billboard’s Country Indicator chart, following “Hostage,” “Loved By You,” “Do Ya” and “I Don’t” with Jordan Fletcher. The song currently sits at No. 38 on the Country Indicator Chart, No. 50 on Mediabase Activator chart, and No. 17 on CDX Traction’s True Indie Chart.
“About Love” (Jason Saenz, Sara Haze, Sam Ellis)
“Own This Town” (Sam Ellis, Sara Haze, Heather Morgan)
“Wear It Out” (Tammi Kidd Hutton, Nathan Spicer, Sarah Allison Turner)
“I Don’t Want You Back” (Jason Saenz, Sara Haze, Jon Mclaughlin)
“I’ll Meet You There” (Emily Shackelton, busbee, Hannah Ellis)
“Probably Wouldn’t Be This Way” (Tammi Kidd, John Kennedy)
SOLID Announces 12th Annual Music Row Madness Fundraiser For May
/by Lorie HollabaughSOLID is holding its 2022 Music Row Madness fundraiser on May 17 at Nashville’s Topgolf.
Registration for the 12th annual fundraising event is now open to the public for teams of six to eight. Participants are required to meet a $1,000 donation minimum to play. Spectators are also able to purchase tickets for $35 in advance or $45 at the door.
The team registration deadline is Monday, May 9. To register your team, click here.
“Being able to announce Music Row Madness as our first and largest fundraiser during our 25th anniversary year makes it all feel real. We are finally enjoying in person events like we were doing before the pandemic,” says Avery King, who is serving her second term as President. “I have full faith in our membership, alumni and the rest of our Nashville community in coming out to support our SOLID Shares partners and helping us reach our goal of $60,000.”
Proceeds from Music Row Madness will go to benefit the 2022 nonprofit SOLID Shares Partners: ACM Lifting Lives, Equity Alliance, Music Makes Us, The Onsite Foundation, and The Store
SOLID is a Nashville-based organization for developing music business professionals dedicated to improving the future success of the music industry. Over the last five years, the organization has donated over $400,000 to local charities and nonprofits and more than 300 hours of their time to the Nashville community.
DISClaimer Single Reviews: Randy Houser Makes Powerful Return
/by Robert K OermannIt seems that we salute our music-industry veterans today.
Deborah Allen, Sammy Kershaw and The Beach Boys are here with new sounds. So is Randy Houser, whose comeback wins our Disc of the Day prize.
Texas is well represented, with Ray Wylie Hubbard, Parker McCollum (singing Strait), Charley Crockett and Miranda Lambert all checking in with worthy new projects. That is also the home state of our DISCovery Award winner, Catie Offerman.
Happy listening.
PARKER McCOLLUM / “Carrying Your Love With Me”
Writers: Steve Bogard/Jeff Stevens; Producer: Jon Randall; Label: MCA
–McCollum salutes his hero George Strait with this revival of a 1997 chart topper. The youngster’s tenor voice brings out the yearning in the lyric beautifully. The session musicians’ instrumental coda is an extra delight.
MIRANDA LAMBERT / “Strange”
Writers: Miranda Lambert/Luke Dick/Natalie Hemby; Producers: Jon Randall/Luke Dick/Miranda Lambert; Label: RCA
–We can all relate. “Times like these make me feel strange.” The unsettling verses give way to a rollin,’ rollicking chorus: “Have a smoke, buy a round/Get on a jet going anywhere bound/Pick a string, sing the blues/Dance a hole in your shoes/Do anything to keep you sane.” Amen, sister.
CHRIS JANSON / “Keys to the Country”
Writers: Chris Janson/Dallas Davidson/Ashley Gorley/Zach Crowell; Producers: Zach Crowell/Chris Janson; Label: Warner
–It’s a blazing, high-octane performance that totally rocks. This record screams, “Spring is here” and “Turn it up.” Spin it until ya get dizzy.
LOCASH / “Beach Boys”
Writers: Chris Lucas/Preston Brust/Dallas Wilson/Jared Mullins/Brian Wilson/Mike Love; Producer: Cory Crowder; Label: BBR/Wheelhouse
–The vocal guests are veteran Beach Boys Mike Love and Bruce Johnson. The song is a mash up of “I Get Around” with some LoCash redneck verses. It’s a bit of an audio mess, but they mean well.
CHARLEY CROCKETT / “I Feel For You”
Writer: Jerry Reed; Producer: Billy Horton; Label: Son of Davy/Thirty Tigers
–Moody, bluesy and utterly captivating. With spare snare drumming and acoustic strumming as the underpinning, Crockett gives the heartbreak tale a smoky vocal magic. I dig this guy’s “Gulf and Western” sound.
RANDY HOUSER / “Note to Self”
Writers: Randy Houser/Ross Copperman/Casey Beathard/Bobby Pinson; Producers: Randy Houser/Blake Chancey; Label: Empire/Magnolia
–This man remains one of country music’s very finest vocalists. His return is most welcome, especially with such a strong song of regretful hindsight. His extraordinary voice is absolutely fierce as this hair-raising pile driver reaches its climax. Houser is booked to play the Ryman on Sunday (March 20).
CATIE OFFERMAN / “Happyland Trailer Park”
Writers: Catie Offerman/Joe Clemmons/Rodney Clawson; Producer: Dann Huff; Label: MCA
–Lend this newcomer your ears. The Texas twanger takes us on a jingle-jangle, country-rock cruise on her disc debut. It’s a wind-in-your-hair pleasure trip. Tow an Airstream down the highway until you get to the title destination.
SAMMY KERSHAW / “Honky Tonk Boots”
Writers: Billy Don Bruns/Scott Blackwell; Producer: Buddy Cannon; Label: White Mustang
–Stone cold country, designed for two-stepping. Old-school, and proud of it.
MAGGIE ROSE / “Two Arms to Hold Onto”
Writers: Chris Gelbuda/Don Hart/Maggie Rose; Producers: Don Hart/Chris Gelbuda; Label: MR/Orchard
–Maggie is a dynamite talent as a blue-eyed soul singer. On this lustrous wish for love, she claims her turf as a country queen. The ear-tickling production sports strings as well as twang. She introduced the song at the Opry last Saturday, and charmed everyone in sight. I remain an immense fan.
ZAC BROWN BAND / “Out in the Middle”
Writers: Ben Simonetti/Jonathan Singleton/Luke Combs/Zac Brown; Producers: Ben Simonetti/Zac Brown; Label: Warner
–This band doesn’t know how to make a record that isn’t hooky. This song is another one of those redneck-fantasy lyrics about swimming holes, gravel roads and rural partying after a hard-working week. But they sing it with such gusto, you buy it all over again.
DEBORAH ALLEN / “Patsy Cline Crazy”
Writers: Deborah Allen/Margaret Phillips; Producer: Deborah Allen; Label: Audium/BFD
–Allen sings with oomph and passion on this clever ballad. The lyric name checks 25 country classics (I counted) and along the way manages to sound like an instant classic, itself. Very cool.
RAY WYLIE HUBBARD & BAND OF HEATHENS / “Desperate Man”
Writers: Eric Church/Ray Wylie Hubbard; Producer: none listed; Label: Big Machine
–Hubbard’s second album of collaborations drops tomorrow (March 18). It features the eclectic Texas troubadour warbling with Steve Earle, Willie Nelson, Wade Bowen, Wynonna, Randy Rogers and Hays Carll, plus such unlikely collaborators as Toto’s Steve Lukather, Heart’s Nancy Wilson, metal rocker Lizzy Hale, Ringo Starr and the Shiny Soul Sisters. The single is Hubbard’s drawling treatment of the 2018 hit he wrote with Eric Church. I’ve always loved this rumpled, honest fellow.
Mary Allen Joins UTA’s Nashville Team
/by Lorie HollabaughUTA has added Mary Allen to its team of Music City agents.
Allen previously worked as a founding agent at Mint Talent Group. Before Mint, she spent six years as a booking agent at Madison House in Boulder, Colorado. Her roster includes French electronic music artist CloZee, The Polish Ambassador, The Funk Hunters, Apashe, Tripp St., Memba, Rome in Silver, NotLö, Veil, sumthin sumthin, Player Dave, and more.
Aaron Arkin and Vatana Shaw have also joined the company as a Music Crossover Agent and Music Brand Partnerships Agent, respectively. Both of them will be based in Los Angeles.
“We are thrilled to welcome Mary, Aaron and Vatana to the UTA team,” shares David Zedeck, Partner and Co-Head of Global Music. “Their combined expertise in touring, development of music-driven content and brand partnerships will be integral as we continue to expand the scope and resources of our music department.”
Allen’s addition follows a series of new hires over the last 18 months that include Scott Clayton, Nashville office co-heads Jeffrey Hasson and Matthew Morgan, and Nashville-based agents Brett Saliba, Matt Korn, Zach Hartley, Emily Wright, Emily LaRose, Marissa Smith, Elisa Vazzana and Buster Phillips.
Singer-Songwriter Brad Martin Dies At 48
/by Lydia FarthingCountry singer-songwriter Brad Martin passed away on Friday, March 11, at the age of 48. The cause of death has not yet been disclosed.
Raised in Greenfield, Ohio, Martin learned how to play guitar at a young age and quickly gained interest in songwriting. He moved to Nashville in his early 20s and performed daily at a local nightclub before being spotted by Joe Carter, an artist manager who had previously worked with Tracy Byrd. Martin became a client at Carter’s management firm, Carter and Company.
In 1997, Martin signed with the late producer, Blake Mevis, who produced acts such as George Strait, Keith Whitley and Brad’s late father, Richard Martin. In 1999, Brad signed his first publishing deal with Curb Publishing.
Martin made his major-label country debut in 2002 with Wings of a Honky-Tonk Angel via Epic Records, whom he signed with in 2000. The project, which reached No. 34 on the Billboard Country Albums chart, produced his Top 20 hit single “Before I Knew Better.” He released one more solo single, “One of Those Days” (2003), before his deal came to an end.
The vocalist later joined singer-songwriter John Ramey to form country duo Martin Ramey. The pair signed to Curb Records in 2008 and released their debut single “Twisted” in 2010.
Visitation for Martin will be on Sunday, March 20 from 4 to 7 p.m. at the First Baptist Church, 250 Lafayette St., Greenfield. A memorial service will be at 11 a.m. on Monday, March 21 at the same church.
A GoFundMe has been set up to cover funeral expenses. To donate, click here.
Morgan Wallen Enlists Ronnie Dunn, Jimmie Allen, More For Night One Of Nashville Run
/by LB CantrellPictured: Morgan Wallen and surprise guest Jimmie Allen at Bridgestone Arena on March 16. Photo: David Lehr
Morgan Wallen kicked off his three-night stay at Nashville’s Bridgestone arena with a jam-packed evening of music on Wednesday (March 16).
His entertaining show covered a lot of his 30-song, top-selling sophomore project, Dangerous: The Double Album. The project, which topped the all-genre Billboard 200 Albums year-end chart with 3.2 million units sold in 2021, also just won Album of the Year at the 2022 ACM Awards.
Pictured: Morgan Wallen and surprise guest Ronnie Dunn at Bridgestone Arena on March 16. Photo: David Lehr
Interestingly, the singer started his set tenderly, rising up onto the stage, seated at a piano to play his most recent No. 1 hit, “Sand In My Boots.” Wallen donned a brown corduroy pearl-snap shirt, jeans and Tecovas, and smiled up into the crowd who cheered furiously.
After ramping things up for “Something Country” and “Up Down,” Wallen addressed the hometown crowd.
“My name is Morgan Wallen. I really appreciate you being here tonight,” he said. “There’s a lot of people who believed in me for a long time in the building tonight, a lot of people who have been through a lot with me. This is very special to me.
“Most of the songs we’re going to play tonight just won ACM Album of the Year,” he added. “And it wouldn’t have been possible without y’all.”
Wallen played 17 songs from Dangerous, in addition to some older material. He sounded great throughout the night, sometimes with an even more pronounced country accent than what’s featured on the recordings. Fans raged for his redneck-and-proud anthems, “Still Goin Down,” “Country Ass Shit,” and “Somethin’ Country.” The women in the audience, of which there were many, squealed over his romantic side on “Silverado For Sale,” “Somebody’s Problem,” “More Than My Hometown,” and “Seven Summers.”
Wallen also kept the visual affects to a minimum. The two big screens stayed on him most of the time, and his stage lit up with flames and smoke on his more hard-hitting tracks. But as it turns out, he didn’t need much pizzazz. If Wallen and his arsenal of streaming hits weren’t enough, he enlisted a lot of special guests throughout the night.
Pictured: Morgan Wallen and Ernest perform “Flower Shops” at Bridgestone Arena. Photo: David Lehr
Frequent collaborator and label-mate Ernest, who Wallen referenced throughout the night when telling stories behind some of the songs, finally joined him on stage to perform their collaboration, “Flower Shops.” Bridgestone Arena went wild for Ernest, and the Nashville native gleamed back.
Jimmie Allen joined him at one point to perform a rousing version of Wallen’s debut single, “The Way I Talk.”
Perhaps the biggest surprise of the night was when Country Music Hall of Famer Ronnie Dunn casually strolled out onstage to help Wallen sing “Talkin’ Tennessee.” The two then traded verses on “Neon Moon,” with Wallen grinning ear to ear at the legend. “You’re killin’ it man!” Dunn told him.
Both Hardy and Larry Fleet, who served as openers for the show, re-joined Wallen at some point to sing with the star.
A highlight of the evening came with Wallen’s cover of Jason Isbell‘s “Cover Me Up.” He instructed concert-goers to pull out their cell phones to light the arena as he sang. His signature rasp, paired with thousands of people singing along, made for a special moment.
Wallen closed his set with an encore of “Heartless,” his new single “Wasted On You,” and his first No. 1, “Whiskey Glasses.”
Throughout the night, Wallen spoke with a lot of pride for his homestate, and a lot of love for his fans.
“For me it was always music and baseball,” he said. “I always imagined myself playing the World Series or something. I never thought I’d be in Bridgestone Arena singing music, that’s for sure. But it feels like the World Series for me tonight.”
Pictured: Hardy and Morgan Wallen performing Hardy’s “He Went To Jared.” Photo: David Lehr
Hardy was also thrilled to play for a Nashville crowd. The singer-songwriter leaned heavily into his rock sensibilities throughout his high-energy set, even playing his brand new rock single “Sold Out.” He was visibly psyched performing “4X4” and “Unapologetically Country As Hell,” showing off his significant growth in confidence as a showman.
“I’m very thankful to call myself a hit songwriter at this point in my career,” Hardy told the crowd before performing a hit he co-wrote for Blake Shelton, “God’s Country.” He also brought special guests for the first Nashville night. Lauren Alain and Devin Dawson joined him for their hit song, “One Beer.”
Larry Fleet got the evening started with some songs from his first full-length album, Stack Of Records. Later he joined Wallen onstage for his critically-acclaimed track “Where I Find God.”
Wallen, Hardy, and Fleet will hit the Nashville stage again Thursday and Friday night. Tickets are still available here.
Symphonic Distribution Launches New Podcast Division
/by Lydia FarthingSymphonic Distribution has launched its own podcast division. Spearheaded by the company’s Nashville office, Symphonic’s two initial podcasts are The Smoking Section and Music Industry 360.
Partnering with Sirius XM producer, host and podcaster Markus Koger, The Smoking Section will enter its 5th season, and features interviews with some of country music’s fastest growing stars. Interviews included in this season are Jordan Davis, Parmalee, Eli Young Band and Wade Bowen.
Markus will also produce Symphonics’ very own Music Industry 360, which features industry-related content including interviews with executives, as well as marketing strategy deep dives and tactical advice for independent artists.
The first episode of Smoking Section is available to listen to now. Music Industry City will debut its first episode on March 23.
Producer Noah Gordon Launches 8 Track Entertainment
/by Lorie HollabaughNoah Gordon
Grammy award-winning engineer and producer Noah Gordon has launched 8 Track Entertainment, a multi-faceted publishing, production and live touring events company. The new venture will also unveil details about a new country label in the coming weeks.
Led by Gordon, initial hirings include Jeff Goodwin as Vice President/Marketing and Partnerships; Bill Harbin as Vice President/Corporate Partnerships; and Claire Cook-Taylor as Vice President/Public Relations/Media.
“It’s truly an exciting time to be in Entertainment… feels like the Wild West! 8 Track isn’t traditional… we’re bringing decades of experience in Corporate Relationships & Partnerships and marrying that to a completely independent music, media, marketing, touring and content driven company,” shares Gordon, President of 8 Track Entertainment. “8 Track is rooted in the nostalgia of Muscle Shoals, but we know how to do business in 2022.”
The recently launched publishing division, 8 Track Publishing, has already celebrated the company’s first No. 1 Billboard Hot Country Song with Aaron Lewis‘ “Am I The Only One,” co-written by 8 Track songwriter, Ira Dean. Dean also penned five songs and co-produced Lewis’ No. 1 album Frayed at Both Ends, which topped iTunes Country Album chart in January 2022.
A 30-year music industry veteran, Gordon’s production credits include songs by Keith Urban, Toby Keith, Kix Brooks, Ronnie Dunn, Brad Paisley, Montgomery Gentry, Jake Owen, Darius Rucker, Jacob Bryant and more. Additionally, Gordon produced Colt Ford’s No. 1 Billboard Country and Indie album, Declaration of Independence, and Ford’s No.1 Billboard Rap and Indie album, Thanks For Listening. An ASCAP award-winning songwriter, Gordon has over 50 cuts by artists such as Charlie Daniels, John Michael Montgomery, Randy Travis, Craig Morgan, Joe Nichols and Clay Walker. Gordon most recently served as VP, A&R/Publishing at Average Joes Entertainment.
A marketing industry executive with 40 years experience in corporate partnerships, Goodwin has developed marketing plans for companies including Kimberly Clark, Coca-Cola, Georgia Pacific, Winfield, Land O’ Lakes, Jive Communications and others. He was formerly head of A&R for Airborne Records.
Harbin has worked in corporate America as VP of National Accounts/Sales for 22 years. He created and developed corporate partnerships of multiple Fortune 500 companies, including Coca-Cola, Syngenta, Georgia Pacific, Winfield, Land O’ Lakes, Budweiser, Kleenex and others. Harbin previously served as the CEO and Co-Founder of Prestige Sports Media & Entertainment.
Previously Head of Public Publicity at Average Joes Entertainment, Cook-Taylor began her career at Capitol/EMI Records in LA. Previous career stops include Los Angeles-based Windsor Publications; Magnatone Records Nashville; VP, Publicity at Kenny Rogers’ Dreamcatcher Entertainment; Moraine Music Group; and her own Cook Media as Independent Management and Publicity.