
Jason Aldean. Photo: Brian Higbee
Multi-Platinum country entertainer Jason Aldean has always been a proud Georgia native. He has released songs about the peach state, supports Georgia sports teams, and has always talked openly about the influence his home state has had on his music. That’s why it comes as no surprise that his tenth studio album, out now, is simply called Macon, Georgia—his hometown.
“Macon has a rich music history with the Allman Brothers, Otis Redding, Little Richard, and more being from there,” Aldean tells MusicRow. “But for me, it’s my hometown. It’s where this whole ride started. It’s where I learned to be a musician and play on stage for the first time.
“When I was coming up, there was a lot of people that were coming out of Georgia that almost made it seem like this wasn’t an unreachable goal. Trisha Yearwood, Travis Tritt, and Alan Jackson were coming out of Georgia. I came up playing some of the same bars and towns, and doing some of the same stuff.”

The home state-inspired project is a double album, with the Macon half having released in November of 2021 and the Georgia half out today (April 22.) Both sides find Aldean’s signature southern rock sound on some new songs, and feature live versions of some classics.
The 30-song project releases as Aldean celebrates 16 years in the music business. Since releasing his debut single “Hicktown” in 2005, he has gone on to notch 26 No. 1 hits, garner 15 billion streams, and win numerous awards, including the ACM’s Entertainer of the Year three times. Aldean says if he could go back and talk to the kid moving from Macon, Georgia to Nashville in 1998, he would tell him to hold on tight.
“[I would tell him] this thing is going to be bigger than you ever imagined possible. You’re going to have some ups and downs along the way. Just enjoy it,” he says. “Early on, when things really started to happen, I was so worried about it going away after I worked so hard to get there. In the early days, I don’t think I ever took the time to enjoy it and appreciate what I had accomplished. I don’t think that happened until later in my career.”
Aldean’s non-stop grind paid off, though. His ten albums have solidified him as one of this generation’s top country record-makers. With songs such as “She’s Country,” “Big Green Tractor,” “Tattoos On This Town,” “My Kinda Party,” “Crazy Town,” and many more, Aldean has consistently delivered the music his fans have come to expect: hard-hitting, southern rock-infused country hits.
Like his sound, Aldean’s all-star team and album-making process has also remained pretty consistent over the years. Alongside his long-time producer, Michael Knox, Aldean has celebrated more than 20 million albums sold.
“I cut records now the same way I always did; with the same band and same producer. I’ve had the same crew, basically, this whole time,” he says. “The difference now is just a confidence factor. As an artist, I know a lot more about who I am at this point, what I want to do and the kind of stuff that works for me.”
Of the new tunes on Macon, Georgia, Aldean has made waves with Macon‘s “Small Town Small” and “If I Didn’t Love You,” his hit duet with Carrie Underwood that was crowned the Single of the Year at the 2021 ACM Awards.
Georgia features Aldean’s new single, “Trouble with a Heartbreak,” which has already hit No. 1 on MusicRow‘s radio chart and looks to be heading that way on other charts. Another track on Georgia, “Ain’t Enough Cowboy,” shows off Aldean’s rap influences—a theme ever-present from 2011’s “Dirt Road Anthem.”
“Early on in my career, I knew that I never wanted to get painted into a corner. I knew that I was going to have a lot of rock influence in my music as well as some really traditional stuff. But people my age, we grew up listening to everything. Early on I made it a point to start branching off and doing some different things so that whenever I wanted to do those things later, it wasn’t that far of a stretch.
“Even with ‘Dirt Road,’ it’s got the rap verses, but once the chorus kicks in, that’s country. It’s just finding those certain ones that work. Every once in a while, you get one that comes along.”
A stand-out track on Georgia is “God Made Airplanes,” a heatbreak tune about getting ‘out of Dodge’ after a break up.
“John Morgan wrote that with the Warren brothers [Brad and Brett Warren] and Jessi Alexander. John is a new artist that I actually signed to a publishing deal, a record deal, and I produce his records,” Aldean says. “He wrote a bunch for his record and he co-wrote the song. As soon as they demoed it, I got a text from John, both the Warren brothers, and Jessi. They all texted me the song saying, ‘This has got you all over it.’ I heard it the first time and fell in love with the song.”
Morgan isn’t the only new writer credited on Macon, Georgia. Lydia Vaughan scored her first hit, along with Morgan, on “If I Didn’t Love You,” and new songwriter Lalo Guzman co-wrote “Ain’t Enough Cowboy.”
“Obviously we have our go-to guys that always seem to come through with songs, like Neil Thrasher, Rhett Akins, and some of those guys. Michael Tyler has some stuff on this record,” Aldean says. “John Morgan, Kurt Allison, and Tully Kennedy—who are two of the guys in my band—they were writing a ton for this record. You’ll see a lot of stuff from those three guys on this record more so than you have in the past. They just got really locked in on this album and were writing some cool stuff.”

Pictured (L-R): Colton McGee (BBR Music Group/BMG), JoJaimie Hahr (BBR Music Group), Sara Knabe (BBR Music Group), Chris Parr (Maverick), Jason Aldean, John Morgan, Jon Loba (BBR Music Group/BMG), Tori MacDonald (Maverick), Clarence Spalding (Maverick), Tully Kennedy, Kurt Allison. Photo: Jessica Crans
In addition to cutting eight of his songs for Macon, Georgia, Aldean has invested in John Morgan by signing him to his new publishing company, as well as his imprint with BBR, Night Train Records. Aldean says fostering young talent has always been a part of his plan.
“I always felt like at some point I would transition into the producer role a little bit. I knew, at some point, there would be some artists that came along that I would want to work with and help this next generation do their thing,” he says. “The publishing side of it was a little bit of a different story. That all happened because of John Morgan and the stuff that I heard him writing. I thought, ‘Man, this guy is so good. Between him, Kurt and Tully, we can build this thing around those guys.”
Now, with his tenth studio album out, a growing music business empire, and 16 years behind him, Aldean is poised to spend the next 16 as a Music Row maverick. His new project, Macon, Georgia, is available everywhere now.
Margo Price Releases Deluxe Version Of ‘That’s How Rumors Get Started’
/by Lorie HollabaughPhoto by Angelina Castillo
Margo Price has released a deluxe edition of her album That’s How Rumors Get Started, adding eight new tracks to the 2020 album.
The expanded collection now features the previously unheard “Goin’ To The Country,” resurrected from the LP’s early sessions led by Price, David Ferguson and producer Sturgill Simpson. Other bonus tracks include 2021 single “Long Live The King,” as well as covers of Linda Ronstadt‘s “You’re No Good,” Lesley Gore‘s “You Don’t Own Me” and Bobbie Gentry‘s “He Made a Woman Out Of Me.” The deluxe project also showcases Price’s own “Hitman,” “Later On” (feat. The Band of Heathens and Nicki Bluhm) and more.
Earlier this spring, Price earned a nomination for the A2IM Humanitarian Award at the 2022 Liberas, honoring her work as the first-ever female artist on the Farm Aid Board of Directors. She also recently debuted a new song written for the latest season of the Netflix series Big Mouth, paid tribute to Tina Turner on her Live From The Other Side EP, and launched her mail-order vinyl record club called A Series of Rumors.
Price will also release her first book, Maybe We’ll Make It: A Memoir, on Oct. 4 from the University of Texas Press. “It’s a love story about loyalty, loss, grief and forgiveness,” says Price. “It’s about finding freedom from substance abuse and addiction and fighting for the freedom to be myself in the music business.”
That’s How Rumors Get Started
Letting Me Down
Twinkle Twinkle
Stone Me
Hey Child
Heartless Mind
What Happened To Our Love?
Gone To Stay
Prisoner Of The Highway
I’d Die For You
Goin’ To The Country
Long Live The King
You Don’t Own Me (Lesley Gore cover)
Hitman
He Made a Woman Out Of Me (Bobbie Gentry cover)
Later On (feat. The Band of Heathens & Nicki Bluhm)
You’re No Good (Linda Ronstadt cover)
Better Than Nothin’
Veteran Radio Promoter, Manager Doc Gonzales Passes Away At 59
/by Lorie HollabaughDoc Gonzales
Artist manager and promotion veteran Doc Gonzales died on Friday, April 15 at his home in Bowling Green, Kentucky. He was 59.
Gonzales owned and operated Triple Crown Management, which signed country trio Flat River Band last month. Past clients included Lonestar, Trick Pony, Steve Holy, Billy Dean, Heartland, Little Texas, Dallas Remington, and Donovan Chapman, among others.
Gonzales formed Triple Crown Promotions with Jim Dorman in 2012. Prior to launching the company, Gonzales also served as Director of Promotion, SE/SW at Nine North Records and spent 16 years at Graham Management Company. He had more than 30 years of experience in the music industry working in promotion, marketing, management and artist branding.
Gonzales also made history by being the first management company to chart its own artist and break them at radio with four No. 1 charting acts.
As the sole living member of his family, a Celebration of Life for Gonzales is set to be organized in the near future for friends and industry to reflect on his accomplishments and his passion for his work.
Jason Aldean Talks Georgia Music, Staying Consistent, & Fostering Young Talent [Interview]
/by LB CantrellJason Aldean. Photo: Brian Higbee
Multi-Platinum country entertainer Jason Aldean has always been a proud Georgia native. He has released songs about the peach state, supports Georgia sports teams, and has always talked openly about the influence his home state has had on his music. That’s why it comes as no surprise that his tenth studio album, out now, is simply called Macon, Georgia—his hometown.
“Macon has a rich music history with the Allman Brothers, Otis Redding, Little Richard, and more being from there,” Aldean tells MusicRow. “But for me, it’s my hometown. It’s where this whole ride started. It’s where I learned to be a musician and play on stage for the first time.
“When I was coming up, there was a lot of people that were coming out of Georgia that almost made it seem like this wasn’t an unreachable goal. Trisha Yearwood, Travis Tritt, and Alan Jackson were coming out of Georgia. I came up playing some of the same bars and towns, and doing some of the same stuff.”
The home state-inspired project is a double album, with the Macon half having released in November of 2021 and the Georgia half out today (April 22.) Both sides find Aldean’s signature southern rock sound on some new songs, and feature live versions of some classics.
The 30-song project releases as Aldean celebrates 16 years in the music business. Since releasing his debut single “Hicktown” in 2005, he has gone on to notch 26 No. 1 hits, garner 15 billion streams, and win numerous awards, including the ACM’s Entertainer of the Year three times. Aldean says if he could go back and talk to the kid moving from Macon, Georgia to Nashville in 1998, he would tell him to hold on tight.
“[I would tell him] this thing is going to be bigger than you ever imagined possible. You’re going to have some ups and downs along the way. Just enjoy it,” he says. “Early on, when things really started to happen, I was so worried about it going away after I worked so hard to get there. In the early days, I don’t think I ever took the time to enjoy it and appreciate what I had accomplished. I don’t think that happened until later in my career.”
Aldean’s non-stop grind paid off, though. His ten albums have solidified him as one of this generation’s top country record-makers. With songs such as “She’s Country,” “Big Green Tractor,” “Tattoos On This Town,” “My Kinda Party,” “Crazy Town,” and many more, Aldean has consistently delivered the music his fans have come to expect: hard-hitting, southern rock-infused country hits.
Like his sound, Aldean’s all-star team and album-making process has also remained pretty consistent over the years. Alongside his long-time producer, Michael Knox, Aldean has celebrated more than 20 million albums sold.
“I cut records now the same way I always did; with the same band and same producer. I’ve had the same crew, basically, this whole time,” he says. “The difference now is just a confidence factor. As an artist, I know a lot more about who I am at this point, what I want to do and the kind of stuff that works for me.”
Of the new tunes on Macon, Georgia, Aldean has made waves with Macon‘s “Small Town Small” and “If I Didn’t Love You,” his hit duet with Carrie Underwood that was crowned the Single of the Year at the 2021 ACM Awards.
Georgia features Aldean’s new single, “Trouble with a Heartbreak,” which has already hit No. 1 on MusicRow‘s radio chart and looks to be heading that way on other charts. Another track on Georgia, “Ain’t Enough Cowboy,” shows off Aldean’s rap influences—a theme ever-present from 2011’s “Dirt Road Anthem.”
“Early on in my career, I knew that I never wanted to get painted into a corner. I knew that I was going to have a lot of rock influence in my music as well as some really traditional stuff. But people my age, we grew up listening to everything. Early on I made it a point to start branching off and doing some different things so that whenever I wanted to do those things later, it wasn’t that far of a stretch.
“Even with ‘Dirt Road,’ it’s got the rap verses, but once the chorus kicks in, that’s country. It’s just finding those certain ones that work. Every once in a while, you get one that comes along.”
A stand-out track on Georgia is “God Made Airplanes,” a heatbreak tune about getting ‘out of Dodge’ after a break up.
“John Morgan wrote that with the Warren brothers [Brad and Brett Warren] and Jessi Alexander. John is a new artist that I actually signed to a publishing deal, a record deal, and I produce his records,” Aldean says. “He wrote a bunch for his record and he co-wrote the song. As soon as they demoed it, I got a text from John, both the Warren brothers, and Jessi. They all texted me the song saying, ‘This has got you all over it.’ I heard it the first time and fell in love with the song.”
Morgan isn’t the only new writer credited on Macon, Georgia. Lydia Vaughan scored her first hit, along with Morgan, on “If I Didn’t Love You,” and new songwriter Lalo Guzman co-wrote “Ain’t Enough Cowboy.”
“Obviously we have our go-to guys that always seem to come through with songs, like Neil Thrasher, Rhett Akins, and some of those guys. Michael Tyler has some stuff on this record,” Aldean says. “John Morgan, Kurt Allison, and Tully Kennedy—who are two of the guys in my band—they were writing a ton for this record. You’ll see a lot of stuff from those three guys on this record more so than you have in the past. They just got really locked in on this album and were writing some cool stuff.”
Pictured (L-R): Colton McGee (BBR Music Group/BMG), JoJaimie Hahr (BBR Music Group), Sara Knabe (BBR Music Group), Chris Parr (Maverick), Jason Aldean, John Morgan, Jon Loba (BBR Music Group/BMG), Tori MacDonald (Maverick), Clarence Spalding (Maverick), Tully Kennedy, Kurt Allison. Photo: Jessica Crans
In addition to cutting eight of his songs for Macon, Georgia, Aldean has invested in John Morgan by signing him to his new publishing company, as well as his imprint with BBR, Night Train Records. Aldean says fostering young talent has always been a part of his plan.
“I always felt like at some point I would transition into the producer role a little bit. I knew, at some point, there would be some artists that came along that I would want to work with and help this next generation do their thing,” he says. “The publishing side of it was a little bit of a different story. That all happened because of John Morgan and the stuff that I heard him writing. I thought, ‘Man, this guy is so good. Between him, Kurt and Tully, we can build this thing around those guys.”
Now, with his tenth studio album out, a growing music business empire, and 16 years behind him, Aldean is poised to spend the next 16 as a Music Row maverick. His new project, Macon, Georgia, is available everywhere now.
Chart Action: Jelly’s On A Roll
/by Alex ParryJelly Roll
Jelly Roll, makes an impact at country radio with his latest single, “Son of a Sinner,” released via Stoney Creek Records/BMG.
He hit the Billboard Country Airplay chart at No. 32 and No. 40 on Mediabase this week and totals 76 first week stations across both charts. The single has already racked up 25 million on-demand streams. Jelly Roll debuted at No. 64 on the MusicRow CountryBreakout chart with 7 new station adds.
“Son of a Sinner,” written by Jelly Roll, Ernest K. Smith and David Ray Stevens, appears on Ballads Of the Broken which was released in 2021. This album followed his most successful song to date, “Save Me,” which is certified Gold, and the video has received more than 65 million YouTube views.
Jelly Roll’s My Opry Debut video from his inaugural performance at the Grand Ole Opry, featuring “Son of a Sinner,” will air Saturday, April 23 at 9:30 p.m. CT on Circle All Access.
For more chart data, view the latest edition of The MusicRow Weekly.
New 1,000-Cap Concert Venue Set To Open Near Nashville In Early 2023
/by Lydia FarthingTimberhawk Hall, a new performance venue located in Madison, Tennessee, is scheduled to open in early 2023.
Timberhawk Hall is led by brothers Fred, Duncan and Patrick Kennedy, and features reclaimed timbers from Montana’s Big Timberworks, custom artwork and installations from Nashville artisans, colored art-glass windows designed by artist Katherine E. Bash of London and produced from Germany’s Mayer of Munich studio, and more. The campus also boasts a green beer garden and adjacent two story green room where artists and their crews can relax before and after performances.
The 1,000-cap concert hall is fit with a world-class sound system, as well as thoughtfully designed artist and crew spaces. Senior talent buyer Santo Pullella will fill Timberhawk Hall’s schedule.
“The most rewarding part of working Timberhawk has been seeing how a project can have the opportunity and the potential to affect the community, and be a part of that community,” Kennedy says. “It’s amazing to see how important that is to the community, and how much they care.”
Nashville’s Mayor John Cooper echoes, “The Timberhawk Hall project provides a first-class venue that will be enjoyed and appreciated across our community, by residents and visitors alike. I’m grateful to all who have been involved in this important neighborhood investment and excited for its official opening.”
“The intention we have at Timberhawk Hall is to create a dynamic playground for established and emerging artists, where the whole community feels welcome and can share in this live creation with the artists,” Pullella shares. “We hope the fans feel inspired by their experience and take that energy home with them.”
MusicRow Job Opening: Graphic Design & Production Manager
/by LB CantrellMusicRow, Nashville’s leading music industry publication, is seeking a Graphic Design & Production Manager. This position is responsible for all aspects of layout and design for both print and online publications, as well as, management of advertisements and other duties listed below. The ideal candidate will have an impressive skill set, strong creative ability and organizational skills, and enjoy working in a fun environment.
Job Requirements:
– Degree/Education in graphic design or related field with demonstrated proficiency in Adobe InDesign and Photoshop
– Creative ability to do editorial layout and design
– Strong organizational skills
– 1-3 years job experience is preferred
– Experience utilizing WordPress is preferred
– Excellent verbal and written communication skills
– Must have strong project management skills, be deadline-driven and enjoy working with a team
Job Duties:
– All aspects of Layout and Design for both print publication and online websites
– Management of all advertisements (both print and online)
– Sending daily news emails, breaking news emails and advertising emails
– Creating weekly charts (radio chart, songwriter chart)
– Carrying out all graphic needs and email design for MusicRow’s sister publication, The Sports Credential
– Miscellaneous other duties (i.e. designing graphics for company use, creating plaques, archiving files, some photography, and more)
Send resume (with salary requirement) and online portfolio to jobs@musicrow.com
Candidates must be eligible to work in the U.S. for any employer. We are an Equal Opportunity Employer.
The National IPR Center & RIAA Sign New Agreement To Combat Digital Piracy
/by Lydia FarthingMembers from IPR Center and RIAA sign new memorandum of understanding. Photo: Courtesy of RIAA
The National Intellectual Property Rights Coordination Center (IPR Center) and the Recording Industry Association of America (RIAA) have made a long-term agreement to expand and formalize their partnership on digital anti-piracy efforts. Under the agreement, RIAA and the IPR Center will coordinate public and private sector efforts to disrupt and combat all forms of digital piracy.
Through this expanded partnership, the IPR Center and RIAA will implement a multi-layered strategy to strengthen the digital ecosystem, conduct joint training events, educate consumers on the dangers of illegal streaming, enforce the nation’s intellectual property rights laws, and dismantle large-scale online criminal enterprises. The agreement will also develop comprehensive lead referral packages on the most egregious violators for criminal investigation.
“Investigations into illicit streaming services are extremely complex; these services are typically operated from abroad through multi-faceted schemes that touch numerous countries,” acting director of the IPR Center, Ricardo Mayoral shares. “Because of this complexity, our partnership with RIAA brings us one step closer toward dismantling criminal enterprises that think they are above the law, attempting to use the internet to hide illicit activity.”
Brad Buckles, RIAA’s Chief Content Protection Officer adds: “Digital piracy is too big a problem for any one artist, industry, or agency to handle on their own. The expanded partnership we have signed today helps solve that problem—strengthening cooperation and coordination between law enforcement and the private sector to protect digital music and the broader creative economy. As global piracy operations evolve their tactics and innovate new ways to steal and profit from creative works, this [memorandum of understanding] will empower creators and the federal government to work together on the cutting edge of this fast-moving fight.”
To date, the IPR Center, in conjunction with Homeland Security Investigations and the FBI, has leveraged vast authorities and international law enforcement partnerships to intercept and dismantle criminal organization’s cyber piracy networks and arrest those responsible.
Brett Eldredge Gets Nostalgic On New Single From Upcoming Album ‘Songs About You’
/by Lorie HollabaughBrett Eldredge
Brett Eldredge is set to release his new album, Songs About You, on June 17. The title track, available now, was written by Eldredge alongside Jessie Jo Dillon and Ben West and will impact radio on April 25.
The new single finds Eldredge name checking lines from classics, such as Bruce Springsteen’s “Dancing In The Dark,” Bonnie Raitt’s “I Can’t Make You Love Me” and Van Morrison’s “Brown Eyed Girl,” as he works through the emotions of an old flame, brought back to him by the music.
Songs About You features 12 songs co-written by Eldredge, including the previously-released “Want That Back” and “Holy Water.”
“I knew exactly what I wanted to say and what I wanted the album to sound like,” explains Eldredge. “I wanted the album to be songs that connect us all in the human experience. These are emotions that are reflective of each of us. There are songs of solitude, joy and heartbreak, and I like that tension. Songs About You is about the songs that instantly recall your own experiences. The songs that can make you remember exactly how you felt, or the sights around you or the smells in the air. The songs that make you remember all the happiness and the heartbreak.”
Songs About You follows Eldredge’s acclaimed fourth studio record, Sunday Drive. The decorated entertainer has racked up seven No. 1s, nine Gold and Platinum singles, and two Gold albums throughout the course of his career.
Maren Morris Drives To No. 1 On MusicRow Chart
/by Alex ParryMaren Morris climbs to the helm of the MusicRow CountryBreakout Radio Chart with “Circles Around This Town,” the lead track to her latest album, Humble Quest. The track broke Amazon Music’s record for most streams for a country song debut by a female artist.
Morris wrote the single with her husband, Ryan Hurd, along with Julia Michaels and Jimmy Robbins. She also launched a weekly radio series, Humble Quest Radio, airing on Apple Music’s global live-streaming radio stations Apple Music 1 and Apple Music Country.
Her headlining tour will kick off in June and she will be joined by a variety of friends as direct support, including Brent Cobb, Ruston Kelly, Joy Oladokun, Natalie Hemby, The Lone Bellow, and Brittney Spencer.
Click here to view the latest edition of The MusicRow Weekly containing the MusicRow CountryBreakout Radio Chart.
Luke Combs Unveils Details On Upcoming New Project ‘Growin’ Up’
/by Lorie HollabaughLuke Combs. Photo: Jeremy Cowart
Luke Combs has revealed some details about his anticipated new album, Growin’ Up, due out June 24 via River House Artists/Columbia Nashville/Sony Music Nashville. In advance of the project, his new song “Tomorrow Me,” written by Combs, Dean Dillon and Ray Fulcher, is available everywhere now.
A personal reflection on his life and career, “Doin’ This” continues a triumphant run at radio for Combs, whose previous single, “Cold As You,” reached No. 1 on the Billboard Country Airplay and Mediabase/Country Aircheck charts. The single marked the seventh No. 1 from Combs’ deluxe album, What You See Ain’t Always What You Get—breaking the record for most No. 1 singles to come from the same album—as well as his twelfth-consecutive No. 1 overall, another historic feat.
“I’ve been working on this album on and off for two and a half years now,” Combs explains. “It was sort of a crazy process through what COVID brought, and what that meant for our touring life last year. It made me have to put a pause on this album for a second, but I’m just really stoked that it’s finally coming out. Working with Chip Matthews and Jonathan Singleton as a producer has been really great and I think that the fans are going to love these songs. I’m just excited to get them out and see what they think.”
Combs continues to dominate the touring world with upcoming sold-out stadium shows at Denver’s Empower Field at Mile High and Atlanta’s Mercedes-Benz Stadium, as well as a stop at Seattle’s Lumen Field. Altogether, Combs sold over 115,000 tickets in one day alone.