The MLC, Easy Song Licensing To Present Free Webinar On Cover Song Licensing

The Mechanical Licensing Collective (The MLC) and Easy Song Licensing are joining forces to present a free webinar, “Cover Song Licensing in the MMA Era,” on Tuesday, July 12 at 2 p.m. CT.

The MLC’s Head of Third-Party Partnerships, Dae Bogan, will be joined by Easy Song’s Aaron Green and his team for an in-depth discussion and Q&A that explores the landscape of cover song licensing since passage of the Music Modernization Act of 2018 (MMA).

During the 60-minute webinar, participants who want to record and perform cover songs to raise their artistic profile and build a fanbase will learn important details, including what constitutes a cover song, the potential streams of income that are available, and how to register a cover song correctly to ensure that they properly recognize rights holders and creators for their original works.

For additional details and to register, click here.

Walker Hayes, Lindsay Ell, More Help ACM Lifting Lives Music Camp Celebrate Its 13th Year

ACM Music Campers with Filmore at the Grand Ole Opry. Photo: Courtesy of ACM

ACM Lifting Lives hosted its 13th Annual Music Camp with Vanderbilt Kennedy Center from June 13-17, with 23 campers participating from all over the U.S. and Canada.

The week-long residential program is for individuals with Williams syndrome who are passionate about music. Campers participated in a week of in-person activities for the first time since 2019, starting with the writing of an original song, and culminating with performing the song on the Grand Ole Opry.

Walker Hayes attends a songwriting session with ACM Lifting Lives Music Campers. Photo: Terry Wyatt/Getty Images for ACM Lifting Lives

Stars who joined the campers throughout the week include singer/vocal coach Jason Catron, Lindsay Ell, Hannah Ellis, Filmore, Walker Hayes, singer-songwriter Josh Jenkins, Restless Road, Rod + Rose, Runaway June, Dylan Schneider, and musician/guitar teacher Marty Schwartz.

This year, campers started the week by co-writing a song called “Reunion” with Ross Copperman, Walker Hayes, and Josh Jenkins to mark the occasion of seeing each other in person for the first time since before COVID. After the campers rehearsed the song with the help of Hannah Ellis and had their vocal cords warmed up by Jason Catron, they recorded the song with Runaway June, and performed the song on the Friday night Opry with Filmore.

ACM Lifting Lives Music Campers visit the Bluebird Cafe on June 14, 2022. Photo: Terry Wyatt/Getty Images for ACM Lifting Lives

Throughout the week, campers were able to explore parts of Nashville and get an inside look at the music industry. They helped celebrate the Bluebird Cafe’s 40th birthday, gathering at the venue, and with the help of Lindsay Ell singing happy birthday to the venue. Ell then answered questions from the campers and performed songs for them from the Bluebird stage.

Other highlights include media training with Restless Road and Dylan Schneider with the help of Seacrest Studios at The Listening Room, karaoke with Rod + Rose at Winners Bar and Grill, and a behind-the-scenes look at how Gibson guitars are made at the Gibson Garage with a guitar lesson from Marty Schwartz.

“To have all of our campers back in the same room celebrating their love for music and each other was an inspiring experience,” shares Lyndsay Cruz, ACM Lifting Lives Executive Director. “The song they wrote, recorded, and performed called ‘Reunion’ perfectly captured the feeling of this year’s camp. Their positive energy and excitement of being together again rubbed off on all of the special guests that joined Music Camp. We are so thankful to each artist and the country music community who helped make this camp so special after a two year in-person hiatus.”

Zach Beeken, Garrett Nichols and Colton Pack of Restless Road and Dylan Schneider perform and answer questions from ACM Lifting Lives Music Campers at The Listening Room. Photo: Terry Wyatt/Getty Images for ACM Lifting Lives

Southerland Expands Team, Signs With Vere Music/ADA & Reliant Talent

Pictured (L-R, front row): Vere Music’s Paige Heinemann and Alyssa Logan, River House Artist’s Alicia Jones, Southerland’s Matt Chase and Chris Rogers, Reservoir’s John Ozier and Beth St. Jean; (L-R, back row): Reliant Talent’s Seth Meganck and Matt McGuire, Vere Music’s Rusty Harmon, River House Artist’s Zebb Luster, Reservoir’s Greg Gallo and King Business and Financial Management’s Chris King. Photo: Allison Heffernan

Country duo Southerland has expanded their team, signing with new label Vere Music/ADA and with Reliant Talent for booking. The duo is slated to release a new song, “Down The Road” on July 22, which follows their 2021 debut EP Boot Up.

Charleston, South Carolina native Matt Chase and Washington, Georgia’s Chris Rogers met through mutual friends and played college towns and dive bars together for three years before morphing into the duo now known as Southerland.

The two made their CMA Fest debut earlier this month, and have previously shared the stage with Michael Ray, Mitchell Tenpenny, Jon Langston, Drew Parker, Parmalee and Ray Fulcher, among others.

“The village that is Southerland includes long-time friends and associates. Chris and Matt embody the talent, attitude, grit, and knowledge needed to succeed in today’s music industry,” says Vere Music’s Rusty Harmon. “Everyone at Vere is honored to be working on the Southerland team.”

“We’re really excited to work with the Vere and Reliant teams! We felt that they understood us, our music and where we wanted to go,” shares Southerland. “They integrate perfectly with our current teams at River House Artists and Reservoir and are the perfect addition to the Southerland family. We’re very thankful to have these two companies in our corner and cannot wait to share our new music with the world.”

Warner Music Nashville Ups Clark Mims Tedesco, Jamie Younger To Vice Presidents

Clark Mims Tedesco, Jamie Younger

Warner Music Nashville has announced the promotions of Clark Mims Tedesco and Jamie Younger, who rise from Sr. Directors to Vice Presidents, Artist Development. Both will continue reporting to EVP Artist Development, Shane Tarleton.

After beginning her career in the entertainment industry in New York City, Tedesco joined WMN in 2013, beginning as an executive assistant. “I’m so proud of the relationships I’ve built with our teams, artists and managers in my nine years with Warner,” she shares. “We work with such a diverse roster of immensely talented artists, and it is my true honor to help them tell their stories every day.”

“Watching Clark flourish in the artist development department brings me such joy,” Tarleton says. “She has proven time and time again that success is the sum of details.”

Younger joined WMN nearly a decade ago after career stops at Thirty Tigers and American Songwriter. She transitioned from content management to artist development in 2017. “With a roster of artists that span the country spectrum, every day at Warner Music Nashville provides new challenges and opportunities that continue to feed my passion for helping our artists find their audiences,” she says. “The team that Shane, Ben [Kline] and Cris [Lacy] have built together continues to be a source of pride and inspiration. It is a large part of the reason that I’m so excited to continue my journey with WMN.”

Adds Tarleton, “Jamie has the ability to marry creative concepts with strategy and execution. It’s thrilling to watch her continue to grow here at Warner.”

Chris Burrus Elevated To Music Touring Agent At CAA

Chris Burrus

Creative Artists Agency (CAA) has promoted a handful of its staff from the CAA Elevate program, including new Nashville-based agent Chris Burrus.

CAA Elevate is the agency’s next-generation training and practical development curriculum. Building upon the agency’s Training Program, CAA Elevate was designed to cultivate best practices, encourage innovation, foster global strategic-thinking, and nurture the talents of CAA’s agents and executives in training.

Burrus was promoted to Agent in the Music Touring department and represents Nate Smith, Tyler Booth, Erin Kinsey, and After Midtown. He is also on the teams that support Jake Owen, Matt Koziol, and Brandon Ratcliff.

Burrus joined CAA upon graduating from the University of North Carolina at Chapel Hill. He joined CAA in 2018 as an assistant to Sabrina Butera, and supported Marc Dennis, Meredith Jones, and Emily Van Allsburg in the Music Touring department before being promoted to Music Touring Coordinator in 2021.

Previously, Burrus held internships at such companies as Ole Publishing, Capitol Christian Music Group, and Yep Roc Music Group.

Inder Gill, Sophie Kavanagh, Zakaria Laaboudi, Arlen Papazian, and Kara Petit have also been promoted from CAA Elevate, and are located in some of the agency’s offices across the world.

DISClaimer Single Reviews: Luke Combs Tries His Hand At R&B With ‘The Kind Of Love We Make’

Some days everything is perfectly obvious.

With a new tune by Luke Combs in the mix, is there any question in anyone’s mind about who has the Disc of the Day?

Everyone else is trying their best. Breland, Drew Parker, Lady A and Kameron Marlowe, in particular, step up to the plate with solid hit potential. So there’s a lot to lend your ears to.

Pay special attention to Nashville singer-songwriter Kyshona. The Americana-leaning stylist wins this week’s DISCovery Award.

KAMERON MARLOWE / “Girl on Fire”
Writers: Kameron Marlowe/Jason Gantt/Josh Osborne; Producer: Dann Huff; Label: Columbia
–He’s a for-sure singer, full of expressive, throaty dips, raspy touches, soaring notes and hidden power. What’s just as cool is how creative the songwriting is. Heartbreak set in a heated fever dream.

LADY A / “Summer State of Mind”
Writers: Dave Haywood/Hillary Scott/Laura Veltz/Sam Ellis; Producer: Sam Ellis; Label: BMLG
–As you might expect from the title, this is breezy and sunny. Hand me that cocktail.

KYSHONA / “Rise the Tide”
Writers: Kyshona/Shannon LaBrie; Producer: Kyshona; Label: Kyshona
–The stripped-down, acoustic, folkie production is ear catching, as are the layered female vocal harmonies. The bluesy melody, swampy rhythms, power-to-the-people lyric and ethereal mood are all haunting. Catch this rising Nashville artist at Musicians Corner in Centennial Park tomorrow (June 24) at 7:15 p.m. CT.

DAVID NAIL / “Sunset Carousel”
Writers: Grant Vogel/Robyn Collins/David Nail; Producer: Grant Vogel; Label: DN
–I have always thought this guy had something special. His return to disc is a summer romance with a nostalgic tinge. He still sings splendidly and the track is right in the pocket for beach listening.

SAM HUNT / “Water Under the Bridge”
Writers: Sam Hunt/Chris LaCorte/Shane McAnally/Josh Osborne; Producers: Sam Hunt/Chris LaCorte/Shane McAnally; Label: MCA
–He pretty much speaks the verses, then sings the chorus with moxie. And then he sings it again. And again. And again.

LUKE COMBS / “The Kind of Love We Make”
Writers: Luke Combs/Dan Isbell/Reid Isbell/Jamie Davis; Producers: Luke Combs/Chip Matthews/Jonathan Singleton; Label: River House/Columbia
–Combs takes a turn toward R&B on this sexy, romantic outing. The backbeat is a delight, the blues notes are sensuous and his vocal is totally commanding. Turn it up.

RICHIE FURAY / “Somebody Like You”
Writers: John Shanks/Keith Urban; Producers: Val Garay/Nic tenBroek; Label: 96K Productions/BMG
–As a member of Buffalo Springfield and Poco, this Rock & Roll Hall of Fame member assuredly knows his way around the country-rock campus. His new In the Country album mostly consists of covers of familiar country hits (”I Hope You Dance,” “Your Love Amazes Me,” “Take Me Home Country Roads,” “I’m Already There,” etc.). This version of Keith Urban’s iconic 2002 chart topper rolls with creamy harmonies and relentless rhythm. Impressive.

ZACH BRYAN / “Something in the Orange”
Writer: Zachary Lane Bryan; Producer: Ryan Hadlock; Label: Warner
–The generic folk melody is instantly forgettable. But the passion in the heartbroken performance is totally memorable. I especially like the searing harmonica passages.

DREW PARKER / “Little Miss Saturday Night”
Writers: Matt Jenkins/Josh Osborne/Andrew DeRoberts; Producers: Phil O’Donnell/Scott Hendricks; Label: Warner
–This is a blast. With tempo to spare, Parker tries all his best pickup lines while the track kicks up dust behind him. The rapid-fire delivery, joyous attitude and rump-shaking rhythms all work splendidly. Everybody dance!

BRELAND / “Natural”
Writers: Sean Small/Cameron Bartolini/Daniel Breland/Robert Lange/Sam Sumser/Shania Twain; Producers: Sam Sumser/Sean Small; Label: Bad Realm/Atlantic
–Bopping and charming. As it rocks along, it interpolates Shania Twain’s groove and quotes from other country titles. Clever, catchy and zippy.

Opry to Host Six-Show Residency Of Tom Douglas’ ‘Love, Tom’

The Grand Ole Opry is hosting Oscar, Grammy and Golden Globe-nominated songwriter Tom Douglas for a six-show residency of his one-man show Love, Tom, which inspired the acclaimed motion picture streaming on Paramount+, throughout July and August.

Douglas will share stories of some of his famed songs in Love, Tom, which will mark the first ticketed show/residency in the 80-seat Circle Room at the Grand Ole Opry House.

Among Douglas’ hits are Lady A’s “I Run to You,” Miranda Lambert’s “The House That Built Me,” and Tim McGraw’s “My Little Girl.” He has also had songs recorded by Opry members Garth Brooks, Chris Janson, Martina McBride, Reba McEntire, Blake Shelton, Carrie Underwood, and Keith Urban, among others.

Love, Tom kicks off July 14 at 7 p.m. and runs on July 21, 25, 28, Aug. 3, and Aug. 10. Tickets go on sale tomorrow, Friday, June 24 at 10 a.m at opry.com.

The show is being presented as part of the Opry’s “Opry Loves the 90s” celebration, as Douglas’ hit-making career began with his 1994’s Collin Raye hit “Little Rock,” a 1994 CMA Song of the Year nominee.

Jake Owen Signs With CAA

Jake Owen. Photo: Matt Paskert

Jake Owen has signed with CAA for representation.

Throughout his career, Owen has racked up nine No. 1 singles, six top-charting albums, and numerous multi-Platinum hits, including the smash “Barefoot Blue Jean Night.”

His latest album Greetings From…Jake on Big Loud Records has yielded three No. 1s: “Made For You,” “Homemade,” and “I Was Jack (You Were Diane),” and also included the top-five smash “Down to the Honkytonk.”

The project followed his popular album American Love, which debuted at No. 1 on Billboard’s Top Country Albums chart. Owen’s current single, “Best Thing Since Backroads,” is in the Top 15 on the charts and climbing now.

Owen is managed by Jon Andolina and Keith Gale at Good Company Entertainment, his attorney is Jess Rosen from Greenberg Traurig, LLP, and his business manager is Jackie Warrick from Platinum Business Management.

CMHOF Spotlights LA Country-Rock Movement In New Exhibit

The Country Music Hall of Fame and Museum has announced its next major exhibit, “Western Edge: The Roots and Reverberations of Los Angeles Country-Rock,” with two separate events at the Troubadour in Los Angeles and the museum’s Ford Theater in Nashville.

Artifacts seen from the Country Music Hall of Fame and Museum’s announcement of the major new exhibition “Western Edge: The Roots and Reverberations of Los Angeles Country-Rock” at The Country Music Hall of Fame and Museum on June 22, 2022. Photo: Brett Carlsen/Getty Images for Country Music Hall of Fame and Museum

Housed in the museum’s newly transformed 5,000-square-foot gallery, the exhibit will open Sept. 30 for a nearly three-year run. “Western Edge” will examine the close-knit communities of Los Angeles-based singers, songwriters and musicians who, from the 1960s-1980s, embraced country music and created and shaped the musical fusion known as “country-rock.”

Also highlighted in the exhibit is the historical significance of the Troubadour in West Hollywood, which provided a space for creators to collaborate ­with a healthy dose of competition.

The exhibit will survey the rise of the Byrds, Buffalo Springfield, the Flying Burrito Brothers, Poco, Eagles, Emmylou Harris, Nitty Gritty Dirt Band, Linda Ronstadt and many others who found commercial success by merging rock & roll rhythms with country and bluegrass instrumentation and harmonies.

Pictured (L-R): Matraca Berg, Jeff Hanna and Emmylou Harris. Photo: Brett Carlsen/Getty Images for Country Music Hall of Fame and Museum

The new exhibit announcement was accompanied by special performances from several artists central to the exhibit’s narrative, including Dwight Yoakam and country-rock luminary Chris Hillman performing “Sin City” and “Time Between” together at the Troubadour in Los Angeles; and Country Music Hall of Fame member Emmylou Harris singing “The Road,” in tribute to fellow country-rock pioneer Gram Parsons at the museum’s Ford Theater in Nashville. Harris also joined Jeff Hanna (Nitty Gritty Dirt Band) and songwriter Matraca Berg for a performance of “Mr. Bojangles” in the museum’s theater.

“A new hybrid sound grew from humble beginnings in a few small LA nightclubs and quickly emerged as one of the most popular musical styles across the world,” explains Kyle Young, CEO, Country Music Hall of Fame and Museum. “Inspired by the likes of Bob Dylan and the Beatles, these artists and musicians also found community in their appreciation of traditional country, folk and bluegrass music. They built on this foundation, crafting songs of uncommon lyrical depth and layered musical richness –adding new textures to rock sounds that resulted in a completely original form of American music.”

The exhibit’s opening weekend will include a pair of one-of-a-kind concerts in the museum’s CMA Theater, made possible in part by exhibit travel partner American Airlines:

  • Western Edge: Los Angeles Country-Rock in Concert – Friday, Sept. 30, at 7 p.m.
    • An all-star lineup of musical luminaries associated with country-rock will perform, along with torchbearers who have been influenced by the sounds and artists from the Los Angeles music scene. Performers include Dave Alvin (the Blasters, the Knitters), Alison Brown (in tribute to California bluegrass), Rodney Dillard (the Dillards), Rosie Flores, Richie Furay (Buffalo Springfield, Poco), Jeff Hanna (Nitty Gritty Dirt Band), Chris Hillman (the Byrds, Flying Burrito Brothers, Desert Rose Band), Bernie Leadon (Hearts & Flowers, Flying Burrito Brothers, the Eagles), John McEuen (Nitty Gritty Dirt Band), Wendy Moten (in tribute to Linda Ronstadt) and Herb Pedersen (Desert Rose Band and instrumentalist for Linda Ronstadt, Gram Parsons and many more). The house band will be led by Grammy-winning multi-instrumentalist John Jorgenson and includes JayDee Maness (steel guitar), Steve Duncan (drums) and Mark Fain (bass). More performers to be added.
  • Desert Rose Band – Sunday, Oct. 2, at 7 p.m.
    • For the first time in more than a decade, the Desert Rose Band will reunite for a special concert. In 1986, former member of the Byrds and Flying Burrito Brothers Chris Hillman founded the band with Herb Pedersen and John Jorgensen. The original lineup included Bill Bryson (bass guitar), JayDee Maness (pedal steel guitar) and Steve Duncan (drums). Original members of the band will take the stage for the highly anticipated event, with acclaimed Nashville bassist Mark Fain replacing the late Bill Bryson.

Memorial Set For Flora-Bama Legend Joe Gilchrist

Joe Gilchrist

The iconic Flora-Bama nightclub on the Gulf Coast will host a Celebration of Life on Sunday (June 26) to honor the legacy of its longtime owner, Joe Gilchrist.

The venue’s godfather passed away on May 25 at age 80. The Flora-Bama has long been a mecca for the Nashville songwriting community. Gilchrist founded the annual Frank Brown International Songwriting Festival at the venue, and it has endured for nearly 40 years.

Gilchrist and the Flora-Bama were the subjects of the documentary film Stories in Rhyme: The Songwriters of the Flora-Bama Lounge. The movie had its premiere at BMI on Music Row in 2019.

“There didn’t seem to be any separation between how Joe ran his business and how he lived his life,” says Mullet Wrapper newspaper editor Fran Thompson. “He was always about community service and being fair to everybody….What made Joe different from the beginning was not his willingness to lose money by paying musicians on slow nights. He was different because he encouraged them to play their own songs.”

Adds Stories in Rhyme director Lynn Raybren, “Joe built a legacy and culture around treating others with kindness and respect….His love of songwriters and music would earn him the title ‘Patron Saint of Songwriters.’”

Regulars at the Flora-Bama have included Jimmy Buffett, John Prine, Dean Dillon, Jimmy Hall, Gove, Larry Jon Wilson, Alan Rhody, Red Lane, Hank Cochran, Gatemouth Brown, Wet Willie and Billy Joe Shaver. Gilchrist often ended the evening by buying a last-call round of drinks for the house.

Kenny Chesney staged his Flora-Bama Jama national TV special there in 2014. It attracted more than 40,000 fans to the venue’s beach.

Joe Gilchrist bought the Flora-Bama from his childhood friends Bubba and Connie Tampary in 1978. Officially named The Flora-Bama Lounge & Package, it is located on the stretch of beach on the Gulf border between Alabama and Florida.

In the early days, he borrowed money to get his employees through the winter. The club’s Friday-afternoon Happy Hour crowd grew when Gilchrist made it a popular place for construction crews to cash payroll checks. He also ran shuttles for sailors to and from the area’s nearby Naval stations.

Ken Lambert became the Flora-Bama’s first musician. Darrell Roberts, Jimmy Lewis, Rock Killough and others soon followed. Killough invited his Music Row songwriting buddies to the club.

This led to the founding of the Frank Brown International Songwriting Festival in 1984. Gilchrist named it after his club’s doorman. A who’s-who of Nashville songwriting has performed there. Tanya Tucker, Jim McBride, Nitty Gritty Dirt Band members, John Rich, Midland and other contemporary figures have appeared in recent years.

Gilchrist and the Flora-Bama have long been noted for community involvement, hosting everything from weekly religious services to military-appreciation galas. Proceeds from the festival go to local music education.

Today, the Flora-Bama is surrounded by high-rise condominiums, but much like The Station Inn in Nashville, it continues to be an island of rootsy authenticity. The club is still noted for hundreds of bras hanging from the ceiling of one room, its tent for Sunday-morning services and its annual “Mullet Toss” on its beach. Gilchrist served on the board of the Perdido Key Chamber of Commerce for more than a decade.

The Joe Gilchrist Celebration of Life will take place on Sunday at the Flora-Bama tent stage from 2-6 p.m. The event will continue with music in the main room from 6-10 p.m. and with a full day of music in the main room on Monday, 2-10 p.m. As always at the legendary, laid-back Flora-Bama, the vibe will be informal.

Andy Haynes, the director of the Frank Brown International Songwriters Festival, reports that he is pursuing some kind of recognition in Nashville for the widely loved entrepreneur.