MusicRow Magazine will highlight several of the music industry’s top female executives and contributors during the 2018 Rising Women On The Row breakfast, slated for Tuesday, March 27 at Omni Hotel Nashville.
The event, now in its seventh year, will feature a four-speaker panel, including Tracy Gershon (Co-founder of Change The Conversation, Manager, Consultant), Mary Hilliard Harrington (Manager, Red Light Management), Rose Palermo (Attorney), and Ann Powers (NPR Music Critic and Correspondent). Special performer Abby Anderson will deliver a two-song performance.
The panel will be moderated by MusicRow Magazine owner/publisher Sherod Robertson. Sponsors for the 2018 Rising Women On The Row event include City National Bank, Loeb & Loeb LLP, and Tri Star Sports and Entertainment Group.
“I’m thrilled to announce this year’s event will feature a panel discussion from four accomplished stalwarts in the entertainment industry,” says Robertson. “Tracy Gershon, Mary Hilliard Harrington, Rose Palermo, and Ann Powers are tremendous experts in their fields and well known for their outstanding strength, success and fearlessness. I have no doubt their conversation will be both insightful and empowering as we honor the women in our industry.”
The previously-announced Rising Women On The Row honorees for 2018 include Faithe Dillman (Founder/CEO, Marbaloo), Leslie DiPiero (General Manager, Tree Vibez Music), Becky Gardenhire (Partner, WME), Lynn Oliver-Cline (President/Founder, River House Artists), Annie Ortmeier (VP, Marketing-Digital Accounts, UMG Nashville), and Janet Weir (President/42 Entertainment; Manager, Red Light Management).
Read more about this year’s panelists below:
Tracy Gershon (Manager, Consultant, Co-founder of Change The Conversation):

Tracy Gershon
Gershon has discovered and developed a wide range of talent during her multi-faceted career as an A&R executive, music publishing VP and artist manager, including Miranda Lambert, Kacey Musgraves and The Mavericks. In association with Red Light Management, she represents singer Natalie Stovall and serves as an independent publishing and A&R consultant. In 2014 she co-founded “Change The Conversation,” a coalition addressing music industry gender bias. Gershon has received numerous awards, including the Nashville Business Journal’s “Woman in Music City” award and Nashville Lifestyles Magazine’s Top 10 “Women In Business.” She is currently a Trustee at the Recording Academy.
Mary Hilliard Harrington (Manager, Red Light Management):

Mary Hilliard Harrington
Harrington is a leader in Red Light Management’s Nashville office where she is also personal manager for Dierks Bentley, Tucker Beathard, LANCO, Aubrie Sellers, and Caylee Hammack. Additionally, the publicity firm she started in 2006, The GreenRoom, represents Jason Aldean, Tucker Beathard, Dierks Bentley, Lady Antebellum, Rascal Flatts, Kip Moore, Thomas Rhett, Bobby Bones, Bailey Bryan, Brett Young, and Live Nation’s country music festivals including: Country Lakeshake, Faster Horses, Watershed, Tortuga, and Rt. 91 Harvest Festival. Harrington is a three-time CMA Publicist of the Year and was honored as one of MusicRow‘s inaugural Rising Women on the Row.
Rose Palermo (Attorney):

Rose Palermo
Palermo earned her Doctor of Jurisprudence degree in 1968 from Vanderbilt University School of Law. In 1973, she entered into private practice on Music Row with her partner and husband, Denty Cheatham, where they have continued to practice for 45 years. Before being widely known for her work on domestic relations cases, Palermo represented many iconic country music entertainers and high profile executives in their business affairs. Those clients have included such notables as Mel Tillis, his wife Judy Tillis, Conway Twitty (and later, the Conway Twitty estate), Rodney Crowell, Jerry Reed, Billy Joe Shaver, Lucinda Williams and many others including her personal friend, Brenda Lee. Palermo has also been featured on a 60 Minutes segment dedicated to fraudulent activities in the music industry.
Ann Powers (Critic and Correspondent, NPR Music):

Ann Powers
Powers is one of the nation’s most notable music critics. Powers was formerly the chief pop critic at the Los Angeles Times and a critic for the New York Times, among other publications. Her writing extends beyond blogs, magazines and newspapers. She has published three books and edited two anthologies, including (with Evelyn McDonnell) Rock She Wrote: Women Write About Rock, Pop and Rap. Her latest book, Good Booty: Sex and Love, Black and White, Body and Soul in American Music, was published in August 2017 and was called a “classic” by USA Today.
Jedd Hughes Renews Publishing Deal With Carnival Music
/by Jessica NicholsonJedd Hughes
Carnival Music has extended its publishing deal with Jedd Hughes. The respected songwriter, singer, producer, and multi-instrumentalist first joined the Carnival roster in 2007, and returns to Nashville after a brief stint in Los Angeles.
A collaborator of legends and elder statesmen including Vince Gill, Emmylou Harris, Rodney Crowell, Patty Loveless, and the late Guy Clark, as well as young bloods such as Dierks Bentley, Sarah Jarosz, and Ryan Bingham, Hughes is a bridge between giants of various generations and musical persuasions. In addition to co-writing Jarosz’s “House of Mercy,” which earned the 2017 Grammy for Best Americana Roots Performance, Hughes has penned and co-penned hits including Keith Urban’s “Put You in a Song,” as well as tracks for Tim McGraw, Little Big Town, Charles Kelley, Josh Gracin, and more.
“Jedd’s talent is unmatched,” says Carnival Music’s Courtney Gregg. “Plenty of people know he’s a virtuosic musician and skilled songwriter, but what’s most impressive about Jedd is his restlessness. He is constantly growing. He’s the kind of artist Carnival was created to serve.”
“I have always been drawn to those living in the land of fearless creativity,” Hughes says. “I am at home and musically at peace at Carnival Music.”
Alabama Announces The Hits Tour 2018
/by Jessica NicholsonCountry group Alabama announced the first of leg of The Hits Tour 2018, launching March 23 in Grand Prairie, Texas.
The band will showcase their collection of 43 No. 1 singles spanning 21 Gold, Platinum, and multi-Platinum albums and a musical tradition and legacy that continues.
“This year’s tour is for the lifelong fans, and also the younger generations just now discovering the music,” Randy Owen notes.
Tony Conway continues, “The band is having fun, selling tickets, and sounding unbelievable vocally. This tour is about the music of the past 49 years the band’s 43 No. 1 singles. Alabama is still and will always be the greatest country band in American History.”
THE HITS TOUR 2018 TOUR DATES:
Friday, March 23 @ Verizon Theatre – Grand Prairie, TX
Saturday, March 24 @ Majestic Theatre – San Antonio, TX
Friday, April 13 @ Fox Theatre – Atlanta, GA
Saturday, April 14 @ Fox Theatre – Atlanta, GA
Sunday, April 15 @ Fox Theatre – Atlanta, GA
Friday, May 11 @ Bank of Kentucky Center – Highland Heights, KY
Saturday, May 12 @ Grossinger Motors Arena – Bloomington, IL
Saturday, May 19 @ Wild Adventures Theme Park – Valdosta, GA
Sunday, May 20 @ Portsmouth Pavilion – Portsmouth, PA
Saturday, May 26 @ Lake Ozarks Amphiteater – Camdenton, MO
Sunday, May 27 @ Tree Town Country Music Festival – Forest City, IA
Friday, June 22 @ Country Stampede – Manhattan, KS
Saturday, June 23 @ Wild West Arena – North Platte, NE
Sunday, June 24 @ Divots Center – Norfolk, NE
Thursday, July 19 @ Country Jam USA – Eau Claire, WI
Saturday, July 28 @ Mountainfest – Morgantown, WV
Wednesday, August 1@ Bell MTS Place – Winnipeg, MB
Thursday, August 2 @ Sasktel Centre – Saskatoon, Saskatchewan CA
Saturday, August 4 @ Big Valley Jamboree – Camrose, Alberta CA
Sunday, August 5 @ Encana Events Centre – Dawson Creek, British Columbia CA
Thursday, August 16 @ Bi-Mart Willamette Country Music Festival – Brownsville, OR
Saturday, September 8 @ The Brandon Amphitheatre – Brandon, MS
Keith Urban To Make SXSW Performance
/by Jessica NicholsonKeith Urban is headed to SXSW on March 16 for a featured speaking engagement and performance, to be presented by Bumble, the female-first social networking app with over 27 million global users.
“Creation and Connection: A Conversation with Keith Urban,” will be held at the Austin Convention Center at 12:30 p.m. and will see Urban speak about his career, creative process and how he stays connected in an isolating age. Later that night, Urban will then take to the stage with a performance at Stubb’s BBQ outdoor stage (Waller Creek Amphitheater).
Openers for the show, which begins at 8 p.m., include Devon Gilfillian, Lauren Ruth Ward, and Larkin Poe.
Bumble’s Head of Brand, Alex Williamson, cited the impact of Urban’s song “Female,” and the importance of sharing its message.
“‘Female’ is a celebration of the power and the importance of women,” Williamson said. “We believe strongly in the song’s message as it aligns with our company’s mission of empowering women to make the first move in creating impactful relationships in every aspect of their lives.”
Music and Platinum badge holders receive primary access to official music showcases. SXSW Film and Interactive badge holders, along with Music Festival wristband holders and Showcasing Artist wristband holders have secondary access. All admissions subject to capacity.
Urban’s upcoming studio album, GRAFFITI U, is slated to come out prior to his “Graffiti U World Tour 2018,” which will kick off in St. Louis on June 15.
Meghan Trainor To Join ASCAP’s ‘I Create Music’ EXPO Keynote Panel
/by Lorie HollabaughTrainor’s relationship with ASCAP stretches back to the beginnings of her music career, when she first attended its “I Create Music” EXPO at 16 years old, right after self-releasing her first-ever recordings. Trainor cites meeting panelist Natasha Bedingfield at that EXPO as a transformative experience for her, and is now coming full-circle to participate as a 2018 keynote.
Trainor’s breakout 2014 single “All About That Bass” (co-written with producer Kevin Kadish) spent eight weeks atop the Billboard Hot 100 and was certified Diamond by the RIAA. She followed up the colossal hit with her first full-length album Title in 2015, which hit No. 1 on the Billboard 200, and 2016’s Thank You, which went Platinum. Trainor’s highly anticipated new single “No Excuses” was released on March 1.
She has won four ASCAP Pop Music Awards, and last year was recognized with the ASCAP Vanguard Award at the 2017 ASCAP Pop Music Awards, for her impact on musical genres that are helping shape the future of American music.
Now in its 13th year, the ASCAP “I Create Music” EXPO is the largest conference of its kind in the United States, attracting over 3,000 music creators for three days of panels, workshops, master classes, keynotes and one-on-one sessions with the industry’s top hitmakers. Registration is now open for this year’s EXPO, and information can be found at ascap.com/exporegister.
Nashville Musician Hannah Miller Discusses Songs Included In NBC’s ‘This Is Us’
/by Jessica NicholsonHannah Miller
There is always a Nashville connection.
On this week’s episode of NBC’s This Is Us (titled “This Big, Amazing, Beautiful Life”) the voice carrying the song “Beauty And Pain” belongs to Nashville singer-songwriter Hannah Miller.
The song marks Miller’s second time recording a song that was included in the hit NBC series. Her acoustic rendition of the song “We Can Always Come Back To This” was included in Season 1’s powerful and pivotal episode “Memphis,” which centers on Randall Pearson (played by Sterling K Brown), the death of his biological father William Hill (Ron Cephas Jones), and Randall’s relationship with Jack Pearson (Milo Ventimiglia), who adopted Randall at birth.
The song was penned by This Is Us composer Siddhartha Khosla and Chris Pierce. While a full-band version of “We Can Always Come Back To This” can be heard earlier in the “Memphis” episode, Pierce and Khosla sought a softer, female acoustic version to close out the episode.
“For ‘We Can Always Come Back To This,’ it was such a monumental episode and scene, and I was so thankful that it really worked,” Miller tells MusicRow. “That was one of the highlights of all of last year. I love the whole world of licensing and TV because music can bring so much emotion to a scene, but without the scene, the music doesn’t mean as much.”
Miller’s vocal placements came about through music licensing company Sorted Noise, and its Los Angeles partner Music Alternative.
“I had no context going into the show, we just got the song, the chart and a music video from the people who wrote the song. I filtered it through my style. Even with ‘We Can Always Come Back To This,’ I didn’t understand the song, really, until I saw it in the scene, and I could see how it was written to fit perfectly in that scene.
“I found out after the fact that several people had submitted acoustic demos and the composer actually called me the day after the episode aired and said, ‘When we heard yours, we knew it was the right one.’”
This week’s episode centered on the background of a newer character, a teenage girl named Deja, the foster child of Randall Pearson and wife Beth.
“The cool thing is I had seen every episode. I knew the story and what was going on, and it was so important to me that [the song] meant something and was special within the show. I didn’t want to distract or take away anything from the show. I just wanted to add. I had had placements over the years and I would sit down and watch the shows because my song was in it, but I had no real relationship to the show at all. Part of the reason I was so excited to do this was because I found out it was for This Is Us. I was like, ‘Yes, I’m going to do this no matter what!’”
Even with having songs featured in the episodes, Miller says she first saw the finished episodes when they aired on NBC, like everyone else. “It was so nerve-wracking. We got a little bit of information for this [latest] one. We knew the episode would be about Randall [Pearson] and Deja, the foster child they had taken in.”
Miller has plenty to celebrate this week, as her own latest album, Midnight Morning, released on Tuesday (March 6) via Sorted Noise Records. Eight of the 10 songs were produced by Jars of Clay member Charlie Lowell, and the album was recorded at Gray Matter studio.
“Sorted Noise paired Charlie and I together during a songwriting workshop for film and television and we liked what we did so much that I asked him to work on the whole album.”
The 10-track album also includes an updated version of “We Can Always Come Back To This.” Miller says she hopes for future songs to be included in the hit TV show. Miller recently traveled to Los Angeles to perform her rendition of the song for the Guild of Music Supervisors Awards, where the song was nominated for Best Song Recording Created For Television.
“My dream is for This Is Us to use one of my original songs, but I’m not complaining and I’ll record whatever song they want.” Miller says.
Krystal Keith, Lance Carpenter Preview New Tracks
/by Jessica NicholsonPictured: Lance Carpenter, Krystal Keith. Photo: Haley Crow/MusicRow
Show Dog Nashville artists Krystal Keith and Lance Carpenter were listening when fans began to respond to a duet they recorded, “Anyone Else,” penned by Kelly Archer, Greg Bates and Emily Shackleton.
Carpenter discovered the song and brought it to Keith. “I had been writing with Krystal and asked her if she’d put a vocal on it so I could see what it sounded like as a duet. Her folks flipped out over it, and I loved it.”
A music video was released for the song in January, and “Anyone Else” will be included on Keith’s EP, which is slated for a July release.
During a visit to the MusicRow Magazine offices, Keith and Carpenter also performed “Boulder” from the upcoming EP.
Carpenter, who co-wrote Kelsea Ballerini’s smash “Love Me Like You Mean It,” offered an acoustic rendition of the song. They closed with a new collaboration, “I’m Buying,” which has not been recorded yet.
PIctured (L-R): Krystal Keith, MusicRow Magazine’s Sherod Robertson, Lance Carpenter. Photo: Haley Crow/MusicRow
Krystal Keith, Lance Carpenter with MusicRow Magazine staffers. Photo: Rick Moxley/Show Dog Nashville
Paramore Announces After Laughter Summer Tour Dates
/by Lorie HollabaughThe tour is in celebration of their acclaimed fifth studio album After Laughter, which was released May 2017 through Fueled by Ramen. Produced by Justin Meldal-Johnsen and Paramore’s own Taylor York, After Laughter hit number one on Billboard’s U.S. Top Alternative Albums chart and the U.S. Top Rock Albums chart. The album featured the hits “Hard Times,” “Told You So,” “Fake Happy” and most recently, “Rose-Colored Boy” which was released on Feb. 5 along with their retro morning-news themed music video, which currently has over 3.7 million views.
Registration for Paramore’s fan pre-sale powered by Ticketmaster Verified Fan will begin today through Sunday, March 11 at 10 p.m. ET. Pre-sale tickets for registered fans will go on sale beginning March 14 through March 15 while supplies last.
Paramore After Laughter Summer Tour (Tour 5) with Foster The People 2018 Dates:
June 8: Manchester, TN, BONNAROO FESTIVAL+
June 12: St. Augustine, FL, St. Augustine Amphitheatre
June 14: Simpsonville, SC, Heritage Park Amphitheater
June 15: Raleigh, NC*, Red Hat Amphitheater*
June 17: Syracuse, NY, Lakeview Amphitheater
June 18: Toronto, ON, Budweiser Stage
June 20: Gilford, NH, Bank of New Hampshire Pavilion
June 21: Bangor, ME, Darlings Waterfront Pavilion
June 23: Columbia, MD, Merriweather Post Pavilion
June 24: Philadelphia, PA, Festival Pier
June 26: Brooklyn, NY, Barclays Center
June 28: Columbus, OH, Express Live!
June 29: Detroit, MI, DTE Energy Music Theatre
July 1: Indianapolis, IN*, Farm Bureau Insurance Lawn at White River State Park*
July 2: Chicago, IL, Huntington Beach Pavilion at Northerly Park
July 5: Minneapolis, MN, The Armory
July 7: Kansas City, MO, Starlight Amphitheatre
July 8: Oklahoma City, OK, Zoo Amphitheatre
July 10: New Orleans, LA, Bold Sphere Music at Champions Square
July 11: Corpus Christi, TX, Concrete Street Amphitheater
July 13: Houston, TX, Cynthia Mitchell Woods Pavilion
July 14: Irving, TX, The Pavilion at Toyota Music Factory
Wed July 18: Inglewood, CA, The Forum
July 19: San Diego, CA, Mattress Firm Amphitheatre
July 21: Mountain View, CA, Shoreline Amphitheatre
July 23: Salt Lake City, UT, USANA Amphitheatre
July 24: Denver, CO, Red Rocks Amphitheatre
*Foster The People not performing
+Festival date, not part of After Laughter Summer Tour
Ann Powers, Rose Palermo, Mary Hilliard Harrington, Tracy Gershon To Speak At 2018 Rising Women On The Row
/by Jessica NicholsonThe event, now in its seventh year, will feature a four-speaker panel, including Tracy Gershon (Co-founder of Change The Conversation, Manager, Consultant), Mary Hilliard Harrington (Manager, Red Light Management), Rose Palermo (Attorney), and Ann Powers (NPR Music Critic and Correspondent). Special performer Abby Anderson will deliver a two-song performance.
The panel will be moderated by MusicRow Magazine owner/publisher Sherod Robertson. Sponsors for the 2018 Rising Women On The Row event include City National Bank, Loeb & Loeb LLP, and Tri Star Sports and Entertainment Group.
“I’m thrilled to announce this year’s event will feature a panel discussion from four accomplished stalwarts in the entertainment industry,” says Robertson. “Tracy Gershon, Mary Hilliard Harrington, Rose Palermo, and Ann Powers are tremendous experts in their fields and well known for their outstanding strength, success and fearlessness. I have no doubt their conversation will be both insightful and empowering as we honor the women in our industry.”
The previously-announced Rising Women On The Row honorees for 2018 include Faithe Dillman (Founder/CEO, Marbaloo), Leslie DiPiero (General Manager, Tree Vibez Music), Becky Gardenhire (Partner, WME), Lynn Oliver-Cline (President/Founder, River House Artists), Annie Ortmeier (VP, Marketing-Digital Accounts, UMG Nashville), and Janet Weir (President/42 Entertainment; Manager, Red Light Management).
Click Here For More Details About Rising Women On The Row 2018
Read more about this year’s panelists below:
Tracy Gershon (Manager, Consultant, Co-founder of Change The Conversation):
Tracy Gershon
Gershon has discovered and developed a wide range of talent during her multi-faceted career as an A&R executive, music publishing VP and artist manager, including Miranda Lambert, Kacey Musgraves and The Mavericks. In association with Red Light Management, she represents singer Natalie Stovall and serves as an independent publishing and A&R consultant. In 2014 she co-founded “Change The Conversation,” a coalition addressing music industry gender bias. Gershon has received numerous awards, including the Nashville Business Journal’s “Woman in Music City” award and Nashville Lifestyles Magazine’s Top 10 “Women In Business.” She is currently a Trustee at the Recording Academy.
Mary Hilliard Harrington (Manager, Red Light Management):
Mary Hilliard Harrington
Harrington is a leader in Red Light Management’s Nashville office where she is also personal manager for Dierks Bentley, Tucker Beathard, LANCO, Aubrie Sellers, and Caylee Hammack. Additionally, the publicity firm she started in 2006, The GreenRoom, represents Jason Aldean, Tucker Beathard, Dierks Bentley, Lady Antebellum, Rascal Flatts, Kip Moore, Thomas Rhett, Bobby Bones, Bailey Bryan, Brett Young, and Live Nation’s country music festivals including: Country Lakeshake, Faster Horses, Watershed, Tortuga, and Rt. 91 Harvest Festival. Harrington is a three-time CMA Publicist of the Year and was honored as one of MusicRow‘s inaugural Rising Women on the Row.
Rose Palermo (Attorney):
Rose Palermo
Palermo earned her Doctor of Jurisprudence degree in 1968 from Vanderbilt University School of Law. In 1973, she entered into private practice on Music Row with her partner and husband, Denty Cheatham, where they have continued to practice for 45 years. Before being widely known for her work on domestic relations cases, Palermo represented many iconic country music entertainers and high profile executives in their business affairs. Those clients have included such notables as Mel Tillis, his wife Judy Tillis, Conway Twitty (and later, the Conway Twitty estate), Rodney Crowell, Jerry Reed, Billy Joe Shaver, Lucinda Williams and many others including her personal friend, Brenda Lee. Palermo has also been featured on a 60 Minutes segment dedicated to fraudulent activities in the music industry.
Ann Powers (Critic and Correspondent, NPR Music):
Ann Powers
Powers is one of the nation’s most notable music critics. Powers was formerly the chief pop critic at the Los Angeles Times and a critic for the New York Times, among other publications. Her writing extends beyond blogs, magazines and newspapers. She has published three books and edited two anthologies, including (with Evelyn McDonnell) Rock She Wrote: Women Write About Rock, Pop and Rap. Her latest book, Good Booty: Sex and Love, Black and White, Body and Soul in American Music, was published in August 2017 and was called a “classic” by USA Today.
Michael Farren Releases New Single ‘Fighting For Us’ From Forthcoming Debut Solo Project
/by Lorie HollabaughMichael Farren is releasing a new single, “Fighting For Us,” on March 9. The Grammy-nominated songwriter will release the song as part of his forthcoming new album and first-ever solo project via Integrity Music due out this summer.
The worship pastor for Gateway Franklin and former frontman of the band Pocket Full Of Rocks, Farren is the writer behind some of Christian music’s biggest songs, from Lauren Daigle’s “Trust In You” to Reba McEntire’s “Sing It Now.” On “Fighting For Us,” Farren partnered with Dove Award-winning writer Krissy Nordhoff (“Your Great Name”) to pen the vertical anthem of praise.
“We wrote ‘Fighting For Us’ while I was weeping at my desk,” shares Farren. “Krissy and I were supposed to be working on another song but all I could get out that day was that… and I’ve never needed a song more. I’d been through a season where I was struggling, trying to follow what I believed God was asking me to do but getting nowhere and feeling defeated,” he continues. “In 25 years of writing songs, I have never clung onto a song as my own… but this was different. This song was the thing that kept me believing that He loved me. I kept singing it until I believed it. I hope it’s a lifeline for others…to anyone who has ever wondered if they are seen or known by God,” he adds. “It may come from a place of desperation, but we don’t need to stay there.”
Farren chose the single’s distinctive cover, noting the image represents the “fiercely protective, family-driven” nature of the wolf. “Wolves howl to protect their territory, their pack and to call to lost wolves,” he said. “For me, it’s a visual reminder of the furious, protective love of the Father.”
The new single will be available through digital and streaming platforms beginning March 9.
DISClaimer: Sir Rosevelt, Southern Halo Offer Top Performances
/by Robert K OermannBoth of today’s award winners come from groups. We have strong solo performances here from Jillian Jacqueline, Luke Bryan and Shane Owens. But threesomes rule the roost in this listening session.
The Disc of the Day belongs to those three studs fronting Sir Rosevelt.
The DisCovery Award goes to those three blonde lovelies in Southern Halo.
JILLIAN JACQUELINE/Reasons
Writers: none listed; Producers: none listed; Publishers: none listed; Big Loud (ERG)
It has a very “thick,’ heavily produced sound and is admirably “different.” Penetrating through the sonic rumbling is a true, clear, personable vocalist with a winning song about a turbulent relationship.
SIR ROSEVELT/Something ‘Bout You
Writers: none listed; Producers: none listed; Publishers: none listed; Warner Bros.
– Hearty and masculine, with some very cool, pulsing rhythmic undertows. Sensuous and romantic and highly listenable.
SOUTHERN HALO/Anything Is Possible
Writers: Catt Gravitt/Carl Falk; Producer: none listed; Publishers: Razor & Tie/Ink Pen Mama/BMG, SESAC/ASCAP; SH
– The brightly rocking production is first rate, and so is this female trio’s superbly harmonized performance. Turn it up and twirl around the room.
THE OAK RIDGE BOYS/Brand New Star
Writers: Adam Raitiere/Mando Saenz; Producer: Dave Cobb; Publishers: Super LCS/Warner-Tamerlane/Scrambler/Carnival, BMI/ASCAP; Lightning Rod
– Hand clapping, toe tapping gospel. Of course, the quartet harmonies are splendid. A veteran act returns to its roots.
MICHELLE LEBLANC/Loving A Hurricane
Writers: Michelle LeBlanc/Amy Gerhartz; Producer: Nick Buda; Publishers: none listed; BMI/SESAC; MLP
– The tempo plods like it’s having an opioid overdose. Her pitch wanders and warbles every whichaway.
SHANE OWENS/Lie
Writers: Brian Callihan/Trent Tomlinson/Wayne Underwood; Producers: Steve Popovich Jr./Joe Kelly; Publishers: none listed; Amerimonte
– MusicRow’s 2017 Indie Artist of the Year kicks off 2018 with a lively country rocker. The totally cute lyric offers winking advice on how to get the best out of a weekend pickup.
WHISKEY WOLVES OF THE WEST/Lay That Needle Down
Writers: Jones/Powell/Ward Gunther; Producer: Leroy Powell; Publishers: none listed; Rock Ridge (track)
– This has a rootsy, bar-band country-rock approach. The lead singer has a kinda greasy, earthy sound. The lyric attempts to use nostalgic images to woo his gal, but doesn’t quite work.
LUKE BRYAN/Most People Are Good
Writers: David Frasier/Ed Hill/Josh Kear; Producers: Jeff Stevens/Jody Stevens; Publishers: SB21/Purdy Beard/Bluewater/Songs of Amylase/Five Hills/Do Write/Year of the Dog/Champaghe Whiskey/Downtown DLI, BMI/ASCAP; Capitol (track)
– I’m way into this. Wise and tender sentiments, delivered with smooth sincerity and backed by a wafting, breezy production. His strongest single in quite some time is already a well-deserved hit.
VINCE YOUNG/My Turn
Writers: Bernie Faulkner/Keith Harling; Producer: Bernie Faulkner; Publishers: Fancy Pants/Harling, BMI
– He’s trying awfully hard, but all the shouting in the world can’t save this overly rocking earache.
DOM WIER/Doses
Writers: none listed; Producers: Matthew Miller/Dom Wier; Publishers: none listed; DW (track)
– This rolls along with a steady beat. He sings well. Alas, the song is a muddled dud.