Beats Audio Distinguishes Verizon Rezound Handset

The premise sounds strong. Get a Verizon 4G LTE Android Gingerbread phone with front and rear facing cameras, an ultra sharp HD 720p display, a 1.5 Ghz dual-core processor and a pair of Beats Headphones by Dr. Dre. The HTC Rezound also promises, “Beats Audio technology for studio sound.” When the package arrived I wasted no time ripping it open to get my eyes and ears all over this baby.

My initial reaction unfortunately, was akin to the disappointment one might feel getting home from a blind date that didn’t match expectations. However, as the Rezound and I got better acquainted, I grew to respect its personality even if I wasn’t awed by its flash and sparkle. I couldn’t help thinking that if this phone had come into my life a year ago I would have fallen in love with its abilities. But ahhh, what a difference a year can make.

The Rezound’s physical characteristics made the first impression. The ultra high resolution 4.3 inch screen simply seemed small to me. I’ve been using a 4.5 inch screen and recently reviewed Verizon’s Samsung Galaxy Nexus with its 4.65 high-def window. In fairness, the Rezound’s screen is clear and sharp, but it didn’t impact my eyes the way the Samsung super amoled displays do. I never felt the WOW! factor.

I began setting up the phone to work with my Google accounts and social networks. The HTC Sense software which rides on top of the Android Gingerbread system operates easily, but to me it represents an unnecessary layer of complication. It does work smoothly, however, and I notice a few expert reviewers really seem to love it. My only setup problem was pushing the volume rocker and power/lock buttons. Clearly the designers were going for a smooth minimalist effect, but the switches are recessed deeply into the top edge and right-hand side of the phone making it difficult for my fingers to operate them. This 6.1 ounce phone sits nicely in your hand, but feels heavy. The Galaxy Nexus, even with its much bigger screen only weighs 5.1 ounces by comparison.

OK, so I wasn’t falling in love, yet…but it was the music that really attracted me to this device in the first place, so I was still filled with anticipation as I carefully unwrapped the red Dr. Dre Beats earbuds. Engadget’s Sharif Sakr enlisted the help of North London’s AMS Acoustics to scientifically measure the Beats performance. Sakr’s article sums, “The Beats Audio software isn’t complete marketing vapor, but it’s still inherently gimmicky… you could achieve a better result… simply by downloading a third-party music player that lets you play with the EQ settings yourself.”

Clearly they weren’t over the moon, but I listen to music for a living, believe I have great ears, and determined, “I’ll decide this for myself, thank you very much.” Lot’s of bravado, but ultimately, I had to agree with Mr. Sakr.

I listened to a wide variety of music with the Beats earbuds and compared the sound against my Subjekt TNT low profile headphopnes ($49.99) that fit over the ear. I listened to music recorded in analog like Steve Miller’s classic “Children Of The Future” and various Beatles tracks; then tried edgy country music like Brad Paisley’s “American Saturday Night,” and Colt Ford’s “Chicken & Biscuits.” Next I played alternative rock from The Black Keys new album El Camino. Throughout I did A/B tests comparing the Beats with the TNTs. As long as I was careful to keep the Beats tightly inserted in my ears they slightly edged out the headphones. I was using the Google music player which with Android/Gingerbread does not allow EQ adjustments. The Beats have a preset U-shape sonic curve boosting the bass and the treble. Had I been able to adjust the EQ, I feel certain that the TNTs would have equalled or surpassed Dr. Dre. And, in real world situations like running or walking, lightweight headphones remain in place over your ears while earbuds tend to slide.

Now for some of that personality which I “grew to respect.” This phone operates on Verizon’s incredible 4G LTE network which means you enjoy lightning fast data transfers and rock solid phone connections and the dual core processor in this unit drives it relentlessly fast. You’ll find it impossible to make it shudder or bog down. A year ago these specs would have placed Rezound at the top of the pile. But today, with the Galaxy Nexus offering 4G LTE and Android version 4.0 (Ice Cream Sandwich), one has to wonder if the Rezound is still a compelling alternative. Amazon currently offers the Galaxy Nexus for $99.99 or the Rezound for $79.99 with 2-year contracts. HTC says the Rezound will get a 4.0 update, perhaps as early as March… that should make Rezound owners very happy.

DISClaimer Single Reviews (2/08/12)

They don’t call it Country Music City, just Music City, and this week we’re celebrating that with everything from rock to rap, classical to jazz.

The Black Keys’ rocking “Lonely Boy” is the Disc of the Day. Jessie Baylin and Madi Diaz are in a dead heat for the DisCovery Award. But there’s plenty more to explore in this stack of Nashville’s musically diverse platters. Plus, our own Jack White is issuing his debut solo single this week.

Read on.

MADI DIAZ/Let’s Go
Writer: Madi Diaz/Kyle Ryan; Producer: John Alagia; Publisher: BMG Sapphire/Madi Diaz/BMG Ruby/Happy the Kid/BMG Chrysalis, BMI/ASCAP; Small Horse/Thirty Tigers (track) (www.madidiaz.com)
—The debut single from Diaz’s debut full-length CD is a colorful, child-like spinning-top ditty with multi-layered vocals and spare percussion. Her sound here is an enchanting swirl of sweetness. One taste and you’re hooked. The national music press is beginning to take notice of this Nashvillian, thanks to tracks like this from her Plastic Moon album.

SAFETYSUIT/Let Go
Writer: Douglas Brown/Ryan Tedder; Producer: Ryan Tedder & Noel Zancanella; Publisher: Hamilton and Lynn/Universal/Z Tunes/Write2Live/Kobalt, ASCAP; Universal Republic (track) (www.safetysuitmusic.com)
—This foursome conjures up a wooshing windstorm in this single from its These Times CD. Already big on the college circuit, Safetysuit manages to fuse rock and dance music here in a way that could really make a dent on the Hot 100. The album was created at studio sessions in New York, L.A., Virginia Beach and home in Franklin, TN.

JESSIE BAYLIN/Hurry Hurry
Writer: Jessie Baylin/Thad Cockrell; Producer: Kevin Augunas; Publisher: Lady Blush/Little Hoss/Razor & Tie, ASCAP/SESAC; Blonde Rat/Thirty Tigers (track) (www.jessiebaylin.com)
—A bossa-nova beat, an echo-chamber soprano vocal, real strings, whispery backup singers and an angelic harp (!) are all in the mix of this amazing pop confection. This Music City gal is really, really cool, and not just because she’s married to Nathan Followill of Kings of Leon. Her album is titled Little Spark. Buy it now.

THE NASHVILLE SYMPHONY & CHRISTOPHER LAMB/Concerto for Percussion and Orchestra
Writer: Joseph Schwantner; Producer: none listed; Publisher: Schott Helicon, no performance rights listed; Naxos (track) (www.naxos.com)
—Composer Schwantner is a Pulitzer Prize winner who created this challenging yet highly listenable piece specifically for percussion soloist Lamb. Recorded live in the Schermerhorn, its three movements incorporate bongos, timpani, xylophone, marimba, triangles, cymbals, bass drum, a water gong, vibraphone and other exotic instruments against a sighing orchestral backdrop. This dazzling recording is nominated for a classical Grammy Award this year.

THE BLACK KEYS/Lonely Boy
Writer: D. Auerbach/P. Carney/B. Burton; Producer: Danger Mouse & The Black Keys; Publisher: McMoore McLesst/Wixen/Sweet Science/Copyright Control, BMI/ASCAP; Nonesuch (track) (www.theblackkeys.com)
—Nashville’s Black Keys are currently at No. 1 on the national rock chart with this kick-off single from their new CD El Camino. Like most of the rest of the album, it is a slab of straight-ahead, modern rock ‘n’ roll. Guitars riff hypnotically, drums thump relentlessly and backup gals join in on wildly catchy choruses. If you miss real rock music, “Lonely Boy” is your ticket to paradise. Highly recommended.

THE TSU COMMERCIAL MUSIC ENSEMBLE/Life Is Good
Writer: LaTisha Spence; Producer: Mark Crawford & Pat Holt; Publisher: none listed; TSU (track) (www.tnstate.edu)
—Tennessee State University is celebrating its 100th anniversary with a CD that features a representative song from each of its 11 decades, all recorded by past and present music students and faculty members. Representing 2012 is a dreamy, jazzy outing by current Commercial Music student Spence backed by a band and chorus of her peers. You can hear everyone’s gospel roots, but this performance holds its own with any jazz combo you’ll hear in this city today. Representing the ‘60s, by the way, is a lively arrangement of The Temptations’ “I Can’t Get Next to You.”

HOT CHELLE RAE & NEW BOYZ/I Like it Like That
Writer: R. Follese/N. Overstreet/A. Goldstein/D. Book/A.Misoul/E. Kiriakou/E. Kidd Bogart/L. Robbins/E. Benjamin/D. Thomas; Producer: Emmanuel Kiriakou & Andrew Goldstein; Publisher: Midas/Sleep When I’m Rich/Scarlet Moon/Nash O/Fueled By Music/ChrisSamSongs/Warner Chappell/Dan Book/Alexei Misoul/Roditis/Here’s Lookin’ at You Kidd/Beluga Hieghts/Sony-ATV/Hey Kiddo/Kobalt/New Boyz/Primary Wave, BMI/ASCAP; RCA (track) (www.hotchellerae.cm)
—These Nashville popsters seemed poised to duplicate the success of “Tonight Tonight” with this slamming party anthem blasting into the top-30 this week. Besides cluttering up the songwriting credits, New Boyz main contribution is some mid-song rapping. Make no mistake: this is HCR’s show.

THE WANNABEATLES/Fan Fab Memories
Writer: none listed; Producer: Dennis Scott, Bryan Cumming/David Toledo & Nathan Burbank; Publisher: none listed; WannaBeats (track) (www.thewannabeatles.com)
—Nominated for a Grammy in the spoken-word category, this is a collection of reminiscences with musical interludes provided by Nashville’s note-perfect Beatles re-enactors. If you are of a certain age, it’s a bubble bath of nostalgia. Among the “witnesses” are Janis Ian, Billy Swan, Wesley Orbison, Melissa Manchester and Phil Keaggy.

CHANCELLOR WARHOL/Bleeding Hearts
Writer: none listed; Producer: Levi Harris & Chancellor Warhol; Publisher: none listed; CS (track) (www.warholtheworld.com)
—This Nashville rapper’s CD is titled Japanese Lunchbox: A Love Story. This focus track has a burbling, poppy, electronic sound bed overlaid with a tender, broken-hearted rap. In a genre generally noted for aggressive, macho verbal posing, it’s an ear opener. The soft, sweetly sung interjections come courtesy of Mikky Ekko.

TOMMY WOMACK/Play That Cheap Trick Cheap Trick Play
Writer: Tommy Womack/Rick Nielsen; Producer: Tommy Womack & John Deaderick; Publisher: Screen Gems-EMI/Adult/Tommy Womack Tunes/Bug, BMI; Cedar Creek (track) (www.tommywomack.com)
—This beloved Music City rock institution drops his Now What! collection with a release party at Grimey’s on Feb. 21. It is his fifth solo CD, and it captures his wry, tragi-comic personna perfectly, particularly on tunes like this opening bopper. From his days in Government Cheese through his work in Daddy (not to mention his Clash tribute band Tommy Gun), Womack has a catalog to envy. Here’s one more reason to be a fan. For a real guffaw, spin his white-boy, black-humor rap “Ninety Miles an Hour Down a Dead End Street.” “Pot Head Blues” is self explanatory.

DISClaimer Single Reviews (2/01/12)

Every now and then I am reminded of why I do this job.

This week, that reminder came after listening to the thrilling new collection by Gretchen Peters. Her Hello Cruel World album is so great it is practically terrifying. She tore me apart with every song. There is going to be a star in Frank Liddell’s crown for bringing this songwriter into the Carnival family. Needless to say, Gretchen has the Disc of the Day.

I’ll spread the love around. This week, Alan Jackson reminded me of why I cherish Real Country Music as much as I do. His new EMI single gets the male Disc Award.

The Dirt Drifters reminded me how much joy it brings me to see a young act on its way up the ladder of success. Give those country-rocking chaps the group Disc Prize.

KELLY PARKES/Don’t Make Me
Writer: Keith Follese/Adrienne Follese/Nicole Johnson/Vencent Hickerson; Producer: Darren Smith & Mark Lambert; Publisher: The Family Business/Overall Attraction/3 in Key/Denham Jeans, BMI/SESAC; Edge (CDX)
—It’s a big-production pop ballad. Her soprano delivery is sure footed and true, but there’s not much memorable “character” in her style.

TRACY LAWRENCE/Pills
Writer: none listed; Producer: Flip Anderson & Tracy Lawrence; Publisher: none listed; LMG (track) (www.tracylawrence.com)
—Tracy’s album The Singer is an audio delight of crisp simplicity. The song selections are superb, and nowhere more so than with this bopping, witty, swinging, sideways look at our pharmaceutical dependence and over indulgence. Essential listening.

GRETCHEN PETERS/The Matador
Writer: Gretchen Peters; Producer: Doug Lancio, Gretchen Peters & Barry Walsh; Publisher: Circus Girl/Carnival, ASCAP; Scarlet Letter (track) (www.gretchenpeters.com)
—You think you’re a songwriter? One listen to Gretchen’s new Hello Cruel World CD will have you thinking again. She has the uncanny ability to not only create commercial hooks, but also to pen lyrics with something to say (witness her prior “The Secret of Life,” “Independence Day,” “If Heaven,” “Let That Pony Run,” “My Baby Loves Me,” “The Chill of an Early Fall,” or “You Don’t Even Know Who I Am”). This stunning first single/video is a hushed ballad of love, violence and artistic striving. If you care about real song craftsmanship, it will bring you to your knees. Buy This Record Now.

JASON ALDEAN/Fly Over States
Writer: Neil Thrasher/Michael Dulaney; Producer: Michael Knox; Publisher: Sweet Summer/BMG Gold/Major Bob/Circle C/Mojave Rain/Full Circle, ASCAP; Broken Bow (track)
—The lyric is simply sensational, a first-class ode to the American heartland. My only quibble is that the title phrase isn’t married to a super melodic hook. As usual, Jason’s performance and Michael’s production are dynamite.

ERNIE HAASE & SIGNATURE SOUND/Here We Are Again
Writer: Ernie Haase/Wayne Haun/Joel Lindsey; Producer: Wayne Haun; Publisher: ErnieSigSound/Blackberry Town/Bridge Building/Hefton Hill, BMI; Stowtown (www.erniehaase.com)
—The tradition of country-gospel harmony singing exemplified by The Oak Ridge Boys and The Statler Brothers is being admirably upheld by this outfit. Its new CD mixes traditional material (”Swing Low Sweet Chariot,” “I Believe,” “Stand By Me”) with newly composed tunes, often by the group’s members. This title tune showcases all four voices in turn, from the sub-cellar bass to the attic-rafter tenor.

THE DIRT DRIFTERS/There She Goes
Writer: none listed; Producer: Justin Niebank; Publisher: none listed; Warner Bros. (track)
—I like these guys, and this is their best yet. This time around, the ultra-cool lead vocal is answered by a ghostly “Greek chorus” commenting on his heartbreak while the country-rock track canters along with chiming guitars and dusty percussion. Delicious sounding.

CHANCE CODY & SPUR 503/You Can’t Argue with That
Writer: Chuck Allen Floyd/Jenn Schott; Producer: none listed; Publisher: none listed; Spur 503 (www.spur503.com)
—They have talent, but the mix is mighty muddy. Go for a cleaner sound next time.

DOLLY PARTON & QUEEN LATIFAH/Not Enough
Writer: Dolly Parton; Producer: Mervyn Warren; Publisher: Velvet Apple, BMI; WaterTower (track)
—I haven’t seen the movie Joyful Noise, but I can tell you that the soundtrack is a delight. In addition to gospel-ized versions of “Maybe I’m Amazed,” “Man in the Mirror,” “I Want to Take You Higher,” “That’s the Way God Planned It,” and the like, you get three new Dolly tunes. This hand clapper kicks things off with a full soul choir backing the film’s two stars. Latifah holds her own opposite the always-exuberant Dolly.

ALAN JACKSON/So You Don’t Have to Love Me Anymore
Writer: Adam Wright/Jay Knowles; Producer: Keith Stegall; Publisher: Alrighty Den/Dean-Parnell/Acme Nashville, BMI; EMI (CDX)
—Alan begins a new recording chapter with a plain-spoken heartache ballad that packs a massive emotional wallop, thanks to its terrific songwriting and his devastating vocal. This man is a country-music master, through and through.

THE McCLYMONTS/I Could Be a Cowboy
Writer: Brooke McClymont/Samantha McClymont/Mollie McClymont/Nathan Chapman; Producer: Nathan Chapman; Publisher: EMI Australia/Copy Control/Sony-ATV, no performance rights listed; BSM (track) (www.themcclymonts.net)
—Their creamy harmonies remain audio perfection. Brooke’s throat-catching lead vocal grabs your attention immediately, while Nathan’s production finesse continues to amaze. I particularly liked the mandolin bubbling in and out of the mix.

DISClaimer Single Reviews (1/25/12)

There is life after major labels.

That’s today’s message, coming to us loud and clear from Deborah Allen, Neal McCoy, Jonathan Edwards and Suzy Bogguss. All of them have excellent indie albums, with Suzy and Deborah owning their own labels. For shining a spotlight on our folk-music legacy, Suzy Bogguss wins our Disc of the Day.

From the Broken Bow label comes a young Tullahoma, Tennessee native named Dustin Lynch. Give his “Cowboys and Angels” single a spin. I think you’ll agree with me that he’s a worthy DisCovery Award recipient.

KENNY VAUGHAN/Country Music Got a Hold on Me
Writer: none listed; Producer: Brandon Bell, Carmella Ramsey & Kenny Vaughn; Publisher: Veltal, BMI; Sugar Hill (track) (www.kennyvaughan.net)
—With Marty Stuart and the rest of The Fabulous Superlatives along for the rollicking ride, Kenny’s current solo CD kicks off with this neo-rockabilly romp that comes with built-in smiles as well as his trademark, deliciously stinging guitar licks.

SUZY BOGGUSS/Red River Valley
Writer: anonymous; Producer: Suzy Bogguss; Publisher: public domain; Loyal Duchess (track) (www.suzybogguss.com)
—Suzy’s American Folk Songbook CD is precisely what its title says it is, a collection of simply arranged gems of our nation’s musical heritage. Not only does she still sing with immense warmth and luster, she is surrounded by some of Music City’s top instrumentalists plus vocal harmonies courtesy of Matraca Berg, Harry Stinson and Gretchen Peters. I am told this is doing quite well overseas. It is a thorough delight.

TRENT JEFFCOAT/When I Find Me That Mountain
Writer: Trent Jeffcoat/Brandy Clark; Producer: Paul Sikes; Publisher: none listed; Deer in the Headlights (track) (www.trentjeffcoat.com)
—This singer-songwriter has a seven-song CD as a calling card. Its title tune is a meditative ballad with a deeply stirring lyric made even more potent because of his resonant, emotional baritone vocal. Trent Jeffcoat has the goods, people.

DEBORAH ALLEN/It Better Be Big
Writer: Deborah Allen/Callie Champion; Producer: Deborah Allen; Publisher: none listed; Delta Rock (track) (www.deborahallen.com)
—The second single from Deborah’s new Hear Me Now CD is a hoot. After a bluesy intro, she sizzles into a rapid-fire, rocking delivery. “If you’re gonna give it to me, baby, it better be big,” she sings. Get your mind out of the gutter: She means a wedding ring. Stay tuned for her personality-packed asides during the finale.

ALAN RHODY/Somebody to Care
Writer: Alan Rhody/Bill Caswell; Producer: Alan Rhody; Publisher: Sony-ATV, BMI; Ashwood (track) (www.alanrhody.com)
—If you’ve never seen this Nashville singer-songwriter perform, you’re missing out on one of our most entertaining and amusing acoustic troubadours. Alan’s new Led By Love collection begins with this ear catching story song about a would-be liquor store robber who finds romance and redemption en route. The supporting cast of this sterling set includes Sam Bush, Gordie Trapp, Mike Henderson, Jay Patten, Mike Bub, Vickie Carrico, Billy Thomas and Jonell Mosser. Are the tracks cool? You bet.

NEAL McCOY/Sentimental Journey
Writer: Les Brown/Bud Green/Benjamin Homer; Producer: Les Brown Jr. & Keith Olsen; Publisher: Morley/Holliday/Songwriters Guild of America/MPL, no performance rights listed; Encore/DPTV (track) (www.dptvmedia.org)
—Country star McCoy teams up with Les Brown’s Band of Renown on a new, in-concert CD that’s a definite change of pace. Singing the swing band’s signature song, he seems relaxed and at ease with the massed brass section wailing behind him. Charley Pride and Janie Fricke also make guest appearances on the set, which was originally recorded for a PBS special.

RANDY THOMPSON/One Guitar
Writer: Randy Thompson; Producer: Randy Thompson; Publisher: Twang This, ASCAP; Jackpot (track) (www.randythompson.net)
—Thompson’s Collected CD compiles tunes he has recorded over the past decade for various albums and singles. This is one of its two newly recorded selections. It is a country rocker with a “spaghetti western” vibe. The band rushes the tempo, and there’s too much echo on his vocal.

JONNY CORNDAWG/Shaved Like a Razor
Writer: none listed; Producer: Loney John Hutchins & Jonny Corndawg; Publisher: none listed; Nasty Memories (track) (www.corndawg.com)
—I think it is meant to be funny, but he still can’t sing.

JONATHAN EDWARDS/Surrounded
Writer: Jonathan Edwards; Producer: Jonathan Edwards & Jim Begley; Publisher: Joinatune Earthwords, no performance rights listed; Appleseed (track) (www.jonathanedwards.net)
—Appleseed Records specializes in reviving the careers of “heritage” artists who have long been absent from the recording scene, including Tom Rush (35 years between studio recordings), David Bromberg (17 years), Buffy Sainte-Marie (13 years), Jesse Winchester (10 years), Roger McGuinn (10 years) and Donovan (8 years). Edwards has been m.i.a. for about a dozen years. His comeback My Love Will Keep CD begins with this lilting, pastoral ode with super-soulful harmonies by bluegrass star Claire Lynch. In addition to his own songs, he covers works by Mark D. Sanders & Adrienne Young, Tommy Rocco, John Brannen and Henry Gross, not to mention Lennon & McCartney.

DUSTIN LYNCH/Cowboys and Angels
Writer: Dustin Lynch/Josh Leo/Tim Nichols; Producer: none listed; Publisher: Big Machine/Golden Gears/Super 98/Sony-ATV Tree/Warner-Tamerlane/Contentment/Made For This, BMI; Broken Bow  (www.dustinlynch.com)
—He sings in a clear, confident, smooth baritone with smoky, whiskey aftertones. The moody power ballad has a dusky, romantic vibe that is quite magnetic. This could definitely go places.

DISClaimer Single Reviews (1/18/12)

Canaan Smith

It’s Ballad Week, with Phil Vassar, Laura Bell Bundy, Georgette Jones and Mark Wayne Glasmire all offering slower tempo numbers.

Rascal Flatts is still on hand to bring a rocker, so that’s a nice change of pace. The mid-tempo winner belongs to the Zac Brown Band. Is it just me, or does Zac sound more and more like James Taylor? The third single good enough to compete for Disc of the Day belongs to our winner, JT Hodges.

As far as this week’s newcomer prize goes, I was all set to present it to Hodges, but it turns out that he had a Show Dog platter last summer (Hunt You Down) that I was also enthusiastic about. So that leaves softly earnest Canaan Smith as our DisCovery Award winner.

JT HODGES/Goodbyes Made You Mine
Writer: JT Hodges/Ross Copperman/Jon Nite; Producer: Don Cook, Mark Wright & Ross Copperman; Publisher: Songs of Universal/Adeline 29/Sings Station/Boomer Sooie/Ross Copperman/EMI Blackwood/Jon Mark Nite/EMI April, BMI/ASCAP; Show Dog Universal
—This has a certain “presence.” He’s not only a solid writer, but his vocal performance is up-close and personal, packed with personality and exuding confidence. The deep-twang guitar and driving production are also pluses. A star is born?

DOTTSY/Meet Me in Texas
Writer: Guyanne McCall; Producer: Justin Trevino; Publisher: Tracy Pitcox, BMI; Heart of Country (track) (www.heartoftexascountry.com)
—Dottsy reprises her ‘70s hits “I’ll Be Your San Antone Rose,” “Storms Never Last,” “Trying to Satisfy You,” and “(After Sweet Memories) Play Born to Lose Again” on her comeback CD. Its title tune is a gentle two-step. Her more mature, somewhat narrower range makes her vocal less than the strongest you’ve ever heard, but she gets the job done with warmth.

PHIL VASSAR/Don’t Miss Your Life
Writer: Phil Vassar/Charlie Black; Producer: Phil Vassar; Publisher: Phylvester/Big Hitmakers/Rainy Graham/Songs of Salt Air, ASCAP/BMI; Rodeowave
—Vassar continues to make music as powerfully as ever. His new ballad is the latest take on the businessman who is too busy to enjoy his children growing up. An older man points him in the right direction. This pushes all the right emotional buttons. I’m in.

TYSON BOWMAN/Thank God for People
Writer: Tyson Bowman/Lance Lambert/Judy Rodman; Producer: none listed; Publisher: none listed; Guitar Shark (track) (www.tysonbowman.com)
—The ballad’s lyric about people helping one another is solid. But his voice is a completely generic honky-tonk baritone that is ordinary in the extreme.

RASCAL FLATTS/Banjo
Writer: Tony Martin/Wendell Mobley/Neil Thrasher; Producer: Dann Huff & Rascal Flatts; Publisher: Sony-ATV/Casa Jaco/Warner-Tamerlane/Boatwright Baby/BMG Gold/We Jam Writers/BMG Crysalis/Songs of Peer, BMI/ASCAP; Big Machine
—Are you sitting down? The new Rascal Flatts single has the banjo as a focus instrument. Mind you, the surrounding track rocks with plenty of crunch, electric guitar screams and percussion pounding. Exciting.

GEORGETTE JONES/Strong Enough to Cry
Writer: Max Barnes/Rory Lee; Producer: Justin Trevino; Publisher: none listed, BMI/ASCAP; Heart of Texas (track) (www.georgettejonesmusic.com)
—I’ve always been in this gal’s corner. The Nashville industry can’t seem to get past the fact that she’s Tammy and George’s daughter and listen with open ears. So it’s off to Texas, where this title tune to her new CD shows that she’s a super-fine country vocalist in her own right. The ballad is beautifully produced with perfect steel accents, delicately placed guitar notes, sweet fiddle sighs and a breath-taking harmony vocal by, I think, that Texas wonder Amber Digby.

ZAC BROWN BAND/No Hurry
Writer: Zac Brown/Wyatt Durrette/James Otto; Producer: Keith Stegall & Zac Brown; Publisher: Weimerhound/Lil’ Dub/Angelika/Warner-Tamerlane/Eldorotto, BMI; Atlantic (track)
—Single #5 from the ZBB CD You Get What You Give is a lilting ode in praise of kicking back. And what country act would you rather relax with while the harried workaday world rushes by? The richly textured “No Hurry” is following the multi-week chart topper “Keep Me in Mind,” so I look for big things from it.

MARK WAYNE GLASMIRE/Going Home
Writer: Mark Wayne Glasmire; Producer: John Albani & John Wayne Glasmire; Publisher: Traceway, ASCAP; Traceway (track) (www.markwayneglasmire.com)
—Sung at the top of his tenor range, this conveys immense yearning. The buzzy harmonica passages, plus subtle keyboard and fiddle backing are adroitly mixed and very ear catching. A folk-country gem.

LAURA BELL BUNDY/That’s What Angels Do
Writer: Jon Mabe/Jason Sellers/Michael Dulaney; Producer: Nathan Chapman; Publisher: none listed; UMG (track) (www.laurabellbundy.com)
—Formerly noted for her bounce, Bundy returns with a soaring, dramatic ballad of rescue and redemption. She marches confidently forward with every precisely placed vocal note while guitars shudder, pierce and shriek around her head. This lady can sing.

CANAAN SMITH/We Got Us
Writer: Canaan Smith/Tommy Lee James/Stephen Barker Liles; Producer: none listed; Publisher: none listed; UMG (track) (www.canaansmith.com)
—Boyish sounding and likable. The gently shuffling track supports a poor-kids-rich-in-love lyric that’s just sweet enough.

DISClaimer Single Reviews (1/11/12)

Clay Walker, Ira Dean, Josh Turner and Shooter Jennings are the men of the hour.

The Disc of the Day belongs to Josh Turner, but don’t count those other guys out, by any means. All three are playing at the top of their game this week.

And there’s a challenger waiting in the wings. If some major picks up “Ghost” by Tim Culpepper, watch the fur fly. Not since Joe Nichols and Chris Young have I heard a new country vocalist so thoroughly in command of his instrument.

Tim Culpepper

Here’s what I know about him so far. He’s from Montgomery, AL, where his father was/is a country singer in area clubs. He was discovered on Lower Broadway. I looked at his video online. Tim isn’t a clone. He has his own look with long sideburns, blue eyes, a handlebar mustache and an athlete’s physique. Also: the clip includes line-dancing zombies.

”Ghost” is Tim Culpepper’s debut single, and based on it, I can’t WAIT to hear the rest of his CD. Send one, and sign me up for the fan club. Needless to say, he is this week’s DisCovery Award winner.

JOSH TURNER/Time Is Love
Writer: Tom Shapiro/Tony Martin/Mark Nesler; Producer: Frank Rogers; Publisher: EMI Blackwood/Little Dooey/Sony-ATV/Casa Jaco/Little Lola Mae, BMI; MCA Nashville(CDX)
—Airy, breezy, atmospheric, wafting and completely charming. An ultra-romantic outing with a built-in smile. In addition to the glowing warmth of his vocal, another plus is the shimmering instrumental work throughout.

IRA DEAN/Somethin’ ‘Bout a Sunday
Writer: Ira Dean/Josh Thompson; Producer: Ira Dean; Publisher: Sony-ATV Tree/Hillbilly Rich, BMI; Average Joes (CDX) (www.averagejoesent.com)
—He wakes up cigarette-stained, hung over, bone tired and ashamed of himself. But somewhere inside is an ember of wanting to change and start over. The powerfully written lyric is as real as dirt, and the melody is uplifting and inspiring. This deserves massive airplay.

KENTUCKY HEADHUNTERS/Great Acoustics
Writer: Kentucky Headhunters; Producer: Kentucky Headhunters; Publisher: Them Young Boys/Mr. Eric/I.B. Headed, ASCAP/BMI; Red Dirt (CDX) (615-347-9686)
—Surprisingly pop-ish for a group that usually sounds much more edgy.

SHOOTER JENNINGS/The Deed and the Dollar
Writer: Shooter Jennings; Producer: Shooter Jennings ; Publisher: Wolf’s Tale, ASCAP; Black Country Rock (CDX) (615-861-4232)
—He can still just barely sing, but there is nevertheless something utterly appealing about this love ode with a steady beat. Play it.

JANIE FRICKE/Goodbye Broken Heart
Writer: J. Fricke; Producer: Bill Vorndick; Publisher: Janie Marie Fricke, BMI; New Music Deals (track) (www.newmusicdeals.com)
—Janie’s new Country Side of Bluegrass CD consists mainly of acoustic reinterpretations of her classic hits of the ‘70s and ‘80s. Never previously noted as a songwriter, she provides the collection’s one new tune. It’s a jaunty bopper sung with a smile and featuring dandy fiddle and acoustic-guitar breaks.

TYLER FARR/Hot Mess
Writer: Rhett Akins/Dallas Davidson/Ben Hayslip; Producer: Jim Catino & Julian King; Publisher: EMI Blackwood/Rhettneck/String Stretcher/WB/Melissa’s Money/Get a Load of This, BMI/ASCAP; BNA
—Cluttered sounding.

CLAY WALKER/Like We Never Said Goodbye
Writer: Tiffany Goss/Cory Batten; Producer: Keith Stegall; Publisher: Curb Congregation/I Want to Hold Your Songs/Words & Music, SESAC/BMI; Curb (track)
—He runs into his ex unexpectedly, and they tumble head over heels all over again. The song is somewhat word-y, but the production is sterling, and Walker’s vocal performance is super believable.

TIM CULPEPPER /Ghost
Writer: Elbert/M. Baker/G. Jarrell/K. Jarrell; Producer: Elbert West; Publisher: none listed; Honkytone (615-452-9844)
—I dig this. He is a hardcore honky-tonk vocalist with cool dips, slides and moans that recall such masters as Gosdin and Whitley. The song is a rumbling barroom lament about a man haunted by a past love. Play this over and over again, you’ll get no complaints from me.

MARLEE SCOTT/Train Wreck
Writer: Marcus Hummon/Jedd Hughes/Sarah Buxton; Producer: David Kalmusky; Publisher: Sony-TV Tree/Pula Pula, BMI; Brigade (www.marleescottl.com)
—She sings with plenty of moxie. Next time, give her a song with a melody.

DAVE ROBERTS/Lindsy Mae
Writer: Dave Roberts; Producer: none listed; Publisher: none listed; DR (www.daverobertscountry.com)
—He has a earnest, easy-going vocal delivery and shows definite promise as a songwriter. Listenable.

DISClaimer Single Reviews (1/04/12)

Let’s start the New Year with some star power, shall we?

Today for your listening pleasure, we have first-rate efforts from Blake, Miranda, Lady A, Ronnie Dunn and Tim McGraw. Tim definitely has the ballad of the day.

Our newcomers are Jana Kramer, Tim Dugger and Ann Claire. Wait a minute, Tim had a record out back in 2009. So that leaves Jana Kramer as our DisCovery Award winner.

The Disc of the Day prize is a tie between two of our band entries, Lady Antebellum and Eli Young Band. Long may they sing.

Here’s to a prosperous, healthy and happy 2012 to one and all.

ELI YOUNG BAND/Even If It Breaks Your Heart
Writer: Will Hoge/Eric Paslay; Producer: Mike Wrucke; Publisher: Will Hoge/Cal IV, BMI/ASCAP; Republic (track)
—Majestic. It has a melody to get lost in and production dynamics that pound and swirl. The lyric is for aspiring musicians everywhere. I’m way, way into this anthem.

LADY ANTEBELLUM/Dancin’ Away with My Heart
Writer: Dave Haywood/Charles Kelley/Hillary Scott/Josh Kear; Producer: Paul Worley & Lady Antebellum; Publisher: Warner Tamerlane/DWHaywood/Radiobullets/EMI Foray/Hillary Dawn/Global Dog/Big Yellow Dog/Lunalight, BMI/SESAC/ASCAP; Capitol (track)
—Individually, their voices are enchanting. But when these kids harmonize, magic happens. This wafts through the room’s atmosphere like incense smoke. In a word, dreamy.

TIM DUGGER/Way Past My Beer Time
Writer: Tim Dugger/Billy Aerts/Scott Lynch/Justin Pritchett; Producer: Jim Ed Norman & Mike Curb; Publisher: Mike Curb/Stormey/Baby Gray/BMG Chrysalis, BMI; Curb
—Loaded with fiddle and steel, this wobbles and weaves its merry way to the barroom. Lotsa sing-along hillbilly fun.

RONNIE DUNN/Let the Cowboy Rock
Writer: Ronnie Dunn/Dallas Davidson; Producer: Ronnie Dunn; Publisher: Sony-ATV Tree/Showbilly/EMI Blackwood/String Stretcher, BMI/ASCAP; Arista (track)
—The lovelorn redneck is drowning his sorrows, and the band is rollicking.

TIM McGRAW/Better Than I Used to Be
Writer: Bryan Sampson/Ashley Gorley; Producer: Byron Gallimore & Tim McGraw; Publisher: How Bout That Skyline/BMG Chrysalis/Encore Entertainment/Mr. Noise/Writers of Sea Gayle/Gorleysongs/Bug/Music of Windswept/Songs of Southside Independent, BMI/ASCAP; Curb
—The man in this ballad is far from perfect, and he knows it. He’s cleaning up his act, little by little. Movingly performed and beautifully written.

JANA KRAMER/Why Ya Wanna
Writer: Catt Gravitt/Christopher DeStefano/Ashley Gorley; Producer: Scott Hendricks; Publisher: Ink Pen Mama/Songs of Max/Tunes of R&T Direct/Razor & Tie/EMI April/Sugar Glider/External Combustion/Out of the Taperoom/Songs of Southside Independent, SESAC/ASCAP; Elektra Nashville
—It’s a heartache lyric wrapped up in a jaunty, country-pop arrangement. It may not be a hit, but it certainly shows promise.

MIRANDA LAMBERT/Over You
Writer: Miranda Lambert/Blake Shelton; Producer: Frank Liddell & Mike Wrucke; Publisher: Sony-ATV Tree/Pink Dog, BMI; RCA
—This trembling ode to loss has a deeply contemplative vibe, but the track packs enough energy to keep it from being completely mournful. Miranda’s vocal, as usual, is perfect.

BLAKE SHELTON/Drink on It
Writer: Jon Randall/Jessi Alexander/Rodney Clawson; Producer: Scott Hendricks; Publisher: Reynsong/Why Ya Say/Vistaville/Happy Tears/Big Red Toe/Amarillo Sky, BMI/ASCAP; Warner Bros.
—He’s such a fine country singer, and this swaying, honky-tonk come-on fits him like a glove. Winning in the extreme.

ANN CLAIRE/Better Girl
Writer: none listed; Producer: Travis Howard & Maxwell Abams; Publisher: none listed; Prosody (track) (www.princessannclaire.com)
—She’s some kind of princess in Iran, since she’s the niece of the late Shah. Hence, her CD title, Honkytonk Princess. Its debut single isn’t a honky-tonk tune, however. It’s a sunny, bright, upbeat bopper. Her breezy soprano vocal delivery is adequate, if unexceptional.

ALISON KRAUSS & UNION STATION/My Love Follows You Where You Go
Writer: Lori McKenna/Barry Dean/Liz Rose; Producer: Alison Krauss & Union Station; Publisher: Barrytones/Universal Music Careers/Wagnerville, BMI; Rounder (track) (www.alisonkrauss.com)
—Captivating. Every instrumental break, every vocal lick and every thing about this production is crystal acoustic perfection. And it doesn’t hurt that the song is such an evocative minor masterpiece.

DISClaimer Single Reviews (12/14/11)

Let’s close out the year with some holiday tunes, shall we?

This week, we’re looking at some of the more high-profile ones in our community. Next week, we’ll check out the indie artists’ Yuletide offerings.

In the spirit of the season, R.K.O. is spreading the love today, giving out Disc of the Day awards in categories, just like the CMA does. Our Male Vocalist is Tim McGraw. Enduringly great Tanya Tucker wins the Female Vocalist prize. Our Group honor goes to Eli Young Band. The Duo du jour is unquestionably Joey + Rory. And our Vocal Collaboration prize goes to TobyMac & Leigh Nash.

Is everybody happy?

JULIE ROBERTS/Who Needs Mistletoe
Writer: Julie Roberts/Jason Collum; Producer: Jason Collum & Julie Roberts; Publisher: none listed; Aint Skeered (track) (www.julieroberts.com)
—Julie’s seven-song Yule EP is all standards, except for its title tune, which is deep-indigo bluesy and oh-so sexy. Highly listenable.

JOEY + RORY/Remember Me
Writer: Tim Johnson/Rory Feek; Producer: Gary Paczosa; Publisher: Hot Rod 98/Golden Axle/Songs of TJ/Super 98/Milk Barn, SESAC/BMI; Sugar Hill (track) (www.joeyandrory.com)
—Joey + Rory’s A Farmhouse Christmas is full of cool, original holiday tunes. This one’s a sweet, gentle, acoustic ballad that asks us to remember the reason for the season.

TOBYMAC & LEIGH NASH/Christmas This Year
Writer: Toby McKeehan/Cory Barlowe/Jesse Frasure; Producer: Christopher Stevens & Toby McKeehan; Publisher: Achtober/EMI CMG/Castles Bound/Rio Bravo, BMI/SESAC; Word/Provident/EMI (track)
—This occurs on the 32-track CCM compilation Wow Christmas, as well as on TobyMac’s Christmas in Diversecity album. It’s a catchy little ditty with plenty of danceable bounce and bop. Toby sounds totally endearing, while Sixpence None the Richer’s Leigh adds a wafting, soaring soprano counterpoint. Extremely well produced pop.

RICKY SKAGGS/Christmas Time’s A-Comin’
Writer: Tex Logan; Producer: Ricky Skaggs; Publisher: Unichappell, BMI; Skaggs Family (track) (www.skaggsfamilyrecords.com)
A Skaggs Family Christmas 2 is a CD/DVD set that captures performances by Skaggs, his children and members of the White clan. It kicks off with a revival of Bill Monroe’s Christmas classic. It’s sprightly and merry, but lacks the drive and edge that Daddy Bluegrass gave it.

PHIL VASSAR/Santa’s Gone Hollywood
Writer: Phil Vassar/Tim Nichols/Jeff Outlaw; Producer: Phil Vassar & Dane Bryant; Publisher: Phylvester/Warner-Tamerlane/Made For This/Contentment, ASCAP/BMI; Rodeowave (track)
—Phil’s holiday offering, Noel, is about half standards and half originals. Among the latter is this wildly witty ditty about Santa hitting the PowerBall jackpot and living it up in LaLa Land. Among the lines: “Mrs. Claus is lookin’ hot, she’s even got a new rack/She’s been nip-tucked, lipo-sucked and tightened up good.” As for Santa, he has, “little blue pills” as well as court-side seats at all the Lakers games. Thoroughly entertaining.

MATT WERTZ/Snow Globe
Writer: Chad Cates/Tony Wood/Matt Wertz; Producer: Ben Shive; Publisher: Sony-ATV Timber/Glory Town/Sony-ATV Cross Keys/Songs From Exit 7/My Associate Cornelius, SESAC/ASCAP; Handwritten/Provident (track) (www.mattwertz.com)
—CCM star Wertz has released his first Christmas CD. Its title tune is a frothy pop confection that swirls like the thingy it celebrates. His breathy, feathery tenor vocal even sounds like wintertime. Pleasant, if lightweight.

ANDY GIBSON/The Christmas Song
Writer: Robert Wells/Mel Torme; Producer: James Stroud; Publisher: Sony-ATV Tunes/Edwin H. Morris/MPL, ASCAP; DMP/R&J (www.randjrecords.com)
—I have liked this newcomer’s work in the past. His rendition of this standard is workmanlike, but no kind of reinvention or reinterpretation. The studio instrumentalists are more creative on their jazzy breaks than he is vocally.

ELI YOUNG BAND/Wonderful Christmastime
Writer: Paul McCartney; Producer: Keith Davis; Publisher: MPL, no performance rights listed; Big Machine (track)
The Country Christmas Collection is Big Machine’s nine-tune compilation for the Colonial Candle company. Eli Young Band is borrowed from the Republic roster for the set. These guys are bound to have a merry Christmas, since they are coming off their first No. 1 record. By keeping things simple, the group transforms Sir Paul’s tune into a jaunty country carol.

TIM McGRAW/Christmas All Over The World

Writer: none listed; Producer: none listed; Publisher: none listed; Red Light Management (download)
—This rocks splendidly with a big, beefy production that pounds and chimes in all the right places. Tim’s voice has never sounded more confident and assured. Absolutely joyous.

TANYA TUCKER/Merry Christmas Wherever You Are
Writer: none listed; Producer: none listed; Publisher: none listed; Mighty Loud (download)
—Tender and emotional, this one’s for folks who can’t be together at Christmas time. It’s the perfect song gem for anyone missing a loved one who is deployed overseas. Tanya gives the ballad everything she’s got. And that’s plenty from a vocalist this potent. Heart-tugging.

DISClaimer Single Reviews (12/7/11)

Nashville’s country scene seems eerily quiet these days, but the city’s pop/rock community is making plenty of noise.

I have made no secret of my affection for the music of Mat Kearney. Once again, he did not disappoint. He would have totally owned the Disc of the Day award had it not been for the Grammy nominated Keb Mo. Both men’s music belong in your life, so they’re sharing the prize this week.

Gabe Dixon has been making music in The Gabe Dixon Band for a solid decade and three albums worth. Now he’s a solo artist and a Nashvillian, so I don’t care how long he’s been around: He deserves a DisCovery Award for reinventing himself.

STEPHEN SIMMONS/Spark
Writer: Stephen Simmons; Producer: Stephen Simmons; Publisher: Shiny Geode, SESAC; Locke Creek (track) (www.stephensimmonsmusic.com)
—This CD, The Big Show, is the Woodbury, TN native’s sixth album. Its emphasis track is a rootsy country-rocker with a gentle rumble and a plaintive, love-struck vocal. Americana programmers take note.

KYLE ANDREWS/Lazer Tag With Imaginary Friends
Writer: Kyle Andrews/Greg Burgess; Producer: Kyle Andrews, Chris Grainger & Greg Burgess; Publisher: none listed; Elephant Lady (track) (www.kyleandews.com)
—Kyle Andrews makes electro pop with weird audio squiggles, jumpy beats, goofy noises and frequent tempo shifts. This quirky track comes from his new Robot Learn Love collection. It’s kind of arty and over my head, but there’s no mistaking his talent.

MAT KEARNEY/Hey Mama
Writer: Mat Kearney/Jason Lehning; Producer: Richard Marvin & Jason Lehning; Publisher: EMI Blackwood/Facade Aside/Tastes Like Chicken, BMI; Aware/Universal Republic (track) (www.matkearney.com)
—If there’s any justice at all, Mat Kearney will be the next pop-rocker to break big out of Music City. This hand-clapping single from his Young Love album is so ridiculously catchy and irresistible it ought to have a warning label about possible addiction. It makes you want to skip around the room wearing a silly grin.

STEPHAN DUDASH/Paradise
Writer: Stephan Dudash; Producer: Stephan Dudash & Chris Rhyne ; Publisher: Gypsyquest Muzik, BMI; Gypsyquest (track) (www.stephandudash.com)
—Dudash’s current Gypsy Quest CD contains this utterly lovely violin instrumental that wafts like blossoms in a spring breeze. The rest of the collection draws on Latin, swing, folk, pop and jazz idioms. He has played or toured with a wide variety of talents—Shania Twain, Olivia Newton-John, BadaBing BadaBoom, Janie Fricke and Lee Greenwood among them. This virtuoso can also be heard playing thrilling gypsy jazz with guitarist John Jorgenson’s Quintet. For more audio samples, check out his website.

KEB MO/The Whole Enchilada
Writer: Kevin Moore/John Lewis Parker; Producer: Keb Mo; Publisher: Kebnote/Wixen/Parker’s Pen, BMI; Yolabelle/Ryko (track)
—This Nashvillian is nominated for a Blues Grammy Award for his current CD The Reflection. But although this single from it sounds appropriately laid back and funky, Keb Mo is more than just a “blues” artist. Elsewhere on the collection, you’ll find echoes of pop and folk as well. Whatever the genre, he’s an essential listening experience.

GLOSSARY/A Shoulder To Cry On
Writer: Joey Kneiser; Producer: Glossary & Mikey Allred; Publisher: Lytle Street Kitchen, BMI; Last Chance (track) (www.glossary.us)
Long Live All of Us is the seventh album by this Murfreesboro rock quintet. With its bright horn bursts and neo-soul vibe, this track typifies its rump-shaking new sonic approach. Mighty fine, mighty fine.

GABE DIXON/My Favorite
Writer: Gabe Dixon/Dan Wilson; Producer: Marshall Altman; Publisher: Five R/G and L/Sugar Lake/Chrysalis, BMI/ASCAP; Fantasy/Concord (track) (www.gabedixon.com)
—This guy has it all—a cooly soulful tenor singing voice, outstanding piano chops, a talent for pop tune crafting and propulsive energy. This track from his new One Spark CD is a slab of audio joy from start to finish. This is  definitely the month to become a Gabe fave. He’s WRLT Lightning 100’s “Artist in Residence” throughout December and will be appearing and/or performing at various venues to boost donations to Second Harvest Food Bank and Toys for Tots. He’ll be singing at Whole Foods on Friday (12/9) and at Zumi Sushi next Wednesday (12/14), among several other gigs. If you see/hear him just once, I promise you’ll walk away a fan.

JAY PATTEN/Crystal Nights
Writer: Jay Patten; Producer: Cristos/Ric Lonow & Jay Patten; Publisher: Standard Blue, BMI; Flamingo (track) (www.jaypatten.com)
—Smooth saxophone stylist Jay Patten has been Crystal Gayle’s bandleader for many years, so he dedicates his latest CD to her. Its title tune is a toe-tapping, jazz-inflected instrumental bopper that perfectly captures the horn man’s style. The 13-track collection includes six vocals, one of which is a duet with Crystal on “Memories Are Made of This.”

BARRY WALSH/Marathon Motorworks
Writer: Barry Walsh; Producer: Barry Walsh; Publisher: Barry Walsh, ASCAP; Scarlet Letter (track) (www.barrywalshmusic.com)
—Walsh is the keyboard accompanist and husband to singer-songwriter Gretchen Peters. His mostly instrumental Paradiso CD is performed on concert grand piano. Here, he’s joined by Dobro master Rob Ickes and cellist David Henry. The piano collection never feels predictable, partly because of the variety of his compositions and partly because electric guitar, accordion and synthesizer sounds pop up at various times.

BILL MILLER/Birds Of Prey
Writer: none listed; Producer: Bill Miller & Michael Von Muchow; Publisher: none listed; Cool Springs (track) (www.billmillerarts.com)
—One of our most distinctive musical residents is Native American singer, songwriter and flautist Bill Miller. His Spirit Wind North CD won last year’s Grammy in the Native American category, which was his third such trophy. The category has been discontinued this year. Nevertheless, he’s still an outstanding artist, as illustrated by  the haunting tones of his flute on this gorgeous instrumental embellished with bird calls. The sound of purity.

DISClaimer Single Reviews (11/30/11)

It’s all stars, no waiting, this week as everyone from Princess Taylor Swift to King George Strait and his fellow Hall of Famers Bill Anderson and Dolly Parton are on deck.

Because everyone here is a known quantity, there is no DisCovery Award this week.

One of the most difficult things about this gig is that you’re always comparing apples to oranges. For that reason, there are two Disc of the Day prizes. Craig Campbell is dealing with humor, so he gets the apple. Brantley Gilbert is dealing with heartache, so he gets the orange.

CHRIS CAGLE/Got My Country On
Writer: Kelly Archer/Justin Weaver/Danny Myrick; Producer: Keith Stegall; Publisher: Internal Combustion/Southside Independent/Year9/Music of Stage Three/Songs of Cornman/BMG Chyrsalis/Root 49/Danny Myrick, BMI; Bigger Picture
—Hasn’t this song been written, like, a hundred times during the past few years?

TAYLOR SWIFT/Ours
Writer: none listed; Producer: none listed; Publisher: none listed; Big Machine (track)
—The lyric is one of her better efforts, but the melody isn’t all that memorable. Still, we could use a ballad on our playlists these days.

BILL ANDERSON & DOLLY PARTON/If It’s All The Same To You
Writer: Bill Anderson; Producer: Bill Anderson; Publisher: none listed; Bear Family (track)
—This ultra rare 1963 demo featuring these two Hall of Famers can only be had by getting Bill’s new, deluxe, four-CD boxed set covering the first decade of his stellar career. The then-unknown Dolly sings a duet harmony part that is mixed as hot as Bill’s lead, and the result is pretty dang cool. The song later surfaced as a 1970 chart-topper for Bill and his real duet partner, Jan Howard.

STEVE HOLY/Until The Rain Stops
Writer: Matt Ramsey/Trevor Rosen/Matt Jenkins; Producer: Lee Miller; Publisher: Music of RPM/Sonic Geo/Unfair Entertainment/Songs of BMP/Kobalt, ASCAP; Curb
—Languid and sensuous, with a nifty guitar groove. The production is a little bottom-heavy, but this is a winner.

CRAIG CAMPBELL/When I Get It
Writer: Craig Campbell/Jason Matthews/Jim McCormick; Producer: Keith Stegall; Publisher: Melodies of Bigger Picture/Acoustic Peanut/Steel Wheels/Big Loud Bucks/Matthews Millions/Warner-Tamerlane/Jim McCormick, SESAC/BMI; Bigger Picture
—His answer to the bill collector is, “When I get it, you’ll get it.” His answer to his ex-wife’s demand for money is the same. When he tries to collect a $50 bet from a buddy, the tables are turned. An extremely likable, hard-times, sing-along tune.

GEORGE STRAIT/Love’s Gonna Make It Alright
Writer: Al Anderson/Chris Stapleton; Producer: Tony Brown & George Strait; Publisher: International Dog/Big Yellow Dog/Bucked Up/House of Sea Gayle/Small Fish, BMI/ASCAP; MCA (CDX)
—This lopes along with a steady, gently swaying pace. His burnished baritone is answered by steel licks that pop up throughout the track. In a word, classy.

THE OAK RIDGE BOYS/What’cha Gonna Do
Writer: Steven J. Williams/Will Nance/Sherrie Austin; Producer: Michael Sykes & Duane Allen; Publisher: Magic Mustang/Big Loud Bucks/Smokin’ Grapes/Bilangray/Lil’ Geezer/Rockin’ the Delta/Starboard Left, BMI/SESAC; ORB (CDX)
—Bass man Richard Sterban’s stuttering delivery of the title lines of this bopper is priceless. The rest of the boys are still harmonizing flawlessly. The song is as catchy as all get out.

.38 SPECIAL/Help Somebody
Writer: Kip Raines/Jeffrey Steele; Producer: Danny Chauncey; Publisher: 3 Ring Circus/Songs of Windswept Pacific, ASCAP; .38 Special (CDX)
—These veteran Southern rockers have a true blue-collar lyric here. Despite that and the mid-tempo rhythm, there’s no getting around the “rock” attitude in the performance.

JASON MICHAEL CARROLL/Meet Me In The Barn
Writer: Jason Michael Carroll/Dallas Davidson/Patrick Davis; Producer: Patrick Davis Music; Publisher: Universal-Careers/More Than Rhymes/EMI Blackwood/String Stretcher, BMI; Stray (CDX)
—The cute country girl sure knows how to get his attention when she whispers sweet nothings in his ear. Especially when it’s the title of this romper that she’s whispering.

BRANTLEY GILBERT/You Don’t Know Her Like I Do
Writer: Brantley Gilbert/Jim McCormick; Producer: Dann Huff; Publisher: Warner-Tamerlane/Indiana Angel/Jim McCormick, BMI; Valory (track)
—Sung with pained sincerity, this is easily his most powerful performance to date. Plus, the songwriting and production are both first rate. Hang on for the hushed, anguished vocal passage near the finale.