DISClaimer Single Reviews (11/16/11)

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Since this is awards season, let’s chop the DisClaimer honors into categories this week.

Our Vocal Collaboration Award goes to Matt Nathanson & Sugarland. Drop what you’re doing and go out and buy his Modern Love pop CD right now.

Our Female Vocalist Award is a no-brainer. Faith Hill rules. The Male Vocalist Award goes to an artist of a completely darker stripe, the wicked good Greg Garing.

The Vocal Group prize is a toss-up between Sawyer Brown and Stealing Angels, with the gals grabbing the bouquet.

DANIEL WARREN/Brent Creek
Writer: Daniel Warren; Producer: Al Hurschman & Daniel Warren; Publisher: Chaprielle, BMI; Quarterback (www.danielwarrenband.com)
—The track is breezy and wafting with sighing organ and deftly plucked guitars. His song is nicely written, but his voice is quite thin and lacks authority.

JASON CASSIDY/What If
Writer: Cassidy/Stockton/Diggs; Producer: Doug Deforest, Jody Booth & Jason Cassidy; Publisher: none listed; Blake-A (www.jasoncassidymusic.com)
—I have liked this fine country vocalist in the past, and this single is another in a string of solid efforts by him. The ballad is extremely well constructed, and his resonant singing has ache and longing in all the right places. A winner.

FAITH HILL/Come Home
Writer: Ryan Tedder; Producer: Byron Gallimore & Faith Hill; Publisher: Sony-ATV Tunes/Velvet Hammer/Midnight Miracle, ASCAP; Warner Bros.
—Introduced on last week’s CMA Awards telecast, this ballad of lovers separated by war has timely emotional heft. Faith sings it in her upper soprano range, which brings out the pain of loneliness.

THE KENNETH BRIAN BAND/Welcome to Alabama
Writer: Kenneth Brian; Producer: Johnny Sandlin; Publisher: none listed, BMI; Southern Shift (track) (www.kennethbrian.com)
—This bluesy Southern-rock outfit has connections. Its CD features such notable guests as David Hood, Jason Isbell, Bonnie Bramlett, Charlie Hayward and James Pennebaker, not to mention Allman Brothers producer Johnny Sandlin. This title tune is strikingly reminiscent of classic-era Charlie Daniels.

GREG GARING/My Time for Leaving
Writer: Greg Garing; Producer: Todd Perlmutter; Publisher: none listed; L.E.S. (track)
—The greatest of all the neo honky-tonk performers on Lower Broadway is back with a collection titled, simply, Greg Garing. It kicks off with this doom-y, echoey ballad punctuated by squalling saxophone. His singing remains hair raising in its intensity. Spooky, scary and thoroughly hypnotizing.

LAUREN ALAINA/Georgia Peaches
Writer: Mallary Hope/Blair Daly/Rachel Proctor; Producer: Byron Gallimore; Publisher: none listed; Mercury/19 (CDX)
—The American Idol runner-up’s second single is a bright rocker celebrating the fairer sex of the state of Georgia. She gives shout-outs to the state’s Alan Jackson and Jason Aldean along the way. I still say this teen sings better than winner Scotty McCreery does.

STEALING ANGELS/Little Blue Sky
Writer: Caroline Cutbirth/Tayla Lynn/Jennifer Wayne/Keith Follese/Adrienne Follese; Producer: Paul Worley; Publisher: Shaw Enuff/Red Leo/Multisongs/How Bout That Skyline/BMG Chrysalis/Songwriters of Platinum Pen/Little Dutchess/The Family Business/3 In the Key, BMI/ASCAP/SESAC; Skyville (CDX) (615-320-7052)
—I was crazy about this group’s debut single, and this follow-up is just as good. I know it’s confusing with so many female trios out there right now, but this is the one to keep your ears on. Superb melody, heartbeat percussion, stunning production and celestial vocals, this has it all. Stay tuned for the passage where all three voices weave together like an audio tapestry.

SAWYER BROWN/Travelin’ Band
Writer: Mark A. Miller; Producer: Mark A. Miller; Publisher: Travelin’ Zoo, ASCAP; Beach Street (CDX) (615-799-2229)
—Miller reflects nostalgically back on the glory days of his band. Strikingly autobiographical, it specifically mentions having hits like “Some Girls Do” and “Used to Blue,” touring with Kenny Rogers, wearing ‘80s haircuts and identifying various band members by name. Undeniably wistful and quite moving.

DANNY CLICK/I Feel Good Today
Writer: Danny Click; Producer: none listed; Publisher: One Bullet, no performance rights listed; DC (1-800-584-5524)
—He sings in an earnest, sincere tenor. The production is rather dull, and the bopping song with its downbeat lyric is just so-so.

MATT NATHANSON & SUGARLAND/Run
Writer: Matt Nathan/Jennifer Nettles/Kristian Bush; Producer: Kristian Bush, Matt Nathanson, Jennifer Nettles & Mark Weinberg; Publisher: Little Victories/Stage Three/BMG Chrysalis/Jennifer Nettles/Dirkpit, ASCAP/BMI; Vanguard (track) (www.mattnathanson.com)
—I was so smitten with this when they performed it on the CMA show that I bought Matt’s Modern Love sophomore CD just so I could hear it again. It is just as throbbing and sexy and melodic as I remembered it. Maybe even more so. This guy is a major, major talent.

DISClaimer Single Reviews (11/9/11)

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Considering that this is Country Music Week, you’d think some big-time stars would be shooting across the sky with new music.

Instead, it’s the indie community that is bringing its A-game. Canadians Aaron Lines, Deric Ruttan and Charlie Major are all here with dandy, up-tempo tunes.

Nashville’s own Kelly Lang & T.G. Sheppard are even better. Drawn from Kelly’s new 11:11 CD, their powerful duet is the Disc of the Day.

There are two promising newcomers to report to you. Barry Michael and Jared Ashley both bow in the column this week. Jared Ashley wins the DisCovery Award. Someone in Becky Harris’s office sent his CD to me, and I always like what Chris Young’s mom likes.

BARRY MICHAEL/Uncountrify Me
Writer: Barry Michael/Corey Barker; Producer: Kimo Forrest; Publisher: BS Works/Corey Lee/Myohana, ASCAP/BMI; Stockbridge (www.stockbridgerecords.com)
—He sings with clarity and sincerity. Kimo’s production, as usual, is exemplary. The song is listenable and decent enough, but is hardly undeniable. Find a hit.

KATIE ARMIGER/Scream
Writer: Katie Armiger/Sarah Buxton/Blair Daly; Producer: Blair Daly; Publisher: Purple Monkeys/We’re Going to Maui/Internal Combustion/Southside Independent/Kickin Grids, SESAC/BMI; Cold River
—She keeps it together in public, but when she’s alone, she lets it all out. Katie is in peak form vocally on this range-y power ballad. Solid work.

JARED ASHLEY/Stained
Writer: Jared Ashley/Nick Sturms; Producer: Bobby Terry & Jared Ashley; Publisher: none listed; 615 Entertainment (track) (www.jaredashley.com)
—Jared is a Georgia boy who has evidently garnered a good following in his home state. His disc debut features this moody mid-tempo outing. She feels like damaged goods, but he assures her that she is stained beautifully, like a church window. His performance is nicely shaded, varying from almost whispered passages to near shouts of passion.

GLEN CAMPBELL/Ghost On The Canvas
Writer: Paul Westerberg; Producer: Julian Raymond & Howard Willing; Publisher: Dry Wood/Bug, ASCAP; Surfdog (track) (www.glencampbellmusic.com)
—Glen’s new video is for the title tune of his superb finale as a recording artist. Like his classic hits, the song has a soaring, catchy melody and an instantly memorable chorus embellished with sky-high strings and prominent guitar. Awesome stuff. Did I mention that I am a lifelong fan?

JULIE ROBERTS/NASCAR Party
Writer: Julie Roberts/Thom Hardwell/Nick Trevisick; Producer: none listed; Publisher: Aint Skeerd/Sweet Ruby Reid/Lilolam, SESAC/ASCAP; JR (track) (www.julieroberts.com)
—Julie’s new Alive CD concludes with this rousing stomper. Do I hear a national sports anthem, here? Heck, she even name-checks all the tracks.

JULIE INGRAM/Thank God
Writer: Julie Ingram/Frances Wainwright; Producer: Jay Vern & Julie Ingram; Publisher: Summit Partners/INXS, BMI/ASCAP; LongShot (track) (www.julieingram.com)
—The rest of the title is, or should be, “for Mom and Dad.” It’s a slo-o-o-w piano ballad about all the good advice she got from her parents. I nodded off.

KELLY LANG & T.G. SHEPPARD/Dead Girl Walking
Writer: Kelly Lang; Producer: Kelly Lang; Publisher: Kelly Lang, BMI; Leopard Entertainment (track) (www.kellylang.net)
—Considering the cancer battle Kelly and husband T.G. have been through, the title is a little unnerving. But the lyric is about romantic abandonment, not her physical condition. Kelly’s melody for it is absolutely sumptuous, and both of them sing the fire out of this swirling, fevered festival of emotion. Hang on for the bridge, when the production really starts to build. Heart gripping.

CHARLIE MAJOR/Keep On Livin’
Writer: none listed; Producer: none listed; Publisher: none listed; MDM (ERG)
—Charlie is a big star in Canada. I don’t see any reason why this friendly, upbeat, good-advice rocker couldn’t translate to audiences south of the border.

AARON LINES/Sunday Afternoon
Writer: none listed; Producer: none listed; Publisher: none listed; On Ramp (ERG)
—Aaron returns with this smile-a-minute, romantic bopper performed with hearty positivity. I like his slips up into falsetto notes on the choruses and urgent breathiness in the verses. Loaded with hooks.

DERIC RUTTAN /She’s Like A Song
Writer: none listed; Producer: none listed; Publisher: none listed; Black T (ERG)
—Ruttan is a successful Music Row songwriter who dips his toes into the artists’ pond once again with this well-produced romper. I like the thumping percussion and the guitar riffs. His voice isn’t all that memorable, but he sells this just fine.

DISClaimer Single Reviews (11/2/11)

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Who ARE all you people?

The woods are crawling with indies this week. Some of them are downright scary. But others are delightful surprises.

Love and Theft, Mark Cooke and Russell Moore & IIIrd Tyme Out all made a run for the Disc of the Day prize. But the good folks at Carnival have the winner. It’s Alabama native Adam Hood. I guarantee that you will fall in love with his record. He’s wicked good.

A Michigan fellow named John Maison is here with his debut single. He wins this week’s DisCovery Award.

MARK COOKE/Any Way The Wind Blows
Writer: Marty Dodson/Jennifer Hanson/Mark Nesler; Producer: J. Gary Smith & John Smith; Publisher: Nashvistaville/Nez/I Hope Momma’s Listenin/Black to Black/Ole/Sony-ATV, BMI; CVR (track)
—The track is superbly breezy, and he sings with earnest baritone authority. The song has a sing-along quality that sweeps you right up into the middle of it. In short, if this isn’t radio-ready, I’ve never heard it.

JOHN MAISON/Fast Enough
Writer: Kyle Jacobs/Joe Leathers/Kris Bergsnes; Producer: Ray Barnette; Publisher: Curb/Jacobsong/Fortune Favors the Bold/Song Garden, ASCAP/BMI; Big High Five
—The track is a rumbling, gripping, open-road rocker with a lot of “bottom” in the production. The song is cool, too. The mix almost overwhelms his vocal, so you have to listen extra hard to hear that he has the goods.

LOVE AND THEFT/Angel Eyes
Writer: Jeff Coplan/Eric Guderson/Eric Paslay; Producer: Josh Leo; Publisher: EMI April/Sunboy/Rockapop/Hate and Purchase/Cal IV, ASCAP; RCA
—She’s a flirty sinner on Saturday night, and a choir girl on Sunday morning in this merry bopper. The team’s Everly-style harmonies are totally excellent. Love and Theft was formerly a trio on Lyric Street’s Carolwood imprint. Now it is down to the duo of Stephen Barker Lyles and Eric Gunderson and moved to RCA.

JOHNNY SOLINGER/Livin’ Out A Country Song
Writer: Atkins/Stover/Maher; Producer: none listed; Publisher: EMI Blackwood/EMI April/Song of Country Wood/Red Stripe Plane, ASCAP; Red Dirt (www.reddirtmusiccompany.com)
—It’s another one of those songs that strings along redneck cliches. This time, the vocal bellowing is more irritating than usual.

CODY ROWE/Little White Lies
Writer: C. Rowe; Producer: Randy Miller & Eric Anonsen; Publisher: none listed, BMI; CR (www.codyrowe.com)
—He stays on pitch, barely. The track is so plodding it is like wading through molasses.

RUSSELL MOORE & IIIRD TYME OUT/If Your Heart Should Ever Roll This Way Again
Writer: Mark Irwin Abramson/Paul Austin Cunningham; Producer: Russell Moore & IIIrd Tyme Out; Publisher: Ten Ten/Universal, ASCAP; Rural Rhythm (track) (www.iiirdtymeout.com)
—Formerly a 1989 single for Jo-El Sonnier, this ultra melodic song is now a lilting bluegrass single with a high-lonesome lead vocal, slippery fiddle work, mandolin and guitar ripples, cool vocal harmonies and a banjo that skips along throughout. Delightful. The CD is titled Prime Tyme. If you dig bluegrass, you can’t do much better.

KIMBERLY DUNN/I’d Rather
Writer: none listed; Producer: none listed; Publisher: none listed; Up & Out (track) (www.kimberlydunnmusic.com)
—No wonder there are no credits. She’s a vocal catastrophe.

ADAM HOOD/Flame And Gasoline
Writer: none listed; Producer: Matthew Miller & Oran Thornton; Publisher: none listed; Carnival (track) (www.adamhood.com)
—The Shape of Things is Hood’s just-released third album. This track showcases the pent-up energy in his delivery, the punchy production work and the excellent song craftsmanship that is evident throughout it. I have given this guy favorable marks in the past, and I remain a fan of his fiery style. If you haven’t lent him your ears before, do so now. Essential listening.

T.J. BROSCOFF/Wrong Side Of The Tracks
Writer: T.J. Broscoff; Producer: Bill Green; Publisher: Bill Green, BMI; BGM  (www.tjbroscoff.com)
—The meandering song could use some tightening up, but he delivers it with raspy conviction. Worth a listen.

ANDY VELO/Southern Thing
Writer: Andy Velo; Producer: none listed; Publisher: Suwanee Creek, BMI; Red Dirt (www.reddirtmusiccompany.com)
—Guess what? He’s a true-blue country boy on a dirt road in a truck, blasting Southern rock with beer and a babe. Wow. What a novel idea for a song!

DISClaimer Single Reviews (10/26/11)

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Toby, Trace, Blake, Dolly, Merle and more—it’s all stars and no waiting in this week’s column.

Our Female Vocalist Disc of the Day goes to the indomitable Dolly Parton. Long may she sing. Trace Adkins, Toby Keith, Merle Haggard and our surprise winner, Billy Currington, vied for the Male Disc of the Day. Billy was the one who was smart enough to dip into the catalog of the late, great Harley Allen for his new single.

Owing to the glut of big-name record makers, there was, alas, no room for any worthy DisCovery Award.

TOBY KEITH/Red Solo Cup
Writer: Jim Beavers/Brett Beavers/Brad Warren/Brett Warren; Producer: Toby Keith; Publisher: Sony-ATV Tree/Beavertime/BMG/Chestnut Barn/Chrysalis One/EMI Blackwood/StyleSonic, BMI; Show Dog (track)
—It’s sing-along drinking song with a spare banjo-guitar accompaniment. The recording sounds strikingly “live” and un-produced, and is therefore quite refreshing.

RODNEY ATKINS/He’s Mine
Writer: Casey Beathard/Phil O’Donnell/Tim James; Producer: Ted Hewitt & Rodney Atkins; Publisher: Sony-ATV Acuff-Rose/Sixteen Stars/Immokalee/Hodges House of Songwriters/Warner-Tamerlane/T-Bird’s, BMI; Curb (track)
—This, on the other hand, is totally compressed, auto-tuned and electro-produced within an inch of its life. The lyric has the Dad showing pride in his boy no matter what happens, good or bad.

KEITH URBAN/You Gonna Fly
Writer: Jaren Johnston/Chris Lucas/Preston Brust; Producer: Dann Huff & Keith Urban; Publisher: Sony-ATV Harmony/Texa Rae/Sony-ATV Cross Keys/Sony-ATV Tree, ASCAP/BMI; Capitol Nashville (track)
—The fourth single from Keith’s Get Closer collection is an upbeat, uplifting ode to escape and hope. His singing is super convincing, and the guitar solo blisters.

DOLLY PARTON/The Sacrifice
Writer: Dolly Parton; Producer: Kent Wells; Publisher: Velvet Apple, BMI; Dolly/Warner (track) (www.dollypartonmusic.net)
—The woman’s ongoing creativity is one of the wonders of our time. Five decades into her career, she is still writing and singing as powerfully as ever. This pulse-quickening little rocker is an autobiographical tale of how she willed herself to be a winner. And, boy, did she.

BILLY CURRINGTON/Like My Dog
Writer: Scotty Emerick/Harley Allen; Producer: Carson Chamberlain & Billy Currington; Publisher: Florida Room/BPJ/Coburn/Harley Allen, BMI; Mercury Nashville (track)
—For locating great songs, Currington has some of the best ears in Music City. This wickedly clever ditty praises the affections of a pooch, as compared to the judgmental attitudes of his gal. I grinned. So will you.

MERLE HAGGARD/Working In Tennessee
Writer: Merle Haggard; Producer: Merle Haggard & Lou Bradley; Publisher: Merle Haggard, BMI; Hag/Vanguard (track) (www.merlehaggard.com)
—The title tune to the Hag’s new CD is a quick-step western swinger. Guitarist Reggie Young, pianist Doug Colosio and fiddler Scott Joss all get in some hot licks while the vocalist offers some light-hearted, bluesy digs at Tune Town.

TRACE ADKINS/Million Dollar View
Writer: David Lee Murphy/George Teren; Producer: Kenny Beard & Mark Wright; Publisher: Old Desperados/Carol Vincent & Associates/EMI Blackwood/Terenator/Done and Dusted, ASCAP/BMI; Show Dog Universal
—As you might expect, the finest view isn’t from a beach, a mountaintop, a high rise or a vacation spot. It’s gazing at his baby in their humble, little living room. The band cooks with gas on this mid-tempo bopper, and Trace totally owns it, vocally.

HAYES CARLL/Stomp And Holler
Writer: Hayes Carll; Producer: Brad Jones; Publisher: Highway 87/Bug, SESAC; Lost Highway
—Perennial Americana fave Carll wails the bad-boy lyric like a wounded honky-tonk survivor. Guitars crash and scream all around this catchy rocker.

BLAKE SHELTON/Footloose
Writer: none listed; Producer: none listed; Publisher: none listed; Warner Bros. (track)
—I have said it before, many times: There is absolutely no point to remaking an oldie unless you’re going to put your own stamp on it and reinvent it. This merely apes the 1984 Kenny Loggins arrangement, right down to the grinding guitar licks.

CLAY DUSTIN/I’ll Take That Job
Writer: David Chamberlain/Mark Sherrill; Producer: David Chamberlain; Publisher: Handle It/Key/Mark, SESAC; PureHeart (track)
—The full title is “I’ll Take That Job That Johnny Paycheck Shoved.” His singing isn’t particularly distinctive, but Dustin is country right down to his boots.

DISClaimer Single Reviews (10/19/11)

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Look beyond our famous stars like Kings of Leon, Paramore, Sheryl Crow, Ke$ha, Ben Folds, Kim Carnes, Michael McDonald, Steve Cropper, Leon Russell, Donna Summer, Keb’ Mo’ and The Black Keys, and you’ll find that they are just the tip of a very, very large pop/rock iceberg in Music City.

The community is incredibly diverse, so that made choosing award winners especially tough this week. There are two DisCovery Award artists. One, Shane Dwight, comes from the R&B column. The other, Nashville newcomer Parachute, is a straight-ahead rock band.

Similarly, the two Disc of the Day winners come from different genres. Legendary singer-songwriter John Hiatt is a rocker at heart. The McCrary Sisters have a disc that showcases their gospel roots.

TONY BENNETT & FAITH HILL/The Way You Look Tonight
Writer: Jerome Kern/Dorothy Fields; Producer: Phil Ramone & Dae Bennett; Publisher: Universal PolyGram/Shapiro Bernstein/Aldi, ASCAP; Columbia (track)
—I am told that Faith is finally finishing a new album (her last was a Christmas album three years ago). Meanwhile, fans needing a Faith fix will have to make do with her Sunday football tunes and this track from Tony’s Duets II collection. Performed with a light jazz combo and sighing strings, this has a lushly romantic vibe. Tony sounds terrific at 85, and Faith proves to be a solid saloon stylist and harmony vocalist. Other Nashville-oriented folks on this justly celebrated set include Carrie Underwood, Sheryl Crow and Willie Nelson.

J.D. SOUTHER/I’ll Be Here At Closing Time
Writer: John David Souther; Producer: Fred Mollin; Publisher: none listed; Entertainment One (track)
—The last outing by this former country-rocker was a surprisingly jazzy affair. On his new Natural History CD, he revisits his distinguished catalog, reworking “Faithless Love,” “New Kid in Town,” “You’re Only Lonely,” “Prisoner of Love,” “Best of My Love” and the like. And, let’s face it, song writing doesn’t come much better than those classics. This finale ballad is a sweet, wistful pledge of devotion sung in an intimate whisper with a gentle, simple piano/guitar accompanying track. It’s as lovely a ballad as he’s ever done, and he reportedly killed with it at a recent showcase at The Basement.

THE FEATURES /Rambo
Writer: Matthew Pelham/The Features; Producer: Brian Carter & The Features; Publisher: Bug/Bughouse/Silent But Violent/This Is Daiglenetics/Ghost Riding, BMI/ASCAP; Bug Music (track) (www.thefeatures.com)
—This durable Nashville rock institution is back with a collection titled Wilderness. Its calling-card single is a rattling, jangling stomper with a passionate, sky-high, lead vocal that rides above super guitar work and a ferocious rhythm track. These four guys can still deliver a mighty big sound.

JACK WHITE/You Know That I Know
Writer: Hank Williams/Jack White; Producer: Jack White III; Publisher: Sony-ATV Acuff-Rose/Third String, BMI; Columbia (track)
—The Lost Notebooks CD has today’s stars writing melodies and/or finishing lyrics left behind nearly 60 years ago by the late Hank Williams. The restlessly creative Jack White seems to always have a Raconteurs, Third Man or other project in the works. Here, he channels Hank both vocally and instrumentally. I’m serious: He sounds surprisingly like the country icon, and Donnie Heron’s steel guitar tingles just like a Drifting Cowboy should. Other participants on this extraordinary record include Sheryl Crow, Merle Haggard, Lucinda Williams,  Vince Gill & Rodney Crowell, Alan Jackson, Patty Loveless and granddaughter Holly Williams, not to mention Bob Dylan.

PARACHUTE /Something To Believe In
Writer: Will Anderson; Producer: John Fields; Publisher: How It Should Be/Warner Chappell, BMI; Mercury (track)
—This five-piece band has recently moved to Music City from Charlottsville, VA. You say you’re sick of dance-pop, hip-hop, emo and “alternative” anything? Step right up, because these guys are old-school pop-rock with real melodies, throbbing electric guitars and pumping rhythm. This track from its The Way It Was CD has a big, U2-ish sound, multi-voiced choral singing on the choruses and a honking sax to top it off. Catchy and uplifting, to say the least.

DAVID MEAD /Twenty Girls Ago
Writer: Bill DeMain/David Mead; Producer: Brad Jones; Publisher: Tin Panda/Bug/Da Wei Phonetic, ASCAP/BMI; Cheap Lullaby (track)
—Mike Grimes at Grimey’s says this is his very favorite pop song today. That’s a good enough endorsement for me, so I spun it. As a long-time David Mead fan, I expected to be delighted and was. It’s a sweetly melodic ballad sung in his trademark tenor with rippling acoustic guitar, fluttering mandolin, sighing clarinet and tinkling piano backing. Romantic regret is set to a deliciously quirky and complex tune. The description that comes to mind is “chamber pop.” It is on last year’s Almost and Always CD, but it’s never too late to buy any Mead music. I remain a completely smitten fan.

THE McCRARY SISTERS/Give Him My All
Writer: Bob Dylan/Regina McCrary; Producer: Tommy Sims; Publisher: none listed; McC (track)
—Regina McCrary has sung on three Dylan CDs and toured with him as well, hence the unusual songwriting credit. The four sisters front a funk track with stately horn blasts and a bass line that pulses righteously. Alfreda, Ann, Deborah and Regina are arguably Nashville’s greatest soul sisters. Just ask Stevie Wonder, Bobby Jones, Wynonna, Ray Stevens (that’s them on “Everything Is Beautiful”), Buddy Miller, Patty Griffin, Mike Farris or the late Johnny Cash and Elvis Presley, all of whom have recorded with them. The new McCrary CD is titled Our Journey. Buy it the moment it drops next Tuesday.

JOHN HIATT/Damn This Town
Writer: John Hiatt; Producer: Kevin Shirley; Publisher: Warner-Tamerlane/Oral Track Tunes, BMI; New West (track) (www.johnhiatt.com)
—This enduring Music City treasure kicks off his Dirty Jeans and Mudslide Hymns CD with this doom-soaked, bluesy rocker. The track rumbles and cries in deep mystery while he wails to the heavens of trials and tribulations. Absolutely addictive and undeniably great.

TOM HAMBRIDGE/I Keep Things
Writer: Tom Hambridge; Producer: Tom Hambridge; Publisher: Tom Hambridge, ASCAP; Superstar (track) (www.tomhambridge.com)
—Tom produced Buddy Guy’s 2010 Grammy winning blues CD and co-wrote Gretchen Wilson’s “I Got Your Country Right Here” his version of which is included on his new Boom! album. The disc begins with this rollicking rocker, sung with a gutsy, drawling rasp and featuring stinging guitar. Tom is a drummer, so you know the “bottom” of the sound is solid.

SHANE DWIGHT/A Hundred White Lies
Writer: Shane Dwight; Producer: Kevin McKendree & Shane Dwight; Publisher: Robert Vincent Zolezzi, ASCAP; R-Tist (track) (www.shanedwight.com)
—This R&B guitar slinger and songwriter has been a Nashvillian since 2008. The title track of his new CD is a bluesy meditation with a serious stomp attack. The McCrarys moan mournfully in the background while Dwight’s guitar underscores every line of broken-home misery. Cool in the extreme.

DISClaimer Single Reviews (10/12/11)

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Top-tier country radio stars, the triumphant return of a veteran and a stunning debut album are all ingredients in this week’s audio recipe.

The radio stars in question include Brad Paisley, Craig Morgan, Lee Brice and our Disc of the Day winner, Dierks Bentley.

The comeback belongs to K.D. Lang & The Sis Boom Bang. Their Nashville-recorded Sing It Loud album sizzles with excellence.

The Damn Quails have one of the finest freshman collections I’ve heard all year. It is titled Down the Hatch. The debut single is out now, and the rest of the disc drops on Oct. 25. Brand new band. Brand new label. Brand new sound. The core of the group is a pair of singer-songwriters, Gabriel Marshall and Bryon White. Give those boys a DisCovery Award.

CRAIG MORGAN/This Ole Boy
Writer: none listed; Producer: none listed; Publisher: none listed; Black River (ERG)
—Sunny, romantic and utterly optimistic. Plus, he still sings his face off.

DIERKS BENTLEY/Home
Writer: Dan Wilson/Brett Beavers/Dierks Bentley; Producer: Brett Beavers & Luke Wooten; Publisher: Chrysalis/Sugar Lake/BMG Rights Management/Chestnut Barn/Big White Tracks, ASCAP/IMRO/BMI; Capitol Nashville (CDX)
—Stirring and uplifting. This manages the tricky task of being patriotic without being jingoistic. In addition to being well written, it is brilliantly produced, with a rumbling, drumming undertow and subtle, judiciously placed chimes.

THE DAMN QUAILS/Fools Gold
Writer: Bryon White; Producer: Mike McClure & Joe Hardy; Publisher: C.P. Sparkman, BMI; 598 (track)
—Refreshing, with a splash of harmonica, a dash of dobro, an acoustic-guitar solo, lightly crunchy rhythm and jaunty, folkie vocals. Oklahoma strikes again.

LEE BRICE/A Woman Like You
Writer: Johnny Buford/Phil Barton/Jon Stone; Producer: Jon Stone & Lee Brice; Publisher: Warner-Tamerlane/3JB/Sixteen Stars/How Bout That Skyline/Songs From Ferry Street/BMG Chrysalis, BMI; Curb
—Charming. She asks him what he’d be like if he hadn’t met her. He rattles off a list that includes poker, fishing, football, golf, poor dietary choices and more. But the payoff is that he’d also be looking for her.

WADE BOWEN/Saturday Night
Writer: Wade Bowen/Lee Thomas Miller; Producer: Justin Niebank; Publisher: House of Sea Gayle/Sparks to Strings/Itchy Baby, ASCAP/BMI; Sea Gayle/BNA
—Very cool. He sings with a lot of heart, and the track is cooking with gas. Best of all, the song is superbly written: He’s alone, out on the town and miserable, so why is everybody in love with Saturday night?

BRAD PAISLEY/Camouflage
Writer: Brad Paisley/Chris DuBois/Kelley Lovelace; Producer: Frank Rogers; Publisher: House of Sea Gayle/Words & Music/EMI April/Didn’t  Have To Be, ASCAP; Arista
—I generally dislike records with crowd cheering/shouting in the track.

COREY WAGAR/I Hate My Boyfriend
Writer: P. Brust/C. Brown/C. Wagar; Producer: Kent Wells; Publisher: none listed; GTR (track)
—It rocks with plenty of percussion and screaming guitars. She wants to go out and party with her friends, but he doesn’t like that, hence the title.

KID ROCK & ANGALEENA PRESLEY/Care
Writer: R.J. Ritchie/M. Young/H. Boone/C. Harris; Producer: none listed; Publisher: RJR/Kobalt/Jo Ray Dean/Sony ATV/Family Three/Universal/Crown Club/Warner-Tamerlane, BMI/ASCAP; Atlantic/Top Dog/Quaterback
—Alas, all the time he’s spent in Nashville has not made him a country songwriter.

ANSON CARTER/One Of Those Days
Writer: Arlis Albritten/Mickey Jack Cones/ Chad Hudson; Producer: Michael Bowen & Anson Carter; Publisher: none listed; Black Gold (track) (www.ansoncartermusic.com)
—It’s a little thin sounding, but he gets the job done vocally.

K.D. LANG & THE SIS BOOM BANG/I Confess
Writer: K.D. Lang/Daniel Clarke/Joshua Grange; Producer: K.D. Lang & Joe Pisapia; Publisher: Bromelain/It All Works/De La Grange, ASCAP; Nonesuch (track) (www.kdlang.com)
—Lang returned to Music City to craft her new Sing It Loud CD, and her new Sis Boom Bang band is comprised of East Nashvillians. The album’s lead-off single has an Orbison-bolero vibe that simmers with sensuous heat. Essential listening.

DISClaimer Single Reviews (10/5/11)

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Things are definitely looking up.

I can’t remember a recent listening session with so many well-done platters. Jake Owen has the audio production to beat. Mark Willis has the week’s most striking song. Gloriana is glorious. Kenny Chesney’s bringing the star power. David Bradley has humor and good times on his side.

And then there’s the Disc of the Day. The new trio Pistol Annies is comprised of  three deluxe singer-songwriters—Miranda Lambert, Ashley Monroe and Angaleena Presley.

Their record will take your breath away.
Since those ladies are the only ones with a debut CD today, they also win the  DisCovery Award.

DAVID BRADLEY/If You Can’t Make Money
Writer: Jon Randall/Brad Paisley/Bill Anderson; Producer: Brady Seals; Publisher: Reynsong/Wha Ya Say/House of Sea Gayle/Sony-ATV Tree/Mr. Bubba, BMI/ASCAP; Gecko (track)
—Get a load of those songwriter credits. Too bad they couldn’t find anybody talented to pen this thing. It’s a chugging bopper with plenty of humor in the lyric and a party crowd shouting in the background. A good time was had by all.

JAKE OWEN/Alone With You
Writer: Catt Gravitt/J.T. Harding/Shane McAnally; Producer: Joey Moi &  Rodney Clawson; Publisher: Songs of Maxx/Tunes of R and T Direct/Razor & Tie/Songs Music/A Mighty Seven/Songs for Beans/JTX/Little Blue Egg/Crazy Water/Kobalt, SESAC/BMI/ASCAP; RCA (track)
—Wonderfully atmospheric, with a deep-twang sonic bed, a sexy mood and a swirling melody. This fevered dream of pent-up desire is nothing short of a minor masterpiece. Do you hear that noise? It’s superstardom knocking on Jake’s door.

AMY DALLEY/Coming Out Of The Pain
Writer: Dalley/Sizemore; Producer: New Voice Entertainment; Publisher: Bro N Sis/Madjacksongs, BMI; AmyDalley (track) (www.amydalley.com)
—The title tune to Dalley’s new CD comes on like gangbusters with its gunshot percussion and grinding guitars. It’s a driving, female-empowerment song of survival.

SCOTTY McCREERY/The Trouble With Girls
Writer: Phillip White/Chris Tompkins; Producer: Mark Bright; Publisher: Songs of Universal/Jorjax/Big Loud Songs/Angel River/Big Loud Bucks, BMI/ASCAP; Mercury/19 (track)
—Scotty’s sophomore single is a softly drawled ballad of romantic confusion. His vocal performance sounds like the teen he is, but Bright’s production is a model of sophistication.

MATT GARY/Beautiful Life
Writer: Frank J. Myers/Gary Baker/Nicky Chinn; Producer: Frank Myers; Publisher: Sixteen Stars/Frank Myers/HoriPro/WB/On the Bluff/Ten Ten/Nicky Chinn, BMI/ASCAP; 17/Quarterback (www.mattgarymusic.com)
—There’s hard times all around, but when you have love, nothing else matters. This soaring, propulsive rocker practically begs you to turn it up.

KENNY CHESNEY/Reality
Writer: Kenny Chesney/Brett James; Producer: Buddy Cannon & Kenny Chesney; Publisher: none listed, ASCAP; BNA (track)
—The track behind him is boiling hot, perhaps a little too much so. The song and his vocal performance are both totally classy.

NEAL McCOY/A-OK
Writer: Barry Dean/Luke Laird/Brett Eldredge; Producer: Miranda Lambert, Blake Shelton & Brent Rowan; Publisher: none listed; Blaster (www.nealmccoy.com)
—The whistling and finger-snap opening correctly predict that you’re in for a breezy, good-times tune. Lightweight, but harmless.

GLORIANA/(Kissed You) Good Night
Writer: Tom Gossin/Josh Kear; Producer: Matt Serletic; Publisher: Gossin/Global Dog/Lunalight, ASCAP; Emblem/Warner Bros.
—I remain a fan. Young love has seldom sounded so tuneful, harmonious and downright delicious. Everything about this audio confection pleases me. Play it again.

PISTOL ANNIES/Hell On Heels
Writer: Miranda Lambert/Ashley Monroe/Angaleena Presley; Producer: Frank Liddell & Mike Wrucke; Publisher: Sony-ATV Tree/Pink Dog/Reynsong/Ayden/Ten Ten, BMI/ASCAP; Columbia (track)
—The Pistol Annies CD leads off with this bluesy, moody title tune that grabs you by the ears and doesn’t let go. This thing hisses like a rattlesnake ready to strike. All three of these gals have smokey, sensuous vocal chops with attitude to spare.

MARK WILLS/Crazy Being Home
Writer: Chris Lindsey/Brad Warren/Brett Warren/Robin Lindsey; Producer: Chris Lindsey; Publisher: none listed; Gracie/Starlight (track)
—This is what is so great about country music. No other genre tells stories this powerfully. And what other style would even think to write a song about a soldier’s post traumatic stress disorder? Strong stuff. Wills walks it like he talks it: He has gone to Afghanistan seven times to sing for the troops.

DISClaimer Single Reviews (9/28/11)

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The hills are alive with the sound of bluegrass.

This week at the Convention Center, it’s round-the-clock picking and singing at the IBMA World of Bluegrass confab. Among the week’s highlights are the presentation of the IBMA Awards at the Ryman Auditorium on Thursday evening. The discs in this week’s column all belong to nominees.

The record to beat for Album of the Year belongs to Steve Martin & The Steep Canyon Rangers. I don’t know how it will fare at the Ryman, but in this publication it is the Disc of the Day.

For my DisCovery Award, I am choosing IBMA Emerging Artist nominees Darin & Brooke Aldridge.

DOYLE LAWSON & QUICKSILVER/Gone At Last
Writer: Paul Simon; Producer: Doyle Lawson; Publisher: Paul Simon, BMI; Mountain Home (track) (www.doylelawson.com)
—These guys just don’t know how to make a bad record, and their current Drive Time CD is no break in their streak of excellence. It kicks off with this lickety-split bluegrass take on Paul Simon’s rousing 1975 hand clapper, originally recorded with Phoebe Snow and the Jessy Dixon Singers (Jessy passed away on Monday at age 73). Quicksilver is nominated this week as the bluegrass Vocal Group of the Year, and on his own, Lawson is nominated for Gospel Performance and Recorded Event for his collaboration with fellow stars Paul Williams and J.D. Crowe.

BLUE HIGHWAY/Sounds Of Home
Writer: Shawn Lane; Producer: Blue Highway; Publisher: Cat Town, BMI; Rounder (track) (www.bluehighwayband.com)
—The title tune of Blue Highway’s current album is a tender ballad of nostalgia for creaking floorboards, rain on the roof, rustling leaves and the song of a mockingbird. Lead singer Tim Stafford remains a heart-piercing vocalist, and the moan of the Dobro that echoes his phrasing is audio poetry. The group is nominated for IBMA Vocal Group and Instrumental Group of the Year. Rob Ickes is once again up for Dobro Player of the Year. He practically owns this category, having won every year in 1996-2000, in 2003 and 2004, then again yearly from 2006-2010.

STEVE CANYON & THE STEEP CANYON RANGERS/Rare Bird Alert
Writer: none listed; Producer: none listed; Publisher: none listed; Rounder (track) (www.stevemartin.com)
—This track is nominated for Bluegrass Instrumental Performance of the Year at Thursday’s IBMA Awards. It is a sprightly, merry thing that bubbles right along. The Rare Bird Alert CD also includes such delights as “Atheists Don’t Have No Songs,” “Women Like to Slow Dance” and a remake of Martin’s 1978 hit “King Tut.” It is an Album of the Year nominee, and the band is up for Entertainer of the Year. He might not be the greatest banjo player in history, but this multi-media superstar is a huge benefit to the bluegrass genre.

JOSH WILLIAMS/Dream Of Me
Writer: Murray E. Cannon; Producer: Josh Williams; Publisher: Universal Sawgrass, BMI; Rounder (track)
—Last year’s Emerging Artist winner and a three-time Guitarist of the Year has an album titled Down Home that is a perfect jewel. He has been making records since he was 10 years old, but it is his first truly mature work. This take on the Vern Gosdin classic showcases lovely harmony singing. Other highlights include his version of The Delmore Brothers’ “Blue Railroad Train,” a dandy bluegrass arrangement of “Streets of Bakersfield,” a remake of Jimmy Martin’s “The Last Song,” a revival of Earl Scruggs’ “Polka on the Banjo” and songs by Tom T. Hall and Tommy Jackson, plus Carl Jackson’s title tune. On Thursday, Williams again competes for Bluegrass Guitarist of the Year and is also up for Male Vocalist.

DALE ANN BRADLEY/Somewhere South Of Crazy
Writer: Dale Ann Bradley/Pam Tillis; Producer: Alison Brown; Publisher: Dale Ann Bradley/Vibe Room/Lucky Squirrel/BPJ Administration, BMI; Compass (track)
—This Kentucky soprano is as country as a mountain breeze. She won the IBMA Female Vocalist prize in 2007, 2008 and 2009 and is nominated again this year. This wistful title tune of her current CD features soft harmony work by co-writer Pam Tillis plus guitarist Steve Gulley. And get a load of her supporting cast—Sierra Hull on mandolin, producer Alison Brown on banjo, fiddler Stuart Duncan and Mike Bub on bass. The rest of the album’s repertoire includes the Seals & Crofts pop classic “Summer Breeze,” Reba Rambo’s “New Shoes,” Leslie Satcher’s “Old Southern Porches” and the George Jones oldie “Will You Visit Me on Sunday.”

MICHAEL CLEVELAND & FLAMEKEEPER/Goin’ Up Dry Branch
Writer: Buddy Spicher/Jimmy Martin; Producer: Jeff White & Michael Cleveland; Publisher: Bocephus, BMI; Rounder (track) (www.flamekeeperband.com)
—This toe tapper is my favorite hoedown of the day. Cleveland’s flawless fiddle technique is the envy of his industry, and Flamekeeper totally kicks butt. This track from the group’s aptly titled Fired Up CD is nominated as Instrumental Performance of the Year. The band is competing for Instrumental Group. Cleveland vies for his ninth IBMA Fiddle Player of the Year trophy and the group’s Marshall Wilborn in nominated for his third consecutive Bass Player of the Year honor.

THE GRASCALS/Dooley
Writer: none listed; Producer: The Grascals; Publisher: none listed; Time Life/Blugrascal (track) (www.mayberrysfinest.com)
—The seven-song Dance Til Your Stockings Are Hot and Ravelin’ album is The Grascals tribute to the music of The Andy Griffith Show. The call-and-response vocals on this bluegrass classic are done in a mellow, tongue-in-cheek style (”Dooley,” “Slippin’ up the holler,” “Dooley,” “Gimme a swaller and I’ll pay you back some day.”) The Grascals are again nominated as IBMA Entertainer of the Year. The group’s Kristin Scott Benson is up for her fourth consecutive Banjo Player of the Year prize, and its “I Am Strong” collaboration with Dolly Parton is nominated for Recorded Event.

DARIN & BROOKE ALDRIDGE/Let’s Not Go There
Writer: Dixie Hall/Tom T. Hall; Producer: Jerry Salley; Publisher: Good Home Grown, BMI; Moutain Home (track) (www.darinandbrookealdridge.com)
—This husband-wife duet is sometimes billed as bluegrass music’s “sweethearts.” Jerry Salley has produced an album of remarkable clarity and class on these newcomers. On this ballad, Darin’s high tenor is matched by Brooke’s even higher harmony voice. Later in the track, Salley adds a thrilling harmonized third voice. Lovely work. Darin and Brooke are nominated for this year’s Emerging Artist award.

LARRY SPARKS/Almost Home
Writer: Michael Keith/Dave Lindsey; Producer: Larry Sparks; Publisher: Palm Island Press/Cross Timbers/Lindsey and Sons, BMI; Rounder (track) (www.larrysparks.com)
—Sparks has a classic, “high lonesome” bluegrass voice. He’s a veteran of five decades in this business, but he’s still in there swinging, since his Almost Home collection is competing for Album of the Year. Its title tune ripples with Appalachian authenticity.

SIERRA HULL/Easy Come, Easy Go
Writer: none listed; Producer: Barry Bales & Sierra Hull; Publisher: none listed; Rounder (track) (www.sierrahull.com)
—The former teen mandolin prodigy is now a student at the prestigious Berklee College of Music. Her current Daybreak CD includes this lilting ode with the autobiographical line, “I’m not a child anymore.” She sings in a tender, daughter-of-Alison soprano, and the mandolin playing that made her a star remains dazzling. This week, she’s aiming for her first Mandolin Player of the Year award, as well as for the Emerging Artist trophy.

DISClaimer Single Reviews (9/21/11)

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Let’s take a break from the Music Row mainstream and listen to some platters that have, shall we say, a little more class?

I refer to records like the new ones by the likes of Matraca Berg, Jeff Bridges and Glen Campbell. Glen brings his Goodbye Tour to the Ryman for shows on Nov. 30 and Dec. 5. Based on his touching musical eloquence on The Tonight Show last week, those should be pretty emotional occasions.

For profoundly moving musical moments, Matraca Berg’s The Dreaming Fields and Glen Campbell’s The Ghost on the Canvas are sharing today’s Disc of the Day award.

The newcomers this week were Taylor Made, Krysti Worley, James Justin & Co., The Farm Inc. and Brian Coy & The Remaining Few. None of them was award worthy.

BRIAN COY & THE REMAINING FEW/Highest Of The Low
Writer: Brian Coy; Producer: Britt Lloyd & Adam Odor; Publisher: none listed; RF (www.theremainingfewmusic.com)
—The bass and guitars are so overly amped that you can hardly hear his muffled voice. Maybe that’s a plus.

BURNS & POE/I Need A Job
Writer: Keith Burns/John Ritter; Producer: none listed; Publisher: none listed; Blue Steel (www.burnsandpoe.com)
—It’s an uptempo twang fest with Keith doing the vocal heavy lifting. Best jab at D.C.: “Fire them all, then they’ll be screaming like you and me” or, if you prefer, “Tell them S.O.B.’s I need a J.O.B.”

TAYLOR MADE/Good Love
Writer: Candy Cameron/Tyler Hayes/Michael Boggs; Producer: Dale Morris & Dan Mitchell; Publisher: Rave On/Calhoun Enterprises/Roxboo/My Maxx/Razor & Tie/Upsurge/EM CMG, ASCAP; LGR (615-946-6055)
—This group features a husky-voiced female lead singer who displays plenty of panache on this bluesy outing. The song is catchy, too. Promising.

GLEN CAMPBELL/A Better Place
Writer: Glen Campbell/Julian Raymond; Producer: Julian Raymond & Howard Willing; Publisher: Seventh Son/Maxava, ASCAP; Surfdog (track)
—In a word, heartbreaking. The lead-off track from this mighty music man’s Ghost on the Canvas farewell album is an aching meditation on mortality. “Some days I’m so confused, Lord. My past gets in my way….One thing I know, the world’s been good to me/A better place awaits, you’ll see.” The sterling collection includes six instrumentals, two tunes from Paul Westerberg, one from Jakob Dylan and five originals that pierce your soul. The recording cast includes Chris Isaac, Dick Dale, Brian Setzer and Billy Corgan. The man is saying goodbye with style.

DRAKE JENSEN/All You Need
Writer: D. Jensen/K. Copeland; Producer: Kim Copeland; Publisher: Soaring Eagle/Sage House, SOCAN/ASCAP; Soaring Eagle (track) (www.drakejensen.ca)
—The sophomore single by this Canadian is a dull, plodding outing, but he’s still country to the core.

JEFF BRIDGES /What A Little Bit Of Love Can Do
Writer: S. Bruton/G. Nicholson; Producer: T Bone Burnett; Publisher: Brutunes/Bug/Gary Nicholson/Sony-ATV, BMI/ASCAP; Blue Note (track)
—For his solo CD, Bridges re-teams with his Crazy Heart soundtrack producer T Bone Burnett and works with such guest celebs as Rosanne Cash, Sam Phillips and Ryan Bingham. This kick-off track rumbles along tossing hooks left and right. I’d have preferred a more “open” stripped-down production approach rather than this somewhat heavy handed style. But there’s no denying the Oscar winning actor’s musical talent.

THE FARM INC./Home Sweet Home
Writer: Danny Myrick/Rick Hoffman/Krista Marie/Damien Horne; Producer: Danny Myrick & Nick Hoffman; Publisher: Root 49/Danny Myrickmusic/Tailing Loop/Krista Marie/Mista D, BMI; All In/Elektra/Warner Bros.
—This trio debuts with a stuttering rocker with choppy verses that only hits its stride when it swings into the sunny, melodic harmony-soaked choruses. Then there’s the quasi chanting toward the finale. The whiplash shifts in tone are jarring. A little more consistency, please.

MATRACA BERG/Racing The Angels
Writer: Matraca Berg/Gretchen Peters/Suzy Bogguss; Producer: Matraca Berg; Publisher: Songs of Universal/Hannaberg, BMI; Dualtone (track) (www.matracaberg.com)
—Matraca’s new The Dreaming Fields CD contains her version of her current Kenny Chesney hit “You and Tequila,” but there’s plenty more to recommend it. This ballad, for instance, is a lovely, lilting thing that imagines death as a flight heavenward. For a more bluesy, saucy side of this talented lady, check out “Your Husband’s Cheating on Us.”

JAMES JUSTIN & CO./Dark Country
Writer: none listed; Producer: none listed; Publisher: none listed; JJM (track) (www.jamesjustinmusic.com)
—It starts with the sound of thunder, then turns into a moody country rocker with spooky, echoey guitar jangles and a high, pleading vocal. This is evidently their second album, but it’s the first I’ve heard. My gut instinct is to guide them toward Americana Land.

KRYSTI WORLEY/A Bible And A Six-Pack
Writer: Becky Hobbs/Red Jenkins; Producer: Bill Green & Lynn Massey; Publisher: Becka’s Mecca/Red Hot, BMI/STIM; Electric Cactus (210-654-8773)
—Ya gotta love the title. Her overly bright and shiny sound, however, is trying way too hard to be liked.

DISClaimer Single Reviews (9/14/11)

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Country music has returned.

With Sunny Sweeney, Merle Haggard and newcomer Glenn Kearney leading the charge, this listening session was packed with hard-core sounds. There’s not a pop platter in the stack.

A lot of this week’s tunes are ballads, but some of these sounds can really rock your world.  Definitely turn it up when you put on Sunny, Kyle Park or our Disc of the Day winner, MCA’s Kip Moore. I was a huge fan of Kip’s “Mary Was the Marrying Kind,” and “Somethin’ ‘Bout a Truck” delivers on that initial promise in spades.

Honky-tonk balladeer Kearney competes with Canada’s Ashley Robertson, New Orleans newcomer Josh Charles and Sea Gayle/Arista’s Brent Anderson for this week’s DisCovery Award. Inventive songsmith Brent gets the nod.

KYLE PARK/Make Or Break Me
Writer: Kyle Park/Ryan Beaver; Producer: Kyle Park; Publisher: Walk in the Park/St. Beaver, BMI; Winning Road (track) (www.kylepark.com)
—Produced with plenty of oomph—crashing guitars, thudding percussion, slippery steel and admirable energy. The driving, melodic country rocker has a splendid undertow beneath his boyish tenor delivery. Listenable in the extreme.

SUNNY SWEENEY/Drink Myself Single
Writer: Monty Holmes/Sunny Sweeney; Producer: none listed; Publisher: Funky Merle/EMI April/Ash Street/Richardson Zuleger/Bluewater/Big Music Machine/Three Minute Movie/Super 98, ASCAP/BMI; Republic Nashville (track)
—It’s a gutsy, gal honky-tonker loaded with drawling attitude. The steel-soaked track stirs up a ruckus while she serves notice that she’s going on a tear. It’s enough to make you believe in real country music all over again. Grade: A-plus.

GLENN KEARNEY/Broken Heart
Writer: Tommy Barnes; Producer: Steve Tveit; Publisher: Glenn Kearney, BMI; GK (www.glennkearneymusic.com)
—His aching baritone is as warm as a campfire on this weeper ballad. Classic sounding.

BRENT ANDERSON/Amy’s Song
Writer: none listed; Producer: Frank Rogers; Publisher: none listed; Sea Gayle/Arista (track)
—I like his soft, lightly rasping vocal delivery on this yearning salute to the Pure Prairie League 1975 hit “Amie.” The group’s alumni Craig Fuller and Vince Gill provide the vocal harmonies.

JOSH CHARLES/Life Ain’t Fair
Writer: Josh Charles/Milton L. Brown; Producer: none listed; Publisher: none listed; Downhome (www.joshcharlesmusic.com)
—This downbeat, hard-luck-in-hard-times lament is performed at a languid, resigned pace that underscores its message of defeat. Definitely a song for today.

JOSH THOMPSON/Change
Writer: Josh Thompson/Phil O’Donnell/Chris Wallin; Producer: Phil O’Donnell; Publisher: none listed, BMI/ASCAP; Columbia (CDX)
—The lyric’s message is the more things change, the more they stay the same. Josh’s plain-spoken delivery is set to a deliberate, shuffling tempo underscored by sighing, keening electric guitar work. At first listen, it seems a mite dull, but I have a feeling it could grow on me.

KIP MOORE/Somethin’ ‘Bout a Truck
Writer: Kip Moore/Dan Couch; Producer: Brett James; Publisher: Music of Stage Three/Songs of Comman/Roll Through/BMG Chrysalis/Songs From the Couch, BMI; MCA Nashville (CDX)
—This former DisCovery Award winner has a cool, blue-collar-rocker vibe that gets more and more intense as this thumper progresses. I dig everything about this—the way it’s written, the way he wails it, the insistent percussion, the instrumental fade, everything.

FREDDY POWERS & MERLE HAGGARD/Tom Sawyer & Huckleberry Finn
Writer: Freddy Powers; Producer: Merle Haggard, Freddy Powers & Lou Bradley; Publisher: Air Fred, BMI; Hag (CDX) (www.freddypowers.com)
—Powers is a veteran country-jazz fusion man who has always been cooler than the breeze. He and Hag swap lines with warmth, camaraderie and gentle swingability here, while his guitar filligrees embellish the the track beautifully. The sound of two masters at work.

ASHLEY ROBERTSON/Return to Me
Writer: Ashley Robertson; Producer: Ashley Robertson; Publisher: none listed, SOCAN; AR (Canada) (www.ashleyrobertson.com)
—Minor key, melodically repetitive and faintly Celtic sounding. Utterly unprogramable.

SEAN PATRICK McGRAW/What I’d Do
Writer: Sean Patrick McGraw/Ann Chappell/Jason Jones; Producer: Sean Patrick McGraw; Publisher: none listed, ASCAP; Little Engine (track) (www.seanpatrickmcgraw.com)
—This longtime Music Row fave is back with a shuddering ballad of heartbreak and regret. The song is so tuneful and ultra hooky that if his version doesn’t strike paydirt, somebody else should cover it pronto. A super effort.