DISClaimer: Elizabeth Cook, Paul Burch, Derik Hultquist Among Americana’s Top Offerings

Elizabeth Cook

Elizabeth Cook

There is a whole lot to like in today overview of current Americana recordings.

So much so, that I’m splitting the Disc of the Day award in two. Our female winner is Elizabeth Cook, and our male prize goes to Paul Burch. These two are among the best this genre has to offer.

The DisCovery Award goes to singer-songwriter Derik Hultquist. His is the most “different” sounding record in this stack, and for that we applaud him. Don’t be surprised if pop/rock programmers aren’t smitten by him as well.

 

DARRELL SCOTT/Love Is The Reason
Writer: Darrell Scott; Producer: Darrell Scott; Publisher: none listed; Full Light (track)
-Scott’s songwriting resume includes “Born to Fly,” “It’s a Great Day to Be Alive,” “Long Time Gone,” “Heartbreak Town,” “No Way Out,” “Family Tree” and “You’ll Never Leave Harlan Alive,” all of which are best known in versions by others. But he remains his own finest interpreter, as the performances collected on his new Couchville Sessions CD demonstrate. The album includes treatments of songs by Johnny Cash, Hank Williams, Townes Van Zandt, Peter Rowan and James Taylor, but at its heart are the nine gems from the songwriter, himself. This one is a rippling, lilting, uplifting tune sung in Scott’s characteristically warm, enveloping voice.

THE HONEYCUTTERS/On The Ropes
Writers: Amanda Anne Platt; Producers: Amanda Anne Platt; Tim Surrett; Publishers: Button Down/Windsor Forest, ASCAP; Organic (track)
– Don’t let the name throw you: This is a country combo. The group is fronted by singer-songwriter Amanda Anne Platt, who delivers the goods in a tart, yearning tone that is captivating. Her fellow band members are tight and super engaging. This title tune to The Honeycutters new CD is a portal into a myriad of alternative honky-tonking delights. The group is a cornerstone act on the Asheville, North Carolina, music scene. Sign me up for the Nashville fan club.

SAM BUSH/Bowling Green
Writers: Sam Bush/Jon Randall Stewart; Producer: Sam Bush; Publishers: Samanda Lynn/BMG/Whayasay/Reynsong, BMI; Sugar Hill (track)
– How do I love him; let me count the ways: Awesome instrumentalist, hearty vocalist, great record maker, fabulous human being. Bush’s upcoming Storyman CD is all over the map, stylistically. Which is another reason to love him. Jazz, folk, blues, reggae, swing and more bubble in the mixes. This toe-tapping ode to his hometown is so rootsy and grassy it sounds like a folk song. It is immediately followed by a honky-tonk shuffle called “Handmics Killed Country Music” (co-written with Emmylou Harris and complete with Pig Robbins on piano) and then a down-home blues titled “Where’s My Love.” Go, man, go.

DERIK HULTQUIST/Dark Side Of Town
Writers: Derik Hultquist; Producers: Frank Liddell/Eric Masse; Publishers: Scrambler/Carnival, ASCAP; Carnival (track)
– This singer-songwriter is a real find. This clear, dark, direct song is delivered in a conversational hush that’s surrounded by an ethereal electronic soundscape. The mysterious audio settings throw his super-strong songwriting skills into high relief throughout his Southern Iron collection. Enthusiastically endorsed. Pop tastemakers also take note.

 

ELIZABETH COOK/Straightjacket Love
Writer: Elizabeth Cook; Producer: Dexter Green; Publishers: Agent Love/Wixen, SESAC; Agent Love (track)
– Exodus of Venus is Cook’s brand new collection. She simply doesn’t know how to make a dull disc. This rousing mountain country rocker features harmony vocals by the sublime Patty Loveless. It’s great, but you can “needle drop” anywhere on this record and strike audio gold.

NED VAN GO/Lost In The Trouble
Writers: N. Hill/B. Grant/R. Becker/C. Becker/M. Webb; Producer: Michael Webb; Publisher: none listed, ASCAP/BMI/SESAC; DSF (track)
– This Nashville band used to lean toward a rock sound. But the addition of mandolin ace Bob Grant in 2010 led to its evolution into an Americana act. The group’s current CD, The Dirt and the Sun, features this wildly energetic crowd favorite. It brilliantly fuses rock attitude with acoustic instrumentation.

TONY JOE WHITE/Hoochie Woman
Writers: Tony Joe White/Leann White; Producer: Jody White; Publishers: Wampus Cat/Wolf Woman, BMI; Swamp/Yep Roc (track)
– This ageless cult figure still conjures magic with his groove-tastic swamp rhythms and spooky lyrics. His womper-stomper guitar sets the tone in this dark, sexy, throbbing portrait of a witchy beguiler. It leads off a splendid collection titled Rain Crow.

JENNIFER WARNES/The Well
Writers: Jennifer Warnes/Doyle Bramhall; Producers: Martin Davich/Jennifer Warnes; Publishers: Warnes/BMG, BMI; Porch Light/BMG
– I have been in love with this woman for years. Best known as a peerless interpreter—“Right Time of the Night,” “I’ve Had the Time of My Life,” “Up Where We Belong” and the like—she now emerges as a songwriter of striking strength. This CD was originally recorded in 2001, but is only now getting an “official” release. Its title tune is a heartbeat pulsing meditation on nature that marries lilting instrumentation to her always caressing vocals. The album also features her silky versions of songs by Tom Waits, Billy Joel, Jesse Winchester, Cindy Walker and Arlo Guthrie, in addition to her originals. Warnes is now working on a new collection. I can’t wait.

 

PAUL BURCH/Back To The Honky Tonks
Writers: Paul Burch; Producers: Paul Burch/Dennis Crouch; Publishers: Borrowed & Broke, BMI; Plowboy (track)
–Meridian Rising is a stunning achievement. Burch imagines the life of the legendary Jimmie Rodgers in a 20-tune song cycle that takes the Singing Brakeman from his Mississippi roots to his premature death from TB in a Manhattan hotel room. On this tune, he’s vowing to die as he lived, to the accompaniment of a cool little jazz combo. This whole project is absolutely essential listening. Buy it now.

JIMBO MATHUS/Play With Fire
Writers: Jimbo Mathus/Robert Earl Reed; Producer: Jimbo Mathus; Publisher: none listed; BLM (track)
– Mississippian Mathus is a mainstay of the esteemed vaudeville/folk/swing ensemble The Squirrel Nut Zippers. His new solo project is a nine-song, gumbo/voodoo delight titled Band of Storms. This track is a neo-rockabilly summons to romance featuring twang guitar, echo-chamber vocal and a cool, lingering hiss each time he sings the word “yes.” Elsewhere on the collection, you’ll find elements of blues, rock, honky-tonk and bluegrass. It’s all good.

 

DISClaimer: Blake Shelton Has A Way With Hit Songs

Blake Shelton

Blake Shelton

I was going to take a break from mainstream country and review some other genre this week, but the stars had other plans. In the wake of the CMA Music Festival, a large crop of hillbilly headliners released new music. So I was compelled to scrap my agenda.

Swatting away all competitors, Blake Shelton rules the roost with the Disc of the Day. This fella really is the bomb. Since everyone here is a proven quantity, there is no DisCovery Award winner. Let me just say that the two records that came closest to matching Blake’s in song quality were the new singles by Darius Rucker and Pat Green.

BLAKE SHELTON/She’s Got A Way With Words
Writers: Wyatt Earp/Andy Albert/Marc Beeson; Producer: Scott Hendricks; Publishers: Western Legend/Downtown DL/Son of Ron, BMI/ASCAP; Warner Bros.
– Very cleverly written. And in case you haven’t noticed by now, this guy is one of the greatest country singers of our time. This is going straight to the top.

 

 
MAREN MORRIS/80s Mercedes
Writers: Maren Morris/busbee; Producers: Maren Morris/busbee; Publisher: none listed; Columbia (track)
– It ain’t all that “country,” but it sure is cool. Synth lines throb beneath her exuberant, youthful vocal about a babe out on the town.

JACK INGRAM/I’m Drinking Through It
Writers: Jack Ingram/Lori McKenna/Liz Rose; Producer: Jon Randall; Publishers: Beat Up Ford/Songs of Universal/Hoodie/Crazy Girl/Warner-Tamerlane, BMI; Rounder (track)
– His drawling performance is charming, and the song is a dandy. The only thing I didn’t like was the continuous bass rumble that assaulted me in one speaker. Somebody remix this.
 

 
JERROD NIEMANN & LEE BRICE/A Little More Love
Writers: Shane McAnally/Ross Copperman/Natalie Hemby/Kristi Neumann; Producers: Jimmie Lee Sloas, Jerrod Niemann & Lee Brice; Publishers: Smack Hits/Smack Songs/Kobalt/EMI Blackwood/Songs By Red Room/Happygownucke/Creative Pulse/These Are My Pulse/Hello Jerry, GMR/BMI/SESAC; Curb (CDX)
– I could put up with the country-rap verses if the song was more interesting. As it is, it’s just an endless loop of the same repeated phrases.

PAT GREEN/Day One
Writers: Shane McAnally/John Osborne/Matt Ramsey; Producers: Jon Randall Stewart, Justin Pollard & Gary Paczosa; Publishers: Universal/Smack Ink/Songs of Black River/One Little Indian Creek/RPM/Sonic Geo/HoriPro/Calhoun, ASCAP; Greenhouse (CDX)
– Nicely done. He counts down the days as he survives a breakup. His pleading delivery is accompanied by a sweet, spare, guitar-chiming track. Whoever is singing the tenor harmony part is flawless.
 

 
DARRYL WORLEY/Rainmaker
Writers: Darryl Worley/Jay Brunswick/Brock Berryhill; Producers: Jim “Moose” Brown, Billy Lawson & Brock Berryhill; Publishers: Myers/Worleybird/Spirit, ASCAP/BMI; Worleybird (CDX)
– Thunderstorm audio effects underscore his delivery of this sexy lyric.

BRAD PAISLEY & DEMI LOVATO/Without a Fight
Writers: Brad Paisley, Kelley Lovelace and Lee Thomas Miller; Producer: Brad Paisley and Luke Wooted; Publisher: none listed; Arista (ERG)
-They fuss and scrap, then make up. The big, pounding track tries to stir up excitement, but the song just isn’t that compelling.

DARIUS RUCKER/So I Sang
Writers: Darius Rucker/Rivers Rutherford/Tim James; Producer: Frank Rogers; Publishers:Universal Music Corp./Cadaja Publishing/ Universal Music Corp./Memphianna/Warner-Tamerlane Publishing Corp./T-Bird’s Music, ASCAP/BMI; Capitol Nashville
-I love this. He is just an ordinary guy, who excels at nothing much. Except for one thing: At every twist and turn in life, he sings his heart out. Resonant and moving.

 

CASSADEE POPE/Summer
Writers: Cassadee Pope, Kelly Archer, Emily Shackelton; Producer: Corey Crowder; Publisher: Universal Music Corp./It’s the Coolest Publishing/Canal Music Publishing BV/Stars and Stripes and Maple Leaf Music/Downtown DMP Songs/Warner-Tamerlane Publishing Corp./Better Boat Music; ASCAP/BMI; Republic Nashville (ERG)
– His love burns like the sunshiny weather. Her bright vocal matches the lyric. The drummer is working overtime, but the rest of the instrumental track is pretty ordinary.

GARY ALLAN/Do You Wish It Was Me
Writers: Gary Allan/Jonathan Singleton/Andrew Dorff; Producers: Gary Allan/Greg Droman; Publishers: Crystal Beach/Super Big/Jett/Big Machine/Songs of Universal/Morendorffin, BMI/ASCAP; EMI (CDX)
– The steady driving track is just right for Gary’s impassioned delivery. A guy misses his gal fiercely and hopes desperately that she feels the same.

DISClaimer: Maggie Rose’s “Same Sky” Wins Disc Of The Day

Maggie Rose. Photo: Dusty Barker

Maggie Rose. Photo: Dusty Barker

We’ll be hearing a lot of new songs during these next few days of the CMA Music Festival. Here are the 10 that wound up on my fiesta playlist.

The Disc of the Day turns out to be a contest among powerful female voices. The new sounds by Martina McBride, Maggie Rose and Maren Morris are all worth your attention. They pretty much finished in a dead heat, so I’m going with the indie underdog, Maggie Rose.

There was not as much competition for the DisCovery Award. Multi-talented Hudson Moore pretty much nailed that one down, with The Last Bandoleros snapping at his heels.

Maren Morris

Maren Morris

MAREN MORRIS/Rich
Writers: Maren Morris/Jesse Jo Dillon/Laura Veltz; Producers: busbee & Maren Morris; Publishers: International Dog Music/Nettwerk One B Music/Revelry Music/Jay Gatsby Music/Warner-Tamerlane/Oh Denise Publishing/Big Music Machine; BMI; Columbia Nashville
-If you pre-ordered Maren’s new Hero CD, you got this track as an early taste. It’s a stomping female “attitude” tune about having a dime for every time he made her feel cheap with his lies. This lady has some serious vocal firepower.

THE LAST BANDOLEROS/Where Do You Go?
Writers: Jerry Fuentes/Emilio Navaira/Derek James/Diego Navaira; Producer: Jerry Fuentes; Publishers: Aboretum/Melt My Mind/Kobalt/Kickin’ed/Derek James Breslow/Derek James/Dayside, ASCAP; Warner Bros. Records/Warner Music Nashville
-A rollicking Tex-Mex beat drives this relentlessly forward while flecks of squeezebox notes dance in and out of the mix. The vocals are wrapped in smooth-as-silk harmonies as they complain about being left by a hot honey. Super hooky. The song is cowritten by the late Tejano superstar Emilio and his son Diego, who is a member of this fresh-sounding band.

MAGGIE ROSE/Same Sky
Writers: Maggie Rose/Alex Kline/Jason Saenz; Producer: Maggie Rose & Alex Kline; Publishers: none listed; Play It Again
-I like this sleek, feisty gal. So do Tim McGraw and Lee Brice, who have her opening their road shows. This juicy, pop-inflected slab of sound lets her personality-packed voice fly high and free while drums and guitars crunch with oomph beneath her. A great listening experience.

Thomas Rhett Vacation

THOMAS RHETT/Vacation
Writers: Thomas Rhett/Thomas Allen/Harold Brown/Morris Dickerson/Sean Douglas/Gerry Goldstein/Leroy Jordan/Charles Miller/Lee Osker/Andreas Schuller/Howard Scott/Joe Spargur/Eric Frederic/John Ryan; Dann Huff & Jesse Frasure; Publishers: EMI Blackwood/Cricket on the Line/Sony-ATV/BMG Gold/Far Out/Warner-Tamerlane/Eastman Pond/Frederic & Reid/Songs From the Boardwalk/BMG Platinum/The Family Songbook/Music of Big Deal/Bob Erotik/Artist 101/The Viking Pimp/Honua/Nice Life, BMI/ASCAP; Valory Music Co.
-The classic rock sounds of War meet bro country. The message? “Hey, let’s party like we on vacation.” Catchy, if not particularly deep.

THE DANBERRYS/Lady Belle
Writer: Dorothy Daniel; Producer: Ethan Ballinger; Publisher: none listed; Danberrys
-On the acoustic, folksy side of things, this ballad is carried by strumming guitar, heartbeat bass, weaving fiddle notes and a wafting soprano vocal. It’s all a little too “pretty” for my taste.

MARTINA McBRIDE/Just Around the Corner
Writers: Cary Barlowe/Sarah Buxton/Sam Ellis; Producers: Dann Huff, Nathan Chapman & Martina McBride; Publishers: Castle Bound/We Be Pawtying/Round Hill Works/Big Loud Proud/Bux Tone/Universal, SESAC/BMI; Nash Icon
-The second single from Martina’s superb Reckless collection is about holding onto hope when you’re at your lowest. The power ballad throbs with intense conviction in the throat of this sublime vocalist. Echoey touches in the production are wonderfully ear catching, as well.

Martina McBride. Photo: Joseph Llanes

Martina McBride. Photo: Joseph Llanes

MADISON STATION/Back in the Day
Writers: Todd Anderson/Craig Anderson/Quinn Loggins/Lisa McCallum; Producer: Todd Anderson, Craig Anderson & Bart Busch; Publishers: Anderson Boyz/Wanted Woman/BMG, BMI/ASCAP/SOCAN; ABM Music (CDX)
-This slams right into a rock mode from the opening notes. The nostalgic song is pretty cool, but this band needs a lead singer with more charisma.

VINCE HATFIELD/The Okie From Muskogee’s Headed Home
Writer: Vince Hatfield; Producer: Vince Hatfield; Publisher: Sharp Image, BMI; Blue Moon (CDX)
-We all miss Merle mightily. Hatfield tries to evoke him with a studied honky-tonk vocal, some Strangers-style instrumental picking and name-dropping song titles like “Silver Wings,” “If We Make It Through December,” “Mama’ Hungry Eyes,” “Movin’ On” and “Lonesome Fugitive.”

BRAD PUCKETT/Start Your Engines
Writer: Brad Puckett; Producers: Buddy Hyatt & Brad Puckett; Publisher: BPM, no performance rights listed; Phoenix (CDX)
-The track rocks. So does his vocal … until he gets to the choruses. Instead of taking off, his performance kinda just lays there.

HUDSON MOORE/Some Are
Writers: Hudson Moore/Lance Carpenter/Phillip Pence: Producers: Dwight A. Baker & Hudson Moore; Publisher: none listed; Moorejamz LLC
-It says here that he’s playing all the instruments on his Getaway CD (out June 17), and all but one of its tunes are co-written by him. Plus, he co-produced it. The single is a super tuneful, big-time catchy and sung with youthful verve. This is a sound for summer if I’ve ever heard one. Lend him your ears.

Hudson Moore Getaway

DISClaimer: Dierks Bentley, Sammy Arriaga Bring Rhythm, Energy On New Singles

dierks-elle-sammy_570“T for Texas, T for Tennessee.”

That’s what the great Jimmie Rodgers wrote and sang. And it’s as true today as it was back in 1928. Just look at the match-ups in today’s column.

Representing the Lone Star State, we have Brad Cunningham, Mark McKinney and Sarabeth. On the other hand, we have Volunteer State recording artists Dierks Bentley, Old Dominion and Josh Goodlett.

Toss in California’s Corinne Cook and Lasers Lasers Birmingham, Georgia boy Tyler Hammond and South Florida’s Sammy Arriaga and you’ve got quite a geographic mix.

Dierks Bentley earns Disc of the Day. Sammy Arriaga is our DisCovery Award winner.

 

SAMMY ARRIAGA/Banjos N’ Bongos
Writers: Sammy Arriaga/James Slater/Bobby Hamrick; Producer: Lalo Guzman; Publishers: Sony/ATV, Disney, BMG; Latium (track)
– Very summer-y. The percolating bongo beats and light banjo plucks give it loads of burbling, bopping energy. His rapid-fire vocal delivery has lots of heart as he describes romance between a Kentucky girl and a Cuban-American boy. Endearing.

 

BRAD CUNNINGHAM BAND/Goin’ To Texas
Writers: Brad Cunningham; Producer: Wes Sharon; Publishers: none listed; Brad/Sony RED (track)
– It’s a cool little “road” song, with a jaunty beat, sawing fiddle, twangin’ guitar and a countryboy vocal that’s winning. Makes you want to go for a ride.

 

OLD DOMINION/Song For Another Time
Writers: Matthew Ramsey/Trevor Rosen/Brad Tursi/Matt Jenkins; Producer: Shane McAnally; Publishers: Smack/Big Deal Music/Combustion Music, ASCAP; RCA (track)
– As before, enormously tuneful. The lyric paints a picture of optimism in the face of uncertainty. The spare, percussive arrangement underscores how well written this is.

 

LASERS LASERS BIRMINGHAM/Royal Blue
Writer: Alex Owen; Producer: Jake Gideon; Publishers: Lasers Lasers Birmingham, BMI; LLB (track)
– Airy, California country with a way, way mellow vibe. Fluid organ and steel notes drift through the arrangement while a piano plinky-plunks in between the sleepy baritone’s vocal phrases. This is the title tune of the unusually named act’s second EP.

 

DIERKS BENTLEY/ELLE KING
Writers: Shane McAnally/J.T. Harding; Producer: Ross Copperman; Publishers: Smack Hits/Smack Songs/Kobalt/Songs Music/Mighty Seven/Heavy Metal Disco/Songs of SMP, GMR/ASCAP; Capitol Nashville
– Very atmospheric. An echoey track backs Dierks and pop chirper Elle as they duet on a lyric that explains how heartbreak affects different sexes. He can have meaningless sex, drown his blues in booze and switch his emotions off. She can’t. Love that thumping rhythm undertow.

 

TYLER HAMMOND/Drunk Over A Girl
Writers: none listed; Producer: Ira Dean; Publishers: none listed; TH
– Dean shows real ability as a producer. The crunchy beats and perfectly placed electric guitar phrases both work extremely well here. Hammond has a forceful country delivery with plenty of personality. Play this.

 

JOSH GOODLETT/I Don’t Usually Do This
Writers: none listed; Producer: none listed; Publishers: none listed; Good Entertainment (track)
– His tenor could use a little echo assistance to sound fuller. But everything else works perfectly. The song is extremely well written and the instrumental arrangement supports his expressive delivery at every turn. Very promising. Credits, please.

 

MARK McKINNEY & BRI BAGWELL/Why Haven’t You Left Yet?
Writers: Mark McKinney/Cassie Turano; Producers: Eric McKinney/Mark McKinney; Publisher: none listed; MMBB
-Very hillbilly cute. They’re thoroughly sick of each other. He offers her the used car that isn’t paid for, if she’ll just split. She says he can have all their unpaid debts. He says she always has her face planted in Facebook. She says he always has a belly full of beer and is planted in front of the TV or down at the bar. She’s taken over their bed; he’s sleeping in the LazyBoy.

 

CORINNE COOK/Little Miss Understanding
Writers: Lee Young/Julie Burton/Denny Martin; Producer: Denny Martin; Publishers: Boots in Nashville/Pileadough/Purple Daisy, SESAC/BMI; CCM (CDX)
– It’s a kiss-off song. A little more vocal firepower would make it more effective. As it is, she delivers it with a whine instead of a snarl.

 

SARABETH/You Rock My Rodeo
Writers: Sarabeth Swagertky/Glen Mitchell/Sandy Ramos; Producer: Glen Mitchell; Publishers: AmeriBrit/Delta Pearl/Lawyer’s Wife, ASCAP/BMI; Circle S (CDX)
– A feisty cowgirl ditty that, despite its title, never really rocks.

DISClaimer: Chris Young, Drew Baldridge, Wes Hightower Bring Stunning Tracks

Chris Young Sober Saturday Night

I’m running late this week, so let me be brief. Without question, Chris Young has the Disc of the Day.

I’d give the great Wes Hightower a DisCovery Award if he wasn’t so super well known as a studio ace. So the promising-sounding Drew Baldridge gets the nod.

SCOTT BRANTLEY/How Summer Goes
Writers: Scott Brantley/Derrick Hampton; Producer: none listed; Publisher: Studio Gold, BMI/ASCAP
-Very classy. He sings great. The song is put together well. The production swirls invitingly. Definitely worth your spins.

BRETT ELDREDGE/Wanna Be That Song
Writers: Brett Eldredge/Ross Copperman/Scooter Carusoe; Producers: Ross Copperman & Brett Eldredge; Publishers: Sony-ATV Countryside/Paris Not France/EMI Blackwood/Songs By Red Room/Scrambler/Abbots Creek Music Two, BMI/ASCAP; Atlantic
– The magic power of music. Brett’s best yet.

REBEKAH LONG/Ain’t Life Sweet
Writers: Rebekah Long/Donna Ulisse/Rick Stanley; Producer: Donna Ulise; Publishers: Lotta LUK/Uncle Hadley/Pop ‘N Paw, ASCAP; LUK
– She sounds like she doesn’t have a lot of lung power on this bluegrass ditty. The harmony singers help her out.

 

CHRIS YOUNG/Sober Saturday Night
Writers: Chris Young/Brad Warren/Brett Warren; Producers: Corey Crowder/Chris Young; Publishers: EMI Blackwood/Goodbye Pants/Sagequinnjude/Famlove/Sony-ATV, BMI; RCA (track)
– This man sings so wonderfully. On this power ballad, he gives a chesty shout to a heartache lyric. Vince Gill provides harmony vocal support.

DOLLY SHINE/Rattlesnake
Writer: Zack McGinn; Producers: Josh Serrato & Ben Hussey; Publishers: none listed; Vision/Thirty Tigers
– Just to be clear, there are no women in this Texas band. And certainly none named “Dolly.” There is, however, plenty of macho snarl in this atmospheric country rocker.

CHUBBY CHECKER/Lookin’ For Me
Writers: Chubby Checker/Gary Lefkowith/Mike Rogers; Producers: The Hill & HiFi; Publishers: CC/Sotto/Wax, ASCAP/BMI; TEEC
-It’s not “twist again, like we did last summer.” No, indeed. Chubby goes country with an acoustic, bluegrassy toe tapper embellished by fiddle and steel licks. It is wildly hooky and catchy. Play it.

 

DREW BALDRIDGE/Dance With Ya
Writers: none listed; Producer: Josh Leo; Publishers: none listed; Cold River (track)
– I like his voice. It’s strong and true. The bright horn bursts give the production some r&b oomph. The song is upbeat and all-the-way fun. Highly recommended.

RAY JOHNSTON BAND/Make Mine A Double
Writers: Steve Auburn/Hunter Hutchinson/Ray Johnston; Producer: Erik Herbst; Publishers: none listed; RJB (track)
– He’s from Texas. He can hardly sing. The band is sloppy.

WES HIGHTOWER/I’m Expecting Some Good News
Writers: Tom Shapiro/Wes Hightower; Producers: Jimmy Ritchey/Wes Hightower; Publishers: none listed; On The Boat (track)
– For those of you who read album credits, this man’s name will be instantly recognizable. He’s sung background vocals for every superstar in country music. He also writes songs, as his new Good News CD abundantly illustrates. This lead off track brilliantly showcases his winning way with a melody. It goes without saying that his vocal performance is flawless. And need I add that his studio reputation attracts an A-list cast of supporting musicians? Let me just say this: If I could be anybody in this industry, it would be Wes Hightower.

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DISClaimer: Raves For Parmalee, Wayne Toups, Jacey, Rob Baird

Parmalee

Parmalee

The stars got trumped by the indies this week.

The male performance of the day belongs to the super-soulful Wayne Toups on an old-school country slow dance. My favorite female was the wispy-voiced Jacey, whose CD is entirely self-penned. The group winner this week is Parmalee.

In an unusual twist of fate, all three of these Discs of the Day are ballads.

And so we leave it to our DisCovery Award winner to give us a kick in the pants. That would be Rob Baird, with his soul-man song “Ain’t Nobody Got a Hold on Me.” This is actually Baird’s second DisCovery Award. He won back in June 2013 with a more mainstream country sound. Now he’s reinvented himself as a blue-eyed soul stylist. I like him in both modes.

PARMALEE/Roots
Writers: Jared Mullins/Ben Stennis/Blake Bollinger; Producer: NV; Publisher: Music of Big Deal/The Stennis Mightier Music/Dead Aim Music/Young Guns Publishing/Parallel Music Publishing, ASCAP/BMI; Stoney Creek
– They scored three Top 10 hits from their debut CD — “Carolina,” “Close Your Eyes” and “Already Callin’ You Mine.” Now comes this aching nostalgia ballad about respecting where ya come from. Plaintively performed, this has the ring of truth and honesty. Another winner.

Rob Baird

ROB BAIRD/Ain’t Nobody Got A Hold On Me
Writers: Rob Baird/Brian Douglas Phillips; Producer: Brian Douglas Phillips; Publisher: Boots Baird/Western Night, BMI/ASCAP; Hard Luck (track)
– I like this guy. The accompaniment is spare, which allows his soulful singing to shine and his instantly memorable melody to penetrate. The moody, r&b tinged vibe is ultra listenable. Play it, as well as the rest of his excellent new CD Wrong Side of the River.

JASON ALDEAN/Lights Come On
Writers: Brian Kelley/Tyler Hubbard/Jordan Schmidt/Jimmy Robbins/Brad Warren/Brett Warren; Producer: Michael Knox; Publisher:Big Loud Mountain/Pranch Ringle Music/T Hubb Publishing/Tree Vibez Music/dba Freshy Music/Major Bob Music/We-volve Music/Round Hill Songs Jimmy Robbins/Jammy Rabbins Music/Extraordinary Alien/Round Hill Works/Big Loud Brad Music/Big Loud Proud Crowd/Big Loud Brett Songs, ASCAP/BMI; Broken Bow (ERG)
– Rock ‘n’ roll guitar. Country-as-grits lyric about cutting loose with music. Party time.

MARGO PRICE/Hurtin’ (On The Bottle)
Writers: Margo Price/Mark Fredson/Jeremy Ivey/Caitlin Rose; Producer: Matt Ross-Spang/Alex Munoz; Publisher: Margo Price; Nine North (ERG)
– The band isn’t the tightest thing I’ve ever heard. But the beat is steady, her vocal is potent and the overall feeling is country, country, country.

ZAC BROWN BAND/Castaway
Writers: Zac Brown/Niko Moon/Wyatt Durrette/Coy Bowles/John Driskell Hopkins; Producer: In The Arena Productions; Publisher: Day For The Dead Publishing/Southern Ground/Life On Fire Music/Poppsolotamus Music/Brighter Shade, BMI/SESAC; EMI Nashville
– Bopping and beach-y. It makes you feel warm all over. Yes, please pour me another one.

Jacey

Jacey

JACEY/Hold On
Writer: Jacey Gutknecht; Producer: William Gawley; Publisher: none listed; Lighthouse (track)
– Dreamy with fluttering eyelashes. Soft strings surround her breathy, sighing delivery of this pretty love ballad. Heart melting.

DIERKS BENTLEY & MAREN MORRIS/I’ll Be The Moon
Writers: Heather Morgan/Matt Dragstrem/Ryan Hurd; Producer: Ross Copperman; Publishers: Sony-ATV Tree/Heather Feather/Round Hill BLS JV/BIg Loud Proud/Universal/Lake Allegan, BMI/ASCAP; Capitol (track)
– As soon as I got my hands on Bentley’s new Black CD, I couldn’t wait to hear what this collaboration would sound like. The answer is “pretty dang cool.” Dierks applies his rasp, and Maren provides the sass. The backing shuffle drumming (by Aaron Sterling) is fantastic. Essential listening.

TROY JOHNSON/Need Me Some Country
Writer: Greg Udik; Producer: Greg Hudik; Publisher: Double Dose Platinum, BMI; Platinum (CDX)
– This thumper rocks out on the theme of huntin,’ fishin,’ front-porch swingin,’ moonshine swillin,’ barbecuin’ and all things backwoodsy. Tempo, tempo, tempo.

KALEIGH JO KIRK/Liar Liar
Writers: none listed; Producer: none listed; Publisher: none listed; Lighthouse (track)
– Languid and slow, with a slightly bluesy edge. She’s a strong singer, if a not an especially distinctive one.

Wayne Toups

Wayne Toups

WAYNE TOUPS/A Good One
Writers: S. Monroe/S.P. Davis; Producers: James Stroud/Wayne Toups; Publishers: Ooska Riiver/Shoot Straight, ASCAP; Malaco (CDX)
– My favorite ragin’ Cajun is back with a change of pace. This outing finds him drawling a wistful tune about a lost love. It sways in all the right places. Hold your sweetie tight and take a slow spin around the dance floor while the steel sighs in your ear and Wayne pleads his soul. This is one gorgeous little record.

DISClaimer: Superb Vocalists Chris Stapleton, James Dupré Offer Soulful Singles

Chris Stapleton

Chris Stapleton

There are lots of stars in the mix today, but they’re not always the artists who shine brightest.

Josh Turner, Alabama, the red-hot Cole Swindell and Lady Antebellum’s Hillary Scott are all here with new discs. But the sound that stopped me in my tracks was by a newcomer. Louisiana-bred James Dupré submitted a minor masterpiece titled “Stoned to Death” and completely captivated me. Give that man an easily won DisCovery Award.

There’s one other red-hot star with a new offering today. That would be the mighty Chris Stapleton who far surpasses his peers and wins a Disc of the Day prize for “Parachute.”

COLE SWINDELL/Middle Of A Memory
Writers: Cole Swindell/Ashley Gorley/Zach Crowell; Producer: Michael Carter; Publishers: Sonuy-ATV Tree/Colden Rainey/Combustion Engine/Sadie’s Favorite/WB/External Combustion/Atlas/Songs of Southside Independent/Who Wants to Buy My Publishing, BMI/ASCAP; Warner Bros.
– His raspy delivery works well on this saga of a frustrated, foiled budding relationship. Michael Carter’s echoey electronic production touches are also pluses.

James Dupré

James Dupré

JAMES DUPRÉ/Stoned To Death
Writers: Jessi Alexander/Jeff Hyde/Clint Daniels; Producer: Jordan Lehning; Publishers: none listed; Purfectt Pitch
– The title tune of Dupré’s upcoming album can be previewed on his website. And I urge you to do so. This is a singer who exudes charisma with every note. The song is stupendously well-written, boasting both perfectly executed turns of phrases and a beautifully swelling melody. Lehning’s slowly building production bonfire is magnificent. Sign me up for the fan club. Now.

CHRIS STAPLETON/Parachute
Writers: Chris Stapleton/Jim Beavers; Producers: Dave Cobb/Chris Stapleton; Publishers: none listed; Mercury (track)
– The heartbeat rhythm grabs you by the chest and doesn’t let go. Stapleton’s shouted, soulful delivery blazes like a fire iron. This is torrid, torrid stuff. Let it burn, baby, burn.

ALABAMA/Come Find Me
Writers: Tony Lane/David Lee; Producers: Jeff Cook, Teddy Gentry & Randy Owen; Publishers: BMG Gold/We Jam Writers Group/Mood Merchant/4 Cow Ranch/Banz, BMI; BMG (CDX)
– It’s a quiet ballad about a road-weary musician. Randy Owen delivers it in an understated hush. It’s quite emotionally affecting.

JOSH TURNER/Hometown Girl
Writers: Marc Beeson/Daniel Tashian; Producer: Kenny Greenberg; Publishers: Downtown DLJ/Son of a Ron/Diver Dann/International Dog, ASCAP/BMI; MCA Nashville
– This sweet, airy rural portrait fits Turner like a glove. Not surprisingly, guitarist Greenberg produces it with plenty of electric-guitar flourishes.

GLENNA BELL/Tonight’s The Night
Writer: Glenna Bell; Producer: Mark Abernathy; Publisher: Glenna Bell, ASCAP; GB (track)
– Texas favorite Bell has a throaty, distinctive vocal style. Her records always perk up my ears. This outing is about young lovers graduating from high school. She recalls their courtship and vows to go all the way on their big night. I hung on every word. Her new collection is aptly titled Lone Star Songs and Stories Straight From the Heart of Texas.

HIllary Scott Thy Will 2016

HILLARY SCOTT & THE SCOTT FAMILY/Thy Will
Writers: Hillary Scott/Emily Weisband/Bernie Herms; Producers: Bernie Herms/Ricky Skaggs; Publishers: W.B.M./EKT/WB/Thankful For This/Songs of Universal/G650, SESAC/ASCAP/BMI; EMI (CDX)
– It’s very pretty. But is a hymn-like ballad swimming in strings going to fit summer playlists?

AMY BLACK/You Gotta Move
Writer: traditional; Producer: Lex Price; Publishers: public domain; RR (track)
– Massachusetts native Black might seem an odd fit for a themed collection called The Muscle Shoals Sessions. She tackles songs by Sam Cooke, Arthur Alexander, Don Covay, Dan Penn and Spooner Oldham, as well as some originals. This traditional spiritual puts the spotlight on her confident alto singing. Guess what? She pulls it off.

BRIAN PHARAOH/Sorry
Writers: Brian Pharaoh/Bill DiLuigi; Producer: Kent Wells: Publishers: none listed; Spunkem
– Words were spoken. She left. But he’s not sorry, because he’s a redneck babe magnet. If you say so.

SHANE OWENS/Country Never Goes Out Of Style
Writers: Galen Griffin/Jason Patrick Matthews/Kerry Kurt Phillips; Producer: James Stroud: Publishers: Galen Griffin/EMI April/Songfighter/Dixie Stars, BMI/ASCAP; AmeriMonte (CDX)
– Shane strikes again with his uber cool, note-bending vocals. The gently swaying tune is like a hammock in a spring breeze. And you can bet this pluperfect country stylist means every word of the lyric.

DISClaimer: Diamonds In The Duos

Photo: Courtesy Morris Artist Management

Big & Rich

It’s the Day of the Duos.

The three best country singles this week all come from teams—Florida Georgia Line, Maddie & Tae and Big & Rich, the last with an assist from Tim McGraw.

I had a dickens of a time picking between them. Sound-wise, I tilt toward the Big & Rich collaboration. Song-wise, Maddie & Tae definitely have the edge. Call it a draw for the Disc of the Day honor.

There’s no uncertainty about our DisCovery Award winner. LANco earns that prize easily.

BIG & RICH FT. TIM MCGRAW/Lovin’ Lately
Writers: Big Kenny/John Rich/Tim McGraw; Producer: Big & Rich; Publishers: Big Love/Songs of Kobalt/J Money/Kobalt Songs/Stylesonic, BMI/ASCAP; B$R (track)
– Sensual and melodic, this sways in a gentle breeze of a production. The harmony vocals mirror one another beautifully. Superb in every way.

C.J. SOLAR/Hard One To Turn Down
Writers: none listed; Producers: Brent Anderson/C.J. Solar; Publisher: Sea Gayle; Sea Gayle (track)
– He’s a strong singer, with excellent country phrasing. The heartbreak song is solid, too, with a meaty, memorable chorus. Keep an eye on this guy.

Maddie & TaeMADDIE & TAE/Sierra
Writers: Maddie Marlow/Taylor Dye/Aaron Scherz; Producer: Dann Huff; Publishers: Super Big/Big Machine, ASCAP/BMI; Dot
– The fourth single from this team’s debut CD is its cleverest song yet. Maddie & Tae saucily call out a cold-hearted bitch named Sierra while a burbling, bopping track bounces behind them. Irresistible.

KENT ROSE/All That American Night
Writers: Kent Rose; Producer: Chris Casello; Publishers: Memory Train, BMI; Memory Train
– Chicagoan Kent calls himself, “The Voice That Remembers” to call attention to his throwback style. This peppy, catchy, tuneful track has a hint of rockabilly in its grooves, and there’s a touch of Roy Orbison and/or Buddy Holly in his throaty singing.

MIKE SMITH/Little Bit of Us
Writers: Mike Smith/Bobby Ross Avila/Issiah Avila/Frank David Stallworth; Producer: The Avila Brothers; Publishers: Smithouse/Defenders of Music/Universal/Sublime Basement Tunez/Franky Fade, ASCAP/BMI; 22
– Extremely pop, right down to the Doobie-esque guitar riffs. Pass.

FLORIDA GEORGIA LINE/H.O.L.Y.
Writers: busbee/Nate Cyphert/William Wiik Larsen; Producer: Joey Moi; Publishers: BMG Platinum/Pulse Ventures/BBRCOFFEE/IDAP/BMG Rights Management,BMI/ASCAP; Big Machine
– Well sung and nicely produced. The power ballad’s lyric stirs in religious words to illustrate how deeply in love he is.

MAIDEN DIXIE/The Whiskey’ll Miss Me
Writers: Channing Himes/Jonathan Krentz/Graham Becker; Producer: Makoa Johnson/Maiden Dixie; Publishers: none listed; Navigator (track)
– Whichever one of you is singing harmony, you’re off pitch. Also, the arrangement drags.

CRAIG MORGAN/I’ll Be Home Soon
Writers: Justin Ebach/Steven Dale Jones/John King; Producers: Craig Morgan/Byron Gallimore; Publishers: Wordspring Music/ Word Music/ Son Of Austin Songs/Songs of Black River/ Songs of Razor and Tie; ASCAP/SESAC; Black River (track)
– This is one of the finest male singers this format has. He soars magnificently in the chesty choruses of this mighty tune. The finale is thrillingly soulful.

LANco

LANco

LANco/Long Live Tonight
Writers: Brandon Lancaster/Jason Reeves; Producer: Jay Joyce; Publishers: Warner-Tamerlane Publishing Corp./Concession 114 Music/Neon Cross Music/WB Music Corp./Sonic Graffiti, BMI/ASCAP; Arista (track)
– LANco is a five-member ensemble that stages its debut single with a punchy backbeat and exciting harmony vocals. The tempo is pulse pounding and the lead singer has loads of heart. A winner.

THE CADILLAC THREE/Drunk Like You
Writers: Jaren Johnston/Neil Mason/Jesse Frasure; Producer: Dann Huff; Publishers: Sony-ATV/Texa Rae/Nettwerk One B/Revelry/Nevada House/Rio Bravo/Telemitry, ASCAP/BMI; Big Machine
– If her love gets him so high, how come this sounds like such a downer?

DISClaimer: Sturgill Simpson Leads Americana Offerings

Sturgill Simpson

Sturgill Simpson

Americana music covers a whole lot of ground, which today’s stroll through Americanaland proves.

We have everything from the jazz-blues A.J. Croce to the pop of Blue Sky Riders, from the folk of Mary Chapin Carpenter to the rock of Hard Working Americans.

Both of our spotlight records lean toward the country side of things. The Disc of the Day award belongs to the justly heralded Sturgill Simpson.

The Discovery Award goes to Clark Paterson. He has two previous EP’s, and now comes his first full album. He won’t win any prizes as a singer, but he scores big points for songwriting prowess and on-disc raw charisma.

WILD PONIES/Love Is Not A Sin
Writers: Doug & Telisha Williams; Producer: Tres Sasser; Publishers: Bully Goose/American Echo, BMI/SESAC; No Evil (track)
– Fronted by Doug and Telisha Williams, this band has a spare sound dominated by his guitar and her bass. Multi-instrumentalist Fats Kaplan adds other textures. The singing—whether it’s her solo or as a duo—is right on the money, and the songs are sturdy and true. Slated for a May 13 release, the new album is titled Radiant. It’s an alt-country ride.

A.J. CROCE/If You Want Me To Stay
Writers: Sylvester Stewart; Producer: Jim Keitner; Publisher: Mijac/Sony-ATV, BMI; Compass (track)
-Croce’s album That’s Me in the Bar launched him into prominence 20 years ago. Compass Records is celebrating its anniversary by reissuing it and adding this bonus track. His natural jazz/blues vocal phrasing suits the 1973 Sly & The Family Stone classic perfectly. The album’s impressive cast includes Billy Payne of Little Feat, Robben Ford, Ry Cooder, Jonell Mosser, Flea of The Red Hot Chili Peppers and David Hidalgo of Los Lobos. By the way, A.J. Croce is the son of the late singer-songwriter Jim Croce.

Screen Shot 2016-04-28 at 9.08.02 AM

STURGILL SIMPSON/In Bloom
Writer: Kurt Cobain; Producer: Sturgill Simpson; Publishers: The End of Music/BMG Rights Management/Silver Songs, SESAC; Atlantic (track)
-Simpson’s just-released A Sailor’s Guide to Earth is already a contender for Americana Album of the Year. This echoey, melodic Nirvana cover contrasts his country baritone with strings, steel, horns (by The Dap Kings) and spacey atmospherics. It’s all pretty darn dreamy. Apart from this track, the album is totally solo written and produced by the artist. A home run.

R.J. COMER/Nightly Suicide
Writer: R.J. Comer; Producer: Jef Scott; Publishers: Entered Apprentice, no performance rights listed; AJC (track)
– This is just about as gritty as it gets. The title tune of Los Angeleno Comer’s collection is a barroom lament with drinks lined up for hours and hours. A steady, slamming beat and grinding electric guitar slashes punctuate his dour, doomy baritone vocal drone. The new album’s almost-as-dire “The Moon Ain’t Fallen on Me Yet” has a music video.

MARY CHAPIN CARPENTER/Something Tamed Something Wild
Writers: Mary Chapin Carpenter; Producer: Dave Cobb; Publishers: Why Walk, ASCAP; Lambent Light
– This rippling acoustic track kicks off her new CD The Things That We Are Made Of. Her liquid alto has never sounded more enchanting.

JEFFERSON GRIZZARD/Daydream of Hope
Writer: Jefferson Grizzard; Producer: Ben McRee; Publisher: Back Porch Syndicate, BMI; Back Porch
– The title tune of this Georgia-based troubadour’s latest is pretty slow going, with his nearly naked vocal grappling with existence. Elsewhere on the CD you’ll find a solid group of Music Row session aces backing his rocking ruminations.

BLUE SKY RIDERS/Why Not
Writers: Blue Sky Riders; Producer: Blue Sky Riders; Publishers: Blue Sky Riders/Adave/Slattery Songs, ASCAP/SESAC; 3Dream (track)
-This trio—Kenny Loggins, Gary Burr and Georgia Middleman—had the most refreshing new sound of 2013. Its sophomore CD is just as gorgeous. On the bopping title tune, Georgia takes a sprightly lead vocal. All the tracks are dandy, but the rollicking “I’m Lucky Like That,” led by Kenny, is especially catchy. This is joyous music that will be in my speakers for months and months to come.

Clark Paterson

CLARK PATERSON/Sweet Baby
Writers: Clark Paterson/Mark Cline Bates; Producers: Eric McConnell/Clark Paterson; Publishers: none listed, ASCAP; CP (track)
– Paterson’s album is titled The Final Tradition. It includes this jaunty, romping ditty with plinky, plunky steel guitar accompaniment and a wildly clever, quasi-spoken, “talking blues” vocal. Guaranteed to make you smile. Also check out “Hillbilly Shit.” That’s Tim Carroll on electric guitar, incidentally. East Nashvillian Paterson plays a 6 p.m. show at Fond Object on Saturday, May 14. Be there or be square.

HARD WORKING AMERICANS/Opening Statement
Writers: Hard Working Americans; Producer: none listed; Publishers: Shad N Froyd A/Ow My Eye/Grand Island/Bavarian Bombshell/Willy Briar/Eyelid Sky, BMI/ASCAP; Melvin/Thirty Tigers (track)
– Todd Snider and company return next month with their Rest In Chaos third CD. But you can get an advance listen to this track from it on the band’s website. It’s a thumping, echo-soaked outing with a dry, conversational vocal about a losing lover’s journey. Neal Casal’s guitar solo is totally cool.

JANE KRAMER/Carnival Of Hopes
Writer: Jane Kramer; Producer: Adam Johnson; Publisher: Famous Brown Boots, ASCAP; JK (track)
– Her soprano has an ache and a break that are appealing. The title tune of her album is “folk” in all the right ways, with light acoustic instrumentation and a charming melody. She hails from Asheville, North Carolina, and you can hear misty mountains in her sound.

DISClaimer: Love and Theft, The Rifters Lead Country Variety Pack

Love-and-Theft-Whiskey-on-my-breath-CountryMusicRocks.net_We have a variety-pack of country styles today.

Keith Urban rocks. The Rifters are folky. Chris Janson has a country love ballad. Michael Martin Murphey has a cowboy song. Bonnie Bishop brings blue-eyed soul. Ray Scott portrays a smoldering outlaw. Tom Huddleston tries to channel The Hillbilly Shakespeare with an old-school sound.

Our contenders for Disc of the Day are Urban, Janson, Scott and our winners, Love and Theft.

The DisCovery Award goes to The Rifters. This New Mexico acoustic trio describes its sound as “blue-gramma-grass,” but it sounds like gently strummed contemporary country-folk to me.

THE RIFTERS/The Architecture of a Fire
Writers: D. Richmond/C. Pyle; Producer: The Rifters, Don Richmond; Publisher: none listed; Howlin’ Dog (track)
– The title tune of this trio’s current CD is a languid, hushed folk ode characterized by soft acoustic guitar/fiddle/steel/mandolin accompaniment and gentle vocal harmonies. It’s quite entrancing. Stay tuned for the even more hooky following track, “A Hundred Miles.”

Screen Shot 2016-04-21 at 9.37.04 AMEASTON CORBIN/Are You With Me
Writers: Tommy Lee James/Terry McBride/Shane McAnally; Producer: Carson Chamberlain; Publishers: Pretty Woman/Super Phonic/BMG Chyrsalis/Orbison/Turn Me On/Crazy Water/Little Blue Egg/Kobalt, BMI/ASCAP; Mercury (CDX)
-He dreams of freedom and days of joy. And he wants to know if she’s game to come along. This mid tempo outing has a juicy melody and a beefy production. Corbin’s vocal pleads, but lacks fire and desire.

KEITH URBAN/Wasted Time
Writers: Greg Wells/J. Hart/Keith Urban; Producers: Greg Wells/Keith Urban; Publishers: Firehouse Cat/BMG Gold/360/Ray Daniels/Jayded Ink/Songs of Universal/Mary Rose, ASCAP/SESAC/BMI; Capitol (CDX)
– Electronic throbbing and rocking percussion underscore Keith’s soaring tenor vocal performance. The best days of his life, he says, are summer wasted time. I get it. Sing on.

LOVE AND THEFT/Whiskey On My Breath
Writers: Stephen Barker-Liles/Adam Craig/Russell Dickerson/Mark McGuinn/Tyler Reeve/Trent Tomlinson; Producers: Josh Leo/Love and Theft; Publishers: Hate and Purchase/EMI April/Rockapop/Sony-ATV Tree/Internal Combustion/Atlas/Warner-Tamerlane/Kirbfinder’s Mucho Love/Brown Hound/Big Spaces/BootHeel/Big Mosquito/Amplified, ASCAP/BMI; Curb (CDX)
-Fabulous, stacked vocal harmonies. The stately ballad faces all the sins he’s committed. He knows he’s going to heaven anyway, but he needs to pull himself together because he doesn’t want to meet Jesus with whiskey on his breath. A terrific song, and an equally terrific performance. By all means, play this.

RAY SCOTT/High Road
Writer: Ray Scott; Producer: Dave Brainard; Publishers: Cherry Heart/Songs of Universal, BMI; DeciBel (CDX)
– As always, his ultra-masculine singing is infused with conviction and emotion. The “outlaw” lyric admits that he burns beer joints down and he’s headed straight to perdition. As a songwriter, he sure knows how to get the job done. As a recorded presence, he’s charisma on the hoof.

TOM HUDDLESTON & THE SADDLE SPRING BOYS/Hey Good Lookin’
Writer: Hank Williams; Producers: Rodney Crowell, G. Marq Roswell, Carter Little & Ray Kennedy; Publishers: none listed; Legacy (track)
– The new I Saw the Light bio flick is getting lukewarm reviews. But everyone seems to agree that Huddleston’s acting nails Hank Williams’ personality. As a singer, he lacks the pinched-nerve hillbilly soul of Hank. But The Saddle Spring Boys have The Drifting Cowboys’ sound down to a T.

Bonnie BishopBONNIE BISHOP/Not Cause I Wanted To
Writers: Al Anderson/Bonnie Bishop; Producer: Dave Cobb; Publishers: none listed; BB/Thirty Tigers
-This longtime Music Row favorite has teamed up with red-hot producer Dave Cobb for her latest CD, Ain’t Who I Was. It includes a version of her song that won a Grammy for Bonnie Raitt in 2012. I love her slightly sandpapery style and aching phrasing. Jimmy Wallace’s organ sighs mournfully in the background.

CHRIS JANSON/Holdin’ Her
Writers: Chris Janson/James Otto; Producer: Byron Gallimore; Publishers: Red Vinyl/Buckkilla/Words & Music/Songs of Universal, BMI; Warner Bros.
-A rounder is on the wrong path. But he’s saved by a good woman’s love. This country ballad has a slow-burn vibe that heats up into a bonfire of passion. What a performance.

LILI BELLE/Angel
Writer: Lili Belle; Producer: none listed; Publisher: lili Belle, BMI; LB (track)
– The title song of this artist’s debut EP is a sweet, lilting gospel tune. She sings with an excellent clarity, and at just age 22, she is clearly already on the right path as a writer. The steel-laced production is nicely soft and subtle. For a taste of how she fares on a country tempo tune, check out “A Guy Like That.”

MICHAEL MARTIN MURPHEY/Campfire on the Road
Writers: John Robert Williamson; Producer: Bobby Blazier; Publisher: none listed, APRA/Emusic PTY LLD; Murphey Kinship
-Murphey’s seventh Western-song collection is titled High Stakes. It includes this lovely Australian cowboy ballad that echoes the style of the late John Denver. The beauty of the great outdoors is something I never tire of hearing poets and songwriters convey. This one’s a keeper.

Michael Martin Murphey

Michael Martin Murphey