DISClaimer

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Christien Sawyer

Christien Sawyer

Doff your caps to the ladies, gentlemen.

This week, the fairer sex rules the listening session. Carrie Underwood has a splendid outing with the Randy Travis goldie “I Told You So.” Newcomer Christen Sawyer is our DisCovery Award winner.

And the Disc of the Day is by a group that actually has “Lady” in its name. Hillary Scott swaps vocals with Charles Kelley on “I Run to You,” and the result is an undeniable single by Lady Antebellum.

The other news of this column is the quality of the songwriting talent we encounter. From Archie Jordan and Hal David’s lovely classic “Santa Barbara” to the fine craftsmanship in “Red Light” (not to mention “I Run to You,” “I Told You So” and “Walkaway Joe”) and including a new collection by the masterful Thom Schuyler, today is a showcase of Music Row composing excellence.

MEGAN MUNROE/Moonshine
Writer: Megan Munroe/Brian Oaks; Producer: Doug Deforest; Publisher: Triple-Sixty/Forever Lush, ASCAP; Diamond (track) (www.meganmunroe.com)
—The production is big and thumping. Her voice isn’t.

LADY ANTEBELLUM/I Run To You
Writer: Dave Haywood/Charles Kelley/Hillary Scott/Tom Douglas; Producer: Victoria Shaw/Paul Worley; Publisher: Warner-Tamerlane/DWHaywood/RADIOBULLETPUBLISHING/Shaw Enuff/MLultiSongs/Sony-ATV/Tomdouglasmusic, BMI/SESAC; Capitol Nashville
—Very nicely done. The vocal harmony work is flawless. The production is delicious. The song has more hooks than a tuna boat. If this isn’t a Number-One hit, there is something seriously wrong with our format.

VINCE HATFIELD/Santa Barbara
Writer: Archie Jordan/Hal David; Producer: Vince Hatfield; Publisher: Universal Polygram International/Casa David, ASCAP; Blue Moon (www.vincehatfield.com)
—This lovely 1978 Ronnie Milsap tune gets dusted off for a reprise. But this guy is no Milsap vocally, and the sluggish pace does him no favors.

DAVID NAIL/Red Light
Writer: Jonathan Singleton/Melissa Peirace/Dennis Matkosky; Producer: Frank Liddell/Mike Wrucke; Publisher: Crosstown Uptown/Kobalt/Crosstown Downtown/Karles, ASCAP/BMI; MCA Nashville
—It’s an ordinary day. They’re stopped at a red light, and she tells him it’s over. I like the structure of the song, and his singing is wonderfully piercing. Sign me up for the fan club. Co-writer Singleton, by the way, now has a Universal South recording contract of his own.

CHRISTEN SAWYER/Crazy
Writer: none listed; Producer: Mark Oliverius; Publisher: none listed; Rapid Rise (track) (www.christensawyer.com)
—This is not the Willie Nelson/Patsy Cline “Crazy.” It is a feisty little bopper with some sting in its sound. She sings with plenty of oomph, and a sizzling, searing electric guitar echoes her at every turn. This is one hot disc.

MONTGOMERY GENTRY/One In Every Crowd
Writer: Eddie Montgomery/Ira Dean/Kim Tribble; Producer: Blake Chancey; Publisher: Plowin Ground/Copyright Controlled/Music of rpm/Category 5, BMI/ASCAP; Columbia (track)
—This is a stomping ode to the big ol’ “party boy” inside ya. Rousing and fun. Complete with crowd noise.

JUSTIN MOORE/Small Town USA
Writer: Brian Dean Maher/Jeremy Stover/Justin Moore; Producer: Jeremy Stover; Publisher: West Moraine/Welk/Lichelle/WB/Universal-Z Songs/West Bay St/2820/Watwedoiz, ASCAP/BMI; Valory Music
—We’ve essentially heard this song a zillion times before. It’s the one about how great it is to be on a dirt road with your baby on Saturday night with a brew and some sounds, and then go to church on Sunday morning, and how great it is to live a simple country life. Yaddadda, yaddadda, yaddadda.

CARRIE UNDERWOOD/I Told You So
Writer: Randy Travis; Producer: Mark Bright; Publisher: Sometimes You Win, ASCAP; Arista/19 (track)
—I have always loved this song. Randy had a massive hit with it in 1988. Carrie’s remake is a silver arrow of emotional truth. Soft, subtle harmony work from Vince Gill is the icing on this yummy track.

VINCE MELAMED/Walkaway Joe
Writer: Vince Melamed/Greg Barnhill; Producer: Jim Tract; Publisher: Songs of Universal/Warner-Tamerlane/WB, BMI/ASCAP; Adroit (track) (www.adroitrecords.com)
—This comes from a compilation called Words & Music Nashville. Melamed’s own rendition of this Trisha Yearwood hit he cowrote is loaded with sincerity and purpose. The other writers on the disc include Ray Sisk, Brendan McKinney, Lucas Hoge, Craig Monday, Mason Douglas, Cheley Tackett, Lisa Carver, Joshua Rush and Karleen Watt. Recommended.

THOM SCHUYLER/Prayer Of A Desperate Man
Writer: Thom Schuyler; Producer: none listed; Publisher: Rondor/September Second,; TJS (track)
—It has been far too long since we’ve had a new record from this former Capitol and MTM recording artist. The title tune to Thom’s self-penned collection is a tender, heart-tugging ballad that showcases one of Music City’s true songwriter treasures. For romance, listen to “When She Danced with Me.” For humor, turn on “Who Needs a Hummer?” or “Too Drunk.” For a meditation on mortality, check out “Starting to Go.” This man is such a gem.

DISClaimer—Happy New Year

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We’re starting things off just right here at DisClaimer. I am happy to report that The Bellamy Brothers, Tim McGraw, Darren Kozelsky and Trent Tomlinson are all ringing in the new year with excellent 2009 singles.

Let’s face it, 2008 was no banner year for country sales. I’m suggesting that we start looking off the beaten path for success stories. Thus, Rounder’s Grammy-nominated The SteelDrivers have the first Disc of the Day award for the new year.

And it’s always healthy when we have a DisCovery Award winner as potent as Bluefield. This duo is very promising indeed.

Here’s to a happy and prosperous new beginning for us all.

BLUEFIELD/Ready To Love You Now
Writer: Rick Ferrell; Producer: Rick Ferrell & Herbert Graham; Publisher: Warner-Tamerlane/Rick Ferrell/Rockin’ Rodeo, BMI; Country Thunder (615-327-2788)
 —Bluefield is a duo consisting of songwriter Rick Ferrell (Martina’s ”Where Would You Be,” Tim’s “Something Like That”) and former Nashville Star competitor Jennifer Hicks. The debut single is enchanting, featuring her plaintive lead and his hearty harmony on a mid-tempo production with plenty of wooshing atmosphere and heartbeat rhythm. I think I’m in love.

STEVE HOLY/Might Have Been
Writer: Doug Johnson/Pat Bunch; Producer: Phil Gernhard & Lee Miller; Publisher: Mike Curb/Sweet Radical/Pat Price/Songs of Mighty Isis/Kobalt, BMI; Curb
—Co-produced by the late Phil Gernhard, Steve Holy returns to the fray with a tender ballad about the saving grace of love. Touching.

TODD FRITSCH/Texas Talkin’
Writer: John Ramey/Tony Colton; Producer: Butch Baker; Publisher: Sixteen Stars/Dixie Stars/Horipro, BMI/ASCAP; Diamond Music Group (www.toddfritsch.com)
 —Well written. He’s a polite, gentleman cowboy because that’s the way he was raised. Todd’s performance is on the money, but the pace feels like it’s plodding a bit. Goose the tempo.

TIM McGRAW/Nothin’ To Die For
Writer: Craig Wiseman/Lee Thomas Miller; Producer: Byron Gallimore, Tim McGraw & Darran Smith; Publisher: Big Loud Shirt/Big Loud Bucks/EMI Blackwood/New Songs of Sea Gayle/Noah’s Little Boat, ASCAP/BMI; Curb
—The mighty Tim knocks another one out of the ballpark. In the midst of a chiming production, he delivers a morality tale of a man who heedlessly risks his life. I got completely swept up in its audio excellence.

JONALEE WHITE/Wake Me
Writer: Pauken/Harris/White; Producer: Jeff Tweel; Publisher: none listed; Lick (www.jonaleewhite.com)
 —It’s a snappy bopper that she delivers with panache. But the overall sound is thin and malnourished.

CHUCK WICKS/Man Of The House
Writer: Chuck Wicks/Michael Mobley; Producer: Dann Huff & Monty Powell; Publisher: Universal-MGB/CEW/Castle Street, ASCAP; RCA
—The little 10-year-old shoulders household responsibilities because his dad’s away at war, and he’s now the “Man of the House.” Great storytelling has always been what country music does best.

THE STEELDRIVERS/Blue Side Of The Mountain
Writer: Mike Henderson/Chris Stapleton; Producer: Luke Wooten & The SteelDrivers; Publisher: EMI April/Sea Gayle/Iriving/Chicken Shack, ASCAP/BMI; Rounder (track) (www.steeldrivers.com)
 —Hey country radio, why don’t you try playing something that people will actually want to run out and buy? This slab of raw soul singing meeting for-real country acoustic instrumental work is like discovering a banquet when you’ve been eating Jello for years. Thrilling is the only word that will do. This track is also well-deservedly nominated for a mainstream country Grammy Award. Play it now!

TRENT TOMLINSON/That’s How It Still Oughta Be
Writer: Trent Tomlinson/Jim Collins/Tom Shapiro; Producer: Leigh Reynolds & Trent Tomlinson; Publisher: Hope-N-Cal/Trent Tomlinson/Sexy Tractor/Big Loud Bucks/EMI Blackwood/Little Dooey/Cal IV, BMI; Carolwood
—Back in the day, when kids got into fights, there weren’t any guns or knives involved. Dinner was eaten as a family without TV. Jobs weren’t sent overseas. Preachers and teachers were trusted role models. This song yearns for all kinds of perceived bygone values. I know, I know. On paper, it sounds ridiculously corny. But the writing is so sturdy, and Trent’s delivery is so sincere, that it all works.

DARREN KOZELSKY/Good Day To Get Gone
Writer: Jason Blaine/Willie Mack/Noah A. Gordon; Producer: none listed; Publisher: Anchor Down/Red Cape/Ole/New Millennium/NMM Tunes, SOCAN/BMI/ASCAP; 9 North/Spinville (www.darrenkozelsky.com)
 —This Texas roadhouse regular has a “driving” tune that makes you want to hit the open road and throw caution to the wind. It may be winter outside, but this sounds just like summer sunshine. Turn it up and sing along. Somebody get the name of that producer, ‘cause he’s got a little Springsteen in his blood. An absolute winner.

THE BELLAMY BROTHERS/Lord Help Me Be The Kind Of Person (My Dog Thinks I Am)
Writer: David Bellamy; Producer: none listed; Publisher: none listed; Curb/Spinville/Bellamy Brothers (www.bellamybrothers.com)
 —This lopes rhythmically along with the steel guitar answering the vocal lines brilliantly. As is usual with the Bellamys, the whole thing is wildly catchy.