DISClaimer: Randy Rogers Band, Ray Price and Ashland Belle

Randy Rogers Band

Randy Rogers Band

The indie acts are in the spotlight today.

Whether they are big-label veterans like Randy Rogers Band and Ray Price, or freshly-minted newcomers, they are all plying their trade via independent companies.

The Disc of the Day belongs to Jamie Floyd, whose superbly-written songs have attracted an excellent-sounding group of supporting studio players. Music this good deserves major-league support. Somebody sign this woman at once and give her a ton of money.

The DisCovery Award goes to a band called Ashland Belle, a country-rock group based in Buffalo, New York, with booking and p.r. in Nashville.

RANDY ROGERS BAND/San Antone
Writer: Keith Gattis; Producer: Buddy Cannon; Publisher: Pioneer Town Songs/Sony/ATV Tree Publishing (BMI); Tommy Jackson/Thirty Tigers
-The new Randy Rogers Band CD drops next month. The set, titled Nothing Shines Like Neon, features celebrity guests like Alison Krauss, Jerry Jeff Walker and Jamey Johnson. But on this rolling, breezy lead-off track, the band is on its own. And sounding better than ever.

RAY PRICE/No More Songs to Sing
Writers: Robert Ellis Orrall/Roger Springer/Tony Ramey; Producer: Fred Foster; Publishers: Ten Ten/Orrall Fixation/ole Red Cape/Drop Tyne/BMG Sapphire/Fast Horse, ASCAP/BMI; Amerimonte
-Ray Price’s final album is packed with emotional performances. This wistful, end-of-life ballad is one of its highlights. A keepsake from one of the all-time greats.

JAMIE FLOYD/The Blade
Writers: Allen Shamblin/Marc Beeson/Jamie Floyd; Producers: Brad Hill & Jamie Floyd; Publisher: WB Music Corp. (ASCAP)/Erin’s Dream Music (ASCAP)/Crazy Blue Egg (ASCAP). All rights admin. by WB Music Corp. (ASCAP)/Built On Rock Music (ASCAP) (admin. by ClearBox Rights)/Jamie Floyd Music (SESAC); JFM
-This former Epic artist is on her own now, with her own publishing company and label. Her six-song EP is called Sunshine & Rainbows and features this powerful throbber that is the title of the current Ashley Monroe album. Floyd’s own rendition trembles with emotion and aches with longing. Awesome.

Ashland Belle Press Photo

ASHLAND BELLE/Fastest Car
Writers: Jimmy Yeary/Zac Maloy; Producer: Zac Maloy; Publisher: EMI Blackwood Music Inc./Great Day At THiS Music/Beattyville Music, BMI & Leo Rosewater/Warner Chapell, ASCAP; Ashland Belle

-This band shows real promise. There is fire and energy in the instrumental work, and the lead singer bites into the rebel-love lyric with gusto. This rocks in all the right places.

KAREN TAYLOR-GOOD/Hope in the Garden
Writers: Karen Taylor-Good/Rachael Good; Producer: none listed; Publisher: none listed; Abe’s Garden
-Abe’s Garden is now open on Woodmont Boulevard in West Nashville as an Alzheimer’s and Memory Care Center of Excellence. This is the title tune of a CD compiling songs about this tragic disease. It’s a lovely piano ballad with strings. Support this worthy charity.

CHLOE COLLINS/All Over Again
Writer: Chloe Collins; Producer: Mikey Reaves; Publisher: Collins House, BMI; Collins House
-She’s 15, and she solo-wrote all five songs on her EP. This lead-off track and first single is an instantly catchy ditty about a no-regrets romance. I dig her conversational delivery and her down-to-earth lyrics. This gal has the goods.

IMAJ/Colorblind
Writers: Ron Grimes/IMAJ/Jennifer Lynn; Producers: IMAJ & Mills Logan; Publisher: Timeless Creations/Love IMAJ/Jennifer Lynn, BMI/SESAC; Thomas Triomphe
-It’s a message ballad about spreading love and not being racist. She sings well, but the song is weak and repetitive. In mid-song, a news-announcer voice butts in and then she starts talking about her philosophy. Which is sonically totally weird.

SHALO LEE/Hometown Girl
Writers: Shalo Lee/Owen Sartori; Producer: none listed; Publisher: Owen Sartori & Shalo Lee; SL
-Recorded in Minneapolis, this is a pop-flavored female “attitude” number with a cool guitar figure running through it. It’s not gritty enough to be Americana, rhythmic enough to be pop/rock or twangy enough to be mainstream country.

JOHNNY REED FOLEY/Hillbilly Rockstar
Writer: Johnny Reed Foley; Producer: Billy Chapin; Publisher: Johnny Reed Foley, BMI; Inferential
-Have I mentioned how much I dislike country rapping?

TWO MILES SOUTH/Anywhere But Here
Writers: Billy Chapin/Matt McKeown/Camryn Wessner; Publisher: Funkamongus, BMI; Producer: Billy Chapin
-This is a female duo comprised of 18-year-old twins. The whole bouncy, boppy thing sounds slightly flat.

DISClaimer: Top-Notch Singers Reign Supreme

Keith Urban post

Keith Urban

Today’s field of airplay contenders is a crowded one.

Old Dominion, Drake White, Chris Stapleton, Carrie Underwood and Luke Bryan are all on hand, jostling for position. Leading the pack is Keith Urban, who has the Disc of the Day.

The DisCovery Award goes to a band that has evidently been on the road for 15 years, hence the title of its forthcoming January album, Fifteen. The advance single features the characteristic harmony singing of Green River Ordinance.

CHRIS LANE/Fix
Writers: Sarah Buxton/Jesse Frasure/Abe Stoklasa; Producer: Joey Moi; Publishers: Round Hill Works/Big Loud Proud Crowd/Bux Tone Music/Rio Bravo Music, Inc./Telemitry Productions/Year of the Dog; BMI/ASCAP; Big Loud (CDX)
-It ain’t all that “country.” It is quite catchy and bouncy.

KEITH URBAN/Break On Me
Writers: Jon Nite/Ross Copperman; Producers: Nathan Chapman/Keith Urban; Publishers: EMI April/Jon Mark Nite/EMI Blackwood/Songs By Red Room, ASCAP/BMI; Capitol/Hit Red
-Echoey droplets of sound fall around his aching ballad vocal. A simply beautiful record, one that explains why this guy is a superstar.

LUKE BRYAN/KAREN FAIRCHILD/Home Alone Tonight
Writers: Jody Stevens/Cole Taylor/Jaida Dreyer/Tommy Cecil; Producers: Jeff Stevens/Jody Stevens; Publishers: Sony ATV Tree/Universal/Red Vinyl/Words & Music/Sixteen Stars, BMI/ASCAP; Capitol
-Cool contemporary lyrics. Hooky melody. Admirably crunchy production.

Green River Ordinance

Green River Ordinance

GREEN RIVER ORDINANCE/Red Fire Night
Writers: Green River Ordinance; Producer: Rick Beatto; Publishers: Green River Ordinance 2015, admin Kobalt Music Publishing; GRO (track)
-The lead vocal is rather ordinary, but when they sing together, the harmonies are outstanding. This band works constantly, opens for loads of country stars and has had music placements on more than 60 TV shows.

CARRIE UNDERWOOD/Heartbeat
Writers: Carrie Underwood/Zach Crowell/Ashley Gorley; Producer: Zach Crowell; Publishers: Carrie-Okie/External Combustion/Songs of Southside Independent/Who Wants to Buy My Publishing/Atlas/Combustion Engine/Sadie’s Favorite Songs/WB, BMI/ASCAP; Arista/19 (track)
-Disappointingly dull. Considering what a superb singer she is, it doesn’t have much of a tune. Sam Hunt sings harmony.

TOWN MOUNTAIN/Mississippi Half-Step Uptown Toodeloo
Writers: Garcia/Hunter; Producer: Town Mountain; Publisher: none listed; TM
-This band covers Grateful Dead songs, country-style. The result is delightfully refreshing and utterly charming.

OLD DOMINION/Snapback
Writers: Matthew Ramsey/Trevor Rosen/Brad Tursi; Producer: Shane McAnally; Publisher: Carrot Seed Songs/Smackville Music/Smack Songs LLC; adm by Kobalt Songs Music Publishing. ReHits Music, Inc./Smacktown Music, a division of Smack Blue, LLC/Smack Songs LLC/Unfair Entertainment; adm by ReHits Music, Inc.; Songs of Big Deal/Wooden Ships Publishing; adm by BMG Rights Management (US) LLC; ASCAP; RCA (track)
-Very exciting. The jittery backbeat and rapid-fire lyric delivery carry you irresistibly forward. The whoa-whoa shouts are made for singing along. The finale electric guitar solo is sensational. The newcomers go two for two.

ROBBY JOHNSON/Hate Me Tonight
Writers: Jason Massey/Ryan Griffin/Mark Carson; Producer: James Stroud; Publisher: none listed; Contrast Music
-Nicely done. He sings with clear, direct force, and the production supports him at every turn. Worth your spins.

DRAKE WHITE/Livin’ The Dream
Writers: Tom Douglas/Jaren Johnston/Luke Laird; Producers: Ross Copperman/Jeremy Stover; Publishers: Sony ATV Tree/Tomdouglasmusic/Sony ATV Harmony/Texa Rae/Luke Laird Songs of Universal/Creative Nation, BMI/ASCAP; Dot
-The fact that this excellent performer isn’t a major star is a complete mystery to me. Here is yet another fine single from him, full of heart and energy and warmth. He sings of the joys of a simple life where having love is better than having material wealth. The track is rhythm happy. I remain a huge fan.

CHRIS STAPLETON/Nobody To Blame
Writers: Chris Stapleton/Barry Bales/Ronnie Bowman; Producers: Dave Cobb/Chris Stapleton; Publishers: WB Music Corp./House of Sea Gayle Music, admin. by ClearBox Rights; Quackhead Music; Sony/ATV Tree Publishing; ASCAP/BMI; Mercury (track)
-His relationship is busted, and he’s wailing the blues about it. And wail, he can. This man is a singin’ HOSS.

DISClaimer: Rhiannon Giddens, Plus Three Discs of the Day

Rhiannon Giddens albumDisClaimer takes a tour through the land of Americana this week and finds a lot to like.

So much so, that we’re giving out four prizes, instead of our usual two. The Disc of the Day honor is divided like an awards show. The Male Vocalist award goes to Tim O’Brien.

OBrien

Our Female Vocalist winner is Andrea Zonn.

Zonn

The Group prize goes to The Black Lillies.

The Black Lillies

One name stands tall as the winner of this week’s DisCovery Award. It is Rhiannon Giddens, whose solo CD should be in every home.

TIM O’BRIEN/Pompadour
Writer: Tim O’Brien; Publisher: No Bad Ham, ASCAP; Producer: Tim O’Brien; Howdy Skies
-Best known in bluegrass circles for his role in Hot Rize, O’Brien is also notable as a duet partner with artists such as Kathy Mattea and Darrell Scott. On his solo outings, he is an eclectic stylist, ranging through several roots styles. The title tune of his latest, for instance, is a wry, slightly goofy, blues outing about waking up with a brand new hairdo. It includes trumpet embellishments, yodeling and marimba playing. How’s that for eclectic?

LYNN TAYLOR & THE BAR FLIES/Hollow Man
Writer: Lynn Taylor; Publisher: None listed; Producer: Lynn Taylor; Lamon
-This Nashville outfit does regular club gigs showcasing the songs of its leader, who sings in a drawling, raspy, strangulated, soulful bawl. The title tune of its new CD wanders out of yer speakers with woozy, loosey-goosey, tipsy-sounding charm. Dobro and fiddle weave in and out of the mix.

DUKE ROBILLARD & SUNNY CROWNOVER/Evangeline
Writer: Robbie Robertson; Publisher: Medicine Hat, no performance rights listed; Producer: Duke Robillard; Stony Plain
-Blues-guitar champ Robillard has recorded his first acoustic collection. Titled The Acoustic Blues & Roots of Duke Robillard, it finds him sampling the catalogs of Big Bill Broonzy, Hank Williams, Jimmie Rodgers, Sleepy John Estes, The Delmore Brothers, W.C. Handy, Stephen Foster and more. Guests include Maria Muldaur, Jay McShann and Sunny Crownover, who handles lead vocals on this great swamp classic by The Band.

THE BLACK LILLIES/Hard to Please
Writers: Cruz Contreras/Bowman Townsend; Publishers: Black Lilly Music / Attack Monkey Productions; Producer: Ryan Hewitt; Attack Monkey
-For its fourth album, The Black Lillies enlisted an outside producer and Nashville guest musicians for the first time. The title tune delightfully mashes together thumping percussion, raucous electric guitar, saxophone, hand claps and soul-sister backup vocals on a rollicking r&b tune. Romping, stomping fun.

JIM LAUDERDALE/You Were Here
Writer: Jim Lauderdale; Publisher: Jim Lauderdale, SESAC; Producers: Jim Lauderdale/Luther Dickinson; Sky Crunch
-Lauderdale’s latest is an ambitious double CD called Soul Searching. One 13-track disc is Vol. 1 Memphis, and the other 13-track collection is Vol. 2 Nashville. The latter is not as “country” as you might expect. It kicks off with this moody, minor-key, rhythm-heavy moan. As you might expect, the musicianship is as outstanding as the songwriting. Also lend an ear to “Black Widow Spider,” “Tarzan Houdini,” “What Do I Know About Anything,” and “Why Does God Let That Happen,” the last named featuring The McCrary Sisters.

JAMES HAND/Why Oh Why
Writer: James Hand; Publisher: Slim Hand, BMI; Producer: Deborah J. Perry; Slim Hand.
-The latest by this countrier-than-country Austin artist is Stormclouds in Heaven, a bluegrassy gospel collection. He still sounds like George Jones, but this time he’s surrounded by mandolins and fiddles instead of steel guitars, as this lead-off track attests.

RHIANNON GIDDENS/Tomorrow Is My Turn
Writers: Charles Aznavour/Marcel Stellman/Yves Stephane; Publisher: None listed; Producer: T Bone Burnett; Nonesuch
-For her solo CD debut, this former member of The Carolina Chocolate Drops applies her liquid voice to songs originated by everyone from Dolly Parton and Odetta to Sister Rosetta Tharpe and Patsy Cline. The title tune is associated with the great Nina Simone. Giddens performs it as a languid, haunting, cabaret chanson that thoroughly hypnotizes. Essential listening. Also available on vinyl, by the way.

SHAWN MULLINS/My Stupid Heart
Writers: Shawn Mullins/Chuck Cannon; Publishers: Roadieodie/Warner Chappell/Chuck Cannon, BMI; Producer: Lari White; Sugar Hill
-I remain a fan. The excellent title tune of this singer-songwriter’s latest collection has him singing in a baritone whisper as it begins, then rising in intensity and volume as the ballad aches even deeper. The cello, steel and electric guitar effects are brilliantly blended. Applause for everyone involved.

ANDREA ZONN/Rise
Writers: Luke Bulla/Andrea Zonn; Publishers: Redding Theory/Zondrea/BMG Bumblebee, ASCAP/BMI; Producer: Andrea Zonn; Compass.
-This Nashville vocalist, songwriter and musician is best known for backing superstars like James Taylor and Vince Gill. Judging from her new solo CD, she has an address book to die for. Taylor and Gill appear, as do Keb Mo, Jerry Douglas, Mac McAnally, Sam Bush, Alison Brown, John Cowan and Bryan Sutton. Guest Trace Adkins is particularly awesome on the beautifully written “Ships.” The album’s atmospheric title track, “Rise,” has her lilting soprano offering a lyric of hope and optimism amid storm and danger.

KYLE FREDERICK/Eventide
Writer: Kyle Frederick; Publishers: Vandermont/Cry Angel/Melody Chief, BMI; Producers: Byron House/Kyle Frederick; Melody.
-This Nashville veteran has recorded in contexts ranging from country to rock. The title tune of his new collection finds is a doomy, urgent, echoey rocker with swirling organ, lumbering rhythm and deep-twang guitar, plus a harmony vocal by Emmylou Harris. Intriguing.

DISClaimer: CMA Awards Week Brings Out Top-Notch Releases

Florida Georgia Line

Florida Georgia Line

It seems the stars are out in more ways than one during this Country Music Week.

They twinkle at awards shows left and right. They sparkle at free concerts. And they also blaze brightly when they time record releases to happen during this media-saturated week.

The great Eric Church dropped a “surprise” album into the mailboxes of fans and friends on Tuesday, titled Mr. Misunderstood. Tim McGraw (Damn Country Music), Old Dominion (Meat and Candy) and Hunter Hayes (The 21 Project) introduce their new collections on Friday. Chris Young’s I’m Comin’ Over is out next week. Carrie Underwood (Storyteller) made a sales splash with hers last week.

And so it is that we find new discs by Frankie Ballard, Florida Georgia Line and Ashley Monroe in today’s review column. Not to mention well-timed releases by Opry stars Charlie Daniels and John Conlee. Even former pop princess Leigh Nash is getting in on the action.

Florida Georgia Line wins the Disc of the Day. Young Californian Callie Twisselman gets a DisCovery Award.

DEBBIE COCHRAN/Before We Met The World
Writer: Debbie Cochran; Producer: Kent Wells; Publisher: DMC Anniston, BMI; Go Time
-This former DisCovery Award winner has a lustrous country alto and a nicely warm, conversational, plain-spoken delivery. This rolling two-step charmed me at every turn. Get up and slowly shuffle around that Texas dance floor.

FRANKIE BALLARD/It All Started With A Beer
Writers: Jaren Johnston/Neil Mason/Jeremy Stover; Producer: Marshall Altman; Publishers: Sony-ATV Harmony/Texa Rae/Netwerk One B/Revelry/Nevada House/ole Red Cape Songs/Real Big Red Tunes; ASCAP/BMI; Warner Bros.
-I think this guy is a star. His relaxed, intimate delivery of this nostalgic and romantic tune certainly sounds like one. The production sways and soothes. The song is a well-written gem.

Callie Twisselman

Callie Twisselman

CALLIE TWISSELMAN/Hung Me on the Line
Writers: Ford Thurston/Brynn Marie; Producer: none listed; Publishers: none listed, BMI; Sugar Cube
-Her bright soprano delivery is a wee bit sharp. The male harmony singers help, but the clippety-clop rhythm track doesn’t. Still, there is personality here, plus some nice electric-guitar work.

FLORIDA GEORGIA LINE/Confession
Writers: Rodney Clawson/Ross Copperman/Matt Jenkins; Producer: Joey Moi: Publishers: Big Red Toe/Farm Town Songs/Big Loud Bucks/EMI Blackwood Music/Songs By Red Room/Sony/ATV Music Publishing/WB Music Corp./Who Wants To Buy My Publishing/External Combustion Music, BMI/ASCAP; Republic (track)
-Troubled and adrift, a guy stares out at highway scenery and searches for solace. His thoughts swirl and become a confession to a cold beer. The track shudders, thuds and crashes around the vocals brilliantly. The drawling lead vocal brings out the terrifically arty lyric. I’m totally into this, and definitely hear pop-crossover potential.

HAILEY WHITTERS/Black Sheep
Writers: Hailey Whitters/Adam Wright; Producer: Derek Wells; Publishers: Scrambler/Tiltawhirl/Casa de Casa, BMI; Carnival (track)
-The title tune to this gal’s CD is a brooding, thumping, moody, minor-key gem. She sings with sizzle. The track swirls around her. The lyric is packed with clever nursery-rhyme references, such as, “Go tell that Little Bo Peep, don’t come in with this black sheep.” “Who wants to be white as snow?” she asks. “There’s always a little black wool/Yes sir, yes sir, three bags full.” This is the second time this writer-artist has pinned my ears back. Listen and believe.

ASHLEY MONROE/Bombshell
Writers: Ashley Monroe/Gordie Sampson/Steve McEwan; Producers: Vince Gill/Justin Niebank; Publishers:Monroe Suede/Songs of Kobalt/BMG Firefly/Dash8/EMI Blackwood/Birds With Ears/Sony ATV, BMI/ASCAP; Warner Bros.
-Ashley’s The Blade is one of the year’s finest country albums. On this haunting ballad she conjures a spell like a singing sorceress. The echoey production underscores every line of this doomed-relationship lyric. This Pistol Annie shoots straight and hits an emotional bulls eye here.

THE CHARLIE DANIELS BAND/Southern Boy
Writers: Charlie Daniels/Travis Tritt; Producer: Bob Wright; Publishers: CDB/Wooley Swamp/Post Oak, BMI; Smith (track)
-The CDB kicks off a new live album with this blazing, mile-a-minute country rocker. You can definitely hear the influence of co-writer Travis Tritt in the song.

LEIGH NASH/Doing It Wrong
Writers: Leigh Nash/Brendan Benson; Producer: Brendan Benson; Publishers: BMG Silver/Woman Hollering/BMG/Chrysalis/Gladsad, SESAC/ASCAP; One Son/Thirty
-Leigh has enjoyed a highly successful pop career in Sixpence None the Richer, noted for “Kiss Me” (1998) and “There She Goes” (1999). She’s originally from Texas, so she endeavored to make a country record with The State I’m In. As pert and clever as this is, she isn’t really a country vocalist.

JOHN CONLEE/Walkin’ Behind The Star
Writers: Ronny Scaife/Phil Thomas; Producer: Bud Logan; Publishers: Universal Songs of PolyGram/Virgin Timber/Feel’s Hunny Hole, BMI; RCR (CDX)
-It’s a pro-police song.

ERIC CHURCH/Mr. Misunderstood
Writers: Eric Church/Casey Beathard; Producer: Jay Joyce; Publishers: Sony/ATV Tree/Longer and Louder Music/Sony/ATV Acuff Rose Music/Six Ring Circus Songs; (BMI); EMI (track)
-Yes, I am one of the lucky few who got one. I am the envy of the office, since we are all tremendous fans. The title track of Eric’s “surprise” album is a spare outing with a terrific lyric about a boy who lives inside his favorite music and makes all kinds of left turns in life. It has a raucous, rocking charm with a speed-up, slow-down arrangement. All of the instrumentation on the collection is provided by his road band. Assorted tracks feature Joanna Cotten, Rhiannon Giddens and/or Susan Tedeschi.

DISClaimer: The Cox Family, The Hillbenders Offer Some of The Best in Bluegrass

The Hillbenders

The Hillbenders

People are always asking me what I’m listening to.

Well, in recent weeks, some of the coolest new records have been coming from bluegrassy acts like Donna Ulisse, The Cox Family, Dailey & Vincent, Ron Block and The Tennessee Mafia Jug Band.

Unquestionably the best of these is Gone Like the Cotton by The Cox Family. It isn’t traditional bluegrass, since several tracks feature drums, piano, steel or electric guitar. But it the Disc of the Day, whatever you call it.

The DisCovery Award goes to The Hillbenders for their audacious reimagining of a rock-music classic.’

THE HILLBENDERS/Pinball Wizard
Writer: Pete Townsend; Producer: Louis Jay Meyers; Publisher: Fabulous/Spirit One, BMI; Compass (track)
-You read that correctly. The Hillbenders are on the bluegrass charts with The Who’s “Pinball Wizard.” Not only that, the whole album is a reinterpretation of the classic Tommy, billed now as “a Bluegrass Opry.” The vocals work surprisingly well. The banjo accompaniment takes a little getting used to.

RON BLOCK/Smartville
Writers: none listed; Producer: none listed; Publishers: none listed; RB (track)
-The longtime Union Station banjo man has a new solo instrumental CD titled Hogan’s House of Music. It kicks off with this lively, bouncing ditty that has a built-in smile. Guests on various tracks on the album include Stuart Duncan, Alison Krauss, Sam Bush, Sierra Hull, Adam Steffey and Tim Crouch. Highly recommended.

RALPH STANLEY, BUDDY MILLER AND JIM LAUDERDALE/I Am the Man, Thomas
Writers: Larry Sparks/Ralph Stanley; Producers: Buddy Miller/Jim Lauderdale; Publishers: Zap, BMI; Cracker Barrel/Red
-This patriarch’s new CD finds him collaborating with country stars such as Dierks Bentley, Josh Turner and Lee Ann Womack, bluegrass celebrities like Del McCoury and Ricky Skaggs and even rock stars Elvis Costello and Robert Plant. On this rousing gospel chestnut, co-producers Buddy Miller and Jim Lauderdale harmonize with gusto.

DONNA ULISSE/Hard Cry Moon
Writers: Donna Ulisse/Rick Stanley; Producer: Bryan Sutton; Publishers: Uncle Hadley/Pop ‘N Paw, ASCAP; Hadley Music
-Ulisse’s new CD is No. 1 on the Roots Music Report chart and No. 3 on the Euro Americana chart. I can certainly hear why. Its title tune is a mournful, melodic ballad with a gently caressing lead vocal and some gorgeous harmony singing from Jerry Salley and Rick Stanley. Heart melting.

DAILEY & VINCENT/We’re All Here To Learn
Writers: Karen Staley/Jamie S. Dailey; Producer: none listed; Publishers: Bluegrassambassador/Hobo Lizard, BMI; Pillar
-This award-winning group’s debut live CD is a Cracker Barrel exclusive. Recorded at a concert in a Virginia performing arts center, the set opens with this uplifting, inspirational and hard-driving performance. The bluegrass ensemble is backed by The George Mason University Student Orchestra. The sound is majestic.

THE TENNESSEE MAFIA JUG BAND/Lester’s Loafin’ Lounge
Writers: Mike Webb; Producer: Eric Heatherly; Publishers: none listed, BMI; TMJB (track)
-This good-time string band is a perennial favorite on Marty Stuart’s RFD-TV series. Its new CD’s title tune is about a real place that’s situated near Goodlettsville, Tenn., where good food and pickin’ parties abound. Owner “Lonesome” Lester Armistead passed away last year. This album and this song are dedicated to him. Fear not: Tennessee Mafia Jug Band member Mikey Armistead now maintains the Lounge’s traditions. If you can’t make the trip there, get this CD, and you’ll have a taste of its hearty cheer.

MIKE AULDRIDGE, JERRY DOUGLAS, ROB ICKES/The Three Bells
Writers: Jean Villard/Bert Reisfeld; Producers: Mike Auldridge/Jerry Douglas/Rob Ickes; Publisher: Southern, ASCAP; Rounder (track)
-This trio won the Instrumental Recorded Performance award at the International Bluegrass Music Awards earlier this month. No wonder: The three greatest Dobro masters of our lifetime are all on the same record together. Heaven sounds something like this.

LORRAINE JORDAN & CAROLINA ROAD AND THE KENTUCKY HEADHUNTERS/Runnin’ Water
Writers: The Kentucky Headhunters; Producers: Josh Goforth/Lorraine Jordan; Publishers: Them Young Boys/ I.B. Headed, no performance rights listed; Pinecastle (track)
-Jordan and her Carolina Road boys have titled their new CD Country Grass. It features them collaborating with John Conlee, Lee Greenwood, T.G. Sheppard, Eddy Raven, Crystal Gayle and the late Jim Ed Brown and Lynn Anderson, among others. They are midway up the Bluegrass Unlimited chart with this rip-roaring, lickety-split outing with The Kentucky Headhunters. Yee-hah!

THE INFAMOUS STRINGDUSTERS/American Girl
Writers: none listed; Producer: none listed; Publishers: none listed; Lumenhouse
-The Infamous Stringdusters’ new Undercover five-song EP entered the Billboard bluegrass chart at No. 1. It features the group reinterpreting the songs of Johnny Cash (”Big River”), Bob Dylan (”Don’t Think Twice, It’s All Right”), Jimmy Webb (”Highwayman”) and, yes, Pink Floyd (”Fearless”). Their version of Tom Petty’s “American Girl” has a pinched-nose lead vocal, woozy fiddle lines and slightly sour harmonies. But the long instrumental ride at the song’s end is outstanding.

The Cox FamilyTHE COX FAMILY/Gone Like The Cotton
Writers: Sidney Cox/Suzanne Cox; Producer: Alison Krauss; Publisher: ANSALLY/Marla, BMI; Rounder (track)
-Let me just state up front that I adore this group. The title tune of its new CD is a wistful waltz about loved ones who have passed away. The blood-harmony trio voices on the choruses are lump-in-throat listening ecstasy. Elsewhere on the set are cool reworkings of songs made famous by The Louvin Brothers (”Cash on the Barrelhead”), Bread (”Lost Without Your Love”) and Crystal Gayle (”I’ll Get Over You”). The album, by the way, is a completion of one that they began recording for Asylum back in 1998. Good music is truly timeless.

DISClaimer: Brett Eldredge, Backroad Anthem Offer Captivating New Music

brett-eldredge-drunk-on-your-love-single-cover-300x300Veterans and newcomers are in the mix this week, in equal portions.

Representing the first category are Jack Scott, T.G. Sheppard, George Jones and the enduringly awesome Don Henley.

New to the column are Mike & The Moonpies, AJ Kross, Alexandra Demetree and Backroad Anthem, all of whom show much promise. Backroad Anthem, a country band from Fayetteville, Arkansas, wins the DisCovery Award.

The Disc of the Day belongs to the red-hot Brett Eldredge.

BRETT ELDREDGE/Drunk on Your Love
Writers: Brett Eldredge/Ross Copperman; Producers: Copperman/Eldredge; Publishers: Sony-ATV Countryside/Paris Not France/EMI Blackwood/Ross Copperman, BMI; Atlantic
-I like the stacked vocal harmonies on the choruses very much. This instantly catchy thing is headed straight to the top. Take it to the bank.

ALEXANDRA DEMETREE/Outta My Head
Writers: Mark Oakley/Cherie Oakley; Producer: Bobby Huff; Publisher: MCRadio, ASCAP; SSM
-Nice work all around. The production is punchy and propulsive. The song is extremely well written. She sings like a bird in the sunshine. The key change in the bridge is super ear catching.

T.G. SHEPPARD & GEORGE JONES/It’s A Man Thing
Writers: Frank Solesby/Kelly Lang; Producer: Denny Diante; Publisher: Kelly Lang, BMI; Goldenlane (track)
-T.G.’s new CD is titled Legendary Friends & Country Duets. On it, the veteran hit maker teams up with Jerry Lee, the Oaks, Merle, Willie, Delbert, Crystal Gayle, Ricky Skaggs, Lorrie Morgan, B.J. Thomas, Mickey Gilley and even the late Conway Twitty and, here, George Jones. The departed Possum sounds surprisingly good with T.G. on this light hearted, charming ditty. Twangy, uptempo fun.

Backroad Anthem

Backroad Anthem

BACKROAD ANTHEM/Torn
Writers: Thomas Archer/Jay Brunswick/Josh Bryant/Tommy Cecil/Toby Freeman/Jody Stevens/Craig Strickland; Producers: Jody Stevens/Tommy Cecil; Publishers: HoriPro, BMG, Swat, Sony/ATV; BA (track)
-Very modern and electronic sounding. The track throbs with energy, and youthful voices ring on the ultra tuneful song. Imaginative, listenable, professional and extremely commercial. Somebody sign these guys.

MIKE & THE MOONPIES/Smoke ‘Em If You Got ‘Em
Writers: Mike Harmeler; Producers: Michael Kingcaid/Mike Harmeler; Publishers: none listed; BMI; MM (track)
-Breezy-easy, smooth country rock from the Lone Star State. Open-highway music, if a bit on the bland side.

DON HENLEY/Words Can Break Your Heart
Writers: Don Henley/Stan Lynch/Steuert Smith; Producers: Don Henley/Stan Lynch; Publishers: Wisteria/Warner-Tamerlane/Matanzas/Ratshoes/Granite, GMR/ASCAP; Capitol (track)
-The production is superbly pristine, with a heartbeat rhythm, sighing steel, chiming guitar work and echoey open spaces. The song sounds like a country classic. Henley’s vocal is, as always, a thing of perfect wonder. Goddess Trisha Yearwood shadows him in angelic harmony. You will not find a better recording on the market today than this legend’s Cass County. Buy it.

AJ KROSS/People Gonna Talk
Writers: none listed; Producers: Steffon Hmulack & Eric Torrez; Publishers: none listed; AJK
-He has a warm, inviting singing voice. The song is a solid, sturdy construction. The production builds beautifully around his performance. I like this a lot. Who is this guy?

JACK SCOTT/Tennessee Saturday Night
Writer: Billy Hughes; Producer: Olli Haavisto; Publisher: Unichappell, BMI; Blulight (track)
-You music nerds out there are going to be thrilled when I tell you that the great Jack Scott is back with his first new album in 50 years. Canada’s finest classic rock-and-roll stylist immortalized “My True Love,” “Burning Bridges,” “Leroy,” “The Way I Walk,” “Goodbye Baby,” “What In the World’s Come Over You” and more in 1958-61. Still touring on the rockabilly circuit, he went to Finland to record his Way to Survive comeback CD, which mainly consists of country chestnuts. He kicks it off with a snappy, rockabilly reworking of this 1948 Red Foley oldie. For a 79 year-old guy, he sounds pretty good.

BREELAN ANGEL/Nothing Cuts Like A Diamond
Writers: Julia Carlson/Courtney Dashe/Sarah Allison Turner; Producer: Trent Wilmon; Publishers: Red Vinyl/No Bull About It/Dixie Stars/True Bearing, BMI/ASCAP; MisBehavin’ (track)
-She tries to give the ballad a plaintive, heartbroken delivery. I was unmoved. There was something rather mannered and mechanical about it.

THE MAVERICKS/Pardon Me
Writers: Raul Malo/Alan Miller; Producers: Raul Malo/Niko Bolas; Publishers: Big Machine/Raul Malo/Miller’s Tale, BMI/ASCAP; Valory (track)
-This time out, the Mavs executive an echoey ballad of romantic anguish. Deep twang guitar and searing tenor vocals give it a glowing, simmering heat.

DISClaimer: Showcasing Great Country Singers

toby-keith cropped

Toby Keith

What is this, Great Country Singers Week?

It is inspiring and overwhelming how many great hillbilly vocal stylists we have on hand today — John Conlee, Shane Owens, Joe Nichols, Dylan Scott and the trio of Charles Kelley, Dierks Bentley and Eric Paslay. What a bonanza.

Taking home the Disc of the Day is another great one. Toby Keith is at the top of his game as a romantic balladeer with “Beautiful Stranger.”

cropped-adrian-johnston-0061

Adrian Johnston

It says under her name on her record label that she is “just another blonde.” I beg to differ. With her perfect delivery of a great lyric, Adrian Johnston is this week’s DisCovery Award winner.

JOE NICHOLS/Freaks Like Me
Writers: Lynn Hutton/Monty Criswell/Josh Thompson; Producer: Mickey Jack Cones; Publishers: New House of Sea Gayle Music/Vestal Boy Music/Sony/ATV Publishing /Dixey Bar Music/Big Music Machine (BMI)/Two Laine Collections, ASCAP/BMI; Red Bow (ERG) 
—Stuttering uptempo guitar twanging backs him as he catalogs the everyday-guy behavior that makes him a “freak.” This guy can sell a song like few others. Lend him your ears on this spiffy, percolating new single, guaranteed to charm.

DYLAN SCOTT/Crazy Over Me
Writers: Dylan Scott/Matt Alderman; Producers: Matt Alderman/Jim Ed Norman; Publisher: Curb/Curb Congregation, ASCAP/SESAC; Curb (CDX) 
—His resonant baritone is a splendid vehicle for this toe-tapping romance ditty. Warm, gentle and human.
 
CHARLES KELLEY, DIERKS BENTLEY & ERIC PASLAY/The Driver
Writers: Charles Kelley/Eric Paslay/Abe Stoklasa; Producer: Paul Worley; Publishers: WB/30A Getaway/Spirit Catalog Holdings/Five Stone/Sprit Two/Year of the Dog/Words &l Music, ASCAP; Capitol (CDX) 
—Charles steps out from Lady A for an outing with buddies Dierks and Eric. The stately waltz about life making music on the road has a terrific vibe, like an anthem for every music lover who’s ever lived. It begs you to link arms and sing along. Each guy takes a verse, and the instantly memorable choruses are for all of us.
 
SHANE OWENS/Where I’m Comin’ From
Writers: Kerry Kurt Phillips/Jerry Salley; Producer: James Stroud; Publisher: Dixie Stars, ASCAP; Amerimonte (CDX) (www.shaneowenscountry.com)
—Wow. What a singer. Somewhere, Keith Whitley is smiling, because this guy has the phrasing of a great, timeless country stylist. The uptempo song has dandy lyrics about what it means to be a common man. There’s just one misstep, songwriters: Contrary to the relentless fearmongering of the N.R.A., nobody is coming to take away your gun. Otherwise, you hit every line perfectly.
 
JOHN CONLEE/Bread and Water
Writers: Leslie Satcher/Vince Gill; Producer: Bud Logan; Publishers: Sony-ATV Tree/Leslie Satcher/Kobalt/Vinnie Mae, BMI; RCR (CDX) (www.johnconlee.com)
—Hooray! An awesome country story song and a man who sings the fire out of it. A homeless drunk wanders into the mission and finds both sustenance and salvation. Brilliantly written and masterfully performed.
 
ADRIAN DUFFY & THE MAYO BROTHERS/Let Somebody Love You
Writers: Adrian Duffy/Martin Van Hoof Jenkins; Producers: Adrian Duffy/Matt Kemp; Publishers: none listed; SR (www.adrianduffy.com)
—This group has pleased me several times in the past. But I don’t like the way this somewhat out-of-meter song scans.
 
TOBY KEITH/Beautiful Stranger
Writers: Toby Keith/Bobby Pinson; Producers: Toby Keith & Bobby Pinson; Publishers: Tokeco Tunes/Bobby’s Lyrics Land & Livestock/Do Write, BMI; Show Dog
—This is a breathtaking, heart-in-throat performance. Toby’s vocal swoons in heavenly romance, and the strings wash over the ballad like a soothing mist. Exquisitely done.

MADDIE & TAE/Shut Up and Fish
Writers: Maddie Marlow/Taylor Dye/Pete Sallis/Aaron Scherz; Producer: Dann Huff; Publishers: Super Big/Big Machine/Song Alert/Tunes of R and T Direct/Razor & Tie, ASCAP/BMI/SESAC; Dot 
—Sprightly and pert. He gets her alone on the lake and puts the moves on her. This crowds her casting arm, so she dumps him in the water. Cute as the dickens.
 
MAKENNA & BROCK/Burnin’ the Night Down
Writers: Makenna Sullinger/Brock Vincent Wade; Producers: Paul Carabello & Clif Doyal; Publishers: none listed; ASCAP; Soundbyte (www.makennaandbrock.com)
—Pop-tinged tempo for your playlist. These X Factor alumni rock out on their debut single. Drums pound as they wail the tune. Both singers deliver plenty of passion.

ADRIAN JOHNSTON/It’s a Song
Writer: Maloy/Galyon/Dezen; Producer: none listed; Publishers: none listed; Dallas, TX 
—Lovely. The song is a beautifully crafted evocation of what hearing a favorite tune is like. She sings it with heart, and the anthem’s production is absolutely perfect.

DISClaimer: George Strait Delivers With “Cold Beer Conversation”

George Strait Cold Beer Conversation

It must be that time of the year.

The fourth-quarter releases are dropping regularly, and country’s big stars are vying for our attention. This week, alone, we have Toby Keith, George Strait, Kip Moore, Lee Ann Womack and Dustin Lynch, plus Eric Paslay and Chris Janson on hand to solidify their newly minted successes.

Kip, Lee Ann and Chris all have superb singles, but the Disc of the Day goes to the once and future king, George Strait.

Moonlight Social is back and sounding even better than ever. Another new duo, Dave & Whitney take home the DisCovery Award.

DUSTIN LYNCH/Mind Reader
Writers: Rhett Akins/Ben Hayslip; Producer: Brett Beavers/Luke Wooten/Mickey Jack Cones; Publishers:EMI Blackwood Music, Inc. (BMI), Rhettro Music (BMI) admin by EMI Blackwood Music, Inc., WB Music Corp., Tar Cam Knox Music (ASCAP) admin by WB Music Corp., Thankful for This Music (ASCAP) admin by WB Music Corp.; Broken Bow (track)
-The track seems needlessly “busy,” with a little too much going on. But the song and performance are solid.

GEORGE STRAIT/Cold Beer Conversation
Writers: Al Anderson/Ben Hayslip/Jimmy Yeary; Producers: Chuck Ainlay/George Strait; Publishers:International Dog/Bucked Up/WB/Tar Can Knox/Thankful For This/EMI Blackwood/Great Day At This/Beatyville, BMI/ASCAP; MCA (track)
-Totally classy, mellow and full of gentle grace. The groove is magical. His voice is so relaxed and warm, leaning toward you like an old friend. This is a country-music masterpiece.

Dave and Whitney

Dave and Whitney

DAVE & WHITNEY/Alibi
Writers: Rodney Clawson/Sarah Buxton/Jamie Moore; Producer: Dan Frizsell; Publisher: none listed; 45 (track)
-This is a feisty, frolicsome new duo hailing from rural Indiana. She has a saucy, foxy vocal delivery. He harmonizes and provides the lead electric guitar. Elsewhere on the EP, he handles some of the lead singing.

LEE ANN WOMACK/Chance Are
Writers: Hayes Carll; Producers: Frank Liddell/Chuck Ainlay/Glenn Worf; Publishers: Highway 87/BMG Chrysalis, SESAC; Sugar Hill (track)
-She pours soul all over this yearning ballad. Paul Franklin’s steel guitar sighs in poetic sympathy. Awesome listening.

MOONLIGHT SOCIAL/Rub A Little Dirt On It
Writers: Jeremy Burchard/Jennica Scott/Jo-Leah Tibury; Producers: Kelly Schoenfeld/Jeremy Burchard; Publishers: none listed; MS
-These two Texans can sure-nuff sing. This funky little thang is produced to provide plenty of space for their flawless harmonizing. I have liked this Jeremy-and-Jennica team in the past. This new single makes me positive that they deserve stardom. Somebody sign these folks up for the Big Time.

TOBY KEITH/Rum Is The Reason
Writers: Toby Keith/Scotty Emerick; Producers: Toby Keith/Mac McAnally; Publishers: Tokeco Tunes/Florida Room/BPJ, BMI; Show Dog (track)
-The mighty Toby takes a page from the Buffett Caribbean playbook and adds steel drums to this rollicking, feel-good track. “Take it home, Coral Reefers,” chuckles the singer.

ASHLEY CAMPBELL/Remembering
Writers: Ashley Campbell/Kai Welch; Producer: Julian Raymond; Publishers: WB/Chateau Banjo/Nettles and Bones, ASCAP; Dot
-Glen Campbell’s daughter marries a sad, wistful lyric to a strikingly lilting, uplifting melody. The breezy production overlays her refrain, “Daddy don’t you worry, I’ll do the remembering.” Recommended.

KIP MOORE/Running For You
Writers: Kip Moore/Troy Verges/Blair Daly; Producer: Brett James/Kip Moore; Publishers: Music of Stage Three/Songs of Cornman/Roll Through/BMG/Songs of Universal/Songs From the Engine Room/Southside Independent/Internal Combustion/Kickin’ Grids, BMI; MCA (track)
-Loaded with raspy fire and urgency. She’s leaving, but he loves her so much that he’ll be there in a heartbeat if she ever needs help. Blue-collar heartache with pounding passion. I dig this guy the most.

ERIC PASLAY/High Class
Writers: Eric Paslay/Corey Crowder/Jesse Frasure; Producer: Jesse Frasure/Marshall Altman; Publisher: WB/Five Foot Sixteen/Songs From the Rose Hotel/Rio Bravo/Telemitry, ASCAP/BMI; EMI (CDX)
-They might be a couple of rednecks, but just for tonight they’re living the upper-crust life. The track stutters relentlessly and he stays at the top of his vocal range all the way through. It kinda wears you out.

CHRIS JANSON/Power of Positive Drinkin’
Writers: Chris Janson/Mark Irwin/Chris DuBois; Producers: Brent Anderson/Chris DuBois/Chris Janson; Publishers: Red Vinyl/Buckkilla/Words & Music/House of Sea Gayle/Clearbox Rights/Green Vinyl, BMI/ASCAP; WB (CDX)
– Everything’s going wrong, so he’s headed for the neon lights to chug a bunch of beers in a row, until life looks a little more rosy. Joyously rhythmic and a merry lyric delight. Chalk up Big Hit #2 for this boy.

DISClaimer: Brantley Gilbert’s Latest Hit ‘Potent and Believable’

Brantley Gilbert

Brantley Gilbert

Most of these folks are rocking their way into the fall season.

Aaron Watson, Lauren Alaina, The Band Perry, Jason Aldean, Deeann Dominy and Dianna Corcoran are all bringing forth uptempo tunes this week.

But bucking the trend and despite competition from bigger stars, it’s Brantley Gilbert who rides away with the Disc of the Day prize.

Texan Deeann Dominy and Oklahoma’s James Robert Webb duked it out for this week’s DisCovery Award. The Texas diva takes it home.

Deeann Dominy

Deeann Dominy

DEEANN DOMINY/This Train Is Leaving
Writers: Deeann Dominy/Jack Harris; Producer: Anson Funderbrugh; Publisher: none listed; ASCAP/BMI; DD (track)
-This former DisCovery Award winner is back and sounding better than ever. Her raspy, blue-eyed soul voice remains truly gripping. The bass groove on this bluesy country rocker rumbles righteously, and her electric guitarist totally gets on board. Essential listening.

STONEY LARUE/Us Time
Writers: Stoney LaRue/Dean Dillon; Producers: R.S. Field/Van Fletcher; Publishers: Tiltawhirl/ACBM/Sixteen Stars/Tenorado, BMI/ASCAP; eOne (track)
-The title track of Stoney’s latest is a slow romantic ballad with a dreamy, gentle atmosphere and a softly winning vocal. Elsewhere on the CD, he gives us fine revivals of Glen Campbell’s “Wichita Lineman,” Van Morrison’s “Into the Mystic,” Willie Nelson’s “Seven Spanish Angels” and Gary Stewart’s “Empty Glass.” I remain a fan.

DIANNA CORCORAN/God Did Good
Writers: Dianna Corcoran/Jeff Cohen/Kristian Bush; Producer: Dianna Corcoran; Publishers: Tenyar/Silent Gate/As You Wish/Songs of the Architect, BMI; Krlan
-This Aussie chanteuse is already an award winner in her native land. Her U.S. debut is a sprightly, bright bopper with slamming Shania-style percussion and a personable, penetrating country-soprano vocal. Well done.

SAM HUNT/Break Up in a Small Town
Writers: Sam Hunt/Zach Crowell/Shane McAnally; Producers: Crowell/McAnally; Publishers: Universal/Three Mules/External Combustion/Who Wants To Buy My Pub/Atlas/Songs of Southside Independent/I Love Pizza/Smack Ink, ASCAP; MCA (CDX)
-This rocketing rookie again combines conversational spoken passages with sung choruses. Hip-hoppy, yet unmistakably country, because the subject matter is heartbreak. Another winner.

LAUREN ALAINA/Next Boyfriend
Writers:Lauren Alaina/Emily Weissband/Matt McVaney; Producer: busbee; Publishers: Warner-Tamerlane/Lylas/WB/Thankful For This/A Frank/Song House/Kobalt, ASCAP/BMI; Mercury/19
-Cleverly written and cut with peppy personality.

AARON WATSON/Getaway Truck
Writer: Aaron Watson; Producers: Keith Stegall/Aaron Watson; Publisher: Tunes From HTK, BMI; Thirty Tigers/Big (CDX)
-A toe tapper with twang. He’s inviting her to escape onto the open road of romance. If you’re looking for tempo on your playlist, look no further.

THE BAND PERRY/Live Forever
Writers: RedOne, T.I Jakke, Kimberly Perry, Reid Perry, Neil Perry, Jenna Andrews and Karl-Ola Kjellholm; Producers: RedOne/Dann Huff; Publishers: Sony ATV / Songs of RedOne/ Songs by Team Red / Lionheart Music Group/ Sony/ATV Countryside/Pearlfeather Publishing/Sony/ATV Countryside/When I Go to the Moon Music/Sony/ATV Countryside/Famdamily Music; BMI/SESAC; Republic Nashville (ERG)
-It has a big-sounding, beefy, burly pop track, almost Queen-like at times. The siblings’ harmonies and vocal interplay are more vivid than ever. It’s a crazy-quilt of various textures and sounds, but it works in a chesty, anthemic kind of way.

JASON ALDEAN/Gonna Know We Were Here
Writers: none listed; Producer: none listed; Publishers: none listed; Broken Bow (ERG)
-They’re going crazy as young folks on a rampage. Together, they plan wild times with burning ambition. Guitars scream along.

BRANTLEY GILBERT/Stone Cold Sober
Writers: Brantley Gilbert, Brett James, Dan Layus; Producer: Dann Huff; Publishers: Warner-Tamerlane Publishing Corp. / Indiana Angel Music/External Combustion Music / WB Music Corp. / Songs Of Brett / Atlas Music Publishing/ Yawyer Three Music; ASCAP/BMI; Valory (ERG)
-I think this guy has the coolest singing voice. Here, he rides atop a throbbing electronic track as he asks for a little mercy and forgiveness in hushed, husky tones. Potent and believable.

JAMES ROBERT WEBB/Makin’ Love Tonight
Writers: none listed; Producers: none listed; Publishers: none listed; Bison Creek
-Earnest sounding. He doesn’t set off any explosions as a singer, but he has a solid, journeyman, countryboy delivery. Why fight when we could be loving, he asks. The country rocking instrumental support is super tasty.

DISClaimer: Praise For Craig Morgan, Mo Pitney, Home Free

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Photo: Joseph Llanes

Leaves are falling and the fall releases are beginning to drop, too. One thing we do not have this week is a first-timer to the column. So I have no DisCovery Award recipient.

That being the case, let’s spread the love around with our Disc of the Day award. Absolutely, for certain, that belongs to mighty voiced Craig Morgan.

But if we want to salute a baby act, save some applause for Mo Pitney, whose sophomore single is a thing of perfect wonder. And for a left-field pleasure, give a listen to the imaginative vocal arranging skills of Home Free.

RACHELE LYNAE/Quicksand
Writers: Rachele Lynae/Danick Dupelle/Patricia Conroy; Producers: Jamie O’Neal/Rachele Lynae; Publishers: Rachele Lynae/Bend That Note/Emerson Drive/Patricia Conroy, ASCAP/SOCAN; Momentum
-She’s warning her girlfriend about a guy who is big trouble while the band rumbles around her in a ruckus. After such a rocking ride, the abrupt ending might give you whiplash.

Home Free

Home Free

HOME FREE & THE OAK RIDGE BOYS/Elvira
Writers: Dallas Frazier; Producers: Darren Rust/Home Free; Publishers: Sony-ATV Acuff Rose, BMI; Columbia (track)
-Home Free is the a cappella quintet that won on TV’s The Sing Off. They warble like perfectly harmonizing birds and have enormous talent for creatively re-arranging country classics like this one. If you think you’ve heard this song enough times already, trust me, you haven’t. This gives it a completely fresh sound. Elsewhere on the new Country Evolution CD are equally inventive re-workings of “9 to 5,” “The Devil Went Down to Georgia,” “Friends in Low Places,” “Fishin’ in the Dark” and more.

REBA McENTIRE/Until They Don’t Love You
Writers: Shane McAnally/Lori McKenna/Josh Osborne; Producers: Tony Brown/Reba; Publishers: Universal/Smack Ink/Hoodie Songs/One Little Indian Creek/Songs of Black River, ASCAP/BMI; Starstruck/Nash Icon (track)
-Lots of rhythm. Not much melody.

CRAIG MORGAN/When I’m Gone
Writers: Justin Ebach/Steven Dale Jones; Publishers: Byron Gallimore/Craig Morgan; Publishers:Whispering/Word/Son of Austin, SESAC/ASCAP; Black River
– He remains one of the greatest vocalists in this city, and this powerhouse performance of a pile-driving song proves it. It’s a ferociously soaring rocker about living life to the fullest. Sing it, brother.

ABBI WALKER/Well Behaved Too Long
Writers: Abbi Walker/P. Ryan Petkoff/Rich Alvarez; Producer: none listed; Publisher: Abbi Walker, BMI; Indie
-She gives this sassy number her best, but the production is rinky-dink cheesy.

GLEN CAMPBELL/Streets of London
Writer: McTell; Producer: none listed; Publisher: Westminster, no performance rights listed; Rainman (track)
-The “new” CD by this legend is a live album recorded in England in 1990. It includes full-band rendition of his big hits, plus Paul McCartney’s “Mull of Kintyre” (featuring his stunning bagpipe playing) and this lovely, heartfelt performance of Ralph McTell’s folk song accompanying himself on simple acoustic guitar. Pure talent.

STEPHANIE URBINA JONES/Bring It Back to the Heartland
Writers: Stephanie Urbina Jones/Mark Marchetti; Producer: none listed; Publishers: Casa Del Rio/Mark Marchetti, SESAC/BMI; Casa Del Rio
-I have long been a fan of this lady’s work. Her voice is as throaty and emotive as ever on this topical single. The lyric yearns to bring the nation back to its better years when we had mom-and-pop stores, products made in the U.S.A., family farms, good jobs and the American Dream.

JOHN ANDERSON/Don’t Forget To Thank The Lord
Writers: John D. Anderson/John Rich; Producers: John Anderson/Joe Spivey; Publisher: none listed; Bayou Boys (track)
-John says not to take things for granted. Remember to thank teachers, preachers, policemen, firemen, mothers, soldiers and at the end of the day, the man upstairs. The loping rhythm, fiddle work, steel backing and guitar chops are all first rate. As is his singing, of course.

JON PARDI/Head Over Boots
Writers: Jon Pardi/Luke Laird; Producers: Bart Butler/Jon Pardi; Publishers: Golden Vault/Bill Butler/Song Factory/Songs of Universal/Creative Nation, BMI; Capitol (CDX)
-This goes down smooth and easy with its lulling, gentle rhythm and simple, smiling lyric of romance. Sweet and youthful.

Mo Pitney photo Joseph LLanes

Mo Pitney. Photo: Joseph Llanes

MO PITNEY/Boy and a Girl Thing
Writers: Mo Pitney/Don Sampson; Producer: Tony Brown; Publishers: Mike Curb/She’s My Darlin/House of Sea Gayle, BMI/ASCAP; Curb (CDX)
-This is ultra cool, a soft, dreamy groove that’s as comfy as a hammock on a summer afternoon. You’ll think it is understated at first, but this will definitely get under your skin and into your memory bank. The kid just might be our next big star. I wanna hear Mo.