BREAKING: Mike Harris To Exit UMG Nashville

Mike Harris

Executive VP and COO Mike Harris will leave his position at UMG Nashville at the end of the month to pursue a new opportunity.

Harris joined UMG Nashville as Chief Operating Officer in 2016. He previously served as Exec. VP/GM for Caroline, a division of the Capitol Music Group. Under his guidance, Caroline had marketshare growth every year, culminating in the highest share in company history while delivering four No. 1 debuts for their partners in 2015 as well as four Grammy Awards. Prior to joining Caroline in 2013, Harris spent 15 years total with EMI.

His future plans have not yet been announced.

Date Announced For 2024 SESAC Nashville Music Awards

The 2024 SESAC Nashville Music Awards will be held on Sunday, Nov. 17, kicking off CMA Awards week in Nashville. The invitation-only event will celebrate the top performers in the country and Americana genres, with awards given out for Song of the Year, Publisher of the Year and Songwriter of the Year.

Previous award winners include Lee Brice, Zac Brown, Dillon Carmichael, Sierra Ferrell, Josh Jenkins, Niko Moon, Megan Moroney, Margo Price, Jon Nite, Hillary Scott and more.

“Celebrating our songwriters and publishers is our favorite thing to do at SESAC—we look forward to this night all year,” says Shannan Hatch, SESAC SVP Head of Nashville Creative. “The music they make means so much to so many, and we can’t wait to honor them.”

The 58th annual CMA Awards will take place at Bridgestone Arena on Wednesday, Nov. 20 at 7 p.m. CT.

My Music Row Story: EMPIRE’s Heather Vassar

Heather Vassar. Photo: Sam Frawley

The “My Music Row Story” weekly column features notable members of the Nashville music industry selected by the MusicRow editorial team. These individuals serve in key roles that help advance and promote the success of our industry. This column spotlights the invaluable people that keep the wheels rolling and the music playing.

Heather Vassar serves as Senior Vice President of EMPIRE and brings over a decade of experience in the music industry to her role. With a Master’s degree in business specializing in marketing, Vassar’s career commenced at UMG Nashville, where she initially excelled in digital marketing. Over six years, she advanced to spearheading strategic initiatives and research, focusing on optimizing release workflows and leveraging competitive advantages. Her contributions led to pioneering analyses and innovations that shaped the industry. Notably, Vassar contributed to digital strategy for renowned artists such as George Strait, Luke Bryan, Carrie Underwood, Kacey Musgraves, Chris Stapleton and Keith Urban.

In 2019, she was tapped by EMPIRE to establish and elevate their Nashville division. Here, Vassar plays a pivotal role in operations, marketing and promoting EMPIRE’s presence in Music City, steering strategies for a diverse roster, including record-breaking artist Shaboozey, Wyatt Flores, Niko Moon, Sophia Scott, Don Louis, Reyna Roberts, Tenille Arts and Randy Houser. She oversees all facets of label operations, artist signings, marketing plans, release strategies and development in addition to driving digital marketing initiatives, pioneering efforts in Web3 and managing key partnerships with sales and streaming platforms.

MusicRow: Where did you grow up?

I grew up in west Texas. I was born and raised in a really small town, my parents and grandparents are still there. I got my undergraduate degree at Texas Tech in Lubbock, which is about two hours from home.

Photo: Courtesy of Vassar

What did you study?

Marketing. I was big into sports growing up, and I went to Tech to play softball. I come from an accounting family, so they advised me to go to the business school. I thought, “I won’t do accounting, that sounds miserable, but I could do marketing and management. That’s way better than accounting.”

How did music come into play?

I’ve always been a big music fan. When I was young, I could hear a commercial and could sing the jingle back. My parents noticed that early on, but I was really into sports so I focused on that. I participated in music at church and I took piano lessons, but I didn’t know that music could be a career.

When I quit playing softball at Tech, I picked up guitar and started playing in a band. All of my electives were music courses and songwriting classes. I knew it was a gift, I just didn’t know what to do with it. My parents ended up flying me to Nashville for a songwriting contest and I loved it. I graduated from undergrad that May and by August I was living in Nashville.

Photo: Courtesy of Vassar

What did you do when you got here?

I just started writing and was working on a Christian album. I was still working online for my family’s CPA firm to pay the bills and quickly realized that music wasn’t going to make me much money in the beginning. There was no revenue coming in for as much effort as I was putting in. But I met some great people who started to teach me the business, like Brandon Ray and Don Koch.

I was a fine songwriter and I have a great ear, but I wasn’t cut out for the Nashville world yet. I decided it wasn’t for me, but that I was going to work in music in some capacity. I ended up going to grad school at Belmont. That’s when I got my first job at Universal.

Photo: Courtesy of Vassar

Tell me about that.

I just cold applied. I didn’t have a connection. I ended up getting a call from Tony Grotticelli in UMG’s Digital department. He ended up hiring me. I was taking night classes, so I’d work all day and then go to school from 6–10 p.m. It was an exciting time.

I did digital marketing for the first three or so years at UMG. Keith Urban was the first record that I worked and we went No. 1. It was a dream come true. Because of my numbers background, I ended up finding a little niche within the digital space. That’s when YouTube covers were really taking off and streaming was starting to ramp up. I started looking at the numbers of what we were running in digital advertising and social metrics. I remember starting George Strait‘s Instagram. I ran Universal socials for a couple of years and was just in the mix of it all. I was like a sponge trying to soak it all in.

I ended up being the numbers person because I can look at an Excel sheet and pull a story out of it, and I realized how valuable that is. I ended up moving over to report to Mike Harris and we launched a new Strategy & Research department, where we worked with all the departments. The radio team would come to me and say, “I need a reason why a station should play Jordan Davis over another artist.” I was able to look at all the numbers and say, “This is why.” I ended up being what I now call a “strategic storyteller.” That’s where I under started to understand the full scope of the business. I was so fortunate to learn under Mike Dungan and Mike Harris.

Photo: Courtesy of Vassar

Then you were approached about helping to start EMPIRE’s Nashville division.

EMPIRE was starting a Nashville division. Eric Hurt [our VP of Publishing now] had started and signed Willie Jones. EMPIRE’s CEO, Ghazi, flew me out to San Francisco and I had a great meeting and a lot of questions. I wanted to know why an independent, hip-hop distribution company wanted to be in Nashville. I just didn’t know how successful it’d be, but I knew I wouldn’t let it fail. By the end of our first meeting together, I knew it was the next right step for me.

I told Ghazi before I left the meeting, “Give me five years to be profitable. It won’t be before that, but I need to know you’re committed to at least five years in this town and in this process. Otherwise, I can’t make the jump from UMG.” I left UMG in December of 2019.

What were those first few years like?

COVID hit three months later and at first I was like, “Oh my word. What have I done?” But I had never been busier. We were signing artists, and since we’re so focused on digital, [we didn’t have to slow down much]. I remember we shot a music video in a house with the director on FaceTime on a phone we suction cupped to the window. [Laughs] It was an interesting time.

Photo: Courtesy of Vassar

Tenille Arts had been on my A&R list when I left UMG, so I hit her team up. She was already at radio and it was dwindling, so I helped put a plan together to revitalize the song and upcoming releases. Through that year, we got a country radio No. 1 and a Platinum record. That was our first win that showed me this could work. We also signed Shaboozey in 2020.

Tell me about your journey with him.

Shaboozey is one of the first artists that I’ve worked this closely with that holds so true to his convictions of who he is and the brand that he is. He’s incredibly intelligent and understands the world that he’s building. I’ve never met an another artist that moves that way and holds so tight to it. He’s a natural storyteller by film, music and movements.

It’s been so fun to have such a big hit with “A Bar Song (Tipsy).” I was at the Grammys at the beginning of the year when I first heard it as we were driving through L.A. A few weeks later, I went to New Orleans and met up with some friends, I had a work call and my friends were curious what I was working on, so I played them the song. I remember telling them it was going to be big but I had no idea it was going to be this big!

I just feel so grateful. I know it doesn’t come often and I also know that it may never come again in my career, so you just take it in stride and soak in as much as you can. At the same time, I’m also the one saying, “Keep your foot on the gas!”

Photo: Courtesy of Vassar

What have you learned about leadership in the last five years?

I have an older sister, so when I was young, I would always play up on my sister’s teams. What I learned from that experience is you always play to the stage that you want to be on. That’s how you show up. I didn’t know how to spearhead an independent label division, I just knew how I would run a major if I was at a major. When I was figuring out what processes we needed in place at EMPIRE Nashville and how we should go from signing an artist to hiring team members… I just started operating at the level I wanted to be at. I tell artists and our team all the time: “work at the level that you want to be at, whatever title you want or whatever stage you want to play, show up and prove you deserve to be there.”

Ghazi met me in Dallas for the ACM Awards, and it had almost been four and a half years exactly to when I told him it would take me five. We had such a sweet moment reminiscing on that and being so proud we had done it.

What are you excited about now?

Of course I’m excited about what’s next with Shaboozey. We’re hoping for CMA Awards and Grammys leading into even the next wave of his music. There are also some other artists that I have that I think are next. CeCe is a new artist to EMPIRE that I’ve signed and the music is incredible. We have Don Louis‘ album that just came out and is doing so well, which is great. Jake & Shelby, a pop duo that we’re working with, have some of the best music coming out of Nashville in a long time. We’ve also got Jordy out in L.A. making incredible music too. I’m excited about all the music coming out and the team that we’re building. We’re getting to move in town in a way that hopefully feels refreshing.

Photo: Courtesy of Vassar

Who have been some of your mentors?

Mike Dungan for sure. Tina Davis here at EMPIRE has been so great. I’ve had a great executive coach, Shelley Till. I also have mentors and best friends outside of the business, like Adam Sansiveri, who runs Alliance Bernstein here in Nashville who has been an amazing advocate and support.

I’ve learned throughout my career that it’s really healthy to have networking groups, friends and mentors that are outside of this business. We can lose sight of what makes life meaningful and special in tunnels of work. For me, that was finding my core people. They don’t know much of what goes on in the music industry and I love that. They’re all incredible badasses in the worlds that they are in. It’s really fun to be a part of that, cheering one another on.

Charlie Handsome Claims No. 1 Spot On MusicRow Top Songwriter Chart

Charlie Handsome

Charlie Handsome has taken the No. 1 spot on this week’s MusicRow Top Songwriter Chart. He boasts 18 charting tracks with Post Malone’s F-1 Trillion album, along with Morgan Wallen and Ernest’s “Cowgirls,” Dylan Scott’s “This Town’s Been Too Good To Us” and Wallen and Moneybagg Yo’s “Whiskey Whiskey.”

Also representing Post’s album is Ashley Gorley in the No. 2 spot. He has seven cuts from the album on the chart this week, in addition to “Bulletproof,” “Cowgirls,” “I Am Not Okay,” “This Town’s Been Too Good To Us,” “Whiskey Whiskey” and “Young Love & Saturday Nights.” At No. 3 this week is Louis Bell, also with 18 charting tracks from F-1 Trillion.

Austin Post himself takes the No. 4 position this week and Zach Bryan rounds out the top five.

The weekly MusicRow Top Songwriter Chart uses algorithms based upon song activity according to airplay, digital download track sales and streams. This unique and exclusive addition to the MusicRow portfolio is the only songwriter chart of its kind.

Click here to view the full MusicRow Top Songwriter Chart.

Mark Your Calendar—September 2024

Single/Track Releases & Radio Add Dates:

Lainey Wilson. Photo: Eric Ryan Anderson

 

September 3
Lainey Wilson/4X4XU/Broken Bow Records

September 6
Jon Pardi/Friday Night Heartbreaker/Capitol Records Nashville
Joe Nichols/Doin’ Life With You/Quartz Hill Records
MaRynn Taylor/Season 2 Of Friends/Black River Records
Anslee Davidson/Praying In A Bar
Colby Lee Swift/Money To Drank/Hollow Point Records
Anthony Bonnette/That’s Just Me/Bonnette Son
Ross Flora/Santa Ana Wind
Colonel Cobalt/Everybody Says/MCW Records
Colonel Cobalt/Two Birds/MCW Records

September 9
Redferrin/Just Like Johnny/Warner Music Nashville
Scotty Hasting/Whiskey In The Bottle/Black River Entertainment
Six One Five Collective/What You’re Looking For

September 11
Birdie Nichols/Desert Lilies Blooming

September 13
Hudson Westbrook/Dopamine
Ben Gallaher/Cut Like A Knife/Stone Country Records
Becca Bowen/Tangled In Your Love
John Haywood/Midnight Cowboy/Hollow Point Records
Shawna Thompson/Leon On Neon/Sun Records
Ashley Barron/Satisfied

September 16
MaRynn Taylor/How’s It Gonna Go/Black River Entertainment
Branch & Dean/Us Back In USA/SSM Nashville

September 17
Rachel Lipsky/You Don’t Go/Riot South

September 20
Dusty Black/Goodbye Drives Me Crazy/Stone Country Records

September 22
Rob Wolf/Better Man/Wolf Entertainment

September 23
Tori Rose/Your Loss/Brown Lee Entertainment/The Orchard

September 27
Joe Nichols & Annie Bosko/Better Than You/Quartz Hill Records
Jake Worthington (feat. Miranda Lambert)/Hello Shitty Day/Big Loud Records
Jillian Cardarelli (feat. Vince Gill)/I’ll Get Over You/Vydia
Ashley Wineland/Tumbleweed
Dallas Remington/Life In Podunk/Road Warrior Records

 

Album/EP Releases:

Photo: James Macari

September 6
Old Dominion/Odies But Goodies/Sony Music Nashville
Corey Kent/Black Bandana/Sony Music Nashville
Jackson Dean/On The Back Of My Dreams/Big Machine Records
Danielle Bradbery/Danielle/DB Records via Firebird
Jenna Paulette/Horseback/Leo33
Jessie Murph/That Ain’t No Man That’s The Devil/Columbia Records

September 13
Miranda Lambert/Postcards from Texas/Republic Records
Brantley Gilbert/Tattoos/The Valory Music Co.
Maddie & Tae/What A Woman Can Do/Mercury Nashville
Amy Grant & Vince Gill/When I Think Of Christmas/MCA Nashville
Lakeview/Lakeview/Gravel Road
Texas Hill/Soldiers/Queue Records
Ben Goldsmith/The Start Of Something Beautiful/Free Flight Records
Shawna Thompson/Lean On Neon/Sun Records

September 20
Keith Urban/High/Capitol Records Nashville
Mitchell Tenpenny/The 3rd/Riser House/Sony Music Nashville
Midland/Barely Blue/Big Machine Records
Chase Rice/Go Down Singin’
Brenda Lee/Greatest Hits/UMG Nashville/UMe
Mason Ramsey/I’ll See You In My Dreams/Atlantic Records
RVSHVD/It’s Rashad/Sumerian Records
Kassi Ashton/Made From The Dirt/MCA Nashville
Jerry Douglas/The Set/Nolivian Records
Drake White/Low Country High Road/Reverend Records

September 27
Luke Bryan/Mind Of A Country Boy/Capitol Records Nashville
Billy Strings/Highway Prayers/Reprise Records
Cody Jinks/Backside Of 30/Late August Records
Gavin DeGraw/Chariot 20 (Reimagined)/Sony Music Nashville
Dylan Marlowe/Mid-Twenties Crisis/Sony Music Nashville
Dylan Schneider/Puzzled/Wheelhouse Records
Mickey Guyton/House On Fire/Capitol Records Nashville
Logan Crosby/2019

 

Industry Events:

September 9 
CMA Awards Nominees Announcement

September 17 – 21 
AmericanaFest

September 18 
Americana Honors & Awards

September 23 – 28 
IBMA World of Bluegrass

September 24
Nashville Songwriter Awards

September 26
People’s Choice Country Awards

September 28 – 29
Pilgrimage Music & Cultural Festival

BREAKING: Blake Shelton & Warner Music Nashville Part Ways

Blake Shelton. Photo: Andrew Eccles

After two decades together, Blake Shelton and Warner Music Nashville have amicably parted ways.

“I moved to Nashville when I was 17 to sing country music and get a record deal,” says Shelton. “Along with the support from Warner, my dreams came true, and then some. It’s impossible to name everyone who has had a hand in all the success we enjoyed, but a huge and heartfelt thank you to the Giant Records, Warner Bros. Records and Warner Music Nashville staff and family.”

“Working alongside Blake these past 23 years has been an honor and a privilege,” the label shares in a statement. “Together, we’ve celebrated a record number of hit songs, sold-out tours and award wins. Blake’s talent is undeniable, but that wit of his, and the countless moments of laughter he’s given us remind us how fun this business of music can be. While our time together has come to an end, we count ourselves amongst his biggest fans and are grateful for the ride with this true gentleman and icon.”

Shelton burst onto the scene in 2001 with his No. 1 debut single, “Austin,” which began a string of 28 No. 1 singles, 11 billion global streams, 13 million albums, and 52 million singles sold. He has won 10 CMA Awards, including Entertainer of the Year and five consecutive Male Vocalist of the Year Awards, multiple ACM, AMA, CMT, People’s Choice Awards and more.

For business inquiries, email blakeshelton@starstruck.net.

Luke Bryan Secures No. 1 Spot On MusicRow Radio Chart

Luke Bryan has secured the No. 1 spot atop the MusicRow CountryBreakout Radio Chart this week with “Love You, Miss You, Mean It.”

The track comes from his upcoming, eighth studio album Mind of a Country Boy, releasing on Sept. 27, and was written by Rhett Akins, Ben Hayslip, Jacob Rice and Jordan Minton.

Bryan will bring his aptly-named “Mind Of A Country Boy Tour” to a close on Sept. 14 before immediately kicking off his “Farm Tour 2024” on Sept. 19.

“Love You, Miss You, Mean It” currently sits at No. 10 on the Billboard Country Airplay chart and No. 6 on the Mediabase chart.

Click here to view the latest edition of the MusicRow Weekly containing the MusicRow CountryBreakout Radio Chart.

DISClaimer Single Reviews: Star-Studded Lineup Share Disc Of The Day

Megan Moroney, Nate Smith and Zac Brown.

Summer is not singing its swan song in this Labor Day Weekend edition of DISClaimer.

Instead, the season is offering a soundtrack of remarkable vitality and quality. So much so, that picking winning sounds is really difficult. As a result, the Disc of the Day prized is divided in three. Our Female champ is the divine Megan Moroney. Capturing the Male prize is the steamrolling Nate Smith. For our Group/Duo winners, chalk another win up for the sunny Zac Brown Band.

It isn’t usually difficult to crown a DISCovery Award winner. But that choice, too, is a toughie. So I’m splitting it between The Band Loula and Mon Rovia. Happy listening.

CHARLIE PEACOCK / “Turtle In A Chinese Food Box”
Writer: Charlie Peacock; Producers: Charlie Peacock, Sam Ashworth; Label: Universal/Re-Think
– Charlie Peacock is and always has been a pop singer. But the lead track of his new LP sounds like skipping through a field of wildflowers, with Charlie McCoy’s harmonica, Dan Dugmore’s steel guitar and the rest of the light-hearted track giving it an undeniable country-music vibe. The lyric celebrates his innocent, youthful feelings at age 15, when he had the first date with his wife Andi. The rest of the album, titled Every Kind of Uh-Oh, showcases the brilliant producer/songwriter/keyboardist’s chops as a pop-jazz wizard. Peacock has produced more than 50 CCM albums and was behind the board for the Grammy-winning country-Americana records of The Civil Wars. BMI hosted a deluxe record-release party for the artist on Wednesday at RCA Studio A.  His memoir, Roots & Rhythm: A Life in Music, will be published in February.

NATE SMITH / “Fix What You Didn’t Break”
Writers: Ashley Gorley/Lindsay Rimes/Nate Smith/Taylor Phillips; Producer: Lindsay Rimes; Label: RCA Records Nashville
– His vocal and the track are very processed for country music, but this record is gorgeous however you label its sound. The uplifting, hopeful lyric is about the redemptive power of love, and Smith delivers it with heart.

BOOMTOWN SAINTS & SAM GROW / “Heart Breaks You”
Writers: Connie Harrington/Houston Phillips/Josh Dunne; Producers: Colt Ford, Gary Kraen, Noah Gordon; Label: 8 Track Entertainment/Average Joes Entertainment
– The handsome heartbreaker better watch out: Someday the heart that’s broken will belong to him. Soaring, melodic and oh-so listenable.

MEGAN MORONEY / “Am I Okay?”
Writers: Jessie Jo Dillon/Luke Laird/Megan Moroney; Producer: Kristian Bush; Label: Columbia Nashville/Columbia Records
– Ridiculously charming. She’s falling head over heels for a dreamboat who treats her right. So of course she thinks she’s going nuts. A bopper with a zillion smiles.

THE BAND LOULA / “Don’t Call Me”
Writers: Dave Barnes/Logan Simmons/Malachi Mills; Producer: John Osborne; Label: Warner Music Nashville
– It’s a smoldering, slow-burn, stately outing delivered by a pair of blue-eyed soul singers who really turn up the heat. Also check out their performance of “If I Never Stayed the Night.” Hailing from north Georgia, the male-female duo’s members are Malachi Mills and Logan Simmons. I hear stardom.

DYLAN SCOTT / “You’d Think I Was A Cowboy”
Writers: Dylan Scott/Jaxson Free/Michael Whitworth/Will Weatherly; Producers: Dylan Scott, Jaxson Free, Will Weatherly; Label: Curb Records
– Sorry. The lyric’s “western” metaphors all sound forced and phony.

MOORE & MOORE & JANIE FRICKE / “Dispatch The Angels”
Writer: Debbie Moore; Producer: Moore & Moore; Label: DOV Records
– The twin Moore sisters have been on the country scene for a good 20 years or so, and they have never sounded better than they do on their new Angels CD. The title is drawn from this touching ballad, a lovely swirl of trio harmony, thanks to the addition of the flawless Fricke to the sound. The song is penned by Debbie Moore, who co-wrote the Mark Wills hit “Wish You Were Here.” This fine country collection also features collaborations with Johnny Lee, David Frizzell, Marty Haggard and James Caruthers. How sweet the sound.

LAINEY WILSON / “4X4XU”
Writers: Aaron Raitiere/Jon Decious/Lainey Wilson; Producer: Jay Joyce; Label: Broken Bow Records/BMG
– Romance in a pick-up truck sounds like a total delight when this woman sings it. Love the sizzling organ notes in this slow-burn banger.

TY MYERS / “Let ‘Em Talk”
Writers: Anderson East/Trent Dabbs/Ty Myers; Producer: Brandon Hood; Label: RECORDS Nashville/Columbia
– This 17-year-old Texas phenomenon takes it nice and easy on a languid ode to young love.

MICKEY GUYTON / “My Side Of The Country”
Writers: Corey Crowder/Mickey Guyton/Tyler Hubbard; Producers: Corey Crowder, Karen Kosowski, Tyler Hubbard; Label: Capitol Records Nashville
– Guyton takes on a rhythm-happy number with this sunny celebration of country living. Vivacious, fun and winsome. It will be the kick-off track of her sophomore album, House on Fire, which drops on Sept. 27. She opened last week’s Democratic Convention in Chicago with her unifying anthem “All American.”

MON ROVIA / “Crooked On The Road”
Writers: Andrew Lowe/Cooper Holzman/Sam Hudgens; Producer: Cooper Holzman; Label: Nettwerk Music Group
– This newcomer bills his style as “Afro-Appalachian folk” music. Which makes sense since he was born in Liberia, lives in Tennessee and has an enchanting acoustic sound. This meditation on pain and hope is simply beautiful in its twinkling tapestry of guitars, echoed background singing and gently thumped percussion. It’s easy to hear why he has racked up half a billion TikTok views, garnered an international following, earned a booking at Bonnaroo and is slated for Austin City Limits this fall.

ZAC BROWN BAND / “Two Blue Chairs And You”
Writers: Ben Simonetti/Jonathan Singleton/Rob Snyder/Zac Brown; Producers: Ben Simonetti, Zac Brown; Label: Home Grown Music/Warner Music Nashville
– This bopper will make you instantly yearn for a Caribbean vacation. Loved the wordless, harmonized, a cappella vocal interlude. An absolutely perfect single.

SOURCE Hall Of Fame Inducts Six ‘Women Behind The Music,’ Honors Jeannie Seely

Pictured (L-R): Judy Seale, Marty Craighead, Teena Scogin Camp, Jeannie Seely, Kathy Harris, Leslie Fram and Sheree’ Spoltore’. Photo: Moments By Moser Photography

Six more deserving music industry veterans were inducted into the SOURCE Hall of Fame last night (Aug. 27) at the Musicians Hall of Fame and Museum in Nashville’s historic Municipal Auditorium. Jeannie Seely was also honored with the Jo Walker-Meador Lifetime Achievement Award.

SOURCE Nashville Hall of Fame inductees are nominated and inducted based upon peer recommendations, career biographies, accomplishments, reputation, the number of years the individual has worked within the entertainment industry and their level of community involvement. All inductees have made a significant impact on the Nashville entertainment industry.

Tracy Gershon, Brenda Lee and Gina Keltner. Photo: Moments By Moser Photography

Seely served as host for the night alongside her partner in crime, Country Music Hall of Fame member Brenda Lee, as well as a new host, Grand Ole Opry member Mandy Barnett.

This year’s honorees included Teena Scogin Camp, Marty Craighead, Leslie Fram, Kathy Harris, Judy Seale and Sheree’ Spoltore’.

The night started with a video montage of photos from past induction ceremonies, before SOURCE Awards Committee Chair Erica Rosa welcomed the crowd to kick off the evening. “Their tenacity has shown us that there are no limits to what can be achieved when passion and determination come together,” Rosa said of the inductees. “Their contributions have enriched our lives, expanded our horizons and encouraged us to dream bigger.”

Gus Arrendale, President of Springer Mountain Farms, who serves as the event sponsor, then took a few moments to speak about the inductees before welcoming everyone to dine.

After enjoying dinner, attendees were greeted by SOURCE President Kari Barnhart. She welcomed the crowd to the ceremony, and spoke about the organization. “SOURCE membership consists of a distinguished group of women who hold influential positions as decision-making executives, professionals and entrepreneurs within the vibrant national music industry,” Barnhart said. “Our collective efforts revolve around meetings where we provide a valuable support to each other, propelling us towards unparalleled achievements.” She then welcomed two of the evening’s hosts to the stage, Lee and Barnett.

After warming up the crowd with some laughs, Lee and Barnett each took the time to speak about the night’s honorees.

“With the divine will of industry and the experience among these women, who have awaited countless years of institutional knowledge, Brenda and I are excited to be on this stage tonight to pay tribute to their incredible accomplishments,” Barnett exclaimed.

It was then time to begin the awards presentations with the Jo Walker-Meador Lifetime Achievement Award. Lee and Barnett spent time sharing some of Seely’s incredible accomplishments, including a stunning 5,375 Opry performances, her Sundays With Seeley radio show on SiriusXM, Grammy awards, her becoming the first female to host the Grand Ole Opry and her Honorary Doctor of Arts degree from Lincoln Memorial University.

Pictured (L-R): Jeannie Seely, Mark Wills, Brenda Lee and Mandy Barnett. Photo: Moments By Moser Photography

“Jeannie’s commitment to the industry knows no bounds,” Lee shared of her longtime friend. “She loves what she does, it shows. The audience can tell, and that’s why she’s been around as long as she’s been around.”

Attendees then were directed to turn their attention to the screen, where Sr. VP & Executive Producer of the Grand Ole Opry Dan Rogers, bluegrass star Rhonda Vincent and Opry member Carly Pearce congratulated Seely via video.

Mark Wills was brought up on stage to add some remarks about Seely, who was the first person to welcome him to the Opry 27 years ago on his debut night. The two have remained friends ever since.

Seely was welcomed to the stage with a standing ovation. She spoke about her strong support system in her family and team, expressed her gratitude for her road family and thanked the Grand Ole Opry staff.

“At almost every speech I’ve ever heard people say, ‘thank you is just not enough,'” Seely began. “Well, hell, I think it is. I think they are two of the most meaningful words—ones that matter the most and the ones that people remember.”

Seely then joined Lee and Barnett for the rest of the night to continue her hosting duties. The SOUCE Hall of Fame inductees were honored by their friends, family and peers, as Lee, Seely and Barnett told the crowd of their extensive accomplishments. Then, a video from a special client or colleague would play to further highlight the honoree’s impact.

Scogin Camp was the first inductee to be honored. Her career has included time at Standard Knitting Mills, Charisma Talent, Sound Pit Studios and GRC Records, as well as stints as a road manger for David Allen Coe and Colleen Peterson, and her own Teena Shirts (later rebranded to TSC Marketing). She sold her company in the late ’90s and has remained involved in Nashville’s creative landscape since.

Scogin Camp was honored with some words of praise from Opry member and former client, Crystal Gayle, via a video. When the honoree got up to speak, she shared anecdotes about starting her small company, creating a logo for the legendary George Strait and how the Oak Ridge Boys took a must-needed chance on her company.

“No one who succeeds in life makes the journey alone,” Scogin Camp said. “Many of you in this room have been clients, or we collaborated on volunteer projects. I have been fortunate to work with intelligent, ambitious, creative and fun-loving women.”

Next to be honored was Craighead. She impacted the Nashville music industry during her time at MCA Music Publishing, Capitol Records, Javelina Recording Studios, Arista Nashville, Universal Records South, ASCAP, The Nashville Entrepreneur Center and FBMM, where she has served as Office Manager since 2017.

Tim Dubois congratulated Craighead via video. The two established a 14-year working relationship beginning at Arista Nashville. Craighead shared her gratitude for those she has worked with and her gratitude of the honor when she stepped up to the podium.

“When I look at the gallery and the photos of the women who received this honor before me, I’m amazed that I’m considered to be in their company,” Craighead expressed. “This is truly a tremendous honor, which I would not have obtained without the support and courage of so many people.”

Fram was honored next. Her career in Nashville began when she took a leap, leaving her impressive roots in rock radio to come work as the SVP of Music & Talent at CMT, where she has been since 2011. During her tenure there she has established many initiatives to empower women, including CMT’s Next Women of Country, Equal Play, Change The Conversation and Equal Access.

Former CMT President Brian Phillips paid his respects to Fram via video. It was he who gave Fram that career-changing call 13 years ago.

Fram used her time at the podium to talk about some of the CMT family and industry friends she has been grateful to work with and how honored she was to be on the stage.

“You’re going to hear a lot of words tonight like grateful, thankful, humble and scared to death,” she said. “I will say them because it’s true. To be in a room with all of these women who have paved the way—all of the amazing inductees tonight, all of the women in the room and all of the men who support us—this is a huge compliment and a highlight for all of us.”

During a quick break from the inductions, Rosa to come back on stage and to shoutout the awards committee, Barnhart, Sarah Brosmer, Linda Chambers, Karen Conrad, Debi Fleischer-Robin, Rachel Guttmann, Judy Harris, Martha Moore, Kay Smith and Claire Taylor, as well as the event sponsors and event production. She also led the crowd in remembering SOURCE Co-Founder Pat Rolfe, who passed away in May, as well as past inductees Mary Martin, Audrey Winters and Phyllis Dean Hill whom all passed away this year as well.

Harris was the next inductee to be honored. Her 50-year career started when she became a secretary-receptionist for The Oak Ridge Boys. She later became a member of the Operations Management Team, before transitioning into VP of Marketing for Oak Ridge Boys, Inc. In addition to her work with the group, she also was a freelance writer and publicist, and managed Keith Harling with her husband Larry.

It was only fitting that The Oak Ridge Boys congratulated Harris via video for the honor. When Harris spoke, she shared what she has learned through her time in the industry.

“If you need to compete, compete with yourself. Never with other women. Treasure your relationships with each other, grow your relationships with each other and build each other up,” Harris said.

Seale was the next to be inducted. She made her mark while working at the George Lindsey Celebrity Golf Tournament and Concert for Special Children, the Jim Halsey Company and Refugee Management International. In 2001, she founded Judy Seale International, where she has managed Jolie Edwards, Pat Boone, the Bellamy Brothers and more. She currently serves as President/CEO of the organization along with her nonprofit Stars For Stripes, founded in 2003. Fellow philanthropist Gary Sinise congratulated her via video.

When she spoke, Seale highlighted moments in her career that make her thankful to be in this business and shared stories about her many mentors.

“I was never considering a career in the music industry. I was going to be a school teacher in a very small town in Alabama,” Seale shared with a laugh. “Thank you, God, for having other plans for me.”

Spoltore’ was the final honoree to be inducted. Her career has included time as an artist, performing at Carnegie Hall for the Pope and Queen Elizabeth, taking the lead role in an off-broadway play and performing an original song for former President Bill Clinton’s Inauguration. After moving to the business side of the industry, she spent time at Faverette Music Group, US Bank, Still Working Music and NSAI, before establishing Global Songwriters Connection in 2013.

Spoltore’ was honored with a video message from producer Brandon James. When she spoke, she recognized the friends and colleagues who had lifted her up along the way.

Spoltore’ recognized her first mentor Merle Kilgore for changing her life. “Merle heard me sing and he shared six words that forever changed my life—’You must be present to win.’ Four weeks later, my family and I moved from Arkansas to Nashville with very little.” Spoltore’ shared of her story.

Just like that, another inspiring SOURCE Hall of Fame Awards dinner was over, with six more deserving women inducted.

Next year, the SOURCE Hall of Fame Awards will take place on Tuesday, Aug. 26, 2025.

On The Row: MaRynn Taylor Explores Debut EP & Teases New Music

MaRynn Taylor. Photo: Courtesy of Black River Entertainment.

Rising singer-songwriter MaRynn Taylor recently stopped by the MusicRow office to play a few tunes and discuss her debut EP, Get To Know Me.

Taylor moved to Nashville in 2019 from her home state of Michigan to pursue music. During CMA Fest that year, she was handed a flyer for Black River’s 60-Second Spotlight. She went to the event to play for the Black River team, and they knew they found something special in Taylor that day. Later that evening, she watched the Fest from Black River’s suite at Nissan Stadium. On the day of the CMA Awards that year, she signed her recording and publishing deals with Black River during an on-air interview with Bill Cody on the iconic WSM Coffee, Country and Cody radio show.

Since then, Taylor has amassed nearly 34 million cumulative streams, 14 Telly Awards, was named one of CMT’s Next Women of Country and earned her place as an artist to watch from several media outlets. Her sassy “Make You Mine” marked her first top 50 hit on country radio. Taylor made her Grand Ole Opry debut last June and has returned to the coveted stage several times since.

Pictured (L-R): MusicRow’s Madison Hahnen & LB Cantrell; MaRynn Taylor, MusicRow’s Sherod Robertson, Liza Anderson and John Nix Arledge

Taylor performed several tracks from her Get To Know Me EP for the MusicRow team, including “Running Away With You” which she co-wrote with Barry Dean and Josh Kerr. She also performed “Small Town Spinnin’,” penned with Kerr and Erin Kinsey, whom Taylor considers her closest artist friend.

“We talk a lot about this crazy life together,” shared Taylor. “We finally decided to get in a writers room together, and she brought this idea in. We’re both from small towns, and I could definitely relate to the story she was telling about how a small town can just talk sometimes.”

Before going into the title track of the EP, Taylor shared, “I wanted to call the EP Get To Know Me because I’ve released EPs and music before, but I’ve grown up a little bit and I’ve found what I want to sound like. This is a really good introduction of me.” With the signature Nashville hook-focused writing style, the track actually embodies a different meaning than the title suggests, with the tune being about how her ex does not get to know her anymore know that they’ve broken up.

MaRynn Taylor and MusicRow’s Sherod Robertson.

Taylor also treated the MusicRow crew to a preview of her new song “Season 2 Of Friends,” releasing Sept. 6. The tune was inspired by a phone conversation she had with her older cousin about being in your 20s and feeling the pressure to get married and settle down. During the call, Taylor advised her cousin that they are only on “season 2 of Friends,” in reference to the famous sitcom detailing the ups and downs in young adulthood. Taylor will also release a Friends-inspired music video for the track.

Taylor will hit the road with Dylan Schneider on his “Bad Decisions” tour this fall, and will be releasing more new music throughout the fall.