Joe Bonsall, the high-energy tenor singer of The Oak Ridge Boys, died yesterday (July 9).

As a member of the group, he is a member of both the Country Music Hall of Fame and the Gospel Music Hall of Fame. Bonsall was a key vocalist on such Oak Ridge Boys hits as “Elvira,” “Bobbie Sue” and “American Made.”

Bonsall was raised on the rough streets of North Philadelphia. He entered a talent contest as a singer at age four and appeared on local television. But he joined a street gang at age 12 and turned his back on music and religion. After a severe beating at age 14, he turned his life around. He was fascinated by vocal harmonies, particularly by those in gospel quartets.

He joined a local group called The Faith Four Quartet. Singing in New Jersey, he heard a truly professional ensemble named The Eastman Quartet. It featured bass singer Richard Sterban, who became a friend. After Sterban joined The Keystone Quartet, the group invited Joe Bonsall to join when he was 19.

The Keystones admired and imitated The Oak Ridge Boys, a quartet founded in 1943. William Lee Golden and Duane Allen had already become members of the Oaks by that time. The veteran group was known for modernizing the gospel sound. Steban joined The Oak Ridge Boys in 1972. Bonsall completed the Oaks’ modern lineup in 1973.

He moved to Nashville to join the rest of the group. The Oaks signed with Columbia Records and became even bigger gospel stars. But they were also known as “gospel rebels” for including secular songs in their repertoire and playing Las Vegas. They also jettisoned the matching-suits, gospel-quartet uniforms and grew their hair long. In addition, Bonsall and the Oaks began drifting into country music.

In 1974, they started singing with Johnny Cash. A year later, they issued “Rhythm Guitar” (“Nobody wants to play rhythm guitar behind Jesus”) and won a gospel Grammy Award for their version of Johnny Russell’s country hit “The Baptism of Jesse Taylor.” The Oaks became one of the first American acts to tour the Soviet Union when they travelled there with Roy Clark in 1976.

They repeated their Grammy-winning feat in 1977 and 1978 with “Where the Soul Never Dies” and “Just a Little Taik With Jesus.” Paul Simon featured the group singing harmonies on his 1977 pop hit “Slip Slidin’ Away.”

By then, The Oak Ridge Boys had stopped taking gospel bookings. The group signed with ABC/Dot Records and issued “Y’all Come Back Saloon” in the summer of 1977. It inaugurated a string of 34 top 10 country hits of 1977-1991, including 17 No. 1 smashes.

On stage, Joe Bonsall became the group’s “spark plug,” energetically bouncing along and cheer-leading its performances. Duane Allen usually sang lead, but Bonsall’s high vocals were often just as ear catching. William Lee Golden handled the tricky baritone harmonies and provided a striking visual presence with his “mountain man”/“Biblical-prophet” look. Richard Sterban dressed in dapper designer suits and captivated crowds with his ultra-low bass-vocal dips.

The Oak Ridge Boys were the first country act to incorporate lighting effects and innovative staging into its concerts. Their 1979 trek with Kenny Rogers and Dottie Wast is considered to be country’s first arena tour. The Oaks were named both the CMA and ACM Vocal Group of the Year in 1978.

The four moved to MCA Records just in time for 1980’s chart-topping “Leaving Louisiana in the Broad Daylight.” The following year, The Oak Ridge Boys became top 10 pop stars with the Platinum-selling “Elvira.” It was named the CMA and ACM Single of the Year and won a Grammy Award.

Among the additional No. 1 country hits that followed were “Fancy Free” (1981), “Bobbie Sue” (1982), “I Guess It Never Hurts to Hurt Sometimes” (1984), “Touch a Hand, Make a Friend” (1985) and the Grammy nominated “Gonna Take a Lot of River” (1988).

“American Made” (1983) became a commercial jingle for Miller Beer. “When You Get to the Heart” 1986) was a collaboration with Barbara Mandrell. On “Broken Trust” (1980), the Oaks memorably harmonized behind Brenda Lee. The group’s rendition of “(You’re My) Soul and Inspiration” (1990) was included on the movie soundtrack of My Heroes Have Always Been Cowboys.

Shooter Jennings promoted the group and arranged for the quartet to record The Boys Are Back as a comeback album in 2009. It contained their version of The White Stripes rock favorite “Seven Nation Army.” In 2013, The Oak Ridge Boys celebrated the 40th anniversary of their modern lineup with a special tour, a commemorative CD, an Oaks-themed cruise and a TV special.

In addition to his contributions to The Oak Ridge Boys, Bonsall became a prolific author. He wrote 11 books including his upcoming memoir I See Myself, which is scheduled for publication in November.

The Oak Ridge Boys were inducted into the cast of the Grand Ole Opry in 2011. In 2000, the group was elected to the Gospel Music Hall of Fame. The Country Music Hall of Fame followed suit in 2015.

Joe Bonsall announced in January that he was retiring from touring with the group. This was because he was suffering from the neuromuscular affliction Amyotrophic Lateral Sclerosis (ALS). Bonsall passed away at age 76 due to complications from the disease.

He is survived by his wife, Mary Ann, daughters Jennifer and Sabrina, granddaughter Breanne, grandson Luke, two great grandsons, Chance and Grey, and a sister, Nancy. At Bonsall’s request, there will be no funeral. In lieu of flowers, donations may be made to The ALS Association or to the Vanderbilt Medical Center ALS and Neuroscience Research Center.

Music industry veteran Mary Martin has passed away on Thursday night (July 4) at Alive Hospice. The news was posted on social media and shared by The Country Music Hall of Fame and Museum.

“Time and again, Mary Martin spotted great talents and elevated their careers,” said Kyle Young, CEO of the CMHOFM. “Early on, she connected Bob Dylan to her friends the Hawks, who became the Band. She managed Leonard Cohen in his first musical outings, then guided the budding solo careers of Van Morrison, Rodney Crowell and Vince Gill. At Warner Bros., she signed future Country Music Hall of Fame member Emmylou Harris, at RCA she helped sign and develop Clint Black and Lorrie Morgan, and she encouraged a young Keith Urban to move from Australia to Nashville. Mary’s unerring feel for songs and performers was legendary, and she was a fierce ally for the artists she represented.”

Born in 1939 in Toronto, Canada, Martin began her career in New York in 1962 as executive assistant to artist manager Albert Grossman, who guided the careers of Bob Dylan, Janis Joplin, Peter, Paul & Mary and others. She went out on her own four years later, and managed the early career of Leonard Cohen and then Van Morrison.

In 1972, she joined Warner Bros. Records in New York, where she signed Emmylou Harris, Leon Redbone and The Marshall Tucker Band. Moving to Los Angeles at the end of the ’70s, she returned to artist management, working with Rodney Crowell and Vince Gill. She also gave production assistance to Crowell for artists he produced like Rosanne Cash, Sissy Spacek, Guy Clark and Albert Lee, and initiated the fan clubs and oversaw the creation of a successful merchandising venture for both artists during this time.

Martin moved to Nashville in 1985 and became Vice President of RCA Records, where she worked with Gill, Clint Black, Paul Overstreet, Aaron Tippin and Lorrie Morgan.

She became the Executive Director of ECO (Earth Communications Office) in 1991, overseeing fundraising and other activities for the nonprofit. She consulted with the A&R department of Asylum Records from ’94 – ’96 before joining Mercury Records as Vice President in 1999. Martin won a Grammy in 2002 for her work on the Hank Williams tribute album Timeless, which featured Dylan, Johnny Cash, Keith Richards, Tom Petty and others.

SOURCE inducted Martin into its Hall of Fame in 2007. She was honored at the Louise Scruggs Memorial Forum in 2009. Martin inspired generations of music industry professionals, especially women.

Memorial services have not yet been announced.