Outback Presents Names Andrew Farwell President

Andrew Farwell

Nashville-based independent promoter Outback Presents has appointed Andrew Farwell as President.

Previously as VP, Farwell has worked closely with Founder and Co-CEO Mike Smardak in music, comedy and other spoken word, producing thousands of concerts and events across the United States and Canada from theaters to arenas each year.

“To simply say that Andrew Farwell and I have worked closely together for 16 years would be a complete understatement,” shares Smardak. “Brian Dorfman and myself have had the distinct pleasure to see Andrew’s career grow to this role as President of Outback Presents. We all have built something we are ALL incredibly proud of, and had fun doing it together. Andrew’s ethics and class are what I am most proud of. It is a great day for Outback Presents.”

Alongside his role at Outback Presents, Farwell—who was named to Billboard’s 2025 40 Under 40 list today—also serves as Vice President of the International Entertainment Buyers Association (IEBA) and is a 2023 Leadership Music alumnus. He has been nominated for IEBA’s Promoter of the Year and won IEBA’s inaugural Rookie of the Year Award in 2014. Originally from West Boylston, Massachusetts, Farwell received his Bachelor of Music in Music Business from the University of Massachusetts Lowell.

Riley Green On Legacy, Momentum & The Power Of Staying True [Interview]

Riley Green

Riley Green is in the midst of a career-defining season. Since releasing his latest album, Don’t Mind If I Do, in October, the country hitmaker has been building undeniable momentum.

His Platinum-certified, solo-written single “Worst Way” is in the upper echelons of the radio charts, while fan-favorites like “Change My Mind” and the title track have racked up millions of streams. On his “Damn Country Music Tour,” Green is watching the crowds grow louder and more loyal with every stop.

When he spoke with MusicRow a few weeks ago from the road, Green reflected on this season of growth—and how hard work, good songs and a bit of luck have helped bring it to life. “It’s been a really great last year and a half,” he says simply before breaking it down.

Just weeks after that conversation, Green took home three trophies at the 60th ACM Awards, including Single, Music Event and Visual Media of the Year for “You Look Like You Love Me,” his duet with Ella Langley.

It’s perfectly clear that to the 36-year-old hit-maker, songwriting is of the utmost importance. Green tries to carve out as much time to write as he can—whether that’s bringing songwriters on the road or spending time back home in Alabama, where he finds inspiration. “Obviously now that people are really listening, I need a lot of great songs. You just can’t write enough,” he says.

With three beloved studio albums in his repertoire and years of building loyal ticket-buyers, Green is also hyper-focused on elevating his live show, and approaches each tour stop with with fresh intention.

“The thing I had to realize is, because my fan base is continuing to grow, there’s someone seeing us for the first time every night. I’ve been playing these same songs for a lot of years, so I try to remember that—and play like it’s the first time again.”

It’s a mindset he picked up while touring with superstars like Morgan Wallen, Luke Combs, Dierks Bentley and Jason Aldean. “You can’t get comfortable. You’ve got to bring the energy every night.”

Green says he views his shows like mini festivals. “We’ve got four acts, and I really want to showcase the artists I’m a fan of. We change the show up every night, and bring them back out and try to do something that fits each artist,” he says. “I’m playing songs from Don’t Mind If I Do, but also ones I wrote in my early twenties. It’s about taking a show that’s worked for me for years and making it even better.”

Something that Green often gets to showcase on the road is his Buford Bonds Charitable Fund, which he launched in 2023 in honor of his grandfathers. It supports nonprofit organizations that help people in need—a cause that’s become central to his career.

“I’ve been very blessed to be able to tour [and grow my business financially]. If there’s something we believe in, we’ve always tried to support it,” he says. “It’s nice to have something that, for one, honors my granddaddies, but also allows us to respond to whatever is on our hearts.”

In April, he hosted the first annual Buford Bonds Fund golf tournament, raising more than $150,000 for the fund. “We take a portion of ticket sales from the tour and do several events throughout the year to fundraise,” he explains. “Then we funnel that money to places like Folds of Honor, St. Jude or ACM Lifting Lives. It’s great to have that flexibility.”

Despite his growing success and influence, Green remains rooted in Alabama—a choice that continues to shape his music.

“My farm is three and a half hours from Nashville. It’s not easy to drive home after four days on the road, but I’ve realized how important it is to get back. That’s where I find inspiration—on the farm, around my family and with the values I grew up with.”

Green also enjoys the business side of the industry, and credits his work ethic to his upbringing.

“I think that the biggest thing I’ve got going for me is that I grew up around a generation that were hard workers. My dad and my granddaddy taught me to always grab the heavy end. They bragged about how much they could accomplish in a day.”

While his star continues to rise, Green remains grounded in gratitude.

“I’ve already been way more successful in music than I ever thought I would be,” he says. “Playing the Grand Ole Opry, doing a benefit concert for Jacksonville State, playing Red Rocks on a sold-out tour—those things are incredible. As far as my real goals and aspirations, I’m so surprised by how far I’ve been able to come in this business that I’m pretty content. I just want to get as much out of it as I can. I know the opportunities I’ve been given, and that’s why I don’t take my foot off the gas.”

As for the legacy he hopes to leave behind?

“I hope people think of me as a songwriter,” Green says. “Music’s always gonna change, but I try to hold on to storytelling and traditional values. That’s what I’m most proud of—writing songs that people can relate to.”

MusicRow Releases 2025 InCharge Issue, Riley Green Graces The Cover

MusicRow Magazine, Nashville’s leading music industry trade publication, is proud to announce the 2025 release of its flagship print directory, InCharge.

This annual guide highlights some of the most influential industry executives in the Nashville music business. This year’s edition includes 370 profiles which are accompanied by contact information, career biographies and detailed board and organizational membership affiliations.

The guide also includes a record label staff index, a company appendix and a professional categories appendix, which lists executives by their areas of expertise, including label, talent agency, management, music publishing, legal, finance, performing rights organizations and more.

“Since its inception in 1987, MusicRow’s annual InCharge issue has served as a trusted resource and compass for the entertainment community. Often referred to as the ‘bible’ of Nashville’s music industry, it provides an essential snapshot of who’s leading today—and who’s helping to build what’s next,” says MusicRow Publisher/Owner Sherod Robertson. “From label heads and agents to producers, publicists, publishers and beyond, these are the professionals whose impact reverberates far beyond The Row.”

Award-winning singer-songwriter Riley Green graces the cover of the 2025 InCharge issue.

CMA and ACM award winner Riley Green has been capturing the hearts of country music fans since his 2018 self-titled EP debut with Big Machine Label Group. With hits like the double-Platinum “There Was This Girl,” the triple-Platinum “I Wish Grandpas Never Died” (performed at the 55th ACM Awards), and the No. 1 duet “Half of Me” with Thomas Rhett, Green has become known for his authentic, relatable songwriting and classic country sound.

A former Jacksonville State University quarterback and avid outdoorsman, Green was named ACM’s 2020 New Male Artist of the Year and has earned recognition as a CMT “Listen Up Artist” and one of the CRS 2020 New Faces. In 2023, he opened for Morgan Wallen and Luke Combs, playing to crowds of 65,000+ each night. He also headlined his own “Ain’t My Last Rodeo Tour,” joined by Tracy Lawrence and Ella Langley.

Green teamed up with Combs again for his third No. 1 hit, “Different ‘Round Here,” and with Ella Langley for his fourth No. 1 “You Look Like You Love Me.” His third studio album Don’t Mind If I Do, produced by Dann Huff, dropped on Green’s birthday–October 18–and showcases the no-frills, heartfelt style fans love. The 18-track project features four songs solely written by Green, including “Jesus Saves,” “Worst Way” and the title track–a duet with Ella Langley, his former tourmate and “You Look Like You Love Me” collaborator.

Still calling Jacksonville, Alabama home, Riley Green continues to ride a wave of success with an unmistakable blend of tradition and honesty.

Single copies of MusicRow’s 2025 InCharge issue are available for purchase at musicrow.com for $115, and are included with yearly MusicRow subscriptions.

Photo: David Higgs

BREAKING: Capitol Music Group Reorganizes, Taps Candice Watkins As President

Candice Watkins. Photo: Cedrick Jones

Capitol Music Group is bringing Capitol Christian Music Group (CCMG) and its country division Capitol Records Nashville, under the Capitol Music Group Nashville banner. The move seeks to fortify its commitment to Music City as a key creative and commercial hub for the label group.

Artists that were previously signed to Capitol Records Nashville will remain at the newly-formed Music Corporation of America (MCA) Nashville label.

To serve as President of Capitol Records Nashville, the company has tapped the highly respected industry veteran, Candice Watkins. She will also serve as Executive Vice President of Capitol Christian Music Group.

“This reorganization reflects our commitment to growing our Nashville operations as a core creative hub in Christian, gospel and country music,” says Capitol Music Group CEO, Tom March. “We’re looking forward to signing and developing the next generation of country artists on Capitol Records Nashville and are thrilled to have an executive of the caliber of Candice Watkins to lead our ambitious plans in country music while also bringing her expertise to our gospel and christian music operations.”

Watkins joins CMG from Big Loud Records, where she most recently served as Senior Vice President of Marketing, overseeing the label’s Marketing, Digital, Creative, PR and Streaming departments. During her tenure at Big Loud she worked closely with artists such as Morgan Wallen, Hardy, Hailey Whitters, Stephen Wilson Jr., Lauren Alaina, Ernest, Kashus Culpepper and others. Prior to joining Big Loud, Watkins worked in Marketing and Artist Development at Universal Music Group Nashville, and held positions at Red Light Management, Mozes Inc., Borman Entertainment and Cross Point Church. She serves on the boards of CMA and ACM.

Capitol Christian Music Group, which includes Motown Gospel and Tamla and distribution operations, will continue to be led by its longtime President Brad O’Donnell in Nashville. CCMG is the world’s leading faith-based music company and is home to such superstars as Anne Wilson, Josiah Queen, Chris Tomlin and Tasha Cobbs Leonard, to name a few. CCMG also publishes the song catalog of industry icon Kirk Franklin. O’Donnell will continue to report to March.

“This new structure will empower our Nashville executives to better serve the incredible artists on our roster. Candice is a brilliant music marketing executive who has an amazing track record in developing career artists,” says John Janick, Chairman of Interscope Capitol. “Having her lead our country music business in Nashville and also add her extensive artist development expertise to our CCMG team is going to be great for our artists and for the entire executive team.”

Watkins shares, “It’s a true honor to step into the role of President of Capitol Records Nashville and EVP of Capitol Christian. These labels have a rich legacy in partnering with some of the most brilliant artists of our industry and I look forward to contributing to its continued success and cultural impact. Excited to collaborate with John, Tom, Lillia and Brad in boldly championing creatives and visionaries.”

Capitol Music Group Nashville’s office is located in the emerging Wedgewood Houston area of Nashville, featuring 40,000 square feet of office space which includes state-of-the-art recording studios, a live performance space and creative content studios. As Capitol Nashville builds locally, it will have the full support of the Capitol Tower in Los Angeles for all label services.

BREAKING: Date Announced For 59th CMA Awards

Brooks & Dunn accepts the award for Vocal Duo of the Year at The 58th Annual CMA Awards, live from Bridgestone Arena Wednesday, November 20, 2024 on ABC.

The Country Music Association and ABC have announced that the 59th annual CMA Awards will return to Nashville’s Bridgestone Arena on Wednesday, Nov. 19, airing live on ABC at 7 p.m. central. The show will also be available to stream next day on Hulu.

As previously announced, the eligibility period for the 2025 CMA Awards is July 1, 2024 to June 30, 2025. Prospective members must apply by Sunday, June 1 to qualify for full voting eligibility this year. The Nomination Ballot will open for voting Monday, July 7. Click here to see more ballot details.

Robert Deaton is Executive Producer, Alan Carter is the Director, and Jon Macks is the Head Writer for the 59th annual CMA Awards. Details on the show’s host and ticket on-sale will be shared in the coming weeks.

BREAKING: The Academy Of Country Music Strikes New Multi-Year Deal With Prime Video

Chris Stapleton at the 60th Academy Of Country Music Awards held at the Ford Center at The Star on May 8, 2025 in Frisco, Texas

Following its landmark 60th anniversary show last week, the Academy of Country Music and producer Dick Clark Productions (DCP) have announced that the ACM Awards will remain on Prime Video for the next three years, taking the show through its 63rd ceremony in 2028.

Last week’s ACM Awards, which took place on May 8 at Ford Center at The Star in Frisco, Texas, streamed live for an international audience across 240+ countries and territories exclusively on Prime Video and the Amazon Music channel on Twitch. Hosted by 16-time ACM Award-winning entertainment icon Reba McEntire, the evening featured 16 performances and appearances from 40 artists including Alan Jackson, Backstreet Boys, Blake Shelton, Brooks & Dunn, Chris Stapleton, Ella Langley, Eric Church, Jelly Roll, Kelsea Ballerini, Lainey Wilson, LeAnn Rimes, Lionel Richie, Miranda Lambert, Rascal Flatts, Shaboozey, Wynonna Judd and more.

The show is currently available to stream on demand on Prime Video and can be found at amazon.com/ACMawards.

“Our ongoing partnership with the Academy of Country Music and Dick Clark Productions has been an amazing experience for everyone involved,” says Vernon Sanders, Global Head of Television, Amazon MGM Studios. “With the tremendous success of this year’s 60th anniversary show hosted by the legendary Reba McEntire, we are overjoyed to continue our relationship with the Academy and DCP for the next three years. We look forward to maintaining this success and bringing even more star-studded and captivating shows to our global Prime Video customers.”

“Our powerful partnership with Amazon MGM Studios and Prime Video has expanded the reach and accessibility of our show and the country music genre to viewers anytime, anywhere around the world and has redefined what an awards show experience can and should be in today’s environment,” shares Damon Whiteside, CEO of the Academy of Country Music. “The synergies between Prime Video, Amazon Music, Twitch, and the other divisions of Amazon bring exponential value to our artists, our genre, and our fans through an immersive 360 music experience they can’t get from any other platform. I am so proud of our pioneering first four years in the streaming space, and we are excited to continue to deliver the future of country music and the ACM Awards to fans everywhere over the next three years.”

“We’re thrilled to continue our partnership with Prime Video through 2028,” adds Jay Penske, CEO, Dick Clark Productions. “The Academy of Country Music Awards made history in 2022 as the first major awards show to exclusively livestream and continues to break new ground, creating a world-class music event and providing dynamic, unparalleled reach through Prime Video, connecting country music with a global audience.”

“I feel like it’s just another way for us to get country music out there to the world,” shares the Academy’s winningest artist of all time, Miranda Lambert, of the partnership between the ACM Awards and Prime Video. “Country music is really popular right now, and I’m so glad more people are understanding what we’re about, and I’m so happy to be part of the ACM history, and that it’s gonna continue for three more years is really exciting.”

The 60th Academy of Country Music Awards was produced by Dick Clark Productions. Raj Kapoor served as Executive Producer and Showrunner, with Patrick Menton as Co-Executive Producer. Whiteside served as Executive Producer for the Academy of Country Music, and Penske and Barry Adelman served as Executive Producers for DCP. John Saade served as Consulting Producer for Amazon MGM Studios.

Taylor Phillips Re-Enters Top 15 On MusicRow Top Songwriter Chart

Taylor Phillips.

Taylor Phillips has re-entered the top 15 on the MusicRow Top Songwriter Chart. Nate Smith’s “Fix What You Didn’t Break,” Jelly Roll’s “Liar” and Chris Janson’s “Me & A Beer” push the songwriter to No. 12 this week. 

Riley Green remains in the No. 1 slot with solo-penned “Worst Way.” Ashley Gorley stays at No. 2 with “Favorite Country Song,” “Fix What You Didn’t Break,” “I Had Some Help,” “Liar,” “Love Somebody,” “Me & A Beer,” “Not At This Party,” “Park” and “She Hates Me.”

Charlie Handsome (No. 3), Morgan Wallen (No. 4) and Ernest (No. 5) round out this week’s top five.

The weekly MusicRow Top Songwriter Chart uses algorithms based upon song activity according to airplay, digital download track sales and streams. This unique and exclusive addition to the MusicRow portfolio is the only songwriter chart of its kind.

Click here to view the full MusicRow Top Songwriter Chart.

Celebration Of Life Set For Ben Vaughn

Ben Vaughn

A celebration honoring the life and legacy of Warner Chappell Nashville President & CEO Ben Vaughn will take place on June 9 at The Fisher Center for the Performing Arts at Belmont University.

Doors will open at 9:00 a.m., with light refreshments available. The Performance Hall will open at 9:30 a.m., and the service will begin at 10:00 a.m.

Guests may enter through the doors off Belmont Boulevard. Parking is available in the South Garage (1521 Compton Avenue) and the Curb Garage (1520 Bernard Avenue).

Vaughn passed away unexpectedly on Jan. 30 at age 49.

He spent over a decade at the helm of Warner Chappell Nashville, overseeing all creative and commercial activities across A&R, administration, business development, finance and human resources. Vaughn also worked with staff songwriters, while actively engaging in songwriter advocacy and rights protection initiatives.

Under his leadership, the company earned multiple Country Publisher of the Year honors from ASCAP, BMI, and SESAC, achieving the prestigious Triple Crown in 2019 by sweeping all three PRO awards. His songwriters amassed 19 CMA, ACM, Grammy, or PRO Songwriter of the Year honors, 35 Song of the Year titles, and eight inductions into the Nashville Songwriters Hall of Fame.

Vaughn was a fierce advocate for songwriters in and outside of Nashville, whether they were affiliated with Warner Chappell or not. He often spoke of the plight of the craft and lent his expertise to those in the community.

Read Vaughn’s full obituary here.

Country Star Johnny Rodriguez Passes

Johnny Rodriguez

Johnny Rodriguez, one of country music’s biggest stars of the 1970s, died in Texas on Friday (May 9) at age 73.

Famed for such hits as “Pass Me By” and “Just Get Up and Close the Door,” Rodriguez was a ground-breaking Latino artist in the country field. Songs such as “Eres Tu” and “Love Put a Song in My Heart“ were performed in both Spanish and English. Between 1972 and 1989, Johnny Rodriguez placed 45 songs on the country charts.

Born in Sabinal, Texas, Juan Raoul Davis Rodriguez was a juvenile offender. As a teenager, he was paroled to entertain at the Alamo Village tourist attraction near San Antonio. This was when he was dubbed “Johnny.” Tom T. Hall heard him there and took him under his wing.

Hall brought Rodriguez to Nashville to become a member of his Storytellers band. Rodriguez signed with Hall’s label home, Mercury Records. Hall’s brother Hillman Hall wrote the 21-year-old Texan’s 1972 debut single, “Pass Me By (If You’re Only Passing Through).” It became the first of a string of 15 consecutive top-10 smashes for the youngster. The song became a modern country standard recorded by more than 35 artists, including a 1980 hit revival by Janie Fricke.

Rodriguez and Tom T. Hall co-wrote “You Always Come Back (To Hurting Me).” In 1973, it became the first of his six No. 1 hits. Rodriguez also wrote “Ridin’ My Thumb to Mexico” (1973) and “Dance With Me (Just One More Time)” (1974). He won the ACM Award as Top New Male Vocalist of 1973 and was nominated for the CMA’s Horizon Award.

Music City’s top-tier country songwriters soon began providing Rodriguez with material. Larry Gatlin wrote “I Just Can’t Get Her Out of My Mind” (1975) and “If Practice Makes Perfect” (1977). Linda Hargrove wrote “Just Get Up and Close the Door” (1975) and “Savin’ This Love Song for You” (1977). In 1976, Mickey Newbury offered “I Wonder If I Ever Said Goodbye” and Billy Joe Shaver provided “I Couldn’t Be Me Without You.” Ben Peters was behind 1975’s chart-topping “Love Put a Song in My Heart,” and Dan Penn and Johnny Christopher co-wrote 1976’s “Hillbilly Heart.”

Rodriguez revived Lefty Frizzell and Whitey Shaffer’s “That’s the Way Love Goes” in 1974. The song later became a big hit for Merle Haggard, too. The 1978 Rodriguez hit “We Believe in Happy Endings” was penned by Bob McDill. Ten years later, it was revived in a duet by Emmylou Harris and Earl Thomas Conley.

The new star’s yearning tenor easily adapted pop tunes for country listeners, notably George Harrison’s “Something” (1974), Barry Mann and Cynthia Weil’s “We’re Over” (1974) and The Eagles’ “Desperado” (1977).

“Love Me With All of Your Heart” had been a huge hit for the pop chorale The Ray Charles Singers in 1964, but the song originated in Mexico as “Cuando Calienta El Sol.” In 1978, Johnny Rodriguez’s bilingual country hit brought the song back to its roots. “Eres Tu (Touch the Wind)” was an international smash for the Spanish pop group Mocedades in 1974. Rodriguez adapted it for country music three years later.

The handsome young country star guested on such TV shows as Adam 12 and The Dating Game. He was also featured in the 1976 B-movie Nashville Girl. He toured internationally, appearing in countries such as Switzerland, England, South Korea, France, Spain, Germany, Japan, Belgium, Guam and Poland, as well as Canada and Mexico.

The hits came less frequently after Johnny Rodriguez signed with Epic Records. His co-written “Down on the Rio Grande” was a top-10 hit in 1979. The 1983 releases “Foolin’” and “How Could I Love Her So Much” repeated the feat. He wrote his Epic singles “Born With the Blues” (1982) and “Back on Her Mind Again” (1983). Other highlights during his tenure with Epic included the top-20 singles “Fools For Each Other” (1979, another song he co-wrote), “What’ll I Tell Virginia” (1979), “North of the Border” (1980) and “Too Late to Go Home” (1984). “I Hate the Way I Love It” was a 1979 duet with label-mate Charly McClain.

His final top-20 success came when he signed with Capitol and issued “I Didn’t (Every Chance I Had)” in late 1987. When Johnny Cash, Waylon Jennings, Kris Kristofferson and Willie Nelson recorded their debut album as The Highwaymen in 1985, they invited Rodriguez to provide a Spanish vocal for their version of Woody Guthrie’s song “Deportee.” Another late-career highlight was his performance of “Across the Valley From the Alamo” on the CMA-nominated Asleep at the Wheel CD Tribute to the Music of Bob Wills & The Texas Playboys in 1994.

He remained a popular concert attraction, particularly back home in Texas. Rodriguez performed for the presidential inauguration of Texan George H.W. Bush in 1989. The singer was married three times, including a seven-month union with Willie Nelson’s daughter Lana in 1995.

Rodriguez developed drug and alcohol problems. In 1998, he shot and killed an acquaintance, believing him to be a burglar in his home. A jury acquitted him of murder in 1999.

His career never recovered. Rodriguez recorded little-noticed, independent-label albums for Intersound (1993), Hightone (1996), Paula (1996), Intercontinental (2001), KRB (2007), RunninWide (2012) and other small imprints. He continued to perform in the Lone Star State into his 60s and 70s. Johnny Rodriguez was inducted into the Texas Country Music Hall of Fame in 2007. He staged a triumphant revival at the CMA Music Fest in 2017.

Johnny Rodriguez entered hospice care last week. His death was announced by his singing daughter, Aubry Rodriguez. Her debut single is “Pass Me By” as a tribute to her father. No funeral arrangements have been announced.

MusicRow Weekly (ACM Awards, News, Charts, More…)

This week’s edition of The MusicRow Weekly recaps a monumental night in country music and highlights significant developments across the Nashville industry landscape. Click here to see the full edition.

The 60th Academy of Country Music Awards lit up the Ford Center at The Star in Frisco, Texas yesterday (May 8), with legendary entertainer Reba McEntire returning to host.

Lainey Wilson stole the show, taking home the coveted Entertainer of the Year award along with Album of the Year for Whirlwind. She also picked up Artist-Writer of the Year, reinforcing her standout year on multiple fronts. Chris Stapleton was named Male Artist of the Year, while Old Dominion earned their ninth consecutive Group of the Year win, officially becoming the most decorated group in ACM history. Brooks & Dunn continued their legacy with another Duo of the Year trophy.

Several winners were revealed ahead of the broadcast, including Ella Langley, who was named New Female Artist of the Year. She also shared a Visual Media of the Year win with Riley Green for their “You Look Like You Love Me” video. Zach Top was awarded New Male Artist of the Year, and The Red Clay Strays earned New Duo or Group. Jessie Jo Dillon was named Songwriter of the Year, and Cody Johnson’s “Dirt Cheap,” penned by Josh Phillips, earned Song of the Year.

Elsewhere in the industry, leadership changes made headlines. Lori Christian stepped down from her role as Executive Vice President of Marketing at UMG Nashville after 13 years. Meanwhile, Heather Vassar exited her post as SVP of Operations at EMPIRE Nashville.

Belmont University celebrated its 2025 Spring Commencement with a star-studded list of honorary doctorate recipients, including Trisha Yearwood and songwriter Hillary Lindsey. President Dr. Greg Jones presided over the ceremonies, honoring more than 2,000 graduates.

Big Loud Texas continues its expansion with the launch of Big Loud Texas Publishing. With Miranda Lambert and Jon Randall at the helm, the new division has signed Timothy Allen as its first songwriter and appointed Lizzy Rector as Publishing Director.

Endurance Music Group also made strategic moves this week, expanding its partnership with Raven Music Partners through a music services agreement. EMG’s Michael Martin has been promoted to Chief Creative Officer, while Mark Ahlberg steps up as Co-President and General Manager.

On the performance front, Hardy made his long-awaited Grand Ole Opry debut on April 29. Introduced via video by Lainey Wilson, Hardy took the stage with fellow rising star Ella Langley to perform “Wait In The Truck,” a collaboration originally with Wilson.

More career moves followed across the city. WME has created a new role, Senior Director, External Relations, for Alexis Rosenberg in their Nashville office. Additionally, veteran Country Music Hall of Fame and Museum staffer Alan Stoker was celebrated upon his retirement after more than five decades of service.

Talent management firm Dynamic Talent International announced its expansion into Nashville, opening a new office on Commerce Street. The local team will represent a slate of rising and established artists, including Danielle Bradbery and Kaylee Bell, and engage in community partnerships and charitable initiatives.

Publishing signings also rounded out the week’s industry news. Lalo Guzman extended his global publishing deal with SMACKSongs following his second No. 1 with Blake Shelton’s “Texas.” Singer-songwriter Grace Tyler joined Concord Music Publishing, while Will Terry signed with both Prescription Songs and 7Hills Music for publishing, as well as Amigo Records for future releases.

This week’s My Music Row Story features an insightful conversation with TheGreenRoom’s Tyne Parrish.

In addition, the latest MusicRow CountryBreakout Radio Chart is included. Riley Green maintains his No. 1 spot this week with “Worst Way.” Explore more chart data here.

The MusicRow Weekly is delivered every Friday, featuring Nashville’s top music industry news, exclusive interviews, song reviews, radio and songwriter charts and more. Sign up for free here.