Ian Cripps (SVP of A&R, Atlantic Records), Twisters: The Album, Rachel Levy (EVP, Film Music for Universal Pictures)

Twisters, the current-day chapter of the 1996 blockbuster, hits theaters July 19. Starring Daisy Edgar-Jones, Glen Powell and Anthony Ramos, the film has been highly anticipated. But perhaps equally as anticipated has been its accompanying soundtrack, Twisters: The Album, a 29-song opus featuring only country music artists.

The project was first revealed in May with the release of leading track, “Ain’t No Love In Oklahoma” recorded by genre-leading superstar Luke Combs.

After the track list was announced, it was shared across major media outlets and social media accounts everywhere, impressing most everyone from casual country listeners to high-brow genre purists due to its expansive list of artists. Present are established commercial hitmakers like Combs, Miranda Lambert, Kane Brown, Lainey Wilson, Thomas Rhett and Jelly Roll alongside rising stars Megan Moroney, Bailey Zimmerman, Conner Smith, Warren Zeiders, Tucker Wetmore and Tanner Adell. Also included are artists that find themselves on the outskirts of the mainstream like Tyler Childers, Sam Barber, The Red Clay Strays, Charley Crockett and Tanner Usrey.

It was clear that whoever put Twisters: The Album together did their homework.

Universal Pictures tapped experts for the challenge, with the album being produced and overseen by multi-Grammy  winner and Atlantic Records West Coast President Kevin Weaver, among others at Atlantic Records and Universal Pictures.

Lainey Wilson and team with Twisters execs at the film’s premiere. Photo: Erick Frost

Two of those experts, Atlantic Records’ SVP A&R Ian Cripps and Universal Pictures’ EVP, Film Music Rachel Levy, recently spoke to MusicRow about the project.

According to them, the musical landscape was in the mind of the film’s director, the Oscar-nominated Lee Isaac Chung, early on. Chung, who grew up in Arkansas, wanted the soundtrack to be as authentic to Twisters‘ setting in Oklahoma as possible.

“We started with the idea of placing existing country songs,” says Levy. “It all very quickly turned into a much broader conversation based on Isaac’s willingness to really feature music in the film, Atlantic Records enthusiasm and shared vision to make something big—and also based on the excitement and interest from the artists and songwriters we reached out to initially.”

Once the team had fleshed out what kind of sound the scenes would need, they were off to the races. They made a list of their top picks and started there first.

“I have immense respect for Nashville’s creative community, and was excited to collaborate with these amazing artists and their teams,” shares Cripps. “First order of business was to come up with ideas of who would be the best fit for each scene, and then we started making calls to those artists. Everyone was super excited to be a part of the film, which made the process of getting 29 songs much easier.”

The first songs the Twisters team received back were Combs’ exhilarating “Ain’t No Love In Oklahoma,” written by the artist alongside Jessi Alexander and Jonathan Singleton; Wilson’s gorgeous “Out of Oklahoma,” which she penned with Luke Dick and Shane McAnally; and Moroney’s reflective “Never Left Me,” written by Moroney, Alexander, Connie Harrington and Jessie Jo Dillon.

Once those were in, they knew the Twisters album was going to be big.

“Everyone’s process was different,” says Cripps. “Some artists met with their core teams to write together, others wrote solo. Luke Combs was at his cabin with some of his writing partners and us on a Zoom. We discussed the scene and a few days later he sent us ‘Ain’t No Love In Oklahoma.’ That was an incredible moment.”

To build anticipation for the film, songs continued to roll out after Combs’ kicked off the excitement. In addition to Wilson and Moroney’s tracks, Rhett dropped the infectious “Feelin’ Country,” Childers delivered the heartfelt “Song While You’re Away,” Adell released the party-ready “Too Easy” and Zimmerman dropped the powerful “Hell or High Water.” Exciting newcomer Wetmore rolled out “Already Had It” and a collaboration with Smith, “Steal My Thunder.” Each track seemed to feature the artist’s unique sound in an elevated way, bringing a lot of focus to the movie and its tunes.

Cripps and Levy give a lot of props to the Nashville music industry for the caliber of music and its stellar marketing.

“The Nashville community of writers, producers, artists and managers were genuinely fantastic to work with, and everyone turned in incredible work,” says Levy, adding a special shout out to Allison Jones at Big Machine Label Group and Sophie Hopkins at Warner Chappell as well as all of the clearance and sync teams at the major publishers for helping to make it happen.

“Every song is so special to me, and I’m so excited for everyone to hear the full body of work,” Cripps shares. “We’re so thankful for everyone’s involvement and we’re so proud of the album that’s been put together.”

Twisters, and its excellent accompanying album, are both out now.

Twisters: The Album Track Listing:
1. “Ain’t No Love In Oklahoma” – Luke Combs (Jessi Alexander, Luke Combs, Jonathan Singleton)
2. “Ain’t In Kansas Anymore” – Miranda Lambert (Jenee Fleenor, Jesse Frasure, Miranda Lambert)
3. “Steal My Thunder (feat. Tucker Wetmore)” – Conner Smith (Ben Johnson, Matt Jenkins, Blake Pendergrass, Conner Smith)
4. “Feelin’ Country” – Thomas Rhett (Ashley Gorley, Chris LaCorte, Chase McGill, Thomas Rhett, Parker Welling)
5. “The Cards I’ve Been Dealt” – Warren Zeiders (Warren Zeiders, Charlie Worsham)
6. “Never Left Me” – Megan Moroney (Megan Moroney, Connie Harrington, Jessi Alexander, Jessie Jo Dillon)
7. “Out of Oklahoma” – Lainey Wilson (Luke Dick, Shane McAnally, Lainey Wilson)
8. “Hell Or High Water” – Bailey Zimmerman (Ashley Gorley, Austin Shawn)
9. “Dead End Road” – Jelly Roll (Brock Berryhill, Jason DeFord, Jaxson Free, Taylor Phillips)
10. “Country Classic” – Kane Brown (Jon Capeci, Gabe Foust, Jaxson Free)
11. “Tear Us Apart” – Sam Barber (Sam Barber, Ben Johnson, Eddie Spear)
12. “Song While You’re Away” – Tyler Childers (Tyler Childers)
13. “Already Had It” – Tucker Wetmore (Johnny McGuire, Grant Vogel, Tucker Wetmore)
14. “Chrome Cowgirl” – Leon Bridges (Amy Allen, Leon Bridges, John Ryan)
15. “Death Wish Love” – Benson Boone (Benson Boone, Philip Plested, Morten Ristorp, Johnny Simpson, Madi Yanofsky)
16. “Boots Don’t”  – Shania Twain & Breland (Daniel Breland, Steph Jones, Jimmy Robbins, Sean Small, Sam Sumser, Theron Thomas, Shania Twain)
17. “Stronger Than A Storm” – Dylan Gossett (Dylan Gossett)
18. “Chasing The Wind” – Lanie Gardner (Cleo Tighe, Rollo Spreckley, Ryan Linvill)
19. “Leave The Light On (feat. Alexandra Kay)” – Jelly Roll (Jason DeFord, Jessie Jo Dillon, Jesse Frasure, Hillary Lindsey, Blake Pendergrass)
20. “Before I Do” – Wyatt Flores & Jake Kohn (Wyatt Flores, Jake Kohn)
21. “Caddo County” – The Red Clay Strays (Dave Cobb, Brandon Coleman, Matthew Coleman, Eric Erdman, John Hall, Andrew Nix)
22. “Blackberry Wine” – Tanner Usrey (Tanner Usrey, Beau Bedford, Aaron Raitiere)
23. “Too Easy” – Tanner Adell (Tanner Adell, Akil King, Stephen McGregor, Jared Mullins, Will Weatherly)
24. “Shake Shake (All Night Long)” – Mason Ramsey (Mason Ramsey, Dan Fernandez)
25. “New Loop” – Tyler Halverson (Tyler Halverson)
26. “Touchdown” – Flatland Cavalry (Cleto Cordero, Dwight A. Baker)
27. “Driving You Home” – Nolan Taylor (Nolan Taylor, Ehren Ebbage)
28. “Wall of Death”  – Wilderado, Ken Pomeroy, & James McAlister (Richard Thompson)
29. “(Ghost) Riders In The Sky” – Charley Crockett (Stan Jones)

The 2024 nominees for the Nashville Songwriters Hall of Fame (NaSHOF) have been announced. The new group will be among those honored at the 54th Anniversary Nashville Songwriters Hall of Fame Gala on Wednesday, Nov. 6 at the Music City Center.

In the Contemporary Songwriters category, the nominees are Al Anderson, Shawn Camp, Desmond Child, Jim Collins, Gordon Kennedy, Frank J. Myers, Annie Roboff and Liz Rose. Those in the Contemporary Songwriter/Artists category are Steven Curtis Chapman, Brad Paisley, Phil Vassar and Lucinda Williams.

“We congratulate this year’s nominees in our contemporary categories. Their nominations are so well deserved,” says NaSHOF Executive Director Mark Ford. “We look forward in several weeks to announcing those who will be inducted this fall as members of our Class of 2024.”

A total of two songwriters and one artist-songwriter will be elected from the contemporary categories by members of the Hall of Fame along with other professional songwriters and artists from a variety of genres who are prominently identified with Nashville and who have written/co-written at least one original and significant Nashville song.

In addition, three more will be named to the Class of 2024. A separate body of veteran voters will elect a Veteran Songwriter, a Veteran Songwriter/Artist and a Legacy Songwriter/Artist (deceased), all of whom experienced their first significant songs at least 30 years ago. As part of that process, nominees in those categories are not announced.

For biographical information on the 2024 nominees, see below:

Category 1 – Contemporary Songwriters

AL ANDERSON
“Big Al” Anderson was born in Windsor, Connecticut. Raised by his piano teacher mother and a radio that would get WWVA in Wheeling, West Virginia, late at night, he devoured all genres of music. He was a member of The Wildweeds in the late 1960s. From 1971 to 1993 he was lead guitarist in the Rock band NRBQ, also releasing several solo albums. He was recognized as one of the top 100 guitar players of the 20th Century by Musician magazine. In the 1990s, Al shifted his focus to country music. In 1993 Al celebrated his first major hit as Carlene Carter took their co-written “Every Little Thing” to No. 3 country. Among Al’s best-known songs are “Should’ve Asked Her Faster” by Ty England, “All You Ever Do Is Bring Me Down” by The Mavericks w/ Flaco Jiménez, “Unbelievable” by Diamond Rio, “Powerful Thing” by Trisha Yearwood, “Big Deal” by LeAnn Rimes, “The Cowboy In Me” by Tim McGraw, “Trip Around The Sun” by Jimmy Buffett & Martina McBride (also No. 1 Bluegrass in 2024 for Bronwyn Keith-Hynes w/ Dierks Bentley), “Love’s Gonna Make It Alright” by George Strait, and “Loving You Easy” by The Zac Brown Band. Al was named 2000 BMI Country Songwriter of the Year.

SHAWN CAMP
Shawn Camp grew up on a farm outside of Perryville, Arkansas. Shawn picked up a guitar at age five and by age 20 had moved to Nashville, where he found work in the late ’80s as a fiddle player in backing bands for The Osborne Brothers, Jerry Reed, Alan Jackson and Trisha Yearwood. After charting a pair of self-penned singles in 1993 as a Warner Bros. recording artist, Shawn turned his attention to writing songs for other artists—earning his first No. 1 hits in 1998 with “Two Piña Coladas” by Garth Brooks and “How Long Gone” by Brooks & Dunn. In 2006, he had top 5 singles with “Nobody But Me” by Blake Shelton and “Would You Go With Me” by Josh Turner. Shawn also co-wrote Turner’s “Firecracker,” as well as “River Of Love” by George Strait and “Love Done Gone” by Billy Currington. Shawn’s songs have also been hits for Bluegrass artists such as Ricky Skaggs, The Lonesome River Band and Don Rigsby. Shawn’s “We Know Where He Is” by The Del McCoury Band was a 2007 Gospel Music Association (GMA) bluegrass song nominee and his “My Quiet Mind” by The Gibson Brothers was a 2018 Society For The Preservation of Bluegrass Music of America (SPBGMA) song nominee. Shawn’s “My Love Will Not Change” by Aubrie Sellers with Steve Earle was an Americana Music Association (AMA) song nominee in 2020.

DESMOND CHILD
Desmond Child was born in Gainesville, Florida, but grew up in Miami. By the mid-1970s his obsession with music led him to New York City, where early co-writes with Paul Stanley of KISS yielded 1979’s “I Was Made For Loving You.” By 1986, Desmond’s co-writes with Bon Jovi provided the band with two of their biggest hits—“You Give Love A Bad Name” and “Livin’ On A Prayer.” Desmond continued his ’80s rock/pop success with songs such as “Dude Looks Like A Lady” by Aerosmith and “I Hate Myself For Loving You” by Joan Jett (tweaked in 2013 to become the NBC Sunday Night Football theme). Moving to Nashville in the early ’90s, Desmond celebrated more hits, including “Crazy” by Aerosmith, “Where Your Road Leads” by Trisha Yearwood and Garth Brooks, “Nobody Wants To Be Lonely” by Ricky Martin and Christina Aguilera and “Waking Up In Vegas” by Katy Perry. “Livin’ La Vida Loca” by Ricky Martin was named 2000 ASCAP Pop Song of the Year and Billboard’s 1999 Latin Pop Track of the Year. Desmond is a 2008 inductee into the Songwriters Hall of Fame in New York and a 2022 inductee into the Latin Songwriters Hall of Fame.

JIM COLLINS
Jim Collins grew up on a dairy farm in Nacogdoches, Texas. Gifted his first guitar at age 10, he played his first professional gig at 12, later moving on to various rock bands throughout high school. In the 1980s Jim began playing country music and writing original songs. He played the Texas music scene until 1995, when he moved to Nashville. Within a few months he had a publishing deal and was an in-demand demo singer. His first cut came in 1997 and his first top 10 two years later. By 2000 Jim had his first No. 1 song with “Yes!” by Chad Brock. Jim’s particular success with Kenny Chesney has yielded hits such as “She Thinks My Tractor’s Sexy” and “Everybody Wants To Go To Heaven,” as well as “The Good Stuff,” which was named the 2002 Academy of Country Music (ACM) Single of the Year and the 2003 ASCAP Country Song of the Year. Other hits written by Jim include “Then They Do” by Trace Adkins, “It Just Comes Natural” by George Strait, “Big Green Tractor” by Jason Aldean, “I Don’t Feel Like Loving You Today” by Gretchen Wilson (a 2006 Grammy nominee for best country song), “Are You Gonna Kiss Me Or Not” by Thompson Square (a 2011 Grammy nominee for best country song) and “Damn Strait” by Scotty McCreery. Jim is a 2020 inductee into the Texas Heritage Songwriters Hall of Fame.

GORDON KENNEDY
Born in Shreveport, Louisiana, Gordon Kennedy moved with his family to Nashville at age one. He grew up spending time at recording sessions with his father, musician/producer Jerry Kennedy. Receiving a Fender Telecaster at age 15, Gordon played his first recording session and wrote his first song while in high school. In 1984 he joined the Christian rock band White Heart, writing five of their top 5 hits, including “Fly Eagle Fly” and “Eighth Wonder.” By the mid-90s, he was a co-writer on the international hit “Change The World” — first recorded in 1995 by Wynonna, then again by Eric Clapton for the 1996 film, Phenomenon. The song spent 13 weeks at No. 1 and earned the 1997 Grammy for Best Song (and also for Record of the Year). Among Gordon’s dozen-plus Garth Brooks cuts are “You Move Me,” “Love Will Always Win” (duet with Trisha Yearwood), “Lost In You” and “It Don’t Matter To The Sun” (the latter two by Brooks’ alter ego Chris Gaines). Gordon has Adult Contemporary singles by Bonnie Raitt (including the top 15 “I Can’t Help You Now,”), as well as bluegrass singles by Ricky Skaggs (“You Can’t Hurt Ham” and “Return To Sender,” a Grammy Gospel song nominee).

FRANK J. MYERS
Frank J. Myers grew up in Dayton, Ohio. His father taught him to play guitar, and by age 14, Frank had formed a band with his brother. After moving to Nashville in 1981, Frank was hired by Eddy Raven as a guitar player—later becoming Raven’s band leader and road manager. During that time, Frank co-wrote 10 top 10 singles for Raven, including “Bayou Boys,” “I Got Mexico” and “Sometimes A Lady.” In 1982, Frank’s “You And I” became a hit for Eddie Rabbitt and Crystal Gayle. Other hits from Frank’s catalog include “My Front Porch Looking In” by Lonestar, “Come In Out Of The Pain” by Doug Stone and “Once Upon A Lifetime” by Alabama. The John Michael Montgomery version of “I Swear” earned a slew of awards—1994 Grammy for Best Country Song, 1994 Academy of Country Music (ACM) Song and Single of the Year, 1994 Country Music Association (CMA) Single of the Year, 1994 NSAI Song of the Year, 1995 ASCAP Country Song of the Year—with the All 4 One version topping the Pop chart for 11 consecutive weeks. “I’m Already There” by Lonestar was the 2002 ASCAP Country Song of the Year and the 2002 BMI Country Song of the Year. “Tomorrow” by Chris Young was the 2011 SESAC Country Song of the Year.

ANNIE ROBOFF
Born in Greenburgh, New York, Annie Roboff began her music career writing songs for her bandmates in New York City a cappella group The Bondinis. When the group parted ways, Annie began writing/arranging sports themes for ABC. Soon she was creating music for TBS, CBS and ESPN (the original SportsCenter theme), as well as the Olympics and the wedding of Prince Charles and Lady Diana. Relocating to Los Angeles, Annie shifted her focus to writing songs. Following several pop and R&B cuts, she was signed to Almo/lrving Music in 1994. Later that year, after a writing trip to Nashville, she made the move to Music City and co-wrote her first hit, “Walking Away” by Diamond Rio. By 1998, Annie celebrated several more hits, including “Happy Girl” by Martina McBride, “There Goes My Baby” by Trisha Yearwood, “To Have You Back Again” by Patty Loveless and the multi-genre smash “This Kiss,” by Faith Hill which was honored as 1998 Academy of Country Music (ACM) Single of the Year, 1999 Country Music Association (CMA) Song of the Year and 1999 ASCAP Country Song of the Year. Other hits from Annie’s pen include “That’s The Way” by Jo Dee Messina, “If I Fall You’re Going Down With Me” by the Dixie Chicks, “Unbroken” by Tim McGraw and the Faith Hill hits “If My Heart Had Wings” and “One.”

LIZ ROSE
Dallas-born Liz Rose was raised in Irving, Texas. A non-songwriter at that time, she moved with her songwriter husband to Nashville, where she found work as a songplugger. Encouraged by songwriters and other friends, Liz began writing songs at age 37, and by 2004 she had her first top 20 single, “Songs About Rain,” by Gary Allan. By mid-decade, Liz’s co-writes with newcomer Taylor Swift yielded her debut hits “Tim McGraw” and “Teardrops On My Guitar,” which was named 2008 BMI Country Song of the Year. Their collaborations span nearly 20 cuts, including “You Belong With Me” (2010 BMI Country Song of the Year), “White Horse” (2010 Grammy for Best Country Song) and the 2022 Grammy-nominated “All Too Well (10-minute version from the short film).” Other hits from Liz’s catalog include “Cry Pretty” by Carrie Underwood and the 2019 Grammy-nominated “It All Comes Out In The Wash” by Miranda Lambert. “Crazy Girl” by Eli Young Band was named 2011 Academy of Country Music (ACM) Song of the Year. “Girl Crush” by Little Big Town earned the 2016 Grammy for Best Country Song, the 2015 Country Music Association (CMA) Song and Single of the Year, and the 2015 NSAI Song of the Year. Liz was the 2007 SESAC Country Songwriter of the Year. She is a 2018 inductee into the Texas Heritage Songwriters Hall of Fame and a 2023 inductee into the Songwriters Hall of Fame in New York.

Category 2 – Contemporary Songwriter/Artists

STEVEN CURTIS CHAPMAN
The most awarded artist in Christian music history, Steven Curtis Chapman grew up in Paducah, Kentucky, where he learned to play guitar at a young age by hanging out in his father’s music store. Following a brief college career as a pre-med student, Steven moved to Nashville to pursue music. The 1987 release of his debut album, First Hand, launched a flood of awards for his self-penned hits, including “His Eyes” (the Gospel Music Association’s (GMA) 1989 Pop/Contemporary Song of the Year), “His Strength Is Perfect” (the GMA’s 1990 Inspirational Song of the Year), “The Great Adventure” (the GMA’s 1993 Song of the Year and Pop/Contemporary Song of the Year), “Go There With You” (the GMA’s 1994 Pop/Contemporary Song of the Year), “Heaven In The Real World” (the GMA’s 1995 pop/contemporary Song of the Year), “Let Us Pray” (the GMA’s 1998 Pop/Contemporary Song of the Year) and “Dive” (the GMA’s 2000 pop/contemporary Song of the Year). Other award-winning songs from Steven’s catalogue include “I Can See The Hand Of God” by The Cathedrals (the GMA’s 1990 Southern Gospel Song Of The Year) and “Voice Of Truth” by Casting Crowns (the GMA’s 2005 Inspirational Song of the Year). One of the most-honored artists in the history of Christian music, Steven is a 10-time winner of the GMA’s Songwriter of the Year award (1989, 1990, 1991, 1992, 1993, 1994, 1995, 1997, 1998 and 2009), as well as NSAI’s 1999 Songwriter/Artist of the Year. A four-time BMI Christian Songwriter of the Year (2001, 2003, 2004, 2010), he is the first Christian music songwriter to receive the BMI Icon Award (2022). In 2023, “Don’t Lose Heart” became his 50th self-penned No. 1 single as an artist.

BRAD PAISLEY
Brad Paisley was born and raised in Glen Dale, West Virginia. He received his first guitar from his grandfather, who taught him to play at eight years old. At age 13, Brad wrote his first song, which he performed publicly, and which eventually led him to an eight-year stint performing on Wheeling’s Jamboree USA. After high-school graduation and two years at West Liberty State College, Brad was awarded a fully-paid ASCAP scholarship to Belmont University in Nashville where he majored in music business. A week after graduating from Belmont, Brad signed as a writer with EMI Music Publishing. Following cuts by David Kersh, David Ball and Tracy Byrd, Brad signed with Arista Nashville and soon began to record his own songs. As an artist, he has placed 33 self-penned top 20 songs on the Billboard charts, including 15 No. 1s and 14 more in the top 10. Among those compositions are “He Didn’t Have To Be,” “Alcohol,” “I’m Gonna Miss Her (The Fishin’ Song),” “Celebrity,” “Ticks,” “Letter To Me,” “Then,” “This Is Country Music,” “Water,” and his duet with Carrie Underwood “Remind Me.” A member of the Grand Ole Opry since 2001, Brad was ASCAP’s 2004 Country Songwriter/Artist of the Year. He was NSAI’s Songwriter/Artist of the Year in 2002 and 2005.

PHIL VASSAR
Phil Vassar was born in Lynchburg, Virginia. During college, he began playing piano and singing in local clubs. Moving to Nashville, Phil found the going slow until 1997 when some of his initial songs were recorded by Blackhawk, Skip Ewing, and The Sons of the Desert. Then in 1998, Phil’s songs started gaining traction as singles for a variety of artists. During the next two years, he garnered six chart-topping hits from Collin Raye, Alan Jackson, Jo Dee Messina (including the #1 “Bye, Bye”) and Tim McGraw (including the No. 1 “My Next Thirty Years”). During that time, he was named NSAI’s 1998 Songwriter of the Year and ASCAP’s 1999 Country Songwriter of the Year. In late 1999, Phil signed a record deal with Arista Nashville. Released the following year, his debut album generated the self-penned hits “Carlene,” “Rose Bouquet,” “Six-Pack Summer,” “That’s When I Love You” and “Just Another Day In Paradise,” Phil’s first No. 1 as an artist. Propelled by that success, he was named ASCAP’s 2001 Country Songwriter/Artist of the Year. Other hits by Phil as an artist include “American Child,” “In A Real Love” and “Last Day Of My Life.” He was named NSAI’s 2006 Songwriter/Artist of the Year.

LUCINDA WILLIAMS
Born in Lake Charles, Louisiana, Lucinda Williams began writing songs at age six, playing guitar at age 12 and performing on stage at age 17. Dropping out of college to pursue music full-time, she played venues in Austin and Houston before moving to Jackson, MS, in 1978 to record her first album of cover songs. Her second album featured all original songs and her landmark self-titled third album produced three hits. The first, her breakout “Changed The Locks,” reached No. 16 rock in 1988 and would become a No. 20 rock hit for Tom Petty nearly a decade later. The second, “The Night’s Too Long,” became a No. 20 country hit for Patty Loveless in 1990. The third, “Passionate Kisses,” became a No. 4 country hit for Mary Chapin Carpenter and earned Lucinda the 1994 Grammy for Best Country Song. By 2001, she charted again as an artist with the No. 9 alternative hit “Essence.” She earned AMA nominations for her songs “Righteously” (2003), “Are You Alright?” (2007) and “East Side Of Town” (2015). She earned Grammy nominations for “Come On” (2007), “Kiss Like Your Kiss” (2010) and “Man Without A Soul” (2020). Lucinda was awarded the 2011 Americana Music Association (AMA) Lifetime Achievement Award (songwriting) and the 2022 BMI Troubadour Award. In 2021, she was inducted into the Austin City Limits Hall of Fame.