Mark Your Calendar—July 2023

Single/Track Release Dates:

July 3 
Andy Ross/I Stand For You/Buck Shot Records
Karly C/You Made Your Bed/Quirky Cowgirl

July 7 
Matt Jordan/Always a Girl/ONErpm
Drew Baldridge/Honky Tonk Town

July 10 
Corey Kent/Something’s Gonna Kill Me/RCA Nashville
Warren Zeiders/Pretty Little Poison/Warner Music Nashville
Dianña/Girl With No Last Name/Billiegee Productions
Andy Pursell/Right Amount Of Wrong/Southern Dreams Entertainment
Adam Warner/The Farmer/Duncan Music Group

July 14 
Blanca/New Day (Wake Up Remix) [feat. Jekalyn Carr]/Curb Records

July 17 
Kidd G/Daylight Savings/The Valory Music Co.
Jet Jurgensmeyer/Falling Too/Simba Entertainment
Kaitlyn Kohler/You’re Everywhere I Go/Kohler Music Group LLC

July 24 
Ryne Brashear/Better With A Buzz/LIR Records

July 27 
Corey Davis/Beer and the Bible

July 28 
Andy Pursell/Me Myself & The Tide/Southern Dreams Entertainment

Album/EP Release Dates:

July 7 
Randy Rogers & Wade Bowen/Hold My Beer Vol. 3 
Frank Ray/Frank Ray/Stoney Creek Records

July 14
Lukas Nelson + POTR/Sticks and Stones/6ACE Records/Thirty Tigers
Tyler Farr/Rednecks Like Me/BBR Music Group/Night Train Records
Alana Springsteen/Twenty Something: Figuring It Out/Columbia Records NY/Sony Music Nashville
Colter Wall/Little Songs/La Honda Records/RCA Records

July 21 
Lori McKenna/1988/CN Records/Thirty Tigers
Ashley Cooke/Shot in the Dark/Big Loud Records
Molly Tuttle & Golden Highway/City of Gold/Nonesuch Records

July 28
Lewis Brice/Product Of
Dennis Quaid/Fallen: A Gospel Record for Sinners/Gaither Music Group

 

Industry Events:

July 10
Country Radio Hall of Fame Induction and Dinner

Mike Molinar Promoted To President At Big Machine Music

Pictured (L-R): Big Machine Music’s Vice President Grayson Stephens, President Mike Molinar and Senior Vice President of Publishing Alex Heddle. Photo: Alex Ferrari

Independent music publisher Big Machine Music (BMM) has announced a series of promotions, including the elevation of Mike Molinar to President. Effective immediately, Molinar will continue reporting to Big Machine Label Group (BMLG) CEO and Chairman Scott Borchetta.

BMM has also promoted Alex Heddle to Senior Vice President of Publishing and Grayson Stephens to Vice President overseeing royalties and finance. Both will continue to report to Molinar.

“I’m so proud to announce that Mike Molinar has been appointed President of Big Machine Music. His leadership, vision, artist relations and song sense are unmatched,” says Borchetta. “We are also acknowledging the outstanding work and accomplishments of BMM’s Alex Heddle and Grayson Stephens as they continue to power the Machine to new heights.”

Molinar has led BMM since inception in 2011. Under his direction, the company has grown a diverse roster and dynamic catalog, as well as added a West Coast division based in Los Angeles. Named a Billboard Country Power Player four years running, Molinar was selected for the Nashville Cohort of the Harvard Young American Leaders Program in 2021. The Leadership Music Class of 2015 graduate was a 2020 inductee into MSTU’s College of Media and Entertainment Wall of Fame after previously being named a member of the Distinguished Alumni Class of 2012-2013. Molinar currently serves as a board member on the National Music Publishers Association, Mechanical Licensing Collective designated by the U.S. Copyright Office, Music Health Alliance, Academy of Country Music and Country Music Hall of Fame Education Council.

“I’m honored by Scott Borchetta’s continued faith and partnership. Big Machine Music is my home; our incredible team and world-class songwriters are my family. I’m proud to continue our journey together,” shares Molinar. “In that spirit, I can’t understate how important Alex Heddle and Grayson Stephens have been through these past several years of transition and growth. I’m so happy to see their efforts recognized with such well-deserved promotions.”

Heddle has been at BMM for just over a decade and has been vital to the company’s creative success in both Nashville and Los Angeles. A graduate of Leadership Music’s class of 2022, Heddle currently serves on the Association of Independent Music Publishers Nashville board and as a Music Row Ambassador for St. Jude Children’s Hospital. The Belmont University alum’s prior stops include Love Monkey Music, Writer’s Den Music, Propel Music Publishing and Ash Street Music.

A graduate of Arizona State University’s W.P. Carey School of Business, Stephens brings nearly 14 years of publishing administration experience, previously holding positions at Sony/ATV prior to joining BMM in 2017. Stephens will continue to oversee royalties and finance as well as acquisition analysis for the company. A Big Brothers Big Sisters mentor, he previously served as a member of the Junior Board and Volunteer Recruitment Committee for BBBS of Middle TN.

Nominees Announced For 2023 Nashville Songwriters Hall Of Fame Gala

13 songwriters have been announced as nominees for the Nashville Songwriters Hall of Fame (NaSHOF). The new group will be among those honored at the 53rd Anniversary Nashville Songwriters Hall of Fame Gala, taking place on Wednesday, Oct. 11 at the Music City Center.

“We congratulate this year’s nominees in our contemporary categories. Their nominations are richly deserved,” says NaSHOF Executive Director Mark Ford. “We look forward in several weeks to announcing those who will be inducted this fall as members of our Class of 2023.”

The 2023 nominees in the Contemporary Songwriters category are Casey Beathard, Shawn Camp, Jim Collins, Don Henry, David Lee Murphy, Leslie Satcher, Darrell Scott and Victoria Shaw. The 2023 nominees in the Contemporary Songwriter/Artists category are Steven Curtis Chapman, Martie Maguire, Keith Urban and Gillian Welch and David Rawlings, who are nominated as a team.

All nominees experienced their first significant songs at least 20 years ago. A total of two songwriters and one artist-songwriter will be elected from the contemporary categories by members of the Hall of Fame along with other professional songwriters and artists from a variety of genres who are prominently associated with Nashville and who have written/co-written at least one original and significant Nashville song.

In addition, three more will be named to the Class of 2023. A separate body of veteran voters will elect a Veteran Songwriter, a Veteran Songwriter/Artist and a Legacy Songwriter (deceased), all of whom experienced their first significant songs at least 30 years ago. As part of that process, nominees in those categories are not announced.

For biographical information on the 2023 nominees, see below:

Category 1 – Contemporary Songwriters

Casey Beathard
Born in California, Casey Beathard grew up in Vienna, VA (near Arlington). In 1990 he graduated from Elon College in North Carolina with a degree in business management. The following year he moved to Nashville, where he worked jobs at the Country Music Hall of Fame and the Bluebird Café. By 1998 Casey had his first writing deal and the title track of Kenny Chesney’s I Will Stand album. By 2001 Casey had his first Top 10 song, and in 2002 his “Ten Rounds With Jose Cuervo” by Tracy Byrd had reached No. 1. From there the floodgates opened for more chart-toppers: “Find Out Who Your Friends Are” by Tracy Lawrence and “Cleaning This Gun (Come On In Boy)” by Rodney Atkins, as well as “No Shoes, No Shirt, No Problems,” “Don’t Blink” and “The Boys Of Fall” – all by Kenny Chesney. Casey’s hits with frequent collaborator Eric Church have yielded hits such as “Like Jesus Does,” “Like A Wrecking Ball” and “Hell Of A View.” Casey’s co-written “There Was Jesus” by Zach Williams & Dolly Parton was a Christian AC hit and earned the 2021 Grammy for Best Contemporary Christian Music Song. Casey was BMI’s 2004 and 2008 BMI Country Songwriter of the Year and the 2008 NSAI Songwriter of the Year.

Shawn Camp
Shawn Camp grew up on a farm outside of Perryville, AR. Shawn picked up a guitar at age five and by age 20 had moved to Nashville, where he found work in the late ’80s as a fiddle player in backing bands for The Osborne Brothers, Jerry Reed, Alan Jackson and Trisha Yearwood. After charting a pair of self-penned singles in 1993 as a Warner Bros. recording artist, Shawn turned his attention to writing songs for other artists — earning his first No. 1 hits in 1998 with “Two Piña Coladas” by Garth Brooks and “How Long Gone” by Brooks & Dunn. In 2006, he had Top 5 singles with “Nobody But Me” by Blake Shelton and “Would You Go With Me” by Josh Turner. Shawn also co-wrote Turner’s “Firecracker,” as well as “River Of Love” by George Strait and “Love Done Gone” by Billy Currington. Shawn’s songs have also been hits for bluegrass artists such as Ricky Skaggs, The Lonesome River Band and Don Rigsby. Shawn’s “We Know Where He Is” by The Del McCoury Band was a 2007 GMA bluegrass song nominee and his “My Quiet Mind” by The Gibson Brothers was a 2018 SPBGMA bluegrass song nominee. In the Americana field, Shawn’s “My Love Will Not Change” by Aubrie Sellers w/ Steve Earle was an AMA song nominee in 2020.

Jim Collins
Jim Collins grew up on a dairy farm in Nacogdoches, TX. Gifted his first guitar at age 10, he played his first professional gig at 12, later moving on to various rock bands throughout high school. In the 1980s Jim began playing country music and writing original songs. He played the Texas music scene until 1995, when he moved to Nashville. Within a few months he had a publishing deal and was an in-demand demo singer. His first cut came in 1997 and his first Top 10 two years later. By 2000 Jim had his first No. 1 song with “Yes!” by Chad Brock. Jim’s particular success with Kenny Chesney has yielded hits such as “She Thinks My Tractor’s Sexy” and “Everybody Wants To Go To Heaven,” as well as “The Good Stuff,” which was named the 2002 ACM Single of the Year and the 2003 ASCAP Country Song of the Year. Other hits written by Jim include “Then They Do” by Trace Adkins, “It Just Comes Natural” by George Strait, “Big Green Tractor” by Jason Aldean, “I Don’t Feel Like Loving You Today” by Gretchen Wilson (a 2006 Grammy nominee for best country song), “Are You Gonna Kiss Me Or Not” by Thompson Square (a 2011 Grammy nominee for best country song) and “Damn Strait” by Scotty McCreery. Jim is a 2020 inductee into the Texas Heritage Songwriters Hall Of Fame.

Don Henry
California native Don Henry began writing songs at age 13. By the late 1970s, he was ready to give Nashville a try. His early successes came from cuts by T.G. Sheppard and John Conlee, who singled “Blue Highway.” Conlee also recorded “Class Reunion,” as did The Oak Ridge Boys, Gene Watson and Ray Charles. Kathy Mattea has recorded a several of Don’s songs, including “Beautiful Fool,” “Whole Lotta Holes,” and the heart-wrenching “Where’ve You Been.” Also recorded by Patti Page and Dailey & Vincent, that song earned the 1990 Grammy for Best Country Song, as well as the 1989 ACM Song of the Year, the 1990 CMA Song of the Year and the 1990 NSAI Song of the Year. In 1993 Don released a critically acclaimed album on Sony Records titled Wild in the Backyard. Many of those songs, such as “Harley” and “Mr. God” have become staples in his solo acoustic performance repertoire. Among other hits from Don’s catalogue are “Heart Vs. Heart” by Pake McEntire, “Has Anybody Seen Amy?” by John & Audrey Wiggins and “All Kinds Of Kinds” by Miranda Lambert. Don also records and performs in the duo The Don Juans.

David Lee Murphy
David Lee Murphy developed his musical style as a teenager in Southern Illinois. Moving to Nashville in 1983, David Lee spent years honing his craft as a songwriter. During that time he formed a band, The Blue Tick Hounds, and played honky tonks across middle Tennessee and clubs throughout the south until he was signed to MCA Records a decade later. David Lee’s 1994 Platinum-selling debut album (the first of five solo efforts) yielded the hit singles “Party Crowd” (Radio & Records’ most played song on country radio in 1995) and the No. 1 single “Dust On The Bottle.” Beyond his own hits, David Lee began writing songs for other artists in the early 2000s. Among his five No. 1 hits recorded by Kenny Chesney are “Living In Fast Forward,” “Here And Now” and “Everything’s Gonna Be Alright” (a duet with David Lee that earned the 2018 CMA Award for Musical Event of the Year). Some of David Lee’s other No. 1 songs include “Big Green Tractor” by Jason Aldean, “Are You Gonna Kiss Me Or Not” by Thompson Square (a 2011 Grammy nominee for best country song) “Anywhere With You” by Jake Owen, “The Only Way I Know” by Jason Aldean with Luke Bryan & Eric Church and “Why We Drink” by Justin Moore.

Leslie Satcher
Leslie Satcher grew up singing in churches and schools in her hometown of Paris, TX, before moving to Nashville to become an artist. During her first few years in town, she was befriend by Naomi Judd and Max D. Barnes, who helped her secure her first publishing deal at Island Bound Music. By the mid-1990s Leslie was receiving major-label cuts, then her first hit single in 1998 with “I Said A Prayer” by Pam Tillis. By the end of the decade, Leslie’s “There’s Only One” by Susie Luchsinger had become a 2000 GMA bluegrass song nominee. Also in 2000, Leslie signed as an artist with Warner Bros. Records, where she recorded a critically acclaimed debut album, Love Letters. As a songwriter, Leslie’s country hits include “When God-Fearin’ Women Get The Blues” by Martina McBride, “Cadillac Tears” by Kevin Denney, “Troubadour” by George Strait, “Tough” by Kellie Pickler and “Politically Uncorrect” by Gretchen Wilson w/ Merle Haggard. Leslie’s Bluegrass hits include “Too Good To Be True” by Alecia Nugent, “Where The Trees Know My Name” by Larry Cordle and “From Your Knees” by The Farm Hands, an SPBGMA Bluegrass song nominee in 2015.

Darrell Scott
Darrell Scott was born in the rural farming town of London, KY, then moved with his family to East Gary, IN. Darrell’s father encouraged each member of the family to play an instrument in the family band. By age 16, Darrell was playing bar gigs around southern California. After stints in Canada and Boston, Darrell moved to Nashville, where he joined Guy Clark’s band and began to play on sessions. Soon after, his songs began finding homes across a variety of genres. In the country world, he hit with “It’s A Great Day To Be Alive” by Travis Tritt, “Born To Fly” by Sara Evans (a 2001 CMA song nominee) and “Long Time Gone” by The Chicks (a 2002 Grammy nominee for best country song and a 2003 IBMA song nominee). Darrell’s Bluegrass hits include “Banjo Clark” by Sam Bush, “You’ll Never Leave Harlan Alive” by Patty Loveless, “Cumberland Plateau” by Darin & Brooke Aldridge and “Bleeding For A Little Peace Of Mind” by Blue Highway (a 2011 SPBGMA song nominee). Darrell’s Americana recording of “Hank Williams’ Ghost” was the 2007 AMA Song of the Year, while “Heavy Is The Head” by Zac Brown Band w/ Chris Cornell was a No. 1 Rock song in 2015. Darrell was named 2000-2001 NSAI Songwriter of the Year and. 2002 ASCAP Country Songwriter of the Year

Victoria Shaw
Born in Manhattan, NY, Victoria Shaw moved with her family to Los Angeles at age five. Victoria wrote her first song at age 11 and at 13 formed her own band. At 18, she moved back to New York, where she managed a studio during the day and played in piano bars at night as she worked to launch her career as a singer-songwriter. After some encouraging success in New York, Victoria began commuting to Nashville in 1983. In 1990 Gary Morris signed her to his publishing company, and by 1993, Victoria earned a CMA Triple Play award for three No. 1 hits: “The River” by Garth Brooks, “Too Busy Being In Love” by Doug Stone and “I Love The Way You Love Me” by John Michael Montgomery which was named the 1993 ACM Song of the Year. In addition to hits such as “She’s Every Woman” by Garth Brooks and “We Don’t Have To Do This” by Tanya Tucker, Victoria’s songs have been recorded by artists such as Jim Brickman (“Fa La La” and “Sending You A Little Christmas”) and Ricky Martin & Christina Aguilera (“Nobody Wants To Be Lonely”). Victoria has also earned Daytime Emmy Awards (Outstanding Original Song) for “This Is Our Moment” by Olivia Newton-John (1999 – from As The World Turns) and “When I Think Of You” by Victoria Shaw (2000 – from One Life To Live).

Category 2 – Contemporary Songwriter/Artists

Steven Curtis Chapman
The most awarded artist in Christian music history, Steven Curtis Chapman grew up in Paducah, Kentucky, where he learned to play guitar at a young age by hanging out in his father’s music store. Following a brief college career as a pre-med student, Steven moved to Nashville to pursue music. The 1987 release of his debut album, First Hand, launched a flood of awards for his self-penned hits, including “His Eyes” (the GMA’s 1989 Pop/Contemporary Song of the Year), “His Strength Is Perfect” (the GMA’s 1990 Inspirational Song of the Year), “The Great Adventure” (the GMA’s 1993 Song of the Year and Pop/Contemporary Song of the Year), “Go There With You” (the GMA’s 1994 Pop/Contemporary Song of the Year), “Heaven In The Real World” (the GMA’s 1995 Pop/Contemporary Song of the Year), “Let Us Pray” (the GMA’s 1998 Pop/Contemporary Song of the Year) and “Dive” (the GMA’s 2000 Pop/Contemporary Song of the Year). Other award-winning songs from Steven’s catalogue include “I Can See The Hand Of God” by The Cathedrals (the GMA’s 1990 Southern Gospel Song Of The Year) and “Voice Of Truth” by Casting Crowns (the GMA’s 2005 Inspirational Song of the Year). One of the most-honored artists in the history of Christian music, Steven is a 10-time winner of the GMA’s Songwriter of the Year award (1989, 1990, 1991, 1992, 1993, 1994, 1995, 1997, 1998 and 2009), as well as NSAI’s 1999 Songwriter/Artist of the Year. A four-time BMI Christian Songwriter of the Year (2001, 2003, 2004, 2010), he is the first Christian music songwriter to receive the BMI Icon Award (2022). In 2023, “Don’t Lose Heart” became his 50th self-penned No. 1 single as an artist.

Martie Maguire
Born in York, PA, Martie Maguire was raised in Addison, TX (near Dallas). She began learning violin at age five, and by her teenage years was placing in national fiddle competitions and playing in a high-school Bluegrass quartet. In 1989 she co-founded The Dixie Chicks, which released three albums in the early 1990s. Several years later, the group revamped its lineup then signed with Monument Records in Nashville. The band took off and so did her songwriting. In 1999 Martie’s “You Were Mine” became the band’s third No. 1 single, followed by “Ready To Run” (a 1999 Grammy nominee for best country song and featured in the film Runaway Bride) and “Cowboy Take Me Away” (later nominated for a Tony Award in 2003 as part of the Urban Cowboy musical). More of Martie’s songs became hits for the band (which changed its name to The Chicks in 2020), including “White Trash Wedding,” “Gaslighter,” “Everybody Knows,” “March March” and “Sleep At Night.” The band’s “I Hope” was a 2005 Grammy nominee for best country song, while their pop hit “Not Ready To Make Nice” earned the 2007 Grammy for Best Song. Martie was a 2000 BMI Country Songwriter of the Year.

Keith Urban
Born in New Zealand, Keith Urban moved with his family to Australia when he was two. Showing an early interest in music, he began playing the ukulele at age four and the guitar by age six. As his musicianship progressed, Keith began entering guitar competitions and acting in local theater. By the mid-1980s he was making inroads into the Australian country music scene. In 1991 he released a self-titled debut album, charting four singles in Australia before moving to Nashville in 1992. After an album in 1997 on Capitol as part of The Ranch, Keith’s U.S. solo debut yielded his first self-penned No. 1, “But For The Grace Of God,” in 2001. As a songwriter, Keith has topped the charts with other hits, including “Somebody Like You,” “Who Wouldn’t Wanna Be Me,” “Days Go By,” “Long Hot Summer” and “The Fighter” (duet with Carrie Underwood). Keith’s “Tonight I Wanna Cry” was a 2006 CMA song of the year nominee, while “Better Life” was a 2006 CMA single of the year nominee. “For You,” featured in the film Act of Valor, was a 2012 Golden Globe best original song nominee. “Sweet Thing” was named the 2009 SESAC Country Song of the Year.

Gillian Welch & David Rawlings
Gillian Welch & David Rawlings share a musical/songwriting partnership spanning three decades. L.A.-raised Gillian moved to Nashville in 1992. Rhode Island-native David arrived soon after, and the two became a duo (performing as “Gillian Welch”). Since their debut album in 1996, Gillian & David have crafted critically acclaimed songs encompassing a wide variety of genres. Some of the duo’s best-known songs include “Orphan Girl,” “To Be Young (Is To Be Sad, Is To Be High),” “Elvis Presley Blues,” “455 Rocket” (also a Country hit for Kathy Mattea) and “Tear My Stillhouse Down” (also a No. 1 bluegrass hit for The Nashville Bluegrass Band). “I Want To Sing That Rock And Roll” was a 2002 AMA song of the year nominee. “Ruby” was a 2010 AMA song of the year nominee. The Dailey & Vincent version of Gillian & David’s “By The Mark” reached No. 2 Bluegrass and was the 2009 SPBGMA Bluegrass Song of the Year. Gillian & David’s “Cumberland Gap” was a 2018 Grammy nominee for best roots song. Also in 2018, the duo’s “When A Cowboy Trades His Spurs For Wings,” recorded by Tim Blake Nelson & Willie Nelson for the film The Ballad of Buster Scruggs, was an Oscar nominee for best original song. In 2015 Gillian & David received the AMA’s Lifetime Achievement Award for Songwriters.

Jelly Roll Earns First MusicRow No. 1

Jelly Roll. Photo: Ashley Osborn

Jelly Roll‘s “Need A Favor” jumps three positions to No. 1 this week on the MusicRow CountryBreakout Radio Chart. This marks the multi-genre artist’s first MusicRow No. 1

Jelly Roll co-wrote “Need A Favor” with Joe Ragosta, Austin Nivarel and Rob Ragosta. It appears on his debut country album, Whitsitt Chapel, which debuted at No. 2 on the Billboard Country Albums chart and top three on the Billboard 200 all-genre chart with 90,000 album equivalents. Jelly Roll’s album is the highest charting first week release from a debut country artist in the history of BBR Music Group.

The singer-songwriter also recently released the documentary Jelly Roll: Save Me, which shares his story and early struggles with addiction and incarceration.

Click here to view the latest edition of The MusicRow Weekly containing the MusicRow CountryBreakout Radio Chart.

DISClaimer Single Reviews: Tim McGraw Is ‘Eloquently Heartbreaking’ On New Track

Tim McGraw. Photo: Robby Klein

Country music is unashamed to wear its heart on its sleeve, and that’s abundantly true in this edition of DISClaimer.

Sam Hunt openly worships the women in his life. Ashley McBryde explores the dark side of her childhood. Elle King sings of loneliness. Drew Holcomb praises friendship. The late Kenny Rogers embraces the sentiments of fatherhood. Most powerful of all is the emotion Todd Tilghman pours into “Blood, Sweat & Tears,” which wins him a DISCovery Award.

Our Disc of the Day is also nakedly emotional. Tim McGraw’s “Hey Whiskey” mourns the damage done. Brilliantly.

DREW HOLCOMB & THE NEIGHBORS / “Find Your People”
Writers: Drew Holcomb/Kevin Scott Rhoads; Producer: Cason Cooley; Label: Magnolia Music/Tone Tree Music
– This guy has been making great music for 20 years. This happy, rhythmic track boasts hearty vocals, chunky beats, acoustic strumming and a lot of cheer. Holcomb sings of the value of friendships while the band sets the mood. Drawn from his just-released Strangers No More album, the celebratory tune is presently at No. 1 on the Americana chart.

SAM HUNT / “Women in My Life”
Writers: Sam Hunt/Zach Crowell/Ashley Gorley/Josh Osborne; Producers: Zach Crowell/Chris LaCorte/Sam Hunt; Label: MCA Nashville
– This swaying, atmospheric, echoey outing is sung with soft sincerity. He muses how empty his life would be without the women who made him the person he is. The performance is perfect, and the sentiment is superb. His best yet.

ASHLEY McBRYDE / “Learned to Lie”
Writers: Ashley McBryde/Sean McConnell/Nicolette Hayford; Producer: Jay Joyce; Label: Warner Music Nashville
– “Light on in the Kitchen” is still the single, and its parent album The Devil I Know isn’t due until September. But here’s another advance track from it. The lyric takes you down a dark passageway into a dysfunctional childhood while the ballad’s guitar, steel and bass draw out a slow, sad accompaniment. Stunning and powerful.

TIM McGRAW / “Hey Whiskey”
Writers: Brad Hutsell/Joel Hutsell/Brad Warren/Brett Warren; Producers: Tim McGraw/Byron Gallimore; Label: Big Machine Records
– Eloquently heartbreaking. He addresses the drink that took his money, drove away a good woman, occupied his life and left him in hell. Sighing steel and brushed percussion hurt with every note. One more reason to eagerly anticipate the release of his new Standing Room Only collection in August.

LORI McKENNA / “The Town in Your Heart”
Writers: Lori McKenna/Jessie Jo Dillon/Dustin Christensen; Producer: Dave Cobb; Label: CN Records/Thirty Tigers
– The troubadour takes a strummy, uptempo ride in this ode to two wandering souls who take to the road. She’s fine with traveling, as long she has a home in his heart. The Everly-esque vocal harmonies are a bonus.

KENNY ROGERS / “Catchin’ Grasshoppers”
Writers: Laura McCall Torno/Earl Torno; Producers: Randy Dorman & Kenny Rogers; Label: UMG
– The new Kenny Rogers album Life Is Like a Song is a compilation of previously unreleased tunes. Its first single is a heart-tugging, downbeat ode to fatherhood. He puts aside his busy life to spend time playing outside with his little twins.

HANNAH ELLIS / “Wine Country”
Writers: Hannah Ellis/Clint Lagerberg/Nick Wayne; Producers: Jason Massey/Clint Lagerberg; Label: Curb Records
– It’s a rollicking, romping drinkin’ song. Only this time it’s chardonnay in a solo cup instead of beer. Lotsa fun. Raise your glass and sing along.

RODNEY CROWELL / “You’re Supposed to Be Feeling Good”
Writer: Rodney Crowell; Producer: Jeff Tweedy; Label: New West Records
– This song first appeared on the 1977 Emmylou Harris LP Luxury Liner, but Crowell never got around to recording it, himself. Until now. The partnership with Jeff Tweedy on the songwriter’s new The Chicago Sessions album brings him renewed vigor and an utterly fresh audio approach. And this track couldn’t be a better example. It’s kinda twangy and Beatles-y at the same time.

ELLE KING & DIPLO / “Without You”
Writers: Daniel Silberstein/Elle King/Henry Agincourt Allen/Jamison Baken/Sasha Alex Sloan/Thomas Wesley Pentz; Producers: Diplo/King Henry; Label: Columbia
– Rapid, rushed snare beats and a tickling banjo propel this dreamy, airy lovelorn track. Heartache has seldom sounded more inviting.

ASHLEY COOKE / “Shot in the Dark”
Writers: Ashley Cooke/Jordan Minton/Emily Weisband/Corey Crowder; Producer: Jimmy Robbins; Label: Big Loud Records/Back Blocks Music
– This is the title tune of her album, which drops next month. With 24 tracks, it surely must be the longest debut country collection in history. The song is a splendid introduction, wafting with young romance and twirling in melody. The extremely well written lyric puts you right in that barroom, watching love at first sight occur over tequilas.

BEN RECTOR / “Wonderful World”
Writers: Ben Rector/Jordy Searcy/Andrew Tufano; Producers: Ben Rector/Andrew Tufano; Label: OK Kid Recordings 
– Rector appears at the Let Freedom Sing concert when Music City celebrates the Fourth of July next Tuesday. He’ll be sharing the bill with Brad Paisley and The War & Treaty, so he’ll be bringing his pop/Americana “A” game. The current video by this Nashvillian is an endearing puppet production featuring likenesses of him and his daughter out in gorgeous nature scenery. The track is lilting, sweet and pop-folkie. It’s also an audio delight.

TODD TILGHMAN / “Blood, Sweat & Tears”
Writers: Joe Hanson/Justin Morgan/Victoria Banks; Producers: none listed; Label: Straight Arrow Records
– Wait a second: This dude won on The Voice, but you’ve never heard of him? That might be because production shut down when the COVID pandemic hit and he finished the show remotely. When coach Blake Shelton introduced him on the Opry, Todd wowed me with “Home Wasn’t Built in a Day,” a tender and beautifully sung evocation of home-and-hearth. Now comes this powerful single/video with a gospel lyric exalting, “His blood, my sweat and her tears.” It will make you shout, “Amen.” At age 45, he’s the oldest champ in the show’s history, but this father of eight and former pastor from Mississippi has a heartfelt voice with no age limit. He has released several other fine singles, but so far has no album. Somebody give this gifted guy a break. And a label deal.

Date Set For The 66th Annual Grammy Awards

The Recording Academy has announced its key dates and deadlines ahead of the 66th Annual Grammy Awards, which will take place Sun, Feb. 4, 2024, at Crypto.com Arena in Los Angeles.

This year’s Grammy nominees will be announced on Fri, Nov. 10, 2023. The 66th Annual Grammy Awards will air live 8:00-11:30 p.m. ET/5:00-8:30 p.m. PT on CBS and will stream on Paramount+ (live and on demand for Paramount+ with SHOWTIME subscribers, or on demand for Paramount+ Essential subscribers the day after the special airs).

Key dates for the 66th Annual Grammy Awards season are as follows:

Oct. 1, 2022 – Sept. 15, 2023
Product Eligibility Period

July 17, 2023 – Aug. 31, 2023
Online Entry Period

Oct. 11, 2023 – Oct. 20, 2023
First Round Voting

Nov. 10, 2023
Nominees Announced for the 66th Annual Grammy Awards

Dec. 14, 2023 – Jan. 4, 2024
Final Round Voting

Feb. 4, 2024
66th Annual Grammy Awards

UMG Nashville Names Charlene Bryant As Sr. VP, Business Development & Strategy

Charlene Bryant. Photo: Thomas Crabtree

Universal Music Group Nashville has appointed Charlene Bryant as its Senior Vice President, Business Development & Strategy. Bryant brings with her a wealth of experience and track record of success spanning across country, hip-hop and Christian music.

A Canton, Ohio native and Belmont graduate, Bryant joins UMG Nashville after 5 years at the helm of artist management company, Riveter Management, which she founded in 2018. She was named one of Billboard’s Hip-Hop and R&B Power Players in 2020 and 2021, and was part of CMT and mtheory’s inaugural Equal Access Development Program. Acknowledging her leadership in the community, Nashville Business Journal recognized her with the Women in Music City Award in 2018 and 2019.

“Charlene has spent her career in artist development and learning to merge cultures of Christian, R&B, Hip-Hop and Country music,” says UMG Nashville Chair & CEO Cindy Mabe. “She’s had success at major labels and independents, as well as success as an entrepreneur. As Universal Nashville is investing deeper to expand our growth in partnering in innovation with entrepreneurs, the independent label sector as well as our sister labels, Charlene is the perfect person to help merge those worlds and cultures to help build the next era of Universal Music Group Nashville. I could not be more excited to have Charlene Bryant help build our vision.”

My Music Row Story: Jonas Group Entertainment’s Phil Guerini

Phil Guerini

The “My Music Row Story” weekly column features notable members of the Nashville music industry selected by the MusicRow editorial team. These individuals serve in key roles that help advance and promote the success of our industry. This column spotlights the invaluable people that keep the wheels rolling and the music playing.

Phil Guerini is CEO of Jonas Group Entertainment. Having amassed over 25 years of experience, across three divisions and 5 businesses at the Walt Disney Company, multiple big market radio stations and major record labels, Guerini has been named a Billboard Power Player multiple times.

While at Disney, he was responsible for overseeing the music strategy of Disney Channels Worldwide networks and all aspects of programming, strategic direction, talent, label relationships, branding as General Manager for Radio Disney and Radio Disney Country businesses.

In 2013, Guerini created and launched the Radio Disney Music Awards – Music’s Biggest Event for Families and reimagined Radio Disney’s highly acclaimed NBT artist development program while supporting the career launches of Selena Gomez, Justin Bieber, Camila Cabello, Jonas Brothers, Ariana Grande, Miley Cyrus, Shawn Mendes, Gabby Barrett, Demi Lovato, Tori Kelly, BTS, Zendaya, Becky G and Kelsea Ballerini, among many others.

MusicRow: Where did you grow up?

I was born in San Diego and grew up in south Florida in small town within Fort Lauderdale.

Were you into music?

I’ve been into music as long as I can remember. My father was the lead singer in the Air Force Band. We had music in our house growing up. I grew up on everything from Al Jolson to Frank Sinatra to Herb Alpert & The Tijuana Brass and Sergio Mendes to whatever was [on the radio]. My mother had really diverse taste, so it was really well-rounded.

Did you want to pursue music or was it just a passion at that point?

I didn’t know what it meant to pursue it per se, but like many young people, I certainly grew up with aspirations of potentially being a rockstar. By default, I fell into the path of chorus and shows. I not only loved the music and the performance of it, but I loved the community. It was like what has been showcased on shows like Glee. I was an athlete as well for a brief period, but it was a community within a larger community of similar interests and aspirations. At that point in my journey, I definitely aspired to be an artist.

What did you do after high school?

I went to college, but through a series of events, I realized that being a performing artist was not necessarily in the cards for me [even though] I had such a deep love for music. I stumbled my way into radio. That’s where it began for me—on the air. I did everything you could do at a radio station at various radio stations. From answering the phones to being on the air to programming, I did everything with the exception of sales. They wore ties and that was just so not cool. [Laughs] That set the path for me. I was close enough to what I loved. I was getting to engage with artists. I found myself in the recording studio with some of the biggest artists in south Florida at the time, who became global superstars. I was just constantly surrounded by it and loved music.

What stations were you at early in your career?

I spent a year at the University of South Georgia in a small town in Georgia, which is where I got my start in radio. Later that summer, I went back to south Florida and having no context of market size or anything about the business, I went to the radio station that I grew up on. It was the preeminent pop radio station in south Florida at the time. I just continued to pursue it until I was finally given an opportunity. The Program Director took favor on me at the time and [gave me a job] on the phones during the overnight shift. I worked my way through and connected with people and the rest is history. I did radio in south Florida and south Georgia for a period of time, and ended up working in radio in Atlanta.

What happened in Atlanta?

Being in Atlanta and having had the background that I did led to my transition into the record business. I began that path at MCA Records. At the time, we were home to Bobby Brown and we had just returned Elton John to MCA. I was part of a marketing team who developed the first ever mall tour with an artist by the name Tiffany. We toured Tiffany through malls and it blew up.

While I was at MCA, I got my first opportunity to come to Nashville. I was given an opportunity to shadow the local promotion person in an effort to move my career forward. This would’ve been in late ’80s, and at that time, MCA Records was the heart of Nashville. It was Reba McEntire, George Stait and Lyle Lovett. I wasn’t on the country side of the business—I was a pop guy in Nashville trying to get Bobby Brown, New Edition and Tiffany records played, so I didn’t have as much fun necessarily. [Laughs] I was housed off of Music Row in Tony Brown‘s office. It was an extremely memorable 12 or 16 months that I was here.

Photo: Courtesy of Phil Guerini

What led to your next career move?

I spent a number of years in the record business, bouncing around to various labels as as many do. Because I was based in Atlanta, oftentimes my region would include Florida. As part of a radio promo person’s responsibility, bringing my artists through marketplaces would often include Orlando. At that time, Disney’s new Mickey Mouse Club show was being taped there, so we would bring our younger developing acts through Disney for things like that. I established a number of relationships through that, and when I was between labels, I was chatting with some friends who suggested [trying to work at Disney]. At that point, I probably had been in the business 10 years. I was under contract with Atlantic Records and my family still lived in south Florida, so I decided to go for a job at Disney.

At Disney, I was put into some various capacities that were both challenging and exciting, as well as being given opportunities that really aligned with my past experience in booking artists and doing music things. Lo and behold, what I thought was going to be a just a temporary diversion ended up being where I called home for 28 plus years.

Photo: Courtesy of Phil Guerini

That’s awesome! Tell me about your path at Disney.

I started in the theme parks in Orlando, which I’m forever grateful for because that really is the heart of all things Disney. I had so many opportunities there that inevitably led to me being a talent executive, overseeing bookings and strategies on bringing talent to the theme parks for grand openings for special events. I booked the Super Bowl halftime show that was presented by Disney in 2000. I realized during that time that if I really wanted to continue to grow and have opportunities, I needed to be where the company was based and where the greater amount of opportunities were, so I moved to Burbank in 2003.

Then I started at Walt Disney Records, which is the branded label division of the Walt Disney Company. I was Head of Broadcast Marketing Synergy and held a number of different capacities while there. I was blessed and fortunate to be there during a special period of time and to have been part of projects like High School Musical. I brought the Jonas Brothers to the Walt Disney Company and helped launch them, as well as [shows like] Hannah Montana, Lizzie McGuire, Camp Rock and more.

What was next?

While I thoroughly loved that chapter and all of those opportunities, I aspired to have greater influence in the broader marketplace. I was given two opportunities: one was to go work within the Walt Disney Company for the Jonas Brothers and one was to go to Radio Disney. I had been part of Radio Disney’s launch back at the parks as it was coming into fruition, and [as I had learned in my early career], I felt this connection with radio and felt that I could really create something special there.

I entered Radio Disney as the Head of Marketing under one General Manager but within about six to nine months, I became the General Manager. I set a course from there to grow the business exponentially and expand into the country space with Radio Disney Country. To this day, that is probably one of my fondest achievements.

Photo: Courtesy of Phil Guerini

Is that what brought you back to Nashville?

Someone whom I worked with at Walt Disney Records and a dear friend of mine who now runs the ACM, Damon Whiteside, had come to Nashville to work for the CMAs.

At the same time, I had just gone through one probably one of the most difficult periods in my professional career, which was assessing the Radio Disney business, how would it continue to grow and how would it move forward. That was cumbersome, emotional and difficult, and we had to make the difficult decision to divest the majority of our stations. Immediately we became profitable, as we had anticipated, but we had to say goodbye to a lot of friends and great people. The next question was what were we going to do next to grow the business.

It took a bit of selling [to create Radio Disney Country] because of the perception that country music is about heartbreak and drinking, which wouldn’t work with Disney, but at its core, the country music community is family. That aligned with the Walt Disney Company 100%. So armed with that and some very valuable insights that Damon and the CMA were able to provide to us, we made ultimately the decision to pursue Radio Disney Country. We were focused on supporting younger artists, similar to that of Radio Disney, as well tremendously underserved acts, such as female artists.

Photo: Courtesy of Phil Guerini

What led to you joining Jonas Group Entertainment (JGE)?

We had had the most amazing, albeit brief, run at Radio Disney Country. We launched a few careers or certainly were instrumental in supporting some artists. Through that period, I was re-ensconced in Nashville, the community, the connection and the specialness of what this community is. Fast forward, [we decided] to sunset that business. We were heading into the pandemic and I was contemplating what that would look like.

I was living in Los Angeles still at the time, but I decided to come and spend a little time in Nashville while contemplating what was going to be next. I was fortunate to be presented with a number of great opportunities. I reconnected with Kevin Jonas Sr., who is the Founder of JGE. He was kind enough at that pivotal moment to call. He said, “I’m really just calling to say thank you for your support of the guys for all the years. You were instrumental at so many points. What are you doing now?”

We had some conversations that continued to evolve. I left the Disney company on April 30th and joined the Jonas Group on May 19th. It’s been an incredible transition that’s still a work in progress but we’re so tremendously excited about what’s ahead.

What are your goals now as CEO of Jonas Group Entertainment?

We’re still in a transition stage. I obviously inherited an infrastructure that has been in place for a while. I was fortunate to be given the opportunity to partner with Kevin in this next chapter. We are evaluating the business that we were doing and what might be ahead of us. We’ve been in the process of really transforming and evolving the artist management side of the business. We are also in the TV and film business, as well as the consumer products business. We recently renewed out commitment to our publishing business, bringing in Leslie DiPiero. There are more exciting announcements that are still in the planning stages.

I hope that, when all is said and done, we can create and foster a community of creatives that can come together, irrespective of what publishing company or label they may work with. That really is a result of my time at Disney and recognizing that the sum of the parts is always greater when working together.

Photo: Courtesy of Phil Guerini

Who have been some of your mentors?

I’ve been so blessed throughout my career to have so many mentors, but I may look at mentors different than many. I look at people in general as mentors. They’re not necessarily seniors to me. The mentors in my personal and professional life are those that set the example, those who inspire me, those who are optimistic and those who approach life and work with a sense of “We’re going to get through this together as a team.”

What is some of the best advice you’ve ever gotten?

The best advice I’ve gotten was from my father, who I unfortunately lost when I was 13. During the short years we had together, he both embodied and communicated the message that if you can pursue the things that you love, you never feel like you work a day in life. I am living proof that this is indeed the case. People often will consider my life unbalanced and wonder where the sleep comes in. My only response is that. I love every minute of it.

When you look back on your career, how do you feel?

The only word to describe my life is blessed. I’ve had blessing upon blessing that is far greater than I ever deserved. I’m blessed to be surrounded by, supported by and given opportunities by amazing people.

Bluegrass Superstar Bobby Osborne Dies At Age 91

Bobby Osborne. Photo: Stacie Huckeba

Bluegrass Music Hall of Fame and Grand Ole Opry member Bobby Osborne died today (June 27) at age 91.

The Opry confirmed his death. Opry VP/Executive Producer, Dan Rogers, shared, “Bobby Osborne was among the last of his generation of bluegrass pioneers. What a profound loss for the Opry family and bluegrass music fans around the world. Mr. Osborne’s legacy will live forever on this stage we love and wherever his style is emulated. Thank you to Bobby Osborne for more than 70 years of music and memories.”

Bobby Osborne. Photo: Les Leverett, Courtesy of Grand Ole Opry Archives

Even into his 90s, the tenor singer and mandolin player performed regularly on the Grand Ole Opry with his band The Rocky Top X-Press.

Robert Van Osborne Jr. was born in Kentucky in 1931 and grew up in the Dayton, Ohio area. He was inspired to become a bluegrass singer after seeing a show by Bill Monroe & The Blue Grass Boys in 1947. He began performing on WPFB in Middletown, Ohio two years later.

He spent several seasons with The Lonesome Pine Fiddlers, then graduated to Jimmy Martin’s band. Following a brief stint with The Stanley Brothers, Bobby Osborne joined the Marines for combat duty in Korea. He was wounded and was discharged in 1953.

At this point, he joined forces with younger brother Sonny Osborne (1937-2021). They honed their skills working for Jimmy Martin, Charlie Bailey and Red Allen. The bluegrass classic “Once More” was recorded by Allen with the Osbornes in 1958.

The Osborne Brothers recorded on their own for RCA and MGM during this period. From the start, the act’s calling card was Bobby’s sky-high tenor lead singing. In fact, Monroe once said that there were only three great tenors in country music — himself, Ira Louvin and Bobby Osborne.

Brother Sonny soon garnered industry recognition for his cutting-edge approach to banjo playing and for arranging the group’s complex harmony vocals. Around 1963, Sonny made contact with Doyle Wilburn of Nashville’s hit-making Wilburn Brothers. Wilburn got the brothers a contract with Decca Records, arranged for them to join the Grand Ole Opry (1964) and signed them for publishing and booking.

The Osborne Brothers. Photo: Les Leverett, Courtesy of Grand Ole Opry Archives

This coincided with the modernization of the band. Sonny electrified his banjo, and the act added drums and electric bass to The Osborne Brothers sound. As a result, the group scored hits on the country hit parade and toured with mainstream pop and country acts.

Their charted favorites included “Roll Muddy River” (1967), “Rocky Top” (1968), “Tennessee Hound Dog” (1969), “Ruby Are You Mad” (1970), “Midnight Flyer” (1973), “Blue Heartache” (1973) and “I Can Hear Kentucky Calling Me” (1980).

“Rocky Top” was named one of the state songs of Tennessee in 1982. It is performed in Knoxville every time the University of Tennessee Vols score a football touchdown. In 1992, the Osbornes’ rendition of the Karl & Harty classic “Kentucky” led to a similar honor from the Blue Grass State.

By then, the Osbornes had ditched electrified instruments and reverted to acoustic bluegrass. They recorded for labels such as CMH, Sugar Hill and Pinecastle.

The Osbornes were also recruited to play on records by others. They have backed Conway Twitty, Carl Smith, Charley Pride, Wade Ray, Jethro Burns and Mac Wiseman. They also collaborated with jazz vibraphonist Gary Burton.

Bobby Osborne. Photo: Chris Hollo, Courtesy of Grand Ole Opry Archives

The brothers mentored such future stars as The Grascals and Dale Ann Bradley. They also performed with the 1997 bluegrass/hip-hop fusion act The GrooveGrass Boyz.

Bobby’s mandolin performance of “Ashokan Farewell” appeared on the all-star Bluegrass Mandolin Extravaganza album, which won the IBMA Instrumental Album and Recorded Event awards in 2000.

The Osborne Brothers are believed to be the first bluegrass act to play on a college campus (1960) and to be invited to perform at The White House (1973). They were elected to the Bluegrass Music Hall of Fame in 1994 and were presented with a National Heritage award by the National Endowment for the Arts in 1997.

Brother Sonny Osborne underwent rotator-cuff surgery, which caused him to quit playing and to retire from the road in 2004. This is when Bobby formed The Rocky Top X-Press and became a solo Opry star. He was joined in the new group by his guitarist son Bobby Osborne III.

The new band recorded for Rounder and Compass. In 2021, Osborne had a late-career bluegrass hit with a version of Merle Haggard’s “White Line Fever.”

Sonny Osborne passed away in October of 2021 at age 83.

Funeral arrangements have not been announced.

JUST IN: Tim McGraw, Mike Dungan, Chris Stapleton, More To Receive ACM Special Awards

The recipients of the Academy of Country Music’s Special Awards have been revealed. These winners will be celebrated during the 16th annual Academy of Country Music Honors on Wednesday, Aug. 23 at the Ryman Auditorium. The night will once again be hosted by Carly Pearce, a four-time ACM Award winner.

ACM Special Award honorees for 2023 include Clint Black, Breland, Kane Brown, Mary Chapin Carpenter, Charlie Cook, Charlie Daniels, Mike Dungan, Ashley Gorley, Hardy, Bill Mayne, Tim McGraw, K.T. Oslin, Chris Stapleton and Troy Vollhoffer. Each winner will be given a specific award for their achievements, as outlined below.

Additionally, previously announced Artist-Songwriter of the Year winner Hardy, Songwriter of the Year Ashley Gorley as well as Studio Recording Award and Industry Award winners, will be feted at the ACM Honors ceremony. Reigning ACM New Female Artist of the Year Hailey Whitters will present the ACM Studio Recording and Industry Awards portion of ACM Honors.

Tickets for ACM Honors will be available to ACM A-List email newsletter subscribers and Academy members through an exclusive pre-sale beginning Thursday (June 29), with general on-sale beginning Friday (June 30) through AXS. Performers will be announced in the coming weeks.

“The Academy of Country Music has played such a crucial role in the rise of my career in the last several years, giving me opportunities to expand my artistry with hosting,” Pearce says. “To be able to come back as the host of the ACM Honors for the third year in a row, I feel so grateful and excited for what I know will be such a special night!”

“This year’s ACM Special Award honorees have made a tremendous impact on the music we know and love, from icons and veteran executives who have shaped and steered the industry for years, to newer artists making a splash and welcoming fresh audiences into the community, and I am so excited about celebrating them in August at what is always one of the best nights of the year,” says Kerri Edwards, Chair of the ACM Special Awards Committee. “I’d like to thank our committee members for their invaluable participation and contributions in selecting this year’s exceptionally worthy class of honorees and offer my congratulations to all of the recipients.”

Special Award Honorees:

ACM Triple Crown Award – Chris Stapleton will receive the prestigious ACM Triple Crown Award following his first win for ACM Entertainer of the Year at the 58th Academy of Country Music Awards. Stapleton qualified for the Triple Crown Award after winning ACM New Male Vocalist of the Year, ACM Male Vocalist of the Year and ACM Entertainer of the Year throughout his career, an honor only eight other artists have been awarded. Previous recipients of the ACM Triple Crown Award include Jason Aldean, Brooks & Dunn, Kenny Chesney, Mickey Gilley, Merle Haggard, Miranda Lambert, Barbara Mandrell and Carrie Underwood.

ACM Icon Award – Mike Dungan and Tim McGraw have both been chosen to receive the ACM Icon Award, honoring the contributions of Cliffie Stone, who was known for his producing work along with his country music career. This award is presented to a country music artist, duo/group or industry leader who, throughout their career, has advanced the popularity of the genre through their contributions in multiple facets of the industry, such as songwriting, recording, production, touring, film, television, literary works, philanthropic contributions and other goodwill efforts. Past recipients of the ACM Icon Award include Alabama, Connie Bradley, Brooks & Dunn, Garth Brooks, Glen Campbell, Johnny Cash, Charlie Daniels, Joe Galante, Merle Haggard, Emmylou Harris, Alan Jackson, George Jones, The Judds, Loretta Lynn, Martina McBride, Willie Nelson, Dolly Parton, Charley Pride, Rascal Flatts, George Strait, Conway Twitty, Hank Williams, Hank Williams Jr. and Dwight Yoakam, among others.

ACM International Award – Kane Brown has been chosen to receive the International Award, inspired by Jim Reeves and presented to a country music artist, duo/group or industry leader for outstanding contributions to the growth of country music throughout the world. Past recipients of the ACM International Award include Garth Brooks, Eric Church, Dick Clark, Roy Clark, Dan + Shay, Alan Jackson, Lady A, Kacey Musgraves, Buck Owens, Dolly Parton, Rascal Flatts, Roy Rogers, Taylor Swift and Keith Urban.

ACM Lift Every Voice Award – Breland has been chosen to receive the first-ever ACM Lift Every Voice Award. This award is presented to a country music artist, duo/group, industry leader or affiliate/partner who plays a pivotal role in elevating underrepresented voices throughout the country music genre, transcending demographics and geography. The nominee for this category is proposed by the rising leaders in the Academy’s LEVel UP: Lift Every Voice professional development and enrichment program, a two-year curriculum designed to empower participants to play a pivotal role in expanding the horizons of country music into new audiences that transcend demographics and geography.

ACM Lifting Lives Award – Troy Vollhoffer has been chosen to receive the Lifting Lives Award, honoring the contributions of Gary Haber, known as a business manager and past president of ACM Lifting Lives. This award is presented to a country music artist, duo/group, or industry professional who is devoted to improving lives through the power of music, has a generosity of spirit, and is committed to serving others. It is voted on by the ACM Lifting Lives Board of Directors. Past recipients of the ACM Lifting Lives Award include Paul Barnabee, Ross Copperman, Gayle Holcomb, Lady A, Dolly Parton, Darius Rucker, Carrie Underwood and Dwight Wiles.

ACM Poet’s Award – Clint Black, Mary Chapin Carpenter and K.T. Oslin have each been chosen as recipients of the ACM Poet’s Award. This award is presented to a country music songwriter for outstanding and longstanding musical and/or lyrical contributions throughout their career, with special consideration given to a song or songs’ impact on the culture of country music. Previous recipients of the ACM Poet’s Award include Bill Anderson, Rodney Crowell, Dean Dillon, Kye Fleming, Merle Haggard, Tom T. Hall, Toby Keith, Kris Kristofferson, Loretta Lynn, Willie Nelson, Buck Owens, Eddie Rabbitt, Fred Rose, Don Schlitz, Billy Joe Shaver, Shel Silverstein, Sonny Throckmorton, Shania Twain, Cindy Walker and Hank Williams, among others.

ACM Service Award – Charlie Cook and Bill Mayne have both been chosen as the recipients of the ACM Service Award, honoring the contributions of songwriter Mae Boren Axton and her service to the Academy. This award is presented to an outstanding country music artist, duo/group, or industry leader in recognition of years of dedication and service to the Academy of Country Music. Previous recipients of the ACM Service Award include Barry Adelman, Duane Clark, RAC Clark, Bob Kingsley, Reba McEntire, Gayle Holcomb, Keith Urban and Gene Weed, among others.

ACM Spirit Award – Charlie Daniels has been chosen for the ACM Spirit Award, honoring the contributions of Merle Haggard, who received 20 ACM Awards in his career, including the Triple Crown Award. This award is presented to a singer-songwriter who is continuing the legacy of country music legend Merle Haggard by following his/her own path, crafting great songs and epitomizing Haggard’s spirit through genuine performances and great storytelling. Previous recipients of the ACM Spirit Award include Dierks Bentley, Eric Church, Toby Keith, Miranda Lambert and Chris Stapleton.