Jordan Davis Hits No. 1 On MusicRow Radio Chart With ‘Bar None’

Jordan Davis tops the MusicRow CountryBreakout Radio Chart this week with his song, “Bar None.”

The track is off of his upcoming third studio album Learn the Hard Way, and was written by Ben Johnson, Hunter Phelps and Lydia Vaughan.

Davis will perform “Bar None” on Jimmy Kimmel LIVE! Aug. 14, then appear on TODAY Aug. 21 to celebrate his new album and “Ain’t Enough Road Tour,” kicking off Sept. 11.

“Bar None” currently sits at No. 13 on the Billboard Country Airplay chart and No. 9 on the Mediabase chart.

Click here to view the latest edition of the MusicRow Weekly containing the MusicRow CountryBreakout Radio Chart.

DISClaimer Single Reviews: Dierks Bentley, Riley Green & John Anderson Team For Disc Of The Day

Dierks Bentley, Riley Green & John Anderson

The hallmarks of this edition of DISClaimer are ballads and collaborations.

Tugging at the heartstrings are the sublime Tim McGraw, Austin Snell, Hudson Westbrook and Bailey Zimmerman. McGraw wins the battle of the ballads.

The collabs are a merrier lot. Colbie Caillat’s matches up with Maddie & Tae; the Zac Brown Band burns one down with Snoop Dogg; Chris Jones & The Night Drivers are pluperfect country with Jim Lauderdale. Dierks Bentley, Riley Green and John Anderson romp off with the Disc of the Day prize.

The DISCovery Award goes to Alexandra Kay.

DIERKS BENTLEY, RILEY GREEN & JOHN ANDERSON / “Broken Branches”
Writers: Beau Bailey/Graham Barham/Zach Abend; Producers: Jon Randall, Mary Hilliard Harrington, Ross Copperman; Label: Capitol Records Nashville
A rollicking drinkin’ party with lotsa rhythm and plenty of smiles. The trailer-trash music video is creating a viral sensation.

AUSTIN SNELL / “Family Tree”
Writers: Austin Snell/Conor Matthews/Nicolette Hayford/Riley Thomas; Producer: Andrew Baylis; Label: River House Artists/Warner Music Nashville
The echoey ballad contemplates generational trauma with a clear understanding and forthright honesty. Both the vocal performance and the production are gorgeous. Play this.

BAILEY ZIMMERMAN / “Chevy Silverado”
Writers: Bailey Zimmerman/Gavin Lucas/Heath WarrenIlsey Juber/Tucker Beathard; Producer: Austin Shawn; Label: Atlantic Records/Warner Music Nashville
He’s lost her, but he still has his truck. Heartache with soaring electric guitars.

ALEXANDRA KAY / “Straight For The Heart”
Writers: Jimmy Robbins/Karley Scott Collins/Sasha Sloan; Producer: Andrew DeRoberts; Label: BBR Music Group/Wheelhouse Records
If you’re gonna break her heart, make her hate you first. The sound is big and oomphy, but she’s a strong enough singer to power through. Highly promising

COLBIE CAILLAT WITH MADDIE & TAE / “Live Without”
Writers: Colbie Caillat/Eric Arjes/Jimmy Robbins/Liz Rose; Producers: Eric Arjes, Jimmy Robbins; Label: Blue Jean Baby Records
Goodbye ain’t the bullet that I thought it was,” they sing in wafting harmony. The jaunty bopper is about thriving and soaring after a breakup. The happy rhythm, the sparking production and the intertwined voices are all completely enchanting. A terrific pop-country outing.

CHRIS JONES, THE NIGHT DRIVERS & JIM LAUDERDALE / “How Small of Me”
Writers: Andrew McCutcheon/Chris Jones; Producer: Chris Jones; Label: Mountain Home Music Company
A dandy disc. Audio elegance. With honky-tonk vocals, an acoustic bluegrass arrangement and a two-step tempo, what’s not to love? Jones is celebrating his 30th anniversary with his band. Lauderdale was announced this week as an upcoming Nashville Songwriters Hall of Fame inductee.

MAGGIE ROSE & GRACE POTTER / “Poison in My Well”
Writers: Davis Naish/Margaret Durante/Melissa Fuller; Producers: Ben Tanner, Davis Naish; Label: One Riot Records
Bluesy and groove soaked, this slow-burn anthem addresses someone who can’t be happy for someone else’s good fortune. Both singers are accomplished pop practitioners.

MON ROVIA / “Heavy Foot”
Writers: Andrew Lowe/Cooper Holzman/Eric Cromartie/Grant Averill; Producer: Cooper Holzman; Label: Nettwerk Music Group
This artist blends his Liberian heritage with Appalachian folk story telling. His new single has a lilting, strummy-guitar track that bops along happily. But the lyric protests the heavy foot of a government trying to “keep us all down.” Not to worry, the song assures us that love and solidarity will persevere. Mon Rovia staged his Opry debut on July 29.

TIM McGRAW / “King Rodeo”
Writers: Tim McGraw/Tom Douglas; Producer: Byron Gallimore, Denny Hemingson, Tim McGraw; Label: Big Machine Records
This will stop your heart. It’s a ballad of aging and loss, delivered with ache and stunning emotional power. McGraw introduced at his rodeo concert last month, and in this live track, you can feel/hear the massive crowd’s tearful acceptance. A country music master singing unvarnished truth.

ZAC BROWN BAND & SNOOP DOGG / “Let It Run”
Writers: Andy Frasco/Chris Gelbuda/John WidoMakr/Snoop Dogg/Zac Brown; Producer: Zac Brown; Label: Master of None
A celebration of smoking weed with the band’s usual flawless harmony work. Dogg’s rap drops in mid-song, but this is Zac’s record all the way. Programmers take note: There is a whole lot of cussing in this lyric.

Brandon Blackstock, Longtime Talent Manager, Passes [Updated]

Brandon Blackstock

Longtime talent manager Brandon Blackstock passed away peacefully on Aug. 7 following a three-year battle with cancer. He was 48.

Born in Ft. Worth, Texas, on Dec. 16, 1976, to Narvel and Elisa Blackstock, Brandon spent his early childhood in Burleson, Texas before moving to Big Piney, Wyoming for his high school years.

He moved to Nashville as a young adult to begin a career in the music business. He began working alongside his father Narvel at Starstruck Management Group in 2006. Together, the father-son team managed a roster of top country artists, including longtime client Blake Shelton. Narvel also notably managed and was married to Reba McEntire from 1989 to 2015.

Brandon’s reputation in the music business was that of a champion, who always had his hand out to pull others up the ladder, to open a door or to make a connection.

After more than 20 years in the music business, Brandon returned in recent years to the mountains of Butte, Montana, where he embraced the cowboy lifestyle. With his partner, Brittney Marie Jones, he built businesses and helped establish Headwaters Livestock Auction, along with what will stand as his legacy—the Valley View Rodeo in Bozeman, Montana.

Brandon was preceded in death by his loving grandparents Gloria and Narvel Leroy Blackstock, Mary Helen Davis and Walter Ritter and Jacqueline and Clark McEntire. He is survived by his children Savannah Blackstock Lee, Seth Blackstock, River Rose Blackstock and Remington Blackstock; his son-in-law, Quentin Lee; grandchildren Lake Easton Lee, Julianna Rae Lee and the soon-to-arrive LouCasey Lee; parents Narvel Wayne Blackstock and Elisa Gayle Ritter Gilbert; stepparents Reba Nell McEntire, Laura Putty Blackstock and Daniel Eugene Gilbert; grandparents Karen and Terry Beattie; siblings Shawna Blackstock Meyers and Jason Meyers, Chassidy Blackstock Standefer and Scott Standefer, Shelby McEntire Blackstock and Marissa Blackstock; and his other lifelong brother, Brian Pittman.

All of Brandon’s friends and loved ones are invited to join the family for his celebration of life on Sunday, Aug. 17. Please reach out to a family member for service details.

In lieu of flowers, donations can be made to the Brandon Blackstock Memorial Fund at the Montana Stockgrowers Foundation.

BREAKING: Sarah D’Hilly & Brad Krause Join MCA

Sarah D’Hilly & Brad Krause

Sarah D’Hilly has joined MCA as Senior Vice President of Digital Marketing and Strategy.

D’Hilly joins MCA with 20 years of country music industry experience under her belt. Her most recent role was with Apple Music, where she led music business partnerships, content strategy and artist marketing initiatives. While at Apple, she oversaw the launch of the songwriter-driven Lost & Found series, Apple Music Sessions and bespoke projects like Beyonce Covered Sessions and Toby Keith Covered Sessions.

Before Apple Music, she was the Director of Commerce & Digital Strategy at Monument Records, and the Director of Digital Marketing at Borman Entertainment. Her previous work also includes serving on the Digital Committee of Country Radio Seminar and leading panels at Music Business Conference and SXSW. D’Hilly is a member of the 2026 Leadership Music class and a 2025 Billboard Country Power Players honoree.

“I’ve had the privilege of working alongside some of the most passionate people in music, and I’m incredibly excited to take everything I’ve learned into this new chapter with MCA,” says D’Hilly. “This label has a legacy of artist development and storytelling that I deeply respect, and I look forward to helping shape what that looks like in the digital era.”

In addition to D’Hilly, Brad Krause has also joined MCA as Senior Director of Digital Strategy. A University of Southern California graduate, Krause has held previous roles at Warner Records, Interscope and The Trenches. In his roles he has gained expertise in platform dynamics, digital storytelling and audience behavior by helming digital campaigns across a variety of artists and brands.

”I’ve enjoyed working with the MCA team and I’m excited to step into this role during such an exciting time,” adds Krause. “I’m passionate about building authentic, community-driven campaigns and can’t wait to collaborate with Sarah to create meaningful digital moments for our artists and their fans.”

“We’re thrilled to welcome Sarah and Brad to the MCA team,” shares Katie McCartney, EVP/GM of MCA. “Their creative vision, passion for artists, and forward-thinking digital expertise make them invaluable as we continue to evolve as a creative hub.”

D’Hilly can be reached at sarah.dhilly@umusic.com and Krause can be reached at brad.krause@umusic.com.

BREAKING: Nashville Songwriters Hall Of Fame Announces 2025 Inductees

The Nashville Songwriters Hall of Fame (NaSHOF) revealed its Class of 2025 inductees this morning (Aug. 6) at press conference on Music Row. It was announced that Emmylou Harris, Brad Paisley, Jim Lauderdale, Don Cook, Steve Bogard and Tony Martin will become members of the esteemed Hall in October.

The six will join the 247 previously-inducted members when they are formally inducted during the 55th Anniversary Nashville Songwriters Hall of Fame Gala on Monday, Oct. 6, at the Music City Center.

The news was shared by Rich Hallworth, Chair of the organization’s board of directors, and Mark Ford, its Executive Director, at Nashville’s historic Columbia Studio A – part of Belmont University’s Mike Curb College of Entertainment and Music Business.

“Gathering as we do each year – to reveal and welcome the members of our incoming class – is truly one of the highlights of our calendar,” said Hallworth. “To these outstanding songwriters, we say – thank you for sharing your songs and your artistry with us. We are proud to honor you this fall, when you will officially join your legendary peers in the Nashville Songwriters Hall of Fame.”

Ford introduced each member of the new class at the press conference event. Bogard and Martin were elected in the contemporary songwriter category; Lauderdale in the contemporary songwriter/artist category; Cook as the veteran songwriter, Harris as the veteran songwriter/artist, and Paisley, who was elected in 2024 but deferred at his request to 2025, as the contemporary songwriter/artist.

Below is bio information for each inductee, provided by the NaSHOF:

STEVE BOGARD [electee – contemporary songwriter category]
Florida native Steve Bogard’s songwriting path began in Tampa where his teenage Rock band days led to two solo-penned singles on Scepter Records. Following a move to Memphis, where he scored a top 20 R&B hit with James Carr, Steve made his next move to Miami as a 19-year-old staff writer for Atlantic Records, where he garnered cuts by Rita Coolidge, Delaney & Bonnie, and others. Steve followed with solo albums in Canada and the U.K. Then in 1979, one of his 11-year-old songs, “Touch Me With Magic,” was released by Marty Robbins, reached No. 15 Country, and became a BMI-award winner. Steve moved to Nashville in 1982. His first No. 1, Lee Greenwood’s “Mornin’ Ride,” came five years later and was followed by more No. 1’s: “New Fool At an Old Game” by Reba McEntire, “Carried Away” and “Carrying Your Love With Me” (both by George Strait), “Wherever You Are” by Jack Ingram, and “Seein’ Red” by Dustin Lynch. In 2000, “Prayin’ For Daylight” launched Rascal Flatts’ career as their debut single, and in 2006 and 2007, two of Steve’s songs by Dierks Bentley were nominated for Grammys – “Every Mile A Memory” and “Long Trip Alone.”

TONY MARTIN [electee – contemporary songwriter category]
Born in Georgia and raised in Nashville, Tony Martin has been around country songwriting his entire life. The son of country composer Glenn Martin, Tony grew up at the feet of other stellar songwriters such as Sonny Throckmorton, Mickey Newbury, and Hank Cochran. During his time as a journalist for a Chicago newspaper, Tony was writing parody songs for fun when his father urged him to take his talent more seriously. In 1988, Tony wrote “Baby’s Gotten Good At Goodbye,” which his father successfully pitched to George Strait. The song proved to be the dream scenario for a songwriter. It was Tony’s first demo, first cut, first single, first hit and first No. 1. Since that time, Tony has added more chart-topping hits to his resume. Among those are “A Little More Summertime” by Jason Aldean, “I’ll Think Of A Reason Later” by Lee Ann Womack, “Just To See You Smile” by Tim McGraw, “Living And Living Well” and “Go On” (both by George Strait), “No Place That Far” by Sara Evans, “Settle For A Slow Down” by Dierks Bentley, “Third Rock From The Sun” by Joe Diffie, and “You Look Good In My Shirt” by Keith Urban.

DON COOK [electee – veteran songwriter category]
Don Cook was born in San Antonio, Texas. He was writing songs by age 12, recording his first demo by age 14 and playing various Houston coffeehouses throughout his teenage years. Three days after his graduation from the University of Texas, Don arrived in Nashville. He soon met publisher Don Gant, who signed him to a deal at Acuff-Rose Publishing. When Gant moved to Tree Publishing, Don followed. In his first year at Tree he had 11 cuts, including “Cryin’ Again” by The Oak Ridge Boys and “Lady Lay Down” by John Conlee — Don’s first No. 1 as a songwriter. Other hits followed in the ’80s, including “Julia” by Conway Twitty, “I Wish That I Could Hurt That Way Again” by T. Graham Brown, “Small Town Girl” by Steve Wariner and “Somebody’s Gonna Love You” by Lee Greenwood. In the early ’90s, Don co-wrote “Brand New Man,” the first single for Brooks & Dunn, and began to produce the duo, a collaboration that yielded the co-written No. 1 hits “My Next Broken Heart,” “Only In America” and “You’re Gonna Miss Me When I’m Gone,” among others.

JIM LAUDERDALE [electee – contemporary songwriter/artist category]
Born in Troutman, North Carolina, Jim Lauderdale grew up in Due West, South Carolina. After college graduation in 1979, Jim made his way to Nashville for a few months before moving on to New York. By the late 1980s, Jim had joined the national touring production of Pump Boys & Dinettes and relocated to Los Angeles, where he began to find traction musically as a writer and performer. In the early 1990s Jim returned to Nashville, where he began to land early cuts by George Strait. By the mid ’90s Jim’s songs were finding homes on the country chart: “Gonna Get A Life” by Mark Chesnutt, “Halfway Down” by Patty Loveless and “You Don’t Seem To Miss Me” by Loveless & George Jones. Near the end of the decade Strait had top 5 hits with Jim’s “We Really Shouldn’t Be Doing This” and “What Do You Say To That” (originally recorded by Jim on BNA Records in 1998). Across Jim’s career as an Americana recording artist, he has released 37 albums – achieving two Grammy wins for Bluegrass Album of the Year and charting bluegrass hits such as “Mighty Lonesome,” “One Blue Mule” and “Iodine.” His collaborations with Ralph Stanley & The Clinch Mountain Boys have yielded the bluegrass top 10 “I Feel Like Singing Today” and “She’s Looking At Me,” the 2002 AMA Song of the Year. Jim was honored with the AMA’s Lifetime Achievement Award in 2016.

EMMYLOU HARRIS [electee – veteran songwriter/artist category]
Birmingham, Alabama-born Emmylou Harris was raised in North Carolina and Virginia. By high school, she was obsessed with playing guitar. Graduating as valedictorian, she eventually left college for the folk music scene in New York’s Greenwich Village. Signing with Jubilee Records, she released her debut album in 1970 with five self-penned songs. Moving to Washington, D.C., she met Gram Parsons, joined his band, and discovered a passion for country music. Following Parson’s untimely death, Emmylou formed her own band and signed with Reprise Records. Her 1975 release featured her classic “Boulder To Birmingham.” Though Emmylou recorded her own songs sporadically until the 2000s, her “White Line” reached No. 14 country in 1985, and her “Heartbreak Hill” reached No. 8 country in 1989. Her co-written “In My Hour Of Darkness,” recorded by Gram Parsons in 1973, re-emerged in 2007 as a No. 15 bluegrass hit for John Starling & Carolina Star. Emmylou’s “Sweetheart Of The Pines” from 1986 became a No. 17 bluegrass hit for Dale Ann Bradley in 2016. Other songs from Emmylou include “A River For Him,” “Amarillo,” “Red Dirt Girl,” “The Pearl” and “Woman Walk The Line.” She is a 1995 inductee into the SPBGMA Hall of Greats, a 2008 inductee into the Country Music Hall of Fame, and a 2018 recipient of the Grammy Lifetime Achievement Award.

BRAD PAISLEY [electee – contemporary songwriter/artist category 2024]
Brad Paisley was born and raised in Glen Dale, West Virginia. He received his first guitar from his grandfather, who taught him to play at eight years old. At age 13, Brad wrote his first song, which he performed publicly, and which eventually led him to an eight-year stint performing on Wheeling’s Jamboree USA. After high-school graduation and two years at West Liberty State College, Brad was awarded a fully paid ASCAP scholarship to Belmont University in Nashville where he majored in music business. A week after graduating from Belmont, Brad signed as a writer with EMI Music Publishing. Following cuts by David Kersh, David Ball and Tracy Byrd, Brad signed with Arista Nashville and soon began to record his own songs. As an artist, he has placed 33 self-penned top 20 songs on the Billboard charts, including 15 No. 1s and 14 more in the top 10. Among those compositions are “He Didn’t Have To Be,” “Alcohol,” “I’m Gonna Miss Her (The Fishin’ Song),” “Celebrity,” “Ticks,” “Letter To Me,” “Then,” “This Is Country Music,” “Water,” and his duet with Carrie Underwood “Remind Me.” A member of the Grand Ole Opry since 2001, Brad was ASCAP’s 2004 Country Songwriter/Artist of the Year. He was NSAI’s Songwriter/Artist of the Year in 2002 and 2005.

BREAKING: MusicRow Reveals Nominees For 37th Annual MusicRow Awards

MusicRow Magazine is proud to reveal the nominees for the 2025 MusicRow Awards, presented by City National Bank. Determined by MusicRow subscribers, this year’s winners will be revealed on all online MusicRow platforms on Wednesday, Sept. 3.

MusicRow subscribers will receive their ballots via email on Wednesday, August 6. The Ballot Voting Period runs through Friday, Aug. 15 at 5 p.m. To become a MusicRow subscriber and become eligible to vote, sign up here.

Click here to view the digital “Nominator” newsletter for a complete list of all nominees.

There are 16 subscriber-voted categories, including:
1. Producer of the Year
2. Studio of the Year
3. Label Group of the Year
4. Talent Agency of the Year
5. Publishing Company of the Year
6. Breakthrough Songwriter of the Year
7. Breakthrough Artist-Writer of the Year
8. Male Songwriter of the Year
9. Female Songwriter of the Year
10. Song of the Year
11. Discovery Artist of the Year
12. Breakthrough Artist of the Year
13. Female Artist of the Year
14. Male Artist of the Year
15. Group/Duo Artist of the Year
16. Entertainer of the Year

Now in its 37th year, the MusicRow Awards are Nashville’s longest running music industry trade publication honors and celebrate the achievements of songwriters, artists, producers and more.

The final nominees revealed in this announcement are determined by a committee. For the categories of Breakthrough Songwriter and Breakthrough Artist-Writer, outside nominations are also considered. For the Male and Female Songwriter of the Year categories, nominees are based on data from MusicRow’s Top Songwriter Chart.

New this year are the Studio of the Year and Publishing Company of the Year categories.

All nominations are based on projects that were active between the period of June 1, 2024 and May 31, 2025. Continuing MusicRow’s tradition of recognizing talent behind the scenes, the Top 10 Album All-Star Musician Awards will be presented in conjunction with the MusicRow Awards. These honors salute Nashville’s most in-demand studio players who performed on the most albums reaching the Top 10 of Billboard’s Top Country Albums chart during the eligibility period.

JUST IN: MCA Extends Deal With Parker McCollum, Acquires His Catalog

Pictured (L-R): Red Light Management’s Nick Rhodes, MCA’s Jimmy Rector, Austin Jenkins, Katie McCartney, Derek Anderson, Miranda McDonald, Parker McCollum, Red Light Management’s Enzo DeVincenzo, MCA’s Mike Harris, Rob Femia, Damon Moberly, Stephanie Alexa. Photo: Evan Harney

Parker McCollum has extended his exclusive recording agreement with MCA. Additionally, the company has acquired McCollum’s full catalog, including critically-acclaimed albums The Limestone Kid and Probably Wrong.

“I’m beyond excited to continue my journey with MCA. The team has supported me every step of the way, and I’m thrilled about what we’re building together,” says McCollum. “Acquiring my catalog means the world to me, and I’m grateful to be with a label that values my music, my story, and my future. The best is yet to come.”

“I’ve seen firsthand the tremendous impact Parker has had on country music, and this partnership is a testament to his unwavering talent and work ethic,” shares Mike Harris, President & CEO of MCA. “The team at MCA has had the privilege to watch Parker’s hard work and talent propel him into one of the most important artists in country music today. We are immensely proud to extend our relationship with Parker and to take the next step in his career by acquiring his catalog. Parker’s future in music is incredibly bright, and we cannot wait to see where this next chapter takes him.”

The announcement comes on the heels of his recently released self-titled album. With over 3.2 billion streams, the CMA and ACM nominated artist has earned multiple No. 1 hits and Platinum certifications, and is currently amidst his 2025 tour.

Josh Miller Moves Into Top 15 On MusicRow Top Songwriter Chart

Josh Miller has jumped into the top 15 on the MusicRow Top Songwriter Chart. Morgan Wallen‘s “20 Cigarettes,” Tucker Wetmore’s “3,2,1” and “Brunette,” and Jon Pardi’s “Friday Night Heartbreaker” put the songwriter into the No. 15 spot this week.

Charlie Handsome remains in the No. 1 spot for the 1oth consecutive week with “Don’t We,” “Eyes Are Closed,” “I Ain’t Comin’ Back,” “I Got Better,” “I’m The Problem,” “Just In Case,” “Kick Myself,” “Kiss Her In Front Of You,” “Love Somebody,” “Miami,” “Superman,” “TN,” “What I Want” and “Where’d That Girl Go.” Wallen himself stays at No. 2 with “Don’t We,” “Eyes Are Closed,” “I Ain’t Comin’ Back,” “I Got Better,” “I’m The Problem,” “Just In Case,” “Kick Myself,” “Love Somebody,” “Miami,” “Superman,” “TN,” “What I Want” and “Where’d That Girl Go.”

Zach Bryan (No. 3), John Byron (No. 4) and Ashley Gorley (No. 5) round out this week’s top five.

The weekly MusicRow Top Songwriter Chart uses algorithms based upon song activity according to airplay, digital download track sales and streams. This unique and exclusive addition to the MusicRow portfolio is the only songwriter chart of its kind.

Click here to view the full MusicRow Top Songwriter Chart.

BREAKING: Hannah Galluzzi Joins MCA As Vice President, A&R

Hannah Galluzzi. Photo: Sam Kelly

MCA has appointed Hannah Galluzzi as Vice President, A&R. In her new role, she will helm the creative development of MCA artists, both new and established, working on their artistic growth and strategic career development.

“I am thrilled to join MCA,” shares Galluzzi. “It feels like both a return and a new beginning. I’m incredibly grateful for the opportunity to work with such a talented roster and contribute to the label’s innovative future. I’m looking forward to collaborating with the team and continuing to elevate MCA as a leading force in country music.”

Galluzzi is a graduate of Belmont University with an established background in A&R. She began her journey at Universal Music Group Nashville as an A&R assistant, where she eventually become Manager of A&R and worked with Luke Grimes, Sam Hunt, Parker McCollum, Priscilla Block and Jordan Davis. She also spearheaded the signing of Josh Ross in partnership with Universal Music Canada.

After six years at UMG Nashville, she joined EMPIRE as Director of A&R. While at the independent label, publisher and distributor, she oversaw release strategies and guided the creative direction for Shaboozey, Jake Banfield, CeCe, Niko Moon, Sophia Scott, Don Louis, JORDY and Randy Houser.

“We are thrilled to welcome Hannah to the MCA team,” says Mike Harris, President & CEO of MCA. “Her strong A&R skills, combined with her passion for nurturing artist relationships will be invaluable as we continue to develop the MCA roster. Hannah’s energy, work ethic, and vision for the future of the industry align perfectly with MCA’s mission to foster both innovative and timeless artistry.”

BREAKING: Grand Ole Opry Icon Jeannie Seely Passes At 85

Jeannie Seely. Photo: Cyndi Hornsby

Jeannie Seely, the beloved Grand Ole Opry member whose voice, wit and longevity made her one of country music’s most enduring figures, has died at age 85. She passed peacefully Friday (Aug. 1) at 5:00 p.m. CT at Summit Medical Center in Hermitage, Tennessee, following complications from an intestinal infection.

Known affectionately as “Miss Country Soul,” Seely was a force across seven decades of country music—an artist, songwriter, host, producer and fearless innovator who broke ground for generations to follow. She was the first woman to regularly host segments on the Grand Ole Opry, and the first artist to wear a miniskirt on its stage. At the time of her death, she had notched the most Opry performances in history, having stepped into that iconic circle 5,397 times.

Jeannie Seely performs at the Grand Ole Opry. Photo: Chris Hollo / Grand Ole Opry

Her final Opry appearance came on Feb. 22, 2025. She remained active in her later years, continuing to host Sundays with Seely on SiriusXM’s Willie’s Roadhouse and releasing new music well into her 80s, including her 2024 single “Suffertime” and an accompanying short documentary. The release made her the vocalist with the longest recording span at Nashville’s historic RCA Studio B with 60 years between her first session and last.

Born July 6, 1940, and raised on a dirt road in rural Pennsylvania, Seely began performing on local radio as a child. By 21, she’d packed up her car and driven to Los Angeles, where she worked at Liberty and Imperial Records, wrote songs and started recording her own. It was Dottie West’s encouragement that led her to Nashville, where she landed a recording contract with Monument Records. Seely’s chart-topping hit “Don’t Touch Me” earned her a Grammy Award—making her just the third female country artist to receive one.

She was inducted into the Grand Ole Opry on Sept. 16, 1967, and in the decades that followed, Seely became a steady, bold and beloved presence on the Opry stage. Her multiple collaborations with Jack Greene, her groundbreaking sense of style and her sharp humor helped shift perceptions of what women could be in country music.

Beyond the stage, Seely’s songs were recorded by legends across country, soul and pop—from Willie Nelson, Merle Haggard, and Connie Smith to Irma Thomas, Boyz II Men and Seal. Her composition “Yours” was named Song of the Year at the 2022 Arkansas Country Music Awards.

SOURCE honors Jeannie Seely with the Jo Walker-Meador Lifetime Achievement Award. She poses with 2024 SOURCE Hall of Fame inductees Judy Seale, Marty Craighead, Teena Scogin Camp, Kathy Harris, Leslie Fram and Sheree Spoltore. Photo: Moments By Moser Photography, Bev Moser

She was also a radio host, an author, a stage actress and a passionate advocate for artists and songwriters, especially women. She played a crucial role in building community backstage at the Opry, mentoring rising talent and championing equity in the industry. In her final years, she served as producer for the bluegrass group Cutter & Cash and The Kentucky Grass and was planning their next recording session at the time of her death.

Over the past few years, honors poured in. The Opry celebrated her 5,000+ performances in 2022. The CMA recognized her with the Joe Talbot Award in 2023. In 2024, she received the Jo Walker-Meador Lifetime Achievement Award from SOURCE and was featured in the Country Music Hall of Fame’s permanent exhibit Sing Me Back Home. That same year, a Metro Nashville interchange was renamed the “Jeannie Seely Interchange,” and in 2025, Sony Music Publishing honored her during Women’s History Month with reimagined collaborations of her songs.

Gene Ward and Jeannie Seely. Photo: Courtesy of family

Seely’s final public appearance was on March 1, 2025, at the reopening of the Legends of Country Music Museum, where she is honored with a dedicated exhibit. She was scheduled to attend the naming of the SAG-AFTRA studio space in her honor the following month.

Seely had experienced ongoing health issues since the fall, which intensified after the passing of her husband, Gene Ward, in December. This year, she underwent multiple back and emergency abdominal surgeries.

She is survived by friends, family and her beloved cat Corrie. She was preceded in death by her husband, Gene, her parents Leo and Irene Seely, and siblings Donald, Bernard and Mary Lou. A memorial service will be announced in the coming days. Saturday night’s Grand Ole Opry will be dedicated to her memory.