Megan Moroney Hits No. 1 With ‘Tennessee Orange’

Megan Moroney. Photo: David McClister

Megan Moroney’s debut hit single “Tennessee Orange” reached No. 1 this week on the Country Aircheck/Mediabase Country Airplay chart.

The first single from her debut album Lucky, the Platinum-certified track fueled Moroney’s rise. Within just five days of its premiere, the viral sensation surpassed a million streams and catapulted the 25-year-old into the spotlight, paving the way for her to sign with Sony Music Nashville/Columbia Records.

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First released last September, “Tennessee Orange” is the story of a love so strong it even defies loyalty to a beloved home team. Moroney won Breakthrough Female Video of the Year at the recent CMT Music Awards for the single, and made history as the fifth solo country female artist ever to hit No. 1 on Billboard’s Emerging Artists chart.

Moroney will kick off “The Lucky Tour” with her New York City debut at The Bowery Ballroom on Sept. 20.

Peermusic Acquires Entire Earl Scruggs Song Catalog, Majority Of Gary Scruggs Catalog

Pictured (L-R): Kara Blankinship, Director, Clearance & Catalog Management, Peermusic; Patrick Smith, Manager, Legal and Business Affairs; Jesse Scruggs; Jaime Scruggs; Kathy Spanberger, President & Chief Operating Officer, Peermusic; Michael Knox, President, Peermusic Nashville

Peermusic has acquired the entire music publishing catalog of bluegrass legend Earl Scruggs, as well as the majority of his son Gary Scruggs‘ song catalog.

During his lifetime, Earl was a collaborator with Peermusic founder Ralph S. Peer. The company has served as the publishers of the Earl Scruggs song catalog from the time the songs were written. Through this deal, Peermusic acquires the U.S. rights it was previously administering for Earl, as well as some of the songs that were previously controlled by the Scruggs estate.

The deal also includes the acquisition of the majority of the song catalog of the late Gary Scruggs, a Grammy award-winning songwriter, musician and eldest son of Earl and Louise Scruggs.

“It’s a rare opportunity to acquire these incredible catalogs of songs in this competitive music rights landscape, but what makes this most meaningful to us is the decades-long relationship that Peermusic has enjoyed with Earl Scruggs and Gary Scruggs,” says Kathy Spanberger, President & COO of Peermusic Anglo American Region. “This deal really exemplifies everything a relationship between a songwriter and a publisher should be. Earl and Peermusic worked together successfully for decades to share his music with the world, and Peermusic continues that tradition with the songs of Gary Scruggs. We thank Jesse, Jaime, and the Scruggs family for this opportunity—the entire team at Peermusic is honored to continue championing and protecting Earl and Gary’s incredible legacy of music so that these songs can be enjoyed for generations to come.”

“The Scruggs are multi-generational music royalty who have worked with the Peers, a multi-generational family of music publishers since Day 1. The history here is incredible. There are few artists that have defined an entire genre the way that Earl Scruggs and Gary Scruggs have with bluegrass or that so popularized a single instrument across genres as Earl did with the banjo—we’re delighted to continue our work with the Scruggs family and to represent their interest in some of country music’s most beloved songs,” adds Michael Knox, President, Peermusic Nashville.

“We are now the third generation of the Scruggs family to be working alongside the team at Peermusic. Our grandfather trusted Peermusic as his music publisher from the beginning of his career and the team at Peermusic has been like a family to us throughout these many years. Keeping these song catalogs with Peermusic is an easy decision for us because we know how much they have done to support The Scruggs family—and they know these song catalogs inside and out. We’re thrilled to have these songs looked after by Kathy, Knox and the Peermusic team,” share Jesse and Jaime Scruggs, the grandsons of Earl Scruggs and the sons of Gary Scruggs, in a joint statement.

Earl Scruggs revolutionized bluegrass with a unique three-fingered picking style that has since become a hallmark of bluegrass banjo. He began his career in 1945, when he joined Bill Monroe’s band and met Lester Flatt. The two were mainstays of Monroe’s Blue Grass Boys for a little over two years before striking out on their own.

Performing as Flatt & Scruggs and the Foggy Mountain Boys, the band became one of most well-known bluegrass band in the nation. Among their most famous recordings are “Earl’s Breakdown,” “The Ballad of Jed Clampett” and “Foggy Mountain Breakdown.”

In 1969, Scruggs began pursuing a solo career by enlisting his sons Gary and Randy to perform with him as the Earl Scruggs Revue. The group found success recording for Columbia Records throughout the 1970s.

The bluegrass icon was recognized with numerous accolades for his contributions to bluegrass and country music throughout his lifetime. Scruggs is in both the Country Music Hall of Fame and the International Bluegrass Music Association’s Hall of Fame. He was also a recipient of four Grammy Awards, a Grammy Lifetime Achievement Award and a National Medal of Arts.

Gary Scruggs played alongside his legendary bluegrass father as well as in a duo with his brother Randy called The Scruggs Brothers,. He and Randy released two projects together—1970’s All the Way Home and 1972’s The Scruggs Brothers. Together with their father, the two brothers then formed The Scruggs Revue, touring extensively under that billing and forming connections with other country and rock acts of the day.

Gary was part of the genesis of the 1972 Nitty Gritty Dirt Band-led Will the Circle Be Unbroken album, which has since been inducted into the Grammy Hall of Fame and the Library of Congress. He retired from touring in the mid-’80s, but continued his work as a songwriter until his death in 2021.

Dane Schmidt Talks His Journey Leading To One Year Of Daschent [Interview]

Dane Schmidt, Jake Moss

It’s been a year since Dane Schmidt launched Daschent, a creative management company.

Since launching, the company’s Dane and Jake Moss (Creative Manager & Brand Dev.) have built out a roster that includes Dane’s brother and genre-leading hitmaker Jordan Schmidt, multi-Platinum mixing engineer Jeff Braun, hit songwriter Jaida Dreyer and rising singer-songwriters Kyle Clark and Joey Hendricks.

Before forming Daschent, Dane spent many years taking rewarding creative risks.

He and Jordan grew up in Duluth, Minnesota. Their parents were both musicians who worked full-time jobs and played music five nights a week, so music is in their blood. Dane started playing drums before he turned 2 years old, and Jordan picked up instruments just as quickly.

As a teen, Dane was drawn to punk bands such as Blink-182 and Dashboard Confessional. He was inspired to join bands in high school, and in his senior year, he wrote a nine-song album inspired by a breakup.

“I went off to college because that’s what you’re supposed to do,” Dane tells MusicRow. “Morehead State University had a recording program. I went and spent my first semester partying a lot, but also traveling around, playing shows and putting my music on the internet.”

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Dane’s music started growing a fanbase. After he had to come home from college when his grades started suffering, he leaned in to his musicianship.

“I had to stay in my old bedroom. It was very demoralizing. I had a couple of demoralizing times like that,” Dane quips. “I went to a community college and cleaned up my act. I got a 3.5 GPA, but I also started direct messaging, emailing and going on forums on Pure Volume to share my music.

“One night I put up the entire album [I wrote in high school] and it shot up to the top 10 on the unsigned artists chart,” Dane says. “I started getting emails from people to come play shows.”

Dane booked his first few tours while continuing his college education. “After my third semester of college, I started failing again because I was so busy with music. My parents would see me carrying out garbage bags of CDs that I would be taking to the post office to mail out. I told my parents, ‘I’ve got an opportunity here. I need to see it through.’ That was 2005.”

Dane became a full-time frontman for his band. They toured for two and a half years, but couldn’t get a record deal, so the band called it quits.

“I came back home demoralized again, living in my parents’ basement,” Dane said. “Jordan had learned to produce by then so he helped me record a CD [for my band Sing It Loud].”

After calling it quits with Sing It Loud, Dane returned to his solo project, Jamestown Story, and landed a record deal with Epitaph Records. Dane and Jordan moved to Minneapolis for a few years, where Dane continued to release music and Jordan grew his book as a producer.

The left Minneapolis when Nashville called in 2012. “We moved down here with no plan other than being around people like us,” Dane says.

At that point, Dane realized he had more passion for business than he did for songwriting. He started managing Jordan so that his brother could strictly focus on being a creative—a skill he would employ years later with Daschent.

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After some time living outside of Nashville in Gallatin, the brothers weren’t finding much success, so they packed up their studio and moved into midtown Nashville. Within a year, they met Mitchell Tenpenny, Andy Albert, Brian Kelley and more rising songwriters. Then Dane helped Florida Georgia Line‘s Kelley and Tyler Hubbard build their publishing company, Tree Vibez Music. Jordan became the company’s first signee.

“I had just turned 30 and was in the right place at the right time,” Dane says. “Tina Crawford, who was at Major Bob at the time, taught me publishing over instant messenger.”

Dane stayed at Tree Vibez for two of its foundational years before joining Sony Music Publishing. “I took that as a college education,” he says. “I decided to learn as much as I could and when I got out, I would be able to use it to start something [of my own].”

After five years at Sony Music Publishing, where he became Senior Creative Director, Dane reconnected with Jake Moss, who he eventually hired to help him build Daschent.

While in college at MTSU, Moss took a class taught by Nashville entrepreneur Mark Montgomery. After college, he began managing some of Montgomery’s studios for a few years. Through a series of circumstances, Moss ended up in a meeting with Tree Vibez executives and connected with Leslie DiPiero. Moss soon started working at Tree Vibez, where he met Dane.

Now, Dane, Jake and Dane’s father Mark support their creators at Daschent. In just a year, the company has celebrated an impressive slate of victories.

Jordan has had an excellent year. In addition to selling some of his catalog to Endurance Music Group last year, Jordan celebrated multiple No. 1 hits as a songwriter and as a producer. He co-wrote Kane Brown‘s “Like I Love Country Music” and “Bury Me In Georgia,” Cole Swindell‘s “Drinkaby,” Mitchel Tenpenny‘s “We Got History,” Lainey Wilson‘s “Watermelon Moonshine” and more, along with a myriad of production credits.

Schmidt won an ACM Award as a co-writer and co-producer of Hardy and Wilson’s “Wait In The Truck.”

Kyle Clark has been building his fanbase after rising to songwriter prominence as a co-writer on Lily Rose‘s breakout hit, “Villain.” He has since garnered major label cuts with Jon Pardi, Mitchell Tenpenny, Restless Road, Adam Doleac and more.

In early 2022, one of Kyle’s own songs, “Hope It’s Hot Out,” took off on TikTok. After officially releasing on May 25, 2022, the track quickly crossed 1 million streams its first week, and has since garnered over 30 million streams independently across all platforms.

Kyle recently released an EP, and in an effort to compensate his co-writers fairly, he gives a portion of the master to them, exemplifying the creators-first approach Daschent has taken on.

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Joey Hendricks recently signed with the company alongside Warner Chappell. Hendricks moved to Nashville from Washington state in 2018 and has written songs for Lady A, Nate Smith, Avenue Beat and Eric Ethridge. Today (June 16) Hendricks released his latest single “Run Away,” which he co-wrote alongside Aaron Espe. He is set to release his debut album next year.

Daschent has a big future ahead of it. Dane says, though, his goal is to keep betting on himself and his tribe.

“I’ve been very happy with how my career has gone. I feel like I’m in a place right now where I can take some shots and bet on myself and other people,” Dane says. “If I can continue to do that and people are happy with what they’re doing and having the success that they’re having, anything on top of that is the cherry on top.”

Thomas Rhett’s ‘Angels’ Rises To The Top Of The MusicRow Chart

Thomas Rhett tops the MusicRow CountryBreakout Radio Chart this week with “Angels Don’t Always Have Wings.”

Previously titled “Angels,” the track first appeared on Rhett’s most recent album Where We Started and was written by Rhett, Julian Bunetta, Jaten Dimsdale and Josh Thompson.

Rhett recently celebrated his last seven No. 1 hits, adding to 20 throughout his career. To commemorate 20 chart-topping tunes, Rhett is releasing a retrospective vinyl collection of the hit songs, which will release Sept. 29 via The Valory Music Co.

Click here to view the latest edition of The MusicRow Weekly containing the MusicRow CountryBreakout Radio Chart.

2023 Nashville Songwriter Awards To Honor Bobby Braddock, David Israelite & Tim McGraw

Bobby Braddock, David Israelite, and Tim McGraw

The Nashville Songwriters Association International (NSAI) will hold its 6th annual Nashville Songwriter Awards at the Ryman Auditorium on Sept. 26.

The evening, presented by City National Bank, will celebrate the ’10 Songs I Wish I’d Written’ awards, NSAI’s Song, Songwriter, and Songwriter-Artist of the Year. The Nashville Songwriter Awards will also honor Bobby Braddock, David Israelite and Tim McGraw.

NSAI’s highest honor—the Kris Kristofferson Lifetime Achievement Award—will be presented to Bobby Braddock. The legendary songwriter and producer has impacted music with works such as “He Stopped Loving Her Today” (George Jones), “I Wanna Talk About Me” (Toby Keith) and “Time Marches On” (Tracy Lawrence).

“Bobby Braddock is one of the greatest songwriters in any genre, in any era,” says Bart Herbison, NSAI Executive Director. “His legacy of iconic hit songs over many decades speaks for itself. We are honored to bestow him the Kris Kristofferson Lifetime Achievement Award.”

The NSAI Advocacy Award will be given to the much-deserving David Israelite, President & CEO of the National Music Publishers’ Association.

Herbison shares, “David Israelite is the architect of the Music Modernization Act and was the quarterback of recent Copyright Royalty Board (CRB) proceedings that will bring billions of dollars in new streaming revenue to songwriters over the next five years. Couple that with a myriad of other accomplishments including getting digital media platforms from Twitch to Peloton to compensate songwriters, we are proud to present him with the NSAI Advocacy Award.”

Tim McGraw will received the President’s Keystone Award. Personally selected by NSAI’s Board President, Steve Bogard, this award will honor of his significant contributions to the industry for the betterment of all songwriters.

“Tim McGraw has been recording great songs by Nashville Songwriters for over three decades,” says Bogard. “On hit after hit, whether rocker or ballad, his artistry and moving performances brings our stories to life and take Nashville’s music across genres and platforms around the world.”

Information regarding tickets and scheduled performers will be announced at a later date.

DISClaimer Single Reviews: Gabby Barrett Has ‘Only Just Begun’ Making Hits

Rockers and ballads share equal space in this edition of DISClaimer.

In the former category is Gabby Barrett, who earns a Disc of the Day with her toe tapper. But not without strong competition from Dierks Bentley and Brandy Clark.

In the ballad column, you’ll find our DISCovery Award winner, Ben Goldsmith. He’s joined by strong slow-song mavens Rebecca Lynn Howard and The War and Treaty. Play ‘em all.

JAKE OWEN / “On the Boat Again”
Writers: Willie Nelson/Devin Dawson/Kyle Fishman/Rocky Block/Blake Pendergrass; Producer: Joey Moi; Label: Big Loud
– Country’s resident Beach Boy heads back to the shore with this lively retooling of Willie’s “On the Road Again.” Boppy, goofy, summer-sunshine fun.

BRANDY CLARK / “Northwest”
Writers: Brandy Clark/Jessie Jo Dillon; Producer: Brandi Carlile; Label:Warner Records
– Clark sings of the majesty, beauty and space of her Pacific Northwest homeland on this punchy country rocker. Producer Carlile is also from that area, and maybe that’s why this has an extra touch of magic. There is simply no one in country music who is making music that is more consistently excellent than this awesome singer-songwriter.

LARRY FLEET / “Layaway”
Writers: Larry Fleet/Josh Miller/Mark Trussell; Producer: Joey Moi; Label: Big Loud
– This blue-collar anthem depicts a hard-working man who struggles to make ends meet while finding solace with those who love him. The steel licks are as cool as his vocal drawl. A winner.

DIERKS BENTLEY / “Something Real”
Writers: Dierks Bentley/Ross Copperman/Michael Hardy/Ashley Gorley/Luke Dick; Producers: Dierks Bentley/F. Reid Shippen/Jon Randall/Ross Copperman; Label: Capitol Nashville
– The deep bass rumble and chiming guitars frame a darkly dramatic vocal performance that yearns for authenticity and emotion in life. “I’m just looking for some truth,” he sings in a surprise, stark, blank passage amid the crashing, rocking track. Well done, son.

BEN GOLDSMITH / “Flowers in Your Hair”
Writers: Ben Goldsmith/Marshall Altman; Producer: Ben Goldsmith/Brad Jones; Label: Sony Music Nashville
– Different and intriguing. He possesses a piercing tenor voice that conveys sincerity in every note. The arty, poetic ballad is accompanied by simple piano playing and a lovely string quartet. Send more.

VINCE GILL & PAUL FRANKLIN / “Kissing Your Picture (Is So Cold)”
Writers: Ray Price/Mel Tillis/Wayne Walker; Producer: Vince Gill/Paul Franklin; Label: MCA Nashville
– Vince’s next collection, Sweet Memories, is a tribute to the music of Ray Price & The Cherokee Cowboys. It’s a collaboration with steel-guitar great Paul Franklin, who answers the singer’s phrases with silvery instrumental passages. Price was the king of the country shuffle, so naturally this advance track is a dandy one. Country trends might come and go, but I will always love me some Vince Gill.

GABBY BARRETT / “Glory Days”
Writers: Gabby Barrett/Emily Weisband/Seth Mosley/James McNair; Producers: Gabby Barrett/Ross Copperman; Label: Warner Music Nashville
– This youngster is a queen of catchy hooks, as this rapid, rushing rocker underscores. She savors the simple joys of everyday love while beats thump all around her. “I Hope,” “The Good Ones” and “Pick Me Up” were the country-pop gems that propelled her debut album. This lead-off track of her sophomore collection suggests that she’s only just begun. Barrett heads to her home turf on Aug. 11 for a post-game concert when the Pirates play the Reds at PNC Park, which is baseball’s most perfect venue.

LEWIS BRICE & LEE BRICE / “Product Of”
Writers: Lewis Brice/Josh Gallagher/Taylor Goyette/Mark Addison Chandler; Producer: Ben Simonetti; Label: Digitally Sound Records
– This rousing, upbeat ode to small-town romance reflects the brothers’ South Carolina upbringing. It’s a terrific audio rush with an emotional core of honesty.

REBECCA LYNN HOWARD / “I Am My Mother”
Writers: Rebecca Lynn Howard/Jamie Floyd/Rachel Thibodeau/Carolyn Dawn Johnson; Producers: Elisha Hoffman/Lee Brice/Rebecca Lynn Howard; Label: Pump House
– I remain an enormous fan of this lady. She remains one of country’s superior singers. Howard hits an emotional bullseye with this powerful ballad connecting her to her mother. “I look in the mirror expecting me/But her reflection is all I see.” Spine tingling stuff.

JELLY ROLL / “Need a Favor”
Writers: Jelly Roll/Rob Ragosta/Austin Nivarel/ Joe Ragosta; Producer: Austin Nivarel; Label: BBR
“I only talk to God when I need a favor.” It has other lyrics, but those 10 words are repeated so often that it’s all you remember about the song. It and the ballad “She” have been on the market for a few months, but are now joined by the release of their parent album Whitsett Chapel.

ROBYN OTTOLINI / “Katie’s Song”
Writer: Robyn Ottolini; Producer: Mark Schroor/Erik Fintelman; Label: Aleu Records
– Timed to Pride Month, Robyn’s lively new song celebrates her sister, “Sometimes girls and girls can fall in love….Katie’s got a girlfriend/Love is love, it is what it is/And they’re both happy as shit.” Alrighty then.

THE WAR AND TREATY / “Dumb Luck”
Writer: Beau Bedford; Producer: Michael Trotter Jr.; Label: Mercury Nashville
– It seems like the label releases a new track by this titanically talented duo every week. Which is fine by me. In this case, it’s a performance video of a thrilling, to-God-the-glory power ballad. If your spirit needs a lift, play it now. Then shout, “Amen.”

On The Cover: MusicRow’s Artist Roster Issue Features Jordan Davis On Cover

MusicRow has released its 2023 Artist Roster print issue, featuring ASCAP songwriter and MCA Nashville recording artist Jordan Davis on the cover.

Having solidified himself as one of the industry’s top singer-songwriters, 2022/23 marked a breakthrough year for Jordan Davis. In February 2023, Davis released his second full-length album, Bluebird Days, which earned the Shreveport, Louisiana native rave reviews as well as a RIAA Gold-certification. The CMA and NSAI Award winner recently earned his first ACM Male Vocalist nomination (2023) and his hit single, “Next Thing You Know,” continues to climb the charts and resonate with fans. Produced by Paul DiGiovanni, Bluebird Days features 17 songs total, including his fifth career No. 1 hit, “What My World Spins Around” and his double-Platinum, multi-week No. 1 “Buy Dirt” (feat. Luke Bryan), which won numerous accolades including CMA and NSAI Song of the Year and earned ACM, AMA, Billboard and iHeart Music Award nominations.

Davis previously notched three consecutive No. 1 hits off of his Gold-certified album, Home State, including the double-Platinum certified “Singles You Up” as well as the Platinum-certified “Take It From Me” and “Slow Dance In A Parking Lot.” In 2019, Davis was awarded Best New Country Artist at the iHeartRadio Music Awards. He is a two-time nominee for ACM New Male Artist of the Year and was named Billboard’s Top New Country Artist of 2018. Davis has amassed more than four billion streams worldwide and appeared on Ellen, Good Morning America, The Today Show, Late Night with Seth Meyers, The Tonight Show Starring Jimmy Fallon, Jimmy Kimmel Live and more. He recently announced his “Damn Good Time Tour,” which will kick off late summer and includes a headlining show at Nashville’s Ascend Amphitheater as well as tour dates across the country. For more information and tickets, visit jordandavisofficial.com.

Featured by The Tennessean, American Songwriter, Billboard and more, Bluebird Days debuted to early rave reviews, with Billboard noting, “Davis soars on Bluebird Days” and Entertainment Focus echoing, “Jordan Davis comes of age on new album Bluebird Days and shows the world the type of mature, meaningful and melodic songwriter he is.” Bluebird Days is a “rich, deep, meaningful album” (Entertainment Focus) that digs deep into Davis’ personal experiences and offers a wide range of emotions, meditations, and memories, matched by his signature sound blending traditional and contemporary genres and styles.

This year’s Artist Roster print edition features exclusive editorials including a celebration of Kane Brown’s elevation into a genre-leading artist, shared by members of Brown’s team Martha Earls, Braeden Rountree, Dennis Reese and Alex Alvga. Brown recently completed a monumental tour of the nation’s 29 NBA arenas, becoming the first country artist in history to do so and fulfilling a dream sparked in 2020. This season of career wins for Brown also includes his hit single “Thank God” released with his wife, Katelyn, and a television appearance on the drama Fire Country. Brown is continuing to climb to great heights.

Four of Nashville’s top managers—Brad Belanger, Blythe Scokin, Mandelyn Monchick and Zach Sutton—join together for a round-table about working in the fast-paced industry with its dynamic social media and technological climates.

Music Health Alliance’s Founder and CEO Tatum Hauck Allsep and CFO and Certified Senior Advisor Shelia Shipley Biddy celebrate a decade of healing the music. MHA has provided healthcare access through advocacy services since its launch in 2013.

MusicRow catches up with RECORDS Nashville for the Artist Roster issue, speaking with Executive Vice President Joe Fisher, Vice President of Promotion and Commercial Strategy Josh Easler and RECORDS Founder Barry Weiss about their collaborative work with a wide range of artists.

This issue also celebrates the 50th anniversary of the Country Music Association’s annual CMA Fest with a look back at some of the biggest moments in the history of the event.

Additionally, the Artist Roster contains a six-part company directory, complete with client rosters in the categories: Label, Management, Talent Agents, Publicity, Artist Services (Banking, Business Management/Financial/Insurance, Digital Music, Legal, Marketing, Radio Promotion and Media) and Organizations (Trade & Professional Development, Performing & Mechanical Rights and Unions).

This edition also offers a summarizing Artist Grid, which has become an indispensable tool connecting artists to their team members in Label, Management, Talent Agency and Publicity categories.

Single copies of MusicRow’s 2023 Artist Roster print issue are available for purchase at musicrow.com for $45, and are included with yearly MusicRow subscriptions.

Industry Celebrates Historic 50th Anniversary Of CMA Fest With Events Across Nashville

Brothers Osborne performs during UMG Nashville’s Music Is Universal event. Photo: Chris Hollo

CMA Fest marked its 50th anniversary in Nashville this past weekend, wrapping on Sunday (June 11) after four straight fun-filled days. The milestone anniversary of the largest and longest-running country music festival in the world brought over 90,000 estimated attendees from all 50 states as well as a record-breaking 51 countries each day, a 12 percent increase from 2022.

Packed lineups of both established and rising acts hit the daytime stages, while Nissan Stadium—which alone saw a 10 percent increase in attendance—and Ascend Amphitheater featured performances by a variety of stars at night.

Carrie Underwood kicks off her new channel live and in person from SiriusXM’s Music Row Happy Hour at the Margaritaville Cafe in Nashville with SiriusXM host Buzz Brainard. Photo: Jason Davis

Parmalee, Lauren Alaina, Ingrid Andress, Priscilla Block, Tyler Braden, Breland, Jackson Dean, Travis Denning, Madeline Edwards, Morgan Evans, Corey Kent, Maddie & Tae and more took the Chevy Riverfront Stage. The Dr Pepper Amp Stage included A Thousand Horses, Avery Anna, Rodney Atkins, Blanco Brown, Craig Campbell, Mackenzie Carpenter, Callista Clark, among others.

Tyler Booth, Dillon Carmichael, Carter Faith, Ryan Griffin, Chapel Hart, Home Free, Kat & Alex, Tiera Kennedy, Brett Kissel, Jerrod Niemann and more serenaded crowds from the Chevy Vibes Stage at Walk of Fame Park, and the Maui Jim Reverb Stage at Bridgestone Plaza hosted the likes of Justin Champagne, Ben Chapman, Kyle Clark, Abbey Cone, Taylor Edwards, Drew Green, Jonathan Hutcherson, Willie Jones, Bryan Martin, Chase McDaniel, Madeline Merlo and more.

Throughout the four days, BMI (Broadcast Music, Inc.) and Ryman Auditorium gave 19 emerging artists the opportunity to showcase their talent during the Ryman and BMI Block Party. During the event, BMI’s VP of Creative, Nashville Clay Bradley presented The Dolly Parton Songwriters Award to its first-ever recipient, Macy Dot Neal, in honor of the legendary artist.

Fans also headed to Skydeck on Broadway for UMG Nashville’s inaugural Music Is Universal event as well as Spotify House at Ole Red and Fan Fair X in Music City Center, which hosted daily performances on the Spotlight Stage from nearly 50 artists to full audiences. Chapel Hart, Blanco Brown, Adam Doleac, Tiera Kennedy, Kimberly Perry, Mason Ramsey, Randy Travis, Sam Williams, Bailey Zimmerman and many others participated in anticipated meet-and-greets with excited fans.

Pictured (L-R): Warner Music Nashville’s Ben Kline, Cody Johnson, Reba McEntire and Warner Music Nashville’s Cris Lacy

On Friday (June 9), Wilson and Tractor Supply co-hosted Lainey Wilson’s Bell Bottom Barn Dance presented by Tractor Supply for her fan club at downtown Nashville’s Bell Tower, and Carrie Underwood launched her exclusive year-round SiriusXM channel Carrie’s Country in person from SiriusXM’s Music Row Happy Hour at the Margaritaville Cafe.

On Night One, Nissan Stadium hosted King Calaway, Jo Dee Messina, Jordan Davis, Luke Combs, Carly Pearce, Dan + Shay and special guests on the main stage as well as RVSHVD and Ashley Cooke on the platform stage. Night Two featured Tanya Tucker, Lainey Wilson, Cody Johnson, Miranda Lambert, Jelly Roll, Keith Urban and Hardy along with more surprise guests in addition to Hailey Whitters and Dalton Dover on the platform stage. Johnson surprised special guest Reba McEntire with a Gold plaque for their hit duet “Dear Rodeo” backstage before his set.

Ascend Amphitheater returned for a fifth year with a packed crowd on Friday night. The party started with headliner The Cadillac Three bringing the energy alongside Little Big Town. Additional acts included Boy Named Banjo, Randy Rogers Band, Elvie Shane and Tenille Townes.

Tracy Lawrence, Little Big Town, Old Dominion, Jon Pardi and Eric Church took Nissan’s big stage and Ian Munsick and Alana Springsteen took the platform stage during Night Three.

On Sunday, The Black Excellence Brunch was held at the National Museum of African American Music (NMAAM) and featured notable Black artists and industry leaders while honoring BMI Executive Director, Creative, Shannon Sanders. After the cancellation of the afternoon shows due to bad weather, Nissan’s Final Night housed thousands of fans as Josh Turner, Ashley McBryde, Dierks Bentley, Tim McGraw and Luke Bryan sang on the main stage and Megan Moroney and Nate Smith served as platform stage performers. Bryan also closed out the final day of CMA Fest with his Nut House at Luke’s 32 Bridge to celebrate 15 years of the fan club.

Ticket proceeds directly benefit music education initiatives across the country through the CMA Foundation. This year, CMA will donate $2.5 million to the CMA Foundation. Additionally, the three-hour primetime concert special CMA Fest was filmed during this year’s festival and will air July 19 on ABC.

Pictured: Parmalee with Chevy Riverfront Stage hosts Bubba and Big D

Pictured (L-R): Warner Music Nashville’s Ben Kline, Stephanie Davenport, Madeline Edwards, Warner Music Nashville’s Cris Lacy and Sam I Am Entertainment’s Sam Borenstein

Pictured (L-R): BMI’s Clay Bradley, Macy Dot Neal and BMI’s Mitch Ballard. Photo: Erika Goldring for BMI

Lainey Wilson performs during Lainey Wilson’s Bell Bottom Barn Dance presented by Tractor Supply. Photo: Roxy Moure

Pictured (L-R): BMI’s Shannon Sanders, K. Michelle, CMA’s Mia McNeal and Trell Thomas at the Black Excellence Brunch. Photo: Derrick Johnson for CMA

Luke Combs’ ‘Beautiful Crazy’ Earns Diamond Status

Pictured (L-R): Caryl Atwood (SVP, Commercial Partnerships, SMN), Ken Robold (EVP & COO, SMN), Luke Combs, Steve Hodges (EVP, Promotion & Artist Development, SMN), Rob Williford), Taylor Lindsey (SVP, A&R, SMN), Randy Goodman (Chairman & CEO, SMN) & Liz Cost, (VP, Marketing, SMN). Photo: David Bergman

Luke Combs‘ titanic hit “Beautiful Crazy” is officially Diamond-certified by the RIAA, meaning it has sold 10 million copies. The tune is only the sixth country song in RIAA history to achieve the feat.

Combs co-wrote “Beautiful Crazy” with Rob Williford and Wyatt Durrette as a bonus track to his 2017 debut album This One’s for You. Combs and Williford joined the Sony Music Nashville team to celebrate its Diamond certification at Comb’s CMA Fest Bootleggers Fan Club Party.

Combs performed “Beautiful Crazy” as part of his set at Nissan Stadium during Thursday night (June 8) of CMA Fest.

Chase McGill Enters The Top 5 On MusicRow Top Songwriter Chart

Chase McGill at ACM Songs & Stories, Powered by The Bluebird Cafe + NSAI held at the Omni PGA Frisco Resort on May 10, 2023 in Frisco, Texas.

Chase McGill moves from No. 7 to No. 5 this week on the MusicRow Top Songwriter Chart.

McGill is a co-writer on Russell Dickerson’s “God Gave Me A Girl,” Jordan Davis’ “Next Thing You Know,” Morgan Wallen’s “Ain’t That Some,” Luke Combs’ “5 Leaf Clover,” Luke Bryan’s “But I Got A Beer In My Hand” and Conner Smith’s “Creek Will Rise.”

Ashley Gorley marks another week at No. 1 on the MusicRow Top Songwriter Chart. Tracy Chapman (No. 2), Zach Bryan (No. 3) and Ryan Vojtesak (No. 4) complete the top five.

The weekly MusicRow Top Songwriter Chart uses algorithms based upon song activity according to airplay, digital download track sales and streams. This unique and exclusive addition to the MusicRow portfolio is the only songwriter chart of its kind.

Click here to view the full MusicRow Top Songwriter Chart.