Global Music Industry Shows Slight Growth

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IFPI_LogoReports from the International Federation of the Phonographic Industry (IFPI) show growth in the global music industry in 2012 and 2013. Overall global recorded music trade revenues increased by 0.2 percent in 2012, the first year of growth since 1999. The IFPI tracks revenue streams including physical, digital, performance rights and synch.
During 2012:
• The US remained the world’s largest music market, though sales declined .5 percent. Japan was a close second and experienced 4 percent growth in 2012.
• Digital channels accounted for 35 percent of overall industry trade revenues. Downloads remained the biggest source of digital revenues, with combined unit sales of track and album downloads up by 11 percent in 2012.
• Music subscription and ad-supported streaming services accounted for 20 percent of digital revenues globally, up from 14 percent in 2011.
• Albums accounted for 56 percent of recorded music sales value, with album downloads growing faster than single sales.
• Physical sales represented 57 percent of record companies’ income.
• Performance revenues were the fastest growing sector in the recording industry at 9.4 percent, accounting for 6 percent of recorded music revenues.
• Income from synch deals grew by 2.1 percent to US $337 million in 2012.
• Unlike the rest of the world, CD sales are on the rise in Japan, with an 11 percent growth in physical sales. According to the Recording Industry Association of Japan, CD sales nearly doubled year-over-year during the first quarter of 2013, with CD-based revenues rising 92 percent. Digital revenues fell by 25 percent in 2012, due to a leveling in the mobile market and an increase in piracy. Digital Music News looks at the rise in physical sales here.
• Growth areas: Brazil, India and Mexico have seen market growth respectively of 24%, 42% and 17% since 2008.

IFPI report

In addition to rising physical sales, this Japanese market report shows significant digital growth. Source: RIAJ

Patty Loveless Celebrates 25 Years as a Grand Ole Opry Member

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patty loveless vince gill opry

Patty Loveless and Vince Gill perform on the Grand Ole Opry.

The Grand Ole Opry® presented by Humana® honored Patty Loveless on her 25th anniversary as an Opry member this past weekend with performances by Loveless, fellow Opry members Vince Gill and Loretta Lynn, and more. Loveless was inducted as an Opry member on June 11, 1988.

Pictured (L-R): Loretta Lynn, Patty Loveless and Connie Smith.

Pictured (L-R): Loretta Lynn, Patty Loveless and Connie Smith.


Following an hour of performances, Grand Ole Opry Vice President and General Manager Pete Fisher saluted Loveless with a commemorative print and words about her career.
“This has been an absolutely magical night at the Grand Ole Opry. I think we have heard everything that makes country music great,” Fisher said. “If I was to describe what makes country music great, I would use the name Patty Loveless,” he continued, describing Loveless as doing everything with “grace, humility, and excellence.”
Loveless said, “It’s hard to believe it’s been 25 years. I know my family is listening in tonight, and I’m sure they are very, very proud of this moment for me. My dreams were their dreams as well.”
Patty Loveless celebrates her 25th year as an Opry member.

Patty Loveless celebrates her 25th year as an Opry member.


The night concluded with Loveless and Gill collaborating on their beloved 1995 release “Go Rest High On That Mountain.” The two were joined by a number of other artists who had appeared on stage earlier in the evening.

Industry Ink (6-18-13)

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The Academy of Country Music welcomed Average Joes act LoCash Cowboys to the office while they were in Los Angeles last month. While at the Academy they performed “Chase A Little Love,” the latest single from their upcoming self-titled album in stores on June 18.

Pictured (L-R): Chris Lucas of LoCash Cowboys; Bob Romeo, CEO, Academy of Country Music, Preston Brust of LoCash Cowboys

Pictured (L-R): Chris Lucas of LoCash Cowboys; Bob Romeo, CEO, Academy of Country Music, Preston Brust of LoCash Cowboys

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The Robertsons of A&E’s Duck Dynasty and the Duck Commander Sporting Empire recently signed with BMI in Nashville during the CMA Music Festival. Later this year, Universal Records will release Duck the Halls: A Robertson Family Christmas.

Pictured are (back row, L-R): BMI’s Clay Bradley, John Luke Robertson, Sadie Robertson, Si Robertson, Kay Robertson, Missy Robertson, Jep Robertson and BMI’s Jody Williams; (front row, L-R): attorney Jess Rosen of Greenberg Traurig, Missy Robertson, Willie Robertson, Jase Robertson and Jessica Robertson. Photo by Erika Goldring

Pictured are (back row, L-R): BMI’s Clay Bradley, John Luke Robertson, Sadie Robertson, Si Robertson, Kay Robertson, Missy Robertson, Jep Robertson and BMI’s Jody Williams; (front row, L-R): attorney Jess Rosen of Greenberg Traurig, Missy Robertson, Willie Robertson, Jase Robertson and Jessica Robertson. Photo by Erika Goldring

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SESAC-LOGO1SESAC will hold its 6th annual Songwriters Bootcamp on Friday, July 26 at the Skirball Educational Center in Los Angeles. The event offers sessions covering all aspects of the music industry and advice for songwriters and composers looking to establish and advance a music career. The event will feature Grammy award-winning songwriter-producer Rico Love, along with panels, song critiques from music supervisors and live performances from songwriter attendees. For more information, visit sesac.com.

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Hank Williams Jr. 2013 photoHank Williams Jr. and Blaster Records will distribute Williams’ latest music project Old School New Rules at participating NAPA Auto Parts locations starting in June.
“This is the first time music is going to be available at NAPA Auto Parts stores,” says Williams. “NAPA customers are my fans. I am glad that my CDs are going to be sold there and right next to the Blaster products.”
“We look forward to introducing Hank’s music to the NAPA customers as well as displaying our latest products in the stacker promotion,” said Tom Porter, NAPA Auto Parts CEO.
 
 


David Israelite To Remain NMPA President and CEO Through 2018

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nmpaDavid Israelite has accepted a contract extension to continue his role as the National Music Publishers’ Association‘s President and CEO through 2018. Israelite has served as President and CEO since February 2005.
Irwin Z. Robinson, Chairman of the NMPA Board of Directors, said Israelite’s tireless effort on behalf of creators and music publishers merited the organization’s commitment to retaining its CEO.
“David has been an exceptional leader for the publishing and songwriting community and also the larger music industry,” Robinson said. “As our music marketplace is being redefined, music publishers and songwriters are seeing the benefits of his leadership financially and professionally. He has increased the stature of NMPA and remains one of our industry’s strongest public champions for the rights and value of musical works. We’re pleased he’s agreed to stay on.”
Israelite said, “I am humbled and honored to be asked to continue my advocacy on behalf of songwriters and music publishers. NMPA’s focus will continue to be protecting the rights of creators and ensuring songwriters and music publishers receive their fair share of the digital music marketplace.”
Prior to leading NMPA, Israelite held senior positions in various capacities for the U.S. Government including at the Department of Justice where he was appointed Chairman of the Department’s Task Force on Intellectual Property and in the U.S. Senate where he was Administrative Assistant for Missouri Senator Kit Bond. Israelite earned his Juris Doctor from the University of Missouri and his undergraduate degree from William Jewell College.
 
 

"String City" Means Smiles

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string city hall of fame

On June 11 the Country Music Hall of Fame® and Museum, the Nashville Public Library and the Nashville Public Library Foundation presented a VIP premiere of String City: Nashville’s Tradition of Music and Puppetry in the museum’s Ford Theater. Pictured at the premiere (L-R): Steve and Judy Turner; puppeteers Brian Hull (with Johnny Cash marionette) and Pete Carden (with Hank Williams marionette); Museum Director Kyle Young; Tari Hughes, president, Nashville Public Library Foundation, and Kent Oliver, director, Nashville Public Library.

Photos by Donn Jones

George Strait

George Strait

The most entertaining country-music show in Nashville this week features stars who can’t sing.

They can’t even talk. But the more than 80 puppets who are featured in the revue titled “String City” are still wildly entertaining. The production, which premieres Thursday (June 20) at the Country Music Hall of Fame & Museum, is a journey through country-music history via the puppets’ “miming” of some of the genre’s greatest songs.
The special effects are surprising. The craftsmanship is impressive. The sound is superb. The variety of the presentations is consistently amusing. All sorts of puppets are used in “String City.” There are hand puppets, marionettes, stick puppets, shadow puppets and other types of “mini-people” in the show.
More than 30 country legends appear in puppet form. They include Johnny Cash, Garth Brooks, Dolly Parton, Minnie Pearl, George Jones, Charley Pride and Loretta Lynn. The revue unfolds chronologically, beginning with the old-time sounds of DeFord Bailey, The Possum Hunters and The Carter Family. One by one, Roy Acuff, Bill Monroe, Hank Williams and Eddy Arnold appear to sing their hits. Along the way, “String City” presents dancing mice, a yodeling cow, cavorting insects, animated characters, toy trains and a water skier.
Highlights include the “transformation” scenes with the Patsy Cline, Dolly Parton and Taylor Swift puppets. The members of Alabama are portrayed as Mt. Rushmore figures singing “Mountain Music.” Reba McEntire turns blue while singing “How Blue.” The Dixie Chicks are, of course, hen chicks bopping along to the strains of “Wide Open Spaces.”
“String City” is a collaboration between the Hall of Fame’s staff and Wishing Chair Productions. The latter is the group at the Nashville Public Library that stages weekly children’s puppet shows. Nashville’s library includes one of the greatest puppet collections in the world.
Puppets are only part of the pleasure to be found in the “String City” production. The sound system in the museum’s Ford Theatre gives an audio experience that is just as dazzling as the show’s visuals. Classics showcased in the revue include “Wabash Cannonball,” “All My Ex’s Live in Texas,” “Chattahoochie,” “Cattle Call,” “Your Good Girl’s Gonna Go Bad,” “Coal Miner’s Daughter,” “Ring of Fire,” “Jackson” and “Will the Circle Be Unbroken.”
The fast-paced production is equally entertaining to both adults and children. Whichever you are, you will leave “String City” wearing a smile.
“String City: Nashville’s Tradition of Music and Puppetry” premieres at 7:00 p.m on June 20 at the Country Music Hall of Fame & Museum. Tickets are $30. The performance kicks off the International Puppet Festival, which takes place at the downtown Nashville Public Library on Friday through Sunday, June 21-23. The festival is free.

Minnie Pearl and Roy Acuff marionettes.

Minnie Pearl and Roy Acuff marionettes.


 

BMLG Adds Two Staffers

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michael sloane11111

Michael Sloane


Big Machine Label Group has added two members to its Sales, Marketing & Interactive (SMI) team – Director of Interactive Michael Sloane and Marketing Coordinator Braden Carney.
Sloane, an entertainment technology veteran, will facilitate the overall media strategy for BMLG’s web, mobile and ecommerce platforms. He will guide implementation and measurement of digital campaigns. Carney will also serve as support for the SMI team, splitting his duties between the department’s marketing efforts and assisting in the management and growth of digital properties.
Sloane comes from BubbleUp Interactive where he was Director of Sales and Marketing, managing the Nashville office. He has also worked at 13 Management, helping manage and develop digital initiatives for taylorswift.com. In addition, Sloane was founding partner at digital agency Strategic Blend and had stints as a Senior Client Manager at Ultrastar Entertainment and Echo Music. He will continue his adjunct duties teaching Branding and Digital Strategy at Belmont University, where he received an MBA in 2005.
braden carney11

Braden Carney


Carney is a recent Communications graduate of University of Dayton. In 2011 and 2012, he held summer internships with various BMLG departments including promotions, publicity and marketing.
Sloane can be reached at (615) 324-7922 or via michael.sloane@bmlg.net. Carney can be reached at (615) 324-4527 or via braden.carney@bmlg.net.

Bonnaroo 2013 in Photos

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Bonnaroo, Manchester, Tenn.’s annual four-day music and arts festival, took place over the weekend, featuring artists from various genres performing on multiple stages throughout the property. Some 80,000 attendees enjoyed performances from the likes of Country performers Kacey Musgraves and Chris Stapleton; the bluegrass stylings of Sam Bush, Del McCoury, Barry Bales, Bryan Sutton and Dan Tyminski, and legendary musicians Paul McCartney, John Oates, ZZ Top, and Tom Petty and the Heartbreakers.

Entrance. Photo: Morgan G. Harris

Entrance. Photo: Morgan G. Harris


Photo: Morgan G. Harris

Photo: Morgan G. Harris


Kacey Musgraves. Photo: FilmMagic

Kacey Musgraves. Photo: FilmMagic


Ed Helms’ Bluegrass Situation Superjam with Special Guests including Sam Bush, Del McCoury, Barry Bales, Bryan Sutton, Dan Tymenski, and Chris Stapleton, and more. Photo: FIlmMagic.

Ed Helms’ Bluegrass Situation Superjam with Special Guests including Sam Bush, Del McCoury, Barry Bales, Bryan Sutton, Dan Tyminski, and more. Photo: FilmMagic.


Tom Petty and the Heartbreakers. Photo: Jeff Kravitz

Tom Petty and the Heartbreakers. Photo: Jeff Kravitz


Paul McCartney. Photo: C. Taylor Crothers

Paul McCartney. Photo: C. Taylor Crothers


Paul McCartney. Photo: Jeff Kravitz

Paul McCartney. Photo: Jeff Kravitz


Dwight Yoakam. Photo: Nashville Scene.

Dwight Yoakam. Photo: Nashville Scene.


Chris Stapleton playing an encore after his Saturday performance.

Chris Stapleton playing an encore after his Saturday performance.


The Lumineers. Photo: Jeff Kravitz

The Lumineers. Photo: Jeff Kravitz


John Oates. Photo: C. Taylor Crothers

John Oates. Photo: C. Taylor Crothers


ZZ Top. Photo: Jeff Kravitz

ZZ Top. Photo: Jeff Kravitz


Photo: Morgan G. Harris

Photo: Morgan G. Harris


Photo: FIlmMagic

MusicRowPics: Chris Stapleton Artist Visit

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Chris Stapleton Artist Visit

Chris Stapleton Artist Visit


In anticipation of Chris Stapleton’s debut Mercury Nashville album, produced by Tony Brown, Luke Wooten and Stapleton, MusicRow was treated to an acoustic performance of songs from the project on June 11, including the first single, “What Are You Listening To.”
Stapleton also performed “The Right Ones,” a cut he prefaced by noting that hit songs are usually either written about newborn babies or record executives. Additionally, he performed a heartfelt bluesy ballad titled “Sometimes I Cry,” and a rendition of his first No. 1 as a songwriter, “Why Don’t We Just Dance,” a Josh Turner cut.
Over time, a handful of truly gifted artists have played a part in defining Country music’s sense of self. Such can be said about the music Chris Stapleton has been producing for the past decade. He has spent time playing in the rock and roll band The Jompson Brothers and as has been the lead singer of the Grammy-nominated bluegrass group The Steeldrivers, which piqued the attention of Adele, who recorded the band’s “If It Hadn’t Been For Love.”
Additional songwriting credits include four No. 1 Country songs alongside roughly 170 album cuts from artists such as Tim McGraw, Brad Paisley and Alan Jackson. Stapleton’s chart-topping hits include songs recorded by George Strait (“Love’s Gonna Make It Alright”), Kenny Chesney (“Never Wanted Nothing More”), Darius Rucker (“Come Back Song”) and Josh Turner (“Your Man”). With these credentials, Stapleton not only contributes to Music City’s magnetic energy, but continues to establish himself as part of the integral structure providing its soundness.
Stapleton recently made his solo debut during Nashville’s CMA Music Festival, including an invitation-only industry gathering at the GreenRoom PR’s swanky new office in the Cannery complex. Over this past weekend, he played Bonnaroo music and arts festival in Manchester, Tenn., as one of a select number of musicians to play both Tennessee festivals. He has also just been invited to join Miranda Lambert and Dierks Bentley during the fall leg of the Locked and Reloaded Tour, starting Oct. 10 in Lincoln, Neb.
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Song Plugging Group, Pitch, Please!, Presents Writers Night

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pitch pleaseNew song pluggers group Pitch, Please! will hold its first writers night at Nashville’s SoulShine Pizza Factory on Wednesday (June 19), from 6 p.m.—9 p.m. Song pluggers include Shea Fowler (Cornman), Laura Wright (Big Yellow Dog), Blain Rhodes (Warner Chappell), Tali Giles (Big Machine) and Lee Krabel (HoriPro).
Two shows will take place at 6 p.m. and 7:30 p.m. Writers for the shows include:
6 p.m. show
Ryan Beaver
Jason Matthews
Courtney Cole
Abe Stoklasa
7:30 p.m. show
Meghan Trainor
Erik Dylan
Caitlyn Smith
Phil Barton
SoulShine Pizza Factory is located at 1907 Division Street.

Cyruses File For Divorce

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BRCyrusBilly Ray Cyrus and wife Tish filed for divorce last week. Married for 19 years, the couple cited irreconcilable differences. Billy Ray filed in Williamson County, Tenn. and Tish filed in L.A. Superior Court.
The Cyruses are parents to sons Braison and Trace and daughters Miley, Noah and Brandi. He also has a son, Christopher, from a previous relationship.
Billy Ray and Tish released separate statements asking for privacy during this time.
The couple previously filed for divorce in 2010 before reconciling.
Billy Ray’s complaint for divorce was filed by notable attorney Rose Palermo.
In related news, Miley is engaged to Liam Hemsworth.