Warner Music Artist Services Promotes Andrew Peterson

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Andrew Peterson

Warner Music Artist Services (WMAS), the in-house merchandising, e-commerce, and digital marketing division of Warner Music Group, has promoted Andrew Peterson to Vice President, Tour & Artist Services. With nearly 20 years of merchandising/touring experience, Peterson has toured with several platinum and Grammy-winning artists including Shinedown, Kid Rock, and Panic! At The Disco.

In this role, Peterson will lead Warner Music Artist Services’ Live efforts and serve as the head of WMAS’ Nashville operation, where he is based. Peterson and his team will be responsible for optimizing artist merchandise sales on the road and maximizing bespoke fan VIP experiences. He will continue to report to Dan Goldberg, Senior Vice President, WMAS.

“We’ve been lucky to have Andrew build our Live department since its inception nearly 10 years ago,” said Goldberg. “He truly understands the intricacies of touring and the ins-and-outs of merchandising—and it’s been a pleasure to watch him evolve into the leader that he is today.”

“I’ve always had a passion for live music and creating truly unforgettable and unique experiences,” added Peterson. “I’m grateful to Dan, Matt Young and the entire WMAS team for their support and I look forward to continuing to serve our artists and fans around the world.”

Peterson joined Warner Music Artist Services in 2009 following time at Merchandise Management.

BREAKING: Becky Gardenhire Promoted To Co-Head At WME’s Nashville Office

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Becky Gardenhire

Becky Gardenhire has been promoted to Co-Head at WME’s Nashville office. She will work alongside current Co-Heads Scott Clayton, Joey Lee and Jay Williams to oversee WME’s day-to-day operations in Nashville.

“I’m diving even deeper into the day-to-day operations of our office, but also thinking bigger along the lines of what can we be doing to improve what we can do for our clients and colleagues,” Gardenhire tells MusicRow Magazine of her new role.

This promotion makes Gardenhire the highest-ranking female executive at an agency in Nashville.

“I’m super excited that I am in this position. I think it’s really important…we need more women in positions that can make decisions,” she tells MusicRow. “I think it’s so important to have a diverse room and diverse perspectives, whether it’s Cindy Mabe at Universal, or Ali Harnell or Sally Williams at Live Nation, it’s so important for more women to be part of leadership teams. But I also have a lot of great male champions and mentors, I wouldn’t be here without them. I’m grateful for the opportunity.”

“Becky has demonstrated time and again her commitment to her colleagues, clients, and the Nashville community,” Clayton, Lee and Williams said in a joint statement. “Becky embodies the spirit of WME’s Nashville office, and we look forward to the perspective and insight she will bring to this role.”

Gardenhire began her career in the Beverly Hills office of the William Morris Agency in 2002, and relocated to Nashville in 2003. Gardenhire was named partner in 2017.

In addition to her leadership role, Gardenhire also oversees touring, television, literary and sponsorship opportunities for artists including Jake Owen, Jordan Davis, LANCO, Rascal Flatts, Reba McEntire, Tenille Townes, Ingrid Andress, Sara Evans and Trisha Yearwood.

Gardenhire has also spearheaded social impact initiatives for WME and the Nashville music community, such as Talk the Talk, a long-running monthly lecture series that connects women across the Nashville music business.

Last year, Gardenhire was named as one of MusicRow’s Rising Women on the Row honorees, and earned the CMA’s Talent Agent of the Year Award. Gardenhire currently serves on the Board of Directors for the Academy of Country Music, the Board of Directors for TJ Martell’s Nashville chapter and the Board of Directors for the W.O. Smith Music School.

Over the past year, WME’s Nashville office has booked over 14,000 shows, and expanded its offerings to clients through providing resources for film, television, literary, digital and endorsements.

Cold River Records To Close

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After nearly 15 years, Cold River Records is set to close. Cold River Records launched in 2006, and added an in-house radio promotion team in 2010, and launched a publishing division in 2016. Among the artists Cold River Records has represented over the years are Drew Baldridge, Dylan Schneider, Uncle Si and the Sicotics, Maggie Baugh, and Katie Armiger.

“It is with bitter-sweet emotions that I must announce a winding down of Cold River Records over the next few months,” said Cold River Records president Pete O’Heeron. “We began this journey almost 15 years ago and have enjoyed every moment of music creation by our artists. To the amazing employees who have called our label home, I thank you for being such dedicated champions for our artists and making personal sacrifices to support their careers.  As some of my dearest friends, I will miss you the most and cherish all of our memories on the road and the phone calls with your travel stories. To the programmers at radio, producers, songwriters and the music industry leaders who became our friends, I thank you for your counsel, guidance and friendship. To our artists who have performed on the Grand Ole Opry, opened for some of the biggest names in country music, toured the world and even recorded at famed Abby Road studios in London, thank you for creating amazing music that I will never forget.

As many of you know, I have a biologics company where we are seeing almost daily breakthroughs in cell therapy. As passionate as I am about music, I am equally passionate about medicine.  We are developing cures for Degenerative Disc Disease, Multiple Sclerosis, Parkinson’s and CTE (NFL head injuries).  These disease pathways will require ever more increasing attention and time requirements from me. In stepping away from Cold River, I’ll be focusing on our efforts to address these chronic and deadly conditions.”

John Ettinger, Sr. VP, Promotion, commented, “It has been a terrific two years at Cold River, and an honor to work with everyone at the company. Pete O’Heeron is one of the most unique, magnanimous and energetic people I’ve had the chance to partner with in Nashville. Together we created Innovation Music and the Innovation Music Awards, the Tee Roy Williams media executive event, along with a host of initiatives that ideally changed how many view what is a record label. My goal is to imagine and execute a future that looks a lot like our great work together.”

Staffers can be reached below:

John Ettinger, SVP Promotion
615-438-7667
[email protected]

Marie Wapelhorst, Senior Director of Strategy and Artist Relations
402-719-8942
[email protected]

Mary Lynne O’Neal, National Director of Promotion
903-926-0625
[email protected]

Taylor Eschbach, Creative Director
757-374-9705
[email protected]

Bill Heltemes, Regional Radio Promotion
859-653-1345
[email protected]

Kellie Longworth, Regional Radio Promotion
937-232-0574
[email protected]

Jenna Johnson, Regional Radio Promotion
626-484-3382
[email protected]

Meredith McNair, Promotion Coordinator
615-426-6322
[email protected]

David Garcia Wins Christian Songwriter of the Year At the 41st Annual ASCAP Christian Awards

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Matthew West and David Garcia. Photo: Ed Rode.

ASCAP celebrated its most-performed songs on Christian radio on Monday evening (Sept. 16), during the 41st annual ASCAP Christian Music Awards, which returned again this year to the Franklin Theatre in downtown Franklin, Tennessee.

The show opened with praise and worship group Miel San Marcos offering a rendition of “Danzo En El Rio.”

Matthew West presented David Garcia with the Christian Music Songwriter of the Year honor. Garcia’s most-performed songs include TobyMac’s “Everything,” John Reuben’s “Grace Got You,” and Francesca Battistelli’s “The Breakup Song.” Garcia is also nominated for several Dove Awards on Oct. 15.

The ASCAP Christian Music Song of the Year was “Reckless Love,” penned by Cory Asbury and Caleb Culver. Asbury is also the artist on the song, which was published by Bethel Music Publishing and Watershed Worship Publishing. Asbury treated the industry audience to an acoustic rendition of the track.

ASCAP was represented by President Paul Williams, CEO Elizabeth Matthews, John Titta, Mike Sistad, Beth Brinker and Holly Chester.

Cory and Anna Asbury perform. Photo: Ed Rode

For a 17th consecutive year, the ASCAP Christian Music Publisher of the Year was Capitol CMG Publishing, as publisher on recent hits including “All My Hope,” “Do It Again,” “Everything,” and “Resurrection Power.” Capitol CMG’s Brad O’Donnell and his team accepted the honor.

Russ and Tori Taff were honored with the Golden Note Award, which honors songwriters, composers and artists who have earned extraordinary career milestones. Russ was inducted in the Gospel Music Association’s Hall of Fame three times, as a singer in the Imperials, for his solo career, and as part of the Gaither Vocal Band.

Amy Grant shared several memories from her early tours with the Taffs, and the couple were honored with performances of “I Cry” from Joseph Habedank, “We Will Stand” (Chuck Cannon), and an electrifying performance of “Table in the Wilderness,” led by Darrell Brown with Cedric Sesley and the choir Out for Souls.

Pictured (L to R): ASCAP VP of Membership Mike Sistad, Darrell Brown, ASCAP President and Chairman Paul Williams, ASCAP CEO Beth Matthews, Tori and Russ Taff, ASCAP AVP of Membership Kele Currier, Amy Grant, and ASCAP EVP of Membership John Titta. Photo: Ed Rode

Other performances during the evening included Matt Redman’s rendition of “Do It Again,” while Garcia and Ben Glover performed “Grace Got You.”

A total of 21 most-performed songs were honored during the event.

Publisher of the Year Capitol CMG, with ASCAP CEO Beth Matthews in center. Photo: Ed Rode.

Guest presenter Amy Grant with ASCAP Golden Note Award honorees Tori and Russ Taff. Photo: Ed Rode

Blake Shelton, Jason Aldean, Luke Bryan Share The Love For ETC at Tribute Concert

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Jason Aldean, Luke Bryan, Blake Shelton, and other artists who were fans of Earl Thomas Conley gathered at the CMA Theatre at the Country Music Hall of Fame last Tuesday (Sept. 10) to pay tribute to the man Shelton called “my superhero.”

Before a near capacity crowd, the group of entertainers, which also included John Anderson, Wade Hayes, Joe Diffie, Walt Aldridge, Neal McCoy, Dale Ann Bradley, Errin Scates and The Earl Thomas Conley Band talked about Conley’s influence on them and performed his songs, agreeing that many of them appear deceptively easy to sing. Bryan, who sang “Once In A Blue Moon,” remarked during rehearsals that he was probably going to have to switch to falsetto on some of the high notes, quipping, “You just don’t know the range in these songs until you try to sing them.”

Many artists shared fond memories of Conley. Neal McCoy traveled with Conley when the two opened for Charley Pride, and Wade Hayes recalled his first purchase of a Conley tune was “Fire and Smoke.” Before Hayes got into the business himself, he recalled meeting the singer at a celebrity golf tournament. “He was so kind but a little shy, and that always stuck with me.”

Aldean also met Conley early in his career and was invited to go on his bus. “He said he liked my music, and I had only had a couple songs out at that time. I was struck by his kindness.”

Bill Cody and Devon O’Day from WSM-AM 650 co-hosted the tribute, adding their favorite stories of Conley. “I remember one day I was interviewing Earl and I asked him who his heroes were,” Cody said. “He said Merle Haggard, Lefty Frizzell, Waylon Jennings and Hank Williams, and I looked at him and said, ‘Didn’t you want to be anybody well behaved?” Earl just looked at me and said, ‘Apparently not’.”

Also featured in the tribute were videos sent by artists who couldn’t take part in the memorial from Marty Raybon of Shenandoah, Little Big Town, Trace Adkins, Brad Paisley, Steve Wariner, the Oak Ridge Boys, Jake Owens, Toby Keith and Vince Gill.

The Essential Earl Thomas Conley was recently released by Sony Legacy. It is available only on digital and includes a brand-new song by Earl, “Love’s The Only Voice.”

John Anderson, Joe Diffie

Blake Shelton with Earl Thomas Conley’s daughter, Erinn Scates, and Carole Scates and Cassie Scates

Taylor Swift Will Be First Female Artist To Open NFL Stadium Show

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Taylor Swift announced multiple international tour dates today (Sept. 17), as well as Lover Fest—named after her 2019 album. The announced dates visit Germany, France, Portugal, Brazil, Lover Fest West at SoFi Stadium in Los Angeles, CA, and Lover Fest East at Gillette Stadium in Foxborough, MA. Swift will become the first female artist to ever open an NFL Stadium on July 25 and 26, 2020 at SoFi Stadium.

In an Instagram post the singer said, “For me, the Lover album is open fields and sunsets and SUMMER. I want to celebrate the album and perform it live with you in a way that feels authentic to the music. I want to go to some places I haven’t been, and play festivals for the first time in ages…and where we didn’t have festivals, we made some. Introducing, Lover Fest East and West. Details and additional dates coming soon! TaylorSwift.com!”

Taylor Swift’s Announced 2020 Dates:
June 20 – Werchter Boutique (Werchter, Belgium)
June 24 – The Waldbühne (Berlin, Germany)
June 26 – Oslo Sommertid (Oslo, Norway)
July 1 – Roskilde Festival (Roskilde, Denmark)
July 3 – Open’er Festival (Gdynia, Poland)
July 5 – Festival de Nîmes (Nîmes, France)
July 9 – NOS Alive (Oeiras, Portugal)
July 18 – Allianz Parque (Sao Paulo, Brazil)
July 25 – SoFi Stadium (Los Angeles, California)
July 26 – SoFi Stadium (Los Angeles, California)
July 31- Gillette Stadium (Foxborough, Massachusetts)
August 1- Gillette Stadium (Foxborough, Massachusetts).

For more information, visit taylorswift.com.

Lauren Daigle Plans First Headlining Arena Tour For 2020

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Lauren Daigle is set to kick off her first headlining arena tour, the “Lauren Daigle World Tour,” in 2020. The 44-city trek kicks off Jan. 18 in Melbourne, Australia and will include a performance at New Zealand’s Festival One. The U.S. leg launches Feb. 20th in Pensacola and includes a Nashville show June 20 at Bridgestone Arena

The tour will wrap with a special performance in Lauren’s hometown of Lafayette, Louisiana at the Cajundome.

Folk/soul duo JOHNNYSWIM will join Daigle on select US dates. The tour follows nearly 70 sold-out shows Daigle has performed since the release of her Grammy-award winning album, Look Up Child. American Express card members can purchase tickets in the U.S. and Canada before the general public beginning Tuesday, Sept. 17-Sept. 19. A limited number of VIP Packages will be available to purchase that include tickets, access to a pre-show song performance and Q&A with Daigle, a limited-edition tour poster, custom merchandise and more. Tickets will go on sale to the general public in U.S. and Canada on September 20th at laurendaigle.com/tour.

“This year has been life changing,” said Daigle. “There’s no better feeling than to be able to look out from the stage and see how people have connected with the songs on this album. Our shows feel like one big party of togetherness, and I can’t wait to create a whole new tour for 2020. It’s going to be so much fun!”

To exclusively announce the upcoming dates, iHeartMedia’s LiteFM on-air personalities Cubby and Christine hosted an iHeartRadio Special Announcement with Daigle at iHeartMedia headquarters in New York. The event included an intimate performance and Q&A which streamed live on iHeartRadio’s YouTube. In addition, iHeartMedia will broadcast portions of the Q&A on LiteFM on Sept. 17.

Lauren Daigle World Tour Dates:
January 18: Palais Theatre Melbourne, VIC, Australia
January 19: Enmore Theatre Sydney, NSW, Australia
January 22: Fortitude Music Hall Brisbane, QLD, Australia
January 24: Festival One Hamilton, New Zealand
January 25: James Hay Theatre Christchurch, New Zealand
February 20:  Pensacola Bay Center Pensacola, FL
February 21: VyStar Veterans Memorial Arena  Jacksonville, FL
February 22: Bojangles’ Coliseum Charlotte, NC
February 27: Bon Secours Wellness Arena Greenville, SC
February 28: Thompson-Boling Arena Knoxville, TN
February 29: Greensboro Coliseum Greensboro, NC
March 5: American Airlines Center Dallas, TX
March 6: Chesapeake Energy Arena Oklahoma City, OK
March 7: CenturyLink Center Bossier City, LA
March 12: Van Andel Arena Grand Rapids, MI
March 13: Ford Center Evansville, IN
March 14: Grossinger Motors Arena Bloomington, IL
March 15: Huntington Center Toledo, OH
April 30: Rupp Arena Lexington, KY
May 1: Berglund Center Roanoke, VA
May 7: State Farm Arena Atlanta, GA
May 8: Amway Center Orlando, FL
May 9: BB&T Center Sunrise, FL
May 14: CHI Health Center Omaha, NE
May 15: Target Center Minneapolis, MN
May 16: Denny Sanford PREMIER Center  Sioux Falls, SD
May 28: Sprint Center Kansas City, MO
May 29: Chaifetz Arena St. Louis, MO
May 30: Resch Center Green Bay, WI
June 18: Allstate Arena Rosemont, IL
June 19: Allen County War Memorial Coliseum  Fort Wayne, IN
June 20: Bridgestone Arena Nashville, TN
June 25: Madison Square Garden New York, NY
June 26: Agganis Arena Boston, MA
June 27: XL Center Hartford, CT
July 1: Mohegan Sun Arena at Casey Plaza  Wilkes-Barre, PA
July 2: Scotiabank Arena Toronto, ON
July 3: Bell Centre Montreal, QC
July 9: PPG Paints Arena Pittsburgh, PA
July 10: Giant Center Hershey, PA
July 11: Scope Arena Norfolk, VA
July 16: Toyota Center Houston, TX
July 17: Frank Erwin Center Austin, TX

Mechanical Licensing Collective Submits Proposal To Copyright Royalty Board

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The Mechanical Licensing Collective has submitted its proposal to the Copyright Royalty Board outlining the structure of the collective, as well as the funding required to carry out the statutory demands of the Music Modernization Act. The law mandates that the funding be wholly paid by the digital services.

According to a statement from the MLC, the proposed start-up assessment is $37.25 million, with an annual assessment starting at $29 million before its start date in 2021.

By Jan. 1, 2021, the MLC must be able to administer the new nationwide blanket license system for mechanical rights, operate an unprecedented, transparent database, match copyright ownership to usage on streaming platforms, and pay songwriters and publishers quickly and accurately.

The MLC’s submission to the CRB also outlines many of the MLC’s funding and staffing plans, including details of the MLC’s proposed organization and operations. The CRB rules provide for a written response by the digital services, a written reply by the MLC, and then a hearing with live testimony, which is currently scheduled for February 2020. The CRB ruling will be due by July 2020.

The commission-free collective will be funded by the digital services, who will be able to receive blanket licenses through the MLC. The funding will be made through an “administrative assessment” on the digital services, which the judges at the Copyright Royalty Board are tasked with setting in an amount sufficient to cover the MLC’s total costs.

The MLC released the following statement: “The CRB submission is the result of months of research on the most efficient and effective way to run this unprecedented new collective that will serve the needs of both the songwriters and their music publishers as well as the digital music services from Day One. The proposed start-up assessment is $37.25 million, with an annual assessment starting at $29 million in 2021, when the MLC commences its blanket licensing operations. The proposed assessment is the right one under the law, and the budget is very reasonable for digital companies to pay to receive the benefits the blanket license will provide them. The MLC’s operating budget and staff must be capable of comprehensively meeting and executing the extensive requirements and responsibilities of the Collective under the law in less than 15 months from now.”

MLC Board Chairman Alisa Coleman added, “We have a mandate to not just administer the mechanical licensing process, but to improve it, make it more transparent, and to better serve songwriters and publishers of all sizes and around the world. We have outlined for the Judges what is necessary to achieve these goals and significantly advance the industry, and to fulfill Congress’ mandate to end the status quo where undisclosed millions of dollars owed to music creators are not paid. We are going to continue to work tirelessly in these CRB proceedings to ensure the tech giants who joined with us to pass the MMA continue that partnership to fully fund the most important piece of the legislation, the entity that will actually implement the requirements of the legislation.”

Weekly Register: The Highwomen Debut At No. 1 On Country Albums Chart

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The Highwomen, the self-titled debut project from Brandi Carlile, Natalie Hemby, Maren Morris and Amanda Shires, debuts at No. 1 this week on the country albums chart, according to Nielsen Soundscan. The project moved 34K in total consumption.

The album’s debut outranked a recent mainstay at the country album chart pinnacle, Luke Combs‘ This One’s For You, which rings in at No. 2 this week, with 18K. Dan+Shay‘s self-titled album is at No. 3, with 13.5K. Home Free‘s Dive Bar Saints debuted at No. 4, with 12K. Morgan Wallen‘s If I Know Me rounds out the Top 5 with 11K.

Blanco Brown continues to rule the country streaming songs chart, as “The Git Up” reigns at No. 1 this week with 17.7 million streams. Combs’ “Beer Never Broke My Heart” is at No. 2 with 7.7 million streams. Luke Bryan‘s “Knockin’ Boots” is at No. 3 with 7.68 million streams, followed by Wallen’s “Whiskey Glasses” at No. 4 with 7.5 million streams. Blake Shelton‘s “God’s Country” rounds out the Top 5 with 7.4 million streams. This week’s top debut is Kelsea Ballerini‘s “Homecoming Queen?” which launches at No. 14 with 4.8 million streams.

Yola Announces Walk Through Fire World Tour

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Yola announced her Walk Through Fire World Tour today which will travel across the US, Canada, and Europe, with other territories and dates to be announced. Amythyst Kiah is confirmed to open various dates of the U.S. run. European and UK dates are on sale now, and 2020 U.S. tour dates will go on sale this Friday, Sept. 20.

Yola will also perform with Kacey Musgraves at Bridgestone Arena in Nashville on Oct. 25, at Farm Aid, two dates with Old Crow Medicine Show at the Ryman Dec. 30-31, and at Brandi Carlile’s Girls Just Wanna Weekend in 2020.

Yola’s debut album Walk Through Fire, which released earlier this year, was produced by Dan Auerbach, and was written and recorded at Auerbach’s Nashville-based Easy Eye Sound studio. Among the album’s guest performers are Vince Gill, while bassist Dave Roe (Johnny Cash), drummer Gene Chrisman and pianist Bobby Wood played on the project.

“I am so excited to announce my first world headline tour and honored to bring Amythyst Kiah out on the road with me,” said Yola. “She has an incredible voice and her songs are next level—she is gonna blow you all away.”

The Grammy Museum has announced it will host a special conversation and performance with Yola in L.A. on Wednesday, Oct. 16. Presale tickets were available beginning Sept. 12 and general sales begin Thursday, Sept. 19.

YOLA TOUR DATES 2019:
SEP 14 SAT –  Music Midtown, Piedmont Park/Park Tavern, Atlanta, GA,
SEP 19 THU – Castle Theatre, Bloomington, IL,
SEP 20 FRI – Codfish Hollow Barnstormers, Maquoketa, IA,
SEP 21 SAT – Farm Aid, Alpine Valley Music Theatre in East Troy, Wisconsin
SEP 22 SUN – Bluebird Nightclub, Bloomington, IN,
SEP 26 THU – Levitt Shell, Memphis, TN
SEP 27 FRI – Fillmore New Orleans, New Orleans, LA,  (With Kacey Musgraves)
SEP 28 SAT – Fillmore New Orleans, New Orleans, LA,  (With Kacey Musgraves)
OCT 5 SAT – Hardly Strictly Bluegrass
OCT 13 SUN – Austin City Limits Music Festival, Austin, TX,
OCT 16 WED – The Grammy Museum, Los Angeles, CA
OCT 25 FRI – Bridgestone Arena – Nashville TN (With Kacey Musgraves)
NOV 03 SUN -Leeds, United Kingdom, O2 Academy Leeds (with Greta Van Fleet)
NOV 04 MON – Dublin, Ireland, Olympia Theatre (with GVF)
NOV 06 WED – Glasgow, United Kingdom, O2 Academy Glasgow (with GVF)
NOV 07 THR – Newcastle Upon Tyne, United Kingdom, O2 Academy Newcastle (with GVF)
NOV 09 SAT – Liverpool, United Kingdom, Mountford Hall (with GVF)
NOV 10 SUN – Nottingham, United Kingdom, Rock City (with GVF)
NOV 12 TUE – Amsterdam, Netherlands, AFAS Live (with GVF)
NOV 13 WED – Paris, France, Zénith de Paris (with GVF)
NOV 15 FRI – Antwerp, Belgium, Lotto Arena (with GVF)
NOV 16 SAT – Berlin, Germany, Musik & Frieden
NOV 17 SUN – Hamburg, Germany, HÄKKEN
NOV 18 MON – Frederiksberg, Denmark, KB Hallen(with GVF)
NOV 20 WED – Cologne, Germany, Palladium Cologne (with GVF)
NOV 21 THR – München, Germany, Zenith (with GVF)
NOV 22 FRI – Milano, Italy, Santeria Toscana 31
NOV 24 SUN – Milan, Italy, Alcatraz (with GVF)
NOV 26 TUE – Barcelona, Spain, Sant Jordi Club (with GVF)
NOV 28 THR – Paris, France, Café de la Danse
NOV 30 SAT – Glasgow, United Kingdom, Òran Mór (with GVF)
DEC 01 SUN – Dublin, Ireland, Olympia Theatre
DEC 03 TUE – Manchester, United Kingdom, Gorilla
DEC 04 WED – London, United Kingdom, Islington Assembly Hall
DEC 11 WED – Garcia’s, Port Chester, NY, United States
DEC 30 MON – The Ryman w/ Old Crow Medicine Show, Nashville
DEC 31 TUE – The Ryman w/ Old Crow Medicine Show, Nashville