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Downtown Music Publishing To Administer Big Yellow Dog Catalog

big-yellow-dog-downtownDowntown Music Publishing has signed on to administer the catalog of independent music publishing and artist development company, Big Yellow Dog Music.

Nashville-based Big Yellow Dog represents Meghan Trainor, Josh Kear, Maren Morris and more. Among Big Yellow Dog’s hits are Trainor’s “All About That Bass,” “Lips Are Movin” and “No”; Morris’ “My Church” and “80s Mercedes”; Lady Antebellum’s “Need You Now,” co-written by Kear; and Carrie Underwood’s “Before He Cheats” and “Blown Away,” both co-written by Kear.

Big Yellow Dog Music also has songs recorded by Fifth Harmony, Jason Derulo, Charlie Puth, DJ Khaled, Keith Urban, Luke Bryan, Demi Levato and Rascal Flatts. Their film, television and brand division had over 400 placements in 2016 including uses by JCPenney, How to Get Away with Murder, Shades of Blue, HP, Mad Max: Fury Road, Moana, Peanuts, T-Mobile, and The Edge of Seventeen.

“Kerry O’Neil, Co-Owner, Big Yellow Dog Music, has been a true friend to Downtown for many years and we have always admired the company that Carla Wallace, Co-owner and CEO, and Kerry have built,” said Andrew Sparkler, Downtown’s Senior Vice President of Business Affairs and Operations. “We are thrilled to strengthen our long-standing relationship with them by welcoming Big Yellow Dog Music and their world class catalog to the Downtown family.”

“Today’s business environment is as challenging and fast-paced as any in our 18 years of business,” Big Yellow Dog’s Kerry O’Neil and Carla Wallace said in a statement. “Being able to align our company with such a serious player in copyright administration is a great opportunity for us and our writers.”

Founded in 2007, Downtown Music Publishing is headquartered in New York with offices in Nashville, Los Angeles, London, Amsterdam and Tokyo.

The Academy Of Country Music Selects Pete Fisher As New CEO

 Pete Fisher, CEO of the Academy of Country Music

Pete Fisher, CEO of the Academy of Country Music

The Academy of Country Music announced today (Jan. 9) that Pete Fisher has been selected as the Academy’s new Chief Executive Officer. He will take the helm beginning Monday, January 30, 2017 and will relocate with his wife from Nashville, TN to Los Angeles, CA.

Fisher has served as the Vice President and General Manager of the Grand Ole Opry in Nashville, a post he held for 17 years that will end on January 20. Fisher oversaw the Opry through significant transformation over the years and was instrumental in navigating the Opry through the historic Nashville flood in 2010 with a $20 million renovation of the Opry House.

Ken Tucker, Chairman of the Academy’s Board of Directors, says “Pete is a team builder, a champion of the importance of office culture and a person who believes strongly in discerning and following a strategic path alongside those around him. Through Pete’s successful leadership, the Opry became a place that recognized the importance of exposing legendary, contemporary and emerging artists equally. Tucker adds, “The Board thanks Tiffany Moon for her command through this interim search period as well as the staff for keeping the Academy on a forward trajectory. We feel very lucky to have Pete’s leadership in the next phase of the Academy’s growth and presence on the world’s entertainment stage, heading into 2017.”

“Our mission when we started the selection process was to take our time and do it right,” says Duane Clark, ACM Vice President and co-chairman of the CEO selection committee. “We wanted to have a process that was thorough and one that opened the doors so we had every opportunity to find the right candidate. We were very fortunate to have had such a wide range of great candidates and we were all very excited when Pete voiced his interest in the position.” Clark also shared with MusicRow some of the key criteria in filling the position. These traits included someone with leadership experience, TV and entertainment background, the ability to be an ambassador for the Academy and to represent the face and voice of the Academy moving forward. Other important qualities included strong brand awareness and strong partnership management skills.

Fisher will be only the second Chief Executive Officer in the Academy’s 53-year-history. Bob Romeo stepped down from the post in May of 2016 after 13 years at the organization. Prior to that, the Academy was managed day-to-day by Fran Boyd and Bill Boyd, dating back to the Academy’s inception in 1964.

Fisher spoke to MusicRow to discuss his new leadership position with the ACM:

With such a significant career change after many successful years at the Opry, what are you feeling right now?
I am thrilled. My 17 years at the Opry have been extraordinary and I’m so proud of what the team has accomplished during that time and now it’s time to start a new chapter in my career. Industry service and music industry trade organizations have always been a passion of mine and when this opportunity came up, I didn’t hesitate to throw my name in the hat.

What attracted you to the CEO position with the Academy of Country Music?
First of all, I’ve been a board member and a believer of everything the Academy represents since 2003. A few years later, I became a board member of ACM Lifting Lives as well. Throughout my career, I’ve always made it a priority to serve industry organizations. It has been a passion of mine and very fulfilling. When I look at the Academy of Country Music, it’s a perfect alignment with the things I love to do. As CEO, I think I bring the skill sets that will help this organization grow into the future and enjoy new accomplishments and build upon everything that has been accomplished so far.

What have you learned at the Opry that you will be taking with you in this new leadership role?
The Opry has prepared me so well. I am so grateful to people like Colin Reed, Mark Fioravanti and Steve Buchanan for all they have taught me over the years. The Grand Ole Opry is one of the world’s renowned brands so I have developed a great understanding of branded entertainment and brand development. I have been involved in the production of over 300 television shows, specials, DVDs and audio projects. My time at the Opry has fed me an incredible array of relationships throughout the music industry both in Nashville and Los Angeles. I have developed close and sometimes personal relationships with almost all of the artists in the country music industry. The Opry is a showcase for the entire country music artist community so over the years, I have literally grown up with many of those careers and consider many of those artists my friends. Also, being in a corporate environment that the Opry is part of, I learned some incredible ‘best practices’ for how to run a successful organization. I have learned to appreciate the importance of people first, culture second, and strategy third. If you don’t get people and culture right, the best strategy in the world is not going to be executed with success.

Speaking of strategy, are you looking to expand the brand and reach of the ACM?
My first commitment to the organization is to listen and learn from the staff, the board, and from the music industry at large. I want to understand their perceptions of the academy and hear their ideas for what the academy can become. Then we plan to move into a successful awards show in Vegas. Lastly, we will enter into a collaborative strategic planning process with the board, revisit the mission, and create a roadmap to that vision.

After 32 years in Nashville, relocating to Los Angeles is a big move. How will that affect your relationship with Nashville?
My job will be to be as connected as I’ve ever been to Nashville. I really want to increase the presence of the Academy of Country Music in Nashville and also discover what the Academy might be able to bring from the west coast to country music to help broaden and strengthen its reach.

Colin Reed, Chairman and CEO of Ryman Hospitality Properties, released a statement regarding Fisher and the GM/VP position at the Grand Ole Opry. “We are excited for Pete and believe this position is a tremendous opportunity for him, the ACM and our industry,” said Reed. “I feel certain that the Opry will continue to have a great relationship with him in this new capacity. We have begun our search for someone to fill this key role within our organization and will have more to share once we have identified that individual.”

To send congratulations, you can reach Pete Fisher at [email protected].

Promotions, Departures At Black River Entertainment

Pictured (Clockwise, L-R): XX, Dawn Delvo, XX, Mike Wilson

Pictured (Clockwise, L-R): Bailey White, Dawn Delvo, Tanya Welch, Mike Wilson

Black River Entertainment CEO Gordon Kerr has announced the promotion of Dawn Delvo, Tanya Welch, and Mike WilsonBailey White is welcomed as the new Promotion Coordinator. Exiting the company are General Manager Greg McCarn, and Promotion Coordinator Taylor Weil.

Delvo, who joined the team nearly six years ago in 2011, has been promoted from Director of Public Relations to Head of Media and Public Relations for the company.

Following more than 20 years with Sony Music Nashville, Welch joined Black River Entertainment in June of 2015 as Senior Director, Marketing and has been promoted to Vice President, Marketing.

Wilson, who joined the Black River team in 2013 and has served most recently as Vice President of Promotion, has been elevated to Sr. Vice President of Promotion.

“We continue to make strides to become the company we know we have to be in order to help our artists, songwriters, and staff reach their full potential,” said Kerr. “Elevating Dawn and Tanya is the natural step towards that end. I am continually impressed with their leadership, vision and commitment to the Black River family!”

“Mike has mentored and guided our excellent promotion staff, and through that leadership, we have achieved history making results,” said Black River Records’ Executive Vice President Rick Froio. “We are thrilled to announce that Mike will continue to play a major role in the company as our Sr. Vice President of Promotion.”

Dawn and Tanya continue to report to Kerr and can be reached by phone at 615-780-3070 or via email, [email protected] or [email protected].

Mike reports to Black River Records’ EVP Rick Froio, Mike can be reached at [email protected] or by phone at 615-780-3070.

Joining Black River’s promotion department as Promotion Coordinator is Bailey White. With a background in pop, country, and Christian formats, Bailey’s previous stops include Sony Music Nashville, Checkd.in, Provident Label Group, Crowd Surf, and most recently the Country Music Hall of Fame and Museum.

“We are very excited to have Bailey joining us,” said Mike Wilson. “She brings in new energy, passion for music, and a great work ethic.”

Bailey reports to Black River’s Sr. Vice President of Promotion Mike Wilson, and can be reached at [email protected] or by phone at 615-780-3070.

Weekly Chart Report (1/6/17)

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Click here or above to access MusicRow‘s weekly CountryBreakout Report.

DISClaimer: Three Promising Newcomers Earn DISCovery Honor

Pictured (clockwise from top left): Ben McPeak, Dylan Jakobsen, Midland

Pictured (clockwise from top left): Ben McPeak, Dylan Jakobsen, Midland

Happy New Year.

We’re starting 2017 the right way in DISClaimer, by showcasing artists who are new and promising. In a first for this column, we have a three-way tie for the DisCovery Award. Let me direct your attention to one of the most solid singers I’ve heard in a while, Ben McPeak. Next pay heed to a trio of hunks called Midland. Then lend the edgy Dylan Jakobsen your ears. All three are fine, fine listening experiences.

One theme of the day seemed to be weird band names — Australia’s Tornadoes, The Runaway Hamsters, The Easy Leaves — and that’s the most interesting thing about all three.

The Disc of the Day goes to veteran Billy Hardwick Jr. His “The Day Merle Haggard Died” is as country as it gets.

THE EASY LEAVES/Fresno
Writers: Sage Fifield; Producer: Brad Dollar; Publisher: none listed; Omega (track)
-The tempo slogs through sludge. The echo chamber is ten miles deep. The vocals are hillbilly nasal and way pitchy. It says here that it was recorded live.

BILLY HARDWICK JR./The Day Merle Haggard Died
Writers: Billy Hardwick Jr.; Publisher: Rusty Washboard, BMI; Producer: none listed
-Country to the core. It name-checks the Hag’s song titles as it tells the tale of a performer who yearns to be just like his idol. This veteran has always been considered “too country.” Which is fine with me.

THE RUNAWAY HAMSTERS/A Little Country
Writers: The Runaway Hamsters/Kent Wells; Producer: Kent Wells; Publisher: Way West/Creek Valley, BMI/ASCAP
– This acts consists of three sisters and a brother, all of whom are pre-teen. They sound exactly like little kids playing dress-up. Bouncy and bubblegummy.

MIDLAND/Drinkin’ Problem
Writers: Jess Carson/Cameron Duddy/Mark Wystrach/Shane McAnally/Josh Osborne; Producer: Shane McAnally, Dann Huff & Josh Osborne; Publisher: WB/Jess Carson/Warner-Tamerlane/Vaqueros Galacticos/Tropical Cowboy/Smack Hits/Kobalt/Songs of Black River/One Little Indian Creek, ASCAP/BMI/GMR; Big Machine 
-Airy and vaguely “western” sounding, with plenty of breezy steel and lightly twanging guitar work. Nicely understated vocal work on the gentle melody. Extremely promising.

 

GARY WEST/Right
Writer: Wynn Varble; Producer: Gary West; Publisher: none listed
-West’s new CD is a salute to The Man in Black, titled For the Love of Cash Volume 2. He offers his own take on standards like “Ring of Fire,” “Understand Your Man” and “Sunday Morning Coming Down,” mixed in with new tunes. This witty, tongue-in-cheek ditty is a catchy toe tapper with stuttering guitar and rumbled, Cash-like vocals. Also check out the equally catchy “I Ain’t Playin’ No Jason Aldean.”

JOSEPH WELZ/Save The Night
Writers: Joey Welz; Producer: Joey Welz; Publisher: Ursula, BMI
-His whispered vocal wobbles from note to note, seldom landing accurately. The cheesy, piano-and-saxophone production is a riot.

THE HAMMOND BROTHERS/Let It Rain On Me
Writers: Dale & Gale Hammond; Producers: Dale & Gale Hammond; Publishers: Vonger, no performance rights listed; Vonger (CDX)
– Pleasant and inoffensive, featuring good sibling harmony vocals. But I don’t know that I’d play it more than just this once.

AUSTRALIA’S TORNADOES/Cowboy For A Night
Writer: Darrell T. Ewing; Producers: Hillbilly Rick, Dave Goodger, Mark Borg; Publishers: none listed; BMI; HR (CDX)
– Basic neo rockabilly, with a rollicking piano, a honking sax and a jitterbug beat. There’s nothing special about the singing, but it gets the job done.

 

DYLAN JAKOBSEN/Silverado
Writer: Dylan Jakobsen; Producer: Dylan Jakobsen; Publishers: none listed, BMI; CB (CDX)
– I like the rasp in his voice and the powerful rhythm track. The lonesome lyric is sweet, too. This is very, very cool sounding. Who are you? Send more.

BEN McPEAK/Fix You Up
Writers: Hayslip/Wiseman/Akins; Producer: Billy Decker; Publisher: none listed; BMM (CDX)
– He’s gonna cure her heartache with a night on the town, followed by some smooching in the car. He sings with plenty of chesty oomph, and the track rocks nicely. Well done.

Blake Shelton to Open Multimillion Dollar Venue in Downtown Nashville

Blake Shelton

Blake Shelton is transforming his hit “Ol’ Red” into an entire lifestyle brand, anchored by a huge, new, multimillion dollar entertainment venue set to open on Nashville’s lower Broadway. Shelton is partnering with Ryman Hospitality Properties for the new venture, which is part of Ryman Properties’ strategy to create retail, entertainment venues, and digital content that celebrate the country lifestyle and resonate with country’s rapidly growing fan base around the globe.

Ole Red Nashville will be a multi-level, 26,000-square-foot entertainment venue with a two-story bar and restaurant, retail area, performance space, dance floor and private VIP booths for small groups. Set to open in 2018 at 300 Broadway, the complex will also include a private event space and a 6,000-square-foot rooftop with an indoor/outdoor bar/restaurant with views of Lower Broadway. The venue’s performance space will be equipped with a state-of-the-art sound system tailor-made for everything from intimate concerts and live band karaoke to artist showcases.

“It’s amazing to me to see a song that’s been such a big part of my career come to life in the plans for Ole Red,” said Shelton. “Nashville and Tishomingo are both places that are important to me, and it’s great that each location is going to have its own personality inspired by one of my favorite songs. It’s always been a dream of mine to create something like this where people know they’re going to have a good time as soon as they walk in the door, and I couldn’t be more excited that my friends at the Opry and Ryman Hospitality Properties are making it happen.”

“The Grand Ole Opry is known for connecting fans to the artists and the music they love and that is what the Ole Red brand is all about,” said Colin Reed, Ryman Hospitality Properties Chairman/CEO. “Not only is Blake Shelton one of the most popular entertainers of his generation, his performance style and passion for authentic country music have also made him a fixture on the Grand Ole Opry stage since the early days of his career. Ole Red will immerse fans in all the elements of a great country song—with some unexpected twists from Blake along the way.”

Shelton and Ryman Hospitality Properties also announced plans to open a second venue, Ole Red Tishomingo, set to open in late 2017 in Shelton’s hometown of Tishomingo, Okla.

Renderings for the Nashville location can be seen below.

ole-red-1

ole-red-3

ole-red-2

 

 

peermusic Inks Publishing Deal With Jennifer Hanson

Jennifer Hanson

Pictured (L-R): Michael Knox, Vice President of Nashville, peermusic; Jennifer Hanson; Kim Wiggins, peermusic Senior Creative Director.

Singer/songwriter Jennifer Hanson has signed an exclusive publishing deal with peermusic.

Hanson has penned songs including “Leave The Pieces” (The Wreckers), “A Different World” (Bucky Covington), and “Let Me Down Easy” (Billy Currington). She also co-wrote “Country Strong,” the title track for the movie of the same name, which starred Gwyneth Paltrow and Tim McGraw.

“Jennifer Hanson is hands down one of my favorite songwriters in town,” said peermusic VP Michael Knox. “When Kim Wiggins brought her to me and said she was looking for a deal, it was that missing piece we had been looking for.”

“I’m beyond thrilled to be signing with peermusic,” said Hanson about her new publishing home. “The enthusiasm and support that Michael Knox, Kim Wiggins and the rest of the peermusic team have shown me has been incredible and I look forward to a productive and successful partnership.”

Blackstone Acquires SESAC

SESAC-LOGO185

Private equity firm Blackstone has purchased the nation’s third-largest performing rights organization SESAC from Rizvi Traverse Management. Financial terms of the transaction were not disclosed. The transaction is expected to close by the end of the first quarter of 2017.

SESAC’s 30,000 artist and songwriter affiliates include Bob Dylan, Neil Diamond, RUSH, Charli XCX (PRS), Zac Brown, Mumford & Sons (PRS), Lady Antebellum, Mariah Carey, Axl Rose, Shirley Caesar, and Robin Thicke.

SESAC Chairman and CEO John Josephson said, “We are excited to partner with Blackstone. The long-term investment horizon of their core private equity platform was especially attractive to us as we seek to execute our company’s growth strategy in our primary performance rights business, as well as mechanical rights, administrative services, multi-rights and multi-territory licensing. Blackstone is acquiring our company with the specific intent of backing the existing management team, and shares our long-term vision for the company with a history of adding value to their portfolio companies as a supportive strategic partner and capital provider. We anticipate a seamless transition in ownership with no disruption to our business activities as a result of this transaction. Going forward, we believe our long-term partnership with Blackstone will position SESAC well for enhanced growth and continued delivery of best in class service to our affiliates, licensees and commercial partners.” Josephson added, “We would also like to thank Ben Kohn and his partners and colleagues at Rizvi for their strong support of SESAC during its ownership of the company over the last four years, and key role in building the business alongside the management team.”

Robert Reid, Senior Managing Director at Blackstone, said, “We are thrilled to be backing John, Kelli Turner and the entire SESAC team and investing in the most progressive music rights organization for songwriters and artists. Music is fundamental to our society and is consumed both actively and passively by users worldwide, across increasingly diverse methods of distribution. We expect music listenership to continue to grow over the long-term and are excited to invest in SESAC, one of the key facilitators of the music market and related copyright management infrastructure.”

David Kestnbaum, Managing Director at Blackstone said, “We view SESAC as an attractive fit for our core private equity investment platform and are pleased to partner with the company’s experienced, highly capable management team to help support their growth strategy over the long term to continue to serve their key affiliate and licensee constituents.”

 

Weekly Register: Garth Brooks Dominates, “Girl Crush” Makes A Comeback

garth-brooks

Garth Brooks

ALBUM SALES

Garth Brooks dominated the country albums chart for the last week of 2016, with his Ultimate Collection Target exclusive selling 31K (421K release to date). As the collection included 10 discs, that translates to 4,210,000 total units, by RIAA standards.

Miranda Lambert‘s double album, The Weight of These Wings, landed at No. 2, moving 18K this week, for 241K to date (482,000 units by RIAA standards).

Chris Stapleton‘s Traveller moved 15K (183K RTD) to land at No. 3 this week, while the Garth takes another spot in the Top 5, with his Christmas Together project with Trisha Yearwood moving 15K (183K RTD) and landing at No. 4. Keith Urban’s Ripcord moves 12K this week, for 412K RTD. The Capitol Nashville/Hit Red Records project rounds out the Top 5 this week.

Vocal group Pentatonix tops the last album chart of the year, with Christmas selling 101K.

Overall album sales are down 16.8 percent year to date, while overall digital album sales have declined 20.3 percent. Country album sales have declined 3.3 percent, while country digital album sales have declined 15.6 percent.

TRACK SALES

Keith Urban

Keith Urban

Keith Urban‘s “Blue Ain’t Your Color” tops the country tracks this week, with 48K sold, for a total of 660K RTD. Florida Georgia Line (ft. Tim McGraw) follow at No. 2 with “May We All” selling 30K (448K RTD).

Little Big Town‘s smash hit “Girl Crush” returns to the Top 5 digital tracks rankings this week, landing at No. 3 and moving 30K, for a total of 2.3 million in sales to date. The group’s current single, “Better Man,” sits just outside the Top 5 this week, at No. 6, with 27K sold (282K RTD).

Brett Young‘s “Sleep Without You” lands at No. 4 this week, with 29K sold (343K RTD). Jon Pardi’s “Dirt On My Boots” rounds out the Top 5 country digital tracks, moving 28K this week, for 191K sold RTD.

Overall digital track sales declined 24.9 percent year to date, while country track sales declined 23.2 percent YTD.

Information is provided courtesy of Nielsen Soundscan.

Rewind: 2016 ‘MusicRow’ CountryBreakout Chart No. 1s

CBOSlider

Since 2002, The MusicRow CountryBreakout Chart has crowned No. 1 songs in the country radio marketplace, celebrating 49 chart-topping songs in 2016. MusicRow congratulates each artist, songwriter and label for its accomplishments this year.

Five artists celebrated three chart-toppers this year, making it a five-way tie for the artist with the most No. 1 songs on the MusicRow CountryBreakout chart this year.

Carrie Underwood-
“Heartbeat”
“Church Bells”
“Dirty Laundry”

Tim McGraw-
“Humble And Kind”
“How I’ll Always Be”
“May We All” (with Florida Georgia Line)

Florida Georgia Line-
“Confession”
“H.O.L.Y.”
“May We All” (feat. Tim McGraw)

Luke Bryan-
“Home Alone Tonight” (feat. Karen Fairchild)
“Huntin’, Fishin’ and Lovin’ Every Day”
“Move”

Keith Urban-
“Break On Me”
“Wasted Time”
“Blue Ain’t Your Color”

The 15th Annual MusicRow CountryBreakout Chart Awards, based on radio airplay reported by stations on MusicRow’s radio panel, will be held on February 22, 2016.

MusicRow CountryBreakout Chart No. 1 Songs of 2016

Jan. 7, 2016 – A Thousand Horses/(This Ain’t No) Drunk Dial/Republic Nashville
Jan. 14, 2016- Keith Urban/Break On Me/Capitol Nashville
Jan. 21, 2016- Luke Bryan feat. Karen Fairchild/Home Alone Tonight/Capitol Nashville
Jan. 28, 2016- Sam Hunt/Break Up In A Small Town/MCA Nashville
Feb. 4, 2016- Carrie Underwood/Heartbeat/Arista Nashville
Feb. 11, 2016- Granger Smith/Backroad Song/Wheelhouse Records
Feb. 18, 2016- Chris Stapleton/Nobody To Blame/Mercury Nashville
Feb. 25, 2016- Florida Georgia Line/Confession/Republic Nashville
March 3, 2016- Lee Brice/That Don’t Sound Like You/Curb Records
March 10, 2016- Rascal Flatts/I Like The Sound Of That/Big Machine
March 17, 2016- Zac Brown Band/Beautiful Drug/Southern Ground-Dot Records
March 24, 2016- Old Dominion/Snapback/RCA Nashville
March 31, 2016- Jon Pardi/Head Over Boots/Capitol Nashville
April 7, 2016- Maren Morris/My Church/Columbia Nashville
April 14, 2016- Chris Young feat. Cassadee Pope/Think Of You/RCA Nashville
April 21, 2016- Dierks Bentley/Somewhere On A Beach/Capitol Nashville
April 28, 2016- Tim McGraw/Humble And Kind/Big Machine
May 5, 2016- Dustin Lynch/Mind Reader/Broken Bow
May 12, 2016- Luke Bryan/Huntin’, Fishin’ and Lovin’ Every Day/Capitol Nashville
May 19, 2016- Thomas Rhett/T-Shirt/Valory Music Co.
May 26, 2016- Blake Shelton/Came Here To Forget/Warner Bros.
June 2, 2016- Keith Urban/Wasted Time/Capitol Nashville
June 9, 2016- Eric Church/Record Year/EMI Nashville
June 16, 2016- Kenny Chesney/Noise/Columbia Nashville
June 23, 2016- Carrie Underwood/Church Bells/Arista Nashville
June 30, 2016- Jason Aldean/Lights Come On/Broken Bow
July 7, 2016- Florida Georgia Line/H.O.L.Y./Republic Nashville
July 14, 2016- Jake Owen/American Country Love Song/RCA Nashville
July 21, 2016- Chris Lane/Fix/Big Loud Records
July 28, 2016- Kelsea Ballerini/Peter Pan/Black River Ent.
Aug. 4, 2016- Sam Hunt/Make You Miss Me/MCA Nashville
Aug. 11, 2016- Dierks Bentley feat. Elle King/Different For Girls/Capitol Nashville
Aug. 18, 2016- Billy Currington/It Don’t Hurt Like It Used To/Mercury Nashville
Aug. 25, 2016- LOCASH/I Know Somebody/Reviver Records
Sept. 1, 2016- Tucker Beathard/Rock On/Dot Records
Sept. 8, 2016- Blake Shelton/She’s Got A Way With Words/Warner Bros
Sept. 15-22, 2016- Kenny Chesney feat. Pink/Setting The World On Fire/Columbia Nashville
Sept. 29, 2016- Miranda Lambert/Vice/RCA Nashville
Oct. 6, 2016- Luke Bryan/Move/Capitol Nashville
Oct. 13, 2016- Old Dominion/Song For Another Time/RCA Nashville
Oct. 20, 2016- Brett Young/Sleep Without You/BMLG Records
Oct. 27, 2016- Tim McGraw/How I’ll Always Be/Big Machine
Nov. 3, 2016- Florida Georgia Line feat. Tim McGraw/May We All/BMLG Records
Nov.  10, 2016- Keith Urban/Blue Ain’t Your Color/Capitol Nashville
Nov. 17, 2016- Jason Aldean/A Little More Summertime/Broken Bow
Nov. 23, 2016- Carrie Underwood/Dirty Laundry/Arista Nashville
December 1, 2016- Maren Morris/80s Mercedes/RCA Nashville
Dec. 8, 2016- Eric Church/Kill A Word/EMI Nashville
Dec. 15, 2016- Chris Young feat. Vince Gill/Sober Saturday Night/RCA Nashville