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Grammy Categories Restructured For 2012

Fewer trophies will be handed out at next year’s Grammy Awards, just one of several changes announced today (4/5) by The Recording Academy. Going forward there will be 78 Grammy award categories, down from 109 at the 2011 ceremony.
Country Field Changes—As in the other Mainstream Fields (Pop, Rock, R&B, Rap, Country), the male and female performance category has been consolidated, and collaborations now go to the duo/group category. Country Instrumental was eliminated both due to the exceedingly low number of entries and the move of Bluegrass Album to the American Roots field (which bars bluegrass tracks from being entered here).

American Roots Music Field—The traditional and contemporary blues categories and the traditional and contemporary folk categories each were consolidated into one per genre. Regional Roots Music is a new category including Regional Mexican Music, Hawaiian, Cajun/Zydeco, Native American, and Polka music.
Gospel/Contemporary Christian Music Field—Four fields have been renamed, including the Gospel Field to Gospel/Contemporary Christian Music. As to category restructuring within this field, it was determined that album and songwriting categories are of highest importance; Gospel and CCM each now have one category for each. For The Best Gospel/Contemporary Christian Music Performance category, it was determined that this was an area in which the two branches of the field could participate together.
No changes have been made to the all-genre General Field which includes Record Of The Year, Album Of The Year, Song Of The Year, and Best New Artist.
Entry Changes—A minimum of 40 distinct artist entries will be required in each Category (up from 25). If a Category receives between 25 – 39 entries, only three recordings would receive nominations that year. Should there be fewer than 25 entries in a Category, that Category would immediately go on hiatus for the current year — no award given — and entries would be screened into the next most logical Category. If a Category receives fewer than 25 entries for three consecutive years, the Category would be discontinued, and submissions would be entered in the next most appropriate Category.
Voting Rule Change—Previously, voting members were allowed to vote in up to nine genre Fields plus the General Field on the first ballot and eight genre Fields plus the General Field on the second ballot, including every category within each chosen Field. Now, on each ballot, voters may vote in up to 20 Categories in the genre Fields plus the four Categories of the General Field — which includes Record Of The Year, Album Of The Year, Song Of The Year, and Best New Artist.
For more information, including FAQ, Helpline, Explanation for Category Restructuring and Category Mapper visit Grammy.org.

 

Alan Jackson Extends Deal With EMI Publishing

Alan Jackson and EMI Music Publishing have extended their relationship with a new global deal. The country superstar first signed with the publisher more than ten years ago. The new co-publishing agreement covers Jackson’s classic catalog of songs including “Where Were You (When The World Stopped Turning),” “Remember When,” “Good Time,” “Small Town Southern Man” and “Drive.”
The announcement of Jackson’s deal extension with EMI Music Publishing follows his new recording deal with EMI in Nashville. Jackson’s upcoming studio album will be released as a joint venture between ACR (Alan’s Country Records) and Capitol’s EMI Records Nashville label.
“I write hurtin’ songs, cheatin’ songs, drinkin’ songs, lovin’ songs…and to me, those things are just a part of life and part of country music,” says the multiple award winning artist and writer. “The folks at EMI have been there with me for a good while, and I’m glad we’re going to keep on working together.”
Jackson has sold nearly 60 million albums worldwide and topped the country singles charts 35 times.
EMI Group CEO Roger Faxon commented: “We’re very happy to have extended our longtime relationship with Alan at EMI Music Publishing, especially as it comes so soon after he signed a new partnership with EMI Records Nashville. Alan is an incredible talent as both a songwriter and a recording artist, and we’re privileged that he is a part of the EMI family.”
EMI Music Publishing Nashville Executive Vice President & General Manager Ben Vaughn said: “Alan Jackson is simply a modern day poet, and folks from Australia to Albuquerque and all points in between connect to the songs that he writes. It’s an honor to have represented him for so long, and we’re all looking forward to building on the huge success he has had to date.”
In Nashville, EMI Music Publishing is also home to Dallas Davidson, Rhett Akins, Chris Young, Kelley Lovelace, Lady Antebellum’s Hillary Scott and more.

DISClaimer Single Reviews (4/6/11)

Our top tune this week might be from an unknown act to some of you kiddies.
Yes, there was country music before Carrie Underwood, Kenny Chesney and Taylor Swift. Once upon a time, there was a very popular male duo. No, I’m not talking about Brooks & Dunn. This duo scored nine charted titles between 1987 and 1991. Some of them—“Crazy Over You,” “Sure Thing,” “What Do You Want From Me This Time” and “Fair Shake”—became top-10 smashes. They were billed by RCA as Foster & Lloyd. They quit recording together in 1992. Both have had solid solo careers (the former in country and the latter in pop) and have remained friends.
Well, Radney Foster and Bill Lloyd have now reunited in the recording studio. The result is a win as our Disc of the Day.
I have a splendid new artist to tell you about. The disc is billed as by Iodine, and it leads off with a song with that same title. The act’s main singer and songwriter is a woman named Susanne Mumpower. She totally won my heart. Under any billing, this is a DisCovery Award winner.
JULIE INGRAM/You the Man Babe
Writer: Ingram/Wainwright; Producer: Jay Vern & Julie Ingram; Publisher: Summit Partners/INXS, BMI/ASCAP; LongShot (track) (www.julieingram.com)
—The track rumbles along nicely. Her lead vocal is terminally white.
JASON ALDEAN/Dirt Road Anthem
Writer: Brantley Gilbert/Colt Ford; Producer: Michael Knox; Publisher: Warner-Tamerlane/Indiana Angel/Average Joes/Average ZJS, BMI; Broken Bow (track)
—The truck. The bonfire. The beer. The girls. The proud-to-be-country. The dirt road. You’ve heard it all before, a thousand times. I have to say, however, that his ultra Southern delivery makes even the cliches sound good. And this disc is the first time I have actually liked country rapping.
SHANE LAMB/Better Here
Writer: Shane Lamb; Producer: Casey Wood; Publisher: Sleepysheep, no performance rights listed; Rouge River (track) (www.shanelambmusic.com)
—The title tune to this fellow’s CD is a jaunty country-rocker that’s sung in a boyish tenor. Catchy and promising. He wrote all 10 of the album’s songs, solo.
REBA/When Love Gets A Hold Of You
Writer: Jessi Alexander/Gary Nicholson/Jon Randall; Producer: Dann Huff; Publisher: Vistaville/Hopeless Rose/Sony-ATV Cross Keys/Gary Nicholson/Reynsong/Whayasay, ASCAP/BMI; Valory/Starstruck
—Moody, cool, uptempo and minor key, this song is instantly memorable. The thumping, relentless rhythm track has a terrific sonic undertow. An instant “add.”
IODINE/Mountain People
Writer: Allen/Chamberlain; Producer: Shawn Byrne; Publisher: none listed; Iodine (track) ([email protected])
—Lead singer Susanne Mumpower co-wrote most of the songs on the CD. But let the record show that she also has the exquisite taste to record this gem from the late and much lamented Harley Allen. Darkly atmospheric and utterly gripping, this is essential listening. I have a feeling I’m going to be returning to this record. Just because she’s married to Jamie Johnson of The Grascals, don’t expect the sound of bluegrass here. This woman’s voice whispers, aches, moans and flutters in all the right places. Check out her finesse in “A Woman Will” for instance.
BYRON HILL/Fool Hearted Memory
Writer: Byron Hill/Blake Mevis; Producer: Mike Poston & Byron Hill; Publisher: Sony-ATV Tunes/Make Believus, ASCAP; BHP (track) (www.byronhillmusic.com)
—Perennial Music Row hit writer Hill has a new CD called Radio Songs that is packed with smashes. The renditions are acoustic, simple and honest. This 1982 George Strait hit is just one example of this songwriter’s craftsmanship. It is also a reminder how many decades Byron’s career spans. These songs were originally popularized by everyone from stars past such as Ed Bruce (”Nights”) and Alabama (”Born Country”) up to today’s Joe Nichols (”Size Matters”) and Gary Allan (”Nothing on But the Radio”). Impressive, as well as highly listenable.
FOSTER & LLOYD/It’s Already Tomorrow
Writer: Radney Foster/Bill Lloyd; Producer: Foster & Lloyd; Publisher: none listed, ASCAP/BMI; Effin Ell (track) (www.fosterandlloyd,com)
—The title song of the reunited duo’s comeback CD is saturated with melody and tempo. Chiming guitars, driving energy and hearty vocals are served at this sonic banquet. Buy this.
SIERRA HULL/Easy Come, Easy Go
Writer: Kevin McClung; Producer: Barry Bales & Sierra Hull; Publisher: Mountain William, BMI; Rounder (track) (www.rounder.com)
Daybreak is young Sierra’s second CD. The 19-year-old mandolinist has that progressive bluegrass instrumental backing and sweet soprano vocal sound that made Alison Krauss a star. The set’s kickoff single accepts heartbreak with resignation and memories. Mighty fine listening.
BUDDY MILLER/Why Baby Why
Writer: Darrell Edwards/George Jones; Producer: Buddy Miller; Publisher: Fort Knox/Bug/Trio, BMI; New West (track) (www.themajesticstrings.com)
—This prodigiously gifted singer, guitarist and songwriter has a new project called The Majestic Silver Strings. It’s a rootsy, guitar loaded, Americana outing of covers including “Cattle Call” “Dang Me” and “Freight Train” plus some obscurities, folk songs and originals. Buddy takes this George Jones classic at a shuffling, relaxed tempo with a casual, good-humored, living-room vibe. The sterling voices of Lee Ann Womack (”Return to Me,” “Meds”), Ann McCrary (”No Good Lover”), Shawn Colvin (”That’s the Way Love Goes”), Emmylou Harris (”Why I’m Walkin’”) and Patty Griffin (”I Want to Be with You Always”) make guest appearances.
GEORGE JONES/I Ain’t Ever Slowing Down
Writer: Al Anderson/Steve Bruton; Producer: Keith Stegall; Publisher: Stairway to Bittner’s/Bug/Songs of Windswept Pacific/Brutunes, BMI; Bandit (CDX) (615-242-1234)
—It’s the Possum with some Cajun spice. Sawing fiddle, slapped snare, barrelhouse piano, twang-fest guitar and a rollicking “party” atmosphere make this little bopper swing.

Hats Across The Row Parade Raises Spirits

Photos: Christie King


The inaugural Hats Across The Row parade graced the streets of Music Row this afternoon (4/5). Numerous antique cars and cool rides drove down 17th Ave. carrying supporters of the fundraising campaign for the Minnie Pearl Cancer Foundation.
Among those riding or driving were execs Pat Finch, Curtis Green, Karen Conrad, Christina Mitchell, Whitney Daane, and Judy Harris. Football star Kerry Collins was also along for the ride. The Hillwood High School Marching Band kept the beat as the parade made its way to a party at Craig Wiseman’s Big Loud Shirt offices, where another kind of spirits are also being raised thanks to Margarita Rita and the Mas Tacos Truck.
Onlookers came out of their offices to cheer the procession which was spearheaded by Tinti Moffatt and Ree Guyer Buchanan. More info here.




Shelton Hosts ACM Shoot




Blake Shelton and Luke Bryan. Photo: Ethan Miller, Getty.



 
Blake Shelton hosted the first ever NRA Country/ACM Celebrity Shoot on April 2 at Nellis Air Force Base as part of the Las Vegas Academy of Country Music Awards week celebration. The event consisted of a 13-station, 50-target competition for 19 teams of five shooters—each with a celebrity captain. Prizes were awarded to the top three teams.
Rascal Flatt’s frontman Gary LeVox helmed the winning team—CPrime—to a first place finish. Shelton’s Starstruck team took second place and the Washington Redskins team with captain Dave Butz placed third.

Sarah Darling Photo: Ethan Miller, Getty.


Other country artists that participated included Lee Brice, Luke Bryan, Craig Campbell, Sarah Darling, Due West, Edens Edge, Brett Eldredge, Andy Griggs, Julie Ingram, Justin Moore, Montgomery Gentry, Craig Morgan, Jake Owen, Sunny Sweeney, Josh Thompson, Storme Warren and Chuck Wicks.
 

BMI Presents Annual Christian Awards

The evening's top winners. Pictured are (l-r): BMI's Phil Graham and Jody Williams; Universal Music Publishing's Dale Mathews; Songwriters of the Year Rodney Griffin, TobyMac and Bo Rinehart; Song of the Year writer Scott Krippayne; and BMI's Beth Laird and Mike O'Neill. Photo by John Russell


BMI saluted the writers and publishers of the past year’s most-performed songs on Christian radio and television during the annual Christian Music Awards, held last night (4/4) at the company’s Music Row offices in Nashville. Among the evening’s top honorees were Rodney Griffin, tobyMac, Needtobreathe’s Bo Rinehart, Scott Krippayne and Universal Music Publishing Group.
Genre-jumping star tobyMac shared his second consecutive Christian Songwriter of the Year crown with southern gospel favorite Rodney Griffin and pop-savvy rockers Needtobreathe’s Bo Rinehart.

Scott Krippayne performs BMI Christian Song of the Year “What Faith Can Do." Photo by John Russell


“What Faith Can Do” earned Christian Song of the Year honors for its creative team. Written by Scott Krippayne and published by Pirk Music, the song was recorded by alt-rock outfit Kutless.
With five songs in the most-performed list, Universal Music Publishing Group was named Christian Publisher of the Year for the fourth consecutive year.
The awards ceremony also saluted the late Christian music industry legend Don Butler with a special tribute.
The evening was hosted by BMI Vice President, Writer/Publisher Relations, Nashville, Jody Williams, along with Senior Director Thomas Cain and Director Beth Laird, of BMI’s Nashville Writer/Publisher Relations Department.
Guests and honorees also enjoyed performances by Triumphant Quartet and Sidewalk Prophets.
A complete list of the 2011 BMI Christian Award winners is available at www.bmi.com.

Universal Music Publishing celebrates its fourth consecutive BMI Christian Publisher of the Year title. Pictured are (l-r): Universal Music Group’s Stacey Wilbur, Eric Hurt, Dale Mathews, Leslie Linebaugh, and John Andrade. Photo by John Russell


The 2011 BMI Christian Songwriters of the Year. Pictured are (l-r): BMI’s Jody Williams; Songwriters of the Year Rodney Griffin, Bo Rinehart and TobyMac; and BMI’s Beth Laird. Photo by John Russell


 

SOURCE Announces 2011 Honorees

The SOURCE Awards committee has announced its 2011 honorees, whose achievements will be celebrated at the SOURCE Awards, August 25, 2011 at Nashville’s Noah Liff Opera Center.
The 2011 SOURCE Awards honorees are Roberta Edging (Eddy Arnold Enterprises), Millie Kirkham (WSM Radio, Tree Music Publishing, Legendary Background Vocalist), Barbara Orbison (Barbara Orbison Productions, Roy Orbison Music, Pretty Woman Perfume), Evelyn Shriver (Evelyn Shriver Public Relations, Asylum Records, Bandit Records), Janice Erickson Wendell (Noble Dury, Erickson Advertising), plus a posthumous recognition for Georgia Twitty Chellman (Gospel Jubilee, Music City Hotline, Veeson Travel, Tennessee T-Cake).

On March 25, the SOURCE Awards committee held a luncheon at The Palm for its 2011 honorees. Pictured (L-R): Back: SOURCE members Karen Conrad, Judy Harris, Pat Rolfe, Judi Turner. Front: 2011 Honorees Roberta Edging and Millie Kirkham

ACM Unleashes Niche Expanding Tour De Force

The 3-hour 46th Academy of Country Music Awards was perhaps the best show this format has produced—ever.
Country superstars and rising newcomers were everywhere, blended with a liberal dose of off islander presenters to help drive ratings and exposure. Hollywood heartthrob Rob Pattinson, Nashville newlywed Reese Witherspoon, Idol icon Ryan Seacrest and more joined longtime host Reba McEntire and apprentice, Blake Shelton. This year’s telecast included two sold-out venues, the MGM theatre and Mandalay Bay. The sets were HD ready, with special kudos to the Emerald City-meets-Matrix backdrop which framed Sugarland and Jennifer Nettles’ heart stopping performance of, “Tonight.”
What makes a great award show? Arguably it should blend special moments, artistic performances, innovative ideas and snappy one liners in a momentum building mash that keeps viewers glued to the screen. So let’s break it down along those lines.
Special Moments
ACM’s team programmed five special moments into performance slots. Actually, there were six if you count the rerun of “Dysfunctional Family: The Judds” whose award presentation defied description, but was compelling like watching a trainwreck in slow motion.
Musically there was much to applaud. Alabama joined Brad Paisley (performing “Old Alabama”) whose incredible guitar picking prompted Blake Shelton to quip later in the show, “I wonder if Brad’s wife Kimberly is jealous of his guitar? If he plays that thang any harder he’s gonna get it pregnant.”
Zac Brown Band and James Taylor paired for a medley of “Colder Weather” and “Sweet Baby James.” Zac cites JT as one of his major influences, and that came across beautifully as the pair traded phrases and melodic turns.
Darius Rucker sang “Music From the Heart,” with 25 ACM Lifting Lives Music Campers, a place for children with developmental disabilities. The song, written by Brett James and Chris Young framed with the smiles, tears and obvious joy of the camper chorus was touching and authentic. Rucker made it sound beautiful while amplifying the song’s emotional message.
Jennifer Nettles joined Rihanna to sing the pop/R&B star’s latest single, “California King Bed.” The combination was eye catching, and Nettles slid into the role with little or no effort. The duo’s lack of chemistry kept this from bubbling to a full boil, but it was an inspired idea nonetheless.
And finally in the “Special Moment” department there was the ratings rocket surprise when Aerosmith’s/Idol judge Steven Tyler joined superstar/Idol alum Carrie Underwood to sing “Undo It” and Tyler’s signature “Walk This Way.” The chemistry here, could melt concrete and was like issuing any channel surfers in the crowd an official cease and desist notice.
Best Performances
It takes more than a half dozen or so special moments spread over three hours to keep a crowd’s attention, but that task was buoyed by an abundance of strong artist performances. In addition to highlights mentioned above, Taylor Swift, Ronnie Dunn, Keith Urban and Blake Shelton’s “Honey Bee” riveted attention.

Taylor Swift strummed a six string banjo using a backwoods Appalachian front porch as a setting to showcase “Mean.” Her band also played acoustic instruments and dressed “old timey.” The instrumentation and props gave the song a heavy traditional feel and altered a more edgy perspective from the CD recording. Swift, who won the fan-voted Entertainer of the Year later in the evening, is audaciously bold in her music and continues to surprise to the up side.
Innovative Ideas
The ACM deserves mention for exploring new ideas. Firstly, holding the event in two locations—MGM and Mandalay added scale, while allowing lots more Vegas ticket buyers to share in the event. Secondly, adding a co-host, if not a revolutionary idea in itself, was executed beautifully in the choice of Blake Shelton.
And let’s not forget the fan voting aspect of the show which ACM has pioneered for country music. The question must be asked, are these types of award shows about a sanctimonious body of industry voters handing down judgments? Or is it about engaging consumers more deeply across multiple channels while exposing the format’s best artists and music in a way that hopefully drives sales and excitement? You be the judge.
FutureCountry
“Someone said it’s been a great night for country music,” said Ryan Seacrest who presented the night’s top award. “I disagree. It’s been a great night for American music.” Seacrest, whose marketing expertise is self evident, framed the country format and Nashville’s issue nicely. To niche or not to niche, that is the question. Taylor Swift, Lady Antebellum and the ACM have already answered that question for themselves.

Lambert Leads ACM Awards Winners List

Lambert arrives on the red carpet.


Miranda Lambert continued her awards show winning streak last night (4/3), racking up four trophies at the Academy of Country Music Awards and becoming the evening’s most honored artist. She took home her second consecutive Female Vocalist of the Year award, as well as prizes for Single Record, Song, and Video.
Taylor Swift’s ever loyal fans voted her Entertainer of the Year, the night’s top honor. It was her first time taking home the ACM Entertainer award. She is the eighth and youngest female to receive the honor in its 40-year history. According to the Academy, nearly 600,000 fans cast votes in the category, a record breaking number for the prize which has been selected by fans instead of ACM members since 2008.
Lady Antebellum won Vocal Group for the second time in a row, as well as two honors for Album of the Year (both as artists and producers).
Brad Paisley scored his fifth consecutive win as Male Vocalist of the Year.
The ACM’s other fan-voted category, New Artist of the Year, also drew record setting votes. Nearly 155,000 consumers logged on via web or text, with the award going to The Band Perry.
Complete list below, winners in red.

Swift accepts Entertainer of the Year.


ENTERTAINER OF THE YEAR
• Jason Aldean
• Toby Keith
• Miranda Lambert
• Brad Paisley
• Taylor Swift
• Keith Urban
TOP FEMALE VOCALIST OF THE YEAR
• Miranda Lambert
• Reba McEntire
• Taylor Swift
• Carrie Underwood
• Lee Ann Womack
TOP MALE VOCALIST OF THE YEAR
• Jason Aldean
• Brad Paisley
• Blake Shelton
• George Strait
• Keith Urban
TOP VOCAL DUO OF THE YEAR
• the JaneDear girls
• Joey + Rory
• Montgomery Gentry
• Steel Magnolia
• Sugarland
TOP VOCAL GROUP OF THE YEAR
• Lady Antebellum
• Little Big Town
• Randy Rogers Band
• The Band Perry
• Zac Brown Band
ALBUM OF THE YEAR [Award to Artist(s)/Producer(s)/Record Company] (TIE)
• Hemingway’s Whiskey – Kenny Chesney (BNA)
Produced by: Buddy Cannon, Kenny Chesney
Need You Now – Lady Antebellum (Capitol Records Nashville)
Produced by:  Lady Antebellum, Paul Worley
• The Guitar Song – Jamey Johnson (Mercury)
Produced by: Arlis Albritton, Dave Cobb, The Kent Hardly Playboys
• Speak Now – Taylor Swift (Big Machine Records)
Produced by: Nathan Chapman, Taylor Swift
• Up On The Ridge – Dierks Bentley (Capitol Records Nashville)
Produced by: Jon Randall Stewart
• You Get What You Give – Zac Brown Band (Southern Ground / Roar / Bigger Picture / Atlantic)
Produced by: Zac Brown, Keith Stegall
SINGLE RECORD OF THE YEAR [Award to Artist(s)/Producer(s)/Record Company] (TIE)
• A Little More Country Than That – Easton Corbin (Mercury)
Produced by: Carson Chamberlain
• As She’s Walking Away – Zac Brown Band Featuring Alan Jackson (Southern Ground / Roar / Bigger Picture / Atlantic)
Produced by: Zac Brown, Keith Stegall
If I Die Young – The Band Perry (Republic Nashville)
Produced by: Paul Worley
• Love Like Crazy – Lee Brice (Curb Records)
Produced by: Lee Brice, Doug Johnson
The Boys Of Fall – Kenny Chesney (BNA)
Produced by: Buddy Cannon, Kenny Chesney
• The House That Built Me – Miranda Lambert (Columbia Nashville)
Produced by: Frank Liddell, Mike Wrucke
TOP NEW ARTIST OF THE YEAR
• Eric Church
The Band Perry
SONG OF THE YEAR [Award to Composer(s)/Publisher(s)/Artist(s)]
• A Little More Country Than That – Easton Corbin
Composers:  Rory Lee Feek, Don Poythress, Wynn Varble
Publishers:   A Sling And A Prayer Music (ASCAP), Chrysalis One Music (ASCAP), Don Poythress Songs (ASCAP), Precious Flour Music (BMI), Universal Music-MGB Songs (ASCAP), Warner-Tamerlane Publishing Corp. (BMI)
• As She’s Walking Away – Zac Brown Band Featuring Alan Jackson
Composers: Zac Brown, Wyatt Durrette
Publishers: Angelika Music (BMI), Weimerhound Publishing (BMI)
If I Die Young – The Band Perry
Composer:  Kimberly Perry
Publishers:  Pearlfeather Publishing (BMI), Rio Bravo Music, Inc. (BMI)
• Love Like Crazy – Lee Brice
Composers:  Tim James, Doug Johnson
Publishers:  Mike Curb Music (BMI), Sweet Radical Music (BMI), T-Bird’s Music (BMI), Warner-Tamerlane Publishing Corp. (BMI)
• The House That Built Me – Miranda Lambert
Composers:  Tom Douglas, Allen Shamblin
Publishers:  Built On Rock (ASCAP), Sony/ATV Tree Publishing (BMI), Tomdouglasmusic (BMI)
VOCAL EVENT OF THE YEAR [Award to Artist(s)/Producer(s)/Record Company] *(Off Camera Award)
• As She’s Walking Away – Zac Brown Band Featuring Alan Jackson (Southern Ground / Roar / Bigger Picture / Atlantic)
Produced by: Zac Brown, Keith Stegall
Blue Sky – Emily West Featuring Keith Urban (Capitol Records Nashville)
Produced by: Mark Bright
• Coal Miner’s Daughter – Loretta Lynn, Sheryl Crow and Miranda Lambert (Columbia Nashville)
Produced by:  John Carter Cash, Patsy Lynn Russell
• Cold Beer – Colt Ford Featuring Jamey Johnson (Average Joes)
Produced by:  Shannon Houchins, Adrian Young
• Good To Be Me – Uncle Kracker Featuring Kid Rock (Top Dog/ Atlantic / Bigger Picture)
Produced by: Kid Rock
VIDEO OF THE YEAR [Award to Producer(s)/Director(s)/Artist(s)] *(Off Camera Award)
Hillbilly Bone – Blake Shelton Featuring Trace Adkins
Producer:  Randy Brewer
Director: Roman White
• Only Prettier – Miranda Lambert
Producer: Trent Hardville
Director: Trey Fanjoy
•  Stuck Like Glue – Sugarland
Producer: Tony McGarry
Director: Declan Whitebloom
• The Boys Of Fall – Kenny Chesney
Producer:  Don Lepore
Director: Shaun Silva
• The House That Built Me – Miranda Lambert
Producer:  Trent Hardville
Director:  Trey Fanjoy
TOP NEW SOLO VOCALIST OF THE YEAR (Previously Announced)
• Eric Church
• Easton Corbin
• Randy Houser
TOP NEW VOCAL DUO or GROUP OF THE YEAR (Previously Announced)
• the JaneDear girls
• Steel Magnolia
• The Band Perry

Eye On Idol (4/01/11)

Here’s what we know so far: American Idol voters prefer dudes.
When the finals started four weeks ago, there were six guys and seven girls. After Elton John week, there are six guys but now only three females.

Thia Meghia (L) and Naima Adedapo were eliminated in this week's American Idol results show.


The near elimination and save of Casey Abrams last week meant two contestants would exit after last night’s (3/31) results show. The final tally revealed that Thia Meghia and Naima Adedapo were those contestants.
Which wasn’t exactly a surprise, if we’re being honest.
So the question remains, who’s going to win this thing? It’s still too early to be certain, so here’s a look at the remaining nine contestants.
Early on, Paul McDonald had seemed like he might sail all the way to the end untouched. He’s not unlike the previous three Idol winners in look and style. His version of “Rocket Man” was sturdy, and he sounds like no one else. But his inclusion in the bottom three last night suggests that voters might finally be ready for something new.
Country crooner Scotty McCreery definitely wants to win it, and he’s got a knack for playing the game. He’s stuck to his guns from the start, being a proud country singer that lets us see just a little more every week. He’s also smart enough to play to the crowd, even giving a shout out to his grandmother (awww!) during his performance of “Country Comfort.” Good news for Nashville, whatever the outcome.
Celine-in-training Pia Toscano has a huge voice and the ability to absolutely crush a ballad like “Don’t Let The Sun Go Down On Me,” which should take her really deep into the competition. But people are starting to wonder if that’s her one really good trick. What happens when she has to sing something uptempo and move around the stage?
Lauren Alaina is really tough to call. She’s spent so much time on camera that it’s hard to imagine viewers not being a little burned out, but she’s also a truly great singer. Her beautiful, country-inflected version of “Candle In The Wind” sounded like a modern hit to me. I suspect we’ll see her for awhile yet.
A couple weeks ago, I hadn’t given James Durbin a second thought for winning but now he seems to be a serious contender. He’s a great performer, as his pyro-happy, piano dancing delivery of “Saturday Night’s Alright (For Fighting)” clearly displayed. He’s got that hair metal swagger that makes people get up out of their seats and scream.
And Casey Abrams, ever the chameleon, showed something completely different. His previous performances have been totally unhinged with full throated-screaming, but his restrained and tender version “Your Song” should convince viewers to keep him around for a little while longer.

Hayley Reinhart


The night’s biggest revelation, however, was Hayley Reinhart. I admit, I originally figured she was on the short list to leave early. But Elton’s far-out, funky masterpiece “Bennie and the Jets” perfectly suited her vocal style, allowing her the opportunity to growl the high “Bennie!” shouts and play loose with the melody. She appeared to be having fun, and it was easily her best of the season. Song choice will be critical for her going forward. More like this, please!
Stefano Langone and Jacob Lusk are probably still long shots, even though they have both given memorable performances. Langone can deliver the goods, but too often he’s more like a really good karaoke singer than a future star. Lusk pours his entire soul into every song, but his tendency to take everyone to church may prove off-putting for viewers. I predict Langone exits next week, with Lusk following shortly after.
Until next week remember, some voices were meant to stay in the shower.