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Country Sales: 4th Quarter Futures

Getting Graphic About Sales
The above graph is a week-by-week tally of how the YTD Country sales units compare with the previous year.

The blue bars show YTD % (year-to-date) change for 2010 compared with 2009; and the green bars show 2011 compared with 2010. Actual quarterly sales numbers (source: Nielsen SoundScan) are below the graph. For example at the end of Q1 2011 country was down about 13%. By Q2 2011 the deficit was only about 1%.

For the week ended 10-2-11 country album sales (physical and digital) are a healthy 9% ahead of last year. (All-genre sales are up 3.4%.) However, based upon the upcoming release schedules (compared with last year) our best guess is that we will start to see the green bar shrink in coming weeks. Will it fall into negative territory? Let’s hope not…

Looked at another way, we need to add about 15 million units over the next 13 weeks or about 1.54 million units every week. (Putting the 1.54 million in perspective, country album sales this past week totaled about 660,000.)

The Current Week’s Tally
The past week’s album sales were led by Lady Antebellum’s new release (No. 1; 75k) now in its third week. Jason Aldean continues to bust out of sales bins earning a No. 2 position after 48 weeks shifting almost 21k units for the week. Brantley Gilbert, who co-wrote Aldean’s “Dirt Road Anthem” holds the No. 3 spot in his third week with sales of about 20k.

New on the chart this week is a debut from Curb’s LeAnn Rimes at No. 7 scanning about 12k units (45% were digital).

Last week’s article about TEA (track equivalent albums) flushed out some good responses. Most of which tried to point out that track sales are not as profitable as album sales. Perhaps that is true when viewed across the traditional record label budget and sales structure. But that structure is evolving rapidly. This year country fans have already purchased 111 million country tracks with a value of about $140 million dollars which is equivalent to about 14 million albums!!!! (Any label that doesn’t care about its tracks income, please send it to me, I’ll be happy to bank it in my account and even pay the proper royalties on the label’s behalf.)

On this week’s Digital Genre Country tracks list Blake Shelton rides the roost with “God Gave Me You” churning over 57k paid downloads. The Band Perry’s “If I Die Young” remains the second best selling track moving almost 43,000 units and Rodney Atkins “Take A Back Road,” also deserves mention holding the No. 3 position with over 39k downloads.

DISClaimer Single Reviews (10/5/11)

Things are definitely looking up.

I can’t remember a recent listening session with so many well-done platters. Jake Owen has the audio production to beat. Mark Willis has the week’s most striking song. Gloriana is glorious. Kenny Chesney’s bringing the star power. David Bradley has humor and good times on his side.

And then there’s the Disc of the Day. The new trio Pistol Annies is comprised of  three deluxe singer-songwriters—Miranda Lambert, Ashley Monroe and Angaleena Presley.

Their record will take your breath away.
Since those ladies are the only ones with a debut CD today, they also win the  DisCovery Award.

DAVID BRADLEY/If You Can’t Make Money
Writer: Jon Randall/Brad Paisley/Bill Anderson; Producer: Brady Seals; Publisher: Reynsong/Wha Ya Say/House of Sea Gayle/Sony-ATV Tree/Mr. Bubba, BMI/ASCAP; Gecko (track)
—Get a load of those songwriter credits. Too bad they couldn’t find anybody talented to pen this thing. It’s a chugging bopper with plenty of humor in the lyric and a party crowd shouting in the background. A good time was had by all.

JAKE OWEN/Alone With You
Writer: Catt Gravitt/J.T. Harding/Shane McAnally; Producer: Joey Moi &  Rodney Clawson; Publisher: Songs of Maxx/Tunes of R and T Direct/Razor & Tie/Songs Music/A Mighty Seven/Songs for Beans/JTX/Little Blue Egg/Crazy Water/Kobalt, SESAC/BMI/ASCAP; RCA (track)
—Wonderfully atmospheric, with a deep-twang sonic bed, a sexy mood and a swirling melody. This fevered dream of pent-up desire is nothing short of a minor masterpiece. Do you hear that noise? It’s superstardom knocking on Jake’s door.

AMY DALLEY/Coming Out Of The Pain
Writer: Dalley/Sizemore; Producer: New Voice Entertainment; Publisher: Bro N Sis/Madjacksongs, BMI; AmyDalley (track) (www.amydalley.com)
—The title tune to Dalley’s new CD comes on like gangbusters with its gunshot percussion and grinding guitars. It’s a driving, female-empowerment song of survival.

SCOTTY McCREERY/The Trouble With Girls
Writer: Phillip White/Chris Tompkins; Producer: Mark Bright; Publisher: Songs of Universal/Jorjax/Big Loud Songs/Angel River/Big Loud Bucks, BMI/ASCAP; Mercury/19 (track)
—Scotty’s sophomore single is a softly drawled ballad of romantic confusion. His vocal performance sounds like the teen he is, but Bright’s production is a model of sophistication.

MATT GARY/Beautiful Life
Writer: Frank J. Myers/Gary Baker/Nicky Chinn; Producer: Frank Myers; Publisher: Sixteen Stars/Frank Myers/HoriPro/WB/On the Bluff/Ten Ten/Nicky Chinn, BMI/ASCAP; 17/Quarterback (www.mattgarymusic.com)
—There’s hard times all around, but when you have love, nothing else matters. This soaring, propulsive rocker practically begs you to turn it up.

KENNY CHESNEY/Reality
Writer: Kenny Chesney/Brett James; Producer: Buddy Cannon & Kenny Chesney; Publisher: none listed, ASCAP; BNA (track)
—The track behind him is boiling hot, perhaps a little too much so. The song and his vocal performance are both totally classy.

NEAL McCOY/A-OK
Writer: Barry Dean/Luke Laird/Brett Eldredge; Producer: Miranda Lambert, Blake Shelton & Brent Rowan; Publisher: none listed; Blaster (www.nealmccoy.com)
—The whistling and finger-snap opening correctly predict that you’re in for a breezy, good-times tune. Lightweight, but harmless.

GLORIANA/(Kissed You) Good Night
Writer: Tom Gossin/Josh Kear; Producer: Matt Serletic; Publisher: Gossin/Global Dog/Lunalight, ASCAP; Emblem/Warner Bros.
—I remain a fan. Young love has seldom sounded so tuneful, harmonious and downright delicious. Everything about this audio confection pleases me. Play it again.

PISTOL ANNIES/Hell On Heels
Writer: Miranda Lambert/Ashley Monroe/Angaleena Presley; Producer: Frank Liddell & Mike Wrucke; Publisher: Sony-ATV Tree/Pink Dog/Reynsong/Ayden/Ten Ten, BMI/ASCAP; Columbia (track)
—The Pistol Annies CD leads off with this bluesy, moody title tune that grabs you by the ears and doesn’t let go. This thing hisses like a rattlesnake ready to strike. All three of these gals have smokey, sensuous vocal chops with attitude to spare.

MARK WILLS/Crazy Being Home
Writer: Chris Lindsey/Brad Warren/Brett Warren/Robin Lindsey; Producer: Chris Lindsey; Publisher: none listed; Gracie/Starlight (track)
—This is what is so great about country music. No other genre tells stories this powerfully. And what other style would even think to write a song about a soldier’s post traumatic stress disorder? Strong stuff. Wills walks it like he talks it: He has gone to Afghanistan seven times to sing for the troops.

Bentley Joins “Wounded Warrior Project” With Tour Launch

Multi-Platinum singer/songwriter Dierks Bentley has joined forces with country radio and Believe in Heroes™, a Wounded Warrior Project™ (WWP) initiative, for his 2011 Country & Cold Cans Tour. Bentley will host pre-show parties with fans across the nation at select tour dates leading up to Veterans Day November 11, 2011. The tour begins Thursday, October 6 in  Lacrosse, WI.

Aiming to support and honor wounded veterans who have sacrificed, each pre-show party will be a chance for fans to give back to veterans and win prizes from Bentley including ticket upgrades, merchandise and autographed limited edition handwritten lyrics of the new single “Home.”

“I meet so many service men and women at our shows, so I love being able to support the Wounded Warriors Project and honoring the heroes who have served our country,” says Bentley. “This program fits perfectly with the message of ‘Home,’ so we are going to do what we can between now and Veterans Day to really honor these people.  I hope fans will plan to get there early and be part of it!”

The 2011 Country & Cold Cans Tour, with special guests Jerrod Niemann and Eli Young Band, continues through Nov. 19 in Denver, Colorado. For a full list of tour dates and more info on upcoming “Believe in Heroes” events, visit: www.dierks.com or www.woundedwarriorproject.org.

 

Industry Ink Tuesday

• • • Toby Keith is heading into the Oct. 24 release of Clancy’s Tavern with a No. 1 hit. The album’s lead single “Made In America” is his 29th charttopper and recently went to No. 1 on MusicRow’s CountryBreakout chart. He penned the track with frequent co-writer Bobby Pinson. A Deluxe Edition of Clancy’s Tavern includes four extra songs that are covers recorded live at Keith’s 2010 Incognito Bandito club show at The Fillmore in New York City.

• • • Over 250 members of the industry gathered for the annual End of the Row Party to raise money and awareness for the TJ Martell Foundation on Sept. 22. The event was hosted for the second year by law firm Crownover, Blevins behind their offices and sponsored by Merrill Lynch’s Raj Patnik and Zach Richards. The night netted over $5500 for the Foundation and featured performances by hit songwriters Barry Dean, Brett James, Luke Laird and Shane McAnally. Laura Bell Bundy was the host and emcee. Other up-and-coming writers who performed were Liz Moriondo, Jeremy Parsons, James HunterJulie Foresterand Jen Foster.

• • • Last week Belmont University welcomed Grand Ole Opry GM and VP Pete Fisher as guest speaker for the Mike Curb College of Entertainment and Music Business seminar series. Fisher also serves on the Curb College advisory board.

(L-R): Rush Hicks, Belmont Music Business program chair; Wesley Bulla, Curb College Dean; Pete Fisher, Grand Ole Opry; Sarita Stewart, Entertainment Industry Studies

• • • Grammy winning artist and songwriter Peter Frampton will join the Music City Walk of Fame, presented by founding sponsor Gibson Guitar. Frampton will be recognized officially with the unveiling of a commemorative sidewalk marker on Sat., Oct. 22 at 1:00 p.m. in Walk of Fame Park in downtown Nashville. The induction ceremony sponsored by GAC, is free and open to the public. Frampton lived in Nashville for seven years, and many of his band and crew live here. He continues to write, record and rehearse in the city regularly.

• • • Gene Watson’s tour bus was in a wreck over the weekend. Thankfully no one was seriously injured. He was eight miles from his show in Sandstone, MN when the bus lurched off the road and nearly flipped over. He is now back in Nashville where he will join Randy Travis on the Grand Ole Opry tonight to sing “Didn’t We Shine,” which was recorded for Travis’s 25th Anniversary Celebration album.

• • • APA’s David Plyler was the top fundraiser for the Cystic Fibrosis Foundation of Middle Tennessee’s “Nashville’s Top 30 Under 30” initiative. He was honored at a party Sat., Sept. 24 on the 21st floor of The Pinnacle at Symphony Center. The event had raised more than $55,000 for cystic fibrosis research.

David Plyler of Agency for the Performing Arts is recognized by (L-R): Nashville’s Top 30 Under 30 co-chairmen Tim Bewley and Fiona Haulter, and Cystic Fibrosis Foundation of Middle Tennessee Director of Development Lesley McMahan

Pictured following the Women's Half-Marathon in Nashville. (L-R): Caitlin King Rossman (Associated Press), Cindy Heath (Monarch Publicity), Lori Christian (Capitol Records)

 

BMI To Honor Braddock As Songwriting Icon

BMI will honor Bobby Braddock as a BMI songwriting Icon during its 59th annual Country Awards. The private ceremony is slated for Tuesday, Nov. 8 at BMI’s Music Row offices in Nashville, Tenn.

The Icon award is given to BMI songwriters who have had a “unique and indelible influence on generations of music makers.” Braddock, who will be celebrated with a musical tribute that evening, joins a list of past honorees that includes Billy Sherrill, John Fogerty, Kris Kristofferson, Willie Nelson, Isaac Hayes, Merle Haggard, Brian Wilson, Dolly Parton, Loretta Lynn, the Bee Gees, Ray Davies, James Brown and more.

Along with George Jones’ “He Stopped Loving Her Today” and Billy Currington’s “People Are Crazy,” Braddock’s songwriting repertoire also includes “D-I-V-O-R-C-E,” “I Wanna Talk About Me,” “I Feel Like Loving You Again,” “Texas Tornado,” “Old Flames Have New Names,” “Golden Ring,” “Thinkin’ of a Rendezvous,” “Faking Love” and “Time Marches On.”

Thirty years after his induction into the Nashville Songwriters Hall of Fame, Braddock became the only living songwriter to have penned chart-toppers in five consecutive decades. The CMA Award winner has earned 30 BMI songwriting awards, and ten of his compositions have earned more than one million performances each. Inducted into the Country Music Hall of Fame earlier this year, Braddock is currently writing his second memoir, Hollywood, Tennessee: A Life on Nashville’s Music Row, the follow-up to 2007’s well-received Down in Orburndale: A Songwriter’s Youth in Old Florida.

During the BMI Country Awards, BMI will crown the Country Songwriter, Song and Publisher of the Year and salute the writers and publishers of the past year’s 50 most-performed songs from BMI’s country catalog. BMI President & CEO Del Bryant will host the ceremony with Jody Williams, BMI Vice President, Writer/Publisher Relations, Nashville; and Clay Bradley, BMI Associate Vice President, Writer/Publisher Relations, Nashville.

McCreery Reveals Release Week Plans For Debut

Scotty McCreery is slated to release his debut album, Clear As Day, on Oct. 4. His release week will include several national television appearances and a hometown event, celebrating his album release along with his 18th birthday.

McCreery will perform on Today Monday, Oct. 3. That night, GAC will premiere Introducing: Scotty McCreery at 9 p.m. GAC cameras have been documenting McCreery’s life since June and have captured much of what’s happened since his Season 10 American Idol win in May. The show will also feature interviews with family, friends and industry leaders who have played an important role in his personal and professional life.

Sunday, Oct. 9. is McCreery’s eighteenth birthday. To celebrate, he is inviting friends and fans to attend his Album Release and Birthday Bash Homecoming. The event will take place Saturday, Oct. 8 at 11 a.m at the the Time Warner Cable Music Pavilion at Walnut Creek in Raleigh, NC.

The following week, on Oct. 11, McCreery will take the stage at The Grand Ole Opry. The performance will be televised on Opry Live on GAC at 8 p.m.

McCreery has also been chosen as the first artist to release a CD in a ‘ZinePak configuration. The ‘ZinePak features his debut album and an exclusive 72-page magazine. The mini magazine includes a Q-and-A with McCreery, lyrics, song notes, behind the scene photos and more. Less than 80,000 copies of McCreery’s ‘ZinePak edition will go on sale exclusively at Walmart, when his album releases on Oct. 4.

2011 International Bluegrass Awards Winners

The results are in, and Steve Martin & The Steep Canyon Rangers were awarded with the IBMA’s Entertainer of the Year award at the 22nd annual International Bluegrass Awards last night (9/29). The legendary comedian has put out two albums of original bluegrass in the last two years, including his latest Rare Bird Alert.

Steve Martin with Dailey & Vincent at the 2011 International Bluegrass Awards. Photo: Alan Mayor

Winning multiple honors were New York-based The Gibson Brothers, who earned honors for Vocal Group of the Year and Album of the Year for Help My Brother (Compass Records). The Boxcars also nabbed two as a group, for Emerging Artists of the Year and Instrumental Group of the Year. Additionally, Boxcars banjo player Ron Stewart tied with the Grascals’ Kristin Scott Benson for Banjo Player of the Year. A full list of the evening’s winners is below.

2011 International Bluegrass Awards:

Hall of Fame Inductees — Del McCoury, George Shuffler

Entertainer of the Year — Steve Martin & The Steep Canyon Rangers

Vocal Group of the Year — The Gibson Brothers

Instrumental Group of the Year — The Boxcars

Male Vocalist of the Year — Russell Moore

Female Vocalist of the Year — Dale Ann Bradley

Emerging Artist of the Year — The Boxcars

Album of the Year — Help My Brother, The Gibson Brothers (Compass Records); producers: Eric & Leigh Gibson and Mike Barber

Instrumental Recorded Performance of the Year —  “Goin’ Up Dry Branch,” by Michael Cleveland & Flamekeeper (Rounder Records); songwriters: Buddy Spicher & Jimmy Martin; producers: Jeff White & Michael Cleveland

Gospel Recorded Performance of the Year — “Prayer Bells of Heaven” by J.D. Crowe, Doyle Lawson, & Paul Williams (Mountain Home); producer: Ben Isaacs

Song of the Year — “Trains I Missed,” by Balsam Range; songwriters: Walt Wilkins, Gilles Godard & Nicole Witt

Recorded Event of the Year — “Prayer Bells of Heaven” by J.D. Crowe, Doyle Lawson & Paul Williams (Mountain Home); producer: Ben Isaacs

Banjo Player of the Year — Kristin Scott Benson and Ron Stewart (tie)

Guitar Player of the Year — Bryan Sutton

Fiddle Player of the Year — Michael Cleveland

Bass Player of the Year — Marshall Wilborn

Mandolin Player of the Year — Adam Steffey

Dobro Player of the Year — Rob Ickes

Distinguished Achievement Award Recipients — Greg Cahill, Bill Knowlton, Lilly Pavlak, Geoff Stelling, Roland White

Broadcaster of the Year — Katy Daley, WAMU Bluegrass Country

Print Media Person of the Year — Juli Thanki, Engine145.com

Bluegrass Event of the Year — Silver Dollar City’s Bluegrass & BBQ Festival; Branson, Mo.

Best Graphic Design — Ricardo Alessio & Erica Harris for Abigail Washburn (Rounder Records)

Best Liner Notes — Colin Escott for A Mother’s Prayer, Ralph Stanley (Rebel Records)

Bobby Karl Works the IBMA Awards

Steve Martin & The Steep Canyon Rangers

Chapter 376
Photos: Alan Mayor

Justice was finally served at this year’s IBMA Awards.

For the past five years, no one has helped to raise the profile of bluegrass music more than Steve Martin & The Steep Canyon Rangers. The International Bluegrass Music Association voters at last recognized that fact by naming the act its Entertainer of the Year.

“Maybe people bought a ticket to see me; maybe they didn’t know what bluegrass music is, but they leave [the shows] loving it,” said Martin. He jumped up and down with his trophy like a kid with a new toy at Christmas before wisecracking, “I want to thank the other nominees, and thank them for losing.” On a more serious note, he added, “We have loved, loved playing this music across the country.”

Cinderella’s coach turned back into a pumpkin for The Boxcars. They went into the show leading the field with seven nominations, but had to settle for a little less than three. The Boxcars won the Emerging Artist award, Instrumental Group of the Year and finished in a tie for Banjo Player of the Year between the group’s Ron Stewart and The Grascals’ Kristin Scott Benson. The group also offered one of the evening’s weakest stage performances of the night.

Michael Clevelend

Michael Clevelend & Flamekeeper took two trophies. Cleveland won Fiddle Player of the Year, and the band won Instrumental Performance of the Year for its “Goin’ Up Dry Branch.” The other double winners were The Gibson Brothers and the veteran trio of Doyle Lawson, J.D. Crowe and Paul Williams. The former won the Vocal Group and Album honors.

“I’d like to thank my singing partner and older brother Eric,” said Leigh Gibson. “I don’t think either of us would sound that great without the other.”

Lawson, Crowe and Williams took home statuettes for Recorded Event and Gospel Recording for their splendid work on “Prayer Bells of Heaven.”

“I wasn’t expecting this,” said Crowe. “This is great. Especially at the Ryman. This is where it [bluegrass] all started.”

“We had a great time recording this, and we’re gonna do another,” promised Williams.

Repeating winners characterized much of the evening. In addition to Kristin Scott Benson (her fourth Banjo) and Michael Cleveland (his ninth Fiddle), they included Blue Highway’s Rob Ickes (his 13th Dobro), Flamekeeper’s Marshall Wilborn (his third Bass), Bryan Sutton (his sixth Guitar), Adam Steffey (his eighth Mandolin) and 111rd Tyme Out’s Russell Moore (his fourth Male Vocalist).

“Wow!” said Moore. “I’m honored that you feel this way. I thought you were crazy last year. This confirms it….I’ll do my best to make you proud.”

Dale Ann Bradley

Dale Ann Bradley won Female Vocalist in 2007, 2008 and 2009. She returned this year.

“Everybody that’s bought a ticket and fed us soup, beans and cornbread, God love you,” she exclaimed.

Inducted into the Bluegrass Hall of Fame were George Shuffler and Del McCoury. Shuffler’s innovations as a “walking” bass stylist, “cross picking” guitarist, harmony vocalist and comedian in the bands of The Stanley Brothers and Reno & Harrell were noted.

“If I thought it [bluegrass music] was going to catch on like it did, I’d have tried to do it a little better,” he told the capacity crowd.

George Shuffler

McCoury was inducted by his sons Ronnie and Rob. “I guess every kid thinks their dad is a hero, and we’re no exceptions to that,” said Ronnie. “He gives 100%, every night.” Added Rob, “Every kid wants to be like their dad. When I was 8 years old, I took a notion to take up the banjo.” At the time, Del was working as a logger. He’d come home from work exhausted, yet still made time to teach Rob his instrument.

Del was one of many during the show who saluted the 100th anniversary of the birth of Bill Monroe. He joined Monroe’s Blue Grass Boys in 1964 and graduated to his own band in 1968. His sons joined him in the 1980s, and they moved to Nashville in 1992. The Del McCoury Band has more IBMA awards than any other group. In 2006, it won a Grammy, and in 2010 Del was given an NEA National Heritage Award. “But this is the Big One,” said Rob.

Del’s warm, rambling acceptance speech was sweet, countrified and amusing. “Positively, the state of bluegrass music is better than it’s ever been,” he concluded.

Echoing Del, let me add that the music is not only better than ever, it is also highly diverse. The performances Thursday night (9/29) at the Ryman (now billing itself as “America’s Theatre,” with an “re,” if you please) seemed designed to disprove anyone who says, “Bluegrass all sounds the same.”

Del McCoury and family

Tones ranged from the smooth triple fiddling of Dailey & Vincent to the jazzy, minor-key sound of Sierra Hull & Highway 111. Balsam Range was lilting, flawless, melodic, deeply moving and harmony soaked on “Trains I Missed,” which won Song of the Year for Nicole Witt, Giles Goddard and Walt Wilkins.

Doyle Lawson & Quicksilver rose the hair off your head with the heat-lightning speed of “Gone Long Gone.” Steve Martin & The Steep Canyon Rangers provided humor with “Me and Paul Revere,” told from the point of view of the horse. The Gibson Brothers brought back sibling harmony. Lawson, Crowe and Williams offered jubilant, hearty gospel. The Grascals were softly meditative on “I Am Strong.” At the song’s finale, they were joined by two tiny girls who are patients at St. Jude’s Childrens Research Hospital and at Vanderbilt Children’s Hospital. Everybody choked up.

The Grascals

The three-plus hour show was hosted by Mr. Fabulous, Sam Bush. His band saluted Monroe with a tight “Roll On, Buddy.”

“I’m especially proud to be hosting in this special year,” said Bush. “We’ve got some great performers for you, representing the state of the art, 2011.” He wryly recalled Monroe’s response to Bush’s  “newgrass” music: “I hate that.”

“Our music is in good hands for another 100 years,” he remarked about the Monroe centennial. “Thank you for letting me be your ‘cruise director’ once again.”

Either applauding or presenting (or both) were Gary Paczosa, Barry Mazor, Tim Stafford, Tim O’Brien, Tom Roland, Tony Trischka, Dan Tyminski, Dan Hays, Ron Cox, Jay Orr, Sonny Osborne, Beth Gwinn, Eddie Stubbs, Vernell Hackett, Deborah Evans Price, Claire Lynch, Cody Kilby, Carl Jackson, Laurie Lewis, Sammy Shelor, Pete Wernick, Alison Brown, The Cleverlys and Louisa Branscomb, plus most of the IBMA Distinguished Achievement honorees Roland White, Greg Cahill, Bill Knowlton, Lilly Pavlak and Geoff Stelling.

This year’s World of Bluegrass convention and Bluegrass Fan Fest had an aggregate attendance of 20,000. That works out to around 1,500 per day for the convention and 6,000 per day for the fest. The fun continues all this weekend at the Convention Center.

CountryBreakout No. 1 Song

Have you ever been listening to music in the car and heard a song so powerful that you had to pull over to give it your full attention? That’s what Blake Shelton did the first time he heard “God Gave Me You” in the car, and then he decided to record it himself.

Fast forward to about three months later and Blake’s version of “God Gave Me You” is this week’s CountryBreakout No. 1 song, his fourth in under two years after “Hillbilly Bone,” “Who Are You When I’m Not Looking” and “Honey Bee.” Originally written and recorded by Christian artist Dave Barnes, “God Gave Me You” is a soaring ode to devotion, and as the story goes, reminded Blake of his relationship with wife Miranda Lambert. As a testament to the song’s deeply personal meaning for Blake, the video opens and closes with a home recording of Lambert on the eve of the couple’s wedding.

By any measure, it’s been a great couple years for Blake Shelton. On top of his engagement to Lambert and their coup of the Male and Female Vocalist CMA Awards in 2010, Blake’s high profile judging spot on The Voice has elevated his media celebrity to an entirely new level. Just recently, he was honored with his first-ever CMA nomination for Entertainer of the Year, and he’ll be performing on the Nov. 9 telecast of the show.

Charlie Cook On Air

Why Is There No Country Station In New York?

Arbitron says that there are almost 16 million people in the New York Metro area. I counted 97 stations getting some mention in a recent ratings month. Some were out of market but still collected listening in the NY metro.

Really? 16 million people and 97 stations (some getting listening only from a family in Queens) and no room for a Country station? To be fair, four of the 97 stations are programming country but none are major players or registering significant levels.

None of the big boys are willing to step up and give Country Radio a shot in New York? Clear Channel is the most successful company when it comes to programming Country. They have some of the smartest programmers in the format. Gregg Swedberg could jump in there and be hugely successful.

CBS has Country stations in Chicago and Detroit and outside of LA in Riverside and they do well. They have people who could do it. Though looking at their stations I don’t know who would change format. Those two companies are killing it in New York. Maybe WWFS would do better in Country, though a 3 million-plus cume is not something to walk away from any time soon.

Emmis, who should still be kicking themselves for flipping KZLA/Los Angeles before PPM years ago, has two Urban stations down the rankings ladder a bit. They have smart Country guys in Indianapolis with Bob Richards and Charlie Morgan. They could do it.

I suspect Cumulus will try and fix WPLJ before giving up that legendary signal and staff. Cox has a Long Island station that might be a player in Country Radio.

In LA Saul Levine used to feel that if KKGO did too well someone else would come along and challenge Go Country. I would tell him that the station could be top 10 in AQH (which it was a couple of years ago and is again) but that the low cume numbers would keep others from jumping in the format.

That is why no one is going Country in New York. KKGO has found some loyal Country Music fans. We had some two years ago that were contributing a lot of the station’s listening, and it’s happening again. The station is well-programmed and is getting long time exposed. BUT the cume is not in the elite category, and it never was. Heck, KKGO has the second (or third) highest cume in the format and is 25th in its own market.

Cume has become even more significant in the PPM ratings and if the format cannot collect enough cume it is never going to be consistently successful. Lose that family that is contributing to the ratings and you lose a great deal.

Now there is a difference between New York and LA. New York is 20% Hispanic and LA is 40% Hispanic. That said, walk the streets of New York and you hear a hundred different languages. Not a real positive for Country Music, because there are not a lot of foreign language countries where Country Music does well.

Ed Salamon, the father of big city Country Music Radio, used to say that this diversity was a benefit to Country because if English was your second language at least the format told stories and listeners could connect with the story. Well, New York is certainly the most diverse city in America.

There has been success with Country Music Radio in New York. Ed was very successful at WHN in the ‘70s. I learned a great deal about big city Country Radio working for him there at WHN.

The late Dene Hallam had success in New York with the first FM playing Country Music there.

Later WYNY had some success. Michael O’Malley did a fine job with the station and when he left I spent about a year there and we had a strong station with great talent until the parent company sold some of the signal off and they lost a Country stronghold in New Jersey.

The fourth attempt failed miserably. The Tri-cast was signal challenged and never really took hold.

Of course there are New York stations that play Country Music. Scott Shannon is a real friend of the format on WPLJ but it is obviously kept to the pop influenced portion of the genre.

Look at the EOY finalists for the CMA show. One of the acts gets consistent play on WPLJ. New York radio listeners are shut out of Brad Paisley, Blake Shelton, Jason Aldean and (most of) Keith Urban. These are our big guns and they are silenced on the radio.

The Band Perry got some AC and CHR play in the last year, but the other four CMA New Artist nominees are not on the radio in New York. This is not the way to grow the format.

In the past the CMA has taken a lead in supporting Country Radio in LA and NY. Whatever can be done in the future would be beneficial for all of us.

New York Country Radio would have to be a little different today than it was in the past. A current-based format has to be current with CHR turnover. That would grow the cume and then programmers would have to work on keeping the listeners longer. But building a foundation that is dependable is not going as easy as doing it in Dallas or Atlanta.

Without outing him, as he works at a Country Station in a BIG market, my friend used to comment that he has never ridden a tractor, doesn’t travel dirt roads and doesn’t fish or hunt. True, but he drinks Tequila, knows a crazy girl or two and has drunk dialed in the past. It all works.