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Country Sales: Six Weeks Remain

It’s the day before Thanksgiving, so I’m going to be brief and promise this year not to wing it with the holiday puns. Everyone is too busy stuffing holiday bins trying to get a leg up for the upcoming black Friday sales to suffer the gobble gobble jokes. If you’ve been keeping a-breast of our weekly sales reports then you’ve noticed the fowl downward direction that our YTD comparisons have been taking since the week of 10-23. Oh how the mighty have tumbled into a cranberry bog! Country album sales YTD have been carved from a surplus of 9.3% one month ago, to our present 1.4% increase. All genre sales are doing slightly better, still ahead 2.8%.

The squashed numbers are easy to explain, we just haven’t had enough product this year to match the plate full of releases we had at this time last year, and that’s it. For example, last year at this time we had debuts from Rascal Flatts and Keith Urban who together sold almost 325,000 units. Still we should be Thankful because there are encouraging signs on the horizon especially in the tracks department, but wait let’s not jump to dessert before the main course.

Country album sales are topped by Idol phenom Scotty McCreery who shifted over 33,000 units to land at No. 1. Lady Antebellum (32,000), Miranda Lambert (28,000), Luke Bryan (22,000) and Jason Aldean (21,000) round out the Top 5. David Nail has the only Top 10 country album debut this week scanning about 13,000. Taylor Swift’s CD/DVD live package is in the racks now, so we’ll get some numbers next week. No idea where that will land, but it’s going to be hard to offset the continued decline in country’s YTD album tally.

For those counting we have six more weeks to complete the year. To equal last year’s total (43.720 million) we need to sell an additional 9.2214 million units or an average of 1.535 million for each of the remaining six weeks. (Last week we sold 829k).

Talking Turkey
If you’re not winning, why not challenge the system measuring your results? And in fact, readers of this column know this writer’s desire to have Nielsen SoundScan create country and overall TEA (track equivalent albums) charts in time for next year. (It would be a great Christmas present!)

YTD country has sold 128 million tracks. That’s a TEA of almost 13 million albums, almost a 40% increase if added to country album sales. That is significant and either is or should be profitable. Some people will find this upsetting to hear, but get over it—tracks are the new albums with respect to sales.

Need more convincing? This week’s top five country track positions were filled by Toby Keith “Red Solo Cup” (58k), Luke Bryan “…Night To End” (56k), Taylor Swift “Movie” (52k), “Ours” (47k), and Blake Shelton “God Gave Me You” (42k). Added together that is 255,000 tracks or over 25,000 TEA albums. Total country tracks this week hit 2.56 million or a quarter million albums!

Have you tried the new Google Music offering yet? Join me at +davidmross or tweet @davidmross and let me know your reaction.

A special HAPPY HOLIDAYS to all. Your readership means so much to me. Thank You so much for your support. Best to you and yours—have a great holiday!

DISClaimer Single Reviews (11/23/11)

Hillbilly humor, philosophy in song, classic country, bopping pop and ballads with heart, this stack of platters had it all.

Two of our three contenders for the DisCovery Award got there via the humor route. Kris Gordon is jaunty and easy-going, but both Zach Paxson and The Cleverlys are chuckling and grinning all the way. The Cleverlys are funnier. They get the prize.

The philosophical song is the excellent new effort by Ty Herndon. Willie Nelson provides the classic country tune.

I don’t give a Comeback of the Day award, but if I did, it would most assuredly go to Sherrie Austin. Her Circus Girl is a wonderful winner.

In a surprise development, Josh Thompson wins his first Disc of the Day award from this column.

KRIS GORDON/The Up Side Of Down
Writer: Tony Ramey/Michael White; Producer: Dean Miller; Publisher: Songs of Cherry Lane Ventures/Fast Horse/Big Picture/Cherry River, BMI/ASCAP; Frio (track) (www.krisgordon.net)
—It has a very cool, loping groove and some charming guitar and steel licks. His jaunty, relaxed vocal performance matches the song’s upbeat mood perfectly. Playable in the extreme.

JOSH THOMPSON/Comin’ Around
Writer: none listed; Producer: none listed; Publisher: none listed; RCA
—Easily his strongest effort to date. He delivers the lyric of personal evolution in a warm, honest drawl while a banjo ripples notes and a Telecaster twangs in support. It’s ultra melodic and made even more so by some highly effective harmony vocals.

SHERRY LYNN/Breakin’ Up Song
Writer: Steve Dean/Blake Gray/Will Nance; Producer: Ted Hewitt; Publisher: Brentwood Benson/Blue Guitar/Smokin’ Grapes/Bilangray/Lil’ Geezer, BMI; Quarterback (www.sherrylynnmusic.com)
—It is exactly what the title says it is, and well-written at that. Her singing of it is adequate, if unexceptional.

TY HERNDON/Stones
Writer: Hinson/Michaels/Tribble; Producer: none listed; Publisher: American Romance/Beechtree/Check Please/Jumping Cholla/WB, no performance rights listed; Flying Island/Funl
—From a birth stone to a childhood pebble to a wedding ring to a grave marker “our lives are paved with stones.” It’s a powerful ballad, and this guy has the vocal chops to nail its every emotion. A-plus.

SHAWNA RUSSELL/Waitin’ On Sunrise
Writer: Shawna Russell/Keith Russell/Tim Russell; Producer: Julian King, Clif Doyal & Tim Russell; Publisher: Blue Buckaroo, BMI; Way Out West (615-319-1863)
—Previously noted for rocking out, this time the lady is moody and contemplative. The mid-tempo, echoey arrangement frames her performance with a solid, steady groove highlighted by a dandy electric guitar solo and some sighing organ notes.

SHERRIE AUSTIN/Circus Girl
Writer: Sherrie Austin/Charity Daw/Will Rambeaux; Producer: Will Rambeaux & Sherrie Austin; Publisher: Magic Mustang/Write ‘Em Cowgirl/Ram Writers Group/Bayou Boy/Charity Daw, BMI; Circus Girl (track) (www.sherrieaustinmusic.com)
—It has been way too long since we’ve heard from “the saucy Aussie.” She wrote or co-wrote all 13 songs on her comeback CD. This title tune has delightfully quirky metaphors, a dynamite and pop-inflected production, a thumping backbeat, an enchanting melody and a throaty vocal performance that is positively enthralling. I remain a totally devoted fan.

BRYAN FONTENOT/Who I Ain’t
Writer: Jamie Paulin/Justin Lantz; Producer: Bryan Fontenot; Publisher: none listed, BMI; BF (www.bryanfontenot.com)
—It’s a way-serious ballad that’s a tad on the preachy side. The upward modulation on the last chorus only rubs it in.

THE CLEVERLYS/I Gotta Feelin’
Writer: none listed; Producer: Paul Harris, Chris Connor & Matthew Dyer; Publisher: none listed; Stabbin Cabin (track) (www.thecleverlys.com)
—If you caught these spoofing yokels at CMA Music Fest last summer, you’re probably already grinning. Yes, it’s the Black Eyed Peas song done with hillbilly drawl and bluegrass instrumentation. On their eponymous debut CD, The Cleverlys do the same with The Bangles’ “Walk Like an Egyptian,” Bill Withers’ “Ain’t No Sunshine” and, unforgettably, Beyonce’s “Single Ladies (Put a Ring on It).” Plus, you get originals like “Girl with No Pantyline.” The rube spoken-word passages are as riotous as the ditties are. Essential.

ZACH PAXSON/Good Luck With That
Writer: Zachary J. Paxson; Producer: Larry Beaird & Zach Paxson; Publisher: none listed; ZP (track) (www.zachpaxson.com)
—Paxson solo wrote all 12 tracks on his album, so hats off for that. The twinkling, witty, up-tempo title tune shows off some hearty hillbilly humor that would sound simply splendid on country radio. If he doesn’t have a hit with this, somebody should.

WILLIE NELSON/Remember Me
Writer: Stuart Hamblen; Producer: James Stroud; Publisher: Chappell, ASCAP; R & J (track) (www.willienelson.com)
—Willie’s new CD is a stroll through 14 of his favorite country oldies. Its title tune is lilting, hopeful song of steadfast love. “Remember Me (I’m the One Who Loves You)” was initially a 1950 hit for its composer as well as for Ernest Tubb. Dean Martin picked it up in 1965; Jerry Lee Lewis recorded in 1975 and Willie, himself, previously had a hit with it in 1976. The difference here is the twin-fiddle production by Stroud. In addition to sparkling tracks, he has the 78-year-old superstar sounding simply spectacular vocally throughout the collection.

Scott Borchetta On CNBC Power Lunch

Big Machine Label Group Chieftain Scott Borchetta does an artful two-step as they ask him right at the top of the interview if he has plans to sell to Sony and for how much?

“I talk to people all the time,” Borchetta smiles. “We’ve created a winning culture here…” Borchetta appeared as a guest on today’s Power Lunch program (11/22) and also discussed why country is doing well in difficult times, the “culture of Taylor Swift” and what it’s like to be a risk taker…

Here’s a short part of the transcript…

Q: The rumor is you’re selling to sony. That sony is very interested. Is that the case?

SB: That’s a great rumor, isn’t it?

Q: It’s a great rumor. It would make you an extremely wealthy man.

SB: You know what, I have a house. I have a car. They’ve got to do something really incredible to close this deal.

Q: What about $200 million? That’s a good starting place, isn’t it? Are you having discussions with them or others? Universal is rumored to be there as well.

SB: The wonderful thing about our company and the independence that we have is that we’ve created our own winning culture. And I think it’s a culture that is in high demand. So there are a lot of people interested in sharing our culture.

Q: So I would take that as you’re open to discussions.

SB: Hey, you know what? I talk to people all day long every day. Let’s see what they’ve got. They’re going to have to really buy into what we do.

Q: So if sony’s listening, I think that’s northwards of 200 million bucks, just so you guys know.

Country’s Marketing Chess Board—Staying In The Game

If country marketing is like a game of chess then imagine that the pieces you control are named Product Distribution, Publicity, Radio, Touring, Digital and Endorsements/Sponsorships.

Click to see larger image.

[Reprinted from MusicRow Oct./Nov 2011]

Taking the chess analogy one step further, there are a number of sophisticated moves that each of these pieces can complete. In fact, sometimes it is advantageous to create combo moves where two different pieces support each other and affect a situation where the whole becomes greater than the sum of the parts. It will require planning, expertise and experience to decide which moves are both affordable and will push a career forward. Too many plans can exhaust your resources and cause you to fall out of the game too soon. Too few, and you’ll never achieve star velocity.

As with all journeys, good directions are essential. In the case of building a country music artist career that need still applies, although the pathway from “unknown” to “household name” is a lot more complex than just getting from point A to B. Hopefully, the mind maps and circles presented in this article will help ease your passage.

But before you begin familiarizing yourself with the various tools and techniques, let’s absorb some basic research about the fans you are hoping to acquire.

According to the massive CMA Country Music Consumer Segmentation study presented in 2009, approximately two in five American adults ages 18-54 (37%) qualify as “Country Music Fans.” These Fans split into two groups based upon revenue contribution—a small core group (4.7%) who invest heavily and a larger group of “Low Funding” fans who engage with country for free (32.6%).

The core fans, or CountryPhiles and MusicPhiles, skew female (54%), are more likely to be married (59%), caucasian and from small towns versus the average American adult. They appreciate the core values of the format and the artists. And, their commitment translates to both significant engagement time and industry revenue.They are an extremely valuable group, perhaps 15 million people, that pay over 50% of the country music bills.

The low funding portion of fans (100+ million) skew a bit more male (55%). They are younger, more diverse (especially Hispanic) and more urban. They are extremely hip, high tech, engaged music lovers who happen to include Country Music in the mix.

This CMA data is now several years old. No doubt, all segments have more effectively embraced the digital revolution and unfortunately, have also been adversely affected by the weak economy.

Now let’s look at the mind maps. Here’s a brief rundown of the six “key” areas on the map…

Product Distribution 
The Product Distribution area splits into digital and physical pipelines. The digital side is much less expensive because there is no inventory to create, ship, etc. Consumers are interacting with digital product via paid downloads (Own), monthly all you can play payments (Subscribe) and unpaid channels (Free) which often means P2P piracy. Physical shelf space at major music retailers is now mostly the exclusive domain of major labels and established artists. However, physical product can be profitable, especially for sale at gigs.

Publicity 
DIY (do it yourself) is all the rage, but adding a publicity expert to your team can still be a wise investment. When it comes to imaging and getting a realistic appraisal of an artist’s media skills, one can’t rely solely on Mom. A publicist can be essential in taking your story to the media and you to another level.

Touring 
Gigs are a musician’s lifeblood. Even superstars will tell you, touring is where the money is. Start regionally. Be sure to acquire fan emails whenever possible, and have merchandise and product on hand. Social networking sites can also help you to interact with acquired fans in a more personal way (without leaving home).

Endorsements/Sponsorships 
You don’t have to be playing arenas and stadiums to get one of these coveted partners. But it is crucial to find a brand that fits nicely with who you are and the fans you attract. Get creative in finding a way to make it fit. Think about local, regional and national brands. Find out what the brand expects from you and make sure you deliver.

Radio 
Only a few years ago, this area was limited to terrestrial radio for country music. Today add satellite and online to the mix. Plus there are new hybrid arrivals like Pandora and Last.FM competing for listeners’ attention. Competition means additional opportunities.

Digital 
Digital marketing and all it entails has become an absolute necessity for success. The list of outlets is substantial with new ones busting loose almost daily. Digital begins with content, video and social networking. Leveraging these areas can provide low cost, high power energy to your career when used in a conscientious daily regimen. Artists should be at least somewhat familiar with every red circle company on the map. The landscape is fragmented with lots of choices. Try to discover the ones that best match with your fans.

Fan Engagement Tools 
The Engagement mindmap is a tool box for creating content, reaching out to fans one-on-one and measuring your progress. Taming your mass email program is a must. Analyzing your marketing efforts is how you begin to see what works best and fine tune your strategy. Content generation tools and imaging also play a large role in helping you implement strategy. Good luck and remember the term “overnight success” was invented by Hollywood. Don’t confuse it with “reality.” •

Gartner Study Predicts Strong Music Growth Online

A recent Gartner Industry Research report (9/16/11) suggests that online music revenue will grow 31%, from $5.9 billion in 2010 to $7.7 billion in 2015. Physical CDs will move conversely, falling from about $15 billion in 2010 to $10 billion in 2015. Gartner’s findings place strong emphasis on connected devices such as media tablets and smart phones for driving the changes over the upcoming period in terms of revenues and actual business models. Subscription services such as Spotify, the report says, will lead the growth, but “a la carte sales will drive the bulk of overall revenue.”

“The primary stakeholders in the music industry — artists, music labels, publishers and retailers/service providers — are facing wrenching changes and a somewhat uncertain future,” states analysts Mike McGuire and Stephanie Baghdassarian. “But the next four to five years, as portrayed in our forecast portends solid growth — if you ignore the continued decline of CD sales…”

Although the substantial loss in CD revenue appears unavoidable, the report focuses on the online sector which is, “Where the strategic focus needs to be.” Part of the data projects that subscription services will take a 317% leap from 2011 to 2015 where it will account for $2,218 million. Download revenues in 2011 lead subscription revenues by about 600%. By 2015, however that lead is expected to be only about double the subscription revenues (see graph).

The growth in the online music sector is clearly being driven by the proliferation of connected devices which is causing industry stakeholders to realign and restructure business models and services. “The essential element — the thing that will affect the fortunes of any number of stakeholders in the music industry,” states the report, “is how each sector addresses consumer data (behavior patterns, and how consumers find and share data about music and information). For music labels, artists and publishers, challenges abound. However, there remain real opportunities to reinvent the business based on consumers who are adopting connected devices (that marry playback and purchase acquisition capabilities in a single device) and who are showing they will pay for content in multiple ways.”

Awards Ratings Showdown: CMAs Trump AMAs

Swift won top honors at the AMAs, and was also profiled on 60 Minutes.

The American Music Awards pushed ABC to a third-place finish in last night’s (11/20) TV ratings race, averaging about 12 million viewers, according to EW.com. By comparison, about 16.3 million fans tuned into the Nov. 9 CMA Awards, also on ABC. Taylor Swift was a big winner at both ceremonies.

Also last night, CBS won the 7 PM/ET hour and placed second in the 8 PM/ET hour thanks to an NFL game that ran over, and a profile of Swift on network mainstay 60 Minutes.

Overall, NBC’s Sunday Night Football won the night with 14.8 million pairs of eyes. This info according to Zap2It.

Embedded below:

• Members of Nashville’s Hot Chelle Rae talk to The Hollywood Reporter about their AMA win last night.

• See more of Swift’s interview on 60 Minutes Overtime.

 

Brick and Mortar Retailers Struggle With Smartphone Shopping

The growing prevalence of smartphones is changing the holiday shopping game this year. The old school of thought that getting the consumer in the door equals sales is gone, as shoppers increasingly stand in front of products and research them on their mobile devices. They are reading reviews, comparing prices at other stores, or scanning web merchants for a better deal and free shipping. AdAge reports that 40% of smartphone owners shop this way, and 14% have abandoned the in-store purchase and bought the item from their smartphones, while standing in store (comScore).

Some of the nation’s largest merchants are trying to beat the trend. Lowe’s and Best Buy are arming in-store employees with iPhones so that they can research products alongside the shoppers, according to AdAge. Many retailers are going one step further, empowering employees to undercut competitors’ prices on the spot.

Toys”R”Us and Best Buy are listing their in-store inventories with Milo, a service that is available to consumers for their smartphones, reports Reuters. This way, shoppers can use their mobile devices to find and purchase products, and then pick them up in the store.

Other outlets are debuting mobile friendly web stores. J.C. Penney’s offering has a wish list component that can be shared with friends.

CountryBreakout No. 1 Song

Quick, what’s a 14-letter word for a pre Civil War woman, or a multi-Platinum selling country music trio who conquered the 2011 Grammy Awards and was just awarded with another CMA Award for Vocal Group of the Year?

Here’s a hint: it ain’t Lady Gaga.

But if you, astute reader, guessed Lady Antebellum then you’d be absolutely correct. And now our crossword puzzle stumping friends in the beloved Capitol Records trio have the CountryBreakout Chart’s No. 1 song for a third consecutive week with “We Owned The Night.” Lady A’s similarly titled Own The Night tour just launched last weekend in Knoxville, Tennessee. Early reports of the show have yielded compliments such as “huge,” “next level,” and “must see.”

This week they’ve been out west with arena dates in El Paso (11/16), Phoenix (11/17) and Las Vegas (11/18). They’ll head over to Los Angeles Nov. 22, where they are scheduled to perform live on the finale of ABC’s Dancing With The Stars and perform this big ole hit single.

Weekly Chart Report (11/18/11)

Claudia Lee (R) with Matt Sharp (L) of KTKS/Versailles, MO on the radio tour to promote her debut single “Hollywood Sunset.” Lee is also an accomplished actress who currently appears in the series “Hart of Dixie,” airing 8 pm CT Mondays on the CW Network.

SPIN ZONE
Are the holidays here yet? It’s like everything slows down after the CMA Awards and everyone falls into a turkey-induced stupor, which translates into a slow-moving CountryBreakout Chart. Lady Antebellum’s “We Owned The Night” is up top for its third consecutive week, beating out Jason Aldean’s “Tattoos On This Town,” Eric Church’s “Drink In My Hand,” The Band Perry’s “All Your Life,” and Zac Brown Band’s “Keep Me In Mind.”

But not all post-CMA Awards hangover is bad. It’s been quite a good thing for the launch of Faith Hill’s return single “Come Home,” which piled on 441 new spins and debuted way up the chart at No. 52. Keith Urban’s “You Gonna Fly” gets a big 301 spin increase, which moved it forward to No. 18. Other 200-plus spin gainers include Montgomery Gentry’s “Where I Come From” (No. 13), Dierks Bentley’s “Home” (No. 14), Kenny Chesney’s “Reality” (No. 15), Toby Keith’s “Red Solo Cup” (No. 19), and George Strait’s new “Love’s Gonna Make It Alright” (No. 39).

Frozen Playlists: KBCN, KSED, KVVP, KXBZ, KYYK, WKWS, WUCZ

• • • • •

WIL's Cornbread camps out for the St. Louis Cardinals.

RADIO NEWS
WIL/St. Louis morning personality Cornbread has renewed a multi-year contract with the station. “The Cornbread Morning Show,” winner of CMA’s Major Market Personality of the Year honor in 2009, has been on the air since 2004. Most recently Cornbread camped out for 10 consecutive days to support the St. Louis Cardinals in the MLB World Series.
—-
Contact update: Captain Jack Aponte over at Nashville’s new Renegade Radio has a new email address. Reach him at [email protected].

Upcoming Singles
November 21
Sherry Lynn/Breakin’ Up Song/Steal Heart Music

November 28
Shawna Russell/Waitin’ On Sunrise/Way Out West

• • • • •

New On The Chart—Debuting This Week
Artist/song/label — chart pos.
Faith Hill/Come Home/Warner Bros. — 52
Lauren Alaina/Georgia Peaches/19/Mercury — 71
Katie Armiger/Scream/Cold River — 76

Greatest Spin Increase
Artist/song/label — spin+
Faith Hill/Come Home/Warner Bros. — 441
Keith Urban/You Gonna Fly/Capitol — 301
George Strait/Love’s Gonna Make It Alright/MCA — 260
Dierks Bentley/Home/Capitol — 229
Kenny Chesney/Reality/BNA — 220

Most Added
Artist/song/label — New Adds
Faith Hill/Come Home/Warner Bros. — 34
George Strait/Love’s Gonna Make It Alright/MCA — 14
Matt Nathanson f. Jennifer Nettles/Run/Vanguard — 8
Keith Urban/You Gonna Fly/Capitol — 7
Trace Adkins/Million Dollar View/Show Dog-Universal — 6
Scotty McCreery/The Trouble With Girls/19 Ent./Mercury — 5
Lauren Alaina/Georgia Peaches/19/Mercury — 5
Jake Owen/Alone With You/RCA — 5
Toby Keith/Red Solo Cup/Show Dog-Universal — 5
David Bradley/If You Can’t Make Money/Gecko Music Productions — 5

On Deck—Soon To Be Charting
Artist/song/label — spins
Chris Weaver Band/Go Easy On Me — 144
Joanna Mosca w/ Richie McDonald/Where Does Good Love Go?/Dolce Diva — 144
Bryan Cole/Pride & Passion/Perfect Vision — 133
Bill Gentry/This Letter/Tenacity Records — 130
Her and Kings County/White Trash Country Boy/Warner Bros./WMN — 122
Jackie Arredondo/Rockin’ the Trailer/Gold Voice — 120

Montgomery Gentry took over Birmingham’s 102.5/The Bull to play guest DJ and chat up their new single “Where I Come From” which lands at No. 13 on our CountryBreakout Chart this week. (L-R): Eddie Montgomery, Bull morning host Dollar Bill Lawson, Bull PD Tom Hanrahan and Troy Gentry

Newcomer Madonna Nash recently performed at Nashville’s Hard Rock Café during CMA Awards week, and played mediator for two fans on opposing sides of one of college football’s legendary rivalries. Nash has also been making the rounds at radio to promote her single “Dirty Little Secret,” which is currently at No. 53 on the CountryBreakout Chart. (L-R): MusicRow Chart Director (and devoted Auburn fan) Jon Freeman, Madonna Nash, The Hot Seat VP Radio Services (and devoted Alabama fan) Jason Turner.

Charlie Cook On Air

A Place Where Everybody Knows Your Name

This is for my radio friends.

I go to this restaurant each Friday. I like their varied menu. The wait staff is friendly and spends time with me when I go in there. I get the neighborhood news. The place has more than enough seating but it is cozy and I feel like I am the only person in there. It seems to me that the chef is spending his time making a dish that I will love. The owner stops by occasionally and says hello.

I always meet someone new when I’m there. Maybe because we all live in the same neighborhood, I feel a connection to the other diners. I occasionally eavesdrop on the conversations of the servers and patrons. Many times they are laugh out loud funny but they are talking about things that interest me.

One of the last times I was there, I learned about an event going on down the street that I stopped at and had a great time. I felt really lucky because I would never have heard about this fun event otherwise.

One of the great things about this restaurant is that, because I am a regular customer, I get to enter a contest every month that gives me a chance to win a free meal. All you need to know is the server of the month and tell her that you’d like to win. It is kind of a secret contest just for regulars. Now, I have never won the meal but I like to play along and it gives me a chance to interact with the server, whom I like a lot.

This sounds like a great place, doesn’t it? I bet you want to know where it is. Maybe you’d like to visit and take your family.

But wait a minute. Over the last few months I have started to notice some changes.

A couple visits ago my favorite server wasn’t there. He always worked Friday nights. I felt like Norm from Cheers when I went there. I always felt like he was waiting for me to come in. No one said anything that night about him missing.

The next Friday I asked and the owner told me that he was let go. They had experienced some decrease in business, due to the downturn in the economy. There just wasn’t enough business to keep him. The owner was sorry he had to leave and wanted me to meet the other server, who he was sure I would also like.

He was a nice enough guy but it was going to take me some time to learn about what he was all about.

That night I also got my first bad meal at the restaurant. The cook came out and apologized, saying that they were cutting corners a little bit on the fruit and vegetables. He was trying to make my favorite meal for me but they only go to the Farmer’s market every second or third day. He was looking to leave his position because he didn’t agree with new direction and felt that, as the highest paid employee, the owner was putting pressure on him.

He said that as the cook he shouldn’t have to wait on some tables and even buss tables.

The next time I visited I found the menu missing. I used to spend 15 minutes looking it over finding new things that I wanted to try. My favorites would be there but there would always be something new that interested me and I was happy to try something different. This time there was a chalk board with only a few choices.

The owner said that he didn’t have the staff to take chances with new things. He had a guy come in from another restaurant across town and he would whip up some “specials” but that he wasn’t around all day and couldn’t make more than a handful of dishes each day.

On my way out, I looked for the server of the month to try my hand at winning a dinner. I didn’t see the display with the monthly plaques telling me who this month’s honored server was. The new server from last month (what’s his name?) told me that they stopped the contest because the same people were winning all the time.

You know what? I think I am going to have to find a new place to eat on Friday nights.