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McBride Helps Raise $35,000 for Musicians On Call

Republic Nashville’s Martina McBride, performed to a sold out Hard Rock Cafe Nashville crowd on Fri., Nov. 16 with all proceeds directly benefitting Musicians On Call (MOC) Nashville. The non-profit brings music to the bedsides of patients in six area healthcare facilities. Breaking MOC Nashville fundraising records for a single event, the benefit amassed over $35,000 all of which will be used to support the MOC Nashville branch and help to continue and expand its Bedside Performance Programs. The funds were raised from ticket sales, a silent auction, and a unique online auction that afforded one lucky winner the opportunity to join McBride on stage for a song to which winning bidder, Lyndsi Riley, chose “This One’s for the Girls.”

“We could not imagine a better way to celebrate our fifth anniversary in Nashville. It was a once-in-a-lifetime opportunity to see such an icon perform in an intimate setting,” shared Katy Epley, MOC Nashville’s Program Director. “Martina and her entire team could not have been more gracious or supportive of our efforts to bring the healing power of music to the bedsides of patients.”

McBride, who also sang her current hit “I’m Gonna Love Your Through It,” said, “I was so happy to be a part of the fifth anniversary of Musicians On Call in Nashville. We put together an eclectic set list of hits mixed with some of our favorite album cuts for a show that was one-of-a-kind. It’s a great organization doing important work and I was proud to be a part of that very special evening.”

Visit www.MusiciansOnCall.org for more information on upcoming events or on how to donate or volunteer.

Shaun Silva Opens Post Production Company

Pictured (L-R): Silva, former UT football player Condredge Holloway and Kenny Chesney. Photo: Erin Thacker Goad

Shaun Silva officially opened the doors to Forward, a new post-production facility in Nashville’s Marathon Village, at an event in the space last Friday (11/16). The multi-room facility hopes to compete for ad agency work outside Nashville’s borders from Atlanta, Chicago, Detroit, and Austin, which is normally diverted to major markets in New York or LA.

“I believe Forward fills a gap missing in this town,” said Silva. “It doesn’t make sense to me to come here and shoot a commercial about a local company and turn around and take it out of this town. It is time for people to change their perception of what this town is. We’re as competitive, if not more so than anybody when it comes to prices and we’ve got the talent–now we’ve got the facility.”

In the center of the office space lies an impressive glass-enclosed conference room with floating staircase leading to upstairs editing rooms, all designed by Silva and Nashville Designer Chris Gill. Reclaimed wood, refinished floors, and a basket-woven whiskey barrel wall establishes a compelling vibe inside the space. Chic furniture and old film equipment accents, provided in part by Marathon Village neighbors American Pickers, creates an impactful and pleasant aesthetic.

“In 2003, I started Tacklebox Films production company, which is located right down the hall,” said Silva. “About three years ago, we started doing post-production work internally and realized we could make a real business. We will have a staff of 10-11, most of which are from Nashville. It was important to me to offer a facility that showcased their true talents. I feel like Marathon Village is one of the most creative nucleus we have in Nashville. What Music Row is for the music business, this is for the film/TV community.”

Mike Wolfe of American Pickers, Kenny Chesney, former UT football player Condredge Holloway, and Mayor Karl Dean were among guests making appearances at the ribbon-cutting event, which served up beverages and offered a full menu from the Grilled Cheeserie food truck, parked outside.

Producer Anne Popper and Sales Director Marisa Munoz can be reached by email or phone 615-320-3269. Visit Forward’s official website here.

Chris Young Kicks Off Tour With Sold-Out Ryman Show

(L-R): Rob Beckham, Co-Head Nashville, WME; Marion Kraft, Owner, ShopKeeper Management; Chris Young; Gary Overton, Chairman & CEO, Sony Music Nashville; Sally Williams, General Mgr., Ryman Auditorium. Photo: Rick Diamond/Getty Images

Chris Young kicked off the first leg of his headlining Liquid Neon Tour last Thursday (11/15), with a sold-out show at Nashville’s historic Ryman Auditorium. The date marked his first headlining concert in his hometown and featured supporting guests on the tour Joanna Smith and Thomas Rhett.

RCA Records label mate Smith started the night with an acoustic set including “Ring To Sell,” “Broken Wishes,” “Girls Are Crazy,” and current single “We Can’t Be Friends.” She captured the audience’s attention and shared that she often dreamed about performing at the Ryman during her many shows at nearby Tootsies. Valory Music Co.’s Thomas Rhett then performed songs from his self-titled EP including, “Whatcha Got In That Cup,” “Make Me Wanna,” “Beer With Jesus,” “Front Porch Junkies” and “Something To Do With My Hands.” Rhett’s onstage charisma kept fans engaged with every note and every move.

Centered between four LED video towers, Chris Young opened with “Gonna Find It Tonight” and then led into his first No. 1 song, “Getting You Home.” Singing every word, the enthusiastic crowd stood for most of the show, giving the Nashville artist a sincere hometown reception. Young gave a shout out to his parents, sister and grandparents who were in attendance. And perhaps the most endearing part of the concert was watching his proud mom Becky Harris enjoy every moment of the show, standing front and center.

After performing “Lost,” Young expressed heartfelt gratitude to the audience “for giving me a life I love.” He thanked them for spending their hard earned money to support not just him, but all artists. He then followed up with “The Man I Want To Be,” “Save Water, Drink Beer,” “When She’s On,” and “Neon.”

Before the Nov. 15th show, Chris Young tweeted this photo, "This= epic #Ryman"

Young gave a special thanks to his label Sony Music Nashville (RCA Records) for sticking with him when his first singles fell short on the charts. He then performed a few songs from his first album, Chris Young, that were not hits but had often been requested by fans.

Following the performance of his No. 1, “You,” Young shifted into an acoustic set, offering the energetic crowd “Text Me, Texas,” “Beer Or Gasoline,” and “The Dashboard.” The latter song was dedicated to members of the military. Young also highlighted his involvement in the Stars and Stripes Program.

After singing a crowd favorite, “Voices,” Young confessed that the next song, “She’s Got This Thing About Her” was the first time he had ever performed the song live. The audience loved it. Young ended the show with ZZ Top‘s “Sharp Dressed Man,” and followed with his hits “I Can Take It From There,” and “Tomorrow.”

The encore included “Who’s Gonna Take Me Home” and “Ain’t Livin’ Long Like This” and brought Joanna Smith and Thomas Rhett back to the stage for the finale.

McBee Exits Sony Music Nashville

Heather McBee has exited Sony Music Nashville after 20 years with the label group as the company’s VP, Marketing & Web Initiatives to pursue her next opportunity.

She joined BNA Nashville in 1991 as an intern and over the years brought her interest and expertise in digital marketing to the forefront helping grow the careers of such artists as Kenny Chesney, Jake Owen, Chris Young, Love and Theft, Brad Paisley, Carrie Underwood, Martina McBride, Lonestar, Sara Evans and others.

McBee can be reached at 615-584-8741 or at hmc@heathermcbee.com.

Weekly Chart Report (11/16/2012)

For the third year, B100 teamed up with Martin's Supermarket selling Pink Light Bulbs in an effort to raise $6,800 for Susan G Komen for the Cure of Northern Indiana. Pictured (L-R): Deb Miles (B100 morning co-host), Barb LeVan (Martin's Supermarket), Madeline Catanzarite (B100 Sales Rep), and Sheri Miller Story (Northern, IN Susan G Komen Executive Director)

SPIN ZONE
Republic Nashville keeps the No. 1 spot this week on the MusicRow Chart with Greg Bates‘ “Did It For The Girl” succeeding last week’s chart-topper Florida Georgia Line‘s “Cruise,” now at No. 3. Written by Bates, Lynn Hutton and Rodney Clawson, “Did It For The Girl” is Bates first single from his debut self-titled album and first No. 1. The chart’s top 10 didn’t allow any new entries this week; however, Rascal Flatts‘ “Come Wake Me Up” climbed up to the No. 2 spot. Likewise, Dierks Bentley‘s “Tip It On Back” also gained a spot to No. 4 and Kip Moore‘s “Beer Money” rounds out the top 5.

Big movers this week include Jason Aldean‘s “The Only Way I Know” jumping from No. 36 to No. 21 with 577 new spins. Leaping from No. 51 to No. 32 is Tim McGraw‘s “One Of Those Nights” gaining an additional 484 spins. Moving up from No. 28 to No. 20 with 426 new spins in its 3rd week on the chart is The Band Perry‘s “Better Dig Two.” Toby Keith‘s “Hope On The Rocks” adds another 394 spins climbing 18 spots to No. 40.

Making its debut this week, Kelly Clarkson‘s (with Vince Gill) “Don’t Rush” landed at No. 68. Other debuts include Vince Hatfield‘s “Sometimes You Gotta Get Away” (No. 78), Jana Kramer‘s “Whiskey” (No. 79) and Steve Holy‘s “Hauled Off And Kissed Me” (No. 80).

Frozen Playlists: KGKL, KMKS, KGMN, KXBZ, KYKX

Upcoming Singles
November 19
Dustin Lynch/She Cranks My Tractor/Broken Bow Records

November 26
Carrie Underwood/Two Black Cadillacs/Sony Nashville

December 3
Lee Brice/I Drive Your Truck/Curb
Jillian Kohr/What You’ve Done

Holiday Singles
Lorrie Morgan/Wrapped Up In Love/Octabrook Records
Craig Morrison/Santa Claus Boogie/Lucky 53s-GMV Nashville
Clinton Gregory/Peace On Earth Again/Melody Roundup Records
Kyle Park/Winter Wonderland

New On The Chart—Debuting This Week
Artist/song/label — chart pos.
Kelly Clarkson w/ Vince Gill/Don’t Rush/19 Recordings-RCA Nashville – 68
Vince Hatfield/Sometimes You Gotta Get Away/Blue Moon – 78
Jana Kramer/Whiskey/WMN – 79
Steve Holy/Hauled Off And Kissed Me/Curb – 80

Most Added
Artist/song/label — New Adds
Tim McGraw/One Of Those Nights/Big Machine – 30
Toby Keith/Hope On The Rocks/Show Dog-Universal – 29
Jason Aldean/The Only Way I Know/Broken Bow – 22
Kelly Clarkson w/ Vince Gill/Don’t Rush/19 Recordings-RCA Nashville – 20
Carrie Underwood/Two Black Cadillacs/19-Arista Nashville – 16
George Strait/Give It All We Got/MCA – 15
Brantley Gilbert/More Than Miles/Valory – 14
Thompson Square/If I Didn’t Have You/Stoney Creek – 13
The Band Perry/Better Dig Two/Republic Nashville – 13

Greatest Spin Increase
Artist/song/label — spin+
Jason Aldean/The Only Way I Know/Broken Bow – 577
Tim McGraw/One Of Those Nights/Big Machine – 484
The Band Perry/Better Dig Two/Republic Nashville – 426
Toby Keith/Hope On The Rocks/Show Dog-Universal – 394
Zac Brown Band/Goodbye In Her Eyes/Southern Ground-Atlantic – 247

On Deck—Soon To Be Charting
Artist/song/label — spins
Lizzie Sider/Butterfly/Blue Steel – 203
Michael Dean Church/Still Not Over You/MDC – 196
Hillbilly Vegas/Little Miss Rough And Tumble/Red Dirt Music Company – 193
Luke Pilgrim/Back Road Lullaby/MMG – 193
Brinn Black/That Should Have Been Us/SMG – 163

California native, Heidi Newfield, paid a visit to San Jose’s Rodeo Club for KRTY-FM. Pictured (L-R): Roger Fregoso (Sidewalk Records), Tina Ferguson (KRTY), Heidi Newfield, and Nate Deaton (KRTY GM/MD)

Kenny Chesney celebrated his CMA win for Musical Event of the Year with Tim McGraw with friends, as his new single “El Cerrito Place” climbs the charts. Pictured (L-R): Sheila Jeffries, Chesney and Jan Jeffries (Cumulus SVP Corporate/Programming)

Charlie Worsham visited with WZZK/Birmingham during the Southwest leg of his first radio tour. Pictured (L-R): Paul Orr, Summer Orr, Charlie Worsham, Jamie Boyd

Primetime ‘Nashville’: Episode 106

Juliette and Sean sneak away to Miami.

Episode 106: “You’re Gonna Change (Or I’m Gonna Leave)”
First aired: November 14, 2012

Nashville finally picked up the pace last night, with interesting new characters and storylines. As usual, the music made a phenomenal centerpiece, with new songs by characters Avery and Rayna.

Characters hitting the Music City scene were squeaky-clean NFL rookie Sean Butler, new-to-town hit rock producer Liam McGuinnis, and artist manager Marilyn Rhodes, a cougar on the prowl for (un)suspecting young singers.

Liam (played by Treme’s Michiel Huison) initially dismissed Rayna as a “moms and SUVs” singer, but he was intrigued after she convinced him to listen to the new song she wrote “Buried Under” (actually by Natalie Hemby and Chris DeStefano). A whiskey fueled recording session helped him see her as a true artist and helped her tap into her reason for singing in the first place. The result was an edgy sound that pleased labelhead Marshall Evans, until he found out who produced it. The subplot shares a lot of parallels with Black Keys singer Dan Auerbach, who has a studio here and produced Rayna’s version of the Lucinda Williams song “Bitter Memory” for an upcoming episode.

Juliette agreed to a date with Sean as a strategic PR move, but things got interesting when they ditched the café and hopped a jet to Miami. Sean wasn’t as boring as she thought when he grabbed a guitar and started strumming her song “Black Mascara Tears.” Later, he fought off the paparazzi outside a nightclub, and she returned the favor by paying the photog $25K not to sell the photos.


Elsewhere, potentially damaging photos of Peggy (Kimberly Williams Paisley) and Rayna’s doormat husband Teddy landed in the hands of his mayoral race rival Coleman. He’s considering leaking the pics after his campaign was damaged by Lamar (to whom avid watcher David Ross refers as the Belle Meade Monster). During a traffic stop Lamar orchestrated, police found a bottle of Oxycontin in Coleman’s car. Ironically, he was pulled over on his way to the “clean campaign” event. In a no-good-deed-goes-unpunished scenario, Coleman had possession of the pills because his addiction recovery sponsoree, Deacon, surrendered them.

At The 5 Spot Avery’s (Jonathan Jackson) howling vocals shined on groovy, cool new song “Kiss” (written by Sean McConnell) and caught the attention of manager Marilyn. Avery and Scarlett called it quits after she suspected him of cheating on her with Marilyn—or at least wanting to.

Actors Clare Bowen (Scarlett) and Sam Palladio (Gunnar) are set to make their Grand Ole Opry debut this Saturday (11/17) at the Ryman Auditorium.

The episode also included a performance of “The Day You Die” by Lindi Ortega at The 5 Spot. It’s available for free download here.

Big Machine Records will release the Nashville soundtrack on Dec. 11, featuring music performed by cast members Connie Britton, Hayden Panettiere, Charles Esten, Jonathan Jackson, Clare Bowen, and Sam Palladio. A full track listing is here.

Nashville needs extras on Tues., Nov. 20, at Bridgestone Arena. Details at nashvilleextras.com.

Actor Charles Esten (Deacon) made his Grand Ole Opry debut Sat., Nov. 10 at the Ryman Auditorium. He sang “Back Home,” a song he has performed on the show, and Buck Owens’ “Act Naturally.”

NATD Honors Recipients at Second Annual Gala

Pictured (L-R) Front: Clint Higham, Alan Valentine, John Huie, George Jones, Robert Williams, Mike Fisher. Back: Ed Bazel, Bonnie Sugarman, Rod Harris, Tony Conway, Carrie Moore-Reed, Randi Perkins, Steve Tolman

The Nashville Association of Talent Directors (NATD) spent yesterday evening (11/14) honoring a group of individuals who share the organization’s objectives and ideals during its 2nd Annual Gala at the Hermitage Hotel in Nashville.

After a silent auction to raise funds for the NATD’s College for Knowledge program, along with hors d’oeuvre and cocktails in the lobby, attendees were called to the dining hall by xylophone for the main event.

“Community involvement and the legacy they have made in their career have made tonight’s honorees deserving of recognition,” said President Steve Tolman.

Robert K. Oermann took the stage prepping the crowd to receive the evening’s first honoree, George Jones. “Great voices attract great songs,” praised Oermann of Jones’ 60 year legacy before listing the singer’s accolades including 167 chart placements. “Tonight we will be giving him another award, but you can’t give him enough.”

A reminiscent Tanya Tucker shared equal praises of the Country icon before bringing him to the stage for a brief acceptance. Tucker and Jones will perform together in 2013 for his final Nashville concert on the Grand Tour.

The organization’s Hubert Long Award was presented to WBA’s Robert S. Williams for significant and positive contributions to the music industry relating to artist development. Williams was introduced by Bob Kinkead.

Michael W. Smith honored CAA’s John Huie, noting that his contributions “took music out of the churches and into the arenas.” Huie’s responsibilities at the company included establishing its first satellite office in Nashville, which recently celebrated the 75th employee hired at its new SunTrust Building headquarters.

Nashville Predator Mike Fisher received recognition for his community engagement efforts from Predators head coach and last year’s NATD honoree, Barry Trotz. Fisher’s wife, Carrie Underwood, was not in attendance.

Dale Morris took the stage to recall offering Clint Higham $70 a week and a tank of gas when he first began work at Morris Artist Management. Higham, now President, oversees the roster including Kenny Chesney, Martina McBride, and Jake Owen. “All I ever wanted to do was work in the industry, I don’t know how to do anything else,” said Higham, who corrected Morris, saying his starting compensation was only a tank of gas.

Béla Fleck remarked about honoree Alan Valentine’s contribution to the Nashville Symphony from expansion, to the Schermerhorn, and rebuilding after the 2010 flood. Valentine received the honor saying, “we should have this kind of Hall and Symphony in Music City.”

The 2012 Honorees were chosen by the NATD Board of Directors, led by Steve Tolman, including Rod Harris, Bonnie Sugarman, Ed Bazel, Rod Essig, Randi Perkins, Tony Conway, Mike Smardak, Carrie Moore-Reed, Jeff Debusk, Karen Entz, Josh DeBusk, Philip Lyon, Clyde Bright, Neal Spielberg, and Kirt Webster.

“A concerted effort was recently focused on this gala and scholarships to support up and coming talent,” notes Tolman of the organization’s education ideals. “We take industry professionals to colleges to do panel discussions to showcase the variety of jobs, teaching students the strongest aspect of our industry is relationships. You’ve gotta get involved, even if it is a voluntary thing to get your foot in the door to meet people.”

The key players in the College of Knowledge programs include Murray University in KY, where NATD will return for the third time; institutions in Montana; and through IEBA, Belmont University.

Dinner included salad, rolls, steak served over mashed potatoes and a side of broccolini. Dessert choices included a fruit tart or coconut cake.

Weekly Register: Give The Gift of Music!

Florida Georgia Line's breakout single "Cruise" goes No. 1 where it really counts—on the sales charts! Weekly Register is now predicting Platinum status for the track next week.

Seven more weeks and the 2012 sales year will be complete. YTD country sales are up 2.4% which isn’t fireworks and champagne, but looks better when compared with overall industry sales, currently down -4.1%.

So what should we expect before the last notes of “Auld Lang Syne” echo down the office hallways? Firstly, there’s a few more album stocking stuffers scheduled such as Rascal Flatts (11/19), Florida Georgia Line (12/4) and a Nashville soundtrack (12/11). We also have holiday albums from Lady Antebellum, Blake Shelton and Scotty McCreery which are already feeling the holiday love as folks bring them home to get in the spirit.

Compared with last year, country sales need to average 1.206 million albums for each of the remaining seven weeks to break even with 2011. A quick glance at last year’s performance shows that five of the corresponding seven weeks easily passed the million mark. Not surprisingly, the 2011 week just before Christmas was the biggest cash register event with country album sales reaching 2.186 million units. Will 2012 country sales push ahead of the previous year? Sure seems likely, but it’s doubtful we’ll increase our Y/Y gain much above where it stands currently.

Tracks are showing a 13.5% gain Y/Y which slipped a bit this week from last week’s 14.8% tally. Still there’s a lot of factors that could affect the final shopping outcomes—everything from weather to concerns about the economy.

Chart Tipping
The top 7 this week are all newly released offerings. Swift (No. 1; 196k), Aldean (No. 2; 48k), Lady A holiday (No. 3; 27k), Little Big Town (No. 4; 25k), Shelton holiday (No. 5; 24k), McCreery holiday (No. 6; 20k) and T. Keith (No. 7; 20k). Filling out those that scanned over 10k units for the week are Luke Bryan, Eric Church, Carrie Underwood, Hunter Hayes and Zac Brown Band.

In one of the year’s nicest surprises, Florida Georgia Line catapults itself to the No. 1 country tracks position this week with over 81k downloads. Next week the song will go platinum passing the one million sales mark. FGL also performs a neat trick—outselling BMLG label mate Taylor Swift this week. The Red chantuese’s “We Are Never Ever….” now in its 12th tracks chart week scanned over 73k units for a RTD (release to date) total of 2.520 million.

As noted on our grid, country track sales are up a robust 13.5%. To see this gain with a more sedate album perspective divide by 10 (TEA=track equivalent albums; 10 tracks=1 album).

Peering accurately into the future will be a bit easier after the we get numbers for the Thanksgiving sales week ended 11/25/12. That milestone will leave us with only five additional weekly periods.

In the meantime, stay warm and tell friends to, “Give the gift of music…”

DISClaimer Single Reviews (11/14/12)

King's Bullet, Lee Brice

As we get deeper into the fall, the sounds of country music grow warmer.

On the holiday drives to friends and relations that lie ahead, I’m going to welcome hearing Kix Brooks and Lee Brice coming over those car speakers. I’m taking along some left-field CDs, too, like the new one by Lindi Ortega and the duets of Buddy Miller and Jim Lauderdale.

You’ll find all four of them discussed in this week’s column. Lee Brice has my heart as the Disc of the Day.

There was a little surprise tucked into today’s listening session. Singer-songwriters Trey Bruce and Loni Rose have become King’s Bullet, and in so doing win this week’s DisCovery Award.

LINDI ORTEGA/The Day You Die
Writer: none listed; Producer: Colin Linden; Publisher: none listed; Last Gang (track) (www.lindiortega.com)
—I’m still crazy about this gal. This super hooky, neo-rockabilly, speedy romp has mordant wit as well as echoey twang and thump. It’s produced with verve by her fellow Canadian in Nashville, Colin Linden.

DAVID KROLL/Little Soldiers
Writer: David Kroll/Arlos Smith; Producer: none listed; Publisher: none listed; Tenacity (www.davidkrollmusic.com)
—This being the week of Veteran’s Day, this ballad is certainly timely. It concerns the families left behind when soldiers go off to war, and it is very well written. In addition, Kroll sings it with real feeling. Proceeds from downloads of the single this week go to the Code of Support Foundation.

LIZZIE SIDER/Butterfly
Writer: Lizzie Sider/Jamie O’Neal/Jimmy Murphy/Lisa Drew; Producer: Jamie O’Neal; Publisher: none listed; Blue Steel (www.lizziesider.com)
—Wildly upbeat and catchy as all get out. The pulsing production rings with repeated guitar riffs and notes of steel. She sings with confidence and volume, riding atop the sonic excitement like a pro.

CARRIE ZARUBA/Woman on a Mission
Writer: Carrie Zaruba/Kent Wells; Producer: none listed; Publisher: none listed; CZ
—Her vocal is almost swamped by the busy-sounding instrumental track. But there’s real talent here, in songwriting as well as singing.

BUDDY MILLER & JIM LAUDERDALE/I Lost My Job of Loving You
Writer: Lauderdale/B. Miller; Producer: Buddy Miller; Publisher: Ginger Dragon/Songs of Bug/West Bay/Julie’s Freaking Out, SESAC/ASCAP; New West (track) (www.buddymiller.com / www.jimlauderdale.com)
—Talk about a dream team. Individually, these two men are among the best country singers and songwriters in this whole city. Their Buddy & Jim collection together is a banquet of audio delights. This opening-track twang fest is drawling and haunting, with plenty of alt-country production touches. Most of the CD is original material by them. But they do take side trips to Johnnie & Jack (”South in New Orleans”), Joe Tex (”I Want to Do Everything for You”), Jimmy McCracklin (”The Wobble”) and to a pair of traditional tunes.

CLAY WALKER/Jesse James
Writer: Kyle Jacobs/Joe Leathers/Ben Glover; Producer: Keith Stegall; Publisher: Curb/JacobsongFortune Favors the Bold/Mike Curb/Ghermkyle/WB/Screaming Norman, ASCAP/BMI; Curb (track)
—He dreams of being a free-and-easy, wild outlaw in the Wild West. It’s a battle between the dark and the light, the good and the wicked, sung high up in his range while chanting men, screaming electric guitars and a plunking banjo surround him. Too noisy for these ears.

KING’S BULLET/Watermelon Sun
Writer: none listed; Producer: Trey Bruce; Publisher: none listed; KB (track) (www.kingsbullet.com)
—Hit Nashville songwriter Trey Bruce spent part of his summer months collaborating on songs with Loni Rose. While working in the studio, they “accidentally” created an album, a new sound and an identity as King’s Bullet. Her sweet soprano takes the lead, while he provides a dusky harmony part. This opening track wafts across like a dry prairie breeze in late afternoon. Refreshingly different.

LEE BRICE/I Drive Your Truck
Writer: Jessi Alexander/Connie Harrington/Jimmy Yeary; Producer: Kyle Jacobs, Matt McClure & Lee Brice; Publisher: none listed; Curb (track)
—This man is turning into a star with every successive disc. He smacked homeruns right out of the ballpark with “A Woman Like You” and “Hard to Love.” The third single from Brice’s CD is immensely evocative, as a son recalls his deceased dad by driving his truck and listening to their favorite country station. If this doesn’t punch you in your heart, you haven’t got one. Another homer.

KIX BROOKS/Moonshine Road
Writer: Kix Brooks/Leslie Satcher; Producer: Kix Brooks; Publisher: Sony-ATV Tree/Buffalo Prairie/Leslie Satcher, BMI; Arista (track)
—The drawling country boy promises the fancy lady a wild and wooly time in this moody, minor-key “outlaw” slab of sound. Very, very cool, with a “heartbeat” rhythm track that is irresistible and a production that gets right under your skin.

J.D. SHELBURNE/Grandma & Garth
Writer: J.D. Selburne/Bob Stewart; Producer: Greg Cole; Publisher: J.D. Shelburne/Giraffekey, BMI; Star BLase (CDX) (www.jdshelburne.com)
—He cleans out his late Granny’s house and finds a guitar. It leads him to a life as a country singer. Along the way, the lyric quotes the Garth song titles she loved. As a song, it’s certainly unique.

Primetime ‘Nashville’: Full Season Orders

Juliette on Wednesday night's episode.

ABC has ordered a full season of freshman drama Nashville. The show was already confirmed for 13 episodes, and now nine more are on the books. Additionally, the network ordered an additional three episodes of Reba’s new comedy Malibu Country. 

Here’s what’s working in Nashville’s favor:

Ratings: It has had favorable overnight ratings, which have increased significantly once time-shift (DVR) ratings are factored in. On average during Wednesday’s 10 PM/ET hour, the show is No. 1 in its time period among the advertiser coveted group Adults 18-49. Overall for the season, Nashville ranks among the Top 3 new TV series in Adults 18-49 and Adults 18-34.

Upscale Audience: Advertisers love viewers with money to burn. Nashville pulls in 30% higher ratings among Adults 18-49 in homes with $100k+ annual income.

Music Income: Lionsgate Entertainment expects to make $1 million this year from music sales and a potential tour, according to London website C21, which reported on a conference call between Lionsgate execs and investors. The article also states viewers should expect big-name guest stars in upcoming episodes.

Here’s a sneak peak of the next two shows: In tomorrow night’s episode (11/14), “You’re Gonna Change (or I’m Gonna Leave),” Rayna seeks out hot producer “Liam McGuinnis” to update her sound, played by Michiel Huison of HBO’s Treme. Also, Juliette goes on a sham date with a squeaky-clean NFL quarterback as a PR move for her tarnished image, and Scarlett (hopefully) finally ditches Avery.

Next Wednesday’s (11/28) episode will introduce an arc with guest star Wyclef Jean as “Dominic King,” and Kimberly Williams-Paisley will continue her role as “Peggy.” Also, be on the lookout for appearances by songwriter/The Cadillac Black’s Jaren Johnston as a guitar player, and former Paramore member Jason Bynum. In the episode titled “Lovesick Blues,” Teddy will be forced to come clean about his illegal dealings with Peggy.