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2014 Country Radio Hall of Fame Inductees Announced

Larry Wilson

Larry Wilson


The CRS Board of Directors has announced the 2014 Country Radio Hall of Fame inductees in both the Radio and On-Air categories. The radio inductees are Larry Wilson, Alpha and L&L Broadcasting, and Mike Brophey, WKLB in Boston, Mass. The inductees in the On-Air category are Paul Schadt, WKKT in Charlotte, N.C., and Jim Denny, WFMS in Indianappolis, Ind.
The class of 2014 will be officially inducted at a dinner ceremony on Tuesday, Feb. 18 at 6 p.m. at the Nashville Convention Center. The ceremony unofficially kicks off Country Radio Seminar week each year. CRS 2014 will be held February 19-21. The Country Radio Hall of Fame is dedicated to the recognition of those individuals who have made significant contributions to the radio industry over a 20-year period, 15 of which must be in the Country format.
Paul Schadt

Paul Schadt


“The recognition of these deserving and worthy Hall of Fame inductees represents four unique careers filled with accomplishments, contributions and excellence in advancing Country radio,” said CRS Hall of Fame Chairman RJ Curtis. “And each of our honorees for 2014 are still active and passionately involved with listeners, artists and the music that helps maintain Country radio’s dominance.”
Mike Brophey

Mike Brophey


Wilson is the founder of Citadel Communications. He eventually grew the company to include 205 stations in 42 states before selling it. He returned to radio in 2009, forming Alpha Broadcasting. In 2012, he founded L&L Broadcasting, a company that owns 30 stations across the U.S.
Brophey’s radio career began in 1973. In 1996 he started programming ‘KLB. The station recently achieved its first-ever #1 ranking in Boston, Mass. in August.
Jim Denny

Jim Denny


Since 1981, Schadt has been on the air in Charlotte, N.C. He started out doing mornings at CBS Radio Country, WSOC. After 16 years there, Schadt switched to Clear Channel WKKT for wakeups. He is the longest consecutive on-air personality in Charlotte, N.C. radio history.
Denny has been with the WFMS morning show since 1990. During his time there, The WFMS morning show won CMA Personality of the Year in 2007 and 2009 and ACM Personality of the Year in 2006.

DISClaimer: When The Stars Come Out To Shine

little big town featured slider

Little Big Town


I like any listening session when the stars come out to shine, and we have no shortage of them today. On hand is new music from Gary Allan, Neal McCoy, Florida Georgia Line, Little Big Town, Josh Gracin and Susan Ashton, among others. Many of their singles are quite good, but no one shines brighter than Little Big Town. Give those sure-’nuff singers the Disc of the Day prize.
Warner Music Nashville has been making a habit of introducing excellent new talents in recent seasons. Brett Eldredge, Charlie Worsham, Ashley Monroe, Frankie Ballard, Hunter Hayes and Jana Kramer would be welcome additions to any company’s artist roster. This week, you can add Dan + Shay to that list and give them a DisCovery Award to boot.
JOSH GRACIN/Drink It Gone
Writers: none listed; Producer: none listed; Publisher: none listed; Private Label
-This rocks. And here’s what the well-written party tune says: surrender yourself to the weekend and live for today. After all, tomorrow could go wrong. So drink it gone. Eminently playable.
FLORIDA GEORGIA LINE/Stay
Writers: Joey Moi/John Fred Young/Chris Robertson/Jon Lawhon/Ben Wells; Producer: Joey Moi; Publishers: Moi/Hyvetown/Robot of the Century/WB, SOCAN/BMI/ASCAP; Republic Nashville
-There are five writers on this. No wonder it seems so word-y.
CHRIS JANSON/Cut Me Some Slack
Writers: Chris Janson, Kelly Roland, Tiffany Goss; Producer: Keith Stegall; Publishers: © 2013 Red Vinyl Music (BMI) / Buckkilla Music (BMI), Curb Songs (ASCAP) / Kelly Roland Music (admin. By Curb Songs) (ASCAP), Curb Congregation Songs (SESAC); Bigger Picture
-In this amiable, harmless bopper, all he’s asking for is a chance, lady. Give the boy a break.
LITTLE BIG TOWN/Sober
Writers: Lori McKenna/Hillary Lindsey/Liz Rose; Producer: Jay Joyce; Publishers: Songs of Universal/Hoodie/Raylene/BMG Rights Management/Liz Rose/Songs of Kobalt, BMI/ASCAP; Capitol Nashville
-The harmonies are beyond delicious. The production throbs and sparkles. The lyrics are terrific. Is there anyone today making better contemporary country records than these folks? I think not.
KAYLA CALABRESE/Kiss Me
Writers: Kayla Calabrese/Tami Hinesh; Producer: Kent Wells; Publisher: Kayla Calabrese, BMI; GTR
-It’s not the most original song idea, but the conviction in her straight-arrow vocal gives it plenty of oomph nonetheless.
NEAL MCCOY/Kaw-Liga
Writers: Fred Rose/Hank Williams; Producer: Garth Fundis; Publisher: Sony-ATV; ASCAP/BMI; Slate Creek (track)
-McCoy’s tribute album to Charley Pride has lots of memorable moments. He’s singing in a lower register to match his idol’s baritone keys, and as a result the performances are among the most natural sounding of his career. The selection of this track as its single is a bit of a head scratcher, since Pride cut it as a tribute to Hank Williams and now McCoy is reviving it as a tribute to Pride. Setting aside the layers of meaning, the crisp production is totally cool and McCoy’s vocal is right on the money. Definitely play it.
dan+shay11DAN + SHAY/19 You + Me
Writers: Dan Smyers/Shay Mooney/Danny Ortin; Producers: Dan Smyers, Shay Mooney & Scott Hendricks; Publishers: WB/Beats and Banjos/Shay Mooney/Danny Ortin, ASCAP; Warner Bros.
-Soaring summer romance, accompanied by lilting vocals, precision percussion, fizzy guitars, rippling mandolin and delicate piano work. A lovely confection.
GARY ALLAN/It Ain’t The Whiskey
Writers: Greg Barnhill/Jim Daddario/Cole Degges; Producer: Jay Joyce; Publishers: Second Note/ION/Green City/Green Wilderness/Calhoun/Jim Daddario/Songs of Universal/Specklebelly, SESAC/BMI; MCA Nashville
-Hillbilly heartache, done to perfection. On this ballad, Allan’s downcast rasp tells the tale of a man who’s dying over a lost love, instead of from booze or cigarettes. Let the sadness wash over you.
THE LACS/She’s Runnin’
Writers: Clay Sharpe/Brian King/Jared Sciullo/Justin Spillner; Producers: J. Sciullo & Justin Spillner; Publishers: Average ZJS/Riley Payton/DJKOPhivestarr, BMI/SESAC; Average Joes
-These drawling fellows alternate singing a laid-back country melody — “she’s running with a piece of my heart” — with spoken-word passages about how she made off with everything else, too. I ordinarily don’t like country rap, but I have to admit that this has an undeniable backwoods charm.
SUSAN ASHTON/Moonshine
Writers: Susan Ashton/Wayne Kirkpatrick/Gordon Kennedy; Producer: Wayne Kirkpatrick; Publishers: Susan Ashton/Be Original/GlennJoy/Mad Mother, ASCAP/BMI; Be (CDX)
-In this case, the title actually refers to the light from the moon, rather than to illegal hooch. Amid minor-key acoustic picking, she moans of being irresistibly drawn into the dark side of romance. Atmospheric and artsy.

Southern Ground Expands Nashville Festivities

Zac Brown Band Performs at Nashville's 2013 Southern Ground Festival.

Zac Brown Band performs at Nashville’s 2013 Southern Ground Festival.


Zac Brown’s Southern Ground Music and Food Festival took over Nashville’s Lawn at Riverfront Park last weekend (Sept. 27-28) for a two-day extravaganza featuring performances from Kenny Rogers, Kenny Chesney, Willie Nelson & Family, Kacey Musgraves, Eli Young Band, Grace Potter, John Fogerty, Lennon & Maisy and their parents The Stellas, Jason Mraz, Amos Lee and many more.
Zac Brown Band’s (ZBB) familiar hits including “Keep Me In Mind,” “Colder Weather,” “Goodbye In Her Eyes,” “No Hurry,” and “Free” indulged guests. A real treat for patrons were last-minute performance announcements from 2013 CMHoF inductee Kenny Rogers (“Just Dropped In – To See What Condition My Condition Was In,” “The Gambler”) on Friday, and 1993 CMHoF inductee Willie Nelson the following day.
Kenny Rogers performs Friday (Sept. 27) with Zac Brown Band at Nashville's Southern Ground Fest.

Kenny Rogers performed Friday (Sept. 27) with Zac Brown Band at Nashville’s Southern Ground Fest.


Nelson’s Saturday set extended 20-minutes beyond the schedule, while the legend played through his broken shoulder. Tunes included self-penned cuts (“Crazy,” “Good Hearted Woman”), covers (“Mammas Don’t Let Your Babies Grow Up To Be Cowboys,” “Always On My Mind,” “Georgia On My Mind”), signature hits (“On The Road Again,” “Whiskey River” “Angel Flying Too Close To the Ground”), recent duets (“Beer For My Horses,” “Roll Me Up And Smoke Me When I Die”) and gospel tunes (“Circle Be Unbroken/I’ll Fly Away,” “I Saw The Light”).
Musgraves gave a bold performance on the Landshark satellite stage just 48 hours prior to boarding an airplane to begin her European tour. The six-time CMA Award nominee’s show featured just one cover, which she wrote (“Mama’s Broken Heart”) in addition to her own album cuts including “Stupid,” “Silver Lining” and debut single “Merry Go ‘Round.” Musgraves additionally performed her self-proclaimed latest single, “Follow Your Arrow,” which was again featured on the main stage with ZBB later that evening.
Chesney and Fogerty performed a handful of titles with the ZBB on Friday and Saturday night, respectively. Chesney offered vocals on “Knee Deep” and “Running Down A Dream.” Fogerty’s performance wrapped Saturday guests with songs “Lookin’ Out My Back Door,” “Centerfield” and “Bad Moon Rising,” which was featured as a duet on Fogerty’s Wrote A Song For Everyone album with the ZBB.
Southern Ground’s food and drink offerings also took center stage. Organizers partitioned the park’s space even more efficiently than last year’s inaugural Nashville event, to include an expanded food court complete with a ferris wheel for viewing perspective. Vendors included Margot/Marche, Watermark, Peg Leg Porker, among others, while over eight food trucks including Jeni’s ice cream and the Grilled Cheeserie lined the walkway to the Landshark satellite stage. The Listening Room Cafe was also incorporated into this year’s events.
Southern Ground Nashville Map.

Southern Ground Nashville Map.


VIP tents offered particular patrons an unlimited beverage and food throughout both evenings, including oyster po’ boy, rib eye with corn and okra, shrimp and grits, ribs, wings, jambalaya, cornbread, beans and rice. Dessert included banana pudding, brownies and individualized pie selections. Exclusive stage boxes, which maintained a wait list due to the immediate sell-out, treated patrons to even more exclusive delicacies from ZBB’s personal chef, Rusty Hamlin.
Charleston, S.C. will host the festival Oct. 19-20.

Weekly Chart Report (9/27/13)

WFMS’ Tammy Lively (L) recently welcomed Jason Aldean to Indianapolis where he wrapped a concert season at Klipsch

WFMS’ Tammy Lively (L) recently welcomed Jason Aldean to Indianapolis where he wrapped a concert season at Klipsch


SPIN ZONE
Luke Bryan can celebrate all day now that his single “That’s My Kind of Night” has taken the No. 1 spot on MusicRow’s chart with 3271 spins. Blake Shelton’s “Mine Would Be You” climbs to No. 2, while spouse Miranda Lambert closes in with “All Kinds of Kinds” landing at No. 3. Taylor Swift, who recently wrapped the U.S. leg of her Red Tour, moves to No. 4 with her single “Red.” Toby Keith’s “Drinks After Work” goes flat, falling from No. 1 to No. 5. Rounding out the Top 10 this week is Eli Young Band’s “Drunk Last Night” at No. 6, Eric Paslay’s “Friday Night” at No. 7, Darius Rucker’s “Radio” at No. 8, Jake Owen’s “Days of Gold” at No. 9 and Joe Nichols’ “Sunny and 75” at No. 10.
Dynamic duo Keith Urban and Miranda Lambert are the week’s greatest gainers for the third consecutive week with their song “We Were Us” jumping to No. 17 with another 463 spins. Hunter Hayes and Jason Mraz’s “Everybody’s Got Somebody But Me” moves to No. 34 with an added 242 spins. Zac Brown Band’s “Sweet Annie” sits at No. 20 with an extra 236 spins, while The Band Perry’s “Don’t Let Me Be Lonely” rises to No. 12 with 216 more spins. Finally, David Shelby’s “Moonshine” debuts at No. 76 with 213 spins.
MusicRow welcomes eight excellent debuts this week, with Little Big Town’s “Sober” debuting at No. 65, North 40’s “Hey Girl Hey” at No. 72, Stephanie Grace’s “Loser” at No. 74, Shelby’s “Moonshine” at No. 76, Tommy Dalton’s “Sweet” at No. 77, Krystal Keith’s “Get Your Redneck On” at No. 78, Due West’s “Slide On Over” at No. 79 and Tim Ash’s “Broke” at No. 80
Frozen Playlists: KVAY, KTTI, WAAG, WBYZ, WOOZ, WXXK
Carrie Underwood recently played Puyallup’s Washington State Fair where she visited with KKWF Seattle PD Mike Preston and his wife Terri. Pictured (L-R): Preston, Underwood, Yankovich

Carrie Underwood recently played Puyallup’s Washington State Fair where she visited with KKWF Seattle PD Mike Preston and his wife Terri. Pictured (L-R): Preston, Underwood, Yankovich


Upcoming Singles
September 30
Brandon Hamilton/You Give Me That/Nine North-Turnpike
LoCash Cowboys/Best Seat In The House/Average Joes-Tenacity
Brett Eldredge/Beat Of The Music/Atlantic-WMN
Krystal Keith/Get Your Redneck On/Show Dog-Universal
Brooke Hyland/I Hurt/Whattaguy
Justine Blazer/Gasoline/La Blaze
Little Big Town/Sober/Capitol Nashville
October 7
Leah Turner/Take The Keys/Columbia Nashville
Aaron Watson/July In Cheyenne/HTK Records
Brad Long/Every Heart Has a Different Road/Blackwater Records
Susan Ashton/Moonshine/Be Music & Entertainment
Florida Georgia Line/Stay/Republic Nashville
Josh Pruno/Cut Offs/Lawrence
October 14
Aaron & Amanda Crabb/If I’m Guilty/differencemedia
Grayson/You & America/Way Outback Records
Old Crow Medicine Show/Dixieland Delight/ATO Records
Dan + Shay/19 You + Me/Warner Bros.-WAR
Rodney Atkins/Doin’ It Right/Curb
October 21
Samantha Landrum/What If/Reviver Records
Ty Herndon/Lies I Told Myself/Flying Island
October 28
Little River Band/You Dream, I’ll Drive/Frontiers
Mitch Goudy/Blow These Speakers Out/Third Floor Records
New On The Chart—Debuting This Week
Artist/song/label — chart pos.
Little Big Town/Sober/Capitol – 65
North 40/Hey Girl Hey/Rhymetown Entertainment – 72
Stephanie Grace/Loser/SMG – 74
David Shelby/Moonshine/Highway South Records – 76
Tommy Dalton/Sweet/Red Horseshoe Records – 77
Krystal Keith/Get Your Redneck On/Show Dog-Universal – 78
Due West/Slide On Over/Sovereign 3 Records – 79
Tim Ash/Broke/SMG – 80
Most Added
Artist/song/label — New Adds
David Shelby /Moonshine/Highway South Records – 21
Krystal Keith/Get Your Redneck On/Show Dog-Universal – 14
Chris Weaver Band/Raise The Dead/American Roots Records – 13
Keith Urban feat. Miranda Lambert/We Were Us/Capitol Nashville-Hit Red Records – 13
Hunter Hayes feat. Jason Mraz/Everybody’s Got Somebody But Me/Atlantic-Warner Bros. – 12
Randy Houser/Goodnight Kiss/Stoney Creek – 12
Gary Allan/It Ain’t The Whiskey/MCA – 12
Little Big Town/Sober/Capitol – 12
Sara Evans/Slow Me Down/RCA – 11
Greatest Spin Increase
Artist/song/label — spin+
Keith Urban feat. Miranda Lambert/We Were Us/Capitol Nashville-Hit Red Records – 463
Hunter Hayes feat. Jason Mraz/Everybody’s Got Somebody But Me/Atlantic-Warner Bros. – 242
Zac Brown Band/Sweet Annie/Southern Ground-Atlantic – 236
The Band Perry/Don’t Let Me Be Lonely/Republic Nashville – 216
David Shelby/Moonshine/Highway South Records – 213
On Deck—Soon To Be Charting
Artist/song/label — spins
Hank Williams Jr. & Merle Haggard/I Think I’ll Just Stay Here And Drink/Blaster – 186
Jason Sturgeon/Angel Eyes/Toolpusher – 186
Laura Bell Bundy/Two Step/Big Machine – 186
Austin Webb/Slip On By/Streamsound – 171
Chris Weaver Band/Raise The Dead/American Roots Records – 165
Warner Bros./W.A.R. new duo Dan + Shay recently visited with WRNS in Greenville, NC. Pictured (L-R): Shay Mooney, Tommy Garrett (PD), Carletta Blake (APD) and Dan Smyers

Warner Bros./W.A.R. new duo Dan + Shay recently visited with WRNS in Greenville, NC. Pictured (L-R): Shay Mooney, Tommy Garrett (PD), Carletta Blake (APD) and Dan Smyers

[Updated]: Primetime 'Nashville': "I Fall To Pieces"

Nashville

[Updates]: Nashville’s second season premiere scored a 4.4 rating, which means that 4.4 percent of households tuned in last night for the premiere. In comparison, the show’s first season finale scored a 4.5 and its first-season premiere scored a 6.8.

[Original story]

As Season One ended of the ABC drama Nashville, the finale brought to light many of the scandals the first season only hinted at. Rising star Juliette Barnes’ (played by Hayden Panettiere) drug-addicted mother, committed suicide and murder in an attempt to save her daughter from a manipulative con artist. Country superstar Rayna Jaymes’ (played by Connie Britton) eldest daughter, Maddie (played by Lennon Stella), discovered a birth certificate with her mother’s former guitar player and love interest Deacon Claybourne (Charles Esten) listed as Maddie’s father (rather than father Teddy Conrad, portrayed by Eric Close). Meanwhile, Teddy’s relationship with flame Peggy Kenter (Kimberly Williams-Paisley) resulted in a surprise pregnancy. When Maddie revealed to Deacon that she believes he is her father, Deacon, a recovering alcoholic, delves back into drinking and confronts Rayna. When Rayna discovers Deacon has been drinking again, she confronts him outside the Bluebird Cafe, where he tries to drive away while intoxicated. She takes the wheel, and as they are fighting, they swerve to avoid a car, flipping their SUV.

Season Two Premiere
The season begins with Deacon pulling Rayna from the crumpled SUV, injuring his hand in the process. Later, with Rayna in the hospital, it is revealed that the singer has been in a coma for two weeks.
The judge sets Deacon’s bail at $1 million after some influence from Mayor Teddy, and the judge states that if Rayna doesn’t survive, Deacon’s charges will be increased to involuntary manslaughter, which includes a sentence of 10-30 years behind bars. It is later revealed that after police found that Deacon was indeed intoxicated, they ended further investigations, which would have revealed that Rayna had been in the driver’s seat.
Flashbacks abound in this episode, to reveal a young(er) Deacon and Rayna had once purchased a home together, just prior to her receiving her first CMA nomination and just after he had been released from Rehab. The home purchase was followed by a proposal from the addiction-riddled guitar player. During the flashback, Rayna accepted Deacon’s proposal, only to find that he had proposed while drunk and he didn’t remember the proposal the next morning. In one tense scene, she flings the engagement ring back at Deacon and leaves the house. Flashbacks also reveal that Rayna finds out she’s pregnant (presumably with first daughter Maddie) after the botched proposal; her sister Tandy Wyatt had talked her into keeping the pregnancy a secret from Deacon and not telling him that the child is his.

nashville season 22211111111

Rayna’s daughter visits her in the hospital.


At the end of Season One, we find Gunnar proposing to Scarlett; as evidenced by a bash that Will throws for Gunner to help him get over Scarlett, we gather that Scarlett turned down the proposal. Will and a female friend scam to distract Gunnar from his loss with a wild party that ends with Gunnar burning the couch that Scarlett owned and Will’s female friend trying to seduce Gunnar.
Peggy revealed to Teddy that she is pregnant at the end of the last season; he makes it clear that he will offer financial support but nothing more. A distraught Peggy visits the doctor alone to find out how far along she is in the pregnancy; after hearing the heartbeat, she later finds that she has suffered a miscarriage.
“My mama used to listen to you while I was in her belly,” Juliette had sneered at Rayna during the first episode of the show’s first season. Now, with Juliette’s mother dead, we find the rising singer grappling for a way to grieve with not only the loss of her mother, but the possible loss of a singer whose music created a musical connection between mother and daughter. She also has to deal with the fan response to Rayna’s accident on album sales. As Juliette nears her album release time, Rayna’s album sales are skyrocketing. “Now I have to compete with a saint in a coma,” she wails at one point. Against the wishes of her manager, Juliette holds an album release concert (at Nashville’s Parthenon) and takes the opportunity to put herself in the limelight with Rayna by dedicating the song “This Love Ain’t Big Enough” to Rayna in concert, complete with photos of Rayna (with Juliette) on the screens and fans holding up glow sticks to honor Rayna.
Meanwhile, Scarlett, the Bluebird Cafe waitress-turned-professional singer with a record deal, is celebrating the end of her time working as a waitress and her newly minted deal with Rayna James’ label. Former boyfriend Avery Barkley is on hand to help her celebrate, until Gunnar realizes he still misses Scarlett and shows up unannounced at her going away bash at the Bluebird Cafe. The two sing “Why Can’t I Say Goodnight?” (written by Kim Richey), as Avery watches. Later Avery and Gunnar acknowledge their ongoing tension. “Can’t take no for an answer, huh?” says Avery of Gunnar’s rejected proposal. “Guess that makes two of us,” Gunnar replies.
Rayna’s father Lamar Wyatt later joins Teddy in Rayna’s hospital room, blaming him for cheating on Rayna with Peggy and driving her to return to Deacon. “Don’t blame me for not waiting until my wife packed her bags,” replied Teddy, who stated he had seen the writing on the wall for marriage. Maddie, Teddy and Daphne later wait outside Rayna’s hospital room as she is slowly brought out of the coma; they are warned that she may not remember any of them. Fortunately, she seems to recognize her family members, and is later shown sitting in a wheelchair on the hospital balcony, talking with her father Lamar.
She apparently recalls enough about the accident to confirm that it wasn’t Deacon driving the vehicle, which is enough for him to be released from behind bars.
Previews for next week’s episode (Oct. 2) reveal that Lamar may have had something to do with the death of Rayna’s mother, who died in a car accident when Rayna was 12. The preview also hints that Rayna has lost her singing voice after the accident. Deacon, whose hand was badly injured in the accident, may have trouble regaining his ability to play guitar, and Juliette will get a new rival in her quest for Country music stardom.

SOURCE Awards Honors Women at 11th Annual Event

Source Awards honorees for 2013

Pictured (L-R): Bonnie Garner, Paula Szeigis, Debi Fleischer-Robin, Sarah Trahern, Gerrie McDowell and Bebe Evans. Photo: Alan Mayor.

Numerous music industry elite turned out Tuesday evening (Sept. 24) to celebrate seven women whose careers have made and continue to make an impact on the music industry. Hosted by Jeannie Seely, the 11th Annual SOURCE Awards were held at Nashville’s Musician’s Hall of Fame and Museum. Nashville Mayor Karl Dean and Marsha Blackburn were both on hand to congratulate the honorees; Seely’s previously announced co-host Brenda Lee could not attend.

As attendees were wined and dined, the evening focused on the honorees including Bebe Evans, who has worked with the Charlie Daniels Band for more than 30 years, along with positions at BMI and Sound Seventy Corporation; Debi Fleischer-Robin (Robin Enterprises, Columbia/Sony Records, United Artists Records, Crystal Gayle); Bonnie Garner (Rothbaum and Garner, CBS Records, Dick Cavett Show), Donna Hilley (posthumously), who spearheaded Sony/ATV Publishing, Gerrie McDowell (Gerrieco Texas, Curb Records, Capitol Records), Paula Szeigis (who also spent most of her career working with The Charlie Daniels Band, along with Sound Seventy Corporation), and Sarah Trahern (Great American Country, TNN, C-Span).
Szeigis and Evans were feted by longtime boss Charlie Daniels via video. “Three women run my life,” said Daniels. “My wife, Paula and Bebe. I couldn’t imagine my life without them. They deserve every award they can be honored with.” Szeigis has spent the better part of her four-decade career as a publicist working with the Charlie Daniels Band. In 1992, Charlie manager David Corlew started management company Corlew O’Grady and Szeigis began working with several new artists, including John Berry. Evans began running the Charlie Daniels Band’s touring operations in 1988, a position she still holds more than 30 years later. Evans’ niece, Marcie Allen VanMol, was on hand to honor her aunt as a mentor and respected career woman.
Video tributes to the honorees were also made by Carrie Underwood, Gary Allan and other artists.
“I’m honored to join a group of extraordinary women to have the people in my career who have mentored, encouraged and even pushed me along,” said honoree Garner, who forged a 40-plus year career in concert promotion, record label A&R, television production and artist management. In 1984, she was promoted to the VP of A&R, the first woman to gain that position at CBS Records. In 1987, she left to join Mark Rothbaum & Associates, later named Rothbaum & Garner. “I haven’t been bored a single day in my career and I’m not done yet.”
Crystal Gayle attended to honor Fleischer-Robin, who became Gayle’s tour manager in 1977. Two years later, she was named VP of Operations for Gayle Enterprises. In 1981, she joined the promotion staff at CBS Records in Nashville (which later became Sony Music) and worked there for 17 years, working radio promotion for artists including Johnny Cash, Willie Nelson, Rosanne Cash, Vern Gosdin and many others. She founded Robin Enterprises in 1998, specializing in artist and radio development. She spearheaded comeback songs for Kenny Rogers (“Buy Me A Rose”) and Randy Travis (“Three Wooden Crosses”).
“It is my pleasure to be here to honor Debi,” said Gayle. Talking about her early days of being on the road with Fleischer-Robin, Gayle said, “My career was exploding and there we were, two girls taking on the world. I only wanted the best, and she was.”
Kix Brooks honored Hilley via video, and Sony/ATV’s president/CEO Troy Tomlinson gave a tribute to the former leader of Sony/ATV in Nashville. “Donna Hilley made Margaret Thatcher look like a sissy,” said Tomlinson. “She had two traits; she was tough in all the right places and soft in all the right places. Particularly, that endeared her to songwriters. Songwriters can be very sensitive. They sense when someone is being tough for their best interest, and Hilley knew when to give grace. That balance helped make her a great leader.”
Donna’s three daughters, Vickie Arney, Debbie Tenpenny and Whitney Stewart accepted the award on her behalf. Seely also spoke a few words about Hilley. “She was a role model for me in how to act, though I didn’t always turn out that way,” said the quick-witted host for the evening.
Another video congratulations came from Kenny Rogers, as McDowell was honored. “There are different periods of a career, and Gerri was so responsible for some of my greatest hits,” said Rogers. McDowell was brought to Nashville by Capitol executive Lynn Shults, and she became the first female national promotion executive at a Nashville record label. She later worked in a similar capacity at Curb Records, then as national VP for Curb/Universal. She was the first VP of Promotion to hire an all-female regional promotion staff. In 2000, she began Gerrieco, a Texas music promotion and consulting company.
Trahern, GM/Sr. VP of Scripps Networks Interactive’s Great American Country, moved to Nashville in 1995 to oversee specials and entertainment for TNN. She began her career at C-SPAN in Washington, DC covering politics and public affairs. She joined GAC in 2005 and was promoted to Sr. VP of programming, and in 2010, to GM of the network. “Television is a team sport,” said Trahern. “I may be the coach, but the coach can’t get you touchdowns.” To her team, who was in attendance, she said, “You move us down the field everyday, so this is for all of you.” She also gave ample thanks to her supportive parents, especially her father, who was in attendance. She recalled wanting to become a stewardess and then an airplane pilot as a child; her father was equally supportive of both. “I didn’t learn to limit. When I decided to do something crazy to leave politics to come to Nashville…He taught me that everything was possible.”
Judging by the careers displayed throughout the evening, the 11th Annual SOURCE awards were a potent reminder that in this industry, anything is possible.
All photos courtesy of Alan Mayor.
[slide]
 
 

Weekly Register: Justin Moore, Chris Young, Billy Currington

Untitled-2Country album sales are up 695k units over last week with several great debuts this week. Justin Moore’s Off The Beaten Path debuts at the top of the Country chart this week (No. 2 overall) selling 96k units. Chris Young’s A.M. wakes up strong debuting at No. 2 this week (No. 3 overall) with 53k units sold. Billy Currington claims the No. 5 spot (No. 10 overall) debuting this week with his latest album We Are Tonight selling 25k units.
Luke Bryan’s Crash My Party moves to No. 3 (No. 6 overall) selling another 47k units (947k RTD) and Keith Urban’s Fuse maintains its spark, coming in at No. 4 (No. 8 overall) and selling 30k units in its second week (129k RTD). Overall albums are down 6% over prior year while Country albums are down only .2%.
Bryan’s “That’s My Kind Of Night” remains the week’s top country track (No. 11 overall) with another 103k units sold (711k RTD). Tyler Farr’s “Redneck Crazy” holds the second position on the country track chart selling 47k (818k RTD) and No. 25 overall, while Thomas Rhett’s “It Goes Like This” sells another 47k units this week (728k RTD) and sits at No. 3 (No. 26 overall). Top debuts on the Country Tracks chart include Moore’s “Lettin’ The Night Roll” with 13k units sold and Young’s “Who Am I With You” with 11k in sales debuts at No. 36. Currington’s “We Are Tonight” debuts at No. 48 with 8k sold. Overall tracks are down 3.2% while Country tracks are up 5% over prior year.
The top overall album this week is Jack Johnson’s From Here To Now To You selling 117k units, while the top overall track this week is Lorde’s “Royals” selling 306k units (1.6 million RTD).
Next week’s releases include Alan Jackson’s The Bluegrass Album and Willie Nelson’s To All The GirlsThe Kings Of Leon, who helped produce Nashville’s recent Music City Eats festival, will also release their album Mechanical Bull next week.

DISClaimer: Ladies Have the Best Sound

Ashley Monroe

Ashley Monroe


It’s a girl-power day.
Males dominate the releases this week – what else is new? – but the ladies have most of the best sounds. The finest vocal comes from Bekka Bramlett. The most refreshing new production approach belongs to Heidi Feek. The Disc of the Day is by Ashley Monroe. And the DisCovery Award goes to Leah Turner.
Meanwhile, such fellows as Robby Armstrong and George Ducas remain stuck in that endless country-party loop. The male highlights include Rodney Atkins with his stirring song and Brett Eldredge with his equally stirring groove.
PETE ANDERSON & BEKKA BRAMLETT/Rock In My Shoe
Writer: Pete Anderson; Producers: Michael Murphy and Tony Rambo; Publisher: Jesse Lee, BMI; Little Dog (track)
-Swamp country, with a heaping load of bluesy guitar groove answering Bekka’s every soul-sister vocal lick. Beyond cool. Pete’s just-released CD is titled Birds Above Guitarland. If you have even a passing acquaintance with a six string, you need this record.
THE GOOD INTENTIONS/Hank’s Last Ride
Writer: R Peter Davies; Producer: Rick Shea; Publisher: none listed; Drumfire (track)
-It’s sung from Hank’s point of view, as he contemplates getting into that fateful Cadillac. Unfortunately, the vocalist sounds like he’s at a tea party with his pinky finger raised.
BRETT ELDREDGE/Beat of the Music
Writers: Brett Eldredge/Ross Copperman/Heather Morgan; Producers: Ross Copperman & Brett Eldredge; Publishers: Paris Not France/Smith Wiles/EMI Blackwood/Ross Copperman/4 Tunes/Sony-ATV Tree, BMI; Atlantic
-Pretty dang irresistible. Falling in love has seldom sounded so catchy and so much fun. Also, he’s singing his lungs out on every one of the soaring choruses. You know what? You’ll sing along.
BOBBY ARMSTRONG/Birthday Happy
Writers: Robby Armstrong/Darrell Brown; Producers: Darrell Brown and Robby Armstrong; Publishers: Robby Armstrong/Grey Ink/BMG Chrysalis, ASCAP; Strong Arm
-All rocked up and no place to go.
RODNEY ATKINS/Doin’ It Right
Writers: Jay Knowles; Producers: Ted Hewitt & Rodney Atkins; Publishers: Dean-Parnell/Acme Nashville/BMI; Curb
-His greatest effort since “If You’re Going Through Hell” in 2006. The production makes my heart beat faster. The lyric fires my brain. His performance rings with heartfelt country honesty. I believe in everything about this record. Play it over and over again. Make it a No. 1 hit.
Leah Turner

Leah Turner


LEAH TURNER/Take The Keys
Writers: Leah Turner/Cary Barlowe/Jesse Frasure; Producers: Jim Catino, Cary Barlowe and Jesse Frasure; Publishers: WB/Rockin T/Thankful For This Music/Castle Bound/We Be Pawtying/Rio Bravo, ASCAP/SESAC/BMI; Columbia
-Head for the open road, sing along to the radio and fall back in love. Sounds like a plan to me. Especially when it has such a lovely, airy, rushing production and such a winning, confident vocal performance.
ASHLEY MONROE/Weed Instead of Roses
Writers: Ashley Monroe/Sally Barris/Jon McElroy; Producers: Vince Gill and Justin Niebank; Publishers: Reynsong/Ayden/Wrensong/Vista Larga/Songs of Mighty Isis, BMI/ASCAP; Warner Bros.
-A twangin’ hoot. The saucy song has a few sexy suggestions about how to spice up a relationship. Hilariously hillbilly, complete with galloping piano and stuttering steel. In a word, brilliant.
TJ BROSKOFF/This Is The Moment
Writers: TJ Broskoff; Producers: Bill Green and TJ Broskoff; Publisher: Bill Green, BMI; BGM (track)
-His slightly hoarse tenor vocal style draws you in. The barely-there production is simple and straightforward, embellished by tidy fiddle and steel licks. The song is a toe tapper that goes down easily.
GEORGE DUCAS/CowTown
Writers: J. Beavers/G. Ducas; Producer: none listed; Publisher: none listed; Loud Ranch (track)
-The Ducas disc comeback is a rockin’ party song with plenty of guitar and attitude. Relentlessly rhythmic.
HEIDI FEEK/Someday Somebody
Writers: Heidi Feek/Rory Feek; Producer: Heidi Feek & Rory Feek; Publishers: Western Pinup/Milkbarn, SESAC/BMI; Western Pinup
-The production has a bottomless, bassy echo. Her performance of the bluesy, languid tune is sultry and lushly harmonized. The deep-twang guitar solo only adds to the track’s cool, mysteroso vibe. Highly inventive and intriguing. Heidi is gifted singer-songwriter Rory Lee Feek’s offpring. Like father, like daughter, it seems.

No. 1 Celebration: Brett Eldredge’s “Don’t Ya”

Pictured (L-R): BMI’s Bradley Collins, Warner/Chappell Music Publishing’s Ben Vaughn, Combustion Music’s Chris Farren, Sony/ATV Music Publishing’s Josh Van Valkenburg, co-writer Chris DeStefano, Brett Eldredge, co-writer Ashley Gorley, ASCAP’s Ryan Beuschel, Warner Music Nashville’s John Esposito and RLB Artist Management, LLC’s Rob Baker. Photo: Erika Goldring

Pictured (L-R): BMI’s Bradley Collins, Warner/Chappell Music Publishing’s Ben Vaughn, Combustion Music’s Chris Farren, Sony/ATV Music Publishing’s Josh Van Valkenburg, co-writer Chris DeStefano, Brett Eldredge, co-writer Ashley Gorley, ASCAP’s Ryan Beuschel, Warner Music Nashville’s John Esposito and RLB Artist Management, LLC’s Rob Baker. Photo: Erika Goldring

Monday afternoon (Sept. 23) BMI and ASCAP celebrated Brett Eldredge’s No. 1 hit “Don’t Ya” in Nashville restaurant Cabana’s stylish back room. Written by Eldredge, Chris DeStefano and Ashley Gorley, “Don’t Ya” is published by Out of the Taperoom Music, Sugar Glider Music Publishing, Combustion Music Publishing, Sony/ATV Music Publishing, Warner/Chappell Music and Paris Not France Music.

BMI’s Bradley Collins welcomed the standing room-only crowd, congratulating the writers and presenting Eldredge with a coveted No. 1 guitar. Collins listed the singer’s numerous accomplishments, including his stint on Taylor Swift’s RED Tour and his bold decision to skydive when “Don’t Ya” reached No. 1.
ASCAP’s Ryan Beuschel came onstage to honor the three writers, calling DeStefano and Gorley “one of the hottest songwriting duos” in the business today, with songs recorded by Carrie Underwood, Billy Currington, Luke Bryan and more. Beuschel also prophesied that Gorley will be named ASCAP’s 2014 Songwriter of the Year.
Combustion Music Publishing’s Chris Farren and Sony/ATV’s Josh Van Valkenburg took the stage to present awards and celebrate each writer. Van Valkenburg commented on DeStefano’s tireless work ethic before turning to Eldredge and saying, “If the time ever comes when you don’t want to be an artist, you’ll have a lifelong career as a songwriter.” Warner/Chappell Music Publishing also paid tribute to the writers with special plaques.
The party included presentations from Country Radio Broadcasters’ Michelle Kammerer and CMA’s Brandi Simms. Avenue Bank’s Cooper Samuel was also present to announce that a donation had been made by Avenue Bank in the writers’ names to the Alzheimer’s Foundation of America.
Warner Music Nashville President and CEO John Esposito showered praise on Eldredge, the first artist he signed upon moving to Nashville, saying, “He has that unbelievable unique style of phrasing that makes the song his. I’m blessed to have one of the greatest vocalists I’ve ever heard on our roster.”
DeStefano and Gorley took the stage to express their gratitude and thank their families. “Thanks for never thinking that songwriting isn’t a real gig and asking me to get a real job,” said Gorley, who was celebrating his eleventh No. 1.
Finally, Eldredge boomed his appreciation through the microphone, saying, “Let’s tell some stories. This is very surreal to me right now.” He shared stories from his early days, like sleeping on the roof of a parking garage before an audition and dropping off demo CDs with his family. He also commented on Nashville’s community, saying “This town sticks together like a family and I hope it never changes.” The singer will kick off his Bring You Back tour on Oct. 3 in Oxford, Ohio.
As the celebration died down, partygoers snacked on pizza and drinks while late afternoon turned to early evening.

Music City Eats Toasts Inaugural Year

Producers, Staff and Volunteers toast to a successful first year. Photo: Cambria Harkey

Producers, Staff and Volunteers toast a successful first year. Photo: Cambria Harkey


Nashville’s inaugural Food, Wine & Spirits Festival, Music City Eats, took place over the Sept. 21-22 weekend at the Public Square Park, the Walk of Fame Park, and the War Memorial Auditorium. Music City Eats was envisioned and produced by Nashville residents Caleb and Nathan Followill (Kings of Leon), Vector Management’s Ken Levitan and Andy Mendelsohn, chef Jonathan Waxman, and Austin-based C3 Presents (Austin FOOD & WINE Festival, Austin City Limits Music Festival, Lollapalooza).
Catbird Seat's maple custard with Bentons bacon in egg shells. Photo: Jen Creed

Catbird Seat’s maple custard with Bentons bacon in egg shells. Photo: Jen Creed


Saturday sample sessions at the Public Park Square included over 50 food purveyors such as Cityhouse, Rolf and Daughters, Catbird Seat, Lockeland Table and Silo. Beverage offerings included Kenny Chesney’s Blue Chair Bay rum, Jameson whiskey, and Dark Horse wine, among the plethora of libation selections.
Panels discussions, book signings and cooking demonstrations continued throughout the afternoon including one from Trisha Yearwood, who demonstrated a sausage balls recipe in addition to her coconut cake. The Country diva dished about two favorite Nashville eateries, Rotier’s and Silo, noting: “I moved to Nashville in 1985, one of the most interesting changes in the city has been the great restaurants—I’ve lived in Oklahoma for so long that every time I come back, it feels like there’s a new restaurant.” Yearwood also hinted at new music: “[Cooking] has been a great adventure, but I do need to make a record. Garth is in town now working on a new project.”
Additionally, Nashville chefs Tandy Wilson (Cityhouse) and Margot McCormack (Margots, Marche) were among those offering insights in respective panels. McCormack revealed the culinary changes Nashville has experienced in the past few years: “When I moved back from New York in 1996, I couldn’t find a Nashville supplier who even knew what a hanger steak was.” Celebrity chefs also in attendance included Giada de Laurentiis, Aaron Sanchez, Nancy Silverton, Jonathan Waxman, Michael Symon, Edward Lee, and John Besh.
Evening festivities at the Walk of Fame Park saw many booths of the same celebrity chefs, which supplied dinner samplings in addition to drink services.
The evening concluded with a walk to the War Memorial Auditorium for a tribute to Tom Petty and the Heartbreakers, hosted by the Kings of Leon and the Cabin Down Below Band. Special guests included Yearwood and Charles Kelly (“Stop Draggin’ My Heart Around,” “Southern Accents”), Rodney Crowell and Emmylou Harris (“You Got Lucky”), Joy Williams and Jesse Baylin (“Don’t Come Around Here No More”), Caleb Followill (“I Won’t Back Down”) in addition to performances by Jakob Dylan, Norah Jones and Karen Elson.
“I’m channeling my inner Julia Child as I cook,” Yearwood commented during the afternoon session in preparation for Petty Fest. “I’ll have to channel my inner Stevie Nicks tonight.”
Festivities continued through Sunday.
Photos: Jen Creed, Chris Creed and Cambria Harkey
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