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Matt Redman Leads 44th Annual Dove Award Winners

matt redman

Matt Redman


The 44th Annual GMA Dove Awards, hosted by Amy Grant and Kirk Franklin, were handed out Tuesday evening (Oct. 15) at Lipscomb University’s Allen Arena in Nashville.
Matt Redman led the evening with six trophies; among those were Song of the Year, Pop Contemporary Song, Praise and Worship Song, Songwriter of the Year and Contemporary Christian Performance for “10,000 Reasons (Bless The Lord),” penned by Redman and Jonas Myrin.
TobyMac

TobyMac


TobyMac earned Artist of the Year honors, along with Pop Contemporary Album (Eye On It), Recorded Music Packaging (Eye On It), and Short Form Video for “Eye On It” (Featuring Britt Nicole). Jason Crabb also garnered four honors, including Inspirational Album of the Year (Love Is Stronger), Inspirational Song (“Satisfied”), Southern Gospel Song and Southern Gospel Performance (“What The Blood Is For”).
Ed Cash was named Producer of the Year, while newcomers for King & Country were named New Artist of the Year.
The 44th Annual GMA Dove Award Telecast Winners:
Artist of the Year: TobyMac (ForeFront Records)
New Artist of the Year: for King & Country (Fervent)
Song of the Year: “10,000 Reasons (Bless the Lord)” Matt Redman (artist), Matt Redman, Jonas Myrin (writers) ThankYou Music (publisher)
Pop Contemporary Album: Eye On It, TobyMac, (producers) David Garcia, Toby Mckeehan, Christopher Stevens, Jamie Moore, Telemitry
Rap/Hip Hop Album: Gravity, Lecrae, (producers) Heat Academy, Joseph Prielozmy, J.R., The Watchmen, Dru Castro, Uford Ebong, Tyshane, Thainnacircle, DJ Kahalil, Zach Crowell, Dirty Rice, DJ Official and Rudy Currance
Southern Gospel Performance: “What The Blood is For” Jason Crabb, Gaither Music Group (producer) Wayne HaunGospel Performance: “Break Every Chain”, Tasha Cobbs (producer) VaShawn Mitchell
Praise & Worship Album: Burning Lights, Chris Tomlin (producers) Jason Ingram, Ed Cash and Dan Muckala
Rock Contemporary Song: “Keep Your Eyes Open” NeedtoBreathe, (writers) Bear Rinehart, Bo Rinehart
Rock Contemporary Album: A Messenger, Colton Dixon, (producers) Red Decibel (Adam Watts, Andy Dodd & Gannin Arnold), David Garcia
For a full list of the evening’s winners, visit doveawards.com.
Pictured (L-R): Kirk Franklin and Amy Grant

Pictured (L-R): Kirk Franklin and Amy Grant


UP, formerly GMC TV, surprised Mandisa by honoring her with their “Uplift Someone” award. Presented to Mandisa by Amy Grant, the network granted the award to the singer “for her music, message and humanitarian heart, all of which (individually and collectively) have inspired others.”
Several highlights of the evening included touching tributes by Michael W. Smith and the Newsboys to Billy Graham. Karen Peck, Daily & Vincent, Signature Sound and the Isaacs honored the Gaither Vocal Band in a stunning collaboration of “He Touched Me.” Daily & Vincent also took home two honors, for Bluegrass Album (The Gospel Side of Daily & Vincent) and Country Song for “My Rags To His Riches,” with Devin McGlamery.

Swift Opens Education Center During Weekend Ceremonies

Pictured (L-R): Kyle Young, Taylor Swift, Mayor Karl Dean. Photo: John Russell.

Pictured (L-R): Kyle Young, Taylor Swift, Mayor Karl Dean. Photo: John Russell.


Taylor Swift played tour guide at the Country Music Hall of Fame and Museum this weekend, ushering media and area high school students through the new $4 million dollar education center that bears her name on Saturday (Oct. 12). The 7,000-square-foot center includes three classrooms. A “wet” classroom with a utility floor will be used for the museum’s Make Letterpress Art with Hatch Show Print program. The BlueCross BlueShield of Tennessee Health Foundation Learning Lab with built-in technology and video conference technology will aid distance learning and outreach programs. An interactive exhibit gallery is slated to open in March 2014.
“I really appreciate the Country Music Hall of Fame opening the classrooms first,” Swift said prior to cutting the ribbon to open the facility. “They wanted to make sure it was an effective learning space—that was priority number one.
“A lot of my music education happened outside of school,” the singer noted. “It happened because my parents were willing to drive me to countless children’s theater and local theater productions or take me to guitar lessons. I’m so glad this is a space where there will be demonstrations and instruments that kids can try without having to spend money and buy one for themselves. They want to come here, and they want to learn. They want to hear a songwriter talk about what it is to really craft a song.”
Taylor Swift at the ribbon cutting at the Country Music Hall of Fame. Photo: Royce DeGrie, Getty Images.

Taylor Swift at the ribbon cutting at the Country Music Hall of Fame. Photo: Royce DeGrie, Getty Images.


Seven outstanding high school students were selected from Metro Nashville Public Schools to attend the private ceremony. They were joined by dignitaries, music business executives, museum donors, education leaders and media members.
During the 30-minute ceremony, Swift presented the museum with a custom-made Taylor K65ce acoustic-electric twelve-string guitar, made largely of Hawaiian koa wood and featuring inlaid mother-of-pearl on its fretboard, for display in the museum. “This is the first guitar that I obsessed over and ended up buying,” she remarked. “I wrote some of my earliest songs on it when I was 13 and 14.”
Swift, 23, has a long association with the museum. She signed her record contract there as a teenager, and gave one of her first public performances on the building’s plaza. The museum houses a popular Taylor Swift stand-alone multi-media exhibition. The 2012 exhibit Taylor Swift: Speak Now – Treasures from the World Tour was the first-ever of its kind, paving the way for subsequent contemporary exhibits.

Bobby Karl Works The Nashville Songwriters Hall of Fame Induction

    Pictured (L-R): Pat Alger, Layng Martine, Jr.,Randy Owen, Jeffrey Steele and Mark Ford. Photo: Bev Moser

Pictured (L-R): Pat Alger, Layng Martine, Jr.,Randy Owen, Jeffrey Steele and Mark Ford. Photo: Bev Moser


Chapter 437
On Sunday evening (Oct. 13), the Music City Center hosted its first big music-biz event and hit a homerun.
The occasion was the 43rd annual Nashville Songwriters Hall of Fame banquet coupled with the NSAI honors. Which is fitting, since the Nashville Songwriters Hall of Fame’s interactive gallery became the anchor attraction in the colossal convention center when it opened in May. The venue’s gorgeous grand ballroom, which can hold 6,000, was partitioned to suit Sunday’s 1,000 banquet attendees.
The facility’s catering scored a bullseye, offering nicely presented surf & turf with roasted fingerling potatoes and squash medallions. Deliciously light mousse desserts were the finale.
The Hall of Fame inductions were packed with talent. Jamey Johnson totally took possession of inductee Randy Owen’s “My Home’s in Alabama.” Two duos saluted honoree Will Jennings. Striking Matches were stunning on “Please Remember Me,” and Emmylou Harris & Vince Gill offered a poetic prayer on “Tears in Heaven.”
Big Al Anderson rocked on Jeffrey Steele’s “Unbelievable,” and Aaron Lewis soared on “What Hurts the Most.” Richard Leigh hushed the room with his reading of “The Greatest Man I Never Knew,” which he co-wrote with inductee Layng Martine Jr.
“The songwriters have definitely moved uptown, folks,” said Hall of Fame board president Pat Alger of the spectacular new site for the gala. “I’m incredibly honored to represent this amazing organization tonight. Think about what it takes to get here.” Alger is a Hall of Famer, as were many others in the audience.
Jeffrey Steele’s induction came first. Bob DiPiero set the record for length of induction speech. Craig Wiseman set the record for length of musical medley. Steele set the record for length of acceptance remarks.
“My God, I’ve been doing this for 35 years, and it’s been an absolutely incredible journey,” Steele said.
Next up was Layng Martine Jr. Ray Stevens, who was instrumental in the songwriter’s early acceptance and success in Music City, sang strong versions of both “Way Down” and “Rub It In.” Hall of Famer Wayland Holyfield inducted Martine. Reba McEntire offered video congratulations.
“To each of you who voted for me, you’ve given me something priceless,” said Martine. In addition to Stevens, he credited Linda, his wife of 48 years, for his success. “Thank you to the Nashville Songwriters Hall of Fame for allowing me into the coolest friggin’ club in the universe.”
Publisher Lance Freed inducted Will Jennings, recalling that the Texas native and former University of Wisconsin English professor began his song career in Nashville. Jennings was “coming home,” Freed said. Steve Winwood, one of the songwriter’s most prominent collaborators, played their “Higher Love” and offered congratulations via video. Jennings, who could not travel because of doctor’s orders, accepted via video.
In addition to Jamey Johnson, Randy Owen was saluted in song by Kree Harrison (“Feels So Right”) and Connie Smith (“Lady Down on Love”). The Alabama front man’s wife, Kelly Owen, offered adorably amusing remarks about what it was like to be a songwriter’s spouse.
“My songs are very personal to me,” said a grateful Randy. “With all the talent here tonight, I feel very small.
“I still can’t get over one of my songs being sung by Connie Smith,” he remarked backstage afterward.
Hall of Famers Don Schlitz and Thom Schuyler presented Amy Kurland with the organization’s seventh Frances Williams Preston Mentor Award. “Oh my God; this is a big deal,” exclaimed Kurland, the founder of the world-famous Bluebird Café. “I can see, again, what a magic place it is,” she added. “And it is you, the songwriters, who brought the magic.”
Alger also introduced Mark Ford as the Nashville Songwriters Hall of Fame’s first executive director. Ford and the Bluebird’s Erika Wollam Nichols produced Sunday’s show.
The NSAI’s Bart Herbison and Lee Thomas Miller began the evening by presenting awards to the writers of the “10 Songs I Wish I’d Written,” as voted on by their organization’s songwriter members. “How cool is it to finally have a Hall of Fame dinner in a place where there is an actual Hall of Fame?” said Herbison.
The 10 songs honored were “Better Dig Two,” “Cruise,” “Hard to Love,” “Highway Don’t Care,” “I Drive Your Truck,” “Like Jesus Does,” “Mama’s Broken Heart,” “Merry Go Round,” “Pontoon” and “Wagon Wheel.” Connie Harrington, Jimmy Yeary and Jessi Alexander expressed emotional thanks when their “I Drive Your Truck” was named the NSAI’s Song of the Year. The song, which received MusicRow‘s Song of the Year honor earlier this year, was inspired by a true story. It is about the heroic combat death of a soldier and his father’s response to it.
“I DRIVE YOUR TRUCK” TIES FOR 2013 MUSICROW SONG OF THE YEAR
The NSAI’s Songwriter of the Year award was given to Rodney Clawson. “Ten years ago, I was driving a tractor back in Texas, dreaming of something like this,” said Clawson.
Bazillion-selling Taylor Swift set a new record by being named the NSAI’s Songwriter-Artist of the Year for the sixth time. She said she plans to display all six trophies in the Taylor Swift Education Center in the Country Music Hall of Fame, which she opened Saturday morning (Oct. 12).
“For me, songwriting is the most magical part of doing this,” said Swift. “To the songwriters of Nashville, thank you for honoring my favorite part of my job.”
The gala was attended by a real who’s-who of the Nashville music industry. Taking in the awesomeness of the Music City Center were Bobby Braddock, Bobby Rymer, Bob McDill, Leslie Roberts, David Briggs, John Briggs, Jon Randall Stewart, John Scott Sherrill, John Mabe, John Bettis, Tim Fink, Tim Wipperman, Steve & Ree Guyer Buchanan, Steve O’Brien, Steve Bogard, James Elliott, Rep. Jim Cooper, Jim Weatherly, Mark Wright, Mark D. Sanders, Marcus Hummon, David Maddox and David Bellamy.
Everyone who is anyone appears at this annual extravaganza. Pat Higdon, Pat Rogers, Jack Brumley, Jackie Peters, Melanie Howard, Perry Howard, Judy Kilgore, Judy Harris, Karen Conrad, Kathy Louvin, Kye Fleming, Kerry & Corky O’Dell, Kay Williams, Kim Williams, Jody Williams, Mary Dale Frank, Dale Bobo, Jerry Salley, Gary Burr & Georgia Middleman, Jeff & Terri Walker, Terry Brown, Roger Cook, Roger Murrah, Dean Dillon and Mayor Karl Dean mingled.
Deborah Allen reports that she has a new holiday CD on the way. She’s also going to be starring in the Christmas show at Fontanel in November and December.
Even Stevens is hosting “The Originals: Inside the World of Songwriting” weekly on Hippie Radio on Sunday evenings. On it, he broadcasts the demo versions of famous hit songs. Go to hippieradio945.com to listen, or tune in.
Other greats in attendance included Max T. Barnes, Harold Shedd, Ralph Murphy, Earle Simmons, Mike Dungan, Scott Borchetta, Wynn Varble, Fletcher Foster, Sherry Bond, Sonny Curtis, Rick Sanjek, Stacy Widelitz, Liz Hengber, Clay Myers, Brian Buchanan, Whitney Daane, Celia Froelig, Billy Yates, Dennis Morgan, Tracy Gershon, Dickey Lee, Rep. Marsha Blackburn, Don Cusic, Freddy Hart, Bucky Wilkin, Sherrill Blackmon, Rita Allison, Woody Bomar, Matraca Berg, Rory Bourke, Hugh Prestwood, Susan Stewart, Alecia Warwick, Ron Cox and Hank Adam Locklin.
The passing of Hall of Fame member Jack Clement was recognized. Lorene Mann, one of the NSAI’s founders, was also eulogized. She came up with the organization’s slogan, “It All Begins with a Song.”
Newly anointed Tennessee Film & Entertainment Music Commissioner Troy Tomlinson eloquently reminded the dignitaries to continue their financial support of the Nashville Songwriters Hall of Fame.

Weekly Chart Report (10/11/13)

Sheryl Crow (R) recently visited with 93Q’s Christi Monson (L) at the station’s New Faces of Country show, which featured Crow, Chris Stapleton, Jon Pardi, Drake White, Eric Paslay, and Brothers Osborne. Crow’s latest WMG Nashville single is “Callin' Me When I'm Lonely.”

Sheryl Crow (R) recently visited with 93Q’s Christi Monson (L) at the station’s New Faces of Country show, which featured Crow, Chris Stapleton, Jon Pardi, Drake White, Eric Paslay, and Brothers Osborne. Crow’s latest WMG Nashville single is “Callin’ Me When I’m Lonely.”


SPIN ZONE
After spending 18 weeks on the chart, Miranda Lambert’s “All Kinds of Kinds” takes the No. 1 spot with 3210 spins. Lambert is the first female singer to top MusicRow’s chart in months, and the trend is likely to continue with Taylor Swift’s “Red” landing at No. 2. Swift has received several AMA nominations and will be awarded her sixth NSAI award on October 13. Meanwhile, Blake Shelton’s “Mine Would Be You” falls to No. 3, while Darius Rucker’s “Radio” climbs three spots, moving to No. 4. Eli Young Band’s “Drunk Last Night” holds steady at No. 5. Rounding out the Top 10 this week is Eric Paslay’s “Friday Night” at No. 6, Jake Owen’s “Days of Gold” at No. 7, The Band Perry’s “Don’t Let Me Be Lonely” at No. 8, Keith Urban and Lambert’s “We Were Us” at No. 9 and Joe Nichols’ “Sunny and 75” at No. 10.
Florida Georgia Line’s “Stay” is the week’s greatest gainer, bounding to No. 30 with another 479 spins. Urban and Lambert’s “We Were Us” breaks the Top 10, landing at No. 9 with an added 358 spins. Lady Antebellum’s “Compass” guides the band to No. 58 with 251 spins, while Amber Hayes’ “Any Day Is A Good Day” moves to No. 27 with an added 189 spins. Finally, Rucker’s “Radio” climbs closers to No. 1, reaching No. 4 with 187 more spins.
MusicRow welcomes six dynamite debuts this week, with Lady Antebellum’s “Compass” debuting at No. 58, Brett Eldredge’s “Beat Of The Music” at No. 66, Leah Turner’s “Take The Keys” at No. 73, Alexandra Demetree and Wes Hayden’s “Lay It On Me” at No. 76, Jerrod Niemann’s “Drink To That All Night” at No. 77 and Rodney Atkins’ “Doin’ It Right” at No. 79.
Frozen Playlists: WEIO, KMKS, WXXK, KZPK
jerry mac

Jerry Mac

NewsMusicRow reporting station KZPK FM (St. Cloud, MN) is searching for an afternoon PD to replace current afternoon APD Jerry Mac when he leaves the station later this month. The station has placed the following employment listing:

Programming / Afternoons: Wild Country 99/KZPK (St Cloud, MN) is looking for a programming superstar/afternoon drive host that lives and breathes radio. Do you find yourself doing appearances for fun? Do you love going to concerts and hanging with P-1’s and buying them pizza? Do you love to be a part of the biggest country music concerts in Central MN? Do you come up with crazy-fun moneymaking ideas for sales? If you think the best way to do radio: is to interact with listeners and use compelling content, then send me something now! We are looking for a personality that “gets” it. Rush me your tape and resume to: msenne@leightonbroadcasting.com. No calls please. Leighton Broadcasting is an equal opportunity employer.
Currently, all music calls and mailing can be sent to Music Director Brook Stephens (BStephens@leightonbroadcasting.com) at 619 West St. Germain Street, St. Cloud, MN  56301

One lucky KUPL winner and 50 of their friends were treated to a Joel Crouse acoustic backyard show. Pictured (back row):  KUPL Morning show DJs Monica, Howie and Jake.(front row): SDU’s Lisa Owen, Crouse and KUPL Promotion Director

One lucky KUPL winner and 50 of their friends were treated to a Joel Crouse acoustic backyard show. Pictured (back row): KUPL Morning show DJs Monica, Howie and Jake. (front row): SDU’s Lisa Owen, Crouse and KUPL Promotion Director


Upcoming Singles
October 14
Aaron & Amanda Crabb/If I’m Guilty/differencemedia
Grayson/You & America/Way Outback Records
Old Crow Medicine Show/Dixieland Delight/ATO Records
Dan + Shay/19 You + Me/Warner Bros.-WAR
Rodney Atkins/Doin’ It Right/Curb
Sins Country/Muscadine/Go Time Records
Lady Antebellum/Compass/Capitol Nashville
Brad Puckett/At Least I’m Feeling, Again/SMG Records
Chris Carmack/What If I Was Willing/Valory
Sammy Hakim/Get A Little Closer/Lamon
October 21
Samantha Landrum/What If/Reviver Records
Ty Herndon/Lies I Told Myself/Flying Island
Jerrod Niemann/Drink To That All Night/Sea Gayle-Arista Nashville
Rachel Farley/Midnight Road/Red Bow
Weston Burt/Smile That Smile/HitShop
Kacey Musgraves/Follow Your Arrow/Mercury
Justin Moore/Lettin’ The Night Roll/Valory
October 28
Little River Band/You Dream, I’ll Drive/Frontiers
Mitch Goudy/Blow These Speakers Out/Third Floor Records
Blackjack Billy/Get Some/Bigger Picture
November 4
Tyler Farr/Whiskey In My Water/Columbia Nashville
New On The Chart—Debuting This Week
Artist/song/label — chart pos.
Lady Antebellum/Compass/Capitol – 58
Brett Eldredge/Beat Of The Music/Atlantic-Warner Bros. – 66
Leah Turner/Take The Keys/Columbia Nashville – 73
Alexandra Demetree and Wes Hayden/Lay It On Me/SSM Nashville – 76
Jerrod Niemann/Drink To That All Night/Arista Nashville – 77
Rodney Atkins/Doin’ It Right/Curb – 79
Most Added
Artist/song/label — New Adds
Florida Georgia/Line Stay/Republic Nashville – 25
Lady Antebellum/Compass/Capitol Nashville – 19
Leah Turner/Take The Keys/Columbia Nashville – 17
Justin Moore/Lettin’ The Night Roll/Valory Music – 12
Josh Pruno/Cut Offs/Lawrence Music Group – 12
Brett Eldredge/Beat Of The Music/Atlantic-WMN – 12
Kacey Musgraves/Follow Your Arrow/Mercury Nashville – 10
Greatest Spin Increase
Artist/song/label — spin+
Florida Georgia Line/Stay/Republic Nashville – 479
Keith Urban feat. Miranda Lambert/We Were Us/Capitol Nashville-Hit Red Records – 358
Lady Antebellum / Compass / Capitol – 251
Amber Hayes/Any Day Is A Good Day/GMV Nashville-A-OK Entertainment – 189
Darius Rucker/Radio/Capitol – 187
On Deck—Soon To Be Charting
Artist/song/label — spins
Laura Bell Bundy/Two Step/Big Machine – 194
Kari & Billy/Play Me A Fiddle Song/Kari & Billy – 193
Will Hoge/Strong/Prospector-Crescendo – 191
Skylar Elise/Gypsy Soul/Sugar Money Records – 189
Breelan Angel/Halfway To Wasted/Momentum-MisBhavin’ Records – 168
Dan + Shay took time to visit with Mr. Bob & Rick Brooks aka “Big Red” to promote “19 You+Me,” their Warner Brothers single. Pictured (L-R): Mr. Bob (PD, WOGK), Dan Smyers, Rick Brooks (MD, WOGK), Shay Mooney and Tom Martens (WMG)

Dan + Shay took time to visit with Mr. Bob & Rick Brooks aka “Big Red” to promote “19 You+Me,” their Warner Brothers single. Pictured (L-R): Mr. Bob (PD, WOGK), Dan Smyers, Rick Brooks (MD, WOGK), Shay Mooney and Tom Martens (WMG).

Taylor Swift, Florida Georgia Line Score Multiple AMA Nominations

American-Music-Awards-logo-350x200Taylor Swift and Florida Georgia Line piled up the nominations Thursday morning (Oct. 10) for the upcoming American Music Awards; Swift scored five nominations, while Florida Georgia Line collected four. Kelly Clarkson and will.i.am revealed the 2013 American Music Awards (AMAs) nominations this morning in New York City on ABC’s Good Morning America.
Swift was nominated in the Artist of the Year category, alongside Justin Timberlake, Rihanna, Bruno Mars, and Macklemore & Ryan Lewis. She also earned a nod for Favorite Female Artist-Pop/Rock, alongside P!nk and Rihanna. Her album RED will compete for Favorite Album-Pop/Rock alongside Timberlake’s The 20/20 Experience and One Direction‘s Take Me Home.
Florida Georgia Line was nominated in the all-genre New Artist of the Year Award category, alongside Ariana Grande, Imagine Dragons, Phillip Phillips and Macklemore & Ryan Lewis; the duo’s collaboration with Nelly on a remix of “Cruise” also earned a Single of the Year nomination, alongside “Blurred Lines” (Robin Thicke ft. Pharrell & T.I.) and “Thrift Shop” (Macklemore & Ryan Lewis ft. Wanz).
The Favorite Male Artist-Country category features nominees Blake Shelton, Luke Bryan and Hunter Hayes. Swift, Miranda Lambert and Carrie Underwood are nominated for Favorite Female Artist-Country, while The Band Perry, Florida Georgia Line and Lady Antebellum will compete for the title of Favorite Band, Duo or Group-Country. In the Favorite Album-Country category, Bryan’s Crash My Party, Swift’s RED, and Florida Georgia Line’s Here’s To The Good Times are up for the honor.
It was also announced that Miley Cyrus and Imagine Dragons will be performing on this year’s show, which will be broadcast live from the NOKIA Theatre L.A. live on Sunday, Nov. 24 (8:00-11:00 p.m. ET/PT) on ABC. Additional acts and presenters will be announced in the coming weeks.
View the full list of nominations below.
2013 AMERICAN MUSIC AWARDS NOMINEES:
ARTIST OF THE YEAR

  • Macklemore & Ryan Lewis
  • Bruno Mars
  • Rihanna
  • Taylor Swift
  • Justin Timberlake

NEW ARTIST OF THE YEAR PRESENTED BY KOHL’S

  • Florida Georgia Line
  • Ariana Grande
  • Imagine Dragons
  • Macklemore & Ryan Lewis
  • Phillip Phillps

SINGLE OF THE YEAR

  • Florida Georgia Line Featuring Nelly/Cruise
  • Macklemore & Ryan Lewis Featuring Wanz/Thrift Shop
  • Robin Thicke Featuring Pharrell & T.I./Blurred Lines

FAVORITE MALE ARTIST – POP/ROCK

  • Bruno Mars
  • Robin Thicke
  • Justin Timberlake

FAVORITE FEMALE ARTIST – POP/ROCK

  • P!nk
  • Rihanna
  • Taylor Swift

FAVORITE BAND, DUO OR GROUP – POP/ROCK

  • Imagine Dragons
  • Macklemore & Ryan Lewis
  • One Direction

FAVORITE ALBUM – POP/ROCK

  • One Direction/Take Me Home
  • Taylor Swift/Red
  • Justin Timberlake/The 20/20 Experience

FAVORITE MALE ARTIST – COUNTRY

  • Luke Bryan
  • Hunter Hayes
  • Blake Shelton

FAVORITE FEMALE ARTIST – COUNTRY

  • Miranda Lambert
  • Taylor Swift
  • Carrie Underwood

FAVORITE BAND, DUO or GROUP – COUNTRY           

  • The Band Perry
  • Florida Georgia Line
  • Lady Antebellum

FAVORITE ALBUM – COUNTRY

  • Luke Bryan/Crash My Party
  • Florida Georgia Line/Here’s To The Good Times
  • Taylor Swift/Red

FAVORITE ARTIST – RAP/HIP-HOP

  • Jay Z
  • Lil Wayne
  • Macklemore & Ryan Lewis

FAVORITE ALBUM – RAP/HIP-HOP

  • Jay Z/Magna Carta…Holy Grail
  • Kendrick Lamar/good kid, m.A.A.d city
  • Macklemore & Ryan Lewis/The Heist

FAVORITE MALE ARTIST – SOUL/R&B

  • Miguel
  • Robin Thicke
  • Justin Timberlake

FAVORITE FEMALE ARTIST – SOUL/R&B

  • Ciara
  • Alicia Keys
  • Rihanna

FAVORITE ALBUM – SOUL/R&B

  • Rihanna/Unapologetic
  • Robin Thicke/Blurred Lines
  • Justin Timberlake/The 20/20 Experience

FAVORITE ARTIST – ALTERNATIVE ROCK

  • Imagine Dragons
  • The Lumineers
  • Mumford & Sons

FAVORITE ARTIST – ADULT CONTEMPORARY

  • Maroon 5
  • Bruno Mars
  • P!nk

FAVORITE ARTIST – LATIN

  • Marc Anthony
  • Prince Royce
  • Romeo Santos

FAVORITE ARTIST – CONTEMPORARY INSPIRATIONAL

  • tobyMac
  • Chris Tomlin
  • Matthew West

FAVORITE ARTIST – ELECTRONIC DANCE MUSIC (EDM)

  • Avicii
  • Daft Punk
  • Calvin Harris
  • Zedd

TOP SOUNDTRACK

  • The Great Gatsby: Music From Baz Luhrmann’s Film
  • Les Miserables
  • Pitch Perfect

DISClaimer: Day of Duets

keith urban fuse album cover1Superstars ruled the day in this edition of “DisClaimer.” The duets by Kenny & Dolly and Keith & Miranda are as good as it gets. Sheryl Crow is back, stronger than ever. Hit maker Justin Moore returns. The stellar pop/rock group Little River Band is knocking on country’s door.
All of these folks have platters that deserve your attention. The best of them belongs to the hottest of them. Keith Urban & Miranda Lambert’s “We Were Us” is undeniable as the Disc of the Day. Three of the four newcomers in today’s listening session were women. And one of them, the excellently named Breelan Angel, is our DisCovery Award winner.
TIM ASH/Broke
Writers: none listed; Producer: Tim Ash; Publisher: none listed; SMG (track)
-It’s that typical “modern country” sound, a rock track with a banjo on it. He sort of half-sings on the verses, but it’s not exactly hick-hop. He does open up with a convincing tenor vocal on the broken-hearted choruses. Another plus is the fact that the track is imaginatively produced.
SHERYL CROW/Callin’ Me When I’m Lonely
Writers: Rodney Clawson/Brent Anderson; Producers: Sheryl Crow and Justin Niebank; Publishers: Big Red Toe; Big Loud Bucks; Amarillo Sky; House of Sea Gayle; BMI/ASCAP; Warner Bros.
-Crow’s second country single is just about as lilting and catchy as her debut was. It is also further proof that she is as good as any established country artist, and maybe better. I think the thing I like best about this track (and indeed her whole album) is the fact that you can hear what a superb singer she is, now that she’s not buried in pop/rock volume.
KENDALL BEARD/Drinkin’
Writers: Kendall Beard/A.J. Vallejo/Alex Vallejo; Producer: A.J. Vallejo; Publisher: none listed; VMG (track)
-The production lacks polish, and her vocal is recorded too dry. The wordy song takes forever to get to the hook.
JUSTIN MOORE/Lettin’ The Night Roll
Writers: Justin Moore/Jeremy Stover/Rodney Clawson; Producer: Jeremy Stover; Publisher: none listed; Valory (track)
-Another solid, straight-ahead county performance by this dependable fellow. He’s driving his gal around aimlessly, waiting to see what romantic adventures await.

Breelan Angel

Breelan Angel


BREELAN ANGEL/Halfway To Wasted
Writers: Breelan Angel/Clay Mills; Producer: none listed; Publishers: Breelan Angel/Hit Me Again, BMI/ASCAP; MisBHavin’
-She has an instantly gripping, penetrating, slightly sharp delivery that perks up your ears. The lyric is about drinking away a heartache while listening to honky-tonk tunes, and who can’t relate to that? Well written, well produced and well sung.
KEITH URBAN & MIRANDA LAMBERT/We Were Us
Writers: Jimmy Robbins/Nicole Galyon/Jon Nite; Producers: Nathan Chapman and Keith Urban; Publishers: Universal/Extraordinary Alien/Warner-Tamerlane/EMI April/Jon Mark Nite, ASCAP/BMI; Capitol
-This exciting, crunchy country rocker gives both performers plenty of space to strut their stuff vocally. They both phrase brilliantly, and the stunning production cooks with gas.
KENNY ROGERS & DOLLY PARTON/You Can’t Make Old Friends
Writers: Ryan Hanna King/Caitlyn Smith/Don Schlitz; Producer: Dann Huff; Publishers: Hanna/Music of Stage Three/Songs of Cornman/House of Sea Gayle/Yorick, ASCAP; Warner Bros.
-Immensely tender and heart tugging. The ballad ponders the irreplaceable loss of someone close, and both of these master storytellers draw out every ache. Beautifully done.
OLD CROW MEDICINE SHOW/Dixieland Delight
Writers: R. Rogers; Producer: Ted Hutt; Publishers: Keats and Shelly/Sony-ATV Tree; BMI; ATO (CDX)
-The Grand Ole Opry’s newest members are in the cast of High Cotton, one of two current CDs saluting Alabama. The string band’s take on Alabama’s 1983 smash is jaunty, acoustic and stripped down. Things really take off when OCMS rips into the fiddle hoedown finale, complete with whoops of joy.
LITTLE RIVER BAND/You Dream, I’ll Drive
Writers: Jack Williams, Thomas Conners, Troy Johnson; Producers: Rich Herring & Wayne Nelson; Publishers: Hopportunity/Bluebonnet Tattoo/Yacht Haven, ASCAP/BMI/SESAC; Frontier (CDX)
-This Aussie group scored lots of big pop hits in the ‘70s and ‘80s with “Lonesome Loser,” “Cool Change,” “Man on Your Mind” and the like. Its catchy, ultra-melodic, harmony-laced sound hasn’t changed all that much, they’re just pitching it to a different audience. Highly listenable.
KASEY LANSDALE/Sorry Ain’t Enough
Writers: Kasey Lansdale/Derek George/Tim Owens; Producer: Kasey Lansdale; Publishers: Big Spaces/Panda Red/Pedal Down/Lux Et Veritas/Trejuilla/Amplified Administration, BMI/ASCAP; Blue Siren
-It’s a cool, bluesy, female “attitude” number. He’s begging to come back, but she’s not buying what he’s selling. Very promising.

Hunter Hayes Previews Headlining Tour

Pictured (L to R): John Esposito (President & CEO, WMN), Dan Huff, Hunter Hayes, Scott Hendricks (SVP A&R, WMN), Peter Strickland (EVP & General Manager, WMN)

Pictured (L to R): John Esposito (President & CEO, WMN), Dan Huff, Hunter Hayes, Scott Hendricks (SVP A&R, WMN), Peter Strickland (EVP & General Manager, WMN).


Hunter Hayes gave the industry a glimpse at the results of a dream nearly 18 years in the making when he offered a preview of his headlining show for the CMT On Tour: Hunter Hayes’ Let’s Be Crazy Tour on Monday (Oct. 7). The tour begins with a show in Knoxville, Tenn. on Oct. 10 with Ashley Monroe.
At 22, this multi-talented singer, songwriter, producer and musician (Hayes played every instrument on his self-titled debut Atlantic Records album) has earned three No. 1 Country singles and the title of CMA New Artist of the Year and a Teen Choice Award for Male Country artist. The afternoon kicked off with Hayes adding another honor to his list; a platinum-selling album for his self-titled deluxe edition release, Encore. Members of Warner Music Nashville staff and various industry members gathered at the James K. Polk Theater to celebrate. Warner Music Nashville President and CEO John Esposito commented, “Hunter is one of only four Country artists in the past five years to have a platinum-selling debut album.”
Prominent reasons that he has caught the ears of fans young and old is his obvious passion—some might say obsession—with music, his musical prowess, and his seemingly limitless energy. Both were equally on display as he took industry members through a 90-minute set.
“For The Love of Music,” scrawled in chalk writing, rolled across a video screen above the stage as Hayes kicked off his set with two lively love songs, “A Thing About You” and “Can’t Say Love.” The background glowed with a background reminiscent of a Pac-Man arcade game, accented with spotlights that highlighted members of his backing band. The chalk writing continued throughout the stage dressing, from the stage ramps to the drum kit to Hayes’ piano, all covered with lyrics written in chalk.
“I’m actually a shy person,” Hayes told the audience. “Onstage is where I’m most comfortable.” The latter was clear, given his energetic, confident performance.
The lighting throughout the concert is thoughtful; red lights blaze for his debut single “Storm Warning,” then turn somber shades of purple and blue (accompanied by bubbles rather than rain) for Hayes’ bluesy guitar-driven take on “Rainy Season.” The soulful ballad allowed Hayes’ R&B-influenced vocals to command the audience’s attention, drawing loud applause.
Hunter Hayes

Hunter Hayes


“We’ve been working on the show for quite some time and it’s nice to play it for somebody. This is our way of saying thanks, by playing music and making noise,” said Hayes. He stayed center stage for “Somebody’s Heartbreak,” crunching out guitar riffs while stage lights were lit in an array of colors.
His musicianship got a special spotlight when he took to a side stage for an acoustic take on “Only If You Told Me To.” Using a loop and his guitar as a percussion instrument, Hayes built the song layer upon layer, even adding “background vocals” by singing into the sound hole on his trusty axe.
Calling it “the most vulnerable song I’ve ever done,” and “my awkward singles anthem,” Hayes brought the full band back for “Everybody’s Got Somebody But Me,” which features Jason Mraz. Though singer-songwriter Mraz wasn’t present, his voice was featured in the song. As Hayes performed, Mraz’s image was featured via video, as live footage of Hayes performing was layered on top of Mraz’s video performance, to interesting effect.
Hayes perhaps saved the best for last, as he launched into “Loved You More Than I Should,” an angst-filled Country-rock number. Backed by appropriate red and black hues and artsy video imagery, Hayes ripped through a series of rock guitar progressions. “That’s for all the angry people,” Hayes quipped.
He brought a quieter energy to the elegant rendition of “Where We Left Off,” the track Hayes contributed to the movie Act of Valor. With Hayes commanding the piano, spotlights onstage glowed red and blue, while lasers beamed white lights to the right and left, accentuating a video image of an American flag.
He followed the sentimental, patriotic theme with his hit ballad, “Wanted.” Giving a nod to his career thus far, “Better Than This” was his musical thank you to fans and the industry. Vintage footage of Hayes reminded listeners that though Hayes is barely in his 20s, he’s been performing live and dreaming of this career for most of his life. His easygoing confidence in a live setting is hard-earned, having performed with Hank Williams, Jr. and on national television by age 5.
“Let’s keep making noise and getting crazier and crazier,” said Hayes before concluding with his signature hit “I Want Crazy.” Judging from his substantial success thus far, it seems his career only set to get crazier.

Name Change, Restructure For NARM and Digitalmusic.org

MBA.stack_.logo_NARM (National Association of Recording Merchandisers) and its digital industry hub digitalmusic.org have changed their names to The Music Business Association to fully encompass everyone involved in music business commerce in the U.S., and reorganized the two entities into six industry sectors, with six new directors named to head the respective areas. The organization will continue to be headed by President Jim Donio, and the current team will remain headquartered in Marlton, NJ.
“The music industry has changed dramatically over the past decade, and NARM has been evolving along with those changes, bringing in more voices from the online and mobile industries with the creation of digitalmusic.org, as well as from other areas that were not traditionally associated with music retail,” said Donio. “More segments of the business than ever before now play an active role in the commerce side of the business, so the name ‘National Association of Recording Merchandisers’ no longer reflected everyone who can participate in the organization. ‘The Music Business Association’ makes it crystal clear – and for the first time in the organization’s history, the ‘M’ stands for music.”
The Music Business Association will be structured into several sectors designed to allow members to focus their activities and interests into areas relevant to their business functions and needs. The Digital Sector work group will be co-chaired by Christina Calio of Microsoft and Kevin Arnold of OpenAura, and will focus on seamless transition of the digitalmusic.org work groups business development, subscription, and digital marketing.
The Business Development work group will be helmed by Bill Wilson and Cindy Charles of Music Biz and will help spur on innovation in the field of digital music by reducing barriers to entry for startups, entrepreneurs and others interested in creating digital products and services around music.
The Digital Marketing work group will be co-chaired by Chuck Fishman of Acquia, and Lee Hammond of Universal, and will focus on coordinating the best practices for direct marketing and CRM for websites, such as tools, platforms, and strategic integrations that utilize the artists site as a hub for activity.
The Subscription Services work group will be chaired by Jack Isquith of Slacker and will focus on advocating the business of on-demand streaming and subscription services.
The Digital Supply Chain and Operations Work Group will be co-chaired by Chris Read of Sony DADC, and Shachar Oren of Neurotic Media, and will help streamline operations in the content supply chain and reporting process.
 The Digital Asset Management Work Group, co-chaired by Maureen Droney of the Recording Academy and Paul Jessop of County Analytics, will help coordinate and standardize all non-recorded music assets relevant to the digital music chain, including artist images, credits, liner notes, and more.
The Knowledge Sector work group will be co-chaired by Jim Donio and Nicole Hennessey of Music Biz and will encompass areas such as events, published material and research, funding, etc.
The current members of the Board of Directors will remain in place, and six new seats have been added. Four of those new directors come from the former NARM Music Industry Advisory Council members. They are:
Brad Navin, The Orchard
Darren Stupak, Sony Music Entertainment
Matt Signore, Warner Music Group
Jim Urie, Universal Music Group

Weekly Chart Report (10/04/13)

SPIN ZONE

Atlantic/Warner Bros. artist Brett Eldredge (L) recently spent some time on air with KFDI MD Carol Hughes (R) promoting his latest single “Beat Of The Music,” which lands On Deck this week.

Atlantic/Warner Bros. artist Brett Eldredge (L) recently spent some time on air with KFDI MD Carol Hughes (R) promoting his latest single “Beat Of The Music,” which lands On Deck this week.


After spending 17 weeks on MusicRow’s chart, Blake Shelton’s “Mine Would Be You” takes the No. 1 spot with 3363 spins. The Country crooner’s spouse Miranda Lambert is close behind, with her single “All Kinds of Kinds” landing at No. 2. Luke Bryan’s “That’s My Kind of Night” sinks to No. 3, while Taylor Swift’s “Red” holds steady at No. 4. Meanwhile, Eli Young Band’s “Drunk Last Night” breaks the Top 5, jumping to No. 5. Rounding out the Top 10 this week is Eric Paslay’s “Friday Night” at No. 6, Darius Rucker’s “Radio” at No. 7, Jake Owen’s “Days of Gold” at No. 8, The Band Perry’s “Don’t Let Me Be Lonely” at No. 9 and Joe Nichols’ “Sunny and 75” at No. 10.
Keith Urban and Lambert are the greatest gainers for the fourth consecutive week, with their song “We Were Us” shooting to No. 12 with another 502 spins. Meanwhile, Florida Georgia Line’s “Stay” skyrockets to No. 46 with 474 spins in its first week on the chart. The successful duo recently celebrated their success and previewed their upcoming tour for industry members in Nashville. Sara Evans’ “Slow Me Down” climbs to No. 38 with an added 245 spins, while The Band Perry’s “Don’t Let Me Be Lonely” reaches No. 9 with another 241 spins. The band’s Kimberly Perry is far from lonely after her recent engagement to Blue Jays pitcher J.P. Arencibia. Finally, Hunter Hayes and Jason Mraz’s “Everybody’s Got Somebody But Me” leaps to No. 28 with an additional 238 spins.
MusicRow‘s Chart welcomes six debuts this week, with Florida Georgia Line’s “Stay” debuting at No. 46, Hank Williams Jr. & Merle Haggard’s “I Think I’ll Just Stay Here And Drink” at No. 71, Chris Weaver Band’s “Raise The Dead” at No. 72, Jason Sturgeon’s “Angel Eyes” at No. 78, Austin Webb’s “Slip On By” at No. 79 and Laura Bell Bundy’s “Two Step” at No. 80.
Frozen Playlists: KWWR, WAKG, KITX, KYEZ, WKWS
Josh Thompson (Show Dog – Universal), UMG’s Chris Stapleton (UMG) and Easton Corbin, and Frankie Ballard (WMN) joined KNCI Sacramento for their first ever, sold-out Country Uncorked wine and music event. Thompson’s “Cold Beer With Your Name On It” claims our No.  24 spot, while Ballard’s “Helluva Life” takes our No. 41 spot, while Stapleton lands at No. 36. Pictured (L-R): WAR’s Raffaella Braun, Frankie Ballard, KNCI’s Byron Kennedy, Chris Stapleton, KNCI’s Matt Vieira, Josh Thompson, Show Dog-Universal Music’s Lisa Owen, Easton Corbin and Mercury’s Summer Harlow

Josh Thompson (Show Dog – Universal), UMG’s Chris Stapleton (UMG) and Easton Corbin, and Frankie Ballard (WMN) joined KNCI Sacramento for their first ever, sold-out Country Uncorked wine and music event. Thompson’s “Cold Beer With Your Name On It” claims our No. 24 spot, while Ballard’s “Helluva Life” takes our No. 41 spot, while Stapleton lands at No. 36. Pictured (L-R): WAR’s Raffaella Braun, Frankie Ballard, KNCI’s Byron Kennedy, Chris Stapleton, KNCI’s Matt Vieira, Josh Thompson, Show Dog-Universal Music’s Lisa Owen, Easton Corbin and Mercury’s Summer Harlow.


Upcoming Singles
October 7
Leah Turner/Take The Keys/Columbia Nashville
Aaron Watson/July In Cheyenne/HTK Records
Brad Long/Every Heart Has a Different Road/Blackwater Records
Susan Ashton/Moonshine/Be Music & Entertainment
Florida Georgia Line/Stay/Republic Nashville
Josh Pruno/Cut Offs/Lawrence Music Group
October 14
Aaron & Amanda Crabb/If I’m Guilty/differencemedia
Grayson/You & America/Way Outback Records
Old Crow Medicine Show/Dixieland Delight/ATO Records
Dan + Shay/19 You + Me/Warner Bros.-WAR
Rodney Atkins/Doin’ It Right/Curb
Sins Country/Muscadine/Go Time Records
Lady Antebellum/Compass/Capitol Nashville
October 21
Samantha Landrum/What If/Reviver Records
Ty Herndon/Lies I Told Myself/Flying Island
Blackjack Billy/Get Some/Bigger Picture
Jerrod Niemann/Drink To That All Night/Sea Gayle-Arista Nashville
Rachel Farley/Midnight Road/Red Bow
Weston Burt/Smile That Smile/HitShop
October 28
Little River Band/You Dream, I’ll Drive/Frontiers
Mitch Goudy/Blow These Speakers Out/Third Floor Records
New On The Chart—Debuting This Week
Artist/song/label — chart pos.
Florida Georgia Line/Stay/Republic Nashville — 46
Hank Williams Jr. & Merle Haggard/I Think I’ll Just Stay Here And Drink/Blaster — 71
Chris Weaver Band/Raise The Dead/American Roots Records — 72
Jason Sturgeon/Angel Eyes/Toolpusher — 78
Austin Webb/Slip On By/Streamsound — 79
Laura Bell Bundy/Two Step/Big Machine — 80
Most Added
Artist/song/label — New Adds
Florida Georgia Line/Stay/Republic Nashville – 41
Randy Houser/Goodnight Kiss/Stoney Creek – 18
Little Big Town/Sober/Capitol – 16
Lady Antebellum/Compass/Capitol – 15
Sara Evans/Slow Me Down/RCA – 13
Parmalee/Carolina/Stoney Creek Records – 9
Taylor Made/Somewhere Between/Little General Records– 9
Jerrod Niemann/Drink To That All Night/Arista Nashville – 9
Chris Weaver Band/Raise The Dead/American Roots Records – 9
Leah Turner/Take The Keys/Columbia Nashville – 9
Greatest Spin Increase
Artist/song/label — spin+
Keith Urban feat. Miranda Lambert/We Were Us/Capitol Nashville-Hit Red Records — 502
Florida Georgia Line/Stay/Republic Nashville — 474
Sara Evans/Slow Me Down/RCA — 245
The Band Perry/Don’t Let Me Be Lonely/Republic Nashville — 241
Hunter Hayes feat. Jason Mraz/Everybody’s Got Somebody But Me/Atlantic-Warner Bros. — 238
On Deck—Soon To Be Charting
Artist/song/label — spins
Brett Eldredge/Beat Of The Music/Atlantic/Warner Bros. — 177
Lady Antebellum/Compass/Capitol — 175
Kari & Billy/Play Me A Fiddle Song/Kari & Billy — 163
Joe Allen/Looks Like It’s Raining/Stubborn Horse Records — 162
Breelan Angel/Halfway To Wasted/Momentum/MisBhavin’ Records — 161
Charlie Worsham recently performed songs from his album Rubberband for KASE listeners. Pictured (L-R): Bob Picket (MD – KASE), Ray Vaughn (Southwest Regional – Warner Bros./W.A.R.), Charlie Worsham & JT Bosch (PD – KASE)

Charlie Worsham recently performed songs from his album Rubberband for KASE listeners. Pictured (L-R): Bob Picket (MD – KASE), Ray Vaughn (Southwest Regional – Warner Bros./W.A.R.), Charlie Worsham & JT Bosch (PD – KASE).

Primetime 'Nashville': Never No More

CONNIE BRITTON, HAYDEN PANETTIERE

Rayna Jaymes and Juliette Barnes meet after Rayna is release from the hospital.

In the second episode of season two, Juliette’s and Rayna’s careers are both threatened after a change in leadership at their label, Edgehill Records. “Harvard-educated bean counter” Jeff Fordham (Oliver Hudson) takes over as label chief and he has a new direction for the label. Unfortunately for the two stars, Fordham is more interested in Rayna’s back catalog than her new material, and is underwhelmed by Juliette’s determination for forging a more adult, mature sound.

Currently, “Saint in a Coma” Rayna (who is now out of the hospital, coherent and still recovering) is enjoying success on the charts after her near-death experience; the success has labelmate Juliette jealous. She devises a plan to expose her tattered childhood before the CMT cameras in an attempt to bring some fan sympathy (along with their dollars) her way. She agrees to a trip to her Alabama hometown for an on-camera interview with CMT host Katie Cook (who plays herself in the episode), where Juliette alternates between feigning grief over her father and mother, and shock at meeting people from her past who clearly loved her. Avery Barkley, now Juliette’s lead guitar player and friend (a term Juliette has trouble accepting) gets a front row seat for the whole thing (“Just trying to sell records,” she tells Avery after the interview).
Juliette’s plan works, pushing her single to No. 1 on iTunes–temporarily. Though Juliette’s aim was to beat Rayna’s sales, she’s thrown a curveball in the form of 19-year-old American Hitmaker runner-up Layla Grant (played by Ashley Peeples), who is introduced as the newest signing to Edgehill Records. Juliette’s No. 1 song is short-lived, after Fordham announces that Grant’s single just hit No. 1 on iTunes–and it’s a cover of a “Juliette Barnes classic” called “Gonna Get Even” (written by Kacey Musgraves, Al Anderson and Pat McLaughlin). Judging by the way she petted label chief Fordham’s arm after her performance, it’s clear Grant is his new star pupil.
Fordham also manages to steal away Will from Rayna’s Highway 65 label with the lure of being part of a major label.
Meanwhile Deacon and Rayna are drifting further apart. The singer is determined to move on, while her former lover and guitar player seems determined to throw everything away. They meet at a memorial at the site of their car accident (for Music City-dwellers wondering, it’s at the corner of Granny White Pike and Battlefield).
“We’ve been through this so many times. We’ve tried so hard. We’ve just brought each other so much grief. And we didn’t die here. I don’t think we can save each other,” Rayna states. “We each need to save ourselves.” She returns the engagement ring that Deacon had given her years ago and walks away; he flings it into the pile of sentimental objects at the memorial site.
The relationship isn’t the only thing Deacon has lost; after Scarlett tricks Deacon into going to the doctor to look at his mangled hand, he’s told he may not be able to play guitar again. Later in the episode, he saws off his cast himself and sells several guitars he assumes he will never be able to play again. Scarlett is (finally) gaining a backbone in the second season, becoming Deacon’s (loud) voice of reason. “Your father was an angry, bitter old drunk — and look at you: a stone cold image of him, stone-cold sober. You tell me what throwing away 13 years of sobriety was worth!
“You didn’t lose a limb. Man up. Don’t be a coward.” The scene ends with Deacon attempting (unsuccessfully) to play the one guitar he kept with him.
Without Scarlett, Gunnar has trouble writing songs, until he meets Scarlett’s childhood friend Zoey, who convinces him to write a song about what he’s going through–grieving his dead brother and his relationship with Scarlett. He finally debuts the song at the Bluebird, singing “Adios Old Friend” (written by Brett Eldredge and Jon Randall).
Early in the episode, Will (Chris Carmack) revs up a crowd at Nashville club The Stage, performing “Tears So Strong” (written by Jim Lauderdale); it is there that Fordham proposes the idea of joining Edgehill. Will later gets a visit from Edgehill’s marketing and PR man Brant, who seems to be either a stalker or a former flame of Will’s. Each time he appears, Will is startled; Brant later shows up at Will’s home. “I know what you’re afraid of, but you don’t have to be,” he told Will. Brant says he understands that part of Will’s appeal to the label is his charm as “the ladies man.” “I’m not gonna be the guy who ruins that,” says Brant. With that (supposedly) put behind them, Will joins Edgehill. He backpedals on the “verbal agreement” that he had with Rayna as part of Highway 65 Records. She tries unsuccessfully to convince him she would look out for him as an artist; he later says he views himself as more of an interpreter of songs than an artist as he joins Edgehill.

Rayna’s attempt at working through the whole Maddie-Deacon situation isn’t going as planned, either. “My mom’s a liar, my biological dad’s an alcoholic, and my dad isn’t even my dad. What’s confusing about that?” Maddie says before abruptly ending Rayna’s attempt to connect with her daughter. We can hope that the inevitable talks between Maddie and Deacon later in the season have a better outcome.
Considering all the battles that Rayna is facing  professionally and personally, that location of the accident at Granny White and Battlefield was all too appropriate.