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Bobby Karl Works The ASCAP Country Awards

BOBBY KARL WORKS THE ROOM
Chapter 440

Pictured (L-R): ASCAP President Paul Williams and ASCAP Songwriter of the Year Josh Kear. Photo: Ed Rode and Frederick Breedon.

Pictured (L-R): ASCAP President Paul Williams and ASCAP Songwriter of the Year Josh Kear. Photo: Ed Rode and Frederick Breedon.


This year’s 51st ASCAP Country Awards marked the kick-off of the 100th anniversary of America’s first performance-rights organization, and what a night it was.
The gala, staged at the Music City Center on Monday (Nov. 4), had it all – glamor, cuisine, live music, fashion, fellowship, emotion, décor and stars. Chief among the last named was George Strait, who was given the prestigious ASCAP Founder’s Award. What’s more, stars Alan Jackson, Lee Ann Womack and Garth Brooks saluted him in song.
“I never dreamed I would ever have a night like this,” said King George. “Amazing. One hundred years is a long time,” he said with a chuckle, referring to ASCAP’s anniversary. “That’s about when I signed with ASCAP. I just wanna say, I’m totally honored by this. What great songwriters you are. Thank you so much for sending all those songs all those years. A good song always sticks with you.”
He should know. Strait has had 60 No. 1 hits, more than anybody else in country music. He’s also in the Country Music Hall of Fame, yet is still nominated as a CMA Entertainer of the Year this year. Oh, and he is a real Country artist.
Other songwriting celebs who earned awards at the banquet included Dierks Bentley, Angaleena Presley, Jessi Alexander, Tom Gossin of Gloriana, Brad Paisley and David Lee Murphy.
Josh Kear was announced as ASCAP’s 2013 Country Songwriter of the Year. Throughout his acceptance speech, Josh paused to gain control over his emotions. He was sweetly moving as he thanked his cowriters, the publishers who’ve supported him, his parents and his wife and daughter.
“I wrote my first song when I was 13,” said Josh. “I’m 39 now. I’ve been writing songs basically every day since then. By the time I was 16 and knew what ASCAP was, this is what I wanted,” he added, referring to his award. He choked up, then apologized. “Sorry – This is kind of unbelievable….I’m overwhelmed.”
george strait founders award

George Strait and ASCAP’s Paul Williams


Josh and collaborator Chris Tompkins co-wrote “Drunk On You,” which tied for Country Song of the Year. Singer Luke Bryan showed up to congratulate them. The other Song of the Year was Neil Thrasher’s “How Country Feels.” Its singer, Randy Houser, was also in the house. Warner-Chappell Music was ASCAP’s country Publisher of the Year.
The gala was sprinkled with music. The sensationally gifted Brandy Clark began the banquet with a bluesy and soulful “Get High,” accompanied by acoustic pickers. The song can be found on her outstanding 12 Stories CD.
The top five ASCAP country songs of the year were all performed. Each was introduced by an up-and-coming artist. Brothers Osborne presented Josh Kear & Chris Tompkins singing “Drunk on You.” Dan & Shay introduced Randy Houser, Wendell Mobley & Neil Thrasher performing “How Country Feels.” Leah Turner introduced Shane McAnally singing “Kiss Tomorrow Goodbye.” Cassadee Pope presented Eric Paslay, whose version of “Even If It Breaks Your Heart” got a standing ovation. Raelynn introduced Gloriana & Josh Kear doing “(Kissed You) Good Night.”
Taking the stage at various times to collect ASCAP honors were Ashley Gorley, Ben Glover, Ben Hayslip, Chris DeStefano, Chris DuBois, Chris Farren, Trevor Rosen, Hillary Lindsey and Jeremy Stover, among others. Applauding heartily were Brett James, Casey James, Allen Shamblin, Fred Knobloch, Wayland Holyfield, Desmond Child, Alyssa Bonagura, Jay DeMarcus & Joe Don Rooney of Rascal Flatts, Rivers Rutherford, Mayor Karl Dean, Buddy Cannon, Jo Walker-Meador, Greg Bates and Lady Antebellum’s Charles Kelley & Dave Haywood.
The cavernous grand ballroom of the Music City Center glowed like a candle-lit cathedral. Tables were draped in ebony fabric with centerpieces of clustered red roses and white hydrangeas. The stage was flanked with white curtains that were lit in various hues throughout the presentations. A new/retro ASCAP logo was projected in honor of the impending 100th anniversary, which actually takes place on Feb. 13, 2014.
Schmoozing among the tables as we took our seats were Jon Randall Stewart, John Esposito, John Huie, John Grady, John Briggs, Michael Knox, Mike Sebastian, Mike Vaden, Mike Hollandsworth, ASCAP award winner Mark Bright, Mark Wright, Mark Ford, Mark D. Sanders, Eddie DeGarmo, Eddie Bayers & Lane Brody, Robert Ellis Orrall, Rob Beckham, Bob Reagan, Dave Pomeroy, David Corlew, Pat Finch, Patrick Clifford, Doug Johnson, Doug Casmus, Dan Hill, Dan Keen and Dan Harrell.
The first course was baby mixed greens, cherry tomatoes, candied pecans, carrot strips and dried cranberries drizzled with tarragon vinaigrette. The main course was beef tenderloin, grilled shrimp, steamed green beans and polenta au gratin casserole squares. Dessert was Neopolitan mousse with white-chocolate discs topped by raspberry syrup. Not only is the Music City Center catering kitchen excellent, the wait staff was wonderfully attentive.
Garth Brooks honors George Strait at the ASCAP Country Awards in Nashville.

Garth Brooks honors George Strait at the ASCAP Country Awards in Nashville. Photos by: Ed Rode and Frederick Breedon.


Earle Simmons, Alison DeMarcus, Sherod Robertson, Teresa George, James Dean Hicks, Susan Meyers, Andrew Kintz, Jewel Coburn, Chris Oglesby, Barry Coburn, Becky Harris, Ron Stuve, Diane Pearson, Garth Fundis, Capucine Monk, Woody Bomar, Debbie Carroll and Hank Adam Locklin dined and dished.
Looks we liked included Lisa Harless in a clingy, floor-length, magenta gown. Melanie Howard had on a tux jacket, knotted pearls, a lace-trimmed blouse and high boots. Hope Fisher glided by, escorted by hubby Pete Fisher, and looking stunning in a black gown with a lace top, rusched-fabric hips and a train. Craig Wiseman wore a floral shirt – what else is new?
Mega-talent Gretchen Peters was in a gray velvet jacket over a peach-hued blouse with shiny embroidery. Her Planned Parenthood benefit, co-starring K.T. Oslin, is at the Rutledge on Thursday.
Liz Hengber was as cute as a pixie in her glittering gold brocade top over black tights and booties. Terri Walker, accompanied by Jeff Walker, was in a fabulous silver-and-black sequined evening jacket. Georgia Middleman wore black lace over an alabaster gown.
“This is always how I spend my birthday, with my closest friends and George Strait,” quipped Tinti Moffatt.
ASCAP’s guest list for her included Clay Myers, Randy Wachtler, Ralph Murphy, Tom Long, Tom Roland, Tim Hunze, Lisa Konicki, Kerry O’Neil, Rusty Jones, Blake Chancey, Steve Buchanan, Kevin Lamb, B.J. Hill, Bill Denny, Robin Palmer, Celia Froelig, Kos Weaver, Frank Rogers and, oh heck, everybody you’ve ever met in the music business.
On stage, ASCAP songwriter Pat Alger gave a shout-out to the organization and the other industry institutions and individuals who donated the funds to create The Nashville Songwriters Hall of Fame’s gallery, stairway of songwriter hits and songwriter square at the Music City Center.
At various times, our hosts-with-the-mosts at the podium were LeAnn Phelan & Michael Martin, Paul Williams, Mike Sistad, John Titta and other ASCAP honchos. The bottom line is, those folks really know how to stage a gala.
All photos by Ed Rode and Frederick Breedon.
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CMT Expands 'Next Women of Country' with Nashville Event

Pictured (L-R Seated): Rachel Farley, Lauren Alaina, Danielle Bradbery, Ashley Monroe, Holly Williams; (Standing): Kacey Musgraves, Jana Kramer, Angaleena Presley, Sarah Darling, Rose Falcon, Kristen Kelly, Sarah Zimmermann (Striking Matches), Cassadee Pope, Kelleigh Bannen. Photo: Rick Diamond/WireImage

Pictured (L-R, seated): Rachel Farley, Lauren Alaina, Danielle Bradbery, Ashley Monroe, Holly Williams; (L-R, standing): Kacey Musgraves, Jana Kramer, Angaleena Presley, Sarah Darling, Rose Falcon, Kristen Kelly, Sarah Zimmermann (Striking Matches), Cassadee Pope, Kelleigh Bannen. Photo: Rick Diamond/WireImage


CMT SVP Music Strategy Leslie Fram hosted an industry gathering for the network’s Next Women of Country franchise on Monday, Nov. 4 at The Farm House, a new restaurant in Nashville’s downtown Encore Building. First introduced in January 2013, the CMT franchise is dedicated to showcasing the new generation of signed and unsigned female artists across CMT platforms and at nextwomen.cmt.com.
Several music row executives, including Scott Borchetta (President and CEO, Big Machine Label Group), John Esposito (President and CEO, Warner Music Nashville), John Grady (President, I.R.S. Nashville) and Mike Dungan (Chairman and CEO, UMG Nashville) brought up-and-coming female artists for a one-song acoustic performance, including Danielle Bradbery, Ashley Monroe, Holly Williams and Lauren Alaina. Bradbery was announced as the newest addition to the CMT franchise, to include more than a dozen taped performances throughout the year on CMT, CMT Pure and CMT.com.
“Many of Country music’s most memorable voices belong to its strong women, and I’m honored to stand behind the rising stars like the talented ladies present today,” said Fram. “Signed and unsigned, these women are making their careers happen on their own terms, and CMT is proud to introduce them to a new generation of fans.”
Dungan highlighted three women on his roster, including Kacey Musgraves whose “astute observationalist” song lyrics helped earned her six CMA Award nominations this year; Kelleigh Bannen, who spent three weeks in a development deal before the label executive signed her to a full deal; and Alaina, saying, “I’d put her vocal up against any of the greatest singers in our genre.” Alaina performed “Same Day Different Bottle” after noting: “I’ve grown a lot as a person since I started writing songs three years ago after Idol.”
Grady, who runs double duty at Crush Management, introduced Monroe after mentioning, “I would be the antithesis of Dungan’s ‘astute observationalist.’ I’ve been told it’s near impossible to break females, and my roster includes [Kristen Kelly, Monroe and Striking Matches].” Monroe performed her Warner album’s title-track “Like A Rose.” “We have an album that pushes the boundaries,” said Esposito of Monroe’s Vince Gill-produced album. “Leslie [Fram] changed the game for us.” The Warner executive cited the “profound” impact CMT has made on the careers of Jana Kramer and Sheryl Crow.
Holly Williams, now managed by Fusion’s Daniel Miller, performed her title-track “The Highway” with her musician husband Chris Coleman. “Holly makes her own videos,” said Fram. “CMT will soon premiere a video for ‘The Highway.'”
Borchetta, who was a part of CMT’s first docu-series with Cassadee Pope, said, “I’ve never been afraid to take on the dragons of breaking a female artist.” The executive who helped launch the careers of Reba and Trisha encouraged the ladies to be strong, loud, and true to themselves. With Pope in the audience, Bradbery performed “Heart of Dixie” on behalf of the Big Machine Label Group.
Also in attendance were Sarah Darling, Angaleena Presley, Rachel Farley, Musgraves, Bannen, Kramer, Rose Falcon, and Sarah Zimmermann (Striking Matches).
CMT’s current video playlist is nearly half female, with a handful of emerging artists from the Next Women of Country franchise including Brandy Clark, who will be featured as part of its upcoming Listen Up series, that showcases artists on the verge of breaking out.

Bobby Karl Works The SESAC Banquet

BOBBY KARL WORKS THE ROOM
Chapter 439

Pictured (L-R): Sesac's Pat Collins, Keifer Thompson and Sesac's Tim Fink and Shannan Hatch. Photo: Ed Rode

Pictured (L-R): Sesac’s Pat Collins, Keifer Thompson and Sesac’s Tim Fink and Shannan Hatch. Photo: Ed Rode


Sunday night was a big one for Keifer Thompson.
At this year’s SESAC banquet (Nov. 3), he carted off the organization’s Country Songwriter of the Year award, performed the delightfully sprightly “Everything I Shouldn’t Be Thinking About” as half of Thompson Square and won an award for co-writing “If I Didn’t Have You.” Plus, Magic Mustang, which represents him, was named Country Publisher of the Year.
“This is too much, y’all,” said the grateful singer-songwriter. “There must be a mistake, but we’ll work it out later….This is really, really one of the highlights of my life. Thank you, country music.”
The Country Song of the Year was “Cruise,” co-penned by SESAC-affiliated tunesmith Jesse Rice. This country-pop smash sung by Florida Georgia Line was at No. 1 longer than any other country hit during this past year.
Other top honorees included Jerry Salley, celebrating his 35th anniversary with SESAC, plus “All Kinds of Kinds” co-writers Don Henry and Phillip Coleman, who drew a spontaneous standing ovation. This shows you how widely beloved they are, as well as how good their song is. Catt Gravitt was a triple winner for “Whiskey,” “Alone With You” and “Why Ya Wanna,” and Lady Antebellum’s Hillary Scott was a double winner for co-writing “Dancin’ Away With My Heart” and “Goodbye Town.”
Jon Stone picked up a SESAC award for “A Woman Like You,” as did Monty Powell for “For You.” Kim Tribble won for “Let There Be Cowgirls.” John Davidson & Jacob Bryant were honored for “Done.” John & Jacob, as they are billed as performers, also sang their award winner.
SESAC remains the only performance rights organization that gives out awards for songwriting success in the Americana field. Among those at the banquet who collected Americana statuettes from presenter Dennis Lord were Tammy Rogers, Lynn Langham, Cary Barlowe, Chris Coleman, Robby Hecht and Thomm Jutz. Winners who weren’t present included Mumford & Sons, Bob Dylan, Corb Lund, Hays Carll, The Avett Brothers and Jim Lauderdale.
The awards banquet, which kicked off Country Music Week, pulled off the tricky vibe of being elegantly refined yet warmly relaxed. It was staged at the stunning new Country Music Hall of Fame Event Hall.
“This is quite a place,” said SESAC’s Pat Collins in welcoming the guests. “We all want to be invited back here again.”
“I can’t think of a more appropriate location for our banquet,” added Tim Fink. He presented most of the country awards with assistance from Shannon Hatch and John Mullins.
Gary Burr & Georgia Middleman, Linda Davis & Lang Scott, Rick & Janis Carnes, The Roys, Paul Overstreet, Iodine, Craig Campbell and Webb Wilder were among the headliners mingling. Kathy Mattea and Jon Vezner both added glamor to the eve, he in a vintage wool Scottish three-piece suit and she in a blue velvet evening coat.
Velvet was definitely a couture theme of the gala. Erika Wollam-Nichols was in a vintage black velvet evening dress with a pearl necklace. Victoria Shaw wore a black velvet coat embellished by gold embroidery. Fats Kaplan had Kristi Rose on his arm, she in a black velvet Chinese jacket with a red silk lining, with the added pizzazz of evening gloves.
Carla Wallace chose a white crocheted floor-length coat. Laura Heatherly sported a slim-cut black pants suit. Anna Wilson had on a figure-hugging white sheath with blue filigrees on its flanks.
The Grascals’ Jamie Johnson reported that the band has the new American Pickers TV theme song. Dan Hays bore tidings that an ultra rare concert by K.T. Oslin at his Franklin Theatre on Nov. 15 has been sold out for weeks.
Working the room were Bob Doyle, Mike Doyle, Ken Paulson, Dave Paulson, Billy Block, Bill Mayne, Kent Earls, Ken Robold, Troy Tomlinson, Gilles Godard, Scott Siman, David & Susana Ross and Susan Stewart.
The banquet not only looked fabulous in its new venue. It tasted it, too. The first course was slivers of golden beets topped with baby arugula and boursin cheese in a lemon-oregano vinaigrette. The main course was cognac beef au jus, plus macadamia-nut encrusted trout filet with a tequila-rosemary white sauce. Roasted fingerling potatoes, small scoops of spaghetti squash and grilled asparagus bunches tied with carrot strips rounded out the presentation. Dessert was zinfandel-poached pears with vanilla icing.
The 500 schmoozing fabulons included Frank Liddell, Pat Higdon, Pat McMakin, Sarah Trahern, Gary Overton, Ben Vaughn, Bart Herbison, Bo Thomas, Rep. Marsha Blackburn, Lori Badgett, Rod Essig, Ree Guyer Buchanan, Randall Himes, Drew Alexander, Alan Kates, Woody Bomar, Charlie Monk, Phyllis Stark, Diane Blagman, Paul Barnabee, Jed Hilly, Holly Bell, Karen Clark and Sam Tate.
“We are honored to be part of your lives and careers,” said Dennis Lord. I feel exactly the same way about this precious songwriting community.

Zarling Named BMLG's SVP/Partnership Marketing & Promotion Strategy

John Zarling

John Zarling


Big Machine Label Group (BMLG) President/CEO Scott Borchetta has upped John Zarling to SVP/Partnership Marketing & Promotion Strategy. Zarling, who has been with the label since it’s launch in 2005, will lead a rebranded team with focus on strategic partnerships and promotion strategy across BMLG’s Big Machine Records, The Valory Music Co. and Republic Nashville imprints.
“John Zarling and I will mark ten years together in 2014. There’s no earthly way that the Big Machine Label Group would be what it is today without his undying support, belief, friendship, vision, creativity…I literally could go on and on. JZ is simply one of the brightest execs in the business and one of my favorite people on the planet. I couldn’t imagine doing what I do every day without him. And I hope I never have to! Great job and congratulations!!!” said Borchetta.
“I am honored and excited to be given the ability to be creative in exploring new business opportunities,” notes Zarling. “I stand with an incredible team of individuals whose passion and drive are infectious. Scott has brought so many great artists and executives together here at this company…I can’t wait to see what new roads we will be able to go down in the years ahead.”
Zarling will lead the Partnership Marketing & Promotion Strategy department team, which includes National Director/Promotion Strategy Mandy McCormack, Director/Partnership Marketing Jackie Campbell and Coordinator/Partnership Marketing & Promotion Strategy Christine Drexel.
Prior to BMLG, where he was most recently the VP/Promotion & Media Strategy, Zarling spent six years at UMG Nashville in various roles. Originally joining Mercury Records in September 1999 as Mailroom Supervisor, he entered the Mercury radio promotion department in 2001 and was elevated to Manager, Charts & Syndication for the MCA, Mercury & DreamWorks imprints in 2004. A graduate of Belmont University’s Curb College of Entertainment & Music Business, Zarling also enjoyed stints at Decca Records, MusicRow and The Press Network in the late 1990s. Throughout his career, Zarling has been an integral part of 46 #1 hit songs and Billboard reinforced Zarling’s impact on the industry by placing him among the Top 40 Under 40 executives in 2012.

Exclusive: BMG Hires Oglesby as VP, Creative for Nashville Office

Chris Oglesby

Chris Oglesby


Chris Oglesby has been appointed VP, Creative for the BMG Chrysalis US Nashville office. Oglesby reports to Executive VP Kos Weaver and will support the development of the company’s dynamic roster of songwriters while expanding their creative opportunities.
Oglesby is a 28-year veteran of the business who has worked with some of country’s biggest artists and was involved with numerous chart-topping hits. His first step in the industry took place at Almo/Irving Music, before teaming up with Bob Doyle and Kye Fleming to launch Dreamcatcher Music. In 1994, Oglesby joined former BMG Music Publishing where during his 10-year run, he worked with established songwriters such as Marcus Hummon, Hugh Prestwood, and John Hiatt. Oglesby re-signed songwriter Craig Wiseman and signed emerging talent such as David Lee and Luke Laird. At the ‘old’ BMG, Oglesby was involved with hit songs including “Check Yes or No” by George Strait, “Young” by Kenny Chesney, “Born To Fly” by Sara Evans, the Carrie Underwood hits “So Small” and “Temporary Home,” and “God’s Will” by Martina McBride.
In 2004, Oglesby moved on to songwriter management and created his own company, Oglesby Writers Management (OWM), which became part of industry powerhouse 19 Entertainment/CKX. During this time he continued to manage the careers of songwriters, and set up co-writes for 19 managed artists.
“When you assemble a dynamic, motivated and creative team the possibilities become endless,” Oglesby tells MusicRow of returning to the BMG fold. “I am excited about exploring those possibilities. The writers that have come together under this BMG Chrysalis umbrella are amazing. Writers, Artists, Producers, seasoned veterans and young bucks. I know many of them and have already worked with and watch them create some amazing songs. It is a thrill for me to be a part of what they do each day and now officially work for them. Music Row is gonna be dusty, cause we are about to kick it up!”
Weaver agrees, adding, “It is an inspiring roster. From emerging writer/artists like Hannah Dasher and Ruston Kelly to some of the top writers the town has ever seen like Hillary Lindsey, Jeff Stevens, Buddy Miller, Gordie Sampson, Tony Lane and Angelo. And speaking of Angelo, who of course produces the Kings of Leon (also on the roster), there are incredibly talented artists from genres outside of country signed to the Nashville office like, John Paul White (The Civil Wars) and the Milk Carton Kids. It’s going to be dusty indeed.”
Oglesby is clearly ready to take on the challenges of being a BMG Creative team member in the current industry environment. “I think the biggest challenge will be carrying our communities’ amazing traditions and heritage into this technological age,” says Oglesby. “The greatest songwriters in the world live here. If they do not live here, they often come here to write and create. I want to be one of those who help these writers continue with a high level of excellence. I feel like to do that, I need to learn from and remember what has been handed down to me. I respect it. Blending yesterday with tomorrow while working today is not always an easy thing.”
Weaver says that Oglesby’s enthusiasm for songs and songwriters makes him a perfect fit for the VP, Creative role. “Chris’ approach is the definition of what a great publisher is supposed to be about.”

Weekly Chart Report (11/1/13)

SPIN ZONE

Easton Corbin (center) recently visited with Pharr, TX’s JoJo Cerda (PD KTEX) and Patches (MD KTEX).

Easton Corbin (center) recently visited with Pharr, TX’s JoJo Cerda (PD KTEX) and Patches (MD KTEX).


Superstars Keith Urban and Miranda Lambert top MusicRow’s chart this week, with “We Were Us” reaching the No. 1 spot after only eight weeks on the chart. Meanwhile, Eli Young Band’s “Drunk Last Night” leaps to No. 2. Eric Paslay’s “Friday Night” rises to No. 3, while The Band Perry’s “Don’t Let Me Be Lonely” jumps to No. 4. Jake Owen’s “Days of Gold” breaks the Top 5, landing at No. 5. Rounding out the Top 10 this week is Cassadee Pope’s “Wasting All These Tears” at No. 6, Joe Nichols’ “Sunny and 75” at No. 7, Darius Rucker’s “Radio” at No. 8, Brad Paisley’s “I Can’t Change The World” at No. 9 and Zac Brown Band’s “Sweet Annie” at No. 10.
Eric Church’s “The Outsiders” is the week’s greatest gainer, racing to No. 48 with 478 spins. The singer recently announced plans to perform at a Gregg Allman tribute in January. Lady Antebellum’s “Compass” guides the band to No. 24 with another 329 spins. Florida Georgia Line’s “Stay” hits No. 15 with an extra 299 spins, while Urban and Lambert’s “We Were Us” reaches No. 1 with an added 274 spins. Finally, George Strait’s “I Got A Car” rises to No. 47 with another 230 spins.
Male artists dominate this week’s debuts, with Church’s “The Outsiders” debuting at No. 48,  Dan+Shay’s “19 You+Me” at No. 75, LoCash Cowboys’ “Best Seat In The House” at No. 78 and Josh Pruno’s “Cut Offs” at No. 80.
Frozen Playlists: WAKG, WKWS, WZZS
Toby Keith lands ‘on deck’ this week with his latest Show Dog-Universal single, “Shut Up and Hold On,” after recently visiting with Blair Garner and the NASH FM America's Morning Show. Keith’s new album Drinks After Work, became available this week. Pictured (L-R): Chuck Wicks, Keith, Terri Clark, Blair Garner

Toby Keith lands ‘on deck’ this week with his latest Show Dog-Universal single, “Shut Up and Hold On,” after recently visiting with Blair Garner and the NASH FM America’s Morning Show. Keith’s new album, Drinks After Work, became available this week. Pictured (L-R): Chuck Wicks, Keith, Terri Clark, Blair Garner


Upcoming Singles
November 4
Tyler Farr/Whiskey In My Water/Columbia Nashville
Luke Bryan/Drink A Beer/Capitol
George Strait/I Got A Car/MCA Nashville
November 11
Chase Rice/Ready Set Roll/Dack Janiels-RPME
November 18
Bush Hawg/More Than Corn/RCA Nashville
Toby Keith/Shut Up and Hold On/Show Dog-Universal
December 16
Lindsay Ell/Trippin’ On Us/Stoney Creek

Robby-SouthofMe-101413-PP


New On The Chart—Debuting This Week
Artist/song/label — chart pos.
Eric Church/The Outsiders/EMI Nashville – 48
Dan+Shay/19 You+Me/Warner Bros. – 75
LoCash Cowboys/Best Seat In The House/Average Joes Entertainment-Tenacity Records – 78
Josh Pruno/Cut Offs/Lawrence Music Group – 80
Most Added
Artist/song/label — New Adds
Eric Church/The Outsiders/EMI Nashville – 36
Toby Keith/Shut Up and Hold On/Show Dog – Universal – 18
George Strait/I Got A Car/MCA – 17
Lady Antebellum/Compass/Capitol – 13
Justin Moore/Lettin’ The Night Roll/Valory Music – 11
Jerrod Niemann/Drink To That All Night/Arista Nashville – 11
Leah Turner/Take The Keys/Columbia Nashville – 10
Tyler Farr/Whiskey In My Water/Columbia Nashville – 9
Greatest Spin Increase
Artist/song/label — spin+
Eric Church/The Outsiders/EMI Nashville – 478
Lady Antebellum/Compass/Capitol – 329
Florida Georgia Line/Stay/Republic Nashville – 299
Keith Urban feat. Miranda Lambert/We Were Us/Capitol Nashville-Hit Red Records – 274
George Strait/I Got A Car/MCA – 230
On Deck—Soon To Be Charting
Artist/song/label — spins
Ryan Broshear/Make Each Moment Last/Painted Horse – 234
Toby Keith/Shut Up and Hold On/Show Dog – Universal – 217
Joe Allen/Looks Like It’s Raining/Stubborn Horse Records – 203
Aaron Watson/July In Cheyenne/HTK Records – 201
Laura Bell Bundy/Two Step/Big Machine – 201

Eric Gunderson and Stephen Barker Liles of the CMA-nominated duo Love and Theft recently stopped by The Bobby Bones show in promotion of this week’s No. 12 RCA Nashville single “If You Ever Get Lonely.” Pictured (L-R): Eddie, Bobby Bones, Eric Gunderson, Amy, Stephen Barker Liles, Lunchbox

Eric Gunderson and Stephen Barker Liles of the CMA-nominated duo Love and Theft recently stopped by The Bobby Bones show in promotion of this week’s No. 12 RCA Nashville single “If You Ever Get Lonely.” Pictured (L-R): Eddie, Bobby Bones, Eric Gunderson, Amy, Stephen Barker Liles, Lunchbox


Brett Eldredge recently visited with WTHT and WPOR before his show in Portland, ME in promotion of his No. 46 Atlantic/WMN single “Beat Of The.” Pictured (L-R): Kevin Herring (WMN VP of Promotion), Corey Garrison (WTHT), Eldredge, Katie Bright (WMN) and Matty Jeff (WPOR).

Brett Eldredge recently visited with WTHT and WPOR before his show in Portland, ME in promotion of his No. 46 Atlantic/WMN single “Beat Of The Music.” Pictured (L-R): Kevin Herring (WMN VP of Promotion), Corey Garrison (WTHT), Eldredge, Katie Bright (WMN) and Matty Jeff (WPOR).

DISClaimer: A Nashville Treasure and a Fresh New Talent

12 stories11On days like today, I love this job. The thrill of discovery was around every corner, with G.B. Leighton, Chris Carmack, Logan Brill and Brandon Hamilton all popping up with dandy new sounds. Mandy Barnett is a Nashville treasure, one of our very finest voices. So it comes as no surprise that she has the Disc of the Day. But the real story here is our DisCovery Award winner. Song for song, the new album by Brandy Clark is among the finest of this or any year. She had me spellbound and breathlessly happy about finding her talent. Buy her record right now.
WILD PONIES/Things That Used To Shine
Writers: Doug & Talisha Williams; Producer: Ray Kennedy; Publisher: none listed; BMI; Ditch Dog (track)
-It has a homemade, slightly goofy simplicity. Nobody sings particularly well, the production is practically nonexistent, and the song is like a nursery rhyme. But there is still something oddly charming about it.
WYATT EASTERLING/Right Before My Eyes
Writer: Wyatt Easterling; Producers: Bill McDermott & Wyatt Easterling; Publisher: Considerable; ASCAP; Phoenix Rising
-The lyric is about someone who inspires and leads by example. Easterling sings it with immense warmth and heart. Lisa Brokop adds a sturdy, sure harmony vocal. His folk-flavored CD is titled Goodbye Hello, and it is worthy.
CHRIS CARMACK/What If I Was Willing
Writers: Randy Montana/Brian Davis/Billy Montana; Producer: Michael Knox; Publishers: Sony-ATV/Mike Curb/Dandon Ranch, BMI; Valory
-Carmack portrays up-and-comer “Will Lexington” on the Nashville TV show, and this tempo single has already been featured on the series. It’s an instantly catchy toe-tapper with a groovy guitar solo and a solid tenor vocal. A winner.
JOHN COWAN, ALISON KRAUSS & SAM BUSH/Nights in White Satin
Writer: Justin Hayward; Producer: David Harvey; Publisher: TRO-Essex; ASCAP; Bunny Rae/Red
-This comes from Moody Bluegrass: A Nashville Tribute to The Moody Blues. Cowan’s yearning lead vocal gives the familiar song new wings. Krauss and Bush harmonize brilliantly on the choruses. Other talents on the double-disc set include Vince Gill, Lionel Cartwright, Larry Cordle, Ricky Skaggs, Peter Rowan, Jon Randall and Tim O’Brien. The original Moodys — Justin Hayward, John Lodge, Graeme Edge, Ray Thomas and Mike Pinder — also make appearances.
GORD BAMFORD/When Your Lips Are So Close
Writers: Gord Bamford/Byron Hill/Brent Baxter; Producers: Gord Bamford & Byron Hill; Publishers: Ole Red Cape/Pretty Paisley/Byron Hill/Writer’s Infinity; SOCAN/ASCAP; Cache (track)
-Bamford is a big deal north of the border, with five Canadian Country Music Association awards to his name. His new Country Junkie CD includes this stirring, driving, sexy tune. It is ultra romantic, wonderfully melodic and completely commercial. Deserving of massive airplay.

mandy barnett

Mandy Barnett


MANDY BARNETT/I Can’t Stop Loving You
Writers: Don Gibson; Producer: Mandy Barnett; Publisher: Sony-ATV/Acuff-Rose; BMI; Cracker Barrel
-Barnett previously scored on Cracker Barrel with a Christmas CD last year. Her new one is a salute to Country Music Hall of Fame member Don Gibson. Like many of her recordings, it is deliberately “old school,” with classic-sounding Nashville Sound arrangements. Her sterling, soulful voice makes this familiar standard seem shiny and new. The I Can’t Stop Loving You CD also includes “Legend in My Time,” “Sweet Dreams,” “Oh Lonesome Me” and all the other favorites created by the legendary singer-songwriter.
G.B. LEIGHTON/Get Up
Writers: none listed; Producer: Tommy Harden; Publisher: none listed; Average Joes
-This invitation to dance has a crunchy beat, a hooky chorus and an admirably earnest vocal performance. An audio good time.
LOGAN BRILL/Scars
Writers: none listed; Producer: Oran Thornton & Matthew Miller; Publisher: none listed; Carnival (track)
-“Your love is like a loaded gun/Should’a put it down before you hurt someone.” She’s surviving a broken heart amid a swirling production and a thumping backbeat. Highly listenable.
BRANDY CLARK/Stripes
Writers: Brandy Clark/Matt Jenkins/Shane McAnally; Producer: Dave Brainard; Publishers: Songs of Parallel/Vista Loma/Amplified/Black Ink/Songs of BIMS/Universal/Smack Ink/Little Blue Egg/Kobalt, ASCAP; Slate Creek (track)
-Everything you’ve heard about this lady’s album 12 Stories is true. Its single is a twang-guitar fiesta with an earthy, everywoman vocal and a dynamite set of lyrics. The only reason she isn’t bumping off her cheating man is, “orange ain’t my color, and I hate stripes.” This is just one of the dozen delights on an absolutely extraordinary record. Clark is the co-writer of the powerful hits “Mama’s Broken Heart” and “Better Dig Two.” This collection introduces her as a powerful record maker, too. Sign me up for the fan club.
BRANDON HAMILTON/You Give Me That
Writers: Bryan Todd/Brandon Hamilton; Producer: Bryan Todd; Publishers: Universal/HamBone, ASCAP; Nine North
-His boyish tenor rides atop a buoyant, rocking track that doesn’t let up for a second. Get up and twirl around the room.

American Country Awards Nominees Announced

acaNominations have been announced for the fourth annual American Country Awards (ACA Awards), hosted by Trace Adkins and NASCAR superstar Danica Patrick. The special will air live from Mandalay Bay in Las Vegas Tuesday, Dec. 10 (8:00-10:00 PM ET live/PT tape-delayed) on FOX. Taylor Swift leads the American Country Awards nominees with eight nominations; Florida Georgia Line and Blake Shelton each earned seven nominations.
Starting today, fans can vote once each day for their favorite American Country Awards nominees at theacas.com. Voting is open until Tuesday, Nov. 12 at 11:59 PM PT for all categories, except for Artist of the Year, which closes on Saturday, Dec. 7 at 11:59 PM PT. The nominees for each award category have been determined by five media measurement companies: BigChampagne (record sales and media consumption); Great American Country (video airplay); Mediabase (radio airplay); Pollstar…The Concert Hotwire (touring data); and Nashville Songwriters Association International (song).
The American Country Awards will feature performances and appearances by the year’s chart-topping country artists. Performers and presenters will be announced soon.
Following is the list of categories and nominees for the American Country Awards:
Artist of the Year
Jason Aldean
Luke Bryan
Florida Georgia Line
Blake Shelton
Taylor Swift
Artist of the Year: Male
Jason Aldean
Luke Bryan
Kenny Chesney
Eric Church
Blake Shelton
Artist of the Year: Female
Kelly Clarkson
Sheryl Crow
Miranda Lambert
Taylor Swift
Carrie Underwood
Artist of the Year: Duo or Group
Lady Antebellum
Little Big Town
Rascal Flatts
The Band Perry
Zac Brown Band
Artist of the Year: Breakthrough Artist
Lee Brice
Hunter Hayes
Randy Houser
Scotty McCreery
Justin Moore
Artist of the Year: New Artist
Florida Georgia Line
Kip Moore
Kacey Musgraves
Cassadee Pope
Thomas Rhett
Album of the Year
Night Train, Jason Aldean
Here’s To The Good Times, Florida Georgia Line
Two Lanes of Freedom, Tim McGraw
Based On A True Story…, Blake Shelton
Pioneer, The Band Perry
Single of the Year
“Cruise,” Florida Georgia Line
“How Country Feels,” Randy Houser
“Beer Money,” Kip Moore
“Better Dig Two,” The Band Perry
“One of Those Nights,” Tim McGraw
Single of the Year: Male
“Every Storm (Runs Out of Rain),” Gary Allan
“One of Those Nights,” Tim McGraw
“The One That Got Away,” Jake Owen
“Wagon Wheel,” Darius Rucker
“Sure Be Cool If You Did,” Blake Shelton
Single of the Year: Female
“Easy,” Sheryl Crow
“American Heart,” Faith Hill
“Mama’s Broken Heart,” Miranda Lambert
“Begin Again,” Taylor Swift
“Two Black Cadillacs,” Carrie Underwood
Single of the Year: Duo/Group
“Downtown,” Lady Antebellum
“Tornado,” Little Big Town
“Better Dig Two,” The Band Perry
“If I Didn’t Have You,” Thompson Square
“Goodbye in Her Eyes,” Zac Brown Band
Single of the Year: Breakthrough Artist
“I Drive Your Truck,” Lee Brice
“All Over The Road,” Easton Corbin
“Somebody’s Heartbreak,” Hunter Hayes
“How Country Feels,” Randy Houser
“Til My Last Day,” Justin Moore
Single of the Year: New Artist
“Did It for the Girl,” Greg Bates
“Don’t Ya,” Brett Eldredge
“Redneck Crazy,” Tyler Farr
“Cruise,” Florida Georgia Line
“Beer Money,” Kip Moore
Single of the Year: Vocal Collaboration
“The Only Way I Know,” Jason Aldean with Luke Bryan and Eric Church
“Don’t Rush,” Kelly Clarkson and Vince Gill
“Highway Don’t Care,” Tim McGraw featuring Taylor Swift and Keith Urban
“Boys ‘Round Here,” Blake Shelton with Pistol Annies
Touring Artist of the Year
Jason Aldean
Luke Bryan
Kenny Chesney
Miranda Lambert
Brad Paisley
Rascal Flatts
George Strait
Taylor Swift
Carrie Underwood
Zac Brown Band
GREAT AMERICAN COUNTRY – Music Video of the Year
“Cruise,” Florida Georgia Line
“Tornado,” Little Big Town
“Sure Be Cool If You Did,” Blake Shelton
“Begin Again,” Taylor Swift
“Better Dig Two,” The Band Perry
Music Video of the Year: Male
“Take A Little Ride,” Jason Aldean
“Every Storm (Runs Out of Rain),” Gary Allan
“One of Those Nights,” Tim McGraw
“Wagon Wheel,” Darius Rucker
“Sure Be Cool If You Did,” Blake Shelton
Music Video of the Year: Female
“American Heart,” Faith Hill
“Mama’s Broken Heart,” Miranda Lambert
“Someone Somewhere Tonight,” Kellie Pickler
“Begin Again,” Taylor Swift
“Blown Away,” Carrie Underwood
Music Video of the Year: New Artist
“Don’t Ya,” Brett Eldredge
“Cruise,” Florida Georgia Line
“Crying On A Suitcase,” Casey James
“Beer Money,” Kip Moore
“Merry Go ‘Round,” Kacey Musgraves
Music Video of the Year: Group or Collaboration
“Tornado,” Little Big Town
“Highway Don’t Care,” Tim McGraw featuring Taylor Swift and Keith Urban
“Come Wake Me Up,” Rascal Flatts
“Better Dig Two,” The Band Perry
“If I Didn’t Have You,” Thompson Square
Song of the Year (award goes to the songwriter(s)):
“Better Dig Two,” Brandy Clark, Shane McAnally, Trevor Rosen, Recorded by The Band Perry
“Cruise,” Tyler Hubbard, Brian Kelley, Joey Moi, Chase Rice and Jesse Rice, Recorded by Florida Georgia Line
“Hard To Love,” Ben Glover, Billy Montana and John Ozier, Recorded by Lee Brice
“Highway Don’t Care,” Mark Irwin, Josh Kear, Brad Warren and Brett Warren, Recorded by Tim McGraw featuring Taylor Swift and Keith Urban
“I Drive Your Truck,” Jessi Alexander, Connie Harrington and Jimmy Yeary, Recorded by Lee Brice
“Like Jesus Does,” Casey Beathard and Monty Criswell, Recorded by Eric Church
“Mama’s Broken Heart,” Brandy Clark, Shane McAnally and Kacey Musgraves, Recorded by Miranda Lambert
“Merry Go’ Round,” Shane McAnally, Kacey Musgraves and Josh Osborne, Recorded by Kacey Musgraves
“Pontoon,” Barry Dean, Natalie Hemby and Luke Laird, Recorded by Little Big Town
“Wagon Wheel,” Bob Dylan and Ketch Secor, Recorded by Darius Rucker
American Country Awards is executive-produced by Bob Bain (TEEN CHOICE 2013, “Kids’ Choice Awards”). Fletcher Foster, Paul Flattery and Tisha Fein serve as producers. Greg Sills is supervising producer.

Bobby Karl Works The CMHoF Medallion Ceremony

BOBBY KARL WORKS THE ROOM
Chapter 438
If you take away all the talking parts, the Country Music Hall of Fame Medallion Ceremony on Sunday evening (Oct. 27) was a whale of a concert.
The two-hour-plus event boiled down to a delicious banquet of musical performances. I knew we were in good hands when Connie Smith kicked things off by totally rocking the Hank Williams jewel “Sing, Sing, Sing.” This annual event traditionally begins with a gospel performance, and hers was as good as it gets. The song appears on her album Connie Smith Sings Hank Williams Gospel. If you don’t own it, you’re a fool.

Bobby Bare and Kenny Rogers. Photo by Donn Jones

Bobby Bare and Kenny Rogers. Photo by Donn Jones.


The ceremony honored this year’s Hall of Fame inductees, Jack Clement, Bobby Bare and Kenny Rogers.
“Cowboy” Jack Clement was saluted in song by John Prine with a charming folk rendition of “Ballad of a Teenage Queen.” Then the Clement-penned hit “I Know One” was given a sublime arrangement by Marty Stuart & His Fabulous Superlatives. That performance was simply jaw-dropping.
Kris Kristofferson had plenty of slap-back rhythm behind him on “Big River,” but let’s face it, he doesn’t have a rockabilly bone in his body. Emmylou Harris redeemed the Clement tribute portion of the show with her ethereal reading of “When I Dream.”
The Bobby Bare tribute segment began with Rodney Crowell’s yearning treatment of “Detroit City.” Buddy Miller was stunning, soulful and searing on the Bare hit “How I Got to Memphis.” Kristofferson returned to the stage to deliver a wonderfully rough-hewn version of “Come Sundown.” John Anderson climaxed the Bare musical segment with a terrifically wry take on the delightful “Marie Laveau.” That song was written by Shel Silverstein. If you don’t own Bare’s Silverstein-concept album Lullabies, Legends and Lies, you are also a fool.
Darius Rucker was the first to sing for Kenny Rogers. He did a strong and steady “Lucille” that brought the song’s ultimately tragic message back to the forefront. Songwriter Don Schlitz did “The Gambler” with verve and sincerity. Barry Gibb & Kelly Lang performed an affectionate, buoyant “Islands in the Stream,” and Alison Krauss was rose-petal lovely on “Sweet Music Man” to close out the Kenny segment. That lady embodies musical class.
Throughout the show, The Medallion All-Star Band backed everyone to perfection. Led by awesome keyboardist John Hobbs, this group included Eddie Bayers (drums), Deanie Richardson (fiddle, mandolin), Michael Rhodes (bass), Biff Watson (acoustic guitar), Thom Flora (vocals), Tania Hancheroff (vocals), Michael Johnson (steel guitar) and J.T. Corenflos (electric guitar). This was Johnson’s first gig with the band, and I am told that he became teary-eyed about playing these truly classic country songs. Hooray for that, because I feel exactly the same way listening to them.
The band did a dandy number on its own, a jazzy instrumental take on “You Are My Sunshine.” Then it closed the gig with “Will the Circle Be Unbroken” backing all of the performers, plus the attending Country Music Hall of Fame members. This is also a traditional element of the Medallion ceremonies.
By the way, all the singing stars get just one, pre-show run-through with the band. You know what? That’s all they need.
OK, now for the non-performance elements of the ceremony. I still like beginning the show with a historic audio clip from the Hall of Fame’s Bob Pinson collection in its library. On Sunday, it was 1943’s “Pistol Packin’ Mama” by Bing Crosby & The Andrews Sisters. Ya gotta love something so vintage hipster.
Opening speaker Steve Turner pointed out, “The 2013 Medallion Ceremony is a doubly special occasion, because this is the first event in our new CMA Theater, made possible by a $10 million gift from the Country Music Association.” The theater seats nearly 800 and includes a main floor, mezzanine seating and shallow, steeply-banked lower and upper balconies. The sound is excellent and so are the sight lines. Mark this down as a major, major new Nashville venue.
“We thank you for your role in the development of our worldwide reputation as Music City,” Turner continued. “Music City is how we got to be the ‘It’ city.”
Alison Clement. Photo by Donn Jones.

Alison Clement. Photo by Donn Jones.


CMA chief Ed Hardy was next. His remarks about the inductees mainly foreshadowed and repeated the accomplishments that Kyle Young was shortly to speak of. Speaking of Kyle, his remarks on each inductee needed editing. Can we enliven the evening by inserting video segments and/or varying the bio narrators?
Not that Kyle didn’t have his moments. “We do have a message from ‘Cowboy,’” he told us. “He says, by all means, ‘Relax.’” He also asked for a moment of silence to honor departed Hall of Famers George Jones, Jim Foglesong and Gordon Stoker. Throughout the evening, he offered easy-going asides about performers and honorees.
Both Prine and Stuart recalled how they were drawn into Cowboy’s orbit. Clement died on Aug. 8. Kyle introduced the Hall of Famer’s “Leading Lady,” Aleene Jackson, as well as son Niles Clement and daughter Alison Clement-Bolton.
Charley Pride did the Clement induction honors. “I think he’s watching, right now,” said Pride. He added that Clement said to him, “Charley, these songs we’re recording, 50 years from now, they’ll still be playing them.” True enough.
Clement’s “cowbaby” daughter Alison delivered the evening’s best acceptance speech. “What’s a girl to do?” she inquired. “How do you represent the man of a thousand personnas?” She ended her presentation by donning a Clement top hat and singing a ditty reminding everyone, as Clement did, that, “If you’re not having fun, you’re not doing your job.”
“There’s something about Bobby Bare’s voice: I just believe every word he’s singing,” said Buddy Miller. “Bobby Bare is one of the best human beings I’ve ever known,” added Kristofferson.
Tom T. Hall inducted Bare. “I was thinking about all the good times we had together,” he recalled. “I’m 77 and Bare’s 78 – It’s beginning to look like we’re gonna get away with it!”
“This is a big, big deal,” said Bare. “This is as far as you can go and as high as you can get.” He introduced his sister Delma, wife Jeannie Bare and children Angela Bare Parker, Shannon Bare and Bobby Bare Jr. and thanked the many musical confederates who’ve helped him along the way. “I have been truly blessed,” he said. “The gods have smiled on me. I’m just a singer. But ain’t I somethin’?’”
Schlitz praised Kenny Rogers by saying, “You chose to nurture songwriters who came to Nashville with their dreams. On behalf of my fellow songwriters — thank-you, thank-you, thank-you.” Krauss told us how obsessed she is with Rogers, constantly collecting photos of him.
Garth Brooks prepares to induct Kenny Rogers into the Country Music Hall of Fame - photo by Donn Jones.

Garth Brooks prepares to induct Kenny Rogers into the Country Music Hall of Fame – photo by Donn Jones.


Garth Brooks did the induction honors, indicating that he felt it was wrong that he’d been made a member of the Hall of Fame before “The Gambler.” “In this business, everyone who comes before you is a god: Anyone who comes after you is a punk,” said Brooks. “If there was a class called Entertaining 101, Kenny Rogers could be the professor of that class. You wanna learn how to treat people? Kenny Rogers can show you that. I cannot tell you how honored I am to introduce the newest member of the Country Music Hall of Fame.”
“This is a wonderful, wonderful thing for me,” said Kenny, “the pinnacle of my success….Music comes and goes. Songs come and go. Singers come and go. But the Hall of Fame is forever, baby!”
Accompanying Kenny were wife Wanda Rogers and sons Justin, Jordan, Christopher and Kenny Rogers Jr., plus brothers Randy Rogers and Roy Rogers and sister Sandy.
After the ceremony, we headed for another major, major new Nashville venue, the sixth-floor Event Hall. It’s actually three major, major new party spaces — the spacious vestibule, the outdoor balcony overlooking the new Omni and Music City Center and the Hall, with its chandeliers, draped tables, lounging furniture and glass wall’s awesome view of the downtown skyline.
The cocktail supper featured wilted salad, steamed salmon, seasoned rice dishes, melt-in-your-mouth carved roast beef and assorted dessert bon bons.
Even better than the food was the star gazing – Attendees included Brenda Lee, Barbara Mandrell, Jan Howard, Jeff Hanna & Matraca Berg, Mel Tillis, Ralph Emery, Ricky Skaggs & Sharon White, Jimmy Fortune, Sonny James, Charlie McCoy, Charlie Worsham, Charlie Chase, Lorianne Crook and Jordanaires Ray Walker and Curtis Young. Handsome Bill Cody did his usual fabulous job of hosting the red carpet entrances.
We schmoozed alongside Roger Cook, Roger Murrah, Dan Rogers, Bobby Braddock, Bob Burwell, Bob DiPiero & Leslie Tomasina, Bill Carter, Bill Denny, John Grady, John Esposito, Dave Pomeroy, David Conrad, David & Susana Ross, Mike Milom, Michael Montana, Ernie Williams, Jody Williams, Sally Williams, Steve Greil, Steve Popovich Jr., Steve & Ree Guyer Buchanan, Al Bunetta and Alanna Young. Kenny Rogers was so cool at the cocktail supper, amiably posing for photos with anybody who wanted one. He knows he’s a walking icon and just accepts it.
Also working the room were Harold Bradley, Tony Brown, Victoria Shaw, Troy Tomlinson, Roy Wunsch & Mary Ann McCready, Jo Walker-Meador, Don Light, Ken Levitan, Dwight Wiles & Diana Johnson, Jerry Foster, Janice & Bud Wendell, Nancy Jones, Eddie Stubbs, Layng Scott, Gary Overton, Tim Wipperman and Chris Horsnell.

Weekly Chart Report (10/25/13)

SPIN ZONE

Sony Music Nashville recording artist Angie Johnson recently performed at WEIO’s Barn Bash in promotion of this week’s No. 32 single, “Swagger." Pictured (L-R): RG Jones, Sony Music Nashville; Kelly Green, WEIO GM; Angie Johnson; WEIO on-air personality Ken Folkes; and Sony Music Nashville's Rusty Sherrill.

Sony Music Nashville recording artist Angie Johnson recently performed at WEIO’s Barn Bash in promotion of this week’s No. 32 single, “Swagger.” Pictured (L-R): RG Jones, Sony Music Nashville; Kelly Green, WEIO GM; Angie Johnson; WEIO on-air personality Ken Folkes; and Sony Music Nashville’s Rusty Sherrill.


After spending 15 weeks on MusicRow’s chart, Darius Rucker’s “Radio” rides the airwaves to No. 1 with 3,111 spins. Meanwhile, Keith Urban and Miranda Lambert’s “We Were Us” quickly approaches the No. 1 spot, landing at No. 2 in its seventh week on the chart. Eli Young Band’s “Drunk Last Night” climbs to No. 3, while Eric Paslay’s “Friday Night” falls to No. 4. The Band Perry’s “Don’t Let Me Be Lonely” sits at No. 5. Rounding out the Top 10 this week is Jake Owen’s “Days of Gold” at No. 6, Joe Nichols’ “Sunny and 75” at No. 7, Cassadee Pope’s “Wasting All These Tears” at No. 8, Brad Paisley’s “I Can’t Change The World” at No. 9 and Love and Theft’s “If You Ever Get Lonely” at No. 10.
Lady Antebellum’s “Compass” is the week’s greatest gainer. The song continues to head north on MusicRow’s chart, rising to No. 28 with another 368 spins. George Strait’s “I Got A Car” makes a solid debut at No. 61 with 310 spins. Florida Georgia Line’s “Stay” jumps to No. 18 with another 300 spins, while Urban and Lambert’s “We Were Us” reaches No. 2 with an added 246 spins. Finally, Jerrod Niemann’s “Drink To That All Night” hits No. 57 with an extra 233 spins.
MusicRow welcomes five stellar debuts this week, with Strait’s “I Got A Car” debuting at No. 61, Kacey Musgraves’ “Follow Your Arrow” at No. 64, The Sins Country’s “Muscadine” at No. 77, Will Hoge’s “Strong” at No. 78 and Taylor Made’s “Somewhere Between” at No. 80.
Frozen Playlists: KWCK, WUCZ, KDKD, KFTX, KIAI, WXXK, WAAG
Lee Brice celebrated the kick-off of his headlining "The Otherside Tour" with some radio and industry friends at the House of Blues in Boston, MA, on Oct. 10. Pictured (L-R): Ginny Rogers (WKLB) John Innamorato (Livenation), Brice and Haley McLemore

Lee Brice celebrated the kick-off of his headlining “The Otherside Tour” with some radio and industry friends at the House of Blues in Boston, Mass., on Oct. 10. Pictured (L-R): Ginny Rogers (WKLB,) John Innamorato (Livenation), Brice and Haley McLemore


Upcoming Singles
October 28
Little River Band/You Dream, I’ll Drive/Frontiers
Mitch Goudy/Blow These Speakers Out/Third Floor Records
Blackjack Billy/Get Some/Bigger Picture
Sheryl Crow/Callin’ Me When I’m Lonely/Warner Bros.-WMN
Eric Church/The Outsiders/EMI Records Nashville
November 4
Tyler Farr/Whiskey In My Water/Columbia Nashville
Luke Bryan/Drink A Beer/Capitol
George Strait/I Got A Car/MCA Nashville

Robby-SouthofMe-101413-PP


New On The Chart—Debuting This Week
Artist/song/label — chart pos.
George Strait/I Got A Car/MCA – 61
Kacey Musgraves/Follow Your Arrow/Mercury Nashville – 64
The Sins Country/Muscadine/GTR Nashville – 77
Will Hoge/Strong/Prospector-Crescendo – 78
Taylor Made/Somewhere Between/LG Records – 80
Most Added
Artist/song/label — New Adds
George Strait/I Got A Car/MCA – 27
Jerrod Niemann/Drink To That All Night/Arista Nashville – 17
Justin Moore/Lettin’ The Night Roll/Valory Music – 17
Kacey Musgraves/Follow Your Arrow/Mercury Nashville – 16
Eric Church/The Outsiders/EMI Nashville – 13
Lady Antebellum/Compass/Capitol – 13
Dan+Shay/19 You+Me/Warner Brothers – 12
Brett Eldredge/Beat Of The Music/Atlantic-Warner Bros. – 10
Greatest Spin Increase
Artist/song/label — spin+
Lady Antebellum/Compass/Capitol – 368
George Strait/I Got A Car/MCA – 310
Florida Georgia Line/Stay/Republic Nashville – 300
Keith Urban feat. Miranda Lambert/We Were Us/Capitol Nashville-Hit Red Records – 246
Jerrod Niemann/Drink To That All Night/Arista Nashville – 233
On Deck—Soon To Be Charting
Artist/song/label — spins
Josh Pruno/Cut Offs/Lawrence Music Group – 210
Laura Bell Bundy/Two Step/Big Machine – 202
Ryan Broshear/Make Each Moment Last/Painted Horse – 200
Aaron Watson/July In Cheyenne/HTK Records – 197
LoCash Cowboys/Best Seat In The House/Average Joes Entertainment-Tenacity Records – 188

Thomas Rhett stopped by Nashville Mornings at 103 WKDF in Nashville prior to his It Goes Like This release on The Valory Music Co. Tues., Oct. 29. Pictured (L-R): Becca Walls, Rhett, Marty McFly.

Thomas Rhett stopped by Nashville Mornings at 103 WKDF in Nashville prior to his It Goes Like This release on The Valory Music Co., which releases Tuesday, Oct. 29. Pictured (L-R): Becca Walls, Rhett, Marty McFly.


Lew Dickey (second from R) and JT Batson (R) pose with guests at the NASH Bash at Atlanta's Terminal West, which featured host Kix Brooks and performances by Kellie Pickler, Laura Bell Bundy, Jaida Dreyer and Kenny Rogers. (Photo credit: Austin Holt)

Lew Dickey (second from R) and JT Batson (R) poses with guests at the NASH Bash at Atlanta’s Terminal West, which featured host Kix Brooks and performances by Kellie Pickler, Laura Bell Bundy, Jaida Dreyer and Kenny Rogers. (Photo credit: Austin Holt)