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Meghan Trainor Talks Whirlwind Year Leading To Awards Streak

Meghan Trainor accepts two awards at the May 17th Billboard Music Awards in Las Vegas. Photo: Steve Granitz/WireImage/Billboard

Meghan Trainor accepts two awards at the May 17th Billboard Music Awards in Las Vegas. Photo: Steve Granitz/WireImage/Billboard

Since the release of “All About That Bass” in late June 2014, Meghan Trainor has had a year of whirlwind success. She earned two Billboard Music Awards, a Breakthrough Artist trophy from the Music Business Association (Music Biz), and today earned a nod from our MusicRow Awards.

Prior to accepting her first-ever trophy in Nashville on May 14 from Music Biz, she shared with MusicRow the valuable lessons she’s put in to practice while working on new music.

The 21-year-old sensation has roots in Music City, thanks to a publishing deal secured just out of high school with Nashville’s Big Yellow Dog.

“Nashville was the first place that opened their arms to me and let me write,” said Trainor at the Music Biz luncheon. “I wouldn’t be on this stage without my second mom, [Big Yellow Dog’s] Carla Wallace. She signed me when I was a baby deciding whether or not I was going to college.

“It’s hard to be a songwriter and an artist,” Trainor told MusicRow. “With this crazy life I haven’t had time to write. I’ve written maybe three songs since the album was released, which is unusual because it was around three songs a week. I definitely miss the writing room.

“As a songwriter I would wake up at 10 a.m., go in at noon to write a song for a couple hours, and go home. Now I’m the artist and wake up at 8 a.m. to do glam, go to cool events and take a bunch of pictures.

“When your world it thrown upside down you have to learn how to adjust everything. Ryan Tedder told me you’ve gotta write on the road.”

As far as new music, Trainor says she has blocked out a few months in her schedule for studio time with Kevin Kadish, who produced over 70 percent of her debut album and contributed writing credits to over 60 percent of it.

“Kevin is one of the first people that said ‘you should be the artist,’” continued Trainor. “He truly believed in me. He did a bunch of these songs before I even had a deal with Epic Records, so I’m definitely going to go back and work with him.”

Kadish signed with Sony/ATV last year while Trainor continues to work with Big Yellow Dog.

Borchetta’s Inside Scoop From ‘American Idol’

Scott Borchetta. Photo: Rick Diamond.

Scott Borchetta. Photo: Rick Diamond.

No announcement has been made on whether Scott Borchetta will align with American Idol’s 15th and final season next year, but he offered plenty of insight about his experiences during the just-ended season during an interview yesterday (May 14). MusicRow caught up with the Big Machine Label Group founder and CEO when he received the Presidential Award for Outstanding Executive Achievement from the Music Business Association (Music Biz) at a ceremony in Nashville.

Borchetta’s duties with the show lasted four months, keeping him in Los Angeles for tapings (including the Borchetta Breakdown series online), spots on the broadcast and returning to Nashville to host the contestants on their trip to Music City.

Yesterday, Borchetta revealed he was most upset to see East Brunswick, NJ-contestant Jax depart Idol’s season 14. The 19-year-old was the only female to make it to the top three before being bested by White House, Tenn.-native Clark Beckham and ultimate winner Nick Fradiani, who received a recording contract with Big Machine.

“Right now all of our energy is going into the winner, and then we’ll see,” said Borchetta of whether or not his label group will sign other contestants from the FOX show.

Scott Borchetta (L), Nick Fradiani (R). Photo: Kevork Djansezian.

On the Idol season finale, Scott Borchetta (L) and Nick Fradiani (R). Photo: Kevork Djansezian.

Additionally, there is a chance an artist from another signing competition, NBC’s The Voice, could land on Borchetta’s label. Universal Republic, which is aligned with Borchetta’s Republic Nashville, has first dibs on contestants from The Voice, which will crown a new winner soon. Among the remaining contestants is Meghan Lindsey, who is now a solo artist following a stint with the duo Steel Magnolia, which was previously signed to Big Machine.

When asked about launching artists with or without reality television, Borchetta shrugged off comparisons between the two. “I don’t know if there’s anything that’s traditional about any artist launch,” he said. “Our mission is to attack all media all the time. They gave us the opportunity to go work on Idol, which is an amazing platform. We launch the best we can launch every time.”

Pictured (L-R): Scott Borchetta, Jax. Photo: Fox.

Pictured (L-R): Scott Borchetta, Jax. Photo: Fox.

Borchetta also reflected on the legacy of the program. “When you look at American Idol and the iconic show that it is, the legacy will live on in real-time with Carrie Underwood and Kelly Clarkson and now Nick Fradiani and the other great contestants,” he continued. “To have that relevance in the marketplace to continue long after the show is done is the testament to its impact on American culture.”

Memorable experiences over the past season for the 52-year-old executive include working with Jason DeRulo and Boy George. “Jason is a great artist. Never in my life did I think Boy George and I would work together on anything. But we became immediate friends. He’s incredibly humble, kind and smart. I could go on and on, it was a great experience.”

Borchetta’s alignment with CAA helped secure his spot as Idol’s official season 14 mentor.

 

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Music Biz Delivers First Honors In Nashville

Pictured (L-R): Fred Beteille (Chairman of Music Biz), Scott Borchetta (president and CEO of the Big Machine Label Group), Tom Johnston (The Doobie Brothers), Martina McBride, Patrick Simmons (The Doobie Brothers), Meghan Trainor, John McFee (The Doobie Brothers), and Jim Donio (NARM president). Photo: Rick Diamond.

Pictured (L-R): Fred Beteille (Chairman of Music Biz), Scott Borchetta (president and CEO of the Big Machine Label Group), Tom Johnston (The Doobie Brothers), Martina McBride, Patrick Simmons (The Doobie Brothers), Meghan Trainor, John McFee (The Doobie Brothers), and James Donio (Music Biz President). Photo: Rick Diamond.

The Music Business Association (Music Biz; formerly NARM), made its award presentations this afternoon (May 14) prior to wrapping up its first conference in Nashville, Tenn.

The Sheraton’s Capitol ballroom welcomed honorees including Meghan Trainor (Breakthrough Artist), Scott Borchetta (Presidential Award for Outstanding Executive Achievement), Martina McBride (Harry Chapin Humanitarian Award), The Who (Outstanding Achievement Award for 50 Years of Musical Excellence), The Doobie Brothers (Chairman’s Award for Sustained Creative Achievement) and Jack White (Music Biz’s inaugural Innovator Award).

The Who and White were honored in presentations made earlier in the week with the former appearing via video at the luncheon.

Music Biz president James Donio served as host for the two hour event, which honored Trainor with her first award ever.

“I’ve never been to an award ceremony like this and actually won,” said Trainor. “Thank you to all the people who help me sing about my bass. Nashville was the first place that opened their arms to let me write here. Thank you to Carla Wallace, who is like my second mother. Big Yellow Dog signed me as a baby when I was deciding whether or not to go to college. Thank you for supporting me writing for all these crazy genres.”

Sandy Chapin, Harry Chapin’s widow, presented McBride for her humanitarian achievements.

“It’s interesting to be recognized for humanitarian efforts,” McBride said humbly. “I feel like God has given me this platform, but it’s really the volunteers that do all the work. It’s on their behalf that I accept this award.”

Borchetta, fresh off the plane from last night’s American Idol finale in Los Angeles, spoke directly to the business-focused audience, noting, “I love the [NARM to Music Biz] name change. My entire career, it’s been music first. The businesses follows. I get questions about wearing the [Music Has Value logo]. It’s a great conversation starter. Free music streaming is going to time out. We don’t let someone else build an industry on our backs. Let’s own it!”

Candace Berry, EVP and GM of Universal Music Group distribution, presented Borchetta with a giant plaque commemorating record sales from their partnership.

Pictured (L-R): Scott Borchetta (President and CEO of the Big Machine Label Group), Linda Kury (Vice President Sales Associated Labels at Universal Music Group), Troy Scott (Director of Label and Non-Trad Marketing at Universal Music Group),  Joshua Tario (Senior Director Sales - Catalog at Universal Music Group), and Candace Berry (EVP GM Universal Music Distribution). Photo: Rick Diamond.

Pictured (L-R): Scott Borchetta (President and CEO of the Big Machine Label Group), Linda Kury (Vice President Sales Associated Labels at Universal Music Group), Troy Scott (Director of Label and Non-Trad Marketing at Universal Music Group), Joshua Tario (Senior Director Sales – Catalog at Universal Music Group), and Candace Berry (EVP GM Universal Music Distribution). Photo: Rick Diamond.

The Doobie Brothers were honored by YouTube product manager Fred Beteille, who was recently appointed to chairman of Music Biz. Tom Johnston of the legendary rock band accepted the trophy alongside Patrick Simmons.

“We had a wonderful experience with Sony Nashville,” said Simmons. “It was great for us to creatively step in a new headspace. Thank you to David Huff, our producer, and Kate Richardson (marketing/PR). It’s great to still be rockin’ all these years.”

Michael McDonald, a Franklin, Tenn. resident, offered regrets for attendance but appreciation via video presentation.

Martina McBride and poet Sandy Chapin. Photo: Rick Diamond.

Martina McBride and poet Sandy Chapin. Photo: Rick Diamond.

Meghan Trainor (L) and NARM president Jim Donio (R). Photo: Rick Diamond.

Meghan Trainor (L) and Music Biz President James Donio (R). Photo: Rick Diamond.

DISClaimer: Triumphant Returns

Ashley-Clark-Greyhound-FeaturedOnce a fan, always a fan.

Today’s listening session was dominated by the welcome returns of four folks who charted in prior decades. I am happy to report that all of them still sound as strong as ever. They are former Arista artist Michelle Wright, former Curb signee Philip Claypool, former Sony chart-topper Collin Raye and the ageless John Anderson, who has been on just about every label imprint in Music City.

A tip of my hat and a warm embrace to John Anderson, along with a Disc of the Day salute.

This week’s DisCovery Award goes to Ashley Clark. He is a former member of The Clark Family Experience and a fiddler in Carrie Underwood’s band. It doesn’t say so on the CDX, but his (excellent) producer is none other than Mutt Lange.

CHRISTIAN LOPEZ BAND/Leaving It Out
Writers: Christian Lopez; Producer: Dave Cobb; Publisher: Christian Lopez, SESAC; Blaster (track)
-He has a charmingly earnest tenor voice. The band is unimaginative but adequate. The song does nothing for me.

John-Anderson1

John Anderson

JOHN ANDERSON/I Work A Lot Better
Writers: John D. Anderson/Josh Turner; Producers: John Anderson & Joe Spivey; Publishers: none listed; Bayou Boys (track)
-The blander country music gets, the more I yearn for personality vocalists like this one. Anderson remains one of the greatest stylists we’ve ever had, and he’s at his best on good-humored songs like this honky-tonking romp. That’s a huge smile you see on my face as it crashes to a close. Love him. Love this.

2-BIT PALOMINO/Things I Dream About
Writers: Sheryn Cassiday/Andrea C. Renfree; Producer: Don Richmond; Publisher: none listed; Howlin’ Dog (track)
-The title tune of this trio’s CD throws a spotlight on its strengths — a poetic sensibility, an emphasis on melody and sterling harmonies. The main drawback is that all three voices are a bit too “pretty” and pop-perfect, which is underscored by the pristine-precious picking.

COLLIN RAYE/Rock and Roll Never Forgets
Writers: B. Seger; Producer: Cradle Concepts LLC; Publisher: Gear, no performance rights listed; Goldentone (track)
-Collin’s new CD is Greatest Hits Live. Its one non-hit is the rousing, rocking closing track wherein he exhorts the crowd to sing along with him on the familiar 1977 Bob Seger classic. You don’t hear them doing so, but his top-of-his-range tenor shriek comes through loud and clear. As does the extended ovation at the finale.

THE PAT WATTERS BAND/I’m Your Buddy
Writers: Pat Watters; Producers: The Pat Watters Band; Publishers: none listed; PWB (track)
-I gather from the credits that these guys hail from Wisconsin. They’re not exactly instrumental virtuosos, nor vocal volcanos. But the good-natured approach and the clever songwriting are both very winning. I bet they’re a barroom full of fun in a live show.

MICHELLE WRIGHT/Laugh A Little
Writers: Jason Sellers/David Lynn Hutton/Terri Jo Box; Producer: Jason Barry; Publishers: This Is Magic Mustang/Big Loud Bucks/Troy D/Sony-ATV Cross Keys, ASCAP; Savannah (CDX)
-This Canadian thrush made her mark in the early ‘90s with hits like “Take It Like a Man” and “He Would Be 16.” She still has the goods as a throaty, emotive vocalist. Another big plus is the solidly written song with its hooky, good-message choruses. Play this excellent comeback single.

ASHLEY CLARK/Greyhound
Writers: Ashley Clark/Austin Clark; Producer: none listed; Publisher: none listed, BMI/ASCAP; I.R.S. (CDX)
-He had me from his first notes. This guy is a for-real singer, with lung power to spare and an excellent sense of dynamics. The chorus rushes by its title so quickly that it hardly registers. But I got so caught up in his performance and the terrifically wooshy production that I didn’t care. I’m a believer.

SMITH N WESTERN/Call Me
Writers: Travis C. Smith; Producer: Jason Plummer; Publisher: 80 Proof Poetry and Truth, BMI; 80 Proof (CDX)
-This new duo pushes its way onto the country scene with a song that has more hooks than a tuna boat. The vocals are a little “dry,” and there’s not much production finesse, but there’s no denying the potency of the material. Well worth your attention.

PHILIP CLAYPOOL/Three More Beers
Writers: Philip Claypool/Jeff Silbar; Producer: Michael Lloyd; Publishers: none listed, ASCAP/BMI; PC (CDX)
-The hillbilly in the bar is getting so plastered that he’s mistaking the gal making eyes at him for Britney Spears, Christina Aguilera, J-Lo, Ga-Ga, Angaleena Jolie and Pamela Sue Anderson. All of whom he manages to not only name-check but rhyme in the lyric. A must-listen rockabilly fiesta.

RICK MONROE/Great Minds Drink Alike
Writers: Rick Monroe/Dan Adams; Producer: Sean Giovanni; Publishers: Jindo Dog/Broken Yellow Line, ASCAP/BMI; MRG (CDX)
-This oomphy rocker is produced and sung with great gusto. And who can argue with a title this witty? Shut up and dance.

Weekly Register: Stapleton Debuts Strong

Chris-Stapleton-TravellerZac Brown Band sits tight at No. 1 on the country albums chart, selling 56K TW and 270K RTD, and landing at No. 5 on the Top 200.

Chris Stapleton’s Traveller debuts at No. 2 with album sales of 27K (30K activity). It is the best-selling first week by a debut country artist this year and one of the Top 10 best first week country debuts in the last five years. Traveller was recorded at Nashville’s historic RCA Studio A (with additional production at The Castle and Blackbird Studio) and was produced by Dave Cobb (Sturgill Simpson, Jason Isbell) and Stapleton, and recorded by Vance Powell (Jack White). In support of Traveller, Stapleton will be performing on a series of shows on Eric Church’s tour. Earlier today Stapleton received a CMT Music Award nomination for Performance of the Year with Lady Antebellum.

Also on the country album chart, Granger Smith debuts at No. 6 with 8.7K. He co-produced his debut EP, 4×4, with hitmaker Frank Rogers, a three-time MusicRow Producer of the Year.

On the Top 200, the new Mumford & Sons album debuted at No. 1 with activity of 249K and 231K album only. Wiz Khalifa’s “See You Again” is locked in at the top of the tracks chart TW, selling 251K for a RTD total of 1.949 million.

granger smithTop 5 Country Albums TW
Zac Brown Band, 56K
Chris Stapleton, 27K
Reba, 17K
Sam Hunt, 15K (passed 500K RTD)
Tyler Farr, 11K

Top 5 Country Tracks TW
Little Big Town “Girl Crush” 76K
Blake Shelton “Sangria” 48K
Sam Hunt “Take Your Time” 44K
Florida Georgia Line “Sippin’ on Fire” 29K
Eric Church “Like a Wrecking Ball” 29K

according to Nielsen SoundScan

2015 CMT Music Awards Nominations Announced

Screen Shot 2015-05-13 at 9.28.41 AMThe nominees for the CMT Music Awards were announced Wednesday morning (May 13). Lady Antebellum made an appearance on the Today Show to announce the artists vying for Video of the Year. Carrie Underwood and Luke Bryan also joined in the fun, announcing nominations for Breakthrough Video of the Year and Group Video of the Year.

Carrie Underwood earned five nominations overall, including two nods in the Video of the Year category (“Something In The Water,” and “Somethin’ Bad” with Miranda Lambert), two in the Female Video of the Year category (“Something In The Water,” “Little Toy Guns”), and one for Collaborative Video of the Year (“Somethin’ Bad” with Lambert).

Lady Antebellum earned four nominations, with “Bartender” earning nods for Video of the Year and Group Video of the Year. They also scored two CMT Performance nominations for their collaborations with Aloe Blacc on the CMT Ultimate Kickoff Party and with Chris Stapleton during the CMT Artists of the Year.

Kenny Chesney‘s “American Kids” earned the singer multiple nominations, including Video of the Year and Male Video of the Year, along with a CMT Performance of the Year nod for his rendition of the song on CMT Instant Jam, and a Collaborative Video of the Year nomination for “Wild Child” featuring Grace Potter.

Jason Aldean also earned three nods, with “Burnin’ It Down” garnering Video of the Year and Male Video of the Year nods, alongside a CMT Performance of the Year nod for his version of “Turn the Page” with Bob Seger on CMT Crossroads.

Florida Georgia Line‘s “Dirt” earned two nominations, for Video of the Year and Duo Video of the Year. They earned a second Duo Video of the Year nomination for “Sun Daze.”

Newcomers Sam Hunt and Maddie & Tae both earned multiple nominations for their clips. Maddie & Tae’s “Girl In A Country Song” earned nods in the Video of the Year, Duo Video of the Year, and Breakthrough Video of the Year categories. Hunt’s “Leave The Night On” earned nominations for Video of the Year and Breakthrough Video of the Year.

The awards will air on June 10 at 7 p.m. on CMT. Beginning today, fans can vote for all their favorite artists at CMT.com through Monday, June 8 at 10 a.m. ET.

2015 CMT Music Awards Nominations-Full List

Video of the Year
Carrie Underwood, “Something In The Water,” Directed by Raj Kapoor
Darius Rucker, “Homegrown Honey,” Directed by Jim Wright
Dierks Bentley, “Drunk On A Plane,” Directed by Wes Edwards
Florida Georgia Line, “Dirt,” Directed by Nigel Dick
Jason Aldean, “Burnin’ It Down,” Directed by Wes Edwards
Kenny Chesney, “American Kids,” Directed by Shaun Silva
Lady Antebellum, “Bartender,” Directed by Shane Drake
Lee Brice, “I Don’t Dance,” Directed by Ryan Smith
Luke Bryan, “Play It Again,” Directed by Michael Monaco
Maddie & Tae, “Girl In A Country Song,” Directed by TK McKamy
Miranda Lambert w/ Carrie Underwood, “Somethin’ Bad,” Directed by Trey Fanjoy
Sam Hunt, “Leave The Night On,” Directed by Brad Belanger

Male Video of the Year
Dierks Bentley, “Drunk On A Plane”
Eric Church, “Talladega”
Jason Aldean, “Burnin’ It Down”
Keith Urban, “Somewhere In My Car”
Kenny Chesney, “American Kids”
Luke Bryan, “Play It Again”

Female Video of the Year
Carrie Underwood, “Little Toy Guns”
Carrie Underwood, “Something In The Water”
Lee Ann Womack, “The Way I’m Livin'”
Miranda Lambert, “Little Red Wagon”
RaeLynn, “God Made Girls”
Reba, “Going Out Like That”

Group Video of the Year
A Thousand Horses, “Smoke”
Eli Young Band, “Dust”
Lady Antebellum, “Bartender”
Little Big Town, “Day Drinking”
The Band Perry, “Chainsaw”
Zac Brown Band, “All Alright”

Duo Video of the Year
Big & Rich, “Look At You”
Brothers Osborne, “Rum”
Florida Georgia Line, “Dirt”
Florida Georgia Line, “Sun Daze”
Maddie & Tae, “Girl In A Country Song”
The Swon Brothers, “Later On”

Breakthrough Video of the Year
Chase Rice, “Gonna Wanna Tonight”
Frankie Ballard, “Sunshine & Whiskey”
Kelsea Ballerini, “Love Me Like You Mean It”
Maddie & Tae, “Girl In A Country Song”
RaeLynn, “God Made Girls”
Sam Hunt, “Leave The Light On”

Collaborative Video of the Year
Blake Shelton Featuring Ashley Monroe, “Lonely Tonight”
Brantley Gilbert Featuring Justin Moore and Thomas Rhett, “Small Town Throwdown”
Jennifer Nettles Featuring Brandy Clark, “His Hands”
Kenny Chesney with Grace Potter, “Wild Child”
Miranda Lambert with Carrie Underwood, “Somethin’ Bad”
Tim McGraw Featuring Faith Hill, “Meanwhile Back at Mama’s”

CMT Performance of the Year
Bob Seger and Jason Aldean, “Turn The Page” (from CMT Crossroads)
Brett Eldredge, “Beat of the Music” (from CMT Ultimate Kickoff Party)
John Legend with Lee Ann Womack, “You and I (Nobody in the World)” (from CMT Crossroads)
Katy Perry with Kacey Musgraves, “Roar” (from CMT Crossroads)
Keith Urban, “It’s a Man’s Man’s Man’s World” (from CMT Artists of the Year)
Kenny Chesney, “American Kids” (from CMT Instant Jam)
Lady Antebellum and Aloe Blacc, “Wake Me Up” (from CMT Ultimate Kickoff Party)
Lady Antebellum and Chris Stapleton, “Drink A Beer” (from CMT Artists of the Year)

Teen Cancer America Partners With The Band Perry, Vanderbilt

Roger Daltrey, The Band Perry

Teen Cancer America national ambassadors The Band Perry.

The Band Perry are acting as national ambassadors for the organization Teen Cancer America. Roger Daltrey, founder of the non-profit, shared the news at a press event yesterday (May 11) at Nashville’s Bridgestone Arena, prior to his band The Who’s concert there.

Daltrey also welcomed the Monroe Carell Jr. Children’s Hospital at Vanderbilt as the newest hospital to partner with Teen Cancer America (TCA). Daltrey noted the special emotional and social needs of teens with cancer, and how they sometimes fall through the cracks at hospitals. “They’re too old to be children and too young to be adults,” he said.

Three young cancer patients and former patients were part of the program. One boy explained what he wanted when he was undergoing treatment: a mini fridge, a place to play Legos and a DVR. That’s not too much to ask.

Daltrey shared a recent experience where he visited a hospital and was surprised to find that three teen boys were being treated there but hadn’t met each other. “They just want a room where they can do the things that teenagers do… have a bit of fun and talk to each other,” said the rock star. “The best therapy is to talk to each other.”

Kimberly Perry said, “We’ve noticed that teens and young adults still struggle with the same fears and anxieties (as younger children), that’s why we were so excited that TCA has a specific focus on catering to their needs. That’s programs, that’s environments, that’s mini fridges. And we are so excited to be in discussion with Vanderbilt to bring a wing here as our hometown community. This is near and dear to The Band Perry’s heart because so many of our fans at the shows night after night are teens and young adults… We’ve been looking for a long time for a non-profit to be involved with.”

Also on hand were TCA chair Rebecca Rothstein, and CEO Simon Davies; as well as Dr. Scott Borinstein, Vanderbilt Asst. Professor/director, Sarcoma Program.

Roger Daltrey and Pete Townshend have been patrons of Teenage Cancer Trust in the UK, the forerunner to TCA, for over 20 years. Based on its success in bringing the issues facing teens and young adults with cancer to the forefront, they expanded their efforts by founding Teen Cancer America in 2012. Vanderbilt is the eleventh hospital to join TCA; the organization is in talks with dozens of others to create more specialized facilities and programs to serve this age group.

Throughout The Who Hits 50! North America Tour, Teen Cancer America will be in attendance on each stop and will host fan fundraising events. The Who are donating $1.00 from every ticket sold to Teen Cancer America and fundraising through text donations (text WHO to 20222).

Photos: Bev Moser, Moments By Moser.

Roger Daltrey, The Band Perry

The Band Perry with Roger Daltrey and Reece, a former cancer patient.

Instrumental Virtuoso Johnny Gimble Passes

johnny gimbleCountry music lost one of its finest instrumental talents when Johnny Gimble died on Saturday, May 9, in Dripping Springs, TX.

“Johnny Gimble is one of the greatest musicians that ever lived,” Willie Nelson once said. “I’m his biggest fan.”

The 88-year-old Gimble was considered one of the best fiddlers in history, and he was also accomplished on mandolin, tenor banjo and guitar. He was a member of Bob Wills’ famed Texas Playboys band, a renowned fiddle instructor, a prolific recording artist and a session musician who played on hits by everyone from Merle Haggard to George Strait.

He won five CMA Awards as Instrumentalist of the Year and nine ACM Awards as Fiddler of the Year. He was given a National Heritage Fellowship by the National Endowment for the Arts in 1994. He won Grammy Awards in 1993 and 1995 for recordings with Asleep at the Wheel.

On Saturday’s Grand Ole Opry show, Connie Smith dedicated her 1971 hit “Where Is My Castle” to him, noting that Gimble had played on her original single of the song as well as on her 1972 hit “If It Ain’t Love.”

Gimble can also be heard on Strait’s swing hit “Right Or Wrong” (1984), Marty Robbins’ debut chart topper “I’ll Go On Alone” (1952), Haggard’s iconic “If We Make It Through December” (1973), the immortal Wills tune “Faded Love” (1950), Conway Twitty’s controversial “You’ve Never Been This Far Before” (1973) and hundreds of other well-known country records.

Johnny Gimble was born in Tyler, TX in 1926 and was performing on local radio with his brothers by his early teens. He was soon backing The Shelton Brothers and Jimmie Davis on KWKH in Shreveport, LA.

After Army service during World War II, he resumed his music career. He joined The Texas Playboys in 1949, and by the early 1950s, was performing on recording sessions in Dallas for Robbins, Lefty Frizzell and Ray Price.

He worked in construction and as a barber while maintaining music jobs. He joined the staff band at ABC-TV’s Five Star Jubilee in Springfield, MO in 1961. Gimble moved to Nashville in 1968. The next decade was his most prolific, since he appeared on more than 200 country-star albums.

johnny gimble wacoHe became a member of the Nashville Superpickers Band. Joan Baez, Paul McCartney, Boots Randolph, Porter Wagoner, Faron Young, Bobby Bare, Hank Snow, Dolly Parton, Jerry Jeff Walker, Doc Watson, Loretta Lynn, Waylon Jennings, Ronnie Milsap, Don Williams, Johnny Cash, Reba McEntire, Guy Clark, Vince Gill, Tracy Byrd, Chet Atkins, Randy Travis, Trace Adkins, The Manhattan Transfer, The Everly Brothers, Jimmy Buffett, Leon Russell, Carrie Underwood and more have all utilized his talent.

Smith was so enthralled with his wildly inventive playing on “If It Ain’t Love” that she sent a letter to disc jockeys to tell them who the fiddler on her record was.

Gimble moved back to Texas and joined Willie Nelson’s band in 1979. He then became an icon of the Lone Star State music scene. He worked with Asleep at the Wheel and many other Austin artists. He also formed the Texas Swing Band. The group made the country charts in 1983 with Ray Price singing lead.

He appeared in Nelson’s 1980 film Honeysuckle Rose and portrayed his former boss Bob Wills in 1982’s Honky Tonk Man, starring Clint Eastwood. Gimble was also a regular on TV’s Hee Haw, on NPR’s A Prairie Home Companion and on PBS’s Austin City Limits.

His albums include Fiddlin’ Around (1974), Texas Dance Party (1976), Honky Tonk Hits (1976), Still Swingin’ (1976), More Texas Dance Hall Favorites (1981), I Saw the Light (1981), Swingin’ the Standards (1981), The Texas Fiddle Connection (1981), My Kinda Music (1984), Still Fiddlin’ Around (1988), Under the X in Texas (1992), A Case of the Gimbles (2004) and Celebrating With Friends (2009).

Johnny Gimble suffered the first of a series of strokes in 1999. But he continued to teach and perform.

Funeral arrangements have not been announced.

Weekly Chart Report (5/8/15)

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