
Music Biz President Portia Sabin delivering her annual President’s Address during the Music Biz 2023 brunch sponsored by TuneCore. Photo: Laura E. Partain
Music Biz 2023 is officially wrapped and in the books, following several days of informative panels, sessions and music programming at the JW Marriott Nashville.
Day One featured conversations with songwriter Jenna Andrews and executives from Primary Wave Music, Made in Memphis Entertainment (MIME), Universal Music, Billboard, and BMAC, who revealed their “Music Industry Action Report Card.” Day One also featured the tracks “#NEXTGEN_NOW;” “Today’s Rage, Tomorrow’s Challenges: Industry Trends & Their Impacts;” “Unlocking New Revenue Streams For Music Publishers;” “Backstage Pass: Analyzing Live Music’s Future” and “Competing For Eyeballs: The +/– Of Short-Form Videos.”

Pictured: BMAC’s Willie “Prophet” Stiggers and Naima Cochrane debut the second edition of their ‘Music Industry Action Report Card’ on systemic racism in the music industry along with Color of Change’s Kelle Rozell. Photo: Laura E. Partain
Day Two kicked off with a “Breathwork & Meditation” event with Brandon Holman of Guin Records, followed by a “Record Store Day Town Hall” where attendees got to hear the impact that Record Store Day has had on the industry over the years and celebrate the accomplishments of the most recent RSD events. Nashville Queen obSINity then hosted this year’s Music Biz 2023 brunch featuring Music Biz President Portia Sabin, Keychange’s Andréa DaSilva, TuneCore’s Andreea Gleeson and performances by Tanerélle and San Cha.
Following the brunch, Tuesday afternoon was packed with breakout sessions. JKBX’s Whitney-Gayle Benta and SoundRoyalties’ Alex Heiche headlined the “I Want My Money: Royalty Payments, Catalog Acquisitions & Other Revenue Opportunities” program. SACEM’S Stephane Emeret and Julien Dumon spoke with Thomas Maxwell of IDOL and Abby North of North Music Group for “What Roles Are There For Labels, Publishers & CMOs in the Metaverse?” GoodCopBadCop’s Robby Towns hosted a fireside chat with artist Dave Curry, Michelle Munson of Eluvio, and Nick Osborne of Capital Music Group.

Pictured: Margaret Hart of YouTube Music and Jackie Jones of the RIAA sit down for “Family Alliance in Music Presents: Finding Success in the Music Business & at Home,” where they share their thoughts and tips on sustaining a healthy work and home life balance. Photo: Laura E. Partain
MusicWatch’s Russ Crupnick sat down with Jen Agosta of Discogs and Karlyn King to dissect “Understanding The Modern Record Collector.” Bryn Boughton of Feed.media and Kevin Casini of RME hosted the two-part “Power Of The Indies” session covering the growing independent music market. Tuesday’s keynote session featured Sabin sitting down with Kobalt’s Willard Ahdritz, as well as “Music By The Numbers: A Quantitative Look at the Industry in 2023 So Far,” presented by Rob Jonas of Luminate.
Music Biz 2023 completed its third full day of programming on May 17. Highlights included the tracks “Syncs & Samples: The Ins & Outs of Music Clearances,” DEI programming, “Physical Music Industry,” “Spin Fraud,” DSP workshops, and the ever-popular “Metadata Summit.” Music Biz 2023 ended the day with their second annual Bizzy Awards. Highlighted panels included conversations with leading voices on licensing for Web3 and podcasts, a sampling panel with David Porter and Prince Paul, a conversation between the RIAA and YouTube, and other sessions on topics such as metadata integration and spin fraud.
The final day of Music Biz included a 60-minute session with TIDAL, called “Maximize Your Music Career: TIDAL’s Innovative Approach to Artist Growth and Development,” as well as several other informative panels. For the closing Music Biz 2023 keynote interview, indie singer-songwriter LU KALA, Prescription Songs/Amigo Records’ Jillian Rutstein and TikTok’s Tracy Gardner joined Sabin for “Music Biz LIVE: Leveling the Playing Field of Music Discovery on TikTok.”
Music Biz Concludes Successful 2023 Conference
/by Lorie HollabaughMusic Biz President Portia Sabin delivering her annual President’s Address during the Music Biz 2023 brunch sponsored by TuneCore. Photo: Laura E. Partain
Music Biz 2023 is officially wrapped and in the books, following several days of informative panels, sessions and music programming at the JW Marriott Nashville.
Day One featured conversations with songwriter Jenna Andrews and executives from Primary Wave Music, Made in Memphis Entertainment (MIME), Universal Music, Billboard, and BMAC, who revealed their “Music Industry Action Report Card.” Day One also featured the tracks “#NEXTGEN_NOW;” “Today’s Rage, Tomorrow’s Challenges: Industry Trends & Their Impacts;” “Unlocking New Revenue Streams For Music Publishers;” “Backstage Pass: Analyzing Live Music’s Future” and “Competing For Eyeballs: The +/– Of Short-Form Videos.”
Pictured: BMAC’s Willie “Prophet” Stiggers and Naima Cochrane debut the second edition of their ‘Music Industry Action Report Card’ on systemic racism in the music industry along with Color of Change’s Kelle Rozell. Photo: Laura E. Partain
Day Two kicked off with a “Breathwork & Meditation” event with Brandon Holman of Guin Records, followed by a “Record Store Day Town Hall” where attendees got to hear the impact that Record Store Day has had on the industry over the years and celebrate the accomplishments of the most recent RSD events. Nashville Queen obSINity then hosted this year’s Music Biz 2023 brunch featuring Music Biz President Portia Sabin, Keychange’s Andréa DaSilva, TuneCore’s Andreea Gleeson and performances by Tanerélle and San Cha.
Following the brunch, Tuesday afternoon was packed with breakout sessions. JKBX’s Whitney-Gayle Benta and SoundRoyalties’ Alex Heiche headlined the “I Want My Money: Royalty Payments, Catalog Acquisitions & Other Revenue Opportunities” program. SACEM’S Stephane Emeret and Julien Dumon spoke with Thomas Maxwell of IDOL and Abby North of North Music Group for “What Roles Are There For Labels, Publishers & CMOs in the Metaverse?” GoodCopBadCop’s Robby Towns hosted a fireside chat with artist Dave Curry, Michelle Munson of Eluvio, and Nick Osborne of Capital Music Group.
Pictured: Margaret Hart of YouTube Music and Jackie Jones of the RIAA sit down for “Family Alliance in Music Presents: Finding Success in the Music Business & at Home,” where they share their thoughts and tips on sustaining a healthy work and home life balance. Photo: Laura E. Partain
MusicWatch’s Russ Crupnick sat down with Jen Agosta of Discogs and Karlyn King to dissect “Understanding The Modern Record Collector.” Bryn Boughton of Feed.media and Kevin Casini of RME hosted the two-part “Power Of The Indies” session covering the growing independent music market. Tuesday’s keynote session featured Sabin sitting down with Kobalt’s Willard Ahdritz, as well as “Music By The Numbers: A Quantitative Look at the Industry in 2023 So Far,” presented by Rob Jonas of Luminate.
Music Biz 2023 completed its third full day of programming on May 17. Highlights included the tracks “Syncs & Samples: The Ins & Outs of Music Clearances,” DEI programming, “Physical Music Industry,” “Spin Fraud,” DSP workshops, and the ever-popular “Metadata Summit.” Music Biz 2023 ended the day with their second annual Bizzy Awards. Highlighted panels included conversations with leading voices on licensing for Web3 and podcasts, a sampling panel with David Porter and Prince Paul, a conversation between the RIAA and YouTube, and other sessions on topics such as metadata integration and spin fraud.
The final day of Music Biz included a 60-minute session with TIDAL, called “Maximize Your Music Career: TIDAL’s Innovative Approach to Artist Growth and Development,” as well as several other informative panels. For the closing Music Biz 2023 keynote interview, indie singer-songwriter LU KALA, Prescription Songs/Amigo Records’ Jillian Rutstein and TikTok’s Tracy Gardner joined Sabin for “Music Biz LIVE: Leveling the Playing Field of Music Discovery on TikTok.”
Tyler Hubbard Earns Second Solo No. 1, Celebrates At Surprise Nashville Show
/by LB CantrellTyler Hubbard performs at a surprise pop-up show at Nashville’s The Stage. Photo: Evan Mattingly
Tyler Hubbard has topped the country charts for the second time as a solo artist, taking “Dancin’ In The Country” to No. 1 on the Mediabase/Country Aircheck chart. The tune was written by Hubbard, Keith Urban, Ross Copperman and Jon Nite for Hubbard’s debut, self-titled solo album.
To celebrate the feat, the EMI Records Nashville recording artist staged a special surprise concert Nashville’s famed honky tonk, The Stage, on Saturday night (May 20). The pop-up show also commemorated Hubbard’s first year as a solo artist. His debut hit single, “5 Foot 9,” released exactly one year prior, on May 20, 2022.
“Having a second No. 1, one year to the day after my debut solo single was released, is really incredible,” Hubbard shares. “It’s been an amazing year, and I’m thankful to country radio and the fans for embracing my music, and to Keith, Ross and Jon for sharing their creative genius with me.”
Craig Morgan Announces Fall Tour, Memorial Day Performance
/by Caela GriffinCountry music hit-maker, author and Army veteran Craig Morgan will launch his headlining “God, Family, Country Tour 2023,” in partnership with Operation Finally Home. Kicking off Sept. 20 in Englewood, NJ, Morgan and special guests The Reeves Brothers will play 13 theater and auditorium dates through the end of October. Tickets and VIP experience packages are on sale beginning this Thursday, May 25.
Following his sold-out tour stop at Nashville’s Ryman Auditorium last year, Morgan is excited to bring his fan-favorite “God, Family, Country Tour 2023” back out on the road this fall. With new music anticipated later this year, the Grand Ole Opry member will introduce new tunes to his set, in addition to hits such as “Bonfire,” “Almost Home,” “Redneck Yacht Club,” “International Harvester” and more.
“I cannot wait to bring the GFC tour back out again this year and share our music with the greatest fans in the world,” says Morgan. “It was truly special performing in intimate venues last year and we just enjoyed it too much to not do another run.”
On Monday, May 29 the Army veteran will perform during the National Memorial Day Parade—the largest Memorial Day event in the nation. His performance will honor and salute the men and women who have sacrificed in service to America. In addition to the live, in-person experience in Washington, D.C., the parade’s television special will be broadcast.
CRAIG MORGAN’S “GOD, FAMILY, COUNTRY TOUR 2023”
In Partnership With Operation Finally Home*
9/20 – Englewood, NJ – Bergen PAC
9/21 – Rutland, VT – Paramount Theatre
9/22 – Concord, NH – Chubb Theatre
9/23 – Tysons, VA – Capital One Hall
9/24 – Lancaster, PA – American Music Theater
10/12 – Tyler, TX – UT Tyler Cowan Fine & Performing Arts Center**
10/15 – Orange, TX – Lutcher Theater**
10/19 – Effingham, IL – Effingham Performance Center
10/20 – Nashville, IN – Brown County Music Center
10/21 – Shipshewana, IN – Blue Gate Theater
10/22 – Ashland, KY – Paramount Arts Center
10/26 – Auburn, AL – Jay and Susie Gogue Performing Arts Center**
10/27 – Henderson, TN – Williams Auditorium
*Dates subject to change, please check for the latest information.
**These shows will go on sale at a later date. Please check the venue website for specific dates.
Hardy & Lainey Wilson’s ‘Wait in the Truck’ Video To Be Screened At 2023 Tribeca Festival
/by Lorie HollabaughHardy and Lainey Wilson‘s “Wait In The Truck” video has been chosen as an official selection at the 2023 Tribeca Festival this June.
The video depicting the chilling murder ballad is one of the only country music videos to screen at the festival in its 22-year history. Showing three times throughout the June 7-18 New York City festival, the ACM Visual Media of the Year and CMT Collaborative Video of the Year winner appears alongside official music videos from Lizzo (“Special”), The Black Keys (“Wild Child”), and just five other national and international selections.
“It’s amazing to see how far this song has taken us so far,” Hardy says. “I’m grateful that it’s resonated with people and happy to see that story songs like this have a place still in country music and beyond. Thank you to the Tribeca Festival for having us, it’s so cool to be included.”
“This year has been filled with love and abundance – I’m blown away by the reaction the song and video have received since it premiered. It’s an absolute honor to be a part of one of the only country music videos to debut at the Tribeca Film Festival,” Wilson says. “Hardy is a big brother to me and I’m forever thankful that he brought me into this ballad. This song embodies country music, with difficult topics and real-life situations that people can relate to.”
“It’s really a huge accomplishment to make it to Tribeca, not just for myself but for all cast and crew involved,” adds director Justin Clough, who will make his Tribeca debut with “Wait In The Truck.” “Tribeca wasn’t something that was in the picture during production, so for it to have gotten to this point, and have been officially selected, is really a crazy thought. I’m grateful for the love that we’ve received, and I’m excited to attend and meet the other talented filmmakers that have also been selected.”
“Wait In The Truck” has been viewed over 45 million times on YouTube alone, and the Platinum smash topped the Mediabase country chart last month.
Paul Cauthen Signs Publishing Deal With Reservoir & One Riot
/by Lorie HollabaughPictured (L-R): Greg Gallo (VP of Creative, Reservoir), Drew Bennett (Manager, Q Prime South), John Ozier (EVP of Creative, Reservoir), Paul Cauthen, Amy Patton (President, One Riot), Lilly Farner (Junior Creative Manager, One Riot).
Reservoir has signed outlaw country singer-songwriter Paul Cauthen to a publishing deal through its joint venture with One Riot.
The deal includes his full catalog, including the recent single “Rain On My Mind” with Diplo featuring Cauthen and Sierra Ferrell, as well as Cauthen’s single “Hometeam,” plus future works.
Known for his outlaw country gospel-infused style, Cauthen’s voice earned him the nickname “Big Velvet,” taken from a song title on his album Room 41. He launched his music career as one half of the Americana indie folk-rock duo Sons of Fathers with David Beck, releasing a self-titled album in 2011, followed by Burning Days in 2013.
Cauthen went on to focus on his solo career and released his debut album, My Gospel, in 2016. In 2018, Cauthen released an EP entitled Have Mercy and made his Grand Ole Opry debut. He released two additional solo albums, Room 41 (2019) and Country Coming Down (2022), with Room 41 reaching No. 2 on Billboard’s Heatseeker Albums chart.
“Paul’s firecracker talent, deeply soulful voice, and exceptional storytelling all contribute something really refreshing to modern country music and to our Reservoir/One Riot family,” says Reservoir Executive Vice President John Ozier. “We look forward to helping share his unique music with audiences everywhere.”
One Riot President Amy Patton adds, “Paul is a magnetic writer and performer who is disrupting and reshaping the country genre. He can break your heart in one moment and take you to the party with the next. He’s a trailblazer and a showman, and we could not be more grateful and excited to be on this journey with him.”
“I’m very excited to be partnering with One Riot Music and Reservoir,” says Cauthen. “From the first meetings it was clear that we share the same vision of putting creativity above everything else.”
Scotty McCreery Celebrates New RIAA Platinum Certifications
/by Lorie HollabaughPictured (L-R): Triple Tigers Records’ Kevin Herring, George Couri, Scotty McCreery, RIAA’s Jackie Jones, Triple Tigers Records’ Norbert Nix, Triple 8 Management’s Scott Stem and Triple Tigers Records’ Laura Hostelley. Photo: Danielle Del Valle
Scotty McCreery has reached new heights with a few of his hits as “Five More Minutes,” the first of his five consecutive No. 1 singles, has achieved RIAA triple-Platinum status, and “Damn Strait,” the most recent of his back-to-back hits, has gone Platinum.
“I’ve always said that ‘Five More Minutes’ is my favorite song I’ve ever written. For it to become my first triple-Platinum single means it has really connected with the fans, and as a songwriter that’s what you hope for,” says McCreery. “‘Damn Strait’ is one of the most fun songs I get to sing live each night. I’m excited to see the success of both of these songs recognized by the fans and the RIAA.”
Written by the artist alongside Frank Rogers and Monty Criswell, “Five More Minutes” earned McCreery one of five BMI Awards for writing one of the Top 50 Country Songs of the Year, and inspired two popular Hallmark Movies & Mysteries Network holiday movies. “Damn Strait,” the second single from McCreery’s latest album Same Truck, was written by Trent Tomlinson and Jim Collins, and spent three weeks at the top of both the Mediabase and Billboard charts, and was named one of the 10 Best Country Songs of 2022 by Billboard.
McCreery’s current and fastest rising single of his career, “It Matters to Her,” which he co-wrote with Rhett Akins and Lee Thomas Miller, continues its climb in the top five on the Mediabase chart as well as top seven on the Billboard chart.
Earlier this month, McCreery surprised fans with the new track “Why She Gotta Be Like That” featuring Colombian singer-songwriter Gusi. The North Carolina native discovered the Latin sensation on social media performing his song “Why You Gotta Be Like That” and was struck with the idea for a duet between the two featuring both Spanish and English verses.
New Loretta Lynn Devotional Book To Be Released Posthumously
/by Lorie HollabaughLynn’s final offering is a collection of prayers combined with song lyrics inspired by her songwriting sessions with fellow hit songwriter and co-author, ordained minister Dr. Kim McLean. McLean is a Dove award-winning singer-songwriter who has had songs recorded by Tim McGraw, Trisha Yearwood, Lee Ann Womack and others. Through A Song & A Prayer, readers of all faiths and walks of life will have the opportunity to bask in a month’s worth of spiritual encouragement from Lynn’s own resilient faith.
“Originally slated to come out in December, mom worked all summer to complete this book. It was so important to her because she had never devoted an entire book to her faith. Mom was always open about her faith but it was a deeply personal matter to her, one in which we knew at the core was the most important thing in her life. Her passing has made this project all the more special to us and we know her fans will feel the same way,” says Lynn’s daughter Patsy Lynn Russell.
“My writing sessions with Loretta were inspired by our friendship and faith,” says McLean. “She always told me we need to ‘write it the way we say it,’ and these are the things she felt were important to say. It is a capstone project, and a culmination of her wholehearted, unapologetic love of God, of people, and of life. We were similar in many ways and connected on a soul level, but her fans know that’s the only way Loretta ever connected – heart to heart. We laughed all the time when we wrote, sometimes argued, then laughed again. This book came about so naturally. Loretta said this project was special to her, and I’m honored to be her collaborator and friend. She was such an inspiration.”
AFM & SAG-AFTRA Fund Distributes Record $91 Million In Royalties
/by Caela GriffinThe American Federation of Musicians of the United States and Canada (AFM) and SAG-AFTRA announced that the AFM & SAG-AFTRA Intellectual Property Rights Distribution Fund has recently distributed record amount of over $91 million in royalties to union and non-union session musicians and vocalists.
These royalties are paid for their performance on songs played on satellite radio, non-interactive streaming, other digital formats and international neighboring rights. As digital platforms continue to grow, the AFM & SAG-AFTRA Fund will play an increasingly important role in collecting and distributing royalties to these deserving performers.
This non-profit Fund has distributed over $650 million in royalties to tens of thousands of non-featured performers and their beneficiaries as a testament to their commitment to support musicians and vocalists across nearly every genre of music.
For more information, click here.
Dailey & Vincent Sign With Morris Higham Management
/by Lorie HollabaughPictured (L-R): Morris Higham’s Clint Higham, Jamie Dailey and Darrin Vincent, and Morris Higham’s Robert Filhart. Photo: Courtesy of Morris Higham Management
Morris Higham Management has signed Grammy-winning duo Dailey & Vincent.
The Grand Ole Opry members have toured across the globe and played iconic stages including the Ryman Auditorium and Carnegie Hall, sharing their love of bluegrass and country across the Southeast with their own Dailey & Vincent’s American Made Music Festivals.
Dailey & Vincent’s most recent live CD, Dailey & Vincent Alive, debuted at No. 1 on the Billboard Bluegrass charts and remained at the top position for over 15 weeks. The pair’s first-ever Christmas album, Dailey & Vincent: The Sounds of Christmas debuted at No. 1 on the Billboard Bluegrass chart and No. 8 on the Billboard Holiday Chart, the only country, bluegrass and gospel act in the Top Ten. In 2022 they released Let’s Sing Some Country on BMG Nashville, and are currently on season six of their national television series, The Dailey & Vincent Show on RFD TV.
“The first thing we look for when signing an artist is the quality of the music. When I heard ‘Let’s Sing Some Country,’ I knew we wanted to work with Jamie and Darrin,” says Morris Higham’s Clint Higham. “Great songs, great voices and world-class musicians. The team and I are really excited to be working with Dailey & Vincent as they begin the next chapter of their award-winning career.”
“We are beyond excited to sign with Morris Higham Management. We are looking forward to working with our new managers Clint Higham, Robert Filhart and the entire team as we move forward into the future with these incredible people and professionals,” says Dailey & Vincent.
RIAA CEO Issues Statement On Supreme Court Decision In Warhol Case
/by Sherod RobertsonThe Supreme Court ruled against the Warhol Foundation yesterday, May 18, on the case of Andy Warhol Foundation for the Visual Arts, Inc. v Goldsmith.
Using an iconic image of Prince shot by photographer Lynn Goldsmith in 1981, Andy Warhol transformed it into a series of artworks in the 1980s. Warhol’s interpretations of the image were his classic pop-art style, including vibrant colors and stylistic alterations. Goldsmith only learned about Warhol’s work in 2016 and immediately filed a lawsuit against the Andy Warhol Foundation for the Visual Arts, alleging copyright infringement.
Recording Industry Association of America® (RIAA) Chairman and CEO Mitch Glazier responded to the ruling.
“We applaud the Supreme Court’s considered and thoughtful decision that claims of ‘transformative use’ cannot undermine the basic rights given to all creators under the Copyright Act. Lower courts have misconstrued fair use for too long and we are grateful the Supreme Court has reaffirmed the core purposes of copyright. We hope those who have relied on distorted – and now discredited – claims of ‘transformative use,’ such as those who use copyrighted works to train artificial intelligence systems without authorization, will revisit their practices in light of this important ruling.”
The Supreme Court ruling has challenged the status quo by redefining the boundaries around fair use and copyright protection. It clarified that aesthetic changes alone are not sufficient to warrant fair use protection, and the transformative use must have a significant impact on the original work. The ruling provides protection to photographers and artists to maintain control.