
Brad Paisley. Photo: Jeff Lipsky
Yesterday was the first day of summer, and the country artists are celebrating.
Jameson Rodgers, Brian Kelley and Brad Paisley all have new singles saluting the season. The rocking effort by Brad Paisley takes home the Disc of the Day award.
The DISCovery Award goes to Tanner Adell, one of three Black female acts in today’s playlist. The others are the equally listenable O.N.E. The Duo and Black Opry alumna Roberta Lea.
Three seems to be today’s magic number. Big Machine is on fire this week, with three of our contenders. David Garcia is having a moment, since he’s also involved in three of this week’s releases. And that bring us back to summertime, which is the topic of three DISClaimer sounds. Here’s hoping yours is a sunshine-and-flowers season.
JOSH ROSS / “Trouble”
Writers: Josh Ross/Mason Thornley; Producer: Matt Geroux; Label: Mercury Nashville
– Heartbreak and anguish from a shredded tenor voice. The ballad is taken at a mournful pace as he describes drinking to ease the pain. In mid-song, everything stops for a drunk-dial, spoken-word passage. The echoey guitars are cool. too.
CARLY PEARCE & CHRIS STAPLETON / “We Don’t Fight Anymore”
Writers: Carly Pearce/Shane McAnally/Pete Good; Producers: Shane McAnally/Josh Osborne/Carly Pearce; Label: Big Machine
– The relationship is so dead that they have stopped communicating completely. There’s no love, but there’s also no hate. A dobro drones sympathetically as the vocalists portray this super sad story. Both are such glorious singers that you hang on every line.
BRIAN KELLEY / “See You Next Summer”
Writers: David Garcia/Michael Hardy/Hillary Lindsey; Producer: Dann Huff; Label: Big Machine
– This mid-tempo effort unspools with pent-up energy as his voice rides atop a swirling mix of beats and electric guitars. They hooked up at the beach in Florida. Instead of calling it a summer fling, he fell in love.
BRAD PAISLEY / “So Many Summers”
Writers: Brad Paisley/Ross Copperman/Lee Thomas Miller; Producers: Luke Wooten/Brad Paisley; Label: Loaded Goat/UMG
– Live it up and have a good time, because you only get so many summers. “Swing for the fence, jump in the water …and tell her you love her.” A word of wisdom from the senior citizen at the playground. And it RAWKS. Play this on repeat.
JAMESON RODGERS / “Mine for the Summer”
Writers: Brent Anderson/Jake Mitchell/Jameson Rodgers/Smith Ahnquist; Producer: David Garcia; Label: Columbia/River House Artists
– Well written. He’s fallen so hard that he doesn’t care about anybody back home or anything else, for that matter. They’ve just met, but he’s dizzy and giddy enough that it doesn’t matter whether she’s his for the night, for the summer or for the rest of his life. The chiming production supports him at every melodic turn. A lovely little single.
CHRIS JANSON / “The Outlaw Side of Me”
Writers: Chris DeStefano/Chris Janson/Lee Miller; Producers: Julian Raymond/Chris Janson/Scott Borchetta; Label: Big Machine
– The title tune of Janson’s new album is a thumping redneck anthem that marries his drawling vocal performance with some processed electronics and a Southern-rock production. Fiery and fierce.
JOE NICHOLS / “Brokenhearted”
Writers: John Thomas Harding/Marv Green/Rhett Akins; Producers: Mickey Jack Cones/Derek George; Label: Quartz Hill Records
– This lively tune puts tongue firmly in cheek to state that there’s no crying-in-your-beer country music anymore. Instead, everybody’s dancing to party songs, “gettin’ up and gettin’ down.” I love this song, and he’s still one helluva country singer.
PILLBOX PATTI / “Low Life”
Writers: Nicolette Hayford/Chris Tompkins/Jessie Jo Dillon/Nicolette Rose Hayford; Producers: Chris Tompkins/Park Chisolm; Label: Monument Records
– This is a terrifically gripping account of a misspent youth of drugs, booze, theft, jail and bad behavior. Despite the sordid details, you get the impression that she has fond memories. Her hushed vocal is wonderfully compelling, and the echoey, wooshy, electronic production casts a hypnotic spell. As a songwriter, Nicolette Hayford is top-notch. As an artist, Pillbox Patti has no equal.
ROBERTA LEA / “Too Much of a Woman”
Writer: Roberta Lea Halmond-Walters; Producer: none listed; Label: Heaven Lea Records
– Very feisty. She might be too loud and too assertive, but she’ll be nobody’s doormat. “If I’m too much of a woman, you’re too little of a man.” So there. Here’s an interesting tidbit: This feminist anthem was recorded in the studio with an all-woman band.
TANNER ADELL / “Throw It Back”
Writers: Dan Pellarin/Tanner Adell; Producer: Evan Cline; Label: Columbia
– Adell employs a fishing metaphor on this bopping, amusing, girl-power outing. If you don’t like the way he talks or acts, well just like something you hauled in with your rod and reel, toss him overboard. On the other hand, if he likes classic country songs, “grab him by the hand and take his country ass back home.”
O.N.E. The Duo / “‘Til You Called My Name”
Writers: Prana Supreme Diggs/John Bettis/Tekitha Washington; Producer: Nash Overstreet; Label: Visionary Media Group
– Lilting and very pretty. Their airy, wafting voices blend in harmony beautifully. The sighing strings in the mix are exquisitely arranged and produced. The message is a balm of finding home and solace after a wanderlust life. Lend this your ears. By the way, this mother-daughter team deserves some major-label support.
CARRIE UNDERWOOD / “Take Me Out”
Writers: Carrie Underwood/David Garcia/Hillary Lindsey; Producers: Carrie Underwood/David Garcia; Label: Capitol Nashville
– Sweet sounding. Underwood wants to rekindle romance with some simple solutions—some flirting, some kisses, some attention. Most of all, take her out on the town. The gently pulsing rhythm and hushed soprano harmonies are the icing on the audio cake.
Tim McGraw Slates New Album ‘Standing Room Only’ For August
/by Lorie HollabaughTim McGraw. Photo: Robby Klein
Tim McGraw has announced his new album Standing Room Only is set for release on Aug. 25 via Big Machine Records. He’s giving fans a taste of the new project with the new song “Hey Whiskey,” out now.
Standing Room Only features 13 brand new tracks and was produced by McGraw and longtime producer Byron Gallimore. Among the writers contributing to the new album are Craig Wiseman, Jaren Johnston, Lori McKenna, Chase McGill and Kameron Marlowe.
The new album, his 17th studio project, marks McGraw’s first new record since 2020’s Here On Earth, which debuted at No. 1 on the Billboard Country Chart. In tandem with the pre-save going live today, fans can purchase a collectors bundle with their vinyl or CD, featuring a new t-shirt, collectible trading card and poster.
“As an artist, I always want to dig deeper and get better every time I make a new record – it’s a big part of what drives me, and I really believe this is one of the best projects we’ve made. I’ve been working on this album since 2020, and this collection of songs are some of the most emotional, thought-provoking, and life-affirming music I’ve ever recorded,” McGraw shares. “I’m excited to have ‘Hey Whiskey’ out so fans can start hearing more of what we’re working on – and maybe even more before August…”
Today’s release of “Hey Whiskey” and its lyric video follows the album’s first single/title track “Standing Room Only,” which was released in March and is climbing through the Top 20 on the charts. “Standing Room Only” marks McGraw’s 92nd entrance into Billboard’s Hot Country Songs Chart. Throughout his career, McGraw has amassed 68 Top 10s and holds the Mediabase record for the most weeks at No. 1 with all titles, totaling 73 weeks, and also holds the record for second-most No. 1 albums in the U.S. just behind George Strait.
Standing Room Only Track List:
“Hold On To It” (Written by Ryan Larkins, Seth Mosley, Jimmy Yeary)
“Standing Room Only” (Written by Tommy Cecil, Patrick Murphy, Craig Wiseman)
“Paper Umbrellas” (Written by Monty Criswell, Drake Milligan)
“Remember Me Well” (Written by Heather Morgan, Jimmy Robbins)
“Hey Whiskey” (Written by Brad Hutsell, Joel Hutsell, Brad Warren, Brett Warren)
“Her” (Written by Jason Gantt, Tim Nichols, Jimmy Yeary)
“Fool Me Again” (Written by Kameron Marlowe, Brad Warren, Brett Warren, Rob Williford)
“Small Town King” (Written by Jaren Johnston, Jenn Schott, Jeremy Stover)
“Beautiful Hurricane” (Written by Mike Lane, Tony Lane)
“Cowboy Junkie” (Written by Bill Luther, Lance Miller, Justin Weaver)
“Nashville CA/L.A. Tennessee (Featuring Lori McKenna)” (Written by Tim McGraw, Lori McKenna, Bob Minner)
“Some Songs Change Your World” (Written by Mark Irwin, Josh Kear, Lance Miller)
“Letter From Heaven” (Written by Chase McGill, Lori McKenna, Parker Welling)
Luke Combs Earns Another MusicRow No. 1 With ‘Fast Car’ Cover
/by LB CantrellLuke Combs. Photo: Jeremy Cowart
Luke Combs is at No. 1 on the MusicRow CountryBreakout Radio Chart this week with his explosive cover of Tracy Chapman‘s “Fast Car.”
Written solely by Chapman, the singer-songwriter had a huge hit with “Fast Car” in 1989. The tune received three Grammy nominations that year, and won Best Female Pop Vocal Performance.
Combs included his cover of “Fast Car” on his 2023 album Gettin’ Old after years of playing it on the road. It was sent to U.S. Top 40 and Hot AC radio as the second single from the album, marking the first time that Combs has sent a song to contemporary hit radio.
Click here to view the latest edition of The MusicRow Weekly containing the MusicRow CountryBreakout Radio Chart.
Willie Nelson Reimagines His Classics On New Album ‘Bluegrass’
/by Lorie HollabaughA new Willie Nelson studio album Bluegrass is slated for release on Sept. 15.
The project features Nelson performing 12 of his favorite self-penned classics with a bluegrass ensemble, and the first track from the album, “You Left Me a Long, Long Time Ago,” was released yesterday (June 22).
His 151st album, according to Texas Monthly’s interactive All Willie Nelson Albums Ranked list, Bluegrass presents classic Nelson compositions including “On the Road Again,” “Yesterday’s Wine,” “Still is Still Moving to Me,” “Good Hearted Woman” and more, re-interpreted by Nelson and his bluegrass band.
Produced by longtime musical collaborator Buddy Cannon, Bluegrass features musicians including Barry Bales (upright bass), Ron Block (banjo), Aubrey Haynie (fiddle), Rob Ickes (dobro), Josh Martin (acoustic guitar), Mickey Raphael (harmonica), Seth Taylor (mandolin), Bobby Terry (acoustic guitar, gut string guitar), Dan Tyminski (mandolin); and backing vocals by Wyatt Beard, Buddy Cannon and Melonie Cannon.
The album’s cover art was done by Micah Nelson—Willie’s son, a multimedia artist and musician—whose previous artwork for Willie includes the albums I Don’t Know a Thing About Love and First Rose of Spring, as well as 2013’s autobiographical New York Times bestseller Roll Me Up and Smoke Me When I Die: Musings from the Road.
Bluegrass Track Listing:
1. No Love Around
2. Somebody Pick Up My Pieces
3. Good Hearted Woman (cowritten with Waylon Jennings)
4. Sad Songs And Waltzes
5. Home Motel
6. You Left Me A Long, Long Time Ago
7. Yesterday’s Wine
8. Bloody Mary Morning
9. Slow Down Old World
10. Still Is Still Moving To Me
11. On The Road Again
12. Man With The Blues
Dan + Shay Become First Coaching Duo On ‘The Voice’ Season 25
/by Caela GriffinDan + Shay at Nissan Stadium during CMA Fest 2023 in downtown Nashville.
NBC’s The Voice announced today (June 22) that Grammy winners Dan + Shay will be the show’s first coaching duo for Season 25, set to air in spring 2024.
After serving as Blake Shelton‘s Battle Advisors during Season 20, the duo will have their red double chair alongside Reba McEntire and John Legend, who return for back-to-back cycles. Chance the Rapper is also returning following his Season 23 debut.
The coaching panel for this fall’s season 24 including McEntire, Legend, Niall Horan and Gwen Stefani.
NSAI Relaunches House Songwriters Caucus
/by LB CantrellPictured (L-R): Jennifer Turnbow (Chief Operating Officer, NSAI), Kelly Archer (songwriter/NSAI Board Member), Rep. Ben Cline (R-VA), Rep. Ted Lieu (D-CA), Emily Shackelton (songwriter/NSAI Board Member), Bart Herbison (Executive Director, NSAI)
Congressman Ted W. Lieu (D-Los Angeles County) and Congressman Ben Cline (R-VA) re-launched have relaunched the Songwriters Caucus in the U.S. House of Representatives, establishing a group of like-minded lawmakers who support songwriters.
To celebrate the launch, Reps Lieu and Cline welcomed songwriters and representatives from various songwriter advocacy organizations to Capitol Hill, where the Members announced the formation of the caucus and heard songs performed by the songwriters who were present.
“My district in Southern California is home to many talented songwriters whose work contributes so much to our culture and society,” says Rep. Lieu. “I’m thrilled to join Congressman Ben Cline in co-chairing the new bipartisan Congressional Songwriter’s Caucus, which will work to support America’s brilliant songwriters by ensuring they can protect their work and make a living doing what they love. Music contributes so much to our way of life, and we must ensure those creating it are compensated fairly. I’m grateful to the numerous songwriter advocacy organizations who’ve partnered with us on the creation of this caucus and look forward to working together to support our artists.”
“Making art, specifically music, is a powerful way to leave a mark on the world,” said Rep. Cline. “It’s a part of our everyday lives, from what we listen to on our commutes in the morning, to the music we select for our most important life events, such as birthdays, weddings, and funerals. But today’s modern music landscape can make it more difficult for certain artists, especially independent songwriters, to make a living. That is why I’m proud to co-chair the Congressional Songwriters Caucus, which will play an important role in promoting the songwriting community by working to ensure the creative rights of songwriters are protected.”
The Congressional Songwriters Caucus is supported by Nashville Songwriters Association International(NSAI), National Music Publishers’ Association (NMPA), the Recording Academy, BMI and ASCAP.
In a statement to MusicRow, NSAI shares, “Since the Songwriters Caucus was initially launched 20 years ago technology has completely changed the way music is delivered. American songwriters still face challenges in the digital era and we are very grateful to Congressmen Cline and Lieu for their bipartisan support.”
NMPA President & CEO David Israelite says, “We applaud Representatives Cline and Lieu for leading the Congressional Songwriters Caucus and we are excited about today’s launch. NMPA is the leading advocate for music publishers and their songwriter partners and we greatly look forward to working with the Caucus to advance policy interests that will protect creators and ensure that songwriters thrive.”
DISClaimer Single Reviews: Brad Paisley ‘RAWKS’
/by Robert K OermannBrad Paisley. Photo: Jeff Lipsky
Yesterday was the first day of summer, and the country artists are celebrating.
Jameson Rodgers, Brian Kelley and Brad Paisley all have new singles saluting the season. The rocking effort by Brad Paisley takes home the Disc of the Day award.
The DISCovery Award goes to Tanner Adell, one of three Black female acts in today’s playlist. The others are the equally listenable O.N.E. The Duo and Black Opry alumna Roberta Lea.
Three seems to be today’s magic number. Big Machine is on fire this week, with three of our contenders. David Garcia is having a moment, since he’s also involved in three of this week’s releases. And that bring us back to summertime, which is the topic of three DISClaimer sounds. Here’s hoping yours is a sunshine-and-flowers season.
JOSH ROSS / “Trouble”
Writers: Josh Ross/Mason Thornley; Producer: Matt Geroux; Label: Mercury Nashville
– Heartbreak and anguish from a shredded tenor voice. The ballad is taken at a mournful pace as he describes drinking to ease the pain. In mid-song, everything stops for a drunk-dial, spoken-word passage. The echoey guitars are cool. too.
CARLY PEARCE & CHRIS STAPLETON / “We Don’t Fight Anymore”
Writers: Carly Pearce/Shane McAnally/Pete Good; Producers: Shane McAnally/Josh Osborne/Carly Pearce; Label: Big Machine
– The relationship is so dead that they have stopped communicating completely. There’s no love, but there’s also no hate. A dobro drones sympathetically as the vocalists portray this super sad story. Both are such glorious singers that you hang on every line.
BRIAN KELLEY / “See You Next Summer”
Writers: David Garcia/Michael Hardy/Hillary Lindsey; Producer: Dann Huff; Label: Big Machine
– This mid-tempo effort unspools with pent-up energy as his voice rides atop a swirling mix of beats and electric guitars. They hooked up at the beach in Florida. Instead of calling it a summer fling, he fell in love.
BRAD PAISLEY / “So Many Summers”
Writers: Brad Paisley/Ross Copperman/Lee Thomas Miller; Producers: Luke Wooten/Brad Paisley; Label: Loaded Goat/UMG
– Live it up and have a good time, because you only get so many summers. “Swing for the fence, jump in the water …and tell her you love her.” A word of wisdom from the senior citizen at the playground. And it RAWKS. Play this on repeat.
JAMESON RODGERS / “Mine for the Summer”
Writers: Brent Anderson/Jake Mitchell/Jameson Rodgers/Smith Ahnquist; Producer: David Garcia; Label: Columbia/River House Artists
– Well written. He’s fallen so hard that he doesn’t care about anybody back home or anything else, for that matter. They’ve just met, but he’s dizzy and giddy enough that it doesn’t matter whether she’s his for the night, for the summer or for the rest of his life. The chiming production supports him at every melodic turn. A lovely little single.
CHRIS JANSON / “The Outlaw Side of Me”
Writers: Chris DeStefano/Chris Janson/Lee Miller; Producers: Julian Raymond/Chris Janson/Scott Borchetta; Label: Big Machine
– The title tune of Janson’s new album is a thumping redneck anthem that marries his drawling vocal performance with some processed electronics and a Southern-rock production. Fiery and fierce.
JOE NICHOLS / “Brokenhearted”
Writers: John Thomas Harding/Marv Green/Rhett Akins; Producers: Mickey Jack Cones/Derek George; Label: Quartz Hill Records
– This lively tune puts tongue firmly in cheek to state that there’s no crying-in-your-beer country music anymore. Instead, everybody’s dancing to party songs, “gettin’ up and gettin’ down.” I love this song, and he’s still one helluva country singer.
PILLBOX PATTI / “Low Life”
Writers: Nicolette Hayford/Chris Tompkins/Jessie Jo Dillon/Nicolette Rose Hayford; Producers: Chris Tompkins/Park Chisolm; Label: Monument Records
– This is a terrifically gripping account of a misspent youth of drugs, booze, theft, jail and bad behavior. Despite the sordid details, you get the impression that she has fond memories. Her hushed vocal is wonderfully compelling, and the echoey, wooshy, electronic production casts a hypnotic spell. As a songwriter, Nicolette Hayford is top-notch. As an artist, Pillbox Patti has no equal.
ROBERTA LEA / “Too Much of a Woman”
Writer: Roberta Lea Halmond-Walters; Producer: none listed; Label: Heaven Lea Records
– Very feisty. She might be too loud and too assertive, but she’ll be nobody’s doormat. “If I’m too much of a woman, you’re too little of a man.” So there. Here’s an interesting tidbit: This feminist anthem was recorded in the studio with an all-woman band.
TANNER ADELL / “Throw It Back”
Writers: Dan Pellarin/Tanner Adell; Producer: Evan Cline; Label: Columbia
– Adell employs a fishing metaphor on this bopping, amusing, girl-power outing. If you don’t like the way he talks or acts, well just like something you hauled in with your rod and reel, toss him overboard. On the other hand, if he likes classic country songs, “grab him by the hand and take his country ass back home.”
O.N.E. The Duo / “‘Til You Called My Name”
Writers: Prana Supreme Diggs/John Bettis/Tekitha Washington; Producer: Nash Overstreet; Label: Visionary Media Group
– Lilting and very pretty. Their airy, wafting voices blend in harmony beautifully. The sighing strings in the mix are exquisitely arranged and produced. The message is a balm of finding home and solace after a wanderlust life. Lend this your ears. By the way, this mother-daughter team deserves some major-label support.
CARRIE UNDERWOOD / “Take Me Out”
Writers: Carrie Underwood/David Garcia/Hillary Lindsey; Producers: Carrie Underwood/David Garcia; Label: Capitol Nashville
– Sweet sounding. Underwood wants to rekindle romance with some simple solutions—some flirting, some kisses, some attention. Most of all, take her out on the town. The gently pulsing rhythm and hushed soprano harmonies are the icing on the audio cake.
Brandi Carlile Laurel Canyon Special Coming To HBO July 1
/by Lorie HollabaughThe HBO Original concert special Brandi Carlile: in the Canyon Haze – Live from Laurel Canyon is set to debut July 1 at 8 p.m. ET on HBO and will be available to stream on Max.
Presented at the Ross House in Los Angeles and IMAX theater screens, the concert special was taped in 2022. Directed by Sam Wrench (Max Original Lizzo: Live in Concert) and originally broadcast live from Los Angeles’ historic Laurel Canyon neighborhood, this groundbreaking performance from the 9x Grammy-winning artist features lushly reimagined songs from her album, In These Silent Days. Alongside her band, Carlile brings her signature flair to a showcase of tracks, including an original take on David Bowie’s “Space Oddity” in a tribute to the vibrant music scene born in the Hollywood Hills.
Carlile was recently honored with the 2023 NMPA Songwriter Icon award. Brandy Clark performed “You and Me On The Rock” in a surprise tribute to Carlile, who produced her latest album, and singer-songwriter Allison Russell performed Carlile’s hit “This Time Tomorrow.”
CMT Reveals Lineup For ‘Next Women Of Country’ Showcase
/by Lorie HollabaughCMT and City Winery Nashville have announced the lineup for its upcoming “Next Women of Country” showcase on July 18.
Co-hosted by Lindsay Ell (NWOC Class of 2014) and CMT’s Leslie Fram, “Next Women of Country, presented by Change The Conversation” will feature performances in the round from “CMT Next Women of Country” members spanning the classes of 2020-2023, including Georgia Webster (2023), Kasey Tyndall (2023), MacKenzie Porter (2021), MaRynn Taylor (2023), Megan Moroney (2023), O.N.E The Duo (2023), Priscilla Block (2021) and Tiera Kennedy (2020).
The show continues the 10th anniversary celebration of CMT’s storied franchise and its newest and largest class to-date, and tickets are on sale today at citywinery.com. The upcoming showcase marks the third installment of the series this year, following CMT’s January 2023 event where 16 new artists were named to the “CMT Next Women of Country” franchise. Additional showcases will continue at City Winery Nashville throughout the year.
CMT first launched its “Next Women of Country” campaign in 2013 as a meaningful effort to support developing female talent, both signed and unsigned, in a male-dominated format. The initiative has grown significantly since its inception, showcasing emerging female artists across all CMT screens, including CMT and CMT Music, various digital series, performance showcases and seven tours anchored by acts including Jennifer Nettles, Martina McBride, Sara Evans, Tanya Tucker and Maddie & Tae. As of January 2023, a total of 111 female artists have been inducted into the program, with members earning more than 50 major awards, including nine Grammy Awards.
Underscore Works Hires Jamie Ernst & Jordin Wentworth
/by LB CantrellJamie Ernst, Jordin Wentworth
Underscore Works has added two team members to its Nashville-based office. Jamie Ernst has come on board as Artist Manager / Director of Marketing and Jordin Wentworth as Associate Manager.
Ernst joins Underscore Works from Average Joes Entertainment, where she held various positions over the past 13 years, including day-to-day management responsibilities for Colt Ford, Josh Gracin, Brantley Gilbert and others, as well as marketing efforts for the Average Joes’ label roster. She is a Nashville native and a graduate of the University of Tennessee, Knoxville.
Ernst brings her long-time client Sister Hazel to Underscore Works’ roster, which also includes Priscilla Block, Dalton Dover, Warren Zeiders, Logan Mize and Dipper.
Wentworth, a New York native, joins the company after holding prior positions as an Office Manager for attorney Bruce Phillips and Project Manager at Clearbox Rights, where she primarily worked with the catalog of music publisher Mojo Music and Media. She is a graduate of the University at Buffalo.
“Jamie and Jordin have hit the ground running, providing a great level of service to the Underscore Works roster,” says Charly Salvatore, Founder of Underscore Works. “As the company’s first employees, they have set the bar high and helped define a team-first culture.”
Mackenzie Carpenter Makes Grand Ole Opry Debut
/by Liza AndersonMackenzie Carpenter performs during her Grand Ole Opry debut. Photo: Chris Hollo/Grand Ole Opry
Rising country artist Mackenzie Carpenter graced the Grand Ole Opry stage for the first time on Tuesday night (June 20).
The Hull, Georgia native made the milestone evening a family affair as she brought her brothers, fellow songwriter and guitar player Micah and Maclean—who taught her how to play guitar, to debut alongside her. She sang her career kickstarter “Can’t Nobody” and hit “Huntin’ Season,” earning her a standing ovation.
The Hull, Georgia native made the milestone evening a family affair as she brought her brothers to debut alongside her: fellow songwriter and guitar player Micah, and Maclean who taught her how to play guitar. She sang her career kickstarter “Can’t Nobody” and hit “Huntin’ Season,” earning her a standing ovation.
Carpenter had visited the iconic venue plenty and always dreamed of taking the stage one day. One of those visits included an unexpected meeting with Little Big Town who surprised her with an invite to play.
Pictured (L-R): Micah Carpenter, Mackenzie Carpenter and Maclean Carpenter. Photo: Luke Hutcherson
“I’m nervous, excited and have more energy than I know what to do with right now,” she said prior to performing. “This is it. This is a moment I’ll be telling my grandkids about some day. It means the world that I get to share it with my brothers and have all my people here with me tonight. I need to take a few deep breaths and really soak it all in—it’s not every day a girl from my neck of the woods gets to live out such a big dream.”
As friends and family from her hometown beamed with pride in the crowd, Carpenter honored her roots—wearing her late grandmother’s earrings and a replica of her late grandfather’s lucky horseshoe ring.
“I’ve been dreaming of this moment for so long, I’ve got to say it out loud… I’m Mackenzie Carpenter and this is my Grand Ole Opry debut!” she exclaimed from the stage.