
Jesse McReynolds. Photo: Courtesy of the Grand Ole Opry archives
Bluegrass Hall of Fame inductee Jesse McReynolds, the oldest cast member of the Grand Ole Opry, has died at age 93.

Jesse & Jim McReynolds. Photo: Courtesy of the Grand Ole Opry archives
He was noted for his revolutionary, complex “crosspicking” style of mandolin playing as well as for his years of recording and performing in the star brother duo Jim & Jesse. His guitarist-singer older brother Jim McReynolds was born in 1927 and died on New Year’s Eve in 2002.
Jesse McReynolds was born July 9, 1929 near Coburn, Virginia. Jim & Jesse’s grandfather was fiddler Charlie McReynolds, who recorded as a member of The Bull Mountain Moonshiners at the famed 1927 Bristol Sessions where Jimmie Rodgers and The Carter Family were discovered. Their coal-miner father, Claude, was also a fiddler. Mother Savannah played guitar, banjo and harmonica and taught them to sing gospel songs in harmony.
The brothers established their performing partnership in 1947, following Jim’s hitch in the Army. They began their broadcasting career on WNVA in Norton, Virginia. During the next few years, they held radio jobs in Johnson City, Tennessee; Lexington, Kentucky; Charleston, West Virginia; Augusta, Georgia; Waterloo, Iowa; Wichita, Kansas and other towns. During their first dozen years as professionals, Jim & Jesse performed on 14 radio stations in 10 different states. They had their first recording session in 1951.

Jesse & Jim McReynolds. Photo: Courtesy of the Grand Ole Opry archives
Following radio stints in Asheville, North Carolina and Versailles, Kentucky, Jim & Jesse were signed by Capitol Records and brought to Nashville to record in 1952. The fiddler on the sessions was James Loden, later to become Country Music Hall of Fame member Sonny James. The standout tune of these recordings was one of their trademark songs, “Are You Missing Me,” penned by The Louvin Brothers.
Jesse was drafted and entered the Army to serve in the Korean War. While he was home on leave in 1953, the brothers recorded “Air Mail Special,” “A Memory of You” and other tunes for Capitol.
With Jesse’s military service completed, the duo joined the cast of WWVA’s Wheeling Jamboree in 1955. But the team truly began to prosper the following year when the brothers moved to Florida. They broadcast for several years on WNER’s Swanee River Jamboree in Live Oak and became television stars with their own shows in Tallahassee and Pensacola. By the late 1950s, their programs were also being broadcast on TV in Montgomery, Alabama; Albany, Georgia; Dothan, Alabama and Jackson, Mississippi.

Jesse McReynolds, Ricky Skaggs, Jim McReynolds. Photo: Courtesy of the Grand Ole Opry archives
Jim & Jesse recorded for Starday Records in 1958, then signed with Columbia’s Epic Records division on Music Row in 1962. This is the label where their biggest hits occurred.
Bluegrass music gained popularity on the folk circuit during this era. Jim & Jesse performed at the Newport Folk Festival in 1963 and 1966.
On the strength of such high-profile engagements and the major-label contract, the Grand Ole Opry invited Jim & Jesse to become members of the show’s cast on March 2, 1964. Throughout their Opry tenure—and indeed, throughout their career—the McReynolds brothers were widely respected for their courtly manners and gentlemanly ways.
Four months after their Opry induction, Jim & Jesse’s first charted single was 1964’s “Cotton Mill Man,” which also became a signature song. “Better Times A-Comin’” followed it onto the charts as a top 40 hit in 1965. Their eyebrow-raising LP Berry Pickin’ in the Country was also released in 1965. It contained their bluegrass arrangements of Chuck Berry’s rock ’n’ roll classics.
This record typified their willingness to experiment. Jim & Jesse also dabbled in Latin, electric country, gospel, cowboy and other genres. In 1969, Jesse McReynolds played mandolin on The Doors rock LP The Soft Parade.
The brothers scored their biggest country hit with 1967’s “Diesel on My Tail.” Other memorable Epic recordings included versions of Robert Mitchum’s “Ballad of Thunder Road” (1967), Tom T. Hall’s “Greenwich Village Folk Song Salesman” (1968), Ray Pennington’s “Yonder Comes a Freight Train” (1968) and Hank Snow’s “Golden Rocket” (1970). They returned to Capitol and charted with Elizabeth Cotton’s folk classic “Freight Train” in 1971.

Jesse McReynolds. Photo: Courtesy of the Grand Ole Opry archives
Jim & Jesse veered into a harder-edged bluegrass sound in the 1970s. Their Virginia Boys band included such stellar alumni as Vassar Clements, Allen Shelton, Bobby Thompson, Carl Jackson, Vic Jordan, Glen Duncan, Randall Franks, Chick Stripling and Jimmy Buchanan. The group was wildly popular on the bluegrass-festival circuit for three decades.
The brothers launched their own syndicated TV series, The Jim & Jesse Show, in the early 1970s, They formed their own Old Dominion and Double J record labels and released a number of LPs, cassettes and CDs on these in the 1970s, ‘80s and ‘90s. In 1977, they created their own annual bluegrass festival and maintained it well into the 1980s.
They were nominated for a Grammy Award for the 1992 CD Music Among Friends. They were inducted into the Bluegrass Hall of Fame in 1993. They received a National Heritage Fellowship Award from the National Endowment for the Arts in 1997.
The death of Jim McReynolds in 2002 marked the end of the 55-year run of the longest lasting brother duo in country history. Jim & Jesse were also notable for having the longest running fan club in the annals of country music.
Following his brother’s passing, Jesse McReynolds continued to tour, record and appear on the Opry. In 1990, he had been part of a recording and touring “supergroup” called The Masters that also included Josh Graves, Kenny Baker and Eddie Adcock. He created a new instrument called the mandolobro, which was tuned like a mandola and had a resonator-guitar body. It was featured on his CD Jesse McReynolds Introduces the Mandolobro.
His other solo albums included New Horizons (2004), Bending the Rules (2004), A Tribute to Brother Duets (with Charles Whitstein, 2005) and Dixie Road (2007). In 2010, he released a tribute album to the songs of The Grateful Dead.
He was variously dubbed “Mr. Mandolin” (for his innovative, virtuoso playing) and “The Ironman of Bluegrass” (for the 65+ years of his career). Solo and with his brother, Jesse McReynolds recorded more than 50 albums.
Jesse McReynolds was preceded in death by his parents, Claude Matthew McReynolds and Prudence Savannah Robinette McReynolds; loving first wife of 41 years, Darlene McReynolds; son, Keith McReynolds, brother, Jim McReynolds, sisters, Stella McReynolds and Virginia Greear and great grandson, Andrew Keith McReynolds.
He is survived by his loving second wife of 27 years, Joy Tipton McReynolds; daughter, Gwen McReynolds; sons, Michael K. McReynolds and Randy Q. McReynolds; eight grandchildren and three great grandchildren.
Funeral Service will be 11:00 a.m. Wednesday, June 28 from the chapel of Alexander Funeral Home & Cremation Center with Brother James Bell and Randy McReynolds officiating. Entombment will follow in Sumner Memorial Gardens Mausoleum. Visitation will be Monday, June 26 from 4:00-8:00 p.m., Tuesday, June 27 from 2:00-8:00 p.m. and Wednesday, June 28 from 9:00 a.m. until the time of service.
2023 Country In The Keys Festival Set For July
/by Lorie HollabaughThe second annual Country in the Keys Festival is set for July 1-4 at the Isla Bella Beach Resort in the Florida Keys.
Hosted by Isla Bella Beach Resort and Sony Music Publishing Nashville, the event will showcase singer-songwriters including Tenille Arts, Filmore, Tyler Braden, Emily Weisband, Matt Rogers, Tim Nichols, JT Harding, Trannie Anderson, Zach Kale, Jimmy Yeary, The Isaacs and Lindsay Rimes.
All events will be emceed by Storme Warren, and performances will be for resort guests with a select group of tickets for outside invitees. The Isla Bella Beach Resort is a hotel and spa based at the threshold of the Seven Mile Bridge. The resort sits on 24 waterfront acres. In addition to the private, mile-long coastline, the property offers five oceanfront pools as well as four distinct dining spots. For more information, click here.
Holly Gleason Named LA Press Club’s Entertainment Journalist Of The Year
/by Lorie HollabaughHolly Gleason
Nashville-based journalist Holly Gleason has won the prestigious overall Entertainment Journalist of the Year award at the LA Press Club’s recent annual Southern California Journalism Awards.
In addition to taking the top entertainment prize, Gleason won in the Music Criticism (all platforms) and Entertainment News (Magazine) categories, with the latter awarded for Pollstar’s “Why Dolly Parton Belongs in the Rock Hall” piece. She also received two second place awards for Entertainment Feature and Best Arts Commentary for Pollstar’s “How Miranda Lambert Danced in the Fire and Became a Global Superstar” and a Library of Congress National Registry of Song essay on “Stand By Your Man.”
“It was shocking on so many levels,” Gleason says. “Los Angeles is the epicenter of the entertainment industry. I came of age as a writer and critic out here, writing for Rolling Stone, the LA Times, Musician, Bsm, Creem and so many more, so I know how high the bar is set here—and how much it takes to even be in the conversation. Telling the stories of women in music, especially country music, has been important to me always. To see Dolly, Miranda and Tammy be recognized in this room is amazing!
“And criticism is something I’ve always felt is important—not to say how music sounds, but to create context and understanding,” she adds. “There are so many friends, peers and writers I admire among the nominees. It is wonderful to be in their company. At a time when music writing is more lifestyle than addressing the recording, writing, touring or performing, it’s thrilling to be counted among so much work of this caliber.”
In a night that saw all platforms of journalism across hard news, science, sports, politics and various forms of entertainment coverage recognized, the event drew a record of over 2,300 entries.
Gleason is an esteemed author, journalist and academic whose work has appeared in Rolling Stone, Los Angeles Times, Musician, Variety, Oxford American, Playboy, Interview and Miami Herald. The Rock & Roll Hall of Fame/Case Western Reserve Fellow is also the 2022 LA Press Club’s Entertainment Journalist of the Year, the 2019 CMA Media Achievement Award winner, and creator/contributor of the 2018 Belmont Book Award-winning Woman Walk The Line: How The Women of Country Music Changed Our Life.
She recently co-authored Miranda Lambert’s New York Times best-seller Y’All Eat Yet: Welcome to the Pretty B*tchin Kitchen, and her latest book, Prine on Prine: Interviews & Encounters, will be published by Chicago Review Press in September.
ACM Announces 2023 Industry & Studio Recording Award Winners
/by Liza AndersonThe Academy of Country Music has revealed the winners of the 58th ACM Industry and Studio Recording Awards.
The ACM Industry Awards recognize venues and talent buyers/promoters who have bought or promoted a predetermined number of country music concerts and helped promote country music ticket sales. Nominees are selected by a professional panel of judges approved by the ACM Officers, with ACM members classified in the Artist/Musician/Producer/Engineer, Venue, Manager, Talent Agent and Talent Buyer/Promoter categories voting to decide the winner.
The Studio Recording Awards recognize the creators behind the music. To be eligible, each artist, musician, producer and engineer must have played a part in a commercially released single or album embodying the creator’s performance that achieves top 20 chart position or better during the eligibility period. Nominees are then selected by a professional panel of judges approved by the ACM Officers before being voted on by members classified in the Artist-Entertainer/Musician-Bandleader-Instrumentalist categories and the Producer-Engineer-Studio Manager categories.
The winners were announced through a video featuring Mickey Guyton, Little Big Town, Dustin Lynch, Ashley McBryde, Jon Pardi, Thomas Rhett, Cole Swindell and Lainey Wilson as well as elected officials and community leaders from across the nation.
First-time ACM Award recipients include Bank of NH Pavilion, Bristol Tennessee’s Country Thunder, acoustic guitar player Tim Galloway, Harveys Lake Tahoe, bass player Mark Hill, Austin’s Moody Center, Seminole Hard Rock Hotel & Casino Hollywood and talent buyer Troy Vollhoffer.
Justin Niebank is taking home his ninth ACM Award for Audio Engineer of the Year, and Jay Joyce has scored his sixth win for ACM Producer of the Year, bringing his total ACM Award count to nine. Joe’s on Weed St. received its sixth ACM Award for Club of the Year, and the club’s owner Ed Warm receives his fifth ACM Award for Promoter of the Year.
Also, Dave Cohen has earns his fourth ACM Award for ACM Piano/Keyboards Player of the Year, totaling his ACM Award count to five. Derek Wells receives his first win in the ACM Electric Guitar Player of the Year category, bringing his ACM Award total to four awards, which includes two previous wins for ACM Guitar Player of the Year before the category was split to individually recognize acoustic and electric guitar players. Fiddle player Jenee Fleenor and drummer Aaron Sterling each receive their second career ACM Award for Specialty Instrument Player of the Year and Drummer of the Year.
All ACM Industry, Studio Recording Award and Special Award recipients will be celebrated during the 16th Academy of Country Music Honors on Wednesday, Aug. 23 at Nashville’s Ryman Auditorium. ACM Special Award honorees will be announced tomorrow (June 27) along with the show’s host and ticket information. Performers will be revealed in the coming weeks.
The complete lists of winners are below.
2023 ACM Industry Award Winners:
Casino of the Year – Theater: Seminole Hard Rock Hotel & Casino – Hollywood, Florida
Casino of the Year – Arena: Harveys Lake Tahoe – Stateline, Nevada
Festival of the Year: Country Thunder – Bristol, Tennessee
Fair/Rodeo of the Year: Houston Livestock Show & Rodeo – Houston, Texas
Club of the Year: Joe’s on Weed St. – Chicago, Illinois
Theater of the Year: Grand Ole Opry House – Nashville, Tennessee
Outdoor Venue of the Year: Bank of NH Pavilion – Gilford, New Hampshire
Arena of the Year: Moody Center – Austin, Texas
Don Romeo Talent Buyer of the Year: Troy Vollhoffer – Premier Global Production
Promoter of the Year: Ed Warm – Joe’s Live
2023 ACM Studio Recording Award Winners:
Bass Player of the Year: Mark Hill
Drummer of the Year: Aaron Sterling
Acoustic Guitar Player of the Year: Tim Galloway
Electric Guitar Player of the Year: Derek Wells
Piano/Keyboards Player of the Year: Dave Cohen
Specialty Instrument(s) Player of the Year: Jenee Fleenor
Audio Engineer of the Year: Justin Niebank
Producer of the Year: Jay Joyce
Big Machine Label Group Ups Rachel Burleson
/by LB CantrellRachel Burleson
Big Machine Label Group (BMLG) has appointed Rachel Burleson to Director, Streaming.
Burleson previously held the title of Project Manager for the Big Machine Records (BMR) imprint, which boasts an impressive roster of artists including Tim McGraw, Carly Pearce and Jackson Dean, among others.
“Since joining Big Machine, Rachel’s talent, knowledge, drive and attention to detail have been invaluable,” says BMR’s General Manager Clay Hunnicutt. “This next step as Director of Streaming puts her in the right place at the right time to continue to grow our entire artist line up. She is the perfect person for the job!”
“Rachel has been a true pro since joining the Big Machine family,” adds BMLG’s EVP, Label Operations Mike Rittberg. “With her close working relationships between Big Machine’s artist roster and internal teams, we have full confidence she’ll excel in her new role.”
Burleson’s previous career stops include time at Creative Nation, where she served as Manager, Records & Management, as well as internships with Sony Music Nashville, KP Entertainment and Activist Artist Management (formerly ROAR). She is a graduate of Belmont University.
“It’s been an honor to work with the Big Machine team for the past few years,” shares Burleson. “I’m excited for the opportunity to continue serving our artists in my new role and helping them connect with listeners across streaming platforms.”
Reach Burleson at rachel.burleson@bmlg.net.
Patrick Moore Named CEO Of Opry Entertainment Group
/by Lorie HollabaughPatrick Moore has been appointed Chief Executive Officer of Ryman Hospitality Properties’ Opry Entertainment Group division.
In his new position, Moore’s responsibilities will include oversight of OEG’s growth plan, day-to-day operations and business development activities.
Moore holds a master’s degree in public policy from the University of Michigan and received a Master of Business Administration from Harvard University. He has decades of experience leading brands through periods of transformative growth, including his most recent position as Executive Vice President, North America Retail for Carter’s, Inc., where he led the brand’s nearly $2.5 billion direct-to-consumer retail business through a commercial and digital transformation.
Prior to his position at Carter’s, Moore spent four years at YP Holdings as its Chief Strategy Officer, where he led a diverse set of initiatives including business development with major digital media publishers, revenue management, and mergers and acquisitions. He also spent 12 years at strategic consulting firm McKinsey & Company as a Partner in its Digital and Consumer practice where he consulted with organizations across multiple industries, including Ryman’s predecessor company, Gaylord Entertainment. Moore joined Ryman’s Board of Directors in 2015 and served until June 25. Moore also serves as a member of the Interpublic Group (NYSE: IPG) Board of Directors.
“Patrick is a capable leader who has a deep understanding of our core values, our unique position in the industry and the tremendous opportunity we have to grow OEG,” says Mark Fioravanti, President and CEO of Ryman Hospitality Properties. “With this knowledge and his executive skillset, he is ideally suited to lead OEG at this exciting time. Patrick’s addition to the OEG team is the next step in our long-term strategic plan to grow OEG. He will spend much of his time working with our partners at NBCUniversal and Atairos to implement the long-term strategy for reaching new audiences and connecting country music lovers worldwide to our one-of-a-kind assets.”
Colin Reed, Executive Chairman of Ryman Hospitality Properties, adds, “Patrick has demonstrated through his service on our Board that he has great respect for and understanding of our brands and that he embraces the tremendous responsibility we have to protect and preserve these assets for future generations. I have confidence that he will keep our stewardship commitment top of mind as he works with the team to grow the business.”
Play It Again Music Group Promotes Lauren Lieu
/by LB CantrellLauren Lieu
Lauren Lieu has been promoted to Sr. Director of Creative at Dallas Davidson‘s Play It Again Music Group.
After joining Play It Again Music Group (PIA) as Director of Creative in 2021, Lieu has been instrumental in the growth and success of songwriters including Davidson, Lee Brice, John Morgan, Dylan Marlowe, Kyle Fishman and John Edwards. Prior to PIA, she served as Creative Manager at Ole Music Publishing.
In her new role, Lieu will serve as the head of PIA’s Publishing Department, reporting to Davidson.
“Lauren Lieu is a warrior. A songwriter champion. All our recent success is 100% attributed to her passion, work ethic and unteachable tenacity. I’m so thankful to have her on our team,” says Davidson.
“I am so grateful for Dallas Davidson,” shares Lieu. “Dallas took a chance on me and has shown me nothing short of trust, loyalty and genuine belief in his team. Thank you for being such a great mentor and for encouraging innovative ideas within this company. To the writers, thank you for trusting me with your careers and letting me be a part of your creative journeys. Working with this group and experiencing their talent has been such a dream. We have the best team here at PIA and I’m thrilled to continue working with every one of you.”
Play It Again Music Group is a full-service music company housing Davidson’s longtime Play It Again Publishing and Double Down Music Publishing, as well as label/artist management and development division PIA Entertainment, established in 2020.
Music Modernization Act Impact Hearing Set For June 27 In Nashville
/by Lorie HollabaughThe House Judiciary Subcommittee on Courts, Intellectual Property, and the Internet will hold a field hearing on the impact of the Music Modernization Act tomorrow (June 27) at Belmont University Gabhart Student Center’s Multipurpose Room in Nashville.
The hearing, “Five Years Later – The Music Modernization Act,” will examine the impact of the Orrin G. Hatch–Bob Goodlatte Music Modernization Act (MMA), five years after it was signed into law and review the system created by the MMA to administer blanket mechanical licenses and collect and distribute mechanical licensing royalties. The hearing will also explore whether the legislation is operating as intended by Congress and consider reforms.
Witnesses on hand for the hearing will include David Porter, songwriter, producer and 2005 Songwriters Hall of Fame Inductee; Kris Ahrend, CEO, Mechanical Licensing Collective; Garrett Levin, President & CEO, Digital Media Association; Michael Molinar, General Manager, Big Machine Music; Abby North, President, North Music Group and Co-Founder, Unchained Melody Publishing; and Daniel Tashian, songwriter, producer and musician.
Bluegrass Great Jesse McReynolds Passes Away
/by Robert K OermannJesse McReynolds. Photo: Courtesy of the Grand Ole Opry archives
Bluegrass Hall of Fame inductee Jesse McReynolds, the oldest cast member of the Grand Ole Opry, has died at age 93.
Jesse & Jim McReynolds. Photo: Courtesy of the Grand Ole Opry archives
He was noted for his revolutionary, complex “crosspicking” style of mandolin playing as well as for his years of recording and performing in the star brother duo Jim & Jesse. His guitarist-singer older brother Jim McReynolds was born in 1927 and died on New Year’s Eve in 2002.
Jesse McReynolds was born July 9, 1929 near Coburn, Virginia. Jim & Jesse’s grandfather was fiddler Charlie McReynolds, who recorded as a member of The Bull Mountain Moonshiners at the famed 1927 Bristol Sessions where Jimmie Rodgers and The Carter Family were discovered. Their coal-miner father, Claude, was also a fiddler. Mother Savannah played guitar, banjo and harmonica and taught them to sing gospel songs in harmony.
The brothers established their performing partnership in 1947, following Jim’s hitch in the Army. They began their broadcasting career on WNVA in Norton, Virginia. During the next few years, they held radio jobs in Johnson City, Tennessee; Lexington, Kentucky; Charleston, West Virginia; Augusta, Georgia; Waterloo, Iowa; Wichita, Kansas and other towns. During their first dozen years as professionals, Jim & Jesse performed on 14 radio stations in 10 different states. They had their first recording session in 1951.
Jesse & Jim McReynolds. Photo: Courtesy of the Grand Ole Opry archives
Following radio stints in Asheville, North Carolina and Versailles, Kentucky, Jim & Jesse were signed by Capitol Records and brought to Nashville to record in 1952. The fiddler on the sessions was James Loden, later to become Country Music Hall of Fame member Sonny James. The standout tune of these recordings was one of their trademark songs, “Are You Missing Me,” penned by The Louvin Brothers.
Jesse was drafted and entered the Army to serve in the Korean War. While he was home on leave in 1953, the brothers recorded “Air Mail Special,” “A Memory of You” and other tunes for Capitol.
With Jesse’s military service completed, the duo joined the cast of WWVA’s Wheeling Jamboree in 1955. But the team truly began to prosper the following year when the brothers moved to Florida. They broadcast for several years on WNER’s Swanee River Jamboree in Live Oak and became television stars with their own shows in Tallahassee and Pensacola. By the late 1950s, their programs were also being broadcast on TV in Montgomery, Alabama; Albany, Georgia; Dothan, Alabama and Jackson, Mississippi.
Jesse McReynolds, Ricky Skaggs, Jim McReynolds. Photo: Courtesy of the Grand Ole Opry archives
Jim & Jesse recorded for Starday Records in 1958, then signed with Columbia’s Epic Records division on Music Row in 1962. This is the label where their biggest hits occurred.
Bluegrass music gained popularity on the folk circuit during this era. Jim & Jesse performed at the Newport Folk Festival in 1963 and 1966.
On the strength of such high-profile engagements and the major-label contract, the Grand Ole Opry invited Jim & Jesse to become members of the show’s cast on March 2, 1964. Throughout their Opry tenure—and indeed, throughout their career—the McReynolds brothers were widely respected for their courtly manners and gentlemanly ways.
Four months after their Opry induction, Jim & Jesse’s first charted single was 1964’s “Cotton Mill Man,” which also became a signature song. “Better Times A-Comin’” followed it onto the charts as a top 40 hit in 1965. Their eyebrow-raising LP Berry Pickin’ in the Country was also released in 1965. It contained their bluegrass arrangements of Chuck Berry’s rock ’n’ roll classics.
This record typified their willingness to experiment. Jim & Jesse also dabbled in Latin, electric country, gospel, cowboy and other genres. In 1969, Jesse McReynolds played mandolin on The Doors rock LP The Soft Parade.
The brothers scored their biggest country hit with 1967’s “Diesel on My Tail.” Other memorable Epic recordings included versions of Robert Mitchum’s “Ballad of Thunder Road” (1967), Tom T. Hall’s “Greenwich Village Folk Song Salesman” (1968), Ray Pennington’s “Yonder Comes a Freight Train” (1968) and Hank Snow’s “Golden Rocket” (1970). They returned to Capitol and charted with Elizabeth Cotton’s folk classic “Freight Train” in 1971.
Jesse McReynolds. Photo: Courtesy of the Grand Ole Opry archives
Jim & Jesse veered into a harder-edged bluegrass sound in the 1970s. Their Virginia Boys band included such stellar alumni as Vassar Clements, Allen Shelton, Bobby Thompson, Carl Jackson, Vic Jordan, Glen Duncan, Randall Franks, Chick Stripling and Jimmy Buchanan. The group was wildly popular on the bluegrass-festival circuit for three decades.
The brothers launched their own syndicated TV series, The Jim & Jesse Show, in the early 1970s, They formed their own Old Dominion and Double J record labels and released a number of LPs, cassettes and CDs on these in the 1970s, ‘80s and ‘90s. In 1977, they created their own annual bluegrass festival and maintained it well into the 1980s.
They were nominated for a Grammy Award for the 1992 CD Music Among Friends. They were inducted into the Bluegrass Hall of Fame in 1993. They received a National Heritage Fellowship Award from the National Endowment for the Arts in 1997.
The death of Jim McReynolds in 2002 marked the end of the 55-year run of the longest lasting brother duo in country history. Jim & Jesse were also notable for having the longest running fan club in the annals of country music.
Following his brother’s passing, Jesse McReynolds continued to tour, record and appear on the Opry. In 1990, he had been part of a recording and touring “supergroup” called The Masters that also included Josh Graves, Kenny Baker and Eddie Adcock. He created a new instrument called the mandolobro, which was tuned like a mandola and had a resonator-guitar body. It was featured on his CD Jesse McReynolds Introduces the Mandolobro.
His other solo albums included New Horizons (2004), Bending the Rules (2004), A Tribute to Brother Duets (with Charles Whitstein, 2005) and Dixie Road (2007). In 2010, he released a tribute album to the songs of The Grateful Dead.
He was variously dubbed “Mr. Mandolin” (for his innovative, virtuoso playing) and “The Ironman of Bluegrass” (for the 65+ years of his career). Solo and with his brother, Jesse McReynolds recorded more than 50 albums.
Jesse McReynolds was preceded in death by his parents, Claude Matthew McReynolds and Prudence Savannah Robinette McReynolds; loving first wife of 41 years, Darlene McReynolds; son, Keith McReynolds, brother, Jim McReynolds, sisters, Stella McReynolds and Virginia Greear and great grandson, Andrew Keith McReynolds.
He is survived by his loving second wife of 27 years, Joy Tipton McReynolds; daughter, Gwen McReynolds; sons, Michael K. McReynolds and Randy Q. McReynolds; eight grandchildren and three great grandchildren.
Funeral Service will be 11:00 a.m. Wednesday, June 28 from the chapel of Alexander Funeral Home & Cremation Center with Brother James Bell and Randy McReynolds officiating. Entombment will follow in Sumner Memorial Gardens Mausoleum. Visitation will be Monday, June 26 from 4:00-8:00 p.m., Tuesday, June 27 from 2:00-8:00 p.m. and Wednesday, June 28 from 9:00 a.m. until the time of service.
Morgan Wallen Returns To The Stage, Breaks A Record At Wrigley Field
/by LB CantrellMorgan Wallen performs at Chicago’s Wrigley Field. Photo: Matthew Paskert
After injuring his vocal cords and being put on mandatory vocal rest for six weeks, Morgan Wallen is back. He continued his “One Night At A Time World Tour” Thursday night (June 22) at Chicago’s Wrigley Field, bringing out 41,538 fans.
Morgan Wallen performs at Chicago’s Wrigley Field. Photo: Matthew Paskert
The ACM Male Artist of the Year will play Wrigley Field again tonight (June 23), making him the first country artist to sell out back-to-back nights at the iconic baseball stadium, home to the Chicago Cubs.
Two songs into his set, Wallen addressed the crowd. He said, “Thank you for the kind welcome, that means a lot to me. About six weeks ago, I wasn’t really sure when I was gonna be able to sing again.” He paused before exclaiming, “but WE BACK!”
Wallen said, “I see more of y’all’s support, so I could not make it through without everything y’all do for me, so thank you. I’m really, really happy to be here. Thank you so much for showing up.”
The juggernaut entertainer thrilled fans with much of March’s 36-track album, One Thing At A Time, including the title track, “I Wrote The Book,” “Thought You Should Know,” “Everything I Love” and “98 Braves.” Before playing the latter, he said, “I don’t have any songs about the Cubs… I’ll work on that. This is my best shot at a baseball song.”
Morgan Wallen performs with friend and “Stand By Me” collaborator Lil Durk during night one of his “One Night At A Time World Tour”at Chicago’s Wrigley Field. Photo: Matthew Paskert
Wallen brought touring and writing mate Ernest out as the first collaboration of the evening. Together they played their hit “Flower Shops.”
He then brought out Chicago native Lil Durk, who Wallen has now collaborated on two songs, “Broadway Girls” and the new “Stand By Me.”
After performing 24 songs for nearly two hours on stage, Wallen closed out night one with his 11-week Billboard Hot 100 No. 1 “Last Night” and three-week No. 1 “Whiskey Glasses” while fireworks erupted above.
He said, “Thank you so much Chicago! Make some noise for Bailey Zimmerman, Ernest, Hardy… One more time, make some noise for my band! I truly appreciate every single one of y’all, thank you, thank you and God Bless y’all!”
Shania Twain Releases ‘Queen Of Me: Royal Edition Extended Version’
/by Caela GriffinFive-time Grammy Award-winning Shania Twain has released Queen of Me: Royal Edition Extended Version, out now via Republic Nashville. With 19 tracks, it encompasses her complete vision for this musical chapter.
Twain includes fresh additions “Done & Dusted” and “On Three,” which features Billy Ray Cyrus counting her in, and originals “Bone Dry” and “Wanted Man.” She completed the collection with a striking and spirited acoustic rendition of “Queen of Me” and the buzzing “Giddy Up! (Malibu Babie Remix).”
“I was in the studio recording ‘On Three’ and I thought: this needs the voice of a sexy man with a southern accent counting the song in, and the first person that came to mind was Billy Ray Cyrus,” Twain says. “Since our friendship goes way way back, I just called him up and had him record and count me in from my phone! He was really fun and it worked out exactly how I imagined it.”
Bringing the music to life on the road, the “Queen of Me Tour” is underway now. Following sold out gigs at legendary venues such as The Hollywood Bowl in Los Angeles, it makes stops across North America and Europe in Vancouver, Denver, Toronto, New York, London, Dublin and more before wrapping up on Nov. 14 at Rogers Arena in Vancouver, BC.
Queen Of Me: Royal Edition Extended Version Track Listing:
1. Giddy Up!
2. Brand New
3. Waking Up Dreaming
4. Best Friend
5. Pretty Liar
6. Inhale/Exhale AIR
7. Last Day of Summer
8. Queen of Me
9. Got It Good
10. Number One
11. Not Just a Girl
13. On Three
14. Done & Dusted
15. Bone Dry
16. Wanted Man
17. Inhale/Exhale AIR (feat. BRELAND)
18. Queen Of Me (Acoustic Version)
19. Giddy Up! (Malibu Babie Remix)