Big Machine Records Appoints Kris Lamb As EVP/General Manager

Kris Lamb

Big Machine Label Group (BMLG) has appointed Kris Lamb to EVP/General Manager of Big Machine Records.

Most recently serving at Sr. VP, Promotion & Digital, Lamb has led radio and digital strategy for the imprint’s artists including Tim McGraw, Carly Pearce, Midland and Jackson Dean, among others. His new role will concentrate on breaking, building and retaining Big Machine Records’ frontline roster of artists, focusing on fan acquisition and engagement.

Lamb is already on the job and will report directly to BMLG’s Chairman & CEO Scott Borchetta.

“Kris has been with the label group for 13 years; he started with us as a Regional Promotions Director and I’ve loved watching him work his way up through our system, excelling at each new level. I am so proud that he is now leading the charge for our flagship imprint, Big Machine Records,” says Borchetta. “There is an added pressure being the imprint that founded the company and I’m thrilled he has accepted the challenge to take it even higher. Game On, Lamb Chop… GAME ON!”

“I am beyond honored to represent this remarkable roster of culture-shaping storytellers and blessed to lead this team of forward-thinking executives at Big Machine Records,” says Lamb. “BMR has always been the tip of the spear and I look forward to elevating our impressive roster of artists even higher as a team and making an impact on the future of this imprint, its talent and the country music genre.”

The Big Machine Records imprint has made other changes in addition to Lamb’s appointment. Brooke Diaz, a nine-year veteran of Big Machine Records, has been promoted to National Director, Promotion & Marketing. Bill Lubitz has been promoted to Sr. Director, West Coast Promotion & National Strategy, taking a greater role in syndication and network audience exposure. The Promotion team also includes VP, Promotion, Erik Powell; Director, Midwest Promotion Jane Staszak; Director, Southeast Promotion Jay Cruze and Promotions Coordinator Sara Barlow.

“Brooke is one of the most multi-dimensional promotion executives in the field and her passion, ideation and execution is next to none. I am so thrilled to watch her, along with Erik as VP, guide our radio promo team and strategy to the highest level,” adds Lamb.

CMHOF To Spotlight Dan Dugmore & Jackie DeShannon

The Country Music Hall of Fame and Museum will spotlight multi-instrumentalist Dan Dugmore and California-based singer-songwriter Jackie DeShannon in two of its in-depth interview series “Nashville Cats” and “Poets and Prophets.”

Dugmore will be featured in “Nashville Cats,” which showcases musicians and session singers who have played important roles in support of artists in the recording studio or on tour. DeShannon will be highlighted in “Poets and Prophets,” which features songwriters who have made significant contributions to country music.

Dugmore is one of the world’s premier pedal steel guitarists. After buying his first steel guitar from Sneaky Pete Kleinow of the Flying Burrito Brothers, he became the go-to pedal steel player for Linda Ronstadt, James Taylor and other Los Angeles country-rock stars. After relocating to Nashville in 1990, Dugmore infused his sound into hits by Kenny Chesney, Martina McBride, Tim McGraw, Trisha Yearwood, Brooks & Dunn, Patty Loveless and Randy Travis.

The interview will be held on March 9 at 2:30 p.m. in the museum’s Ford Theater, and will be moderated by Senior Writer-Editor Michael McCall. Following the program, Dugmore will sign commemorative Hatch Show Print posters. The interview is offered in support of the museum’s exhibit “Western Edge: The Roots and Reverberations of Los Angeles Country-Rock,” presented by City National Bank.

DeShannon will make a rare Nashville appearance to discuss her pioneering songwriting career and her country music roots. As a child and teen, she was a country radio performer in Kentucky and Illinois. Last fall, the Sundazed label released Jackie DeShannon – The Sherry Lee Show, a two-album set taken from the 1950s radio broadcasts. DeShannon moved to Los Angeles in 1960 and scored her first major pop hit with Burt Bacharach and Hal David’s “What the World Needs Now Is Love.” Her song “When You Walk In The Room” was a huge success for The Searchers during the 1960s, and later Pam Tillis‘ version reached the top five on the country charts. In 1969, DeShannon wrote and recorded the anthem “Put A Little Love In Your Heart.” Also, “Bette Davis Eyes,” a hit for Kim Carnes, won her the 1982 Grammy for Song of the Year.

The program will take place April 6 at 2:30 p.m. in the museum’s CMA Theater, and will be moderated by Vice President of Museum Services Michael Gray. The interview will include video clips of DeShannon performing with Country Music Hall of Fame members Eddy Arnold, Johnny Cash, Glen Campbell, The Everly Brothers and Willie Nelson. She will also sign commemorative Hatch Show Print posters and copies of her new album following the program.

For more information, click here.

Peermusic Nashville Signs David Lee Murphy

David Lee Murphy & Michael Knox. Photo: Michael Gomez

Peermusic Nashville has signed artist-songwriter David Lee Murphy to a multi-faceted, exclusive global publishing agreement.

Through this agreement, Peermusic will administer Murphy’s song catalog as well as co-publish future works. This marks Murphy’s first-ever exclusive co-publishing deal. Prior to this, he was self-published with his long-time personal manager, Doug Casmus.

The recent Nashville Songwriters Hall of Fame (NaSHOF) inductee is known for his hits “Dust on the Bottle” and “Everything’s Gonna Be Alright,” which earned him his first CMA Award for Musical Event of the Year, as well as “Party Crowd,” “Out with a Bang,” “Every Time I Get Around You,” “The Road You Leave Behind” and “Loco.”

Murphy has also earned over two dozen songwriting awards for cuts with Kenny Chesney, Jason Aldean, Luke Bryan, Justin Moore, Walker Hayes, Eric Church, Florida Georgia Line, Keith Urban, Brad Paisley, Thomas Rhett, Brooks & Dunn, Reba McEntire, Sheryl Crow, Johnny Cash and more. His work includes Chesney’s “Living in Fast Forward,” Aldean’s “Big Green Tractor,” which was produced by Peermusic’s Michael Knox, and Thompson Square‘s Grammy-nominated “Are You Gonna Kiss Me or Not,” among others.

“David Lee Murphy is my favorite singer-songwriter in town,” says Knox, President, Peermusic Nashville. “For me, personally, this is a very exciting moment. ‘Dust On A Bottle’ creatively set the mark that I would chase for my entire career. As a producer that is the song that I tell everyone I am looking for. David Lee Murphy is the truest form of a singer-songwriter, and that’s why his first publishing deal needed to be with Peermusic, the company that brought you the ‘Father of Country Music’ (Jimmie Rodgers) and the ‘First Family of Country Music’ (The Carter Family). This is just a great combination…Peermusic and the ‘Coolest Guy in Country Music.'”

“I love Michael Knox,” says Murphy. “We’ve worked together on different things for many years. I’ve always appreciated his knack for songs and making music. Knowing the creative environment at Peermusic, it seemed like the perfect opportunity to join forces for us all going forward. Doug Casmus and I have managed to operate all these years having fun, just making music. We’re gonna keep doing that, we’re just gonna have a bigger team now and more people to have fun with.”

“David Lee and I have had such a profoundly, unique history together and I look forward to our new chapter with Peermusic,” adds Casmus.

MusicRow Reveals 2024 Rising Women On The Row Honorees

MusicRow is proud to reveal the honorees for the Rising Women on the Row Class of 2024. These six female executives are making a significant impact on Nashville’s country music industry, including: Tiffany Kerns, Taylor Lindsey, Sloane Cavitt Logue, Halie Hampton Mosley, Melissa Spillman and Candice Watkins.

City National Bank, Loeb & Loeb and CMT Next Women of Country are Presenting Sponsors for the 2024 Rising Women on the Row, which will take place at the Omni Nashville Hotel on the morning of March 19.

Industry veteran Kerri Edwards will be this year’s featured speaker. Presented by CMT Next Women of Country, singer-songwriter Carter Faith will be the special performer at the event.

Now in its 11th year, MusicRow‘s annual Rising Women on the Row event has honored over 50 women in the Nashville music industry.

Tickets for Rising Women on the Row are now closed. Tickets will not be sold at the door, as the event is sold out.

This year’s honorees include:

Tiffany Kerns

Tiffany Kerns – SVP, Industry Relations & Philanthropy, CMA | Executive Director, CMA Foundation
In her role as SVP, Industry Relations & Philanthropy, Tiffany Kerns oversees the strategic direction and management of all CMA’s membership events, initiatives and programming. By developing and enhancing robust and innovative CMA membership strategies, Kerns ensures professional development pathways align with the needs of the member base and the future of the industry. Established as CMA’s philanthropic arm, the CMA Foundation has invested nearly $30 million across all 50 states. In her role, Kerns is responsible for the growth, development and execution of the nonprofit’s charitable investments by creating intentional partnerships and implementing an impact-driven grant process. With a steadfast focus on improving the philanthropic model of giving, Kerns has led the charge in enriching music education programs across the United States. She oversees advocacy efforts for the CMA Foundation at the state and federal level, which includes working with dozens of community partners, policymakers, educators and industry leaders to elevate the CMA Foundation’s mission.

 

Taylor Lindsey

Taylor Lindsey – SVP, A&R, Sony Music Nashville
Taylor Lindsey is the SVP, of A&R at Sony Music Nashville, where she oversees SMN’s dynamic new A&R team as well as signs and develops a diverse roster that includes recorded music icons, breakthrough acts and newcomers. Prior to taking on her current expanded role, Lindsey was directly involved with the development of artists such as Old Dominion, Luke Combs, Maren Morris, Ryan Hurd and Mitchell Tenpenny, among others. Before joining SMN, Lindsey was at BMG where she signed and developed the careers of songwriters and artists as well as pitched the catalogs of 13 chart-topping songwriters, including her award-winning sister, Hillary Lindsey. A respected industry executive, Lindsey has been included in a number of industry power lists including Billboard’s 40 Under 40 (2018), Billboard’s Women In Music (2018, 2019 & 2023), Billboard’s Country Power Players (2022 & 2023), Variety’s Hitmakers Impact (2020), Variety’s Young Leaders In Music (2019) and more. She is also a graduate of the 2019 Class of Leadership Music. She resides in Nashville with her husband, Grammy-nominated songwriter Derrick Southerland, and their daughter, Lyle, and son, Ryder.

 

Sloane Cavitt Logue

Sloane Cavitt Logue – Partner, WME
Sloane Cavitt Logue leads the Nashville Client Strategy Division at WME, where she works across several departments in navigating various opportunities outside of the live space, including digital, fashion, literary, film, television, talent ventures/partnerships, theater, sports and social impact for clients. Additionally, Logue connects clients with internal opportunities within the Endeavor network, which includes WWE, UFC, PBR, 160over90, Harry Walker, IMG and many more. Prior to joining WME, Logue held tenure at Show Dog-Universal Music and Live Nation. She is a graduate of the University of Kentucky and the Deviate Leadership Program, which focuses on elevating and coaching future female leaders in the entertainment industry. Dedicated to mentoring up-and-coming industry trailblazers, she is actively involved in WME’s mentorship program, as well as Grammy U, and is an inaugural member of CMA’s Female Executive Leadership Program. Logue resides in Nashville with her husband, Dave, their son, Cavitt, and their Bernese Mountain Dog, Captain.

 

Halie Hampton Mosley

Halie Hampton Mosley – Chief Operating Officer, WHY&HOW
Halie Hampton Mosley joined WHY&HOW in October 2021 as Vice President of Roster Operations, and has helped define and oversee the goals and initiatives of the WHY&HOW roster and staff. Since joining, Hampton Mosley has been instrumental in streamlining and expanding roster operations, and establishing internal practices such as WHY&HOW’s parental leave policies. She also remains closely involved in WHY&HOW artist strategy for such acts as Chase Rice, Danielle Bradbery, BRELAND and Kelleigh Bannen, among others. Prior to joining WHY&HOW, Hampton Mosley spent seven years in Artist Management at Maverick Nashville led by long-time Manager Clarence Spalding. She most recently served as the Day-to-Day Artist Manager for Diamond-selling duo Florida Georgia Line at Hit Farm Management in partnership with Full Stop Management led by Irving and Jeffrey Azoff.

 

Melissa Spillman

Melissa Spillman – VP, A&R, Concord Music Publishing
Melissa Spillman is VP of A&R at Concord Music Publishing. In her role, Spillman is responsible for signing and developing new and established songwriters and artists and placing songs with major recording artists. She started out her career at Dreamcatcher Entertainment which led to a seven-year stint in A&R at Capitol Records. After that she headed up renowned producer Jay Joyce’s Neon Cross Music as Head of Publishing and Production. From there she started her own company, Freetown Music where she oversaw the creative development and management of artists, producers and songwriters until she was tapped by Concord Music Publishing to become their VP of A&R in 2021. Beyond her work in music, Spillman proudly started a non-profit organization called Wan Fambul Foundation, which strives to support children and their families in Sierra Leone, West Africa, the birthplace of three of her sons. She resides in Franklin with her songwriter/producer/author husband Jeremy, four sons and their dog Canyon. You can find her cheering on her sons who play football for the University of Tennessee and Franklin High School this fall.

 

Candice Watkins

Candice Watkins – SVP, Marketing, Big Loud Records
As SVP of Marketing at Big Loud Records, Candice Watkins brings proven leadership and across-the-board expertise to the independent powerhouse, selected as one of Billboard’s 2023 Women in Music, and a Country Power Player for the last three consecutive years. Leading the label’s marketing efforts across its many ventures and partnerships, Watkins executes creative strategy and bold, cross-platform campaigns that make an impact. Recently, Watkins has led the marketing efforts behind chart-topping successes like Morgan Wallen’s back-to-back all-genre No. 1 albums, as well as the successful recent projects from HARDY, Hailey Whitters, Stephen Wilson Jr., Charles Wesley Godwin and many more. Watkins also spurred introductory campaigns for artists like Jake Worthington, Lauren Watkins, Ashley Cooke, Dylan Gossett and more, while embarking on major campaign efforts for heavy hitters Lauren Alaina, ERNEST, Larry Fleet and more. The Montclair, New Jersey native is a graduate of Boston’s Northeastern University and Los Angeles’ USC. Prior to joining Big Loud, Watkins served as Sr. Director of Marketing & Artist Development at UMG Nashville and preceded by stops at Red Light Management, Mozes Inc., Borman Entertainment and Martingale Entertainment. Outside of her work innovating campaign strategy for Big Loud, Watkins serves on the board for CMA, ACM, and Teen Dream Center.

Sara Bares Signs With Warner Chappell Music

Pictured (L-R): Warner Chappell’s Bethany Mako, Sara Bares, Warner Chappell’s Ben Vaughn and Guy Moot. Photo: Grace Hartrick

Multi-genre songwriter Sara Bares has signed a global publishing deal with Warner Chappell Music.

The Nashville-based creator graduated from Belmont University in 2022 with a double major in songwriting and music business. During her time at Belmont, she was the inaugural songwriting intern at Nicolle Galyon’s record label and publishing house, Songs & Daughters, as well as the 2021 winner of the Grammy U Songwriting Competition with her song “Not Built To Fly.” Bares was also featured in the 2022 ASCAP Showcase.

She is a session vocalist who specializes in acoustic guitar, vocal arrangements, harmonies and co-production. Known for her poetic lyricism and fresh melodies, Bares has collaborated with Leah Mason, Simon Jonasson, Oliver Frid, Tanner Adell, Ashley Kutcher and Camille Parker, among others.

“I knew from the very first moment I heard one of Sara’s songs that I had to work with her,” says Bethany Mako, Manager, A&R, Warner Chappell Music Nashville. “Her signature sound will have a great impact on Nashville and the music industry as a whole. Above all else, she’s just an incredible person to know and work with. I’m beyond grateful to be a part of her journey!”

Curb Records Elevates Craig Powers & Lori Hartigan

Curb Records has elevated Craig Powers to SVP, Media and Lori Hartigan to National Director, Media.

“As we celebrate our 60th year in business, I am thrilled to see our company continue to grow. With the strengthening of our team, Curb Records is poised for a productive future,” shares Mike Curb, Curb Records Chairman.

Powers joined Curb in 2020. Previously serving as VP, Media, he will continue to oversee mainstream/crossover radio success for artists such as Sarah Reeves, Natalie Grant, Wyn Starks and For King + Country.

Hartigan has been with Curb Records for 10 years, working with developing artists like Dylan Scott. She was instrumental in his success at radio and other media platforms, and served the past eight years as Director, West Coast promotion. In her elevated role, Hartigan will renew her commitment to artist development as well as oversee a secondary promotion team for the entire Curb roster.

“I’d like to thank our chairman, Mike Curb, for his confidence in me. I’m so grateful to be working with all of our artists and team members at Curb Records. Lori has years of experience in our industry and is well known for her work in country promotion. I’m thrilled for her to join our media team, bringing her knowledge and expertise to all Curb artists and all formats,” says Powers.

“It’s been an honor to work with Curb’s talented country artists. I’m especially proud of having worked with Dylan Scott from day one and experiencing his growth along the way. I’m looking forward to working with all Curb artists in my new role,” says Hartigan.

Additionally, Todd Thomas will pivot to Director, West Coast Promotion for the label. Thomas has been with Curb since 2013, working in in-house booking and development before joining the promotion team in his previous role in 2019.

The company has also hired Bailey White as Director, Southwest Promotion, working with Scott, Brice, Ellis and Hart, among others. White comes to Curb following three years with Black River Entertainment’s promotion team and over ten years in the country entertainment world. She will report to SVP, Promotion RJ Meacham, rounding out the team that includes Mike Rogers, Allyson Gelnett, Samantha DePrez and Brian Day.

“I am thrilled to welcome Bailey to our country promotion team!” Meacham shares. “With her exceptional relationships and dedication to the job, I know she’ll play an integral role moving the needle for our artists and music with country radio. Additionally, I have full confidence in Todd Thomas as he pivots to the west coast, where he already has strong relationships throughout the region. Together, we’re poised for success and continued growth!”

Music Executive Kidnapped Outside Of Nashville’s SoHo House

A female music executive was kidnapped and robbed after leaving a meeting at Nashville’s SoHo House last week just before 8 p.m.

Sources share that the two robbers came up behind the woman as she was getting into her car. They both pointed guns at her head as they instructed her to get into the driver’s seat of the vehicle.

The victim was using her AirPods to talk on the phone with her friend when the kidnapping occurred. Luckily, he heard her scream and phoned another mutual friend to call the police, as he was out of the country.

After demanding her cell phone, the robbers looked up banks in the area, and made her drive to three different ATMs. Though she explained that she only had credit cards, they made her try to get cash out and were unsuccessful.

Next, they had her contact a friend to ask for money. Before meeting the friend, the kidnappers made the woman drive back to SoHo House. One robber got into a dark-colored sedan and followed the victim’s car to meet the friend, who had called the police to help arrange a set-up.

Once the robber in the car saw the police, he grabbed the woman’s keys, opened the door and ran to the other robber’s sedan. Because the victim’s car was idling and doesn’t require a key to drive after its started, she floored it towards West End where the police were waiting. The suspects took off with her phone and wallet.

The victim, while shaken, is physically okay, though her family members have received threats via text message following the kidnapping.

Police are now looking for the robbers, who the victim describes as Black men in their 20s wearing black clothing and masks.

Those with any information about the kidnapping and robbery can call Crime Stoppers at 615-742-7463. You can remain anonymous and qualify for a cash reward.

Cannery Hall Taps Andrew Hall As Senior Talent Buyer

Andrew Hall. Photo: Sara Kiesling

Following its reopening last month, Cannery Hall has tapped Andrew Hall as Senior Talent Buyer.

In this role, Hall will help curate the Nashville independent music venue’s lineup of artists across genres. He joins Cannery Hall’s current Talent Buyer Tyler Key, and together they will lead all efforts and partnerships with artists for the space’s three stages: The Mainstage, The Mil and Row One Stage.

Hall brings a wealth of knowledge to Cannery Hall, having been the buyer for various nationwide venues throughout the Southeast. He recently finished a five-year tenure at True Grit Talent Agency, which was acquired by WME. With experience in buying at a local level, he was also the in-house buyer at 3rd and Lindsley Nashville for the last few years.

“Andrew is well known and connected throughout Nashville and the music industry all over the country,” says Brent Hyams, General Manager at Cannery Hall. “He’s got a great ear for emerging talent and will build partnerships with artists, agencies, labels and management companies to ensure Cannery Hall has the most exciting shows in Nashville.”

“I’ve been coming to shows in this building as long as I’ve been in Nashville. It’s enchanting, there is something truly special about preserving a piece of music history,” adds Hall. “It’s an honor to contribute to the independent music scene in Nashville and develop acts from the ground up. We will have the ability to do just that—grow a band from small to medium to large crowds—and that’s important to us. It’s humbling to be able to contribute to a historic venue like this. Bands considered icons and artists who are just breaking through have played here over many decades. We plan to grow that list of performers, write new history and contribute to the live music culture that fans of this building love.”

Weekly Register: Megan Moroney Claims Top Debut On Country Streaming Songs Chart

Photo: CeCe Dawson

Megan Moroney‘s “No Caller ID” claims the top debut on the country streaming songs chart this week, landing at No. 10 with 7.4 million streams, according to Luminate data.

The chart’s top five stays the same this week, as Zach Bryan and Kacey Musgraves‘ “I Remember Everything” maintains its No. 1 position with 18 million new streams, adding to 449 million ATD. Bryan’s “Something In The Orange” continues at No. 2 with 12 million streams, adding to 1.191 billion ATD, while Morgan Wallen‘s “Last Night” follows at No. 3 with 12 million new streams, adding to 1.168 billion ATD. Wallen’s “Thinkin’ Bout Me” bides at No. 4 with 11 million streams, adding to 579 million ATD, and Jessie Murph and Jelly Roll‘s “Wild Ones” persists at No. 5 with 9.9 million new streams, adding to 142 million ATD.

The top country albums also remain the same this week with Wallen’s One Thing At A Time at the top, collecting 63K in total consumption (1.7K album only/79 million song streams). Bryan’s self-titled album comes in at No. 2 once again with 38K (2.2K album only/47 million song streams), while Wallen’s Dangerous: The Double Album rests at No. 3 with 35K (434 album only/45 million song streams). Bryan’s American Heartbreak holds No. 4 with 27K (867 album only/34 million song streams), and Taylor Swift‘s Speak Now (Taylor’s Version) takes No. 5 with 21K (4.2K album only/21 million song streams).

Big Machine Label Group Promotes Mike Rittberg & Clay Hunnicutt

Mike Rittberg & Clay Hunnicutt

Big Machine Label Group (BMLG) has elevated Mike Rittberg to COO and Clay Hunnicutt to EVP, Label Operations.

Rittberg rises from his position of BMLG’s EVP, Label Operations, overseeing marketing, streaming and all release initiatives across the label group’s core imprints: Big Machine Records, BMLG Records, The Valory Music Co. and Big Machine John Varvatos Records.

Hunnicutt most recently served as General Manager for the Big Machine Records imprint, which boasts an impressive roster of artists including Tim McGraw, Carly Pearce, Midland and Jackson Dean, among others. In his new role, he will concentrate on business development, growing the entire label group’s ventures, fostering partnerships and focusing on catalog initiatives, which are critical to company objectives.

Both report to BMLG’s President, Label Operations Andrew Kautz.

“Mike is the consummate professional. He is a mega self-starter, always pushing the boundaries and always seeking solutions. He has become incredibly important to the operations of BMLG and is a great co-pilot for our continued growth,” shares Scott Borchetta, BMLG Chairman & CEO. “Clay has done an exceptional job at elevating the growth and artist development for the Big Machine Records imprint. In his new role, he’s able to take his insights and energies to all of our imprints during this extremely exciting time in our industry.”

“Scott and I have all the confidence in Mike’s strengths to take on a broader role with the BMLG and HYBE America’s Label services initiatives,” adds Kautz. “We’ve seen Clay’s successes with Big Machine Records imprint and know he will flourish as he takes on a broader role and help us achieve our growth goals for 2024 and beyond.”