Country Hitmaker Toby Keith Dies At 62 After Battle With Cancer

Toby Keith

Iconic country hitmaker Toby Keith died Monday night (Feb. 5) after a battle with stomach cancer. He was 62.

Keith is one of the biggest country hitmakers of the modern era, with more than 40 million albums sold and 32 No. 1 hits. His legacy includes that of a prolific songwriter, as the Nashville Songwriters Hall of Fame inductee wrote 26 of his hits and 11 of those alone. Throughout his career, Keith garnered more than 10 billion streams, largely on the strength of his own songwriting and producing, and under the banner of his own record label Show Dog Nashville.

Toby Keith. Photo: Greg Watermann

Keith was also a member of the New York-based all-genre Songwriters Hall of Fame and a recipient of the National Medal of Arts and the Academy of Country Music’s prestigious Merle Haggard Spirit Award.

He was diagnosed with stomach cancer in June of 2022. That fall, he received the BMI Icon Award for his songwriting legacy, and in September of 2023, he made a triumphant appearance at the Peoples Choice Country Awards, where he accepted the Country Icon award and performed the poignant “Don’t Let The Old Man In.” BMLG Records partnered with Keith following the performance to release the song to country radio, making it Keith’s last chart appearance.

At the end of 2023, Keith performed several shows in Las Vegas. Despite the challenges from his illness, he played for two hours each night.

Keith’s death was announced on his social media early Tuesday morning (Feb. 6). “Toby Keith passed peacefully last night on February 5th, surrounded by family. He fought his fight with grace and courage. Please respect the privacy of his family at this time,” the post shared.

Toby Keith

Keith was born in Clinton, Oklahoma on July 8, 1961. His interest in music started young, and he got his first guitar around age 8. After graduating from high school, Keith started his career in the oil fields. He and his friends formed the Easy Money Band when Keith was 20. They played at local bars as he continued to move up in rank working in oil.

After the oil industry in Oklahoma began to decline in the early ’80s, Keith fell back on another passion: football. He played defensive end with the semi-pro Oklahoma City Drillers while continuing to perform with his band. By the mid ’80s, Keith’s Easy Money band began playing the honky-tonk circuit in Oklahoma and Texas.

Keith came to Nashville in the early ’90s. Despite giving out his demo to record labels up and down Music Row, he received no interest. He made a vow to himself that he would get a record deal by the time he was 30 or he would quit. After one of Keith’s demos ended up in the hands of record executive Harold Shedd, he was signed to Mercury Records.

Keith’s first release with the label came with 1993’s “Should’ve Been a Cowboy.” It was a sure-fire hit and set Keith’s path to country superstardom. He continued his first spree of hits with “He Ain’t Worth Missing,” “A Little Less Talk and a Lot More Action” and “Wish I Didn’t Know Now,” all of which appeared on his debut, self-titled album.

Keith then signed with Polydor Records Nashville and released his second album, Boomtown, in 1994, containing such hits as “Who’s That Man,” “Upstairs Downtown,” “You Ain’t Much Fun” and “Big Ol’ Truck.”

Next up was a deal with the Nashville division of A&M Records, where he released his third album Blue Moon in 1996. That project contained “Does That Blue Moon Ever Shine on You,” “A Woman’s Touch” and “Me Too.” Keith returned to Mercury in 1997 to release his fourth studio album, Dream Walkin’, notching more hits with the project such as “We Were in Love” and a cover of Sting’s “I’m So Happy I Can’t Stop Crying.”

Toby Keith accepts an award onstage from BMI VP of Creative Nashville, Clay Bradley and president and CEO of BMI Mike O’Neill for the 2022 BMI Country Awards. Photo: Erika Goldring/Getty Images for BMI

The country maverick moved to DreamWorks Records in 1999. It was there that he had one of the biggest songs of his career, “How Do You Like Me Now?!” The song spent five weeks at No. 1 and became Keith’s first top 40 pop hit. The album of the same name also included “Country Comes to Town” and “You Shouldn’t Kiss Me Like This.”

Keith released his next project, Pull My Chain, in 2001—the same year he took home the ACM’s Top Male Vocalist and Album of the Year trophies. The album’s three singles—”I’m Just Talkin’ About Tonight,” “I Wanna Talk About Me” and “My List”—all topped of the country charts. “My List” was the CMA’s Single of the Year in 2002.

His next string of hits came from 2002’s Unleashed album, which included juggernaut “Courtesy of the Red, White, & Blue (The Angry American),” a song Keith wrote by himself in just 20 minutes about the September 11 tragedy. Next came chart-toppers “Who’s Your Daddy?” and “Beer for My Horses,” a duet with Willie Nelson which spent six weeks at the top of the country charts.

Toby Keith presented with his Pandora’s Billionaires Plaque at his Las Vegas show at Dolby Live at Park MGM in 2023

Keith released his eighth studio album Shock’n Y’all in 2003, and collected more hits with “I Love This Bar,” “American Soldier” and “Whiskey Girl.” His last DreamWorks album was Honkytonk University, which included the six-week No. 1 “As Good as I Once Was.”

Keith founded his own label, Show Dog Nashville, in 2005. Releasing several projects on the label, he collected more hits, such as “Get Drunk and Be Somebody,” “A Little Too Late,” “Love Me If You Can,” “She Never Cried in Front of Me,” “God Love Her,” “American Ride,” “Every Dog Has Its Day” and more.

In 2011, Show Dog released Keith’s Clancy’s Tavern. The project included the No. 1 song “Made in America” and a beloved fan-favorite “Red Solo Cup,” which became Keith’s best-peaking crossover, reaching No. 15 on the Hot 100. His legacy was honored in December of 2011 when Keith received the Artist of the Decade award at the American Country Awards.

More success followed with Keith’s albums Hope on the Rocks (2012), 35 MPH Town (2015) and The Bus Songs (2017). He was inducted into the Songwriters Hall of Fame in 2015.

Throughout his career, Keith has been a symbol of patriotism. His self-written “Courtesy of the Red, White, & Blue (The Angry American)” helped spur Americans onward despite our wounds following the terrorist attacks on September 11. He frequently played for the troops, doing 11 USO Tours and touching the lives of nearly 256,000 soldiers and military families across 18 countries with more than 285 events. Keith was recognized with the Spirit of the USO Award in 2014 for his efforts.

Keith was also very passionate about other philanthropic causes. His annual golf classics funded the Toby Keith Foundation and the OK Kids Korral, a cost-free home for families of children dealing with critical illnesses. Recently, the 19th installment of the charity event raised a record $1.8 million, bringing its all-total to nearly $18 million.

Toby Keith

A singer, songwriter, musician, producer, entrepreneur, philanthropist and more, Keith’s interests and skills spanned far and wide. Recently Keith acquired Luck E Strike, an iconic bait and tackle brand. Other business ventures he undertook were bar and restaurant ownership, a clothing line and more, in addition to being a record label owner and prominent music business executive. In a 2013 issue of Forbes magazine, Keith was described as “Country Music’s $500 million man,” as he was out-earning prominent musicians such as Jay-Z and Beyoncé at that time.

In 2023, 17 of Keith’s songs were newly certified as Gold and Platinum singles from the RIAA, including the hit “I Love This Bar,” which was awarded double Platinum. He also released his last album, 100% Songwriter, last year, which included 13 of his solo writes.

Keith is survived by his mother; wife of 40 years, Tricia Lucus Keith; daughters, Shelley Covel and Krystal Sandubrae; a son, Stelen; a sister, Tonnie; a brother, Tracy; and four grandchildren.

Memorial services for Keith have not yet been announced at this time.

 

Chris Stapleton Cracks Into Top Five On MusicRow Top Songwriter Chart

Chris Stapleton. Photo: Becky Fluke

Chris Stapleton has moved to the No. 5 spot on the MusicRow Top Songwriter Chart this week with his tracks “Think I’m In Love With You” and “White Horse,” which took home two Grammy Awards last night for Best Country Song and Best Country Solo Performance.

Ashley Gorley remains at No. 1 with eight songs on the chart, including “Young Love & Saturday Nights,” “Last Night,” “Thinkin’ Bout Me,” “World on Fire,” “Truck Bed,” “Save Me The Trouble,” “All I Need Is You” and “This Town’s Been Too Good To Us.”

Zach Bryan holds onto the No. 2 spot this week with his three tracks “I Remember Everything,” “Hey Driver” and “Sarah’s Place.” The “I Remember Everything” collaboration with Kacey Musgraves also took home a Grammy for Best Country Duo/Group Performance.

Randy Montana and Chayce Beckham take the No. 3 and No. 4 spots, respectively.

The weekly MusicRow Top Songwriter Chart uses algorithms based upon song activity according to airplay, digital download track sales and streams. This unique and exclusive addition to the MusicRow portfolio is the only songwriter chart of its kind.

Click here to view the full MusicRow Top Songwriter Chart.

‘AI Interactive Town Hall’ To Take Place During CRS 2024

Country Radio Seminar (CRS) will host “AI Interactive Town Hall: Reflecting On A Year Of Growth And Learning And Looking Forward To What’s Ahead” on Feb. 29 at 8:30 a.m.

Designed to offer a deep dive into the achievements and practical applications of artificial intelligence (AI) technologies within the radio industry over the past year, the discussion will feature industry experts Mike McVay (McVay Media Consulting), Zena Burns (Moxie Coalition), Buzz Knight (Buzz Knight Media) and Fred Jacobs (Jacobs Media) and explore the strides made in integrating AI technologies into the radio industry, backed by real experiences and advancements.

“The two letters A I strike fear in the heart of many. This session will focus on the fact and fiction of AI, how important it is to understand the platform and using it for good versus evil,” states McVay, President of McVay Media Consulting and Country Radio Broadcasters (CRB) Board Member.

CRS 2024 will take place Feb. 28-March 1 at the Omni Nashville Hotel. On-site registration will be available starting Feb. 27. For more information, click here.

Chris Janson’s ‘All I Need Is You’ Earns No. 1 Spot On Country Radio

Chris Janson. Photo: Dustin Haney

ACM Award-winning artist Chris Janson has earned his fifth career country radio No. 1 this week with “All I Need Is You,” his debut single with BMLG Records and his own imprint Harpeth 60 Records.

“Country radio friends, it’s hard to put into words my gratitude,” says Janson. “Thank you all, sincerely, for this No. 1 song. It’s been a great journey to get here, and we didn’t take one second of it for granted. All I ever wanted was to be on the radio and hear my songs. I thank you all, once again, for making my dreams come true. I love and appreciate all of you!”

The track was inspired by a moment where Janson looked at his wife and realized that everything he needed was right in front of him. Written by Janson, Ashley Gorley, Brad Clawson and Mitch Oglesby and produced by the artist, Julian Raymond and Scott Borchetta, the song also serves as the lead track on his latest album, The Outlaw Side Of Me, released last summer.

“All I Need Is You” also took the No. 1 spot on CMT’s Hot 20 Countdown this past weekend. Additionally, Janson is scheduled to make an appearance during Dolly Parton’s Pet Gala on Feb. 21, and will also be hitting the road on headlining tour dates.

Lainey Wilson Testifies In Support Of No AI Fraud Act

Lainey Wilson

Country superstar and recent Grammy winner Lainey Wilson testified before the House Judiciary Subcommittee alongside Recording Academy President & CEO Harvey Mason Jr. and others in Los Angeles, California on Friday (Feb. 2), ahead of the 66th Grammy Awards, in support of the No Artificial Intelligence Fake Replicas And Unauthorized Duplications Act of 2024 (No AI Fraud Act).

Wilson answered questions about having her likeness stolen for ads to make it appear as if she was endorsing weight loss gummies.

“I’m excited about lots of ways artificial intelligence can be used to help people. But I’m nervous about how it can be used to take personal rights. And I’m honored today to represent the Human Artistry Campaign—a coalition of creators and organizations that promote the ethical use of AI, and who understand that human connection is an essential part of our culture that we just can’t put at risk,” she stated in her testimony.

Wilson continued, “AI-generated music and video using an artists’ unique identity to perform in questionable settings or to sing lyrics they would never write or express—that doesn’t reflect who they really are—is unacceptable. It is a personal violation that threatens a person’s dignity and can put at risk everything they have worked so hard to accomplish.

“An artists’ voice and likeness are their property and shouldn’t take a backseat to the economic interests of companies that have not invested in or partnered with the artist. I join with many other creators in the Human Artistry Campaign in support of the No AI Fraud Act and want to express my deep appreciation to its sponsors. I have heard that some interests have criticized it as preventing freedom of expression that uses the voices and images of other people. I’m a big proponent of free speech and I’m certainly no lawyer, but I do know that if you take away the ability of artists to express themselves, you are by definition limiting freedom of expression.”

To read Wilson’s full statement, click here.

Belmont University Launches New Atlanta-Based Entertainment Program

Photo: Cara Baker Davis/Belmont University

In collaboration with the Mike Curb College of Entertainment & Music Business, Belmont University has launched Belmont ATL, a new program that offers students a semester interning in Atlanta.

The program aims to serve as a launchpad for entertainment professionals and entrepreneurs, offering them invaluable real-world experience in one of the world’s most influential music and entertainment hubs. Belmont ATL has been headed up by former Motion Pictures Chair Will Akers, Assistant Professor of Music Business Dr. Eric Holt and Professor of Music Business Dr. Cheryl Slay Carr.

“Historically, New York, Los Angeles and Nashville have been the primary entertainment markets for opportunity and growth. That is simply no longer true,” Carr says. “Atlanta is now an important location for music and film and has always been important for media. We wanted to provide students with a well-rounded curriculum that remains relevant and cutting edge. We want students to be positioned for this expanding entertainment industry.”

Students participating in Belmont ATL will undertake customized internships tailored to their specific fields of interest, covering areas such as marketing, social media, artist management, concert promotions, record studios, event management, publishing, hospitality, talent agencies, sports management, broadcasting and record company operations. Guided by Belmont faculty, students will take the onsite “Entertainment and Culture of Atlanta” course, gaining deep insights into the city’s thriving creative landscape.

Richard Dunn, a music industry veteran whose background includes working alongside India.Arie, PJ Morton and Aaron Shust, will be the onsite manager for the Belmont ATL program.

Carr shares, “Nashville has been so effective for providing our students with internship opportunities because of the networks built here by our faculty and staff. Richard’s extensive network reaches across the full spectrum of the entertainment industry and beyond it to include influencers and decision-makers that he can access. Richard’s experience is also invaluable, as he possesses an array of skills to teach students how to navigate working with diverse populations. We are extremely fortunate to have him serving Belmont.”

“Atlanta is an ideal location for creative minds, with its thriving music scene and rich cultural history,” Dunn says. “This program will give students a chance to explore their creativity and develop their entrepreneurial spirit.”

Belmont ATL is currently accepting applications from junior and senior-level students across various majors for the Fall 2024 program. Access the application here.

Luke Grimes’ Self-Titled Debut Slated For March

Luke Grimes will release his self-titled, full-length debut album via Mercury Nashville/Range Music on March 8One of the album’s new tracks, “God And A Girl,” penned by Tucker Beathard, Dillon James and Jason Nix, is out now.

Other writers contributing to the 13-track project, produced by Dave Cobb, include Randy Montana, Josh Thompson, Jonathan Singleton, Jon Randall, Lori McKenna, Liz Rose, Hayes Carll and more. The new album follows the fall 2023 release of Grimes’ EP Pain Pills Or Pews, which has amassed 105 million global streams to date.

“I’ve spent the last couple of years trying my best to make something that I would be proud to put into the world,” says Grimes. “Now, all I can hope for is that it finds a few people to connect to and it makes them feel like they aren’t going through all of this alone. That’s what my favorite music has always done for me.”

Known for his role as Kayce Dutton on the hit TV drama Yellowstone, Grimes grew up in Ohio playing music in church and listening to the Johnny Cash, Merle Haggard, Willie Nelson and Waylon Jennings records his father played him. Later, he moved to L.A. and joined an Americana band as its drummer before relocating to Montana, where Yellowstone films. Now writing in Nashville, Grimes is sharing his personal story—of the loss of his father and meeting his wife—with country fans.

In 2023, Grimes played upwards of 20 festivals, including Stagecoach, Pilgrimage Music and Cultural Festival and Under the Big Sky Festival, and headlined his own sold-out tour. Grimes will make a return to Stagecoach in April 2024

Luke Grimes Album Track List:
1. Burn (Luke Grimes, Randy Montana, Josh Thompson)
2. Playin’ On The Tracks (Luke Grimes, Brent Cobb)
3. Hold On (Foy Vance, Ilsey Juber)
4. Black Powder (Luke Grimes, Brian Allen, Dave Cobb, Chris Powell)
5. Ghost Of Who We Were (Luke Grimes, Rodney Clawson, Nicolle Galyon)
6. Oh Ohio (Luke Grimes, Jessi Alexander, Jon Randall)
7. God And A Girl (Tucker Beathard, Dillon James, Jason Nix)
8. What Angels Do (Luke Grimes, Ryan Beaver, Bart Butler)
9. No Horse To Ride (Luke Grimes, Tony Lane, Jonathan Singleton)
10. Wait For The Rain To Die Down (Luke Grimes, Hillary Lindsey, Lori McKenna, Liz Rose)
11. Ain’t Dead Yet (Luke Grimes, Aaron Raitiere)
12. South On 75 (Luke Grimes, Brent Cobb, Dave Cobb, Aaron Raitiere)
13. Worst Of Me (Hayes Carll)

Luke Combs, Lainey Wilson Represent Country Music At 66th Annual Grammy Awards [Recap]

Tracy Chapman & Luke Combs perform onstage during the 66th Grammy Awards. Photo: Kevin Winter/Getty Images for The Recording Academy

The 66th annual Grammy Awards took place Sunday night (Feb. 4) at the Crypto.com Arena in Los Angeles.

The night included a lot of memorable moments, such as Taylor Swift breaking the record for most Album of the Year wins, Billy Joel performing for the first time on the Grammy stage after 30 years and Miley Cyrus winning her first Grammy and having a ball doing it.

Ultimately, the show was a great success. Expertly hosted once again by Trevor Noah, the 66th annual Grammy Awards featured excellent performances from Joel, Cyrus, SZA, Billie Eilish, Olivia Rodrigo, Dua Lipa and more.

Lainey Wilson posing with her Grammy at the 66th Grammy Awards. Photo: Alberto E. Rodriguez/Getty Images for The Recording Academy

Though there weren’t a ton of country music moments throughout the telecast, they were very impactful. Just a few minutes into the show, Luke Combs took the stage to perform “Fast Car” alongside the song’s iconic author, Tracy Chapman. Before the performance, a video played of Combs explaining his reasoning for including the cover on his 2023 album Gettin’ Old. He shared that it was one of the first songs he learned to play, and that he included it on the album purely out of admiration.

“Tracy is such an icon and one of the best songwriters any of us will get to be around and see,” Combs shared in the video.

The roar of music industry titans could clearly be heard over the telecast as Chapman began strumming the opening chords of the iconic song. Clearly touched, she smiled out at the crowd and sounded as great as ever.

Combs held up his end of the bargain. He sounded great and seemed as enthralled by Chapman’s rare performance as anyone else was. The two exchanged grins throughout the song as the world watched, creating a perfect example of how music brings us together.

During “Fast Car,” the camera panned around the audience the smiling faces of Combs’ peers—such as Lainey Wilson, Brothers Osborne, Jelly Roll and Swift—who were all singing along and beaming with pride. It was the performance of the night.

Taylor Swift accepting the Album of the Year award onstage during the 66th Grammy Awards. Photo: Kevin Winter/Getty Images for The Recording Academy

Another country stalwart, Kacey Musgraves, was on hand to present Best Country Album during the telecast. She was celebrating having won the award herself for Same Trailer Different Park 10 years ago. The 2024 trophy went to first-time winner Wilson for her Bell Bottom Country project.

This marked a trifecta of Album of the Year wins for Wilson. She also took home the prize at the 2023 ACM Awards and CMA Awards, where she was also named Entertainer of the Year.

Wilson was emotional when she accepted the honor.

“I am from a farming community in northeast Louisiana. A little town of 200 people. I’m a fifth generation farmer’s daughter,” she said. “I would consider myself and everyone I surround myself with as farmers too—they’re story farmers.

“It’s about getting up every single day and planting those seeds, watering them and watching them grow,” Wilson said. “When you find the right farming community, you can have a harvest of a lifetime… That’s exactly what this is tonight.”

The other country awards were given out prior to the telecast, with Best Country Song and Best Country Solo Performance going to Chris Stapleton‘s “White Horse,” and Zach Bryan and Musgraves taking home the trophy for Best Country Duo/Group Performance with “I Remember Everything.”

As for some of the other televised awards, Best New Artist went to Victoria Monét, Single of the Year was given to Cyrus for her titanic his “Flowers” and Song of the Year went to Eilish and Finneas O’Connell‘s Barbie tune “What Was I Made For?”

Swift won both Best Pop Vocal Album and Album of the Year for Midnights. Now, with four wins in the category, Swift holds the record for the winningness artist in the Grammy’s Album of the Year category—surpassing Frank Sinatra, Stevie Wonder and Paul Simon, who all previously won the title three times.

Joni Mitchell & Brandi Carlile peform during the 66th Grammy Awards. Photo: Kevin Winter/Getty Images for The Recording Academy

When Swift was presented with Best Pop Vocal Album earlier in the night, she announced that her 11th studio album, The Tortured Poets Department, is coming in April.

A standout moment during the telecast was Joni Mitchell‘s touching performance of “Both Sides Now.” Somehow it was the 80-year-old folk titan’s debut performance on the Grammy stage. Music treasure Brandi Carlile introduced Mitchell and sang along with her–bringing the crowd and those watching at home to tears with the moment.

By the end of the night, the 66th annual Grammy Awards had proved to be a meaningful yet fun evening of music. Legends such as Chapman, Mitchell and Joel were given their flowers, those we lost were honored and music’s biggest stars shined brightly.

Click here for a list of Nashville-related Grammy winners.

Phil Vassar Inks With Action Entertainment Collaborative

Pictured (L-R): Nick Meinema, Phil Vassar and Travis James

Phil Vassar has signed with Nick Meinema and Travis James of Action Entertainment Collaborative for global agency representation in all areas of live touring.

Vassar’s signature songs include 10 No. 1s such as “Carlene,” “Just Another Day in Paradise,” “Six-Pack Summer,” “When I Love You” and more. His songwriting career flourished in the ’90s when he secured a publishing contract with EMI, penning hits for artists like Collin Raye, Alan Jackson, Tim McGraw, Jo Dee Messina and Blackhawk.

Recognized as ASCAP’s Country Songwriter of the Year in 1999 and 2001, Vassar’s success extended beyond his solo recording career, marked by nine albums, two ASCAP Songwriter of the Year awards and other accolades, all while playing sold-out shows nationwide. He will embark on his “Hits & Heroes Tour” this month, which will feature performances of his own hits and covers of songs by his musical influences, and plans release new music in 2024.

“I have known Phil for many years personally, and of course admired his work for years. I was very happy to get the call to work together,” says Meinema.

“We’re having a blast on the road with all the fans. 2024 is shaping up to be a great year as we bring on Nick and the Action Entertainment Collaborative team as our booking agency,” Vassar shares.

Lainey Wilson Among 2024 Grammy Award Winners

Lainey Wilson poses with her Grammy. Photo: Alberto E. Rodriguez/Getty Images for The Recording Academy

A new group of winners were honored at the 66th annual Grammy Awards on Sunday night (Feb. 4) at the Crypto.com Arena in Los Angeles.

Lainey Wilson took home her first-ever Grammy during the only country award given out during the prime time telecast, winning the trophy for Best Country Album with Bell Bottom Country.

Prior to the telecast, Nashville creators such as Chris Stapleton, Brandy Clark, Jason Isbell and more were awarded with Grammys at the premiere ceremony.

Below are a selection of winners from the 66th annual Grammy Awards:

Record Of The Year
“Worship” — Jon Batiste
“Not Strong Enough” — Boygenius
“Flowers” — Miley Cyrus – WINNER
“What Was I Made For?” [From The Motion Picture Barbie] — Billie Eilish
“On My Mama” — Victoria Monét
“Vampire” — Olivia Rodrigo
“Anti-Hero” — Taylor Swift
“Kill Bill” — SZA

Album Of The Year
World Music Radio — Jon Batiste
The Record — Boygenius
Endless Summer Vacation — Miley Cyrus
Did You Know That There’s A Tunnel Under Ocean Blvd — Lana Del Rey
The Age of Pleasure — Janelle Monáe
Guts — Olivia Rodrigo
Midnights — Taylor Swift – WINNER
SOS — SZA

Song Of The Year
“A&W” — Jack Antonoff, Lana Del Rey & Sam Dew, songwriters (Lana Del Rey)
“Anti-Hero” — Jack Antonoff & Taylor Swift, songwriters (Taylor Swift)
“Butterfly” — Jon Batiste & Dan Wilson, songwriters (Jon Batiste)
“Dance The Night” (From Barbie The Album) — Caroline Ailin, Dua Lipa, Mark Ronson & Andrew Wyatt, songwriters (Dua Lipa)
“Flowers” — Miley Cyrus, Gregory Aldae Hein & Michael Pollack, songwriters (Miley Cyrus)
“Kill Bill” — Rob Bisel, Carter Lang & Solána Rowe, songwriters (SZA)
“Vampire” ­— Daniel Nigro & Olivia Rodrigo, songwriters (Oliva Rodrigo)
“What Was I Made For?” [From The Motion Picture Barbie] — Billie Eilish O’Connell & Finneas O’Connell, songwriters (Billie Eilish) – WINNER

Best New Artist
Gracie Abrams
Fred Again
Ice Spice
Jelly Roll
Coco Jones
Noah Kahan
Victoria Monét – WINNER
The War And Treaty

Best Country Album
Rolling Up The Welcome Mat — Kelsea Ballerini
Brothers Osborne — Brothers Osborne
Zach Bryan — Zach Bryan
Rustin’ In The Rain — Tyler Childers
Bell Bottom Country — Lainey Wilson – WINNER

Best Country Song
“Buried” – Brandy Clark & Jessie Jo Dillon, songwriters (Brandy Clark)
“I Remember Everything” – Zach Bryan & Kacey Musgraves, songwriters (Zach Bryan Featuring Kacey Musgraves)
“In Your Love” – Tyler Childers & Geno Seale, songwriters (Tyler Childers)
“Last Night” – John Byron, Ashley Gorley, Jacob Kasher Hindlin & Ryan Vojtesak, songwriters (Morgan Wallen)
“White Horse” – Chris Stapleton & Dan Wilson, songwriters (Chris Stapleton) – WINNER

Best Country Solo Performance
“In Your Love” – Tyler Childers
“Buried” – Brandy Clark
“Fast Car” – Luke Combs
“The Last Thing On My Mind” – Dolly Parton
“White Horse” – Chris Stapleton – WINNER

Best Country Duo/Group Performance
“High Note” – Dierks Bentley Featuring Billy Strings
“Nobody’s Nobody” – Brothers Osborne
“I Remember Everything” – Zach Bryan Featuring Kacey Musgraves – WINNER
“Kissing Your Picture (Is So Cold)” – Vince Gill & Paul Franklin
“Save Me” – Jelly Roll With Lainey Wilson
“We Don’t Fight Anymore” – Carly Pearce Featuring Chris Stapleton

Best Americana Album
Brandy Clark — Brandy Clark
The Chicago Sessions — Rodney Crowell
You’re the One — Rhiannon Giddens
Weathervanes — Jason Isbell and the 400 Unit – WINNER
The Returner — Allison Russell

Best Americana Performance
“Friendship” – The Blind Boys Of Alabama
“Help Me Make It Through The Night” – Tyler Childers
“Dear Insecurity” – Brandy Clark Featuring Brandi Carlile – WINNER
“King Of Oklahoma” – Jason Isbell And The 400 Unit
“The Returner” – Allison Russell

Best American Roots Song
“Blank Page” – Michael Trotter Jr. & Tanya Trotter, songwriters (The War And Treaty)
“California Sober” – Aaron Allen, William Apostol & Jon Weisberger, songwriters (Billy Strings Featuring Willie Nelson)
“Cast Iron Skillet” – Jason Isbell, songwriter (Jason Isbell And The 400 Unit) – WINNER
“Dear Insecurity” – Brandy Clark & Michael Pollack, songwriters (Brandy Clark Featuring Brandi Carlile)
“The Returner” – Drew Lindsay, JT Nero & Allison Russell, songwriters (Allison Russell)

Best American Roots Performance
“Butterfly” – Jon Batiste
“Heaven Help Us All” – The Blind Boys Of Alabama
“Inventing The Wheel” – Madison Cunningham
“You Louisiana Man” – Rhiannon Giddens
“Eve Was Black” – Allison Russell – WINNER

Best Bluegrass Album
Radio John: Songs of John Hartford – Sam Bush
Lovin’ Of The Game – Michael Cleveland
Mighty Poplar – Mighty Poplar
Bluegrass – Willie Nelson
Me/And/Dad – Billy Strings
City Of Gold – Molly Tuttle & Golden Highway – WINNER

Best Traditional Blues Album
Ridin’ – Eric Bibb
The Soul Side Of Sipp – Mr. Sipp
Life Don’t Miss Nobody – Tracy Nelson
Teardrops For Magic Slim Live At Rosa’s Lounge – John Primer
All My Love For You – Bobby Rush – WINNER

Best Contemporary Blues Album
Death Wish Blues – Samantha Fish And Jesse Dayton
Healing Time – Ruthie Foster
Live in London – Christone “Kingfish” Ingram
Blood Harmony – Larkin Poe – WINNER
LaVette! – Bettye LaVette

Best Gospel Album
I Love You – Erica Campbell
Hymns (Live) – Tasha Cobbs Leonard
The Maverick Way – Maverick City Music
My Truth – Jonathan McReynolds
All Things New: Live In Orlando – Tye Tribbett – WINNER

Best Contemporary Christian Music Album
My Tribe – Blessing Offor
Emanuel – Da’ T.R.U.T.H.
Lauren Daigle – Lauren Daigle
Church Clothes 4 – Lecrae – WINNER
I Believe – Phil Wickham

Songwriter Of The Year, Non-Classical
Edgar Barrera
Jessie Jo Dillon
Shane McAnally
Theron Thomas – WINNER
Justin Tranter

Click here for a full list of winners.