Scott Borchetta To Receive 2024 CRB President’s Award

Scott Borchetta will receive the 2024 CRB President’s Award from the Country Radio Broadcasters, Inc.

Given to individuals who have demonstrated exceptional dedication and played a vital role in shaping the success of the Country Radio Seminar and its mission to advance the country radio format, Borchetta joins past recipients such as John Esposito, Beverlee Brannigan, Sarah Trahern, Mike Dungan, Charlie Morgan, Bob Kingsley, Joe Galante and Erica Farber, among others.

“Scott is one of those you can count on one hand. Music Row visionary and trailblazer, race car driver, television celebrity, entrepreneur, maverick,” says CRB/CRS Board President Kurt Johnson. “From his first days in promotion in Nashville to his iconic status today, he continues to be a true original. I hope you’ll be in the room as we celebrate one of the best ever in the business.”

Borchetta is the Chairman and CEO of Big Machine Label Group, the independent label home to artists such as Tim McGraw, Garth Brooks, Dolly Parton, Thomas Rhett, Carly Pearce, Sheryl Crow, and Lady A. He also serves as the HYBE America Chairman of Record Labels. Under his leadership, Big Machine has achieved monumental success over nearly 20 years, garnering a multitude of industry awards and selling over 220 million albums, with more than 200 singles reaching No. 1 on the country, pop, and rock charts.

Borchetta has been recognized as part of Billboard’s Power 100 list and Fast Company’s 100 Most Creative People in Business, along with the Music Business Association’s Presidential Award for Outstanding Executive. He made history in 2012 with a groundbreaking deal with iHeart Radio, securing sound-recording performance royalties for Big Machine and its artists, marking the first time artists and labels would be paid for their sound recordings on terrestrial radio stations in the U.S.

As a philanthropist, Borchetta has significantly contributed to the Monroe Carell Jr. Children’s Hospital at Vanderbilt. In 2020, he and his wife Sandi created The Big Machine Neighborhood, the Neonatal Intensive Care Unit wing. They also co-founded the Music Has Value fund to support music in schools and music therapy.

The presentation of the CRB President’s Award will take place during the 2024 Country Radio Hall of Fame event, scheduled to be held on June 19 at the Virgin Hotel Nashville. More information, including the time and ticket information, will be released closer to the event.

Wynonna Judd Adds Second Leg To ‘Back To Wy Tour’

Wynonna Judd. Photo: Jim Wright

Wynonna Judd has added a second leg of over a dozen dates to her “Back To Wy Tour” in response to fan demand.

Kicking off in September, the new leg will consist of stops in Tulsa, Lubbock, Colorado Springs, Boise, Phoenix and more through Oct. 5. Produced by Live Nation, the “Back To Wy Tour” will continue to feature performances of tracks from her solo albums, Wynonna (1992) and Tell Me Why (1993), as well as an acoustic set of her hits along with classics from The Judds.

“The fans have turned the ‘Back To Wy Tour’ into something far greater than I ever imagined,” says the country star. “This tour isn’t JUST about the songs; it’s about our shared experiences, the memories we create together in each city, each venue, each moment. It’s about returning to the roots of where it all began for me as a solo artist and celebrating the nostalgic feeling of what we were doing when these two albums entered our lives…whether that was 1992 or 2022.

I can’t wait to see your smiling faces, to feel your energy and to create new memories surrounding these songs that will last us the rest of our lives! Thank you for being the heartbeat of this tour, for allowing us a second chance to connect with you over these two albums, and for making every moment on stage feel like coming home…Back To Wy.”

Fan club members have access to presale tickets now before general sales start this Friday (May 17) at 10 a.m. local time. Fans can also purchase VIP Packages, which may include premium tickets, commemorative laminate and concert ticket as well as a special cocktail set. For more information, click here.

RIAA Elevates Erin D. D. Burr & Matthew Bass

Erin D. D. Burr. Photo: Katie Kauss. Matthew Bass. Photo: Courtesy of RIAA

The Recording Industry Association of America (RIAA) has elevated Erin D. D. Burr to Senior Vice President, Media Relations | Gold & Platinum Program and Matthew Bass to Vice President, Research and Gold & Platinum Operations, effective immediately.

“Erin and Matt are stars who have already shined so brightly at RIAA and, in their new roles, will be even more visible and effective,” says Mitch Glazier, RIAA Chairman & CEO. “As the music community works together to address unprecedented new opportunities and challenges from the meteoric rise of streaming to the current effort to chart a path towards responsible and pro-artist AI, we are all lucky to have Erin and Matt embracing greater responsibilities.”

Burr will continue to lead RIAA’s press outreach while serving as a communications strategist for RIAA initiatives such as celebrating Gold and Platinum certifications, advancing C-suite profiles and supporting the Human Artistry CampAIgn—a growing global coalition whose mission is to keep irreplaceable human expression at the core of technological innovation. To help others understand the challenges and opportunities within the music industry, Burr aims to make policy that effects creators more digestible—recently with the Ensuring Likeness Voice and Image Security (ELVIS) Act press conference to modernize the Tennessee right of publicity law. She also currently sits on the Musicians On Call (MOC) Music Industry Advisory Board. Prior to joining RIAA, Burr spent over a decade at Big Machine Label Group executing high-profile releases for Reba McEntire, Carly Pearce and The Mavericks, among others.

“Connection through people, stories and music has always been instinctual to me–and has also served as the basis for my entire career. I’m grateful for this amplified role, RIAA’s culture of community and passion advocating for the creative talents across the entire industry,” shares Burr. “As we navigate ever-evolving opportunities where artistry intersects with policy and technology, I’m excited to explore more ways to support human creators and our member labels while nurturing a vital relationship with media.”

Bass’ passion for music led him to RIAA, where he has spent more than a decade developing annual reports that seek to set the table for policy discussions and support efforts to protect copyright in the United States. Bass explores findings in these research efforts with industry panels, universities, reporters, legislators and other stakeholders. He also manages the association’s authoritative data holdings, and has played a key part in modernization efforts across its Gold & Platinum Program. Bass began his career working with federal agencies in the renewable energy field, managing federal funds for the research and development of projects within the Department of Energy’s Geothermal and Solar Energy offices. He also worked on technology projects for the General Services Administration (GSA) in addition to serving as an analyst under the Dodd-Frank Wall Street Reform and Consumer Protection Act.

“I feel privileged to have spent the last 11 years at RIAA, where I’m able to combine two of my passions—music and data—and call it work,” says Bass. “I’m proud to produce our annual revenue reports, work with esteemed researchers and economists as well as uncover trends in the industry or new milestones in our Gold & Platinum Program that celebrate artist and label successes.”

Burr can be reached at eburr@riaa.com, and Bass is available at mbass@riaa.com.

Randy Travis To Bring ‘More Life Tour’ To The Ryman

Randy Travis is bringing his “More Life Tour” to the Ryman Auditorium on June 5, featuring the Country Music Hall of Famer’s original touring band and special guest vocalist James Dupré.

The concert news follows the recent release of Travis’ new AI-generated single, “Where That Came From,” his first song in over a decade. The track was created with Travis’ longtime producer Kyle Lehning and a group of musicians including Dupré, who supplied the vocal bed for the song. Released May 3, “Where That Came From” debuted on the charts at No. 45. The creation of the track was recently explored on CBS Sunday Morning.

YouTube video

The “More Life Tour” will offer a musical odyssey through Travis’ chart-topping hits, complemented by video highlights from his career in music, film and TV. Travis won’t be taking the microphone due to the 2013 stroke that left him with aphasia, but he and his wife Mary will take the stage the entire show to engage with fans and enjoy the music. Dupré and the band will perform all 16 of Travis’ No. 1s including “On The Other Hand,” “Forever and Ever, Amen” and “Three Wooden Crosses.”

Presale for the show begins tomorrow, May 16, with public tickets available on May 17. Fans can purchase tickets here.

New Artist Of The Year Winners Revealed Prior To 59th ACM Awards

ACM New Artist of the Year winners Megan Moroney, Nate Smith and Tigirlily Gold. Photo: Courtesy of ACM

The winners of the ACM New Artist of the Year categories were revealed Tuesday night (May 14) during the “Live from the ACM Awards: ACM New Artist Winners Celebration,” part of the ACM Country Kickoff fan festival at The Star.

Megan Moroney was named ACM New Female Artist of the Year, Nate Smith took home New Male Artist of the Year and Tigirlily Gold won ACM New Duo or Group of the Year.

The celebration capped off the first day of the ACM Country Kickoff festival, with the announcement and subsequent live performances from all three winners streamed live on the Amazon Music Channel on Twitch. With their wins, each artist will perform Thursday as part of the ACM Awards show. Moroney will perform during the ACM Awards Red Carpet Show, Smith will make his ACM Awards performance debut in a special collaboration with Avril Lavigne and Tigirlily Gold will take the ACM stage for the first time.

ACM Awards Week continues today (May 15) with the second day of ACM Country Kickoff at The Star, featuring a newly-announced festival closer performance from ACM Award winner Scotty McCreery. The day will also include the ACM Songs & Stories brunch—powered by The Bluebird Cafe and Nashville Songwriters Association International—which celebrates the nominees for ACM Songwriter of the Year and Artist-Songwriter of the Year; as well as Parker McCollum and Friends: ACM Lifting Lives LIVE, Presented by Choctaw Casinos & Resorts, which benefits the philanthropic partner of the ACM.

The 59th ACM Awards will stream live on Thursday, May 16. Hosted by Reba McEntire, the show will feature live performances from Jason Aldean, Kane Brown, Jelly Roll, Cody Johnson, Miranda Lambert, Post Malone, Parker McCollum, Thomas Rhett, Chris Stapleton, Lainey Wilson and more. See a full list of nominees here.

Weekly Register: Dasha Ascends The Country Streaming Songs Chart

Dasha. Photo: Adam Budd

Dasha‘s “Austin” ascends to No. 5 on the country streaming songs chart this week with 11 million new streams, adding to 100 million ATD, according to Luminate data.

Shaboozey‘s “A Bar Song (Tipsy)” continues to take the top slot with 34 million streams, adding to 103 million ATD, as Zach Bryan and Kacey Musgraves‘ “I Remember Everything” rests at No. 2 with 16 million new streams, adding to 722 million ATD. Morgan Wallen‘s “Last Night” persists at No. 3 with 12 million streams, adding to 1.37 billion ATD, and Bryan’s “Something In The Orange” stays at No. 4 with 11.6 million new streams, adding to 1.38 billion ATD.

Additionally, Kane Brown and Marshmello‘s “Miles On It” marks the top debut at No. 10 with 10 million streams.

On the country albums chart, Wallen’s One Thing At A Time rules at No. 1 with 71K in total consumption (1.5K album only/89 million song streams), followed by his Dangerous: The Double Album at No. 2 with 42K (401 album only/54 million song streams). Beyoncé‘s Cowboy Carter falls to No. 3 with 41K (5K album only/45 million song streams). Bryan’s self-titled album bides at No. 4 with 36K (2.6K album only/43 million song streams), while his American Heartbreak resides at No. 5 with 30K (721 album only/38 million song streams).

Music Biz Kicks Off 2024 Conference

Volunteers during check-in for Music Biz 2024. Photo: Jason Mallory

The Music Business Association kicked off its annual Music Biz conference yesterday (May 13) at the JW Marriott Nashville.

Conference attendees were immersed into a full day of programing with the Music Biz Roadshow, a collection of panels with artists and industry executives, as well as different track programs.

In the “Arrested Development? Demystifying the Pathway to Artist Success” panel, attendees heard from artist Hitkidd, Kadeem Phillips of Power Entertainment and Drew De Leon of The Digilogue through a conversation led by Delante Murphy of Beatroot. The group broke down the myth of an “overnight success” and talked about the modern artist development process.

“Arrested Development? Demystifying the Pathway to Artist Success panel.” Photo: Jason Mallory

Elizabeth Brooks of Better Angels Ventures led a discussion with Jeremy Gruber of Friends at Work, Jeff Rosenfeld of MAX, Maddy Sunquist of Madkat Management and artist Stephen Day on how artists can embrace the power of AI to look into fan engagement data and create sustainable success in the “How AI & Tech Are Shaping the Business of Music” panel.

“How AI & Tech Are Shaping the Business of Music” panel. Photo: Jason Mallory

Attendees also got to hear about the importance of an advisor’s advice when creating relationships between startups and rightsholders, and the roadblocks to avoid when bringing your startup to market in the “Building a Healthy Relationship Between Startups & Rightholders” panel. Aileen Crowley of Lark42 led the conversation with Cliff Fluent of Lewis Silken, Elizabeth Moody of Granderson Des Rochers, LLP and Michael Pelczynski of Forms + Shapes.

“Building a Healthy Relationship Between Startups & Rightholders” panel. Photo: Jason Mallory

In the “Sustainability – Longevity or Environmentally Friendly? BOTH? ” panel, attendees heard from Patrick Amory from Matador Records, Brandon Seavers from Memphis Record Pressing and Dustin Blocker from the Vinyl Records Manufacturing Association through a conversation led by Sarah Robertson of A to Z Media. The group discussed how long the industry can sustain the comeback of the vinyl format while offsetting the carbon footprint of vinyl production.

“Sustainability – Longevity or Environmentally Friendly? BOTH?” panel. Photo: Jason Mallory

Tracks for day one included “#NEXTGEN_NOW,” “Let’s Talk Physical” and “Startup Lab: A Bootcamp for New Music Ventures.”

Day two of Music Biz 2024 continued today (May 14) with keynote event “The Enduring Value of Songs — Leveraging Technology to Drive Growth for Songwriters and Publishers” featuring Lauren Hubert of Kobalt. Other industry executives from Peermusic, The MLC, Downtown, Paramount, Venice Music and more are also participating in the day’s panels. Tracks for day two include “Sync Symposiu,” “Music and Money: Managing Today’s Financial Climate for Tomorrow’s Artist,” “Howdy Neighbor: Understanding Neighboring Rights Opportunities” and the “Indie Label Summit.” Music Business Association President Portia Sabin will also bring her annual President’s Address.

CMA Fest Reveals Latest Round Of Performers

CMA Fest has announced another round of performers and artists appearing across multiple stages June 6-9 in downtown Nashville, adding to the hundreds of artists previously announced.

Terri Clark, Craig Morgan, Josh Turner and Gretchen Wilson will open the nightly concerts at Nissan Stadium, with Old Dominion also added to the main stage. Special performances inside the stadium are also on tap from Jackson Dean, Shaboozey and Brittney Spencer. Tanner Adell, Chapel Hart, Dasha, Wyatt Flores, Dylan Gossett, Dylan Marlowe, Puddin (K. Michelle) and Zach Top will take on the Platform stage.

Returning for a second year, the Tennessee State University marching band, The Aristocrat of Bands, will welcome CMA Fest fans to Nashville Thursday morning as they march across the John Seigenthaler Pedestrian Bridge. Reyna Roberts will kick off Thursday night at Nissan Stadium performing the national anthem.

Additional acts taking the stages include Sophia Scott performing the national anthem at the Chevy Riverfront Stage, as well as sets by Julia Cole, Allie Colleen, Shelby Darrall, Exile, Chris Housman, Willie Jones, Tiera Kennedy, Love and Theft, Dylan Marlowe, Matt Schuster, Sister Hazel, The Chattahoochies and Louie TheSinger.

Gretchen Wilson will take the CMA Close Up Stage inside Fan Fair X for a Q&A to celebrate 20 years of her hit single “Redneck Woman.” On the Spotlight Stage inside Fan Fair X, Color Me Country will host a writer’s round featuring Alyssia Dominguez, O.N.E The Duo, David Unlayao and Michael B. Whit, while the Canadian Country Music Association will present a writer’s round featuring Robert Adam, Zach McPhee and Trudy. CMA Fest also welcomes Country Proud back to the Hard Rock Stage for a second year, featuring performances from Denitia, Sonia Leigh, The Kentucky Gentlemen, Gina Venier and Julie Williams. 

Limited CMA Fest tickets are still available.

Morgan Wallen & Post Malone Make History With ‘I Had Some Help’

Post Malone & Morgan Wallen. Photo: Courtesy of Mercury Records/Republic/Big Loud Records

Morgan Wallen and Post Malone have made history with their new single, “I Had Some Help,” released on Friday (May 10) via Mercury Records/Republic in partnership with Big Loud Records.

The song earned 167 first-week adds at country radio, becoming the first single to accomplish that feat since Garth Brooks‘ “Longneck Bottle” in 1997, and opened at No. 15 on the Mediabase chart, marking the second-highest debut of the monitored era behind Brooks’ “More Than A Memory” in 2007.

“I Had Some Help” also broke Spotify’s single-day country streaming record with nearly 14 million streams, debuted at No. 1 on the streaming platform’s Global Daily chart and became its top male collaboration debut of all time, in addition to topping Apple Music’s Global chart and Pandora’s Top Thumb Hundred chart, upon release.

“Post and Morgan delivered a huge hit record; we knew we had to do our part and deliver a huge launch at country radio,” says Stacy Blythe, SVP of Radio Promotion, Big Loud Records. “Our radio partners made this set-up incredibly exciting and we are so grateful for how they stepped up to support with no hesitation.”

Lily Rose Makes Grand Ole Opry Debut

Lily Rose makes Grand Ole Opry debut. Photo: Anna Schaeffer

Lily Rose made her Grand Ole Opry debut on Saturday night (May 11), marking a full-circle moment in her career.

Pictured (L-R): WME’s Morgan Kenney, OH Creative’s Lexi Howder, Big Loud’s Isabella Rosalen, Back Blocks’ Rakiyah Marshall, Big Loud’s Stacy Blythe, Daira Williamson, Lily Rose, Big Loud’s Lucy Bartozzi, Big Loud’s Candice Watkins, Big Loud’s Brianne Deslippe, Fusion Music’s Dylan McGraw, Kevin Smith, Fusion Music’s Daniel Miller, Lewis Brisbois’ Matt Cottingham, OH Creative’s Olivia Hanceri, Big Loud’s Liam O’Brien. Photo: Anna Schaeffer

Performing two new songs from her just-released six song EP, Runnin’ Outta Time, Rose received a standing ovation for the first song, “Back Pew,” and continued with the autobiographical ballad “Two Flowers.”

Introduced by friend and Opry member Kelsea Ballerini, Rose reflected on her whirlwind journey from stocking shelves at the Opry Mills Mall as a young artist to stepping into the revered Opry circle.

“I always swore I was never going to step foot into this building until I got booked for my debut, and we did that. And you guys are here,” Rose shared from the stage. “I have been working, writing country songs for 16 years of my life, and I’ve been going after the artist thing for 11. And I wanted to make sure that when I stepped into this circle, I had something to say in country music that meant something.”

Rose also celebrated her new EP with an immersive live performance at Nashville’s Cannery Hall on May 9.