DISClaimer Single Reviews: Carly Pearce Delivers ‘Cool, Traditional Country Song’

Carly Pearce. Photo: Allister Ann

This listening session was loaded with goodies.

I’m a happy camper whenever real country music is on the menu. And that’s what we have today from George Ducas, Thomas Rhett, Mitchell Tenpenny and the surprisingly good Post Malone & Morgan Wallen duet. It’s also what Carly Pearce is presenting, and for her excellent work, she takes home the Disc of the Day prize.

The DISCovery Award goes to American Patchwork Quartet. The East Indian warbling of its expressive lead singer Falu segues quite nicely into minor-key mountain balladry.

WILLOW AVALON / “Hey There Dolly”
Writers: James Atkins/Tofer Brown/Willow Avalon; Producers: Tofer Brown/JR Atkins/Willow Avalon; Label: Assemble Sound/Atlantic
– Her pert soprano rides atop a steel-drenched, echo-chamber track. The sing-songy melody and cheesy production are simplistic, but oddly addictive. The gist of it is that she feels like she and Dolly could be best friends because, “I’ve got big titties and a big heart too,” and “I’m just like you.” Willow Avalon (what a great name) plays the Brooklyn Bowl on June 1 and is opening for the Nashville rock band Cage the Elephant on tour this summer.

THOMAS RHETT / “Beautiful As You”
Writers: Alexander Izquierdo/Jacob Kasher Hindlin/John Henry Ryan/Joshua Emanuel Coleman/Julian Bunetta/Thomas Rhett/Zaire Kelsey; Producers: Julian Bunetta/John Ryan/Ammo/Dann Huff; Label: The Valory Music Co.
– This lively little bopper is a perfect summertime jam, and he sings it with a smile. She’s so out of his league that he marvels about her loving him. Rhett is scheduled to debut the tune on tonight’s ACM Awards show.

AMERICAN PATCHWORK QUARTET / “Shenandoah”
Writers: Clay Ross/Falguni Shah; Producers: none listed; Label: 2024 Carolina Jasmine, Inc.
– Clay Ross (guitar), Falu (vocals), Yasushi Nakamura (bass) and Clarence Penn (drums) come from four different ethnic heritages. They celebrate American diversity on an album comprised of traditional Appalachian folk songs (”Wayfaring Stranger,” “Pretty Saro,” “Beneath the Willow,” etc.). Their languid take on this lovely ballad is utterly entrancing. Stay tuned: this wonderfully individualistic band plays the Opry on June 18.

CARLY PEARCE / “Fault Line”
Writers: Carly Pearce/Jordan Reynolds/Nicole Galyon/Shane McAnally; Producers: Shane McAnally/Josh Osborne/Carly Pearce; Label: Big Machine Records
– Hallelujah! Carly reminds us all what a really cool, traditional country song sounds like. This depiction of a crumbling marriage is packed with playful lyric details as it two-steps merrily across the country dance floor. Loved it. Loved it. Loved it.

THE WAR AND TREATY / “Leads Me Home”
Writers: Michael Trotter Jr./Tanya Trotter; Producer: Michael Trotter Jr.; Label: UMG Nashville
– This always-inspiring duo wades into the comforting waters of gospel on this heart-in-throats performance. This is forever true: when they sing, they send shivers up my spine. And they make me proud to be a country fan.

GEORGE DUCAS / “Drifter”
Writers: George Ducas/Jacob Lyda; Producer: Pete Anderson; Label: Loud Ranch/Xstream Music Group
– Telecaster twang, steel sighs, fiddle embellishments, honky-tonk attitude and a rolling California-country vibe are the calling cards of this uber cool “road” song. Absolutely essential listening. Mellow-voiced Ducas is a proven hit songwriter, both for himself and for others (Garth, the Chicks, Jones, Yearwood).

KYLIE MORGAN / “Scratching the Surface (Mama’s Song)”
Writers: Kylie Morgan/Sam DeRosa; Producer: KK Johnson; Label: EMI Nashville
– This is a sweet, sentimental Mama song. The daughter realizes that her mother is now an empty nester, so she encourages her to go out and shine for herself.

POST MALONE & MORGAN WALLEN / “I Had Some Help”
Writers: Ashley Gorley/Austin Post/Chandler Paul Walters/Ernest Smith/Hoskins/Louis Bell/Morgan Wallen/Ryan Vojtesak; Producers: Louis Bell/Charlie Handsome/Hoskins; Label: Mercury Records/Republic Records
– A rollicking party record, with both vocalists sounding authentically and totally hillbilly. When you are totally screwing up out on the town, “it ain’t like I can make this mess all by myself.” The rowdy friends sound like they are along for the ride.

JULIA CANNON / “These Dreams”
Writer: Julia Anne Lucille Cannon; Producer: Julia Anne Lucille Cannon; Label: JC
– Witty, retro, quirky and groovy, with a jazzy, wafting, girl-group vibe. The video is essential. Also check out her equally clever “Day 2 Day.”

BLESSING OFFOR & DOLLY PARTON / “Somebody’s Child”
Writers: Blessing Offor/Josh Ronen/Joy Williams; Producer: Josh Ronen; Label: Bowyer and Bow
– Offor is a blind, Black, two-time Dove Award winning pianist-songwriter who can shake you to your core with his soulful singing. Put him together with the inspirational Parton and a gospel choir and you have a heart-stopping, electrifying moment of audio bliss. If this doesn’t melt your heart, you haven’t got one.

MITCHELL TENPENNY / “Not Today”
Writers: Chris DeStefano/Claire Douglas/Michael Whitworth/Mitchell Tenpenny; Producers: Mitchell Tenpenny/Jordan Schmidt; Label: Riser House Entertainment/Columbia Nashville
– Getting over a broken heart has never rocked more splendidly than this. Tenpenny’s soft, furry vocal delivery turns into a shout of liberation as this tempo tune swings into its frothing choruses. He’ll get over her, all right, but just not right this moment.

EXILE / “After You”
Writers: James Pennington/Paul Jefferson/Sonny Lemaire; Producers: Sonny Lemaire/James Pennington; Label: Clearwater Records
– This band is so enduringly catchy and hooky. This nifty little ditty has a certain country-Beatles vibe that is totally delightful. I remain a longtime fan.

Music Business Association Names 2024 Bizzy Award Winners

Pictured (L-R): Music Business Association President Portia Sabin, Music Biz 2024 Presidential Award winner Cameo Carlson and MNRK Music Group SVP & GM Gina Miller. Photo: Jason Mallory

The Music Business Association crowned its winners during the third annual Bizzy Awards dinner on May 15, with Cameo Carlson of mtheory receiving the Presidential Award for Outstanding Executive Achievement.

Hosted by Gina Miller, SVP & GM of MNRK Music Group, at the JW Marriott Nashville, this year marks the third time that nominations for the Association’s awards program were crowd-sourced, allowing the music business to recognize companies and peers who are making a difference in improving the global industry.

Additional 2024 Bizzy Award winners:

– Frontline Innovator Award: Electric Fetus, Minneapolis, MN
For a retail store who showed exceptional inventiveness and ingenuity in their practices during the past year in their interactions with consumers.

– Music Business Educator of the Year Award: Larry Miller, NYU Steinhardt Music Business Program, New York University
Celebrates a music business educator who inspires students to enter the music business.

– Leading Light Award: Andreea Gleeson, TuneCore
For a company or executive that has supported their staff via internal initiatives aimed at improving mental health & well-being and work/life balance.

– Marketing Superstar Award: De La Soul, A.O.I. LLC, distributed by Chrysalis Records & Reservoir
For a marketing campaign that was innovative and thought provoking. Candidates can be from any sector of the industry, and campaigns can be physical or virtual.

– Maestro of Metadata Award: Dae Bogan, Mechanical Licensing Collective (The MLC)
For a company or executive who has made a significant impact in the area of data processing, credit clarification, streamlining or otherwise promoting clean data and best practices.

– Impact Award for Technological Excellence: The Mechanical Licensing Collective (The MLC)

– #NEXTGEN_NOW One to Watch Award: Jorge Brea, Symphonic
For an executive under 40 whose work (professional and/or volunteer) has been exceptional, innovative, and stands out as a contribution to the industry.

– Agent of Change Award: Keychange U.S.
For a company that exemplifies a commitment to diversity, equity and inclusion in their hiring practices, executive development, and promotion structure.

Dolly Parton & Krispy Kreme Team Up For New Southern Sweets Collection

Dolly Parton and Krispy Kreme have teamed up to bring fans the Southern Sweets Doughnut Collection.

Available now for a limited time at participating Krispy Kreme shops, the collection features a a custom dozens box and four new flavors: the Dolly Dazzler Doughnut, an original glazed doughnut dipped in strawberry icing, with gold, pink and white glitter sprinkles and a signature chocolate butterfly piece; Peachy Keen Cobbler Doughnut, an unglazed doughnut with real peach filling, dipped in brown sugar icing and crunchy cobbler topping; Banana Puddin’ Pie, an unglazed doughnut filled with banana pudding made with wafers and banana pudding Kreme, dipped in yellow icing, with white icing swirls and a wafer cookie; and Chocolate Crème Pie, an original glazed doughnut topped with a swirl of chocolate brownie cream and vanilla whipped topping, sprinkled with chocolate cookie crumble.

“Having some of my very favorite southern flavors in one, unique doughnut collection from Krispy Kreme is so special to me,” says Parton. “These doughnuts remind me of home. So, I’m excited for folks to share them with their own family and friends. They’re pretty sweet, if I do say so myself!”

To help celebrate the introduction of the Southern Sweets Doughnut Collection, Krispy Kreme is inviting everyone to get “Dolly’d Up” and visit shops this Saturday (May 18). Anyone wearing a Parton-inspired wig or their favorite merch will receive a free original glazed doughnut. Fans can also receive a free original glazed doughnut by singing one of the icon’s tunes.

“Krispy Kreme and Dolly Parton have a special thing in common–we both love to share joy! It was a joy– and an honor–to collaborate with Dolly to create her signature doughnut collection,” says Dave Skena, Global Chief Brand Officer, Krispy Kreme. “These doughnuts are going to dazzle and delight fans just like Dolly herself.”

Additionally, a Krispy Kreme six-pack featuring the Dolly Dazzler Doughnut, Banana Puddin’ Pie and Chocolate Crème Pie Doughnut will be delivered fresh daily to select grocery stores for a limited time.

Luke Combs, Miranda Lambert & More Featured On Forthcoming ‘Twisters: The Album’

Twisters: The Album, the musical companion to the forthcoming new version the 1996 blockbuster Twister, will feature songs recorded by Luke Combs, Miranda Lambert, Jelly Roll, Lainey Wilson, Kane Brown, Thomas Rhett, Bailey Zimmerman, Shania Twain and Breland, Megan Moroney, Conner Smith, Tucker Wetmore, Tanner Adell, Tyler Childers, Warren Zeiders and more.

The 29-track collection will be available on July 19, via Atlantic Records, in conjunction with the film’s release. The opening tune, Combs’ “Ain’t No Love In Oklahoma,” is out now.

YouTube video

The movie stars Daisy Edgar-Jones, Glen Powell, Anthony Ramos and an ensemble cast that includes Brandon Perea, Maura Tierney and Sasha Lane, among others. Like the original, Twisters follows a group of storm chasers who come together to try to predict, and possibly tame, the immense power of tornadoes.

Twisters: The Album was produced and overseen by Atlantic Records’ West Coast President Kevin Weaver. The soundtrack was also produced by Atlantic Records’ EVP & Co-Head of Pop/Rock A&R Brandon Davis, SVP of A&R Ian Cripps and SVP of A&R and Marketing Joseph Khoury. Additional producers and supervisors involved in the project include Universal Pictures’ EVP, Film Music Rachel Levy and NBCUniversal’s President, Music & Publishing Mike Knobloch as well as Twisters Director Lee Isaac Chung and Twisters Executive Producer Ashley Jay Sandberg.

Twisters: The Album Track Listing:
1. Luke Combs – “Ain’t No Love In Oklahoma”
2. Miranda Lambert – “Ain’t In Kansas Anymore”
3. Conner Smith – “Steal My Thunder (feat. Tucker Wetmore)”
4. Thomas Rhett – “Feelin’ Country”
5. Warren Zeiders – “The Cards I’ve Been Dealt”
6. Megan Moroney – “Never Left Me”
7. Lainey Wilson – “Out of Oklahoma”
8. Bailey Zimmerman – “Hell Or High Water”
9. Jelly Roll – “Dead End Road”
10. Kane Brown – “Country Classic”
11. Sam Barber – “Tear Us Apart”
12. Tyler Childers – “Song While You’re Away”
13. Tucker Wetmore – “Already Had It”
14. Leon Bridges – “Chrome Cowgirl”
15. Benson Boone – “Death Wish Love”
16. Shania Twain & Breland – “Boots Don’t”
17. Dylan Gossett – “Stronger Than A Storm”
18. Lanie Gardner – “Chasing The Wind”
19. Jelly Roll – “Leave The Light On (feat. Alexandra Kay)”
20. Wyatt Flores & Jake Kohn – “Before I Do”
21. The Red Clay Strays – “Caddo County”
22. Tanner Usrey – “Blackberry Wine”
23. Tanner Adell – “Too Easy”
24. Mason Ramsey – “Shake Shake (All Night Long)”
25. Tyler Halverson – “New Loop”
26. Flatland Cavalry – “Touchdown”
27. Nolan Taylor – “Driving You Home”
28. Wilderado, Ken Pomeroy, & James McAlister – “Wall of Death”
29. Charley Crockett – “(Ghost) Riders In The Sky”

Sun Label Group Launches In Nashville

Paul Sizelove, President of Sun Label Group. Photo: Donny Evans

Sun Label Group has officially launched under its parent company, Primary Wave Music. The venture brings together the historic legacies and individual successes of Sun Records, Gaither Music, Green Hill Music, Rural Rhythm and Emeraldwave by Green Hill.

Paul Sizelove will oversee Sun Label Group as President, with each of the labels retaining their unique structure, individuality and respective teams. In addition to leading Sun Label Group, Sizelove will continue to spearhead day-to-day operations as President of Gaither Music Group. Blake Davis will also remain in his role as General Manager of Green Hill Music.

Gaither Music artist Rory Feek. Photo: Donny Evans

Sun Label Group is deeply rooted in the rich history of its constituent labels. With a combined musical past spanning 160 years, the group comprises the iconic Sun Records, renowned for its pivotal role in the birth of rock ‘n’ roll, as well as the gospel melodies and multimedia platforms of Gaither Music, the diversity of repertoire from jazz through Americana at Green Hill Music, the deep bluegrass catalog of Rural Rhythm and the ambient and relaxing sounds of Emeraldwave by Green Hill.

“As we launch Sun Label Group, we stand at the crossroads of musical heritage and innovation,” said Sizelove. “This venture isn’t just about celebrating 160 years of extraordinary sound; it’s about forging a future where music continues to inspire, connect, and evolve. Our rich legacy across Sun Records, Gaither Music, Green Hill Music, Rural Rhythm, and Emeraldwave by Green Hill is just the beginning. The future of music starts here, and we look forward to developing new partnerships as we create new art, broaden our reach, and adapt to the ever-changing ways that people enjoy music.”

Sun Records artist Ruthie Foster. Photo: Donny Evans

To celebrate the launch, Sun Label Group held a party at Ole Smoky Distillery in Nashville on Tuesday night, (May 14.) The evening was emceed by Rory Feek, an artist from the Gaither Music family, who performed a heartfelt song to set the tone and kick things off for the night.

Jazz musician and songwriter Dara Starr Tucker, who won acclaim for co-writing the title track to blues and Americana artist Keb Mo’s Grammy-winning Oklahoma, performed during the celebration. Shawna Thompson from country duo Thompson Square also performed some material from her upcoming debut solo album, Lean on Neon, set to release on Sun Records in September. Tyler Bryant & the Shakedown served as the backing band for the Sun Records artists, offering up a spirited jam of “That’s All Right,” paying homage to the legendary Elvis Presley and the musical origins of Sun Records.

Ruthie Foster brought her rich blend of gospel, blues, and American roots music to the stage, including songs from her upcoming album, Mileage, produced and co-written with Bryant and his wife Rebecca Lovell (one half of the duo Larkin Poe) and set to release on Sun Records in August. ZZ Ward also delivered a compelling blues set, offering a glimpse into her forthcoming EP and full-length album on Sun. Her collaboration with Slash on an upcoming blues tour will bring her distinctive sound to even broader audiences.

More Early ACM Award Winners Announced

Parker McCollum accepts the ACM Visual Media of the Year Award for “Burn it Down” at “ACM Lifting Lives LIVE: Parker McCollum and Friends.” Photo: Courtesy of ACM

Winners for the ACM Artist-Songwriter of the Year, Songwriter of the Year and Visual Media of the Year awards were revealed at various ACM Awards events on Wednesday (May 15) in advance of the show tonight (May 16) at The Star in Frisco, Texas.

Chris Stapleton was named the ACM Artist-Songwriter of the Year, marking his 17th award from the organization. The reigning ACM Entertainer of the Year has four additional nominations going into tonight’s show.

Jessie Jo Dillon was crowned the ACM Songwriter of the Year. Having previously been nominated as a songwriter on Dan + Shay with Justin Bieber’s “10,000 Hours” and Cole Swindell’s “Break Up In The End,” this is Dillon’s first ACM Award win.

Parker McCollum won his second ACM Award, this time for ACM Visual Media of the Year for his music video for “Burn It Down.” The video was produced by Christen Pinkston and Wesley Stebbins-Perry, and directed by Dustin Haney. McCollum was surprised with the win on stage by Old Dominion during his headlining performance set at the ACM Lifting Lives benefit concert last night.

The three join other early ACM Award winners Megan Moroney, Nate Smith and Tigirlily Gold.

The 59th ACM Awards will stream live on Thursday, May 16. Hosted by Reba McEntire, the show will feature live performances from Jason Aldean, Kane Brown, Jelly Roll, Cody Johnson, Miranda Lambert, Post Malone, Parker McCollum, Thomas Rhett, Chris Stapleton, Lainey Wilson and more. See a full list of nominees here.

Day Two Of Music Biz 2024 Focuses On Mental Health

Music Business Association President Portia Sabin. Photo: Jason Mallory

The Music Business Association continued its annual Music Biz conference on Tuesday (May 14) at the JW Marriott Nashville.

Programming continued with the Music Biz Roadshow, a collection of panels with artists and industry executives, as well as different track programs. Day two also featured the Music Biz Brunch, sponsored by Warner Music Group.

In the “What’s Happening in Washington: A Music Policy Outlook” panel, attendees heard from Graham Davies of DiMA, Chris Barkley from the NMPA, Morna Willens from the RIAA, Michael Lewan from The Recording Academy, Erin McAnally from SONA and Meredith Rose from Public Knowledge. The group discussed current legislation, policy landscape, prospects of new legal action and the music industry’s future surrounding AI and ticketing reform acts.

“What’s Happening in Washington: A Music Policy Outlook” panel. Photo: Jason Mallory

The Music Biz Brunch kicked off with a keynote address from Music Business Association President Portia Sabin.

During the brunch, Sabin recognized Naomi Fabricant of the SCARS Foundation and Tatum Allsep of Music Health Alliance. Both were recognized for their contribution in kickstarting the Music Biz Mental Health Fund. The fund currently sits at $355,000, helping serve more than 500 industry professionals with 5,426 outpatient counseling and psychiatry visits.

Pictured (L-R): Tatum Allsep (Music Health Alliance), Portia Sabin (Music Business Association), Naomi Fabricant (SCARS Foundation) and Laura Flagler Crowell (Music Health Alliance). Photo: Jason Mallory

Following the keynote address, attendees were treated to performances from Warner Music Group artists Avery Anna, Tyler Halverson and Cassandra Lewis. 

Avery Anna. Photo: Jason Mallory

Next, the 2024 Inspiration Award was presented to Porter’s Call Founder Al Andrews for his unwavering dedication to providing community, support and mental health services to artists and their families.

Al Andrews. Photo: Jason Mallory

Olga LaBelle, VP, Head of ESG at Warner Music Group also gave a presentation on Sustainability in Touring during the brunch. To wrap up brunch, Tennessee State Representative Gloria Johnson and Lucille Wenegiame of Headcount talked about the importance of voting and influencing others to vote.

Olga LaBelle. Photo: Jason Mallory

Later in the day, Kobalt CEO Laurent Hubert sat down with CEO & Founder of Sound Royalties Alex Heiche to converse about the streaming revolution and how songwriters can use technology for growth. This marked the opening keynote conversation for the “Music & Money” track.

“Keynote Conversation: The Enduring Value of Songs — Leveraging Technology to Drive Growth for Songwriters and Publishers.” Photo: Jason Mallory

Other panels throughout the day included “Paying Out The Black Box: Is Market Share Fair?” “The Industry’s New SuperWeapon: Creatives As Executives,” “Music Videos: Fandoms & Culture Unfolding” and more.

Additional tracks for day two included “Howdy Neighbor: Understanding Neighboring Rights Opportunities,” “Sync Symposium,” “Startup Lab: A Bootcamp For New Music Ventures” and more.

Music Biz 2024 continued today (May 15) with the Metadata Summit, panels featuring industry executives from Universal Music Group, BandLab, TikTok, Vydia, Hopeless Records, The Black Opry, SoundCloud and more. Tracks included “Artificial Intelligence,” “Glocals Only,” “The Greatest Good” and more. The 2024 Bizzy Awards take place tonight.

CMHOFM To Open ‘Luke Combs: The Man I Am’ Exhibit In July

The Country Music Hall of Fame and Museum plans to open a new exhibit, “Luke Combs: The Man I Am,” on July 11. On display until June 2025, the exhibit will explore Combs’ life and career—from singing with his school choir in North Carolina to headlining stadiums around the world.

“Few artists have experienced the kind of meteoric rise and sustained success Luke Combs has since signing his first recording contract just two years after moving to Nashville,” says Kyle Young, CMHOFM CEO. “He has earned a career-defining string of No. 1 singles, set new benchmarks on the music charts, won more than a dozen major country music industry awards since 2016 and sold out stadiums around the world.”

Included with museum admission, “Luke Combs: The Man I Am” will consist of stage wear, tour memorabilia, manuscripts, set lists, instruments, photographs, posters, childhood memorabilia and more. Featured items include: the Martin GPCPA4 Sapele acoustic guitar that Combs used extensively during his early performances in 2012–2014, which he later gifted to his friend and fellow performer Adam Church; the playbill from his high school’s rendition of the musical Guys And Dolls, in which the multi-Platinum artist played the leading role of Nathan Detroit; CD-R of the three songs recorded for Combs’ debut EP, The Way She Rides, signed by the hitmaker and Church that was given to Church’s parents; the Columbia PFG shirt and Swamp Assassin baseball cap that Combs wore in the 2016 music video for “Hurricane”; the manuscript of “Six Feet Apart,” co-written by Combs, Brent Cobb and Rob Snyder on April 14, 2020; the Dale Earnhardt commemorative leather jacket Combs wore in honor of the late stock car racer and team owner when he performed at Daytona International Speedway prior to the start of the Nascar Daytona 500 on Feb. 14, 2021; his high school football jersey; a dollar bill Combs kept as a memento from his first paying gig at Boone’s Parthenon Café, where the cover charge was one dollar; and the Crosley Dansette portable record player he used to share his recording of “Beautiful Crazy” with his now wife, Nicole, for the first time.

“Once I decided I wanted to do music as a career, it didn’t matter if it was for 100 people or 1,000 people, I just wanted to be playing country music for anyone who would listen,” shares Combs. “If I could have enough fans to call it a job, I was set. Other than that, I never dreamed of being featured in the Country Music Hall of Fame and Museum, much less having my own exhibit; that was beyond my wildest dreams. But honestly, it’s all a credit to my fans, family, songwriters and team. I have only made it to where I am today because of them, and this honor is one of my most humbling yet. At my core I love country music and this exhibit is as prestigious of an honor as it gets.”

In support of the exhibit, the country star and collaborators Ray Fulcher, James McNair, Drew Parker and Rob Williford will share stories and perform some of the tunes they’ve written together during a songwriters round in the museum’s CMA Theater on July 11. Tickets will be available this Friday (May 17) at 10 a.m. CT. For more information, click here.

Vincent Mason Inks With Hang Your Hat Music & Concord Music Publishing

Pictured (L-R, back row): Kyle Marsh, Champ Management; Matt Musacchio, Champ Management; Hillary Lindsey, Hang Your Hat Music; MaryAnn Keen, BMI; Josh Brackin, Brackin Law; (L-R, front row): Brad Kennard, Concord Music Publishing; Vincent Mason; Emily Baldridge, Hang Your Hat Music. Photo: Sam Shelton

Rising singer-songwriter Vincent Mason has signed a worldwide publishing deal with Hillary Lindsey‘s Hang Your Hat Music and Concord Music Publishing.

“We are so excited to welcome Vincent to the Hang Your Hat family! He is such a natural talent with an ease about himself in the writing room—always bringing in his own unique artist spin on ideas, which creates the space for a great song,” says Lindsey. “I can’t wait to see where this road is gonna lead him, and we are so proud to be a part of it!”

“We are thrilled to have Vincent join the Concord & Hang Your Hat team! It’s been exciting to watch him rise and see the hard work paying off,” adds Brad Kennard, SVP of A&R, Concord Music Publishing. “We’re fired up to jump in and continue to build with him!”

Mason’s breakout hit “Hell is a Dance Floor” has amassed over 17 million streams, and was recently added to SiriusXM The Highway. The artist toured alongside Parker McCollum, Niko Moon and Ashley Cooke in 2023, and will be opening for Gavin Adcock this fall.

“When I moved to Nashville, all I ever wanted to be was a songwriter and to have a seat at the table,” shares Mason. “I’m grateful a writer like Hillary Lindsey and the teams at Hang Your Hat and Concord believe in me enough to give me a shot to do this.”

The BMI affiliate’s team also includes WME, Champ Management, King Publicity and Brackin Law.

Musicians On Call Celebrates National Hospital Week With ‘Concert For Caregivers’

Lauren Alaina, Charles Esten and Matthew Ramsey with Tennessee hospital staff and more at MOC’s second annual “Concert For Caregivers.” Photo: Heather Durham Photography

In celebration of National Hospital Week, Musicians On Call (MOC) recently hosted its second annual “Concert For Caregivers” at Analog at Hutton Hotel in Nashville to thank caregivers and hospital workers for their continued sacrifices.

Lauren Alaina, Charles Esten and Matthew Ramsey of Old Dominion performed some of their biggest hits for Tennessee hospital staff during the intimate show. A recording of the concert is being distributed to 5,000 hospitals and healthcare systems across the country during National Hospital Week thanks to the American Hospital Association (AHA), MOC’s Healthcare Community Partner.

“This evening is one of those special moments where we can say thank you to the caregivers who do such critical work taking care of their patients all year long. Being able to bring them an unforgettable experience like ‘Concert For Caregivers’ is MOC’s own, unique way to show our appreciation for all they do,” said Pete Griffin, MOC President & CEO. “This wouldn’t have been possible without Charles Esten, who organized this writers’ round for the second year in a row; Analog at Hutton Hotel for the generous donation of their beautiful space; and our partners at the American Hospital Association for giving us the chance to share this night of music with hospital staff nationwide.”

“Our nation’s healthcare caregivers are the backbone of hospitals and the heart of healthcare, and they deserve our deep thanks and gratitude each and every day,” stated Rick Pollack, AHA President & CEO. “The AHA is proud to once again partner with Musicians On Call during National Hospital Week to share the gift of music as we honor the entire healthcare team for all they do to advance health in our communities.”

For 25 years, MOC has used music to promote and complement the healing process through bedside, virtual and digital streaming programs across all 50 states. The nonprofit’s volunteers have performed for more than a million individuals in healthcare facilities nationwide.