Midland. Photo: Harper Smith
Midland‘s Stages, out today via Blue Highway Records, reflects both where the trio has been and where they’re headed next.
The 10-track project finds the band leaning into the traditional country sound they’ve become known for while embracing outside material more than ever before.
After more than a decade on the road together, the title itself carries a double meaning.
“It’s self-referential in terms of our own career and journey, but it’s also a literal meaning to it where we’re a live band,” Jess Carson of the band tells MusicRow. “We’ve basically been on tour for over 10 years, and we’ve been on a lot of stages, and we’ve been through a lot of stages.”
While the trio has traditionally named albums after songs from the track list, Stages marks a departure from that approach.
That evolution also extended to the songs Midland chose to record. According to Carson, Stages features more outside material than any of the band’s previous releases.
“This is the most outside songs we’ve taken,” he says.
For the band, though, the process of narrowing down a track list hasn’t changed. Rather than focusing on who wrote a song, Carson said they’re looking for songs that fit the overall vision of the album. “I think if it just feels like it fits in this landscape of what you’re trying to do with the album, the story that you’re trying to tell,” he says. “There’s always a lot of songs to weed through and kind of narrow down into one thought.”
Some of those outside cuts came from some of Nashville’s most respected songwriters. Carson pointed to “Marlboro Man,” written by Dean Dillon, Tim Nichols and Josh Thompson as a standout. “If you get a Dean Dillon song, especially one that’s kind of fallen through the cracks … that was a really special one to get,” he says.
He also points to “Shooting Memories With Tequila” as an immediate favorite. “Ryan Beaver sent that one over basically right after writing it. It was just an iPhone recording, and I could definitely tell that song was a hit,” he says.
The album also includes “I Wish You Would,” Midland’s collaboration with Mackenzie Carpenter. According to Carson, the partnership came together after Carpenter brought the song to the band.
“She was the one that pitched us that song to do a collab,” he says. “We loved the song. It felt like something that was very much in our wheelhouse, kind of this Conway Twitty vibe, soul-country thing.”
Since then, the song has become a favorite to perform together whenever the opportunity arises, most recently performing it together during CMA Fest.
“Everyone sings along with that song when we play it live,” Carson says. “It’s always fun to get to perform that one with her.”
The album’s other featured collaboration pairs Midland with one of the band’s longtime influences.
Carson said the group’s relationship with Clint Black stretches back several years, after first crossing paths at a festival and later participating in a tribute honoring the country icon.
“We’ve been able to strike up a little friendship with him. Obviously, we’re massive fans of his career and all of his songs.”
After recording “Up In Texas,” Midland invited Black to join them on the track. “Anytime that we get the opportunity to work with a legacy artist like that, you’ve got to take those opportunities.”
The collaboration won’t be a one-off, either. Midland is set to share the stage with Black on several upcoming tour dates later this year as part of an already busy schedule that also includes a European run and newly announced dates with Kacey Musgraves.
Among the songs Carson is most looking forward to playing live is “Shooting Memories With Tequila,” which he had previously singled out as one of his favorites on the album. “It’s just a really fun tempo track,” he says.
On the other end of the spectrum is “Vaquero,” a song that leans heavily into the traditional country influences that have long informed Midland’s sound. Carson described it as “a very acoustic, stripped-back, old-style country song,” comparing it to something out of the Marty Robbins catalog. “It’s a really fun harmony song, and it has some really fun little acoustic licks to play.”
Despite embracing more outside material and bringing in collaborators, Carson said Stages ultimately feels familiar.
“I think it’s kind of a full-circle moment,” he said. “There’s definitely a through line from our first album to this one.”
Part of that connection comes from the return of elements that helped shape Midland’s earliest recordings. Carson pointed to the prominent use of fiddle throughout Stages, something fans haven’t heard as consistently from the band in recent years.
“When we very first started, we had fiddle, and then we didn’t have fiddle for a long time,” he said. “Now there’s fiddle all over it.”
For Carson, those details make the album feel reminiscent of one of the projects that introduced Midland to listeners in the first place, The Sonic Ranch.
With Stages now out, the band returns to the road later this month with upcoming stops in Idaho, California, Montana and more.
River House Artists Launches River House Radio
/by Lorie HollabaughDesigned to feel like a living snapshot of the River House ecosystem, River House Radio will highlight the company’s label and publishing releases across its 10 years in business, from new releases to publishing cuts, and will feature exclusive stories from artists and songwriters. Singles and catalog favorites from Luke Combs, Hudson Westbrook, Austin Snell, Jameson Rodgers, Kenny Whitmire and Tyce Delk will be highlighted, as well as cuts on songwriters like Connie Harrington, Dan Alley, Nicolette Hayford and many more.
“After spending most of my career programming radio stations, I wanted River House Radio to feel like a real station experience from the moment someone presses play,” says Lance Houston, General Manager and VP, Streaming & Radio at River House Artists. “We did not want to build another playlist. River House Radio is thoughtfully programmed, fully imaged, and designed to make listeners feel like they have been invited inside the River House world.”
Over the past 10 years, River House Artists has become known for identifying and developing distinctive voices, championing songs with lasting impact and building a creative culture where artists, writers and staff work collaboratively in service of the music. Founded by Lynn Oliver Cline in 2016, River House Artists began as an indie label and publishing company.
Listeners can stream River House Radio exclusively on the iHeartRadio app.
Ryan Hurd Signs With Combustion Masters
/by Lauryn SinkPictured (Seated, L-R): Chris “Falcon” Van Belkom, Ryan Hurd, Chris Farren and Keithan Melton. (Standing, L-R): Haily Harris, Kelly Carbone, Kevin “Chief” Zaruk, Simon Tikhman, Tracy Martin and Kelly Lyons. Photo: Courtesy of Combustion Music/The Core Entertainment
Ryan Hurd has signed to Combustion Masters, the label arm of Combustion Music.
Hurd has accumulated more than one billion on-demand career streams, received nominations for CMA Awards, ACM Awards, CMT Music Awards and earned multiple No. 1 hits as a singer and a songwriter. He has cuts with Blake Shelton, Maren Morris, Jordan Davis, Luke Bryan, Lady A, Jon Pardi, Bailey Zimmerman, Kid Laroi, Marshmello, Thomas Rhett, Tucker Wetmore, Josh Ross and more. The multi ASCAP and BMI Country Award winner has toured with the likes of Sam Hunt, Old Dominion, Thomas Rhett, Darius Rucker and Lady A in addition to his own headlining dates. His sophomore album, Midwest Rock & Roll, is out now.
Hurd is managed by The Core Entertainment and booked by CAA.
“I’m really proud to make music in Nashville,” Hurd says. “Chris and Falcon have always been great friends to me and getting the chance to work with them is something I’ve looked forward to for a long time. I’m excited about what we’re making and can’t wait for everyone to hear what we have been working on.”
“I have been a fan and friend of Ryan’s for many years, and now to get to work directly with him to promote his incredible artistry is a privilege,” Combustion Founder / President Chris Farren shares. “I feel certain he is making some of the best music of his career, and couldn’t be happier to stand beside him on this latest journey.”
“Ryan has built an exceptional career with great songs, real artistry, and a creative vision that continues to reach new audiences,” Chief Zaruk and Simon Tikhman, CEOs and Co-Founders of The Core Entertainment, add. “We’re incredibly proud to be working alongside him as he steps into this next chapter, and Combustion’s belief in songwriting and creative freedom make them the perfect partner.”
David Nail Extends ‘Down To The Studs Tour’ Through November
/by Lorie HollabaughDavid Nail. Photo: Michael Fogarty
David Nail is extending his “Down To The Studs Acoustic Tour” through the fall with a run of new dates through Nov. 15.
The “Down To The Studs Tour” will visit Buffalo, Ann Arbor, New Orleans, Louisville, Kansas City, Memphis and many more cities, with a Nashville stop at the Basement East set for Aug. 29. Tickets to all shows are on sale now.
The tour reflects a season of creative reinvention for the singer-songwriter, offering fans an unfiltered look at the music, stories, and life experiences that have shaped both his career and his forthcoming album Flowers, set for release on Aug. 21.
“I was so excited to embark on the shows this spring, but as I made the first trip up towards the Northeast, I questioned whether I could pull it off,” says Nail. “Would the crowd know exactly what they were coming to hear? Not only were the crowds great, but the entire process has renewed the passion I felt when I first began touring. It’s certainly not anything new, but it’s new to me, and I think it’s hopefully shown a side of me that no matter how many shows you’ve been to in the past, you really felt the connection that you’ll get here.”
After building a respected career in Nashville with albums such as I’m About To Come Alive, The Sound of a Million Dreams, I’m A Fire, and Fighter, Nail stepped into an independent chapter that prioritized honesty over expectations. Recent projects such as Oh, Mother, the Bootheel releases, and 2023’s Best of Me reflect a more organic, reflective approach, with songs centered on family, memory, mental health, and the hard-earned perspective that comes with experience. In 2026, Nail continues that evolution with his new songs “The Crown,” “Fare Thee Well,” “She Knows,” and his upcoming new album.
“Down To The Studs Tour” Dates:
July 12 – Junction City, OR – Five Fourteen Winery
July 17 – Avon, CO – Beaver Creek Village
Aug. 29 – Nashville, TN – The Basement East
Sept. 9 – Montgomery , NY – City Winery Hudson Valley
Sept. 10 – Natick, MA – The Center For Arts In Natick
Sept. 11 – Northampton, MA – Iron Horse Music Hall
Sept. 12 – Albany, NY – Lark Hall
Sept. 13 – Buffalo, NY – The Caz Buffalo
Sept. 17 – Akron, OH – Musica
Sept. 18 – Ann Arbor, MI – The Ark
Sept. 19 – Three Oaks, MI – The Acorn
Sept. 20 – Columbus, OH – Natalie’s Grandview Music Hall & Kitchen
Sept. 30 – Louisville, KY – Bomhard Theater – Kentucky Center for the Arts (w/ Will Hoge)
Oct. 1 – St Louis, MO – City Winery St. Louis
Oct. 2 – Iowa City, IA – First Avenue Club
Oct.3 – Kansas City, MO – Knuckleheads (The Gospel Lounge)
Oct. 7 – Omaha, NE – Barnato
Oct. 8 – Minneapolis, MN – The Parkway Theater
Oct. 9 – Milwaukee, WI – Shank Hall
Oct. 10 – Aurora, IL – The Venue
Oct. 11 – Indianapolis, IN – Turntable
Nov. 5 – Memphis, TN – 1884 Lounge at Minglewood Hall
Nov. 7 – New Orleans, LA – Chickie Wah Wah
Nov. 10 – Tomball, TX – Main Street Crossing
Nov. 11 – Kenney, TX – The Kenney Store
Nov. 12 – Fredericksburg, TX – Rockbox Theater
Nov. 13 – Dallas, TX – Poor David’s Pub
Nov. 14 – McAlester, OK – The Brick a Fundraiser for Compassion 365
Nov. 15 – Tulsa, OK – Mercury Lounge – Tulsa
Angel White Inks With American Dogwood [Exclusive]
/by Lauryn SinkPhoto: Minnie Morklithavong
Angel White has inked with American Dogwood, Shaboozey’s imprint under EMPIRE.
The Cleburne, Texas native has amassed over 4.2 million streams across all platforms and shared stages with Marcus King, Shane Smith and the Saints, Flatland Cavalry, Whiskey Myers, Midland and Kaitlin Butts, among others. Last year, he released his debut album, GHOST OF THE WEST: THE ALBUM, which pays homage to the often-erased stories of Mexican, Black and Native cowboys.
“It’s truly an honor to be a part of history — that’s what American Dogwood is to me. A family who is paving their own road and going full speed on it. I feel like together we encompass every aspect of that,” shares White. “At the signing, their exact words were ‘Let’s make history’ — and that’s exactly what’s about to happen. To the grave with it.”
In celebration of the announcement, White has released his latest single, “LONESTAR GIRL,” which he wrote with Charlie Heat and Jeffrey East. The song serves as the official soundtrack of Wrangler’s 2026 national brushpopper campaign.
White has upcoming tour dates in Idaho and California.
Katie Pruitt Slates New LP ‘Fools For The Fleeting’ For September
/by Lorie HollabaughSinger-songwriter Katie Pruitt will release her new album, Fools for the Fleeting, on Sept. 18 via Rounder Records. Alongside the announcement, she shared the album’s first single, “Blackout.”
Fools for the Fleeting unfolds as an illuminating meditation on transience and grief, connection as a means of survival, and the healing power of presence and surrender. The follow-up to 2024’s Mantras, one of Fools for the Fleeting‘s underlying themes is the idea of nature as a mirror for our inner lives, with Pruitt tapping the songs as a conduit for communal understanding.
Detailing stories of heartbreak, grief and crises both real and existential, the album finds Pruitt wrestling with how to go on when the world around you is constantly changing. Last month, the Georgia-bred singer shared the timely “Same Boat.”
“This album came from trying to figure out how to move forward in a world that feels aggressively chaotic and constantly in flux,” says Pruitt. “So much has changed in the last few years: politically, technologically, personally, and—of course—the irreversible damage done to our planet’s climate. I’ve been thinking a lot about how everything is temporary, and how that can feel either terrifying or freeing, depending on how you look at it. There’s some somberness to these songs, but I also wanted to include a thread of hope.”
Fools For the Fleeting Track List:
1. “Matching Tattoos” (Katie Pruitt, Daniel Tashian)
2. “The Aftermath” (Katie Pruitt)
3. “Blackout” (feat. Nolan Taylor) (Katie Pruitt, Nolan Taylor, Collin Pastore, Jake Finch)
4. “Disaster” (Katie Pruitt)
5. “Little Boxes” (Katie Pruitt)
6. “Not Scared To Die” (Katie Pruitt)
7. “Fools for the Fleeting” (Katie Pruitt)
8. “If I Call You Mine” (Katie Pruitt)
9. “Orion’s Belt” (feat. Sierra Hull) (Katie Pruitt)
10. “As Far As Forever” (Katie Pruitt)
Let Freedom Sing To Feature Brothers Osborne, Clint Black, More
/by Lorie HollabaughThe expanded America 250 Celebration will feature 30+ Nashville artists spanning two days and five stages, and the performances will anchor a three-hour national TV special, Disney Celebrates America: Nashville’s Star-Spangled Bash, with host Ryan Seacrest, which will air live on July 4 from 7-10 p.m. CT on ABC, ABC News Live, which streams on Disney+ and Hulu, the ESPN App, Freeform, FX and NatGeo. The TV broadcast will also include performances from Little Big Town, Reba McEntire and Tim McGraw.
As a live event, the America 250 celebration in downtown Nashville on July 3-4 will also feature Brittney Spencer, MŌRIAH, Charlie Worsham and Kenny Sharp. Audiences will also enjoy rock, jazz, blues, salsa, R&B, bluegrass, Americana, funk, Zydeco, hip-hop, pop and more throughout the two-day event. Emily Ann Roberts will serve as backstage correspondent for the celebration, and comedian John Crist will be the broadcast’s reporter.
The concert culminates with the July 4th Fireworks and Drone Show presented by Crav’n Flavor, the largest fireworks and aerial drone light display in Nashville history. The show will feature 1,000 drones, filling more of the sky above the Cumberland River than ever before. For the first time, Nashville’s fireworks display will feature 12-inch shells, the largest ever launched in the city. More than three times larger in volume and weight than the shells used in previous years, each shell weighs more than 20 pounds and soars 1,200 feet into the air before bursting into a display spanning more than 1,000 feet across.
“This broadcast is a wonderful opportunity to celebrate everything Nashville has built over the years and share the best of Music City with audiences across the country,” says Deana Ivey, President and CEO of the Nashville Convention & Visitors Corp. “From our incredible artists and musicians to one of the nation’s most spectacular fireworks shows, the broadcast will show what makes Nashville such a special destination. It’s especially meaningful to do so as our country marks America’s 250th anniversary, giving us the chance to celebrate our nation’s history while sharing the creativity and hospitality that define Nashville today and is fueling its future.”
The performances, along with the fireworks and drone show, are free and open to the public. The event drives significant economic activity, supporting local businesses, generating tax revenue and boosting tourism across the city. The event has regularly drawn more than 200,000 attendees including a record-breaking 365,000 in 2025, generating $23.8 million in estimated direct visitor spending.
MusicRow Weekly (News, Charts, More…)
/by Madison HahnenThis week’s edition of The MusicRow Weekly reflects another busy and eventful chapter for the country music industry, highlighted by the return of one of Nashville’s signature events, major executive moves, notable signings and the loss of a beloved broadcasting voice. Click here to see the full edition.
The Country Music Association welcomed fans from around the world to Nashville for the 53rd CMA Fest, held June 4-7. Each night, thousands packed Nissan Stadium to enjoy performances that showcased the genre’s broad appeal, from emerging artists making their mark to legendary acts that helped define country music. Throughout the daytime hours, Broadway and downtown Nashville buzzed with activity as multiple stages and venues hosted performances for fans eager to experience the festival atmosphere. As another successful CMA Fest comes to a close, organizers have already announced dates for next year’s event, with the 54th CMA Fest set for June 10-13, 2027.
The industry also paused this week to remember longtime WSM personality Bill Cody, who passed away on June 9 at the age of 67. Cody was a beloved broadcaster and a familiar voice to generations of country music fans, leaving behind a lasting legacy through his decades of service to WSM and the country music community.
Several major artist developments made headlines this week. Florida Georgia Line has signed with The Core Entertainment for management and has also joined the roster at CAA. Carly Pearce has entered a new chapter as well, signing with BBR Music Group/BMG Nashville.
Among the week’s biggest honors, the RIAA presented Garth Brooks with its inaugural Artist of a Lifetime Award. The recognition further cements Brooks’ place in music history, as he remains the only artist to achieve 10 Diamond-certified albums.
The bluegrass community saw a significant leadership change as Ken White exited his role as Executive Director of the International Bluegrass Music Association. Meanwhile, HEY NOW Records expanded its executive team with the additions of Danny Bess as SVP of Finance & Operations, Rachel Brown as Manager of Operations and Troy Scott as Vice President of Commerce & Consumer Products.
Elsewhere across the industry, several organizations announced key promotions and appointments. Triple 8 Management promoted Allison Bostrom to Senior Vice President of Marketing, while TKO Artist Management elevated Cassie Petty to Vice President. At BBR Music Group/BMG Nashville, Cheyana Weekley joined the company as Head of Marketing.
The publishing sector remained active with several new signings. Christian Stalnecker signed with Curb | Word Music Publishing, Kyle Fishman entered a publishing agreement with Ern’s Cadillac Music via Big Loud Publishing, and Austin Taylor Smith joined the roster at Peacock Publishing.
Girlilla Marketing also announced a series of staff advancements. Lindsey Feinstein and Conley Sweeney were both promoted from Account Director to Senior Account Director, while Gigi Morrison was elevated to Creative Director. The company additionally welcomed Esther Kuperus as Creative Coordinator.
On the artist and songwriter front, Blake Proehl signed with MCA, Emmy Moyen joined SMACKSongs, Hunter Flynn secured global representation with WME, and Luke Stevens signed with Warner Chappell Music (WCM) Nashville and Cornman Music.
In addition, the latest MusicRow CountryBreakout Radio Chart is included. Morgan Wallen remains in the No. 1 spot with “Don’t We.” Explore more chart data here.
The MusicRow Weekly is delivered every Friday, featuring Nashville’s top music industry news, exclusive interviews, song reviews, radio and songwriter charts and more. Sign up for free here.
Midland Comes Full Circle On ‘Stages’ [Interview]
/by Lauryn SinkMidland. Photo: Harper Smith
Midland‘s Stages, out today via Blue Highway Records, reflects both where the trio has been and where they’re headed next.
The 10-track project finds the band leaning into the traditional country sound they’ve become known for while embracing outside material more than ever before.
After more than a decade on the road together, the title itself carries a double meaning.
“It’s self-referential in terms of our own career and journey, but it’s also a literal meaning to it where we’re a live band,” Jess Carson of the band tells MusicRow. “We’ve basically been on tour for over 10 years, and we’ve been on a lot of stages, and we’ve been through a lot of stages.”
While the trio has traditionally named albums after songs from the track list, Stages marks a departure from that approach.
That evolution also extended to the songs Midland chose to record. According to Carson, Stages features more outside material than any of the band’s previous releases.
“This is the most outside songs we’ve taken,” he says.
For the band, though, the process of narrowing down a track list hasn’t changed. Rather than focusing on who wrote a song, Carson said they’re looking for songs that fit the overall vision of the album. “I think if it just feels like it fits in this landscape of what you’re trying to do with the album, the story that you’re trying to tell,” he says. “There’s always a lot of songs to weed through and kind of narrow down into one thought.”
He also points to “Shooting Memories With Tequila” as an immediate favorite. “Ryan Beaver sent that one over basically right after writing it. It was just an iPhone recording, and I could definitely tell that song was a hit,” he says.
The album also includes “I Wish You Would,” Midland’s collaboration with Mackenzie Carpenter. According to Carson, the partnership came together after Carpenter brought the song to the band.
“She was the one that pitched us that song to do a collab,” he says. “We loved the song. It felt like something that was very much in our wheelhouse, kind of this Conway Twitty vibe, soul-country thing.”
Since then, the song has become a favorite to perform together whenever the opportunity arises, most recently performing it together during CMA Fest.
“Everyone sings along with that song when we play it live,” Carson says. “It’s always fun to get to perform that one with her.”
The album’s other featured collaboration pairs Midland with one of the band’s longtime influences.
Carson said the group’s relationship with Clint Black stretches back several years, after first crossing paths at a festival and later participating in a tribute honoring the country icon.
“We’ve been able to strike up a little friendship with him. Obviously, we’re massive fans of his career and all of his songs.”
After recording “Up In Texas,” Midland invited Black to join them on the track. “Anytime that we get the opportunity to work with a legacy artist like that, you’ve got to take those opportunities.”
The collaboration won’t be a one-off, either. Midland is set to share the stage with Black on several upcoming tour dates later this year as part of an already busy schedule that also includes a European run and newly announced dates with Kacey Musgraves.
Among the songs Carson is most looking forward to playing live is “Shooting Memories With Tequila,” which he had previously singled out as one of his favorites on the album. “It’s just a really fun tempo track,” he says.
On the other end of the spectrum is “Vaquero,” a song that leans heavily into the traditional country influences that have long informed Midland’s sound. Carson described it as “a very acoustic, stripped-back, old-style country song,” comparing it to something out of the Marty Robbins catalog. “It’s a really fun harmony song, and it has some really fun little acoustic licks to play.”
Despite embracing more outside material and bringing in collaborators, Carson said Stages ultimately feels familiar.
“I think it’s kind of a full-circle moment,” he said. “There’s definitely a through line from our first album to this one.”
Part of that connection comes from the return of elements that helped shape Midland’s earliest recordings. Carson pointed to the prominent use of fiddle throughout Stages, something fans haven’t heard as consistently from the band in recent years.
“When we very first started, we had fiddle, and then we didn’t have fiddle for a long time,” he said. “Now there’s fiddle all over it.”
For Carson, those details make the album feel reminiscent of one of the projects that introduced Midland to listeners in the first place, The Sonic Ranch.
With Stages now out, the band returns to the road later this month with upcoming stops in Idaho, California, Montana and more.
Alan Jackson’s Silverbelly Whiskey Distillery & Museum Set To Open June 25
/by Lorie HollabaughAlan Jackson. Photo: David McClister
Alan Jackson‘s new Silverbelly Whiskey Distillery and Museum in downtown Nashville is set to open June 25, celebrating the life and career of the country superstar and his Silverbelly Whiskey in a unique interactive setting.
Located at 121 3rd Avenue South, the Silverbelly Whiskey Distillery will give visitors a first-of-its-kind experience as fans can sip whiskey while touring the country icon’s museum. Silverbelly Whiskey will go from “barrel to bottle” at the new facility, giving visitors a firsthand view as the premium spirit is blended, proofed, bottled and labeled onsite. Whiskey flights, cocktails, bottles for sale, and even a “bottle your own” experience are on tap at the new distillery, as well as live music.
With extensive displays and memorabilia, visitors will relive Jackson’s journey from rural Newnan, Georgia to concert stages in places like Australia, Europe and South America, see how a paper sack full of cassettes and songs took him to the Songwriters Hall of Fame, and be reminded how a self-professed “singer of simple songs” captured a nation’s emotions in the wake of unspeakable tragedy.
“For over four decades, Alan has had an amazing career where his music has told stories of his life, creating the foundation of the legacy that we’re excited to share with his fans,” notes Jackson’s longtime manager Debbie Doebler. “We’re proud to be creating a new way for Alan and his music to be part of all that Nashville offers to residents and visitors alike, day-in and day-out.”
“We couldn’t be more excited to bring Alan Jackson’s local, Tennessee-made Silverbelly Whiskey to downtown Nashville,” says Silverbelly CEO Robbie Goldsmith. “This is a truly unique setting and opportunity for people to get into the ‘spirit’ of what country music and Music City are all about.”
Tickets to the museum can be purchased in advance here.
Lineup Unveiled For ‘CMA Fest Presented By SoFi’ TV Special
/by Madison HahnenHosted by Riley Green and Good Morning America‘s Lara Spencer, the three hour special will feature performances from Bailey Zimmerman, Blake Shelton, The Band Perry, Brothers Osborne, Carly Pearce, Cody Johnson, Deana Carter, Ella Langley, Fetty Wap, Florida Georgia Line, Gretchen Wilson, HARDY, Jason Aldean, Jelly Roll, Jordan Davis, Keith Urban, Lainey Wilson, Luke Bryan, Michael McDonald, Molly Tuttle, The Red Clay Strays, Ricky Skaggs, Riley Green, Russell Dickerson, Shaboozey, Shay Morgan, Stephen Wilson Jr., Tim McGraw, Tucker Wetmore and Zach Top.
As part of its sponsorship, SoFi will be spotlighting a performance from Deana Carter and the debut live performance of Shaboozey‘s newest single, “Cowgirl.”
The 54th CMA Fest will take place June 10- June 13, 2027.