Her television show is called The Edge of Country, and she practices what she preaches.
Love, Lessons & Lies, the new CD by GAC’s Kylie Harris, is a splendidly left-field listening experience. It is not only produced with imagination, it is filled with excellently written tunes. A tip of the cap and a Disc of the Day salute.
We have a number of newcomers on hand today. My pick to click is Jack County a.k.a. Dallas singer-songwriter Jackson Doyle. By whichever name, he/it
gets the DisCovery Award.
SEAN PATRICK McGRAW/Dollar Ain’t Worth A Dime
Writer: Sean Patrick McGraw/David Kroll; Producer: Sean Patrick McGraw; Publisher: Seananigan/Smokin’ Grapes, ASCAP/BMI; Little Engine
-It kicks off with big, mean, dooom-y electric guitars, then he comes in with his tales of economic woe. The gist of it is that it is easy to turn to a life of crime when your back is against the wall. Very “outlaw” sounding.
JASON ALDEAN/Big Green Tractor
Writer: Jim Collins/David Lee Murphy; Producer: Michael Knox; Publisher: Sexy Tractor/Big Loud Bucks/Hope-N-Cal/Cal IV/Old Desperados/N2D/Carol Vincent, BMI/ASCAP; Broken Bow (track)
-Sweetly romantic, with a gently rolling groove and a surprisingly intimate vocal. A nice change of pace.
JACK COUNTY/Lonesome Radio
Writer: Jackson Doyle; Producer: Jackson Doyle & Jon Skaggs; Publisher: none listed; Jack County Music (track) (www.jacksoncountymusic.com)
-She’s gone, so he drives at night from town to town, “with the lonesome radio on.” Plain spoken, yet highly evocative. If nothing else, he shows fine songwriting promise, as this is the title tune of an entirely self-composed, 10-tune collection.
RASCAL FLATTS/Summer Nights
Writer: Gary LeVox/Brett James/Busbee; Producer: Dann Huff & Rascal Flatts; Publisher: Sony-ATV Cross Keys/Stage Three/Brett James Cornelius/Crosstown Uptown/Kobalt, ASCAP; Lyric Street
-It kinda sounds like it was written to be an in-concert rabble rouser. The whistles and cheers in the track add to the energetic atmosphere.
COOPER BOONE/She’s All That
Writer: Mark Houser/Mark D. Conklin/Cooper Boone; Producer: Mark D. Conklin; Publisher: none listed; Cooper Boone (track) (www.cooperboone.com)
-Mama is breaking out tonight. The hooky chorus is the best thing about it.
CHARLIE ROBISON/Reconsider
Writer: Keith Gattis/Charles Brocco; Producer: Charlie Robison; Publisher: Gattis/Glass Rose, BMI; Dualtone
-Beautiful Day, out next month, is Charlie’s “divorce” album. Its first single is appropriately remorseful and regretful. It’s really sad, but really, really lovely.
THE GRINGO KINGS/Hold You In My Arms
Writer: Scott Burgess; Producer: Scott Burgess, Tim Burge & Tim Phelan; Publisher: Scott Burgess, BMI; Burgess (www.thegringokings.com)
-I love their name, but they’re hopelessly amateur sounding.
GEOFF UNION/Big Sky Tonight
Writer: G. Union; Producer: Geoff Union; Publisher: Shining Castle, ASCAP; Shining Castle (track) (www.geoffunion.com)
-The title tune to this Texan’s CD is painful. The vocal harmonies are out of key. The band members sound like they just picked up their instruments last week, and they aren’t listening to each other in any case. The lead vocal is a pitch disaster.
KYLIE HARRIS & PATTY LOVELESS/Love’s Back Hand
Writer: Marco Giovino/Kyle Harris; Producer: Marco Giovino; Publisher: Rabid Gator/Kylie Harris, ASCAP/APRA; Fuzzy Feet (track) (www.kylieharris.com)
-Perhaps best known to U.S. audiences as a TV host on GAC, in her native New Zealand Kylie wins major awards for her music. Her second American CD features this rolling, melodic, mid-tempo meditation with a scintillating harmony from Patty. Will Barrow’s accordion backup work is stellar. Listenable in the extreme. The whole album is a sonic delight, with lots of refreshingly different audio textures. Check out the rumbling, shuddering guitar on “Down to the Ground” the heartbeat rhythm of “Drive” the sighing slide on “Now and Then” the clarinet (!) on “Waltz Me Til Dawn” and the dreamy organ on “Sundown.”
BILL RHOADS/Too Many California Memories
Writer: Bill Rhoads; Producer: Mark Burchfield, Bill & Rose Rhoads; Publisher: Bill Rhoads, BMI; Bill Rhoads (track) (www.billrhoadsmusic.com)
-Well written, in a classic-country sort of way. His vocal isn’t the strongest, but the instrumental work is so gorgeous it more than makes up for whatever he lacks. The rippling, gut-string guitar picking, alone, is worth the price of admission.
Storysource To Fill Growing Content Need
/by bossross“After long, successful careers, we looked at today’s media environment and concluded that there is a need for a company like Storysource,” said Laura Faber, a multiple Emmy and Associated Press award winner. “Many news outlets have lost staff in this economy, but the need for content has not diminished. Storysource is designed to help bridge the gap.”
“We also produce high-quality video content for business clients for use in a variety of ways,” said Emmy-nominated Miranda Cohen. “From corporate meetings to efficiently producing and telling their stories on the web, we are a one-stop shop offering a full range of services.”
Storysource has signed distribution agreements that allow the company to feed content to tens of thousands of websites around the world.
Faber adds, “Fifteen years ago, few companies or organizations even had websites. Now, the world is web-based, and we see video content on every website as the next evolution. Storysource is an efficient and economical way to fill that growing need.” The new firm can be reached at www.storysource.biz; laura@storysource.biz or miranda@storysource.biz.
Chesney Headlines Hard Rock Ambassadors of Rock Tour Date
/by LB CantrellKenny Chesney will headline the New York tour stop of Hard Rock International’s 2009 Ambassadors of Rock Tour in Times Square on September 15. In its fourth consecutive year, the Ambassadors of Rock global concert series has featured other acts including O.A.R. in Orlando and an all-star lineup at Hard Rock Calling in London with Bruce Springsteen, Neil Young, The Killers, Dave Matthews Band, Ben Harper and Relentless 7, Fleet Foxes and The Gaslight Anthem. Hard Rock will donate proceeds from Chesney’s New York appearance to benefit PLAN!T NOW, an organization that empowers coastal residents to mitigate disasters in severe storm and hurricane-prone regions by being prepared. Chesney serves on the organization’s board of directors.
DISClaimer (6/12/09)
/by Robert K OermannThe big news is that Kentucky native Clay Underwood graduates from his prior DisCovery Award win to having the Disc of the Day with the title tune to his new CD. Even more surprising is that his only real challenger is also on an independent label. That would be the estimable Darren Kozelsky.
There’s not much to report in the DisCovery Award category. Oh, there are newcomers here, but only Lower Broadway denizen Lewis Copeland rises to
the occasion. I’m not much for pseudo Southern rock, but he does get points for writing, producing, marketing and singing the redneck-humorous “Honkytonk Princess” all by himself.
CLAY UNDERWOOD/New Beginnings And Old Honky Tonks
Writer: Terry Dennis/John Edwards; Producer: Jimmy Layne, Jennifer Layne & Clay Underwood; Publisher: What Is Written/Magic Mustang, BMI; PLC (track) (www.clayunderwoodmusic.com)
—He’s country. I like him. And any song that name checks “Conway and Haggard” is fine with me. Plus, it’s a waltz, which I’m a sucker for. This previous DisCovery Award winner has it all going on—great songs, excellent record production, vocal talent and a CD guest appearance by the sublime Marty Raybon.
CRAIG MORGAN/Bonfire
Writer: Tom Botkin/Kevin Denney/Craig Morgan/Mike Rogers; Producer: Phil O’Donnell & Craig Morgan; Publisher: none listed, BMI/ASCAP; BNA (CDX)
—It roars like its title.
JAKE OWEN/Eight Second Ride
Writer: Jake Owen/Eric Durrance; Producer: Jimmy Ritchey; Publisher: none listed, BMI/IMRO; RCA (CDX)
—The ACM New Male Vocalist winner has a head scratcher. Let me get this straight: A complete stranger wants him to take her home just because he has a truck with big tires, and he’s boasting that he’s going to take her on an 8-second ride?
DARREN KOZELSKY/Seven Vern Gosdins Ago
Writer: Liz Hengber/Arlos Smith; Producer: J.R. Rodriguez & Phil O’Donnell; Publisher: Hengber/Smith, ASCAP/SESAC; Spinville/9 North (CDX) (www.darrenkozelsky.com)
—He was doing fine until somebody fired up the jukebox and played three George Jones tunes, a Doug Stone weeper and seven Vern Gosdin songs. Now his heart is plumb busted. What a neat song. Darren is longtime favorite of this column, and his cool factor just went up again.
ROCKIT ROGER RICHARDSON/The First Cowboy In Space
Writer: Mike Lawler/Robert Steven Dintsch; Producer: Mike Lawler; Publisher: Coofermo/Popred, ASCAP; Star Base (CDX)
—When was the last time you heard the words “intergalactic” and “extra terrestrial” in a country song?
JOHN AMOS/We Were Hippies
Writer: Eric Cash/John Amos; Producer: Gene A. Cash Sr.; Publisher: Division, BMI; Music Row (CDX) (615-397-9100)
—Yes, it’s THAT John Amos, the actor from TV’s Good Times. He’s not much of a singer, but the novelty tune has a grin or two. The gist of it is that being a proud, pot-smoking hippie is a lifetime thing.
MICHELLE TURLEY/Hard Times
Writer: C.F. Turley; Producer: C.F. Turley; Publisher: Pop Dark, BMI; Victorio (615-269-0474)
—Our first female entry this week should have stayed home. Her soprano on this rocker veers into Minnie Mouse territory.
GRANT LANGSTON/Stand Up Man
Writer: Grant Langston; Producer: Rich McCulley & Grant Langston; Publisher: Grant Langston, ASCAP; MSG (track) (www.grantlangston.com)
—Raggedy garage country, performed with vim.
SHEA FISHER/Don’t Chase Me
Writer: Tammy Hyler/Shaye Smith; Producer: Richard Landis & Steve Forde; Publisher: Check Out That Skyline/Evergreen/ICG/EMI Blackwood/Addymak, ASCAP/BMI; Stroudavarious (CDX) (www.sheafisher.com)
—What is this? Cheerleader hip-hop with a steel guitar?
LEWIS COPELAND/Honkytonk Princess
Writer: Lewis Copeland; Producer: Lewis Copeland; Publisher: Lew Tunes, BMI; Wing2Fly (CDX) (www.lewiscopeland.com)
—“Which one of you boys got the biggest truck?” she asks, slopping her drink down the front of her dress. He falls in love while the rock track screams.
DISClaimer (5/29/09)
/by Robert K OermannLove, Lessons & Lies, the new CD by GAC’s Kylie Harris, is a splendidly left-field listening experience. It is not only produced with imagination, it is filled with excellently written tunes. A tip of the cap and a Disc of the Day salute.
We have a number of newcomers on hand today. My pick to click is Jack County a.k.a. Dallas singer-songwriter Jackson Doyle. By whichever name, he/it
gets the DisCovery Award.
SEAN PATRICK McGRAW/Dollar Ain’t Worth A Dime
Writer: Sean Patrick McGraw/David Kroll; Producer: Sean Patrick McGraw; Publisher: Seananigan/Smokin’ Grapes, ASCAP/BMI; Little Engine
-It kicks off with big, mean, dooom-y electric guitars, then he comes in with his tales of economic woe. The gist of it is that it is easy to turn to a life of crime when your back is against the wall. Very “outlaw” sounding.
JASON ALDEAN/Big Green Tractor
Writer: Jim Collins/David Lee Murphy; Producer: Michael Knox; Publisher: Sexy Tractor/Big Loud Bucks/Hope-N-Cal/Cal IV/Old Desperados/N2D/Carol Vincent, BMI/ASCAP; Broken Bow (track)
-Sweetly romantic, with a gently rolling groove and a surprisingly intimate vocal. A nice change of pace.
JACK COUNTY/Lonesome Radio
Writer: Jackson Doyle; Producer: Jackson Doyle & Jon Skaggs; Publisher: none listed; Jack County Music (track) (www.jacksoncountymusic.com)
-She’s gone, so he drives at night from town to town, “with the lonesome radio on.” Plain spoken, yet highly evocative. If nothing else, he shows fine songwriting promise, as this is the title tune of an entirely self-composed, 10-tune collection.
RASCAL FLATTS/Summer Nights
Writer: Gary LeVox/Brett James/Busbee; Producer: Dann Huff & Rascal Flatts; Publisher: Sony-ATV Cross Keys/Stage Three/Brett James Cornelius/Crosstown Uptown/Kobalt, ASCAP; Lyric Street
-It kinda sounds like it was written to be an in-concert rabble rouser. The whistles and cheers in the track add to the energetic atmosphere.
COOPER BOONE/She’s All That
Writer: Mark Houser/Mark D. Conklin/Cooper Boone; Producer: Mark D. Conklin; Publisher: none listed; Cooper Boone (track) (www.cooperboone.com)
-Mama is breaking out tonight. The hooky chorus is the best thing about it.
CHARLIE ROBISON/Reconsider
Writer: Keith Gattis/Charles Brocco; Producer: Charlie Robison; Publisher: Gattis/Glass Rose, BMI; Dualtone
-Beautiful Day, out next month, is Charlie’s “divorce” album. Its first single is appropriately remorseful and regretful. It’s really sad, but really, really lovely.
THE GRINGO KINGS/Hold You In My Arms
Writer: Scott Burgess; Producer: Scott Burgess, Tim Burge & Tim Phelan; Publisher: Scott Burgess, BMI; Burgess (www.thegringokings.com)
-I love their name, but they’re hopelessly amateur sounding.
GEOFF UNION/Big Sky Tonight
Writer: G. Union; Producer: Geoff Union; Publisher: Shining Castle, ASCAP; Shining Castle (track) (www.geoffunion.com)
-The title tune to this Texan’s CD is painful. The vocal harmonies are out of key. The band members sound like they just picked up their instruments last week, and they aren’t listening to each other in any case. The lead vocal is a pitch disaster.
KYLIE HARRIS & PATTY LOVELESS/Love’s Back Hand
Writer: Marco Giovino/Kyle Harris; Producer: Marco Giovino; Publisher: Rabid Gator/Kylie Harris, ASCAP/APRA; Fuzzy Feet (track) (www.kylieharris.com)
-Perhaps best known to U.S. audiences as a TV host on GAC, in her native New Zealand Kylie wins major awards for her music. Her second American CD features this rolling, melodic, mid-tempo meditation with a scintillating harmony from Patty. Will Barrow’s accordion backup work is stellar. Listenable in the extreme. The whole album is a sonic delight, with lots of refreshingly different audio textures. Check out the rumbling, shuddering guitar on “Down to the Ground” the heartbeat rhythm of “Drive” the sighing slide on “Now and Then” the clarinet (!) on “Waltz Me Til Dawn” and the dreamy organ on “Sundown.”
BILL RHOADS/Too Many California Memories
Writer: Bill Rhoads; Producer: Mark Burchfield, Bill & Rose Rhoads; Publisher: Bill Rhoads, BMI; Bill Rhoads (track) (www.billrhoadsmusic.com)
-Well written, in a classic-country sort of way. His vocal isn’t the strongest, but the instrumental work is so gorgeous it more than makes up for whatever he lacks. The rippling, gut-string guitar picking, alone, is worth the price of admission.
Richie Fields
/by ProgrammerPlaylist“When You Love Someone That Much”
Joint Journey Records
—Robert K. Oermann, Music Row
Richie Fields‘ latest single, “When You Love Someone That Much,” is a bit of a change up for the distinctive baritone singer who naturally gravitates to power ballads. “When folks hear the title,” Richie says, “They automatically think ‘ballad’—and I love it that this song just drives from the very first note.” The single was written by Chip Martin and Jan Linville, and is Richie’s first collaboration with new producer, J. Gary Smith (Andy Griggs, Lonestar) and associate producer, Clif Doyal.
Since turning to music full-time in 2006, Richie has enjoyed success on the road and at radio. Fields’ accomplishments led to his inclusion on the CMA’s Who New To Watch in 2009 list, and his national television debut on Inside Music Row in February. Richie was Country Weekly’s “Who’s New” in June, and will be featured in the magazine again in July. He was a hit at this year’s CMA Music Fest, finding long lines at the Roughstock, VAULT, Digital Rodeo and Music City Zone booths, as well as filming interviews with the Pentagon Channel, Hit Country TV, Country Home, True Country GoTV Networks and Country Music Tattletale.
In between tour dates, Richie spends his time with his family, working out, writing songs and Twittering.
http://www.richiefields.com
Dozier Leads Songwriters Hall of Fame Master Class
/by Sarah SkatesSHOF Chairman/CEO and songwriting icon Hal David, Lamont Dozier and Nelson George
Earlier this week the crowd at the Songwriters Hall of Fame Master Class was treated to a very special, intimate evening of stories about the wonder years of Motown Records and the origination of some of the many hits written by Lamont Dozier and the powerhouse songwriting team Holland-Dozier-Holland (H-D-H). H-D-H were credited with creating the Motown Sound and had 13 No. 1 consecutive hits with The Supremes alone. Some of their classics include “You Can’t Hurry Love,” “Baby I Need Your Loving,” “How Sweet It Is (To Be Loved By You),” “Stop! In The Name of Love,” and “Where Did Our Love Go.” Moderator and cultural commentator Nelson George coaxed entertaining tales out of the songwriting icon about working with Diana Ross and The Supremes, The Temptations, The Marvelettes, Phil Collins and, most recently, Solange Knowles. Dozier also shared songwriting tips that helped propel his career to living legend status.
Tonight (6/18), Lamont Dozier will receive the prestigious Johnny Mercer Award along with Brian Holland and Eddie Holland, Jr. at the Songwriters Hall of Fame 40th Anniversary Gala.
Industry Turns Out To Support Artists At Music Fest
/by Sarah Skates–––––––––––––––––––––––––––––––––

Arista Nashville group Jypsi welcomed fans to the first annual Jypsifest at Nashville’s Limelight on Friday evening. The event was complete with carnival-style indoor games, snow cones, and a performance from the band. Pictured (back row, L-R): Sony Music Nashville’s Paul Barnabee; Jypsi’s Frank and Scarlett; Arista Nashville’s Skip Bishop; McGhee Entertainment’s Doc McGhee; Jypsi’s Amber-Dawn; and McGhee Entertainment’s Scott McGhee and Melanie Wetherbee. (Front, L-R): William Morris’ Steve Hauser; Jypsi’s Lillie Mae; and Sony Music Nashville’s Heather McBee.
Country Gals Cover Shape Magazine
/by Sarah SkatesLeAnn Rimes, Martina McBride and Julianne Hough will be on the cover of the July issue of Shape magazine. Inside, the bikini-clad babes tell how they get (and keep) those fab bodies. Among the topics, McBride shares her fascination with nutrition and how she encourages her husband and daughters to eat healthily. She also discusses the importance of a positive self-image in addition to physical beauty.

String of Events Benefit Darryl Worley Foundation
/by Sarah SkatesLast month’s “Hitmakers on the Harbor” on Pickwick Lake raised over $12,000. Following Murfreesboro, the next event is scheduled at Bumpus Harley-Davidson’s Jackson, TN location on July 21. The final event will be Darryl’s Tennessee River Run on Thurs., Sept. 10.
The Darryl Worley Foundation, Inc. helps serve the needs of the people of Hardin and McNairy Counties in West Tennessee and the surrounding areas. It has supported St. Jude Children’s Research Hospital, Ayers Children’s Medical Center, Le Bonheur Children’s Medical Center and the Cystic Fibrosis Foundation.
Worley is currently touring in support of his latest single, “Sounds Like Life To Me,” from his new Stroudavarious Records album, Sounds Like Life. Details on all events can be found at www.darrylworley.com.
DISClaimer (6/5/09)
/by Robert K OermannJust when I thought I might be “over” Brooks & Dunn, along comes a single like “Indian Summer.” They wrote it. They produced it. And it’s the freshest sounding thing they’ve put out in years. Give those vets a Disc of the Day.
Actually, there was quite a bit of refreshingly different music in today’s listening session. For those, like me, who crave the novel and the new, I recommend to your ears the efforts by Trent Tomlinson, Dean Brody, Richie Fields, Gretchen Wilson and Pat Green, in particular.
The CMA Music Festival approaches. Are you ready, Music Row?
GRETCHEN WILSON/If I Could Do It All Again
Writer: Rivers Rutherford/George Teren; Producer: Blake Chancey & Gretchen Wilson; Publisher: none listed, ASCAP/BMI; Columbia (CDX)
-Outstanding slide guitar work and a cool, thoughtful lyric. As usual, Gretchen nails it vocally. I think this bluesy, midtempo meditation is a gem.
BROOKS & DUNN/Indian Summer
Writer: Kix Brooks/Ronnie Dunn/Bob DiPiero; Producer: Kix Brooks & Ronnie Dunn; Publisher: none listed, BMI; Arista (CDX)
-Produced with crisp precision and mixed perfectly, this sounds terrific. Ronnie’s voice is right out front with a passionate delivery of a wistful story of a Kansas girl gone wrong. This is their finest single in years.
PAT GREEN/What I’m For
Writer: Marc Beeson/Allen Shamblin; Producer: Dann Huff; Publisher: none listed, ASCAP; BNA (CDX)
-A dusty troubadour’s statement of purpose, sung with drawling sincerity by a guy who always sounds like your best buddy.
DEAN BRODY/Gravity
Writer: Dean Brody; Producer: Matt Rovey; Publisher: Magic Mustang/Oven, SOCAN/BMI; Broken Bow (CDX) (www.deanbrody.com)
-I thought “Brothers” was a great single. Brody’s follow-up is a beautiful romantic ballad with a deliciously melodic chorus. Both the singer-songwriter and super tasteful producer Rovey are on the verge of great careers.
THE TERRY ALLEN BAND/Fire Down In Texas
Writer: K. Hunter; Producer: none listed; Publisher: Texas River, ASCAP; Optimus (www.terryallenband.com)
-Muddy and muffled sounding. It was probably recorded live, so everything is kinda bleeding into everything else. The band has talent, however, and the song is solid. Get thee to a real studio.
WHITNEY DUNCAN/Skinny Dippin’
Writer: Whitney Duncan/Chris Tompkins; Producer: Mark Bright; Publisher: Springfish/Dazahit/Bug/Big Loud Songs/Big Loud Bucks, ASCAP; Reprise
-Simmering sexy summer fun.
RICHIE FIELDS/When You Love Someone That Much
Writer: Martin/Linville; Producer: none listed; Publisher: VB Three/Riddle, BMI; Joint Journey (615-319-1863)
-Propulsive and energetic, with a wonderfully upbeat, positive message. His vocal rides above the rocking track with admirable force and emotion. This is Richie’s third straight winner, I am happy to report.
TRENT TOMLINSON/Henry Cartwight’s Produce Stand
Writer: Trent Tomlinson/Danny Wells/Mark Kerr; Producer: Leigh Reynolds & Trent Tomlinson; Publisher: Hope-N-Cal/Trent Tomlinson/Songs of Springfish/Songs of Dazahit/Gimme Them Gimme Them/Eleven Katz/Bug/Cal IV, BMI; Carolwood
-Well written and full of dandy visual details. Imaginatively put together. It’s different, and different is good. Hang on for the “testimony” in the finale.
COURTNEY DASHE/Paper Airplane
Writer: Courtney Dashe; Producer: none listed; Publisher: Curvebender/Skyline/ICG, BMI; Mad Dashe (track) (www.courtneydashe.com)
-This singer-songwriter makes her disc debut with a six-song EP featuring this lilting title tune. Her voice is a highly listenable, sweet soprano, and her songwriting is strikingly original. Very promising.
BRITTNEY REED/Picture This
Writer: Brittney Lou Reed; Producer: Tracy Wilson; Publisher: none listed, BMI; Brittney Reed (www.brittneyreed.com)
-Vocally piercing, sharp, in your face and somewhat irritating.