Jaron Lowenstein of Jaron and the Long Road to Love has recorded a genre-bending album with Joe Firstman and their new band Cordovas. Produced by Rick Parker and Firstman, the new album blends Southern Rock, Alt/Country, Gospel and Bluegrass.
The band has made the album available for sale at live shows, digitally worldwide on iTunes and for free download at their website, TheCordovas.com. Their decision to allow it to be downloaded for free stems from their belief that art should be made available to everyone with no barrier of entry.
“Superfans will immediately buy the record, some may download and then buy it for a friend or some may enjoy it and never pay for it,” Jaron said. “How they get the album isn’t our concern. That they get the album is.”
Track Listing:
1. All I Found (3:05)
2. Southern Rain (6:14)
3. Maria (4:41)
4. Step-back Red (4:20)
5. Storms (3:41)
6. Old Dog (3:29)
7. Salome (3:56)
8. Tell Me You’re Not Telling The Truth (3:36)
9. Standin’ On The Porch (4:05)
10. Louisiana Hurricane (4:47)
11. Feel Good To Be Free (5:38)
Cordovas is a six-piece band fronted by lead singers Jaron Lowenstein, Joe Firstman and Jon Loyd. Lowenstein is best known for his country single “Pray For You,” as well as his early 2000s single “Crazy For This Girl,” from Evan and Jaron.
https://musicrow.com/wp-content/uploads/2019/03/MusicRow-header-logo-Mar19B.png00Caitlin Rantalahttps://musicrow.com/wp-content/uploads/2019/03/MusicRow-header-logo-Mar19B.pngCaitlin Rantala2011-09-30 11:41:172011-09-30 11:41:17Jaron Lowenstein Joins Cordovas, Releases New Album
Karen Kane has joined Sony Music Group as Director, Artist Development/Marketing, it was announced by Sony Music Nashville Sr. VP Marketing Paul Barnabee. Kane will report to Barnabee in this role, providing leadership in the development and execution of strategic marketing campaigns for her assigned artists.
“Spanning label, management, and third-party sponsorships, Karen has built a rich and diverse background in the music industry, and I’m excited to welcome her as an amazing new addition to our marketing team,” says Barnabee.
“I can’t tell you how excited I am to work with Gary [Overton] and Paul and the team at Sony,” adds Kane. “It’s a wonderful opportunity when you get to work with smart and talented colleagues as well as an amazing roster of artists.”
Kane most recently served as Director of Music Business for Murray State University, where she managed the Music Business degree program and taught courses in Music Marketing, Artist Development, Live Performance, and Copyright. Prior to that she was president of Kane Entertainment, a management and marketing company.
She’s officially on the job now, and can be reached here.
https://musicrow.com/wp-content/uploads/2019/03/MusicRow-header-logo-Mar19B.png00Freemanhttps://musicrow.com/wp-content/uploads/2019/03/MusicRow-header-logo-Mar19B.pngFreeman2011-09-30 11:20:302011-09-30 11:20:30Karen Kane Joins Sony Music Nashville
Oct. 12 – 15 Nashville welcomes back a lineup of Australian roots artists for the city’s annual Americana Music Festival and Conference. Presented by Nissan, held in downtown Nashville, the 2011 lineup includes 20 different Australian acts: 3rd Wheel, Kirsty Akers, Chris Altmann, Audrey Auld, James Blundell, Ange Boxall, Catherine Britt, Lachlan Bryan, Kristy Cox, Mia Dyson, David Garnham, Gleny Rae Virus and Her Tamworth Playboys, Caitlin Harnett, Harry Hookey, The McMenamins, O’Shea, Chris Pickering, Shandell, Henry Wagons and Duke Wilde Band.
Sounds Australia is sponsoring the trip through its partnership with the Nashville-based Americana Music Association.
“The level of interest we experienced last year is a ringing endorsement by the Australian music industry of the original mission that Sounds Australia undertook to create a platform within the Americana event for our artists and business people,” said Sounds Australia Manager Dobe Newton.
Early registration is open through Oct. 10 and includes admission to all AMA panels and nighttime showcases, plus special events during the Festival and a ticket to the Americana Honors & Awards show at the Ryman Auditorium. Wristbands are $50 and give access to more than 100 artists in five Nashville venues. For more details about tickets and wristbands, please visit www.AmericanaMusic.org. Tickets for the Honors and Awards Show are also available separately for $65 at www.Ryman.com.
For the complete showcase lineup, please click here.
https://musicrow.com/wp-content/uploads/2019/03/MusicRow-header-logo-Mar19B.png00Caitlin Rantalahttps://musicrow.com/wp-content/uploads/2019/03/MusicRow-header-logo-Mar19B.pngCaitlin Rantala2011-09-30 10:38:422011-09-30 10:38:42Australian Artists Return For Americana Music Festival
In learning about the plight of the United States Postal Service workers and their plan to rally nationwide with the hope to save their jobs, Blue Steel Records duo Burns & Poe was moved to lend its voice in support.
The postal service is currently contemplating the close of thousands of post offices, which would leave more than 100,000 workers without jobs. Tuesday (9/27) postal workers across the country rallied at various locations to send a message that cutting jobs isn’t the answer to solving the budget crisis. A group of postal workers gathered on Church Street in Nashville were surprised when Keith Burns showed up to support their efforts.
Burns & Poe’s current single, “I Need A Job,” comes at a crucial time for many. Wanting to offer more than words of encouragement, the duo launched the “I Need A Job” Contest. Contestants are given the creative license to create a lyric video for “I Need A Job” using photos, graphics or video footage. Each video can be posted to any public webpage or social site, such as YouTube or Facebook. The creator of the video that tallies the most views will win a job as a temporary intern and member of the Burns & Poe Team.
Employment will be for a one-week period (Monday through Friday). The chosen intern will divide his or her time and responsibilities between the booking agency, the label, the road crew, and the publicity and management company. The intern will receive compensation in the amount of $500 for their time and service. The start-date will be mutually decided upon by the winning contestant and an official member of the Burns & Poe Team. One winner will be selected (based on posts/hits) and announced on the Burns & Poe web page on Friday, October 28, 2011.
Fresh off touring with Taylor Swift on her Speak Now Tour, Hunter Hayes returned to his hometown of Breaux Bridge, Louisiana last week (9/22) to film the GAC special, Introducing: Hunter Hayes. Hunter visited family and friends and stopped by local radio station KMDL 97.3 The Dawg.
His Atlantic Records self-titled debut album, which he co-produced with Dann Huff, is slated for release on Tuesday, Oct. 11. Hayes played every instrument and wrote/co-wrote all eleven tracks on the album, including his single, “Storm Warning.”
Hayes has also co-written songs for Rascal Flatts and Montgomery Gentry. In addition to Taylor Swift, Hayes has shared the stage with Trace Adkins, Lady Antebellum, Hank Williams, Jr., Brad Paisley and Keith Urban.
Hayes is currently on his first headlining tour, Most Wanted, which will stop at the Troubadour in Los Angeles, CA on Dec. 1. For a chance to win tickets and airfare for two to see Hayes’ show, and get the VIP treatment, please visit http://www.hunterhayes.com/mostwanted.
https://musicrow.com/wp-content/uploads/2019/03/MusicRow-header-logo-Mar19B.png00Caitlin Rantalahttps://musicrow.com/wp-content/uploads/2019/03/MusicRow-header-logo-Mar19B.pngCaitlin Rantala2011-09-30 10:26:372011-09-30 10:26:37Hayes Prepares For Album Release; Headlines Tour
The results are in, and Steve Martin & The Steep Canyon Rangers were awarded with the IBMA’s Entertainer of the Year award at the 22nd annual International Bluegrass Awards last night (9/29). The legendary comedian has put out two albums of original bluegrass in the last two years, including his latest Rare Bird Alert.
Steve Martin with Dailey & Vincent at the 2011 International Bluegrass Awards. Photo: Alan Mayor
Winning multiple honors were New York-based The Gibson Brothers, who earned honors for Vocal Group of the Year and Album of the Year for Help My Brother (Compass Records). The Boxcars also nabbed two as a group, for Emerging Artists of the Year and Instrumental Group of the Year. Additionally, Boxcars banjo player Ron Stewart tied with the Grascals’ Kristin Scott Benson for Banjo Player of the Year. A full list of the evening’s winners is below.
2011 International Bluegrass Awards:
Hall of Fame Inductees — Del McCoury, George Shuffler
Entertainer of the Year — Steve Martin & The Steep Canyon Rangers
Vocal Group of the Year — The Gibson Brothers
Instrumental Group of the Year — The Boxcars
Male Vocalist of the Year — Russell Moore
Female Vocalist of the Year — Dale Ann Bradley
Emerging Artist of the Year — The Boxcars
Album of the Year — Help My Brother, The Gibson Brothers (Compass Records); producers: Eric & Leigh Gibson and Mike Barber
Instrumental Recorded Performance of the Year — “Goin’ Up Dry Branch,” by Michael Cleveland & Flamekeeper (Rounder Records); songwriters: Buddy Spicher & Jimmy Martin; producers: Jeff White & Michael Cleveland
Gospel Recorded Performance of the Year — “Prayer Bells of Heaven” by J.D. Crowe, Doyle Lawson, & Paul Williams (Mountain Home); producer: Ben Isaacs
Song of the Year — “Trains I Missed,” by Balsam Range; songwriters: Walt Wilkins, Gilles Godard & Nicole Witt
Recorded Event of the Year — “Prayer Bells of Heaven” by J.D. Crowe, Doyle Lawson & Paul Williams (Mountain Home); producer: Ben Isaacs
Banjo Player of the Year — Kristin Scott Benson and Ron Stewart (tie)
Guitar Player of the Year — Bryan Sutton
Fiddle Player of the Year — Michael Cleveland
Bass Player of the Year — Marshall Wilborn
Mandolin Player of the Year — Adam Steffey
Dobro Player of the Year — Rob Ickes
Distinguished Achievement Award Recipients — Greg Cahill, Bill Knowlton, Lilly Pavlak, Geoff Stelling, Roland White
Broadcaster of the Year — Katy Daley, WAMU Bluegrass Country
Print Media Person of the Year — Juli Thanki, Engine145.com
Bluegrass Event of the Year — Silver Dollar City’s Bluegrass & BBQ Festival; Branson, Mo.
Best Graphic Design — Ricardo Alessio & Erica Harris for Abigail Washburn (Rounder Records)
Best Liner Notes — Colin Escott for A Mother’s Prayer, Ralph Stanley (Rebel Records)
https://musicrow.com/wp-content/uploads/2019/03/MusicRow-header-logo-Mar19B.png00Freemanhttps://musicrow.com/wp-content/uploads/2019/03/MusicRow-header-logo-Mar19B.pngFreeman2011-09-30 10:23:372011-09-30 10:23:372011 International Bluegrass Awards Winners
17 Music Entertainment artist Matt Gary recently visited WAXX/Eau Claire, WI to support the release of his new single "Beautiful Life." (L-R): Matt Gary, Alex Edwards (WAXX PD)
SPIN ZONE
Movement is the name of the game on the CountryBreakout Chart, and there’s no shortage of it this week. Moving up to take the No. 1 spot is Blake Shelton’s “God Gave Me You,” followed by Thompson Square’s “I Got You,” hopping over No. 3 to land at No. 2. Taylor Swift’s “Sparks Fly” is also in the hunt at No. 3, as it garners an added 186 spins. Also moving are Brantley Gilbert’s “Country Must Be Country Wide” at No. 5, Miranda Lambert’s “Baggage Claim” at No. 7, and Rascal Flatts’ “Easy” at No. 9.
Through the Top 30 are several additional movers and shakers. Jason Aldean’s “Tattoos On This Town” is knocking on the door of the Top 20 at No. 21 after six weeks, and Montgomery Gentry’s “Where I Come From” picks up 121 spins at No. 23. It’s a dead heat between Zac Brown Band’s “Keep Me In Mind” and Luke Bryan’s “I Don’t Want This Night To End,” at No. 27 and 28 respectively. Just a few paces off at No. 30 is Chris Young’s “You,” which appears to be out-gaining all the rest.
Dierks Bentley leads a group of big debuts with his latest single “Home,” sticking at No. 59 in its first week being reported. Also in its first week of reports is Jake Owen’s “Alone With You,” which debuts at No. 77 after a 210 spin gain. Just ahead is Trent Tomlinson’s “A Man Without A Woman,” debuting at No. 75 after scooping up an impressive 20 new adds.
Upcoming Singles October 3
Brent Anderson/Amy’s Song/Sea Gayle/Arista
Corey Smith/Maybe Next Year/Average Joe’s
Sunny Sweeney/Drink Myself Single/Republic Nashville
Trent Tomlinson/A Man Without A Woman/Skyville Records
Blake Wise/Can’t Live Without/Broken Bow
October 10
Burns & Poe/I Need A Job/Blue Steel Records
• • • • •
New On The Chart—Debuting This Week Artist/song/label — chart pos.
Dierks Bentley/Home/Capitol — 59
Trent Tomlinson/A Man Without A Woman/Skyville Records — 75
Jake Owen/Alone With You/RCA — 77
Luke Pilgrim/Sweet Tea/MMG/Southern Tracks — 79
Greatest Spin Increase Artist/song/label — spin+
Dierks Bentley/Home/Capitol — 410
Chris Young / You / RCA Nashville — 346
Zac Brown Band/Keep Me In Mind/Southern Ground/Atlantic — 311
Lady Antebellum/We Owned The Night/Capitol — 281
Jason Aldean/Tattoos On This Town/Broken Bow — 274
Most Added Artist/song/label — New Adds
Dierks Bentley/Home/Capitol — 35
Trent Tomlinson/A Man Without A Woman/Skyville Records — 20
Jake Owen/Alone With You/RCA — 18
Sunny Sweeney/Drink Myself Single/Republic Nashville — 15
Chris Young/You/RCA Nashville — 13
Kevin Fowler/That Girl/Average Joe’s — 9
On Deck—Soon To Be Charting Artist/song/label — spins
JaneDear girls/Merry Go Round/Warner Bros./WMN — 175
Jeff Bates/He Wasn’t Like Us/Black River — 155
Attwater/Never Gonna Happen/Twenty Ten Music — 149
J.D. Malone & The Experts/Silver From (And You Still Want More) — 134
Landon Michael/Might As Well Be Me/Big Dog Records — 133
Blaster Records' duo Brother Trouble stopped by the CMA offices recently to perform for the staff. Brothers Jason and Mark Sutton performed several songs including their single "Summer's Little Angel,” which hit the Top 50 of MusicRow’s CountryBreakout Chart. (L-R): CMA Senior Manager of Membership & Balloting, Brandi Simms; Gold Mountain Entertainment's Burt Stein; Brother Trouble's Mark and Jason Sutton; CMA Chief Executive Officer, Steve Moore; and CMA Senior Coordinator of Member and Industry Relations, Betsy Walker. Photo: Amanda Eckard
Toby Keith recently met up with Nancy Ryan and Newman of WRBT's morning show in Harrisburg, PA. The superstar was in York, PA for a stop on his 2011 Locked & Loaded Tour Presented by Ford F-Series as well as a visit to a local store to sign bottles of Wild Shot, his premium mezcal. (L–R) Nancy Ryan, Toby Keith, Newman
Justice was finally served at this year’s IBMA Awards.
For the past five years, no one has helped to raise the profile of bluegrass music more than Steve Martin & The Steep Canyon Rangers. The International Bluegrass Music Association voters at last recognized that fact by naming the act its Entertainer of the Year.
“Maybe people bought a ticket to see me; maybe they didn’t know what bluegrass music is, but they leave [the shows] loving it,” said Martin. He jumped up and down with his trophy like a kid with a new toy at Christmas before wisecracking, “I want to thank the other nominees, and thank them for losing.” On a more serious note, he added, “We have loved, loved playing this music across the country.”
Cinderella’s coach turned back into a pumpkin for The Boxcars. They went into the show leading the field with seven nominations, but had to settle for a little less than three. The Boxcars won the Emerging Artist award, Instrumental Group of the Year and finished in a tie for Banjo Player of the Year between the group’s Ron Stewart and The Grascals’Kristin Scott Benson. The group also offered one of the evening’s weakest stage performances of the night.
Michael Clevelend
Michael Clevelend & Flamekeeper took two trophies. Cleveland won Fiddle Player of the Year, and the band won Instrumental Performance of the Year for its “Goin’ Up Dry Branch.” The other double winners were The Gibson Brothers and the veteran trio of Doyle Lawson, J.D. Crowe and Paul Williams. The former won the Vocal Group and Album honors.
“I’d like to thank my singing partner and older brother Eric,” said Leigh Gibson. “I don’t think either of us would sound that great without the other.”
Lawson, Crowe and Williams took home statuettes for Recorded Event and Gospel Recording for their splendid work on “Prayer Bells of Heaven.”
“I wasn’t expecting this,” said Crowe. “This is great. Especially at the Ryman. This is where it [bluegrass] all started.”
“We had a great time recording this, and we’re gonna do another,” promised Williams.
Repeating winners characterized much of the evening. In addition to Kristin Scott Benson (her fourth Banjo) and Michael Cleveland (his ninth Fiddle), they included Blue Highway’s Rob Ickes (his 13th Dobro), Flamekeeper’s Marshall Wilborn (his third Bass), Bryan Sutton (his sixth Guitar), Adam Steffey (his eighth Mandolin) and 111rd Tyme Out’sRussell Moore (his fourth Male Vocalist).
“Wow!” said Moore. “I’m honored that you feel this way. I thought you were crazy last year. This confirms it….I’ll do my best to make you proud.”
Dale Ann Bradley
Dale Ann Bradley won Female Vocalist in 2007, 2008 and 2009. She returned this year.
“Everybody that’s bought a ticket and fed us soup, beans and cornbread, God love you,” she exclaimed.
Inducted into the Bluegrass Hall of Fame were George Shuffler and Del McCoury. Shuffler’s innovations as a “walking” bass stylist, “cross picking” guitarist, harmony vocalist and comedian in the bands of The Stanley Brothers and Reno & Harrell were noted.
“If I thought it [bluegrass music] was going to catch on like it did, I’d have tried to do it a little better,” he told the capacity crowd.
George Shuffler
McCoury was inducted by his sons Ronnie and Rob. “I guess every kid thinks their dad is a hero, and we’re no exceptions to that,” said Ronnie. “He gives 100%, every night.” Added Rob, “Every kid wants to be like their dad. When I was 8 years old, I took a notion to take up the banjo.” At the time, Del was working as a logger. He’d come home from work exhausted, yet still made time to teach Rob his instrument.
Del was one of many during the show who saluted the 100th anniversary of the birth of Bill Monroe. He joined Monroe’s Blue Grass Boys in 1964 and graduated to his own band in 1968. His sons joined him in the 1980s, and they moved to Nashville in 1992. The Del McCoury Band has more IBMA awards than any other group. In 2006, it won a Grammy, and in 2010 Del was given an NEA National Heritage Award. “But this is the Big One,” said Rob.
Del’s warm, rambling acceptance speech was sweet, countrified and amusing. “Positively, the state of bluegrass music is better than it’s ever been,” he concluded.
Echoing Del, let me add that the music is not only better than ever, it is also highly diverse. The performances Thursday night (9/29) at the Ryman (now billing itself as “America’s Theatre,” with an “re,” if you please) seemed designed to disprove anyone who says, “Bluegrass all sounds the same.”
Del McCoury and family
Tones ranged from the smooth triple fiddling of Dailey & Vincent to the jazzy, minor-key sound of Sierra Hull & Highway 111.Balsam Range was lilting, flawless, melodic, deeply moving and harmony soaked on “Trains I Missed,” which won Song of the Year for Nicole Witt, Giles Goddard and Walt Wilkins.
Doyle Lawson & Quicksilver rose the hair off your head with the heat-lightning speed of “Gone Long Gone.” Steve Martin & The Steep Canyon Rangers provided humor with “Me and Paul Revere,” told from the point of view of the horse. The Gibson Brothers brought back sibling harmony. Lawson, Crowe and Williams offered jubilant, hearty gospel. The Grascals were softly meditative on “I Am Strong.” At the song’s finale, they were joined by two tiny girls who are patients at St. Jude’s Childrens Research Hospital and at Vanderbilt Children’s Hospital. Everybody choked up.
The Grascals
The three-plus hour show was hosted by Mr. Fabulous, Sam Bush. His band saluted Monroe with a tight “Roll On, Buddy.”
“I’m especially proud to be hosting in this special year,” said Bush. “We’ve got some great performers for you, representing the state of the art, 2011.” He wryly recalled Monroe’s response to Bush’s “newgrass” music: “I hate that.”
“Our music is in good hands for another 100 years,” he remarked about the Monroe centennial. “Thank you for letting me be your ‘cruise director’ once again.”
Either applauding or presenting (or both) were Gary Paczosa, Barry Mazor, Tim Stafford, Tim O’Brien, Tom Roland, Tony Trischka, Dan Tyminski, Dan Hays, Ron Cox, Jay Orr, Sonny Osborne, Beth Gwinn, Eddie Stubbs, Vernell Hackett, Deborah Evans Price, Claire Lynch, Cody Kilby, Carl Jackson, Laurie Lewis, Sammy Shelor, Pete Wernick, Alison Brown, The Cleverlys and Louisa Branscomb, plus most of the IBMA Distinguished Achievement honorees Roland White, Greg Cahill, Bill Knowlton, Lilly Pavlak and Geoff Stelling.
This year’s World of Bluegrass convention and Bluegrass Fan Fest had an aggregate attendance of 20,000. That works out to around 1,500 per day for the convention and 6,000 per day for the fest. The fun continues all this weekend at the Convention Center.
https://music-row-website-assets.s3.amazonaws.com/wp-content/uploads/2011/09/10193704/SMartin-SteepCanyonRangers11.jpg367550Bobby Karlhttps://musicrow.com/wp-content/uploads/2019/03/MusicRow-header-logo-Mar19B.pngBobby Karl2011-09-30 09:33:122011-09-30 09:33:12Bobby Karl Works the IBMA Awards
Have you ever been listening to music in the car and heard a song so powerful that you had to pull over to give it your full attention? That’s what Blake Shelton did the first time he heard “God Gave Me You” in the car, and then he decided to record it himself.
Fast forward to about three months later and Blake’s version of “God Gave Me You” is this week’s CountryBreakout No. 1 song, his fourth in under two years after “Hillbilly Bone,” “Who Are You When I’m Not Looking” and “Honey Bee.” Originally written and recorded by Christian artist Dave Barnes, “God Gave Me You” is a soaring ode to devotion, and as the story goes, reminded Blake of his relationship with wife Miranda Lambert. As a testament to the song’s deeply personal meaning for Blake, the video opens and closes with a home recording of Lambert on the eve of the couple’s wedding.
By any measure, it’s been a great couple years for Blake Shelton. On top of his engagement to Lambert and their coup of the Male and Female Vocalist CMA Awards in 2010, Blake’s high profile judging spot on The Voice has elevated his media celebrity to an entirely new level. Just recently, he was honored with his first-ever CMA nomination for Entertainer of the Year, and he’ll be performing on the Nov. 9 telecast of the show.
https://musicrow.com/wp-content/uploads/2019/03/MusicRow-header-logo-Mar19B.png00Freemanhttps://musicrow.com/wp-content/uploads/2019/03/MusicRow-header-logo-Mar19B.pngFreeman2011-09-30 09:15:442011-09-30 09:15:44CountryBreakout No. 1 Song
Arbitron says that there are almost 16 million people in the New York Metro area. I counted 97 stations getting some mention in a recent ratings month. Some were out of market but still collected listening in the NY metro.
Really? 16 million people and 97 stations (some getting listening only from a family in Queens) and no room for a Country station? To be fair, four of the 97 stations are programming country but none are major players or registering significant levels.
None of the big boys are willing to step up and give Country Radio a shot in New York? Clear Channel is the most successful company when it comes to programming Country. They have some of the smartest programmers in the format. Gregg Swedberg could jump in there and be hugely successful.
CBS has Country stations in Chicago and Detroit and outside of LA in Riverside and they do well. They have people who could do it. Though looking at their stations I don’t know who would change format. Those two companies are killing it in New York. Maybe WWFS would do better in Country, though a 3 million-plus cume is not something to walk away from any time soon.
Emmis, who should still be kicking themselves for flipping KZLA/Los Angeles before PPM years ago, has two Urban stations down the rankings ladder a bit. They have smart Country guys in Indianapolis with Bob Richards and Charlie Morgan. They could do it.
I suspect Cumulus will try and fix WPLJ before giving up that legendary signal and staff. Cox has a Long Island station that might be a player in Country Radio.
In LA Saul Levine used to feel that if KKGO did too well someone else would come along and challenge Go Country. I would tell him that the station could be top 10 in AQH (which it was a couple of years ago and is again) but that the low cume numbers would keep others from jumping in the format.
That is why no one is going Country in New York. KKGO has found some loyal Country Music fans. We had some two years ago that were contributing a lot of the station’s listening, and it’s happening again. The station is well-programmed and is getting long time exposed. BUT the cume is not in the elite category, and it never was. Heck, KKGO has the second (or third) highest cume in the format and is 25th in its own market.
Cume has become even more significant in the PPM ratings and if the format cannot collect enough cume it is never going to be consistently successful. Lose that family that is contributing to the ratings and you lose a great deal.
Now there is a difference between New York and LA. New York is 20% Hispanic and LA is 40% Hispanic. That said, walk the streets of New York and you hear a hundred different languages. Not a real positive for Country Music, because there are not a lot of foreign language countries where Country Music does well.
Ed Salamon, the father of big city Country Music Radio, used to say that this diversity was a benefit to Country because if English was your second language at least the format told stories and listeners could connect with the story. Well, New York is certainly the most diverse city in America.
There has been success with Country Music Radio in New York. Ed was very successful at WHN in the ‘70s. I learned a great deal about big city Country Radio working for him there at WHN.
The late Dene Hallam had success in New York with the first FM playing Country Music there.
Later WYNY had some success. Michael O’Malley did a fine job with the station and when he left I spent about a year there and we had a strong station with great talent until the parent company sold some of the signal off and they lost a Country stronghold in New Jersey.
The fourth attempt failed miserably. The Tri-cast was signal challenged and never really took hold.
Of course there are New York stations that play Country Music. Scott Shannon is a real friend of the format on WPLJ but it is obviously kept to the pop influenced portion of the genre.
Look at the EOY finalists for the CMA show. One of the acts gets consistent play on WPLJ. New York radio listeners are shut out of Brad Paisley, Blake Shelton, Jason Aldean and (most of) Keith Urban. These are our big guns and they are silenced on the radio.
The Band Perry got some AC and CHR play in the last year, but the other four CMA New Artist nominees are not on the radio in New York. This is not the way to grow the format.
In the past the CMA has taken a lead in supporting Country Radio in LA and NY. Whatever can be done in the future would be beneficial for all of us.
New York Country Radio would have to be a little different today than it was in the past. A current-based format has to be current with CHR turnover. That would grow the cume and then programmers would have to work on keeping the listeners longer. But building a foundation that is dependable is not going as easy as doing it in Dallas or Atlanta.
Without outing him, as he works at a Country Station in a BIG market, my friend used to comment that he has never ridden a tractor, doesn’t travel dirt roads and doesn’t fish or hunt. True, but he drinks Tequila, knows a crazy girl or two and has drunk dialed in the past. It all works.
https://musicrow.com/wp-content/uploads/2019/03/MusicRow-header-logo-Mar19B.png00contributorhttps://musicrow.com/wp-content/uploads/2019/03/MusicRow-header-logo-Mar19B.pngcontributor2011-09-30 09:02:412011-09-30 09:02:41Charlie Cook On Air
Jaron Lowenstein Joins Cordovas, Releases New Album
/by Caitlin RantalaThe band has made the album available for sale at live shows, digitally worldwide on iTunes and for free download at their website, TheCordovas.com. Their decision to allow it to be downloaded for free stems from their belief that art should be made available to everyone with no barrier of entry.
“Superfans will immediately buy the record, some may download and then buy it for a friend or some may enjoy it and never pay for it,” Jaron said. “How they get the album isn’t our concern. That they get the album is.”
Track Listing:
1. All I Found (3:05)
2. Southern Rain (6:14)
3. Maria (4:41)
4. Step-back Red (4:20)
5. Storms (3:41)
6. Old Dog (3:29)
7. Salome (3:56)
8. Tell Me You’re Not Telling The Truth (3:36)
9. Standin’ On The Porch (4:05)
10. Louisiana Hurricane (4:47)
11. Feel Good To Be Free (5:38)
Cordovas is a six-piece band fronted by lead singers Jaron Lowenstein, Joe Firstman and Jon Loyd. Lowenstein is best known for his country single “Pray For You,” as well as his early 2000s single “Crazy For This Girl,” from Evan and Jaron.
Karen Kane Joins Sony Music Nashville
/by FreemanKaren Kane
Karen Kane has joined Sony Music Group as Director, Artist Development/Marketing, it was announced by Sony Music Nashville Sr. VP Marketing Paul Barnabee. Kane will report to Barnabee in this role, providing leadership in the development and execution of strategic marketing campaigns for her assigned artists.
“Spanning label, management, and third-party sponsorships, Karen has built a rich and diverse background in the music industry, and I’m excited to welcome her as an amazing new addition to our marketing team,” says Barnabee.
“I can’t tell you how excited I am to work with Gary [Overton] and Paul and the team at Sony,” adds Kane. “It’s a wonderful opportunity when you get to work with smart and talented colleagues as well as an amazing roster of artists.”
Kane most recently served as Director of Music Business for Murray State University, where she managed the Music Business degree program and taught courses in Music Marketing, Artist Development, Live Performance, and Copyright. Prior to that she was president of Kane Entertainment, a management and marketing company.
She’s officially on the job now, and can be reached here.
Australian Artists Return For Americana Music Festival
/by Caitlin RantalaSounds Australia is sponsoring the trip through its partnership with the Nashville-based Americana Music Association.
“The level of interest we experienced last year is a ringing endorsement by the Australian music industry of the original mission that Sounds Australia undertook to create a platform within the Americana event for our artists and business people,” said Sounds Australia Manager Dobe Newton.
Early registration is open through Oct. 10 and includes admission to all AMA panels and nighttime showcases, plus special events during the Festival and a ticket to the Americana Honors & Awards show at the Ryman Auditorium. Wristbands are $50 and give access to more than 100 artists in five Nashville venues. For more details about tickets and wristbands, please visit www.AmericanaMusic.org. Tickets for the Honors and Awards Show are also available separately for $65 at www.Ryman.com.
For the complete showcase lineup, please click here.
Burns & Poe Support Postal Workers; Launch Internship Contest
/by Caitlin RantalaThe postal service is currently contemplating the close of thousands of post offices, which would leave more than 100,000 workers without jobs. Tuesday (9/27) postal workers across the country rallied at various locations to send a message that cutting jobs isn’t the answer to solving the budget crisis. A group of postal workers gathered on Church Street in Nashville were surprised when Keith Burns showed up to support their efforts.
Burns & Poe’s current single, “I Need A Job,” comes at a crucial time for many. Wanting to offer more than words of encouragement, the duo launched the “I Need A Job” Contest. Contestants are given the creative license to create a lyric video for “I Need A Job” using photos, graphics or video footage. Each video can be posted to any public webpage or social site, such as YouTube or Facebook. The creator of the video that tallies the most views will win a job as a temporary intern and member of the Burns & Poe Team.
Employment will be for a one-week period (Monday through Friday). The chosen intern will divide his or her time and responsibilities between the booking agency, the label, the road crew, and the publicity and management company. The intern will receive compensation in the amount of $500 for their time and service. The start-date will be mutually decided upon by the winning contestant and an official member of the Burns & Poe Team. One winner will be selected (based on posts/hits) and announced on the Burns & Poe web page on Friday, October 28, 2011.
For more details, please click here.
Hayes Prepares For Album Release; Headlines Tour
/by Caitlin RantalaHis Atlantic Records self-titled debut album, which he co-produced with Dann Huff, is slated for release on Tuesday, Oct. 11. Hayes played every instrument and wrote/co-wrote all eleven tracks on the album, including his single, “Storm Warning.”
Hayes has also co-written songs for Rascal Flatts and Montgomery Gentry. In addition to Taylor Swift, Hayes has shared the stage with Trace Adkins, Lady Antebellum, Hank Williams, Jr., Brad Paisley and Keith Urban.
Hayes is currently on his first headlining tour, Most Wanted, which will stop at the Troubadour in Los Angeles, CA on Dec. 1. For a chance to win tickets and airfare for two to see Hayes’ show, and get the VIP treatment, please visit http://www.hunterhayes.com/mostwanted.
2011 International Bluegrass Awards Winners
/by FreemanThe results are in, and Steve Martin & The Steep Canyon Rangers were awarded with the IBMA’s Entertainer of the Year award at the 22nd annual International Bluegrass Awards last night (9/29). The legendary comedian has put out two albums of original bluegrass in the last two years, including his latest Rare Bird Alert.
Steve Martin with Dailey & Vincent at the 2011 International Bluegrass Awards. Photo: Alan Mayor
Winning multiple honors were New York-based The Gibson Brothers, who earned honors for Vocal Group of the Year and Album of the Year for Help My Brother (Compass Records). The Boxcars also nabbed two as a group, for Emerging Artists of the Year and Instrumental Group of the Year. Additionally, Boxcars banjo player Ron Stewart tied with the Grascals’ Kristin Scott Benson for Banjo Player of the Year. A full list of the evening’s winners is below.
2011 International Bluegrass Awards:
Hall of Fame Inductees — Del McCoury, George Shuffler
Entertainer of the Year — Steve Martin & The Steep Canyon Rangers
Vocal Group of the Year — The Gibson Brothers
Instrumental Group of the Year — The Boxcars
Male Vocalist of the Year — Russell Moore
Female Vocalist of the Year — Dale Ann Bradley
Emerging Artist of the Year — The Boxcars
Album of the Year — Help My Brother, The Gibson Brothers (Compass Records); producers: Eric & Leigh Gibson and Mike Barber
Instrumental Recorded Performance of the Year — “Goin’ Up Dry Branch,” by Michael Cleveland & Flamekeeper (Rounder Records); songwriters: Buddy Spicher & Jimmy Martin; producers: Jeff White & Michael Cleveland
Gospel Recorded Performance of the Year — “Prayer Bells of Heaven” by J.D. Crowe, Doyle Lawson, & Paul Williams (Mountain Home); producer: Ben Isaacs
Song of the Year — “Trains I Missed,” by Balsam Range; songwriters: Walt Wilkins, Gilles Godard & Nicole Witt
Recorded Event of the Year — “Prayer Bells of Heaven” by J.D. Crowe, Doyle Lawson & Paul Williams (Mountain Home); producer: Ben Isaacs
Banjo Player of the Year — Kristin Scott Benson and Ron Stewart (tie)
Guitar Player of the Year — Bryan Sutton
Fiddle Player of the Year — Michael Cleveland
Bass Player of the Year — Marshall Wilborn
Mandolin Player of the Year — Adam Steffey
Dobro Player of the Year — Rob Ickes
Distinguished Achievement Award Recipients — Greg Cahill, Bill Knowlton, Lilly Pavlak, Geoff Stelling, Roland White
Broadcaster of the Year — Katy Daley, WAMU Bluegrass Country
Print Media Person of the Year — Juli Thanki, Engine145.com
Bluegrass Event of the Year — Silver Dollar City’s Bluegrass & BBQ Festival; Branson, Mo.
Best Graphic Design — Ricardo Alessio & Erica Harris for Abigail Washburn (Rounder Records)
Best Liner Notes — Colin Escott for A Mother’s Prayer, Ralph Stanley (Rebel Records)
Weekly Chart Report (9/30/11)
/by Freeman17 Music Entertainment artist Matt Gary recently visited WAXX/Eau Claire, WI to support the release of his new single "Beautiful Life." (L-R): Matt Gary, Alex Edwards (WAXX PD)
SPIN ZONE
Movement is the name of the game on the CountryBreakout Chart, and there’s no shortage of it this week. Moving up to take the No. 1 spot is Blake Shelton’s “God Gave Me You,” followed by Thompson Square’s “I Got You,” hopping over No. 3 to land at No. 2. Taylor Swift’s “Sparks Fly” is also in the hunt at No. 3, as it garners an added 186 spins. Also moving are Brantley Gilbert’s “Country Must Be Country Wide” at No. 5, Miranda Lambert’s “Baggage Claim” at No. 7, and Rascal Flatts’ “Easy” at No. 9.
Through the Top 30 are several additional movers and shakers. Jason Aldean’s “Tattoos On This Town” is knocking on the door of the Top 20 at No. 21 after six weeks, and Montgomery Gentry’s “Where I Come From” picks up 121 spins at No. 23. It’s a dead heat between Zac Brown Band’s “Keep Me In Mind” and Luke Bryan’s “I Don’t Want This Night To End,” at No. 27 and 28 respectively. Just a few paces off at No. 30 is Chris Young’s “You,” which appears to be out-gaining all the rest.
Dierks Bentley leads a group of big debuts with his latest single “Home,” sticking at No. 59 in its first week being reported. Also in its first week of reports is Jake Owen’s “Alone With You,” which debuts at No. 77 after a 210 spin gain. Just ahead is Trent Tomlinson’s “A Man Without A Woman,” debuting at No. 75 after scooping up an impressive 20 new adds.
Frozen Playlists: KTKS, KTWI, KTTI, KYEZ, KYKX, WATZ, WAXX, WBYZ, WCJW, WEBB, WHWK, WOOZ , WRHT
Upcoming Singles
October 3
Brent Anderson/Amy’s Song/Sea Gayle/Arista
Corey Smith/Maybe Next Year/Average Joe’s
Sunny Sweeney/Drink Myself Single/Republic Nashville
Trent Tomlinson/A Man Without A Woman/Skyville Records
Blake Wise/Can’t Live Without/Broken Bow
October 10
Burns & Poe/I Need A Job/Blue Steel Records
• • • • •
New On The Chart—Debuting This Week
Artist/song/label — chart pos.
Dierks Bentley/Home/Capitol — 59
Trent Tomlinson/A Man Without A Woman/Skyville Records — 75
Jake Owen/Alone With You/RCA — 77
Luke Pilgrim/Sweet Tea/MMG/Southern Tracks — 79
Greatest Spin Increase
Artist/song/label — spin+
Dierks Bentley/Home/Capitol — 410
Chris Young / You / RCA Nashville — 346
Zac Brown Band/Keep Me In Mind/Southern Ground/Atlantic — 311
Lady Antebellum/We Owned The Night/Capitol — 281
Jason Aldean/Tattoos On This Town/Broken Bow — 274
Most Added
Artist/song/label — New Adds
Dierks Bentley/Home/Capitol — 35
Trent Tomlinson/A Man Without A Woman/Skyville Records — 20
Jake Owen/Alone With You/RCA — 18
Sunny Sweeney/Drink Myself Single/Republic Nashville — 15
Chris Young/You/RCA Nashville — 13
Kevin Fowler/That Girl/Average Joe’s — 9
On Deck—Soon To Be Charting
Artist/song/label — spins
JaneDear girls/Merry Go Round/Warner Bros./WMN — 175
Jeff Bates/He Wasn’t Like Us/Black River — 155
Attwater/Never Gonna Happen/Twenty Ten Music — 149
J.D. Malone & The Experts/Silver From (And You Still Want More) — 134
Landon Michael/Might As Well Be Me/Big Dog Records — 133
Blaster Records' duo Brother Trouble stopped by the CMA offices recently to perform for the staff. Brothers Jason and Mark Sutton performed several songs including their single "Summer's Little Angel,” which hit the Top 50 of MusicRow’s CountryBreakout Chart. (L-R): CMA Senior Manager of Membership & Balloting, Brandi Simms; Gold Mountain Entertainment's Burt Stein; Brother Trouble's Mark and Jason Sutton; CMA Chief Executive Officer, Steve Moore; and CMA Senior Coordinator of Member and Industry Relations, Betsy Walker. Photo: Amanda Eckard
Toby Keith recently met up with Nancy Ryan and Newman of WRBT's morning show in Harrisburg, PA. The superstar was in York, PA for a stop on his 2011 Locked & Loaded Tour Presented by Ford F-Series as well as a visit to a local store to sign bottles of Wild Shot, his premium mezcal. (L–R) Nancy Ryan, Toby Keith, Newman
Bobby Karl Works the IBMA Awards
/by Bobby KarlSteve Martin & The Steep Canyon Rangers
Chapter 376
Photos: Alan Mayor
Justice was finally served at this year’s IBMA Awards.
For the past five years, no one has helped to raise the profile of bluegrass music more than Steve Martin & The Steep Canyon Rangers. The International Bluegrass Music Association voters at last recognized that fact by naming the act its Entertainer of the Year.
“Maybe people bought a ticket to see me; maybe they didn’t know what bluegrass music is, but they leave [the shows] loving it,” said Martin. He jumped up and down with his trophy like a kid with a new toy at Christmas before wisecracking, “I want to thank the other nominees, and thank them for losing.” On a more serious note, he added, “We have loved, loved playing this music across the country.”
Cinderella’s coach turned back into a pumpkin for The Boxcars. They went into the show leading the field with seven nominations, but had to settle for a little less than three. The Boxcars won the Emerging Artist award, Instrumental Group of the Year and finished in a tie for Banjo Player of the Year between the group’s Ron Stewart and The Grascals’ Kristin Scott Benson. The group also offered one of the evening’s weakest stage performances of the night.
Michael Clevelend
Michael Clevelend & Flamekeeper took two trophies. Cleveland won Fiddle Player of the Year, and the band won Instrumental Performance of the Year for its “Goin’ Up Dry Branch.” The other double winners were The Gibson Brothers and the veteran trio of Doyle Lawson, J.D. Crowe and Paul Williams. The former won the Vocal Group and Album honors.
“I’d like to thank my singing partner and older brother Eric,” said Leigh Gibson. “I don’t think either of us would sound that great without the other.”
Lawson, Crowe and Williams took home statuettes for Recorded Event and Gospel Recording for their splendid work on “Prayer Bells of Heaven.”
“I wasn’t expecting this,” said Crowe. “This is great. Especially at the Ryman. This is where it [bluegrass] all started.”
“We had a great time recording this, and we’re gonna do another,” promised Williams.
Repeating winners characterized much of the evening. In addition to Kristin Scott Benson (her fourth Banjo) and Michael Cleveland (his ninth Fiddle), they included Blue Highway’s Rob Ickes (his 13th Dobro), Flamekeeper’s Marshall Wilborn (his third Bass), Bryan Sutton (his sixth Guitar), Adam Steffey (his eighth Mandolin) and 111rd Tyme Out’s Russell Moore (his fourth Male Vocalist).
“Wow!” said Moore. “I’m honored that you feel this way. I thought you were crazy last year. This confirms it….I’ll do my best to make you proud.”
Dale Ann Bradley
Dale Ann Bradley won Female Vocalist in 2007, 2008 and 2009. She returned this year.
“Everybody that’s bought a ticket and fed us soup, beans and cornbread, God love you,” she exclaimed.
Inducted into the Bluegrass Hall of Fame were George Shuffler and Del McCoury. Shuffler’s innovations as a “walking” bass stylist, “cross picking” guitarist, harmony vocalist and comedian in the bands of The Stanley Brothers and Reno & Harrell were noted.
“If I thought it [bluegrass music] was going to catch on like it did, I’d have tried to do it a little better,” he told the capacity crowd.
George Shuffler
McCoury was inducted by his sons Ronnie and Rob. “I guess every kid thinks their dad is a hero, and we’re no exceptions to that,” said Ronnie. “He gives 100%, every night.” Added Rob, “Every kid wants to be like their dad. When I was 8 years old, I took a notion to take up the banjo.” At the time, Del was working as a logger. He’d come home from work exhausted, yet still made time to teach Rob his instrument.
Del was one of many during the show who saluted the 100th anniversary of the birth of Bill Monroe. He joined Monroe’s Blue Grass Boys in 1964 and graduated to his own band in 1968. His sons joined him in the 1980s, and they moved to Nashville in 1992. The Del McCoury Band has more IBMA awards than any other group. In 2006, it won a Grammy, and in 2010 Del was given an NEA National Heritage Award. “But this is the Big One,” said Rob.
Del’s warm, rambling acceptance speech was sweet, countrified and amusing. “Positively, the state of bluegrass music is better than it’s ever been,” he concluded.
Echoing Del, let me add that the music is not only better than ever, it is also highly diverse. The performances Thursday night (9/29) at the Ryman (now billing itself as “America’s Theatre,” with an “re,” if you please) seemed designed to disprove anyone who says, “Bluegrass all sounds the same.”
Del McCoury and family
Tones ranged from the smooth triple fiddling of Dailey & Vincent to the jazzy, minor-key sound of Sierra Hull & Highway 111. Balsam Range was lilting, flawless, melodic, deeply moving and harmony soaked on “Trains I Missed,” which won Song of the Year for Nicole Witt, Giles Goddard and Walt Wilkins.
Doyle Lawson & Quicksilver rose the hair off your head with the heat-lightning speed of “Gone Long Gone.” Steve Martin & The Steep Canyon Rangers provided humor with “Me and Paul Revere,” told from the point of view of the horse. The Gibson Brothers brought back sibling harmony. Lawson, Crowe and Williams offered jubilant, hearty gospel. The Grascals were softly meditative on “I Am Strong.” At the song’s finale, they were joined by two tiny girls who are patients at St. Jude’s Childrens Research Hospital and at Vanderbilt Children’s Hospital. Everybody choked up.
The Grascals
The three-plus hour show was hosted by Mr. Fabulous, Sam Bush. His band saluted Monroe with a tight “Roll On, Buddy.”
“I’m especially proud to be hosting in this special year,” said Bush. “We’ve got some great performers for you, representing the state of the art, 2011.” He wryly recalled Monroe’s response to Bush’s “newgrass” music: “I hate that.”
“Our music is in good hands for another 100 years,” he remarked about the Monroe centennial. “Thank you for letting me be your ‘cruise director’ once again.”
Either applauding or presenting (or both) were Gary Paczosa, Barry Mazor, Tim Stafford, Tim O’Brien, Tom Roland, Tony Trischka, Dan Tyminski, Dan Hays, Ron Cox, Jay Orr, Sonny Osborne, Beth Gwinn, Eddie Stubbs, Vernell Hackett, Deborah Evans Price, Claire Lynch, Cody Kilby, Carl Jackson, Laurie Lewis, Sammy Shelor, Pete Wernick, Alison Brown, The Cleverlys and Louisa Branscomb, plus most of the IBMA Distinguished Achievement honorees Roland White, Greg Cahill, Bill Knowlton, Lilly Pavlak and Geoff Stelling.
This year’s World of Bluegrass convention and Bluegrass Fan Fest had an aggregate attendance of 20,000. That works out to around 1,500 per day for the convention and 6,000 per day for the fest. The fun continues all this weekend at the Convention Center.
CountryBreakout No. 1 Song
/by FreemanFast forward to about three months later and Blake’s version of “God Gave Me You” is this week’s CountryBreakout No. 1 song, his fourth in under two years after “Hillbilly Bone,” “Who Are You When I’m Not Looking” and “Honey Bee.” Originally written and recorded by Christian artist Dave Barnes, “God Gave Me You” is a soaring ode to devotion, and as the story goes, reminded Blake of his relationship with wife Miranda Lambert. As a testament to the song’s deeply personal meaning for Blake, the video opens and closes with a home recording of Lambert on the eve of the couple’s wedding.
By any measure, it’s been a great couple years for Blake Shelton. On top of his engagement to Lambert and their coup of the Male and Female Vocalist CMA Awards in 2010, Blake’s high profile judging spot on The Voice has elevated his media celebrity to an entirely new level. Just recently, he was honored with his first-ever CMA nomination for Entertainer of the Year, and he’ll be performing on the Nov. 9 telecast of the show.
Charlie Cook On Air
/by contributorWhy Is There No Country Station In New York?
Really? 16 million people and 97 stations (some getting listening only from a family in Queens) and no room for a Country station? To be fair, four of the 97 stations are programming country but none are major players or registering significant levels.
None of the big boys are willing to step up and give Country Radio a shot in New York? Clear Channel is the most successful company when it comes to programming Country. They have some of the smartest programmers in the format. Gregg Swedberg could jump in there and be hugely successful.
CBS has Country stations in Chicago and Detroit and outside of LA in Riverside and they do well. They have people who could do it. Though looking at their stations I don’t know who would change format. Those two companies are killing it in New York. Maybe WWFS would do better in Country, though a 3 million-plus cume is not something to walk away from any time soon.
Emmis, who should still be kicking themselves for flipping KZLA/Los Angeles before PPM years ago, has two Urban stations down the rankings ladder a bit. They have smart Country guys in Indianapolis with Bob Richards and Charlie Morgan. They could do it.
I suspect Cumulus will try and fix WPLJ before giving up that legendary signal and staff. Cox has a Long Island station that might be a player in Country Radio.
In LA Saul Levine used to feel that if KKGO did too well someone else would come along and challenge Go Country. I would tell him that the station could be top 10 in AQH (which it was a couple of years ago and is again) but that the low cume numbers would keep others from jumping in the format.
That is why no one is going Country in New York. KKGO has found some loyal Country Music fans. We had some two years ago that were contributing a lot of the station’s listening, and it’s happening again. The station is well-programmed and is getting long time exposed. BUT the cume is not in the elite category, and it never was. Heck, KKGO has the second (or third) highest cume in the format and is 25th in its own market.
Cume has become even more significant in the PPM ratings and if the format cannot collect enough cume it is never going to be consistently successful. Lose that family that is contributing to the ratings and you lose a great deal.
Now there is a difference between New York and LA. New York is 20% Hispanic and LA is 40% Hispanic. That said, walk the streets of New York and you hear a hundred different languages. Not a real positive for Country Music, because there are not a lot of foreign language countries where Country Music does well.
Ed Salamon, the father of big city Country Music Radio, used to say that this diversity was a benefit to Country because if English was your second language at least the format told stories and listeners could connect with the story. Well, New York is certainly the most diverse city in America.
There has been success with Country Music Radio in New York. Ed was very successful at WHN in the ‘70s. I learned a great deal about big city Country Radio working for him there at WHN.
The late Dene Hallam had success in New York with the first FM playing Country Music there.
Later WYNY had some success. Michael O’Malley did a fine job with the station and when he left I spent about a year there and we had a strong station with great talent until the parent company sold some of the signal off and they lost a Country stronghold in New Jersey.
The fourth attempt failed miserably. The Tri-cast was signal challenged and never really took hold.
Of course there are New York stations that play Country Music. Scott Shannon is a real friend of the format on WPLJ but it is obviously kept to the pop influenced portion of the genre.
Look at the EOY finalists for the CMA show. One of the acts gets consistent play on WPLJ. New York radio listeners are shut out of Brad Paisley, Blake Shelton, Jason Aldean and (most of) Keith Urban. These are our big guns and they are silenced on the radio.
The Band Perry got some AC and CHR play in the last year, but the other four CMA New Artist nominees are not on the radio in New York. This is not the way to grow the format.
In the past the CMA has taken a lead in supporting Country Radio in LA and NY. Whatever can be done in the future would be beneficial for all of us.
New York Country Radio would have to be a little different today than it was in the past. A current-based format has to be current with CHR turnover. That would grow the cume and then programmers would have to work on keeping the listeners longer. But building a foundation that is dependable is not going as easy as doing it in Dallas or Atlanta.
Without outing him, as he works at a Country Station in a BIG market, my friend used to comment that he has never ridden a tractor, doesn’t travel dirt roads and doesn’t fish or hunt. True, but he drinks Tequila, knows a crazy girl or two and has drunk dialed in the past. It all works.