
(L-R): Honorees Mayor Karl Dean, Vince Gill, Charlie Daniels and Randy Owen
Chapter 409
For the ninth presentation of the Leadership Music Dale Franklin Awards, they tried a few new things. The Wednesday evening (10/17) event was held at the historic War Memorial Auditorium for the first time. Instead of a sit-down banquet, it was an outdoor cocktail supper on Legislative Plaza. Production values were notched up. War Memorial isn’t noted for its great acoustics, yet the music at this event sounded better than it ever has. In addition, the visual projections and video walls looked good.
Named for Leadership Music’s founding executive director, the awards recognize music industry figures who embody leadership and exemplify leading by example. This year’s honorees were Vince Gill, Charlie Daniels and Randy Owen. In addition, Mayor Karl Dean was presented with the Brian Williams Ambassador Award.
Leadership Music’s Debbie Schwartz Linn and Jeff Gregg welcomed the crowd, the latter noting that there are now more than 900 alumni and calling LM, “a truly unique and remarkable organization.” Debbie introduced our host, radio star Blair Garner, who will be a member of the 2013 Leadership Music class.
“It’s an honor to be with you tonight,” Blair said to Vince. “If Vince was needed, he would just say yes, and that was all there was to it,” Blair added. He listed just a few of the star’s MANY charitable endeavors.
Vince’s bandleader John Hobbs said that Vince is, “incredibly generous with his time, his talent and his heart.” Fiddler Kenny Sears mentioned Vince’s participation as a sideman in the country swing ensemble The Time Jumpers. “Vince insisted, I’m one in 11, no more, no less,” Kenny said. He continued, “I think Vince is one of the most generous men I know, no more, no less.”
With Dawn Sears on lead vocals, the band performed the Vince-penned ballad “The Faint of Heart.” Then Big Al Anderson rocked Vince’s “One More Last Chance.”
“Just with your presence and your humanity and your big heart, you made us all better people,” said Rodney Crowell. He then reminded the crowd of the star’s sense of humor. Rodney romped through “It’s Hard to Kiss the Lips at Night (That Chew Your Ass Out All Day Long).”
Vince’s daughter Jenny Gill and wife Amy Grant presented the award, a crystal vase. “Vince Gill, you are freakishly gifted in the creativity department,” said Amy. Jenny recalled how her father declined his first opportunity to play the Grand Ole Opry because it was on the same night he’d promised to back her on guitar in her first grade talent show.
“Do you know how many peanut M&Ms I can fit in this,” Vince quipped, accepting the vase. “A room together for a common cause is a night well spent,” he added, citing his fellow honorees. “Have a great night, and the M&Ms are on me.”
Blair introduced the house band. Keyboardist John Hobbs led Eddie Bayers, Paul Franklin, Brent Mason, Deanie Richardson, Michael Rhodes, Bobby Terry, Dawn Sears and Terry White. Debbie recognized the event’s sponsors and introduced Lori Badgett.
Lori talked of her late mentor, Brian Williams. Amy Grant presented the award named in Brian’s honor to the Mayor. “Brian built bridges,” noted Karl. “I’m flattered and humbled by this award….The cities that are going to succeed are the cities of education and the cities of creativity.”
I am told that the honorees were asked to keep their acceptance remarks to four minutes. Presenter Storme Warren evidently wasn’t given the same instruction. His lengthy remarks about his relationship with Charlie Daniels were followed by The Grascals performing “The Devil Went Down to Georgia.” Then Ronnie Dunn provided the night’s most electrifying vocal performance, “Mississippi.” A nine-voice armed-services chorale sang “How Great Thou Art.”
Tennessee Major General Max Haston presented Charlie’s honor. “I’ve had the ability to recognize leaders by their actions, rather than their words,” he said. “Charlie goes where our troops are.”
“Since I learned my first chords on the guitar, I have wanted to be a part of the music scene here in Nashville,” said Charlie. “We live in the greatest place in the world, the greatest music city. Thank you, Nashville. Thank you, everybody here tonight. Thank you, God.”
Blair returned to the stage, noting that Randy Owen has raised more than $400 million for St. Jude’s Children’s Research Hospital. Longtime Alabama friend and colleague Greg Fowler spoke lovingly of his lifelong friend. David Nail performed Randy’s “Feels So Right.”
Little Big Town was up next. “You have no idea what an influence you have been on the four of us,” said the group’s Kimberly Schlapman to Randy. “It’s such an honor being here. We love you.” The group turned in a lovely, harmony-soaked rendition of “My Home’s in Alabama.” “I think the future of country bands is in good hands with those guys,” commented an appreciative Blair.
St. Jude’s exec Rick Shadyac presented the award. He’s the son of hospital founder, actor Danny Thomas. “It’s because of you, Randy, that no family pays St. Jude’s for anything,” Rick said. “You are the ‘Angel Among Us,’” he added, referencing one of Alabama’s finest songs.
A clean-shaven Randy took the stage to accept, noting that he also gives educational scholarships, among his charitable activities. “I’m just a country boy….I appreciate this….Thank you,” he said.
Recent cancer survivor Wade Hayes provided the evening’s finale, a moving rendition of “Angels Among Us” featuring many of the night’s performers, as well as St. Jude’s parents and children.
Taking it all in were Steve Gibson, Steve & Ree Guyer Buchanan, Steve Fishell & Tracy Gershon, Dennis Lord, Tom Lord, Teresa George, George Briner, John Slater, John Beiter, John Van Mol, previous honoree Tony Brown, Tony Conway, Deborah Evans Price, Debbie Carroll, Ron Samuels and Ron Cox, plus Fletcher Foster, Sarah Skates, Chase Cole, Karen Clark, Kevin Lamb, Kathleen & Tim O’Brien, Andrew Kintz, Kira Florita, Ken Paulson and Kay West.
Fabulous pal and fellow balcony attendee Jill Napier snagged me a program book from the downstairs celebration. The throng also included Joe & Phran Galante, Jeff Green, Jody Williams, Jay Frank, Suzanne Gordon, Sherod Robertson, newly short-haired Stacy Widelitz, Sandy & Chuck Neese, Chuck Flood, Liz Thiels, Lynn Morrow, Lisa Harless, Del Bryant, Dan Hill, Doug & Linda Edell Howard, David Corlew, Tim McFadden, Tom Baldrica, Bob & Leslie Tomasina DiPiero, Bo Thomas, Terry Hemmings and Rod Essig.
Our cocktail supper on the plaza was prepared by Daily Dish Catering, and it was far, far better than most hotel banquet meals I have had at such affairs. Buffet tables held a sampling of fruits and cheeses, delicious smoked gouda mac & cheese, roasted vegetables, shrimp & grits, pork tenderloin slices with varied toppings and pita or bread chips with hummus and/or pesto dips.
Inside the auditorium, Gaylord Hotel provided finger-licking good little desserts such as lemon squares, mini chocolate cakes, fruit-and-custard cups and cannolis.
Mingling and munching were Pat McMaken, Hank Adam Locklin, Nancy Shapiro, Woody Bomar, Craig Hayes, Holly Gleason, Randy Goodman, event manager Anita Hogan, Ben Payne, Wayne Halper, Bebe Evans, Paula Szeigis, Allison Jones, Marion Williams, Earle Simmons, Caroline Davis, Judi Turner and more.
Charlie Cook On Air: “Nashville” Cool
/by contributorGo back to the old days when Johnny Cash, Glen Campbell and Hee Haw brought the personalities into our lives. I was a kid during this programming and country music was not on my radar during those days but my family watched these shows because they were bigger than the music itself.
Austin City Limits has been on TV since the mid 70s and it continues to introduce “slightly different” musical acts to PBS viewers. Some would say the viewers of PBS are “slightly different” too so that is a perfect fit.
Movies have had impact on country music and country music radio in the past too. The obvious one is Urban Cowboy. That drove a huge surge to country music radio because the programmers were smart enough to take advantage of all of the hype.
At the same time you have to remember the great music that was on that soundtrack. Mickey Gilley and Johnny Lee were the biggest winners from the movie. The album also included Bob Seger, Joe Walsh, Kenny Rogers, The Charlie Daniels Band, the Eagles and more. The millions of people who saw this movie came out of the theater convinced that this country music was pretty good. The movie did about $47M.
No one was cooler than John Travolta in 1980. Debra Winger was pretty hot too. Gilley’s, in Pasadena Texas, looked like a great place to hang out and everyone wanted to ride that mechanical bull. Or at least watch others ride it.
It was a cultural shift. To be cool you had to emulate the cultural icons for the day. Travolta was a leading one and he was into country music (at least in the movie). Ergo, I will get involved in country music and I too will be cool.
Urban Cowboy was the 13th highest grossing film of 1980 but not even the highest country music-themed movie of the year. Nine to Five grossed over $100M, Coal Miner’s daughter did $67M and Smokey and the Bandit 2 did $66M. But Urban Cowboy had the most impact on country music appeal that year.
A few weeks ago ABC aired the CMA Music Fest television special, “Country’s Night to Rock.” The show did respectable numbers against the first national exposure for Peyton Manning in orange and blue, the new NBC-TV hot show Revolution and baseball fans that were caught up in four pennant races. In a couple of weeks the CMA Awards show will put all of our stars on TV again for three hours.
TV has been very good to country music for many years now. American Idol is good for country music. Carrie Underwood, Kellie Pickler, Josh Gracin, Bucky Covington and Scotty McCreery to name just a few.
Blake Shelton has made country music cool on The Voice.
And now one of the TV break-out hits this year is Nashville. I watch a lot of TV. I like comedies and police shows. I am not a big fan of soaps but I was interested in watching Nashville for the obvious reasons. Add to this that it was so positively reviewed.
The cast is attractive. The show is like Dallas and Falcon Crest in the key of C.
If you live, work or visit Nashville regularly the draw is seeing landmarks where you’ve had a beer or two. If you have never been to Nashville you a drawn to the story lines that are bigger than the music.
If you work in the radio and country music business you know that putting the music and personalities in front of America in movies and on TV is good for business.
Whether you’re a fan of soaps or not, your air staff needs to be talking about Nashville and including listeners in the story lines. I am not sure that the program will bring back mechanical bulls but it could bring back a degree of “coolness” for the format and that is also good business.
Primetime “Nashville”: Episode 102
/by Sarah SkatesRayna and Deacon duet on "No One Will Ever Love You."
Episode 102: “I Can’t Help It (If I’m Still in Love With You)”
Ratings of new show Nashville slipped in its second week. Last night (10/17) it attracted about 6.75 million viewers, down from 9 million the week before, according to Zap2It.com. For all the industry troops who were at the Leadership Music Awards or Capitol Street Party and couldn’t tune in, here’s what you missed:
The romance between Juliette and Deacon heated up with the young starlet wooing him to a “songwriting” session that led to skinny dipping. He reminded her, “this is not how songs get written,” but she slyly assured, “no it’s what songs get written about.” They ended up finishing a song, appropriately titled “Undermine,” and actually written by Trent Dabbs and Kacey Musgraves (see video below). Juliette continued to entice Deacon to join her band, telling him that his relationship with Rayna is almost like being married, with all of the hassle and none of the benefits. Juliette then took the fight for Deacon to a whole new level by sending him a gift—a rare 1938 Martin 00-42—to Soundcheck where he was rehearsing with Rayna.
Adding to Rayna’s dismay was the taping of Juliette’s music video for “Telescope” on the Music Row roundabout, complete with dancers in front of the Musica statue. “Telescope” is also the first real-life radio single from the series. BMLG is going for adds with Hayden Panettiere’s track on Oct. 29. Cary Barlowe and Hillary Lindsey wrote the song which was produced by Dann Huff for radio and T. Bone Burnett for television.
On the show, producer Watty White suggested Rayna and Deacon return to their early days with a scaled-down tour of smaller venues. Deacon’s band was playing at the Bluebird, where the set included “Matchbox Blues” (Lemon Jefferson), so Rayna joined him onstage for a song. Their touching duet of “No One Will Ever Love You,” (Steve McEwan, John Paul White) with the lyric “no one will ever love you like I do,” sent a crying Juliette running for the door. Members of the industry probably noticed Bluebird Cafe COO/GM Erika Wollam Nichols in the scene.
Also watching from the crowd was waitress Scarlett (Deacon’s niece) and her co-writer/ Bluebird sound guy Gunnar. In many ways they are a younger version of Rayna and Deacon, sharing a strong chemistry as songwriters and performers. Watty offered to cut a three-song demo for Scarlett and Gunnar. The competition for Scarlett’s affection increased when her boyfriend Avery found out she had been collaborating with Gunnar. Avery’s band performed “Twist of Barbwire,” written by Elvis Costello, during a sweaty scene at The 5 Spot. Another local venue getting a cameo was the Broken Spoke Saloon, where Gunnar performed “I’ll Be There (If You Want Me).”
Meanwhile, Rayna’s husband Teddy continued his mayoral campaign, which included a thorough vetting of his family and their past. Fox 17’s David Ditmore played one of the consultants handling the vulnerability study. During this process we learned that Rayna paid for Deacon to go to rehab years ago, which ultimately led to their break-up and her marrying Teddy. Also, Teddy’s past includes some shady dealings involving property near the Cumberland River—while Rayna is singing at the Bluebird, he’s at home burning documents. Elsewhere, Rayna’s father Lamar continued his suspicious agenda. He argued with his former employee/current opposing mayoral candidate Coleman, and told the consultants vetting Teddy that “a mayor with secrets is easier to control.”
See the recap of the pilot episode or visit ABC’s Nashville music lounge.
If you have a scoop on Nashville, email sskates@musicrow.com.
“Music City Roots” Filming For Television
/by Freeman“Music City Roots exports the quality and diversity of the musical culture that abounds in such great measure here in Music City and all over the world,” says Todd Mayo, Music City Roots Executive Producer. “Our partnership with WNPT, The Loveless Cafe and the wonderful brands who support the show will allow a national audience, on a weekly basis, to experience on public television the musical magic from the Barn. It’s reality television from Music City and WNPT and public television is the ideal home for us.”
The show’s first televised season will feature programs from MCR’s Fall 2012 and Winter 2013 seasons. Performers scheduled during this period include Elizabeth Cook, Bobby Bare, Buddy Miller, The Memphis Dawls, Two Man Gentlemen Band, and more.
More info here.
Swift Announces “Red” Rollout
/by MichelleOn release day, a select group of Swift’s Twitter followers and Facebook friends will join her in New York, where they will literally “follow” her during release week events, providing live social media updates to millions of fans around the world. Swift currently has more than 19.7 million Twitter followers and 34.9 million Facebook likes.
Swift will be live in Times Square for ABC’s Good Morning America on both October 22 and 23 (7:00 a.m. ET/PT), and later on Oct. 23 she will be the lead guest and performer on The Late Show with David Letterman (11:35 ET/PT on CBS).
On Oct. 24 Taylor will be live on ABC’s The View for a performance and chat, and on the following day (Oct. 25) she will make a special concert appearance on the The Ellen DeGeneres Show.
Swift will also guest on ABC’s Katie with Katie Couric on Oct. 26, and that same evening she will be featured on ABC’s primetime special All Access Nashville with Katie Couric – A Special Edition of 20/20 at 9 ET/PT.
Entertainment Tonight has designated it “Taylor Swift Week,” Swift will be interviewed in upcoming episodes of Access Hollywood, E! News, and Extra.
In addition to her TV appearances that week, Swift will sit down for a live Q&A session with an audience at SiriusXM studios in New York. “SiriusXM’s Town Hall with Taylor Swift” will air live on The Highway on Oct. 22 at 2 pm/ET. Taylor will visit Scholastic’s New York headquarters for a special literacy event as part of the “Read Every Day” literacy campaign.
After the New York media events, Swift will return to Nashville, where she’ll take part in the Taylor Swift Worldwide Radio Remote presented by Papa John’s. With 72 stations broadcasting live from Music City on Friday, Oct. 26, the radio event will cover four formats–Country, CHR, Hot AC, AC–and five continents, with stations coming from as far away as South Africa and New Zealand.
Taylor Swift is featured on the cover of Rolling Stone’s current Hot List issue, as well as on the November covers of Glamour and Marie Claire UK.
Capitol Street Party Invades Broadway
/by FreemanLuke Bryan performs in downtown Nashville
Nashville’s lower Broadway was invaded by approximately 25,000 fans last night for the annual Capitol Street Party. It was the largest crowd to date in the event’s five year history, and the first time for it to be held downtown.
Luke Bryan headlined the concert, his fourth time to play it since the inaugural Street Party in 2007. Also performing were newcomers Kelleigh Bannen and Jon Pardi.
(L-R): Kelleigh Bannen, Capitol Records Nashville SVP Promotion Steve Hodges, COO Tom Becci, Luke Bryan, SVP Marketing Cindy Mabe, Jon Pardi
Bobby Karl Works The Dale Franklin Awards
/by Bobby Karl(L-R): Honorees Mayor Karl Dean, Vince Gill, Charlie Daniels and Randy Owen
Chapter 409
For the ninth presentation of the Leadership Music Dale Franklin Awards, they tried a few new things. The Wednesday evening (10/17) event was held at the historic War Memorial Auditorium for the first time. Instead of a sit-down banquet, it was an outdoor cocktail supper on Legislative Plaza. Production values were notched up. War Memorial isn’t noted for its great acoustics, yet the music at this event sounded better than it ever has. In addition, the visual projections and video walls looked good.
Named for Leadership Music’s founding executive director, the awards recognize music industry figures who embody leadership and exemplify leading by example. This year’s honorees were Vince Gill, Charlie Daniels and Randy Owen. In addition, Mayor Karl Dean was presented with the Brian Williams Ambassador Award.
Leadership Music’s Debbie Schwartz Linn and Jeff Gregg welcomed the crowd, the latter noting that there are now more than 900 alumni and calling LM, “a truly unique and remarkable organization.” Debbie introduced our host, radio star Blair Garner, who will be a member of the 2013 Leadership Music class.
“It’s an honor to be with you tonight,” Blair said to Vince. “If Vince was needed, he would just say yes, and that was all there was to it,” Blair added. He listed just a few of the star’s MANY charitable endeavors.
Vince’s bandleader John Hobbs said that Vince is, “incredibly generous with his time, his talent and his heart.” Fiddler Kenny Sears mentioned Vince’s participation as a sideman in the country swing ensemble The Time Jumpers. “Vince insisted, I’m one in 11, no more, no less,” Kenny said. He continued, “I think Vince is one of the most generous men I know, no more, no less.”
With Dawn Sears on lead vocals, the band performed the Vince-penned ballad “The Faint of Heart.” Then Big Al Anderson rocked Vince’s “One More Last Chance.”
“Just with your presence and your humanity and your big heart, you made us all better people,” said Rodney Crowell. He then reminded the crowd of the star’s sense of humor. Rodney romped through “It’s Hard to Kiss the Lips at Night (That Chew Your Ass Out All Day Long).”
Vince’s daughter Jenny Gill and wife Amy Grant presented the award, a crystal vase. “Vince Gill, you are freakishly gifted in the creativity department,” said Amy. Jenny recalled how her father declined his first opportunity to play the Grand Ole Opry because it was on the same night he’d promised to back her on guitar in her first grade talent show.
“Do you know how many peanut M&Ms I can fit in this,” Vince quipped, accepting the vase. “A room together for a common cause is a night well spent,” he added, citing his fellow honorees. “Have a great night, and the M&Ms are on me.”
Blair introduced the house band. Keyboardist John Hobbs led Eddie Bayers, Paul Franklin, Brent Mason, Deanie Richardson, Michael Rhodes, Bobby Terry, Dawn Sears and Terry White. Debbie recognized the event’s sponsors and introduced Lori Badgett.
Lori talked of her late mentor, Brian Williams. Amy Grant presented the award named in Brian’s honor to the Mayor. “Brian built bridges,” noted Karl. “I’m flattered and humbled by this award….The cities that are going to succeed are the cities of education and the cities of creativity.”
I am told that the honorees were asked to keep their acceptance remarks to four minutes. Presenter Storme Warren evidently wasn’t given the same instruction. His lengthy remarks about his relationship with Charlie Daniels were followed by The Grascals performing “The Devil Went Down to Georgia.” Then Ronnie Dunn provided the night’s most electrifying vocal performance, “Mississippi.” A nine-voice armed-services chorale sang “How Great Thou Art.”
Tennessee Major General Max Haston presented Charlie’s honor. “I’ve had the ability to recognize leaders by their actions, rather than their words,” he said. “Charlie goes where our troops are.”
“Since I learned my first chords on the guitar, I have wanted to be a part of the music scene here in Nashville,” said Charlie. “We live in the greatest place in the world, the greatest music city. Thank you, Nashville. Thank you, everybody here tonight. Thank you, God.”
Blair returned to the stage, noting that Randy Owen has raised more than $400 million for St. Jude’s Children’s Research Hospital. Longtime Alabama friend and colleague Greg Fowler spoke lovingly of his lifelong friend. David Nail performed Randy’s “Feels So Right.”
Little Big Town was up next. “You have no idea what an influence you have been on the four of us,” said the group’s Kimberly Schlapman to Randy. “It’s such an honor being here. We love you.” The group turned in a lovely, harmony-soaked rendition of “My Home’s in Alabama.” “I think the future of country bands is in good hands with those guys,” commented an appreciative Blair.
St. Jude’s exec Rick Shadyac presented the award. He’s the son of hospital founder, actor Danny Thomas. “It’s because of you, Randy, that no family pays St. Jude’s for anything,” Rick said. “You are the ‘Angel Among Us,’” he added, referencing one of Alabama’s finest songs.
A clean-shaven Randy took the stage to accept, noting that he also gives educational scholarships, among his charitable activities. “I’m just a country boy….I appreciate this….Thank you,” he said.
Recent cancer survivor Wade Hayes provided the evening’s finale, a moving rendition of “Angels Among Us” featuring many of the night’s performers, as well as St. Jude’s parents and children.
Taking it all in were Steve Gibson, Steve & Ree Guyer Buchanan, Steve Fishell & Tracy Gershon, Dennis Lord, Tom Lord, Teresa George, George Briner, John Slater, John Beiter, John Van Mol, previous honoree Tony Brown, Tony Conway, Deborah Evans Price, Debbie Carroll, Ron Samuels and Ron Cox, plus Fletcher Foster, Sarah Skates, Chase Cole, Karen Clark, Kevin Lamb, Kathleen & Tim O’Brien, Andrew Kintz, Kira Florita, Ken Paulson and Kay West.
Fabulous pal and fellow balcony attendee Jill Napier snagged me a program book from the downstairs celebration. The throng also included Joe & Phran Galante, Jeff Green, Jody Williams, Jay Frank, Suzanne Gordon, Sherod Robertson, newly short-haired Stacy Widelitz, Sandy & Chuck Neese, Chuck Flood, Liz Thiels, Lynn Morrow, Lisa Harless, Del Bryant, Dan Hill, Doug & Linda Edell Howard, David Corlew, Tim McFadden, Tom Baldrica, Bob & Leslie Tomasina DiPiero, Bo Thomas, Terry Hemmings and Rod Essig.
Our cocktail supper on the plaza was prepared by Daily Dish Catering, and it was far, far better than most hotel banquet meals I have had at such affairs. Buffet tables held a sampling of fruits and cheeses, delicious smoked gouda mac & cheese, roasted vegetables, shrimp & grits, pork tenderloin slices with varied toppings and pita or bread chips with hummus and/or pesto dips.
Inside the auditorium, Gaylord Hotel provided finger-licking good little desserts such as lemon squares, mini chocolate cakes, fruit-and-custard cups and cannolis.
Mingling and munching were Pat McMaken, Hank Adam Locklin, Nancy Shapiro, Woody Bomar, Craig Hayes, Holly Gleason, Randy Goodman, event manager Anita Hogan, Ben Payne, Wayne Halper, Bebe Evans, Paula Szeigis, Allison Jones, Marion Williams, Earle Simmons, Caroline Davis, Judi Turner and more.
Parallel Entertainment Adds New Management Client
/by Caitlin Rantala“At such a young age, Kayla has proven herself a talented singer and songwriter,” said C.T. Wyatt, manager for Parallel Entertainment. “We’re honored to be with Kayla at the beginning of what promises to be a long and successful career.”
Conn recently finished shooting her first music video for her new iTunes release, “Memory For Two.” The song, dedicated to her grandparents, raises awareness of Alzheimer’s disease. “Memory For Two” was co-written with Brian White and Karyn Williams and produced by Blake Bollinger. Bollinger is also co-writing and developing Conn’s upcoming project.
Full Circle Music Publishing Inks New Writer
/by MichelleSongwriter Tommy Cecil has signed an exclusive publishing agreement with Full Circle Music Publishing. Cecil, a Bardstown, KY native, has had recent cuts by Colt Ford, Billy Dean and J.B. and the Moonshine Band. Some of the recent hits in Full Circle’s catalog include Jason Aldean’s “Fly Over States,” Brad Paisley’s “Old Alabama” and “Anything Like Me,” Kenny Chesney’s “The Boys of Fall,” and Craig Morgan’s “This Ain’t Nothin’.”
(L-R): Brad Kennard (Vice President, Full Circle Music), Cecil, Michael Hollandsworth (Owner, Full Circle Music), and Noah McPike (Almon Law, PLLC).
SESAC Nashville Music Awards Names Performers
/by FreemanPerformers at the annual invitation-only gala include chart-topping artists Lee Brice and Thompson Square, who will perform their hit songs being honored. Songwriter Monty Powell will join retired Special Operations Forces officer Mike Vaughn on a performance of Keith Urban’s hit “For You,” which was featured in the film Act of Valor.
Additionally, Americana favorites The Avett Brothers will be honored with a special “Summit Award” recognizing the band’s rapid ascent to popularity and eclectic musical style. Group member Seth Avett will be present to perform and accept the honor.
As previously announced, the SESAC Nashville Music Awards will also feature a tribute to the Bluebird Cafe as part of the legendary venue’s 30th anniversary celebration.
Ru-dy! Ru-dy! Ru-dy!
/by Sherod Robertson(L-R): Regions Bank Sr. VP Lisa Harless; Rudy Ruettiger; MR Publisher/Owner Sherod Robertson. Photo: Bev Moser
Regions Bank hosted a meet and greet luncheon earlier this month for members of the industry to shake hands with Daniel “Rudy” Ruettiger.
Rudy is best known as the former football player for the University of Notre Dame and the inspiration for the motion picture Rudy. The movie chronicles how Rudy overcame obstacles and rejection to achieve his dream of playing for the legendary team.
At the event guests enjoyed chatting one on one with Rudy and received autographed copies of his book, Rudy: My Story. The soiree, led by Regions Sr. VP, Entertainment & Sports Division Lisa Harless, was held at the bank’s Nashville office on Division Street. Rudy is currently on a tour promoting the new book which details the inspiration behind the film.
I confess, there were others in that room that knew more about Rudy’s story than I did, but on that day it didn’t matter. From our initial handshake I was inspired by his presence. I suddenly had the urge to go out and do something great. Some people are described as “lighting up a room” when they enter, but Rudy opens floodgates of inspiration like few others.
Photo: Bev Moser
Rudy continued sharing stories during lunch in the bank conference room. “When God’s plan works, it’s powerful,” he told the crowd. “At the same time, we know that plan is not about football and it’s not about Notre Dame. We use football as a metaphor, of course, and Notre Dame as the canvas.”
Rudy has shared many experiences with attorney Rusty Jones, who serves as Vice Chairman of the Rudy Foundation’s Board of Directors. “One of the greatest experiences I had was walking down the tunnel of the Tennessee game with Rusty Jones,” said Rudy. “As we were walking, I turned to Rusty and said, ‘you alright brother?’ and Rusty said, ‘This is the greatest moment of my life, Rudy.'”
Rudy’s many interesting stories included how he met Rusty, the time he was kicked off the field at a USC game, and how his tour of the Pentagon was interrupted by a call from the President to the Commodore guiding his visit.
“In the struggles God gives us, there’s a blessing,” Rudy continued. “You’ve got to recognize it so you can pass it on to help people. It’s all about getting hit hard and coming back.” He shared his belief of hard work over entitlement, the importance of respect, and his love for Country Music, noting the mutual respect among members of our industry.
He was quick to point out that he is inspired by stories of people overcoming obstacles, whether it’s about a Country singer or an athlete. “My dad always inspired me and here’s why,” he said. “Not because he was a great achiever in monetary means but because he was a great achiever in life.
“We have a great country. We are not going to fail. This country is not going to go down the tubes like they say. We have some major issues but we always come back because the American Dream is real.”
Now, that’s a dose of Rudy we all needed to hear.
(L-R): Vice Chairman of the Rudy Foundation Board Rusty Jones, and Rudy Ruettiger. Photo: Bev Moser