
Sierra Ferrell. Photo: Cora Wagoner
Bristol Rhythm & Roots Reunion has wrapped its 25th year, bringing another weekend of music and community to Bristol, Tennessee.
St. Paul and the Broken Bones, Sierra Ferrell and Old Crow Medicine Show were among the featured acts, joining a mix of established and emerging artists.
“This festival is yours, forever,” said Festival Director, Richard Oakley, to the crowd of fans, volunteers, and team members before Sunday’s closing performance.

St. Paul and the Broken Bones. Photo: Billie Wheeler
Day one festivities began in the late afternoon with Jim Lauderdale and Donna the Buffalo opening the State Street Stage with a special 25th anniversary jam. It marked Lauderdale’s 14th appearance at the festival. Later, fans gathered at Paramount Bristol for performances from German songwriter and producer Toby Gad and Bristol cellist and composer Dave Eggar. The pair performed songs Gad helped write, including “Big Girls Don’t Cry,” “My Immortal,” and “Viva La Vida.” As the evening continued, Los Lobos and St. Paul and The Broken Bones brought a soulful rock sound to the Piedmont Avenue Stage, while Johnny Mullenax closed out the night with an energetic set on the Country Mural Stage.
Day two featured sets from Josh Mitcham and Possum Creek Playboys before a brief rain shower moved through Bristol. While the weather caused a short delay for the outdoor stages, the music continued inside Paramount Bristol with Radio Bristol’s Farm and Fun Time. The festival favorite, inspired by the classic WCYB program, served as the official 25th anniversary celebration and featured Cruz Contreras & The Black Lillies, Trousdale and The Band Loula.

Old Crow Medicine Show. Photo: Billie Wheeler
Once the rain cleared, performances continued across the festival grounds, including sets from Acoustic Syndicate: “The Bristol Reunion,” Franklin Jonas & The Byzantines, Johnson City’s Florencia & The Feeling, and the Del McCoury Band. Ferrell headlined the Cumberland Square Park Stage, returning to the festival after making her debut at the 6th Street Stage in 2021. The night ended with energetic performances from Clay Street Unit and Braxton Keith, who brought their mix of swagger and grit to the 6th Street and Piedmont Avenue Stages.
The final day of Bristol Rhythm & Roots Reunion opened with performances from Virginia West, Logan & McKenna and Erin Lunsford. The Bristol Sessions Super Raffle also announced more than $250,000 in cash and prizes benefiting the Birthplace of Country Music Museum.
Denitia brought her Texas-rooted mix of soul and country to the 6th Street Stage, while River Shook energized the Piedmont Avenue Stage. The Band Loula drew a crowd at Cumberland Square Park, and Bristol native Aaron Dowdy led Fust through a set of indie rock and Americana at the 6th Street Stage. Maggie Antone had fans singing along with her blend of country, soul, and Southern rock, while Marty Stuart & His Fabulous Superlatives brought their cosmic-country sound to Cumberland Square Park.
Old Crow Medicine Show closed the festival with a high-energy set on State Street. The band welcomed Hannah Dasher to the stage for a performance of “Just Someone I Used To Know,” honoring Dolly Parton and Porter Wagoner. Old Crow also paid tribute to Jimmie Rodgers during the set, helping launch the Birthplace of Country Music’s year-long celebration of the 100th anniversary of the 1927 Bristol Sessions. The festival ended with “Rocky Top” and “Wagon Wheel” echoing across State Street, bringing Tennessee and Virginia together and closing out another year of music on the state line.
Bristol Rhythm & Roots Reunion will return Sept. 10-12, 2027.

Dave Eggar and Phil Paconti. Photo: Earl Neikirk

Farm and Fun Time. Photo: Heidi Holloway

Fust. Photo: Grace Carter

Photo: Earl Neikirk
Leadership Music Begins Search For New Executive Director
/by Lorie HollabaughCandidates interested in applying should have experience in senior leadership in the music or entertainment industry, nonprofit management, higher education, or a related field, and will have demonstrated success in fundraising and donor cultivation. They will also have experience working effectively with boards, volunteers, and diverse constituencies along with strong financial management and budgeting experience.
The organization is seeking individuals with exceptional communication and interpersonal skills, a deep appreciation for leadership development and community building and knowledge of and passion for the entertainment industries.
Resumes and letters of interest should be sent here. A more detailed description of the position and application materials can be found here. Resumes will be accepted through Oct. 13.
NaSHOF Adds Don Cook & Jodi Marr As Directors
/by Madison HahnenDon Cook & Jodi Marr
The Nashville Songwriters Hall of Fame Foundation (NaSHOF) has expanded its Board of Directors with the addition of Hall of Fame songwriter Don Cook and songwriter, producer, and Belmont University educator Jodi Marr.
“We are so excited to have Don and Jodi join our board,” says Rich Hallworth, Chair of the organization’s Board of Directors. “They bring a wealth of experience and expertise to enhance our mission to honor the legacy of our members and to celebrate Nashville as home to the finest songwriters from all genres of music.”
Born in San Antonio, Cook began writing songs at 12 and made his first demo at 14. He spent his teenage years performing in Houston coffeehouses before moving to Nashville shortly after graduating from the University of Texas. There, he connected with publisher Don Gant, who signed him to Acuff-Rose Publishing. When Gant later moved to Tree Publishing, Cook joined him.
During his first year at Tree, Cook earned 11 cuts, including The Oak Ridge Boys’ “Cryin’ Again” and John Conlee’s “Lady Lay Down,” which became Cook’s first No. 1 as a songwriter. He continued to place hits throughout the 1980s, including Conway Twitty’s “Julia,” T. Graham Brown’s “I Wish That I Could Hurt That Way Again,” Steve Wariner’s “Small Town Girl” and Lee Greenwood’s “Somebody’s Gonna Love You.”
In the early 1990s, Cook co-wrote Brooks & Dunn’s debut single, “Brand New Man,” and began producing the duo. Their partnership produced several No. 1 hits, including “My Next Broken Heart,” “Only In America” and “You’re Gonna Miss Me When I’m Gone.”
Marr is an award-winning songwriter, producer, composer, author and educator whose career has included work across pop, Latin, country and international music. She has written and produced for artists including Dolly Parton, Ricky Martin, Carole King, Kristin Chenoweth, Charli XCX, Melanie C, Orianthi, Iam Tongi, Rita Wilson, Jordin Sparks, Monica, Sara Evans and Johnny Reid.
Marr co-wrote and produced several songs on Mika’s multi-platinum debut album Life in Cartoon Motion, including the global No. 1 “Grace Kelly,” which earned Ivor Novello and BRIT Awards. She also co-wrote and produced Paloma Faith’s breakout hit “New York.” At Belmont University, Marr teaches Commercial Songwriting and Artist Development. She also created a course focused on Artist Identity and Development and developed a Dolly Parton songwriting curriculum through Belmont’s partnership with the artist.
Also serving on the 17-member board are Hallworth (Chair), Acorn Health (President & Chief Executive Officer), Gretchen Peters (Vice-Chair), Sharon Vaughn (Secretary), Mike Vaden (Treasurer), Pat Alger, Doug Howard, Amy Kurland, Gary Nicholson, Robert K. Oermann, Ken Paulson, Fiona Whelan Prine, Barry Neil Shrum, Anthony L. Smith, John Stein and John Van Mol. Mark Ford is the nonprofit’s Executive Director.
Ella Langley Breaks All-Time Billboard Hot 100 Record
/by Madison HahnenElla Langley. Photo: Caylee Robillard
Ella Langley has officially broken the record for most weeks at No. 1 on the Billboard Hot 100 chart with “Choosin’ Texas,” notching its 23rd week in the top spot. The tune surpasses Mariah Carey’s “All I Want For Christmas Is You.”
“Choosin’ Texas” first appeared on the Hot 100 in November 2025, marking Langley’s fifth career entry on the chart. The song reached the top 10 in January and hit No. 1 the following month, later setting several chart records.
The Hot 100 combines U.S. streaming, radio airplay and sales data across all genres. Sales include physical singles and digital tracks purchased through full-service digital retailers, while digital single sales from direct-to-consumer sites are not counted.
Langley is currently amidst her “Dandelion Tour,” with upcoming stops in Knoxville, Tulsa, Des Moines and more through October.
Garth Brooks’ The Sevens Network & TuneIn Wrap Three-Year Venture
/by Lorie HollabaughGarth Brooks
Garth Brooks‘ The Sevens Network and TuneIn have concluded their three-year partnership that provided free live radio stations including The BIG 615, Tailgate Radio, and The Garth Channel to millions of country music listeners worldwide.
The conclusion of the Sevens Network / TuneIn venture comes on the heels of TuneIn’s recent acquisition by the Stingray Group Inc. As a result of the transition, The Garth Channel and Tailgate Radio will sign off the air today (Sept. 22.) The BIG 615 will continue broadcasting through the end of 2026 under the TuneIn platform, though it will no longer feature an affiliation with Brooks or The Sevens Network.
“The Stingray family has been fantastic in the transition along with TuneIn’s people,” says Brooks. “We couldn’t be happier with the three years we have spent with them and wish them well on their future endeavors and hope we cross paths in the future.”
More information regarding Garth Brooks’ multimedia and radio broadcast initiatives will be announced in the coming months.
Melody Place Adds Kacey Flory & Kayla Smith
/by Madison HahnenKacey Flory & Kayla Smith
Melody Place is expanding its digital team with the addition of Kacey Flory as Head of Digital Marketing and Kayla Smith as Digital Marketing Coordinator.
Flory brings nearly 10 years of industry experience to the role, including more than seven years at Crowd Surf, where she worked her way from Digital Marketing Assistant to Director of Marketing & Management. During her time there, she worked on digital campaigns for artists and clients across pop, country and other genres, including Camila Cabello, New Kids on the Block, Joshua Henry, Atsuko Okatsuka and Jim Gaffigan.
She also worked with major-label clients including Interscope Records, MCA and BBR Music Group. A member of the Academy of Country Music’s Class of 2025, Flory will oversee digital marketing and social media efforts for Melody Place’s artist roster and other entertainment projects.
Smith began building her career in music four years ago by shadowing industry professionals and volunteering at shows, where she gained experience in touring merchandise. She spent three years working as an elementary school teacher while continuing to pursue opportunities in music, working shows during nights, weekends and summers. During that time, she also earned a master’s degree in marketing and analytics. This summer, Smith worked as a digital intern at The Core Entertainment before joining Melody Place.
“Kacey is such a pro, with vast knowledge and incredible instincts for how artists across a multitude of genres can connect with audiences. Kayla is incredibly bright, eager, and creative, and with Kacey leading the team, they make a dream digital duo. The unique perspective each of them brings to their work will continue to propel Melody Place to new heights. We’re so pleased to have them both on board,” says Sandy McGraw, President and GM.
Stella Lefty Notches First No. 1 At Country Radio
/by Lauryn SinkStella Lefty. Photo: Jack Balaban
Stella Lefty has earned her first No. 1 at country radio with “Boston,” topping the Country Aircheck/Mediabase Airplay chart and Billboard’s Country Airplay chart.
Reaching the peak of the Country Airplay chart just 22 weeks after impacting radio, “Boston” is the fastest chart debut by a solo female artist to ascend to No. 1 in more than 20 years, since Gretchen Wilson’s “Redneck Woman” in 2004 on Billboard and Carrie Underwood’s “Jesus, Take the Wheel” in 2006 on Mediabase. The track also marks the third-fastest debut single by a solo female country artist to land at No. 1 in the Mediabase era, and is the fifth fastest by any solo debut country artist to hit No. 1 in the Mediabase era. The milestone marks the first country radio No. 1 released by Atlantic Outpost.
The track has amassed more than 486 million streams worldwide and earned nominations for Best Country and Song of Summer at the 2026 MTV Video Music Awards.
Earlier this month, Lefty made her Grand Ole Opry debut. She is set to take the stage at Bourbon & Beyond next week with additional upcoming dates at Austin City Limits and Australia’s Strummingbird Festival. She will embark on her headlining “Long Way Home Tour” in November.
Mitchell Tenpenny & Flo Rida Join Forces For New ‘Whiskey & Whistle Tour’ In February
/by Lorie HollabaughMitchell Tenpenny and Flo Rida are teaming up for their new “Whistle & Whiskey Tour” beginning Feb. 3, with Jay Webb kicking off the party each night.
The first four shows will feature stops in Duluth, Sioux City, Grand Forks, and Rochester, with additional cities to be announced soon. “Whistle & Whiskey” will feature country favorites and some of the biggest party anthems of the past two decades, bringing three distinct sounds together on one stage. Tickets for the new tour go on sale on Friday (Sept. 25).
Flo Rida exploded onto the scene with the 7x Platinum “Low” featuring T-Pain, which spent 10 consecutive weeks at No. 1 on the Billboard Hot 100, and has released hits including “RightRound,” “Club Can’t Handle Me,” “Good Feeling,” “Wild Ones,” “Whistle” and “My House.” With over 100 million singles sold worldwide, his catalog has become the soundtrack to parties around the world.
Tenpenny has already amassed more than 2.6 billion global streams, and his breakout No. 1 “Drunk Me” has been certified quadruple Platinum. His hit-filled catalog also includes additional No. 1s “Truth About You” and “At The End Of A Bar” with Chris Young. Along with his own successful headlining tours, he has toured with Jason Aldean, Luke Combs and Jordan Davis.
“Whistle & Whiskey Tour” Dates:
Feb. 3 — Duluth, MN — DECC
Feb. 4 — Sioux City, IA — Tyson Events Center
Feb. 6 — Grand Forks, ND — Alerus Center
Feb. 7 — Rochester, MN — Mayo Civic Center
Owen Waidley Inks With SMACKSongs
/by Madison HahnenOwen Waidley has signed a publishing deal with SMACKSongs.
Inspired by artists including The Rolling Stones, The Lumineers and Joshua Slone, the California native brings real-life experiences into his songwriting. His songs reflect lessons he has learned firsthand, giving them an honest and personal feel. His creativity, work ethic, and natural ability in the writing room quickly caught the attention of SMACK, making him a strong fit for the team.
“The moment I heard Owen’s songs and voice, I was in,” says Jeremy Groves at SMACKSongs. “The more I’ve gotten to know him, see how hard he works, and how he carries himself, the prouder I am for SMACK to be a part of this next chapter of his story. I can’t wait to see what we build together.”
“There’s something special about having a team that feels like family, and not only is SMACK an unbelievable team but it is truly a family that I am deeply proud to be a part of,” adds Waidley.
Bristol Rhythm & Roots Reunion Celebrates 25th Anniversary
/by Madison HahnenSierra Ferrell. Photo: Cora Wagoner
Bristol Rhythm & Roots Reunion has wrapped its 25th year, bringing another weekend of music and community to Bristol, Tennessee.
St. Paul and the Broken Bones, Sierra Ferrell and Old Crow Medicine Show were among the featured acts, joining a mix of established and emerging artists.
“This festival is yours, forever,” said Festival Director, Richard Oakley, to the crowd of fans, volunteers, and team members before Sunday’s closing performance.
St. Paul and the Broken Bones. Photo: Billie Wheeler
Day one festivities began in the late afternoon with Jim Lauderdale and Donna the Buffalo opening the State Street Stage with a special 25th anniversary jam. It marked Lauderdale’s 14th appearance at the festival. Later, fans gathered at Paramount Bristol for performances from German songwriter and producer Toby Gad and Bristol cellist and composer Dave Eggar. The pair performed songs Gad helped write, including “Big Girls Don’t Cry,” “My Immortal,” and “Viva La Vida.” As the evening continued, Los Lobos and St. Paul and The Broken Bones brought a soulful rock sound to the Piedmont Avenue Stage, while Johnny Mullenax closed out the night with an energetic set on the Country Mural Stage.
Day two featured sets from Josh Mitcham and Possum Creek Playboys before a brief rain shower moved through Bristol. While the weather caused a short delay for the outdoor stages, the music continued inside Paramount Bristol with Radio Bristol’s Farm and Fun Time. The festival favorite, inspired by the classic WCYB program, served as the official 25th anniversary celebration and featured Cruz Contreras & The Black Lillies, Trousdale and The Band Loula.
Old Crow Medicine Show. Photo: Billie Wheeler
Once the rain cleared, performances continued across the festival grounds, including sets from Acoustic Syndicate: “The Bristol Reunion,” Franklin Jonas & The Byzantines, Johnson City’s Florencia & The Feeling, and the Del McCoury Band. Ferrell headlined the Cumberland Square Park Stage, returning to the festival after making her debut at the 6th Street Stage in 2021. The night ended with energetic performances from Clay Street Unit and Braxton Keith, who brought their mix of swagger and grit to the 6th Street and Piedmont Avenue Stages.
The final day of Bristol Rhythm & Roots Reunion opened with performances from Virginia West, Logan & McKenna and Erin Lunsford. The Bristol Sessions Super Raffle also announced more than $250,000 in cash and prizes benefiting the Birthplace of Country Music Museum.
Denitia brought her Texas-rooted mix of soul and country to the 6th Street Stage, while River Shook energized the Piedmont Avenue Stage. The Band Loula drew a crowd at Cumberland Square Park, and Bristol native Aaron Dowdy led Fust through a set of indie rock and Americana at the 6th Street Stage. Maggie Antone had fans singing along with her blend of country, soul, and Southern rock, while Marty Stuart & His Fabulous Superlatives brought their cosmic-country sound to Cumberland Square Park.
Old Crow Medicine Show closed the festival with a high-energy set on State Street. The band welcomed Hannah Dasher to the stage for a performance of “Just Someone I Used To Know,” honoring Dolly Parton and Porter Wagoner. Old Crow also paid tribute to Jimmie Rodgers during the set, helping launch the Birthplace of Country Music’s year-long celebration of the 100th anniversary of the 1927 Bristol Sessions. The festival ended with “Rocky Top” and “Wagon Wheel” echoing across State Street, bringing Tennessee and Virginia together and closing out another year of music on the state line.
Bristol Rhythm & Roots Reunion will return Sept. 10-12, 2027.
Dave Eggar and Phil Paconti. Photo: Earl Neikirk
Farm and Fun Time. Photo: Heidi Holloway
Fust. Photo: Grace Carter
Photo: Earl Neikirk
Matt Dragstrem Enters Top 20 On MusicRow Top Songwriter Chart
/by Madison HahnenMatt Dragstrem
Matt Dragstrem has moved into the top 20 on the MusicRow Top Songwriter Chart. Luke Bryan’s “Country And She Knows It” and Greylan James’ “Water At A Wedding” put the songwriter at No. 17 this week.
Ella Langley moves up to No 1 with “Be Her,” “Choosin’ Texas,” “I Can’t Love You Anymore,” “Jaded” and “Loving Life Again.” Dolly Parton sits at No. 2 with “9 to 5,” “Jolene” and “Son Of Jolene.”
Chase McGill (No. 3), Jordan Schmidt (No. 4) and Ernest (No. 5) round out this week’s top five.
The weekly MusicRow Top Songwriter Chart uses algorithms based upon song activity according to airplay, digital download track sales and streams. This unique and exclusive addition to the MusicRow portfolio is the only songwriter chart of its kind.
Click here to view the full MusicRow Top Songwriter Chart.