Nicolle Galyon: 'The Voice' Gave Me Courage

Galyon on 'The Voice' in 2011. Click for more.

Galyon on ‘The Voice’ in 2011. Click for more.


To mark the return of NBC’s The Voice tonight (Sept. 22), MusicRow checked in with former contestant turned hit songwriter, Nicolle Galyon. She appeared on the show’s second season in 2011, and says the experience changed her career.
Since then, Galyon has gone on to win the 2014 MusicRow Breakthrough Songwriter of the Year, and is currently vying for the CMA Award for Song of the Year as a co-writer of Miranda Lambert’s hit “Automatic.”
Galyon moved to Nashville about 12 years ago to attend Belmont University. At the time, she was a classical pianist but didn’t have much experience singing in public or writing songs. “I became a singer out of necessity,” she says, adding that she was “insecure” about her voice and performing.
Competing on The Voice pushed Galyon out of her comfort zone. Here’s her story:
“Sometimes I think I have more courage than I have sense. I’m really ambitious and also really scared of a lot of stuff. I knew that by how much The Voice scared me, it was something I needed to do for myself. I needed to get out there and see what I was made of. And when I came back from doing The Voice, I felt like I’d been carrying a 100 pound weight on my shoulders because it was so nerve-wracking. When I got back to Nashville, I hit the ground running because I thought, ‘If I can do that, I can do anything.’ That’s how I started operating (even if I didn’t recognize it). I was on fire to write songs, and more passionate and inspired about songwriting than ever before. It’s a crazy thing, because The Voice has nothing to do with songwriting, but it had everything to do with me learning to be more courageous in my career. The Voice will always be a cornerstone of faith for me. So it gives me the courage to keep showing up, even to co-writes that I feel nervous about or situations that scare me. You have to take some chances. I didn’t win on the show, but I feel like I won in a bigger way. Today I feel like I have the confidence to own my voice as a singer. I’ve always been confident that I had something to say.”
Galyon accepts the 2014 MusicRow Award for Breakthrough Songwriter. Photo: Moments By Moser

Galyon accepts the 2014 MusicRow Award for Breakthrough Songwriter. Photo: Moments By Moser

Zac Brown Band Inks With BMLG, Republic, Varvatos

ZacBrownBand2014Zac Brown’s Southern Ground Artists, which is home to the Zac Brown Band and others, has entered a strategic partnership with Universal’s John Varvatos Records, Big Machine Label Group and Republic Records.
The deal covers Zac Brown Band’s future releases, with a new album scheduled for release next spring. Also included in the agreement are projects by acts signed to Southern Ground Artists.
ZBB was previously signed to Warner Music’s Atlantic Records, before spending the last year as a free agent.
Brown shared news of the deal with Billboard backstage at the iHeartRadio festival in Las Vegas over the weekend. Joining him at the announcement were BMLG’s Scott Borchetta, Republic’s Monte Lipman, and Varvatos, who grew to prominence as a leading menswear designer.
ZBB is comprised of Brown, Chris Fryar, Clay Cook, Coy Bowles, Daniel de los Reyes, Jimmy De Martini, John Driskell Hopkins and Matt Mangano.

[Updated] LifeNotes: Grand Ole Opry's George Hamilton IV Passes

George Hamilton performs on the Grand Ole Opry. Photo: Chris Hollo

George Hamilton performs on the Grand Ole Opry. Photo: Chris Hollo


[Update]: A Ryman Auditorium memorial service has been set for Grand Ole Opry star George Hamilton IV, who died on Sept. 17. His life will be celebrated at the Ryman at 11 a.m. on Wednesday, Sept. 24, and the event is open to the public. Visitation for the long-tenured Opry star is scheduled for 4-7 p.m. on Tuesday at Williamson Memorial Funeral home, 3009 Columbia Ave. in Franklin. He will be buried at the Salem Moravian Graveyard in Winston-Salem, N.C. on Saturday, Sept. 27.
In lieu of flowers, the family requests memorial donations to Fries Memorial Moravian Church, 251 N. Hawthorne Rd., Winston-Salem, NC 27104, to the Oak Valley Baptist Church Building Fund, 1161 Lewisburg Pike, Franklin, TN 37064 or to the Opry Trust Fund, 2804 Opryland Dr., Nashville, TN 37214.
• • •
[Original post]: Grand Ole Opry star George Hamilton IV, noted as an international popularizer of country music, has died at age 77.
He suffered a heart attack on Saturday and passed away on Wednesday at St. Thomas Midtown hospital. He has been a fixture in the Opry’s cast since 1960.
North Carolina native George Hamilton IV was a 19-year-old college student when he shot to fame with the teen-themed ballad “A Rose and a Baby Ruth.” The song was a top-10 pop hit in 1956 and also launched the career of its writer, John D. Loudermilk.
The hit led to tours with rock ‘n’ roll pioneers such as Buddy Holly, The Everly Brothers and Gene Vincent. Hamilton followed it with such pop successes as “Only One Love” (1957), “Why Don’t They Understand” (1958) and “Now and For Always” (1958).
He recorded 1959’s “The Teen Commandments” with Paul Anka and Johnny Nash. He had his own TV series on ABC in 1959.
Hamilton made the transition to country music in 1960, scoring his first top-10 hit in the genre with “Before This Day Ends.” Other country hits of the early 1960s included Harlan Howard’s “Three Steps to the Phone” (1961), Bill Anderson’s “To You and Yours” (1961), Cindy Walker’s “China Doll” (1962) and his own composition “If You Don’t Know I Ain’t Gonna Tell You” (1962).
He turned to the Les Brown and Bob Gibson’s folk song, the gently loping 1963 hit “Abilene,” which became his signature song on the Opry. Other notable singles during this period included Maybelle Carter’s arrangement of “Fair and Tender Ladies” (1964) and Terry Fell’s landmark trucking song “Truck Driving Man” (1965).
In the mid 1960s, George Hamilton IV became noted for embracing the songs of such pop/folk singer-songwriters as Gordon Lightfoot (1966’s “Early Morning Rain”), Joni Mitchell (1967’s “Urge for Going”), Buffy Ste. Marie (1968’s “Take My Hand for Awhile”) and James Taylor (1969’s “Carolina in My Mind”).
He and Skeeter Davis recorded a 1970 duet of the hippie anthem by The Youngbloods “Let’s Get Together.” He also recorded the songs of such iconoclasts as Phil Ochs, John Hartford, Jim Rooney and Lee Clayton.
He was noted as a political liberal as well as a deeply committed Christian. He often appeared on the Billy Graham Crusades. He was an early booster of Fan Fair, which became the annual CMA Music Festival.
Hamilton’s willingness to tour overseas was another hallmark. He was well known in Europe and took his easy-going country sound to Russia. He had his own television show in Canada for six years during the 1970s. His prominence in Great Britain led to hosting his own BBC TV series. He taped two gospel TV specials in Israel. He starred in London’s first International Festival of Country Music in 1969.
In 1973, he embarked on what was billed as country music’s longest international tour. He became the first American to record an album in Eastern Europe. He has appeared in Sweden, Germany, Czechoslovakia, Finland, Holland, Norway, New Zealand, South Africa, Hong Kong, Australia and elsewhere. These activities earned him the nickname, “Country Music’s International Ambassador.”
His U.S. hits continued in the early 1970s. “She’s a Little Bit Country” (1970), “Back Where It’s At” (1970), “Anyway” (1971) and “West Texas Highway” (1971) all became successful. During his long career, Hamilton placed 40 titles on the country-music charts.
George Hamilton IV was renowned for his gentility, politeness, hospitality and graciousness. He enjoyed reminiscing about Patsy Cline, Ernest Tubb, Roy Acuff, Eddy Arnold, Hank Snow, Chet Atkins and other country legends and often gave visitors backstage Opry tours.
He was the father of recording artist George Hamilton V, who has also been billed as “Hege V.” He published an autobiography in 2000 titled George Hamilton IV: Ambassador of Country Music.
Funeral arrangements have not been announced.

Americana Master Class: YouTube, Spotify, BandPage

Sessions at the 2014 Americana Festival and Conference included a Master Class series covering YouTube, Spotify and BandPage.

• • •

Pictured (L-R): Margaret Hart and Jessica Fiech.

Pictured (L-R): Margaret Hart and Jessica Frech.


Thursday’s (Sept. 18) YouTube session featured Margaret Hart of Google’s YouTube Music and Jessica Frech, a musician. Monetizing advice was excluded, rather tips for driving viewership were discussed. The publically-available presentation outlined Top Strategies for Music Artists and Album Promotion.
Since February 2013, YouTube has been integrated with specific Billboard charts, so YouTube views are pertinent to multiple aspects of an artist’s promotion.
Album teasers/samplers/trailers have benefited some artists “likes” as much as five-time above average, and two-times as much for sharability.
Lyric and Audio Videos considered a pre-music video.“You have to remember YouTube is the second largest search engine behind Google,” says Hart. “If you don’t create a lyric or audio video, someone else will and you may not like the quality and you would miss out on bring those fans to your own channel.” Annotations allow pop-up features to draw viewers to, perhaps, more current videos as a release cycle unfolds.
Optimizing Videos includes those pop-up Annotations, driving users to relevant links. Hart expects annotations will be updated soon. In-video programming offers thumbnails for hovering to subscribe. Searchable titles are crucial, which Fiech notes the artist name should be included at the end of the title. Tags can be saved in settings for automatic insertion, improving SEO. Metadata, on and off YouTube, should also be maintained, including UPC codes and proper registration with Musicbrainz, Freebase, AllMusic, Songkick or Wikipedia.
Video Playlists should be shared in leu of linking to just one video, advised Frech. Playlists automatically roll through to increases views. “This all contributes to ‘watch time,’ which is really important to us,” says Hart of her Google-owned company. One band experienced over 25-percent of views through playlists.
Channel Design involves filling blank space on your channel, primarily as it pertains to the description in your welcome video. “Fill the white space,” says Hart. “That central section is your video description but it takes up half the page.” Add shelves below to organize videos into categories (live, behind-the-scenes, etc.).
Upload Regularly, at least once a month. “Fans wouldn’t subscribe if they weren’t interested in receiving your content,” said Hart. Spice up your channel with behind the scenes, how-to, even Google+ hangouts can be exported to your channel if fans are answering pertinent questions. “Think outside music,” advised Hart, who mentioned Jason DeRulo’s dance tutorials for his single, which was “on the tail-end of its radio life but was still receiving millions of YouTube views. Listen to what fans are talking about. If it’s makeup, put up a video about how to do makeup.”
Collaborations allow pools of fans exposure to new talent. Hunter Hayes and Jason Mraz recorded “Everybody’s Got Somebody But Me” at YouTube’s studio space with eight other YouTube stars to reach each’s fan base.

• • •

Pictured (L-R): Ty Jacobson, Copeland Isaacson.

Pictured (L-R): Ty Jacobson, Copeland Isaacson.

Copeland Isaacson, Spotify’s representative for Americana Country and Christian in Nashville spoke alongside Ty Jacobson of partner company BandPage, on Friday (Sept. 19).

Spotify was added to as one of BandPage’s syndicated partner networks in August. Artists are able to maintain bios, photos and merch for a variety of additional partners including Shazam, YouTube, iHeartRadio, Rdio, SoundCloud, etc.

Spotify, with its 46-million active users worldwide (12-million paying subscribers) claims click-through rates in the 3-4 percent, higher than rates seen from banner ads or Facebook posts.

Most of the afternoon session pertained to store items for BandPage, of which three items pull to Spotify to take advantage of those click-through rates. BandPage requires a PayPal sellers account, however it does not charge any additional fee beyond that. “BandPage does not fulfill orders,” explained Jacobson. “We send fan-facing email confirmations and have support for fans.” But artists are responsible for fulfillment and customer support.

Internally, the streaming site relies on its own Viral 50 chart, computed by plays divided by the number of shares. “We’ll reach out to indie artists and their teams to learn more about them,” said Isaacson. Of note, Spotify biographies are pulled from AllMusic, while SongKick pulls in tour dates.

“Playlisting is a huge tool on Spotify,” explained Isaacson. Whether curated by Spotify teams, or artists for their own pages, “It’s basically a mix-tape,” he continued. An audience member raised their hand to suggest their artist streams were up from 500 to 7500 after inclusion in a Spotify-curated playlist. “Spotify is an incredible driver and we’re just trying to replicate the success stories,” concluded Isaacson. More artist information here.

McGraw, Hill To Be Honored As 2014 Harmony Award Recipients

faith-timTim McGraw and Faith Hill have been named as the recipients of the 2014 Harmony Award, presented annually to individuals who exemplify the harmonious spirit of the Nashville musical community.
They will be honored during the 30th anniversary edition of the Symphony Ball on Dec. 13 at the Schermerhorn Symphony Center, where they will perform with the orchestra. Separately, the 2014 Symphony Ball patron party will be hosted by Vince Gill and Amy Grant on Dec. 9, 2014.
“Through the years, the Harmony Award has recognized many in Nashville for their contributions to our city’s unique culture and both Faith and Tim have more than earned their place alongside the names of all the past recipients,” said Alan Valentine, Nashville Symphony president and CEO. “Not simply outstanding artists, these are two outstanding people who have helped make Nashville the thriving creative capital that it is and we are thrilled to honor them with this award.”
The Symphony Ball, established in 1985,  is Nashville’s premier winter social event and one of the Nashville Symphony’s two annual fundraisers. The ball has raised a total of nearly $7 million for the Symphony, sustaining the organization’s mission of achieving excellence in musical performance and educational programs. Past recipients include Brad Paisley, Amy Grant, LeAnn Rimes, Michael W. Smith, Mike & Linda Curb, Lyle Lovett, Trisha Yearwood, Dolly Parton, The Judds, Steve Winwood, Vince Gill, Wynonna and Naomi Judd, Chet Atkins, Martina McBride, Rascal Flatts, Carrie Underwood, Taylor Swift, Marty Stuart and Keith Urban.

Five-Story Condo Development Planned For 30 Music Square West

30 music square wat1

A rendering of planned condo space at 30 Music Square West.


Bravo Development’s Tim Reynolds has announced his plan to develop 30 Music Square West in the Music Row area. A five-story development featuring condominiums and restaurant space is planned, where the history of RCA Studio A, which previously occupied part of the property, will be commemorated in narrative panels and photos. The new construction will bring 147,000 square feet and building will commence in spring 2015. The development will include 80 upscale residential units, ranging from one bedroom layouts to penthouse suites. Amenities will include a rooftop community area, and a dog park. Approximately 2,000 square feet of restaurant space, which will tribute the history of RCA Studio A, will also be included.
Bravo is in discussions with the Country Music Hall of Fame and Museum regarding ways to salvage the six chandeliers that will be left in the studio once the console, recording equipment, furniture and other contents, which all belong to the tenant, are removed.
The developer has given a deadline of 5 p.m. on Sept. 30 for those who want to submit a reasonable offer to purchase the building or pursue alternative plans.
“I have always respected those who felt the studio could be saved and from the beginning Bravo has considered all options to do so,” said Tim Reynolds, owner of Bravo Development.  “At the same time, I must soon move forward with my plans now that I have done my due diligence and determined that salvaging the building is not structurally or financially feasible. Bravo and the design team at Smith Gee Studios are very excited about the development and the plans we have made to honor Studio A.
“Music Row has long been a neighborhood of creative people who want to live and work in a close-knit environment near the heart of downtown,” he continues. “This project will provide more people that opportunity by marrying the comforts of high-end, custom homes with the ease and convenience of urban living. We also have gone to great lengths to ensure that it appropriately commemorates what occurred in those walls so that the legacy of Studio A is never forgotten.”

Garth Brooks Confirms Album Release Date

Garth Brooks. Photo: Bev Moser/Moments By Moser.

Garth Brooks. Photo: Bev Moser/Moments By Moser.


Garth Brooks confirmed today (September 19) at a tour press conference in Atlanta, GA that his highly-anticipated new album will be available on November 11. The yet-to-be-titled album will be released on Pearl/RCA Nashville and will feature his current Country radio single, “People Loving People.”
Fans can pre-order the album at garthbrooks.com and ghosttunes.com. In addition to the album, fans can order an additional mega bundle including all eight studio albums digitally updated, the new double live 25th Anniversary Edition featuring 30 songs along with 30 videos, an instant download of “People Loving People” and the bonus track, “Send ‘Em On Down The Road.”
Brooks, who in 2000, was certified by the RIAA as the No. 1-selling solo artist in U. S. history and has sold 134 million albums to date, virtually receiving every music award possible, is currently on his world tour.

Bloss-Baum Named To SoundExchange Sr. Director Role

linda bloss baum11SoundExchange has named Linda Bloss-Baum as Sr. Director of Industry Relations. She will drive awareness and visibility for SoundExchange across multiple channels related to performance and music entertainment.
Bloss-Baum most recently served as an independent consultant with recording artists through her agency LBB Creative Strategies. SoundExchange was a client of LBB Creative Strategies.
“We are pleased Linda Bloss-Baum will be joining the Industry Relations department at SoundExchange,” said SoundExchange VP of Industry Relations Barry LeVine. “Her solid reputation and strong industry connections, in particular her work with the Nashville community where, as a consultant to SoundExchange, she established the well-regarded SoundExchange Influencers Series at the Bluebird Cafe, make her a tremendous asset –  particularly as we develop new programs for the community we serve.”
Prior to her work with LBB Creative Strategies, Bloss-Baum ran the Warner Music Group office in Washington, D.C. for six years. She also served as VP, Public Policy/Government Relations at Universal Music Group/NBC Universal and Time Warner, Inc. She graduated from Catholic University Law School and is an adjunct professor at the KOGOD School of Business at American University, where she teaches a class on “Protecting the Creative Class in the Digital Age.” She is a member of the Leadership Music Class of 2009 in Nashville.
“I am honored to be part of the SoundExchange family. There is no stronger foundation to continue my work for recording artists and rights holders than SoundExchange,” said Bloss-Baum.

Industry Ink: The Agency Group, South X Sea, Makin' Music

Restless Heart has signed with The Agency Group for live booking representation. The Agency Group’s Travis James will act as the band’s agent.
“The Agency Group is extremely proud to become a part of the outstanding legacy already created by Restless Heart,” says James. “To see all the original guys still singing and performing the hits at the top of their game is inspiring on so many levels. I’m honored to be a part of the band’s touring future, as are the other TAG agents who will be involved on a daily basis.”

Pictured (L-R): Bobby Roberts (The Agency Group), Travis James (The Agency Group), Greg Jennings, Dave Innis, John Dittrich, Paul Gregg, Larry Stewart, Nick Meinema (The Agency Group). Photo: Absolute Publicity

Pictured (L-R): Bobby Roberts (The Agency Group), Travis James (The Agency Group), Greg Jennings, Dave Innis, John Dittrich, Paul Gregg, Larry Stewart, Nick Meinema (The Agency Group). Photo: Absolute Publicity

• • •

southxseacroppedProducer Brandon Metcalf has launched the new independent label, South X Sea. The label launches with two artists, Dallas-based indie alternative band TEAM, and Nashville-based indie pop band Kaptan. Metcalf will lead the company with Dave Conway (previously of Atlantic, Doghouse/Warner, and Working Group Management) acting as GM and Head of A&R, and Andrew de Torres rounding out the A&R team.

Metcalf will continue operating his studio Destiny Nashville, where he recently produced/wrote tracks and records for Jewel, Blues Traveler, Veronica Ballestrini, Trent Dabs, Ella Mae Bowen, and others. The studio will be used to produce records released through the new South X Sea label.

For more information, visit southxsea.co.

• • •

making musicMakin’ Music and Foremost Records have hired Jessica Reeves as National Head of Promotion and Marketing. Reeves graduated from Middle Tennessee State University with a degree in Music Business and Public Relations. The Lafayette, Tenn., native moved to Nashville after interning with Girlilla Marketing.

“In college, I always thought I would go into publishing. I never even considered anything else because I was so convinced on the path my career was going to go, ” Reeves said. “It wasn’t until I got my internship that I knew marketing and promotion was my thing.”

Artist Updates: "If Trees Could Sing," Luke Bryan, Lee Ann Womack, Jim Ed Brown

Reba

Reba


The Nature Conservatory, in partnership with Metro Parks Nashville, has launched “If Trees Could Sing” at Nashville’s Centennial Park. The project features videos of 18 musicians, including Reba, Suzy Boggus, Rodney Atkins, Will Hoge, Jim Lauderdale, Big Kenny, Jerry Douglas, Kim Richey and Ben Folds, talking about their favorite trees.
Trees at Centennial Park have been outfitted with signs, each with an artist’s photo and a QR code, which, when scanned with a smart phone, will allow visitors to view a video of the artist speaking about that specific tree.
Artists and trees include:

  • Rodney Atkins and the Eastern redbud
  • Big Kenny highlights the benefits of trees
  • Suzy Bogguss and the flowering dogwood
  • Jerry Douglas and the red maple
  • Mike Farris and the Eastern red cedar
  • The Fisk Jubilee Singers and the bald cypress
  • Ben Folds and the sweetgum
  • Giancarlo Guerrero of the Nashville Symphony and the green ash
  • Will Hoge and the willow oak
  • Taylor Hicks and the sweetbay magnolia
  • Jim Lauderdale and the sugarberry
  • Reba McEntire and the pin oak
  • Tim O’Brien and the chinkapin oak
  • Kim Richey and the sycamore
  • Jason Ringenberg and the hackberry
  • Ketch Secor of Old Crow Medicine Show and the osage orange
  • Webb Wilder and the blue spruce
  • Victor Wooten and the black walnut

• • •

luke bryan farm tour111Luke Bryan will feature Cole Swindell, The Peach Pickers (Dallas Davidson, Rhett Akins and Ben Hayslip), Chancie Neal, and DJ Rock during his upcoming Farm Tour, which will visit eight cities in Tennessee, Alabama, Florida, Georgia and South Carolina, beginning in October.
Farm Tour 2014 Dates
Oct. 1, Knoxville, Tenn., Maple Lane Farms
Oct. 2, Auburn, Ala., Ingram Farms
Oct. 3, Tallahassee, Fla., Cross Creek Place
Oct. 4, Gainesville, Fla., Whitehurst Cattle Farm
Oct. 8, Statesboro, Ga., Perry Field
Oct. 9, Athens, Ga., Meldon Farm
Oct. 10, Columbia, S.C., Culler Farms
Oct. 11, Macon, Ga., Midway at Central City Park
(dates & cities subject to change)

 • • •

Lee Ann Womack and John Legend. Photo: Jason Davis/Getty Images

Lee Ann Womack and John Legend. Photo: Jason Davis/Getty Images


Lee Ann Womack and John Legend taped an episode of CMT Crossroads in Nashville this week. CMT Crossroads: John Legend and Lee Ann Womack premieres Friday, Sept. 26 at 10 p.m. ET on CMT.
They were joined onstage by musicians Mac McAnally, Glenn Worf, Jedd Hughes, and Jim Hoke. Womack and Legend performed songs including Legend’s “All of Me,” and “Green Light,” and Womack’s “I May Hate Myself In The Morning” and “I Hope You Dance.”
They also played Legend’s current single “You and I (Nobody In The World)” and Womack’s title track from her upcoming album The Way I’m Livin,’ which releases next week.

• • •

jim ed brown1Jim Ed Brown will release his first solo recording in 30 years, with the release of In Style Again, his debut project for Plowboy Records. The project, which is slated for release next year, will include duets with Vince Gill and The Whites, as well as a track with the reunited group The Browns.
“I love new music.” Brown said. “I guess the whole world does. It’s always good to hear a new song. I love what I do. People have always been great to me. They have accepted me into their homes and lives. It’s unreal what radio and television has done for me. I am a very blessed man.”