
Pictured: Jason Isbell, Buddy Miller, Sturgill Simpson and The Milk Carton Kids. Photo: Getty Images for Americana Music
BOBBY KARL WORKS THE ROOM
Chapter 469
Clocking in at over three hours in length, the 2014 Americana Music Honors & Awards show was a rich pageant of sounds.
Staged at the Ryman Auditorium on Wednesday (9/17), the event featured one musical monument after another. Grand slam winner
Jason Isbell (Artist, Album and Song of the Year) was soul drenched on a searing, scorching, slow-burn performance of “Cover Me Up.”
After Lifetime Performance Achievement winner
Taj Mahal rolled charismatically through “Statesboro Blues,” the audience erupted in an ovation. The crowd’s sustained standing cheers for Lifetime Songwriting winner
Loretta Lynn went on so long that she could barely leave the stage after singing “Coal Miner’s Daughter.”

Jim Lauderdale and Buddy Miller perform. Photo: Getty Images
Lifetime Instrumentalist honoree
Flaco Jimenez teamed up with
Ry Cooder on the lovely, lilting waltz “Ingrato Amor.” Group of the Year winners
The Milk Carton Kids performed their transfixing, hushed ballad “Snake Eyes” accompanied by their rippling twin acoustic guitars.
The President’s Award went to Jimmie Rodgers.
Marty Stuart & The Fabulous Superlatives saluted him by giving a rockabilly kick to “No Hard Time Blues.” Emerging Artist winner
Sturgill Simpson was at his country-rocking best on “Life of Sin.”
Other highlights included
Rodney Crowell’s prayer-like ballad “God I’m Missing You,”
Parker Millsap’s intense tenor vocal on “Truckstop Gospel,”
Rosanne Cash’s swampy “A Feather’s Not a Bird,”
The Devil Makes Three’s rollicking “Hand Out Now,”
Valerie June’s saucy “You Can’t Be Told,”
Cassandra Wilson’s sultry “I Want To Be Loved,”
Patty Griffin & Robert Plant’s hypnotic “Ohio” and
Robert Ellis’s breezy yet downbeat “Only Lies.”
“What a night, huh?” said the Americana Music Association’s
Jed Hilly. “I think I have the best job in the world…This night is about great music.”
Show emcee
Jim Lauderdale and his pal of 34 years,
Buddy Miller, kicked the evening off with a rocking rendition of Bo Diddley’s “You Can’t Judge a Book By the Cover.” Buddy, who led the house band, later won the Instrumentalist of the Year award.

The evening’s big winner Jason Isbell shows off his three honors backstage. Photo: Getty Images
Kacey Musgraves and
Angaleena Presley presented Loretta’s award. “We all owe a huge debt to the women who came before us,” said Kacey. “We might cry giving this award.” Added Angaleena, “Fifty-four years ago today, she graced this stage for the first time….On behalf of every woman who ever sang or wrote a country song, we present this award to Loretta Lynn.”
“When they told me I was gonna get this award, I said, ‘You’ve got the wrong one,’” said Loretta. “I was so proud when I found out they were right.” Her bus was outside the Ryman, loaded and ready to take her to a concert in Iowa.
Following
Hooray for the Riff Raff’s performance of “The Body Electric,”
Vince Gill and
Carlene Carter presented Buddy Miller with his honor. “I can’t tell you how foolish I feel accepting an award from Vince Gill and being on the same stage with Ry Cooder,” said Buddy. “I don’t deserve this, but thank you.”
Keb’ Mo’ was clearly thrilled to be honoring Taj Mahal. “I can’t believe I get to do this,” he said. “He was ‘world music’ before there was such a thing.”
“You can’t imagine how good this does my heart,” said Taj. “This is a Big One for me.”
Jason Isbell’s first trip to the podium was for “Cover Me Up” as Song of the Year. “I wrote this song for my wife [fellow performer
Amanda Shires],” said Jason. “It’s probably the hardest song I ever had to write. Do the things that scare ya: That’s the good stuff.”
The laconic folk rock of
Hard Working Americans was followed by the Appalachian moan of
Sarah Jarosz. “What a thrill it is to be part of this magical evening,” Sarah commented. Next up was the blue-eyed soul band from Birmingham,
St. Paul & The Broken Bones.

Loretta Lynn and Angaleena Presley on the Americana Music Awards & Honors red carpet. Photo: Getty Images.
Marty Stuart carried Jimmie Rodgers’s iconic railroad lantern onto the stage. It was given to him by the late Hank Snow. Marty promised the crowd that Jimmie’s honor will have a place of honor. “This award will live in the Jimmie Rodgers Museum in Meridian, Mississippi,” he said. “Go and visit.”
Jason Isbell returned to collect his Artist of the Year trophy. “Anybody who bought the record or came to a show, thank you for that,” he said. “It’s been a great year.” He also pointed out that the show was occurring on Hank Williams’s birthday.
When his
Southeastern won the Album honor, he brought producer
Dave Cobb to the stage. “I think the folks who are in this room make the best music in Nashville, which is to say, the best music in the world,” said Jason. “And I’m very proud to be a member of that family.”
Jackson Browne was given the Spirit of Americana Free Speech in Music Award. He said, “It’s part of the American character to say what you believe.” Then he did just that in song.
The show’s finale was Johnny Cash’s “Get Rhythm,” led by Rosanne Cash and Ry Cooder and featuring the Broken Bones, Jason Isbell, Jim Lauderdale and more joining in celebration.
The evening’s award presenters included
Lucinda Williams, Elizabeth Cook, Shovels & Rope, J.D. Souther, Joe Henry, Emmylou Harris, John Paul White, Paul Thorn, Amy Ray and
Josh Ritter. Joining Buddy and Ry in the house band were
Brady Blade, Don Was, Joachim Cooder, Tim Lauer and
The McCrary Sisters.

Hurray for the Riff Raff performs. Photo: Getty Images
Wednesday’s Ryman event was the centerpiece of the annual Americana convention. It has a record-setting 1,900 registrants this year. Now celebrating its 15
th anniversary, the AMA currently boasts more than 2,000 members. That is nearly double the number it had two years ago.
Among them, presumably, are such Ryman attendees as
Tim Fink, Erika Wollam-Nichols, Sheila Lawrence, Katharine Richardson, Holly George-Warren, Michael McCall, Al Moss, Geoff Himes, Ricky Skaggs & Sharon White, John Lomax III, Craig Hayes, Don Cusic, Bill Wence, Suzy Bogguss & Doug Crider, Brian Mansfield, Michelle Goble, Kathy Russ, Jay Orr and
Byron Hill.
The show was streamed live on NPRmusic.org and carried on Sirius/XM’s Outlaw radio channel. It will be edited to become an episode of
Austin City Limits on PBS on Nov. 22.
Apple's Secret Project Aims To Sell Records
/by Eric T. ParkerTIME/Sebastian Kim
The Sept. 29 cover story for Time magazine reveals details about a new music file format Apple has “secretly” been preparing with U2, expected to “prove so irresistibly exciting to music fans that it will tempt them again to buy music.”
Bono reveals the new file format is at least a year and a half away, a timeframe his band expects to follow with its subsequent album, featuring the format.
Bono tells Time’s Catherine Mayer, “[it will be] an audiovisual interactive format for music that can’t be pirated and will bring back album artwork in the most powerful way, where you can play with the lyrics and get behind the songs when you’re sitting on the subway with your iPad or on these big flat screens. You can see photography like you’ve never seen it before.”
The Irish rockers were highlighted at the Cupertino titan’s Sept. 9 announcement, both performing and distributing its latest album, Songs of Innocence, for free.
Further details on the prospective service are not available.
As of Aug. 1, Apple acquired the streaming music service Beats Music for an estimated $3 billion. The rise in streaming music can be credited for a decline in 2014 record sales, of which Country has experienced a 19.6-percent drop from the previous year.
Apple began partnering with U2 10 years ago for a series of TV commercials and the first special edition iPod, and (PRODUCT) RED.
Kennedy's Glennjoy Music Signs With Music Services, Inc.
/by Jessica NicholsonPictured (Seated, L-R): Phil Perkins (President/Music Services, Inc.); Gordon Kennedy. (Standing, L-R): Traci Bishir (Catalog Manager/Music Services, Inc.); Don Cason (VP/Music Services, Inc.)
Glennjoy Music, a publishing company owned by songwriter-producer Gordon Kennedy, has signed an exclusive administration deal with Brentwood-based Music Services, Inc. Under the new arrangement, Music Services will oversee the licensing and collection of Kennedy’s catalog, including upcoming cuts on Bonnie Raitt, Peter Frampton, and additional recordings by Ricky Skaggs and Mark Collie.
Kennedy became nationally recognized when he earned the Song of the Year honor at the 1997 Grammy awards for Eric Clapton‘s “Change The World,” which he co-wrote with Wayne Kirkpatrick and Tommy Sims.
Other artists who have recorded Kennedy’s songs include Don Henley, Bonnie Raitt, Garth Brooks, Trisha Yearwood, Bruce Hornsby, Carrie Underwood, Faith Hill, Tim McGraw, Alison Krauss, Nickel Creek, Peter Frampton, George Strait, Martina McBride, Ricky Skaggs, Joan Osborne, Wynonna, and Jerry Reed.
Music Services, Inc. also represents Centricity Records and Publishing, Fair Trade Records and Publishing, Gaither Records, Gotee Records, LifeWay, Reach Records, SeeSeeBubba Songs, Simpleville Publishing, Spring Hill Records, Tooth and Nail Records and Publishing, Wondrous Worship, Word Entertainment among many others.
Industry Pics: Jerrod Niemann, Jim Lauderdale, Hannah Dasher
/by Jessica NicholsonFriday (Sept. 12), Jerrod Niemann was presented with a plaque for the RIAA Platinum certification of his chart-topping hit “Drink To That All Night.” He received the plaque backstage at his first headlining show at Nashville’s Ryman Auditorium.
Pictured (L-R): Bill Simmons (Fitzgerald Hartley), Gary Overton (Sony Music Nashville), Jerrod Niemann, Steve Emley (Fitzgerald Hartley). Photo: Ivor Karabatkovic
Pictured (L-R): Producer/director Jeremy Dylan, Lauderdale and SESAC’s Tim Fink. Photo: Bev Moser
• • •
ASCAP singer-songwriter Hannah Dasher recently hosted a performance at historic RCA Studio B. The invitation-only event was attended by label execs, Grand Ole Opry’s Pete Fisher and other industry members. The performance included a short set by Dasher, followed by an after-party in the BMG Chrysalis parking lot.
Pictured (L-R): Terry Lee Palmer (Guitar); Lee Francis (Bass); Howie Adams (Drums); producer Jeff Stevens; Hannah Dasher; Kos Weaver, Executive Vice President, BMG Chrysalis; Daniel Lee, Senior Creative Director, BMG Chrysalis; LeAnn Phelan, Co-head of Nashville Membership, ASCAP; Michael Martin, Co-head of Nashville Membership, ASCAP; Eddy Dunlap (Steel)
Bobby Karl Works The Americana Music Honors & Awards
/by Bobby KarlPictured: Jason Isbell, Buddy Miller, Sturgill Simpson and The Milk Carton Kids. Photo: Getty Images for Americana Music
BOBBY KARL WORKS THE ROOM
Chapter 469
Clocking in at over three hours in length, the 2014 Americana Music Honors & Awards show was a rich pageant of sounds.
Staged at the Ryman Auditorium on Wednesday (9/17), the event featured one musical monument after another. Grand slam winner Jason Isbell (Artist, Album and Song of the Year) was soul drenched on a searing, scorching, slow-burn performance of “Cover Me Up.”
After Lifetime Performance Achievement winner Taj Mahal rolled charismatically through “Statesboro Blues,” the audience erupted in an ovation. The crowd’s sustained standing cheers for Lifetime Songwriting winner Loretta Lynn went on so long that she could barely leave the stage after singing “Coal Miner’s Daughter.”
Jim Lauderdale and Buddy Miller perform. Photo: Getty Images
Lifetime Instrumentalist honoree Flaco Jimenez teamed up with Ry Cooder on the lovely, lilting waltz “Ingrato Amor.” Group of the Year winners The Milk Carton Kids performed their transfixing, hushed ballad “Snake Eyes” accompanied by their rippling twin acoustic guitars.
The President’s Award went to Jimmie Rodgers. Marty Stuart & The Fabulous Superlatives saluted him by giving a rockabilly kick to “No Hard Time Blues.” Emerging Artist winner Sturgill Simpson was at his country-rocking best on “Life of Sin.”
Other highlights included Rodney Crowell’s prayer-like ballad “God I’m Missing You,” Parker Millsap’s intense tenor vocal on “Truckstop Gospel,” Rosanne Cash’s swampy “A Feather’s Not a Bird,” The Devil Makes Three’s rollicking “Hand Out Now,” Valerie June’s saucy “You Can’t Be Told,” Cassandra Wilson’s sultry “I Want To Be Loved,” Patty Griffin & Robert Plant’s hypnotic “Ohio” and Robert Ellis’s breezy yet downbeat “Only Lies.”
“What a night, huh?” said the Americana Music Association’s Jed Hilly. “I think I have the best job in the world…This night is about great music.”
Show emcee Jim Lauderdale and his pal of 34 years, Buddy Miller, kicked the evening off with a rocking rendition of Bo Diddley’s “You Can’t Judge a Book By the Cover.” Buddy, who led the house band, later won the Instrumentalist of the Year award.
The evening’s big winner Jason Isbell shows off his three honors backstage. Photo: Getty Images
Kacey Musgraves and Angaleena Presley presented Loretta’s award. “We all owe a huge debt to the women who came before us,” said Kacey. “We might cry giving this award.” Added Angaleena, “Fifty-four years ago today, she graced this stage for the first time….On behalf of every woman who ever sang or wrote a country song, we present this award to Loretta Lynn.”
“When they told me I was gonna get this award, I said, ‘You’ve got the wrong one,’” said Loretta. “I was so proud when I found out they were right.” Her bus was outside the Ryman, loaded and ready to take her to a concert in Iowa.
Following Hooray for the Riff Raff’s performance of “The Body Electric,” Vince Gill and Carlene Carter presented Buddy Miller with his honor. “I can’t tell you how foolish I feel accepting an award from Vince Gill and being on the same stage with Ry Cooder,” said Buddy. “I don’t deserve this, but thank you.”
Keb’ Mo’ was clearly thrilled to be honoring Taj Mahal. “I can’t believe I get to do this,” he said. “He was ‘world music’ before there was such a thing.”
“You can’t imagine how good this does my heart,” said Taj. “This is a Big One for me.”
Jason Isbell’s first trip to the podium was for “Cover Me Up” as Song of the Year. “I wrote this song for my wife [fellow performer Amanda Shires],” said Jason. “It’s probably the hardest song I ever had to write. Do the things that scare ya: That’s the good stuff.”
The laconic folk rock of Hard Working Americans was followed by the Appalachian moan of Sarah Jarosz. “What a thrill it is to be part of this magical evening,” Sarah commented. Next up was the blue-eyed soul band from Birmingham, St. Paul & The Broken Bones.
Loretta Lynn and Angaleena Presley on the Americana Music Awards & Honors red carpet. Photo: Getty Images.
Marty Stuart carried Jimmie Rodgers’s iconic railroad lantern onto the stage. It was given to him by the late Hank Snow. Marty promised the crowd that Jimmie’s honor will have a place of honor. “This award will live in the Jimmie Rodgers Museum in Meridian, Mississippi,” he said. “Go and visit.”
Jason Isbell returned to collect his Artist of the Year trophy. “Anybody who bought the record or came to a show, thank you for that,” he said. “It’s been a great year.” He also pointed out that the show was occurring on Hank Williams’s birthday.
When his Southeastern won the Album honor, he brought producer Dave Cobb to the stage. “I think the folks who are in this room make the best music in Nashville, which is to say, the best music in the world,” said Jason. “And I’m very proud to be a member of that family.”
Jackson Browne was given the Spirit of Americana Free Speech in Music Award. He said, “It’s part of the American character to say what you believe.” Then he did just that in song.
The show’s finale was Johnny Cash’s “Get Rhythm,” led by Rosanne Cash and Ry Cooder and featuring the Broken Bones, Jason Isbell, Jim Lauderdale and more joining in celebration.
The evening’s award presenters included Lucinda Williams, Elizabeth Cook, Shovels & Rope, J.D. Souther, Joe Henry, Emmylou Harris, John Paul White, Paul Thorn, Amy Ray and Josh Ritter. Joining Buddy and Ry in the house band were Brady Blade, Don Was, Joachim Cooder, Tim Lauer and The McCrary Sisters.
Hurray for the Riff Raff performs. Photo: Getty Images
Wednesday’s Ryman event was the centerpiece of the annual Americana convention. It has a record-setting 1,900 registrants this year. Now celebrating its 15th anniversary, the AMA currently boasts more than 2,000 members. That is nearly double the number it had two years ago.
Among them, presumably, are such Ryman attendees as Tim Fink, Erika Wollam-Nichols, Sheila Lawrence, Katharine Richardson, Holly George-Warren, Michael McCall, Al Moss, Geoff Himes, Ricky Skaggs & Sharon White, John Lomax III, Craig Hayes, Don Cusic, Bill Wence, Suzy Bogguss & Doug Crider, Brian Mansfield, Michelle Goble, Kathy Russ, Jay Orr and Byron Hill.
The show was streamed live on NPRmusic.org and carried on Sirius/XM’s Outlaw radio channel. It will be edited to become an episode of Austin City Limits on PBS on Nov. 22.
Staff Changes, New Location for Patrick Joseph Music
/by Jessica NicholsonPJM recently relocated to 1012 18th Avenue South in Nashville. “With the new facility, as well as the staff promotion and new hire, Patrick Joseph Music continues to refine the level of service we provide for our writers in a boutique creative relationship,” says Higdon.
PJM was originally founded in 1989 by Pat Higdon. It was relaunched in 2012 as a partnership between Higdon and New York-based Songs Music Publishing. The roster features Matraca Berg, George Teren, Ben Carver, Kat Higgins, Jake Mitchell and Melissa Peirce.
No. 1 Party: Joe Nichols' "Yeah"
/by Eric T. ParkerPictured (L-R): Producer Tony Brown, co-writer Ashley Gorley, Joe Nichols, co-writer Bryan Simpson, producer Mickey Jack Cones, (back row) BBR Music Group EVP Jon Loba and CEO Benny Brown, Warner/Chappell Music Publishing’s Ryan Beuschel, Combustion Music’s Chris Farren, ASCAP’s LeAnn Phelan and EVP of Membership John Titta, Sea Gayle Music’s Mike Owens, Red Bow Records VP of Promotion Renee Leymon, BMI’s Perry Howard and Triple 8 Management’s George Couri. Photo: Ed Rode.
“This is one of those songs that anyone could cut and have success,” said Joe Nichols at the No. 1 celebration of his Red Bow Records single “Yeah.” “Thanks to the guys for believing in me to release it.”
The songwriters, Ashley Gorley and Bryan Simpson, did believe in Nichols, but he was without a record label at the time. Nichols used his own money to record the song with producers Mickey Jack Cones and Tony Brown.
September 16 the crew gathered at the CMA offices to celebrate the No. 1 success of the title. ASCAP’s LeAnn Phelan hosted the event together with BMI’s Perry Howard. ASCAP’s EVP of Membership, John Titta, traveled from New York specifically to honor Gorley.
“Joe is unarguably one of the best voices in Nashville,” said Gorley. “We know his end result is going to sound great.”
This is the business of relationships, which were highlighted big time. Gorley and Simpson noted of their close friendship. “[Ashley and I have] lived a lot of life outside the writer room,” said Simpson.
“[Bryan was] maybe the second or third co-write of mine, ever,” recalled Gorley. “He has slept in my living room, and my kids know him as an uncle. He’s one of my best friends in the world so it’s super special to share this with him.”
Similarly Cones acknowledged his gratitude to veteran co-producer Brown, saying, “I wouldn’t be here if it wasn’t for Tony. So Thank You Tony!”
The No. 1 was special because it marked the first No. 1 for Simpson, who had previously had two top 5 songs (“Better Than I Used To Be,” “I’ll Just Hold On”). Simpson was presented with a No. 1 Epiphone guitar, marking the occasion. Sea Gayle’s VP of Creative, Mike Owens accepted on behalf of what was tallied as the publisher’s 37th No. 1.
Chris Farren of Combustion Music and Ryan Beuschel of Warner/Chappell offered remarks on behalf of Gorley. “[We have been] partners with Ashley for 14 years, he’s the best songwriter I’ve known,” acknowledged Farren, also offering a shout-out to Chris Van Belkom, who became engaged the night before.
New to his role, Beuschel noted of his initial meeting with Gorley. “Ashley wants a team around him that wants to do life together,” he said.
Red Bow’s crew also gathered. Acknowledgements were handed out left and right for the BBR staff from VP Promo Renee Leymon, including Benny Brown, Jon Loba, Shelley Hargis, and JoJamie Hahr. “We spent three weeks at No. 1,” said Leymon. “Making sure Joe is at the proper place in the format can’t happen without a team.”
Gold certification credits, matching Nichols’ previous single “Sunny and 75,” were celebrated by the promotion veteran, again with plaques for the house, including Alan Beckler of Red Distribution.
Industry Ink: Republic Nashville, A2IM, Unsigned Only Competition
/by Jessica NicholsonCoonrod replaces Cliff Blake, beginning Sept. 30. Blake will be leaving to pursue other opportunities, and is available at cliffblake@comcast.net or 603-781-1818.
• • •
Other hirings/promotions include Jen Masset, who has been promoted from Director, Membership Services to Sr. Director of Membership Services. Fawn Goodman joins as Director of Industry Relations, after spending eight years with Warner Music. Marcus Assenmacher joins as Operations Manager; he previously worked as Director, A&R at Robot of the Century.
• • •
Goodbye June
Unsigned Only Music Competition has announced its 2014 winners. The overall grand prize was awarded to Nashville band Goodbye June, with the song “Daisy.” The Grand Prize winner will receive $10,000 and the opportunity to be mentored by industry professionals. The contestants were judged by a panel including artists Of Monsters and Men, Rosanne Cash, Mike Posner, John Oates, Dustin Lynch, Rolling Stone‘s Anthony DeCurtis and others.
For a full list of winners in various categories, visit unsignedonly.com/winners.
Nathan Nicholson joins Ten Ten Music Group
/by Troy_StephensonNathan Nicholson
Ten Ten Music Group has named Nathan Nicholson to lead their creative department as VP, Creative. Nicholson’s chart successes include David Nail’s current single, “Kiss You Tonight.” He will continue to handle Tim McGraw‘s StyleSonic Music, whose recent chart toppers include McGraw’s “Highway Don’t Care” and Jerrod Niemann‘s “Drink to That All Night.”
Nicholson’s previous placements include Toby Keith‘s “Red Solo Cup” and Montgomery Gentry’s “She Couldn’t Change Me,” as well as cuts by George Strait, Reba, Patty Loveless, and several others. Nicholson is a graduate of MTSU’s Recording Industry Management program and holds an MBA from Belmont’s Massey School of Business.
Spirit Music Group Obtains $50 Million in Funding
/by Jessica Nicholson“Spirit Music Group is on an aggressive growth path. We are pleased that Fortress has shown confidence in Spirit’s current business, staffing and vision to partner with us as we enter this exciting next phase of Spirit’s growth,” said Spirit Music Group Chairman David Renzer.
Spirit Music Group’s global network currently includes offices in New York, London, Los Angeles, Nashville and the Netherlands.
Grand Ole Opry Brings Second Annual Acoustic Series to NYC
/by Jessica NicholsonAs part of the Nashville-to-New York experience, the artists will travel to Manhattan with the Opry’s signature microphone stand and a replica of the famed circle of wood from the Opry House’s center stage.
“All of these artists have been with us at the Opry recently to showcase their new music, so we know our friends in New York are in for some great performances,” said Pete Fisher, Opry vice president and general manager. “It’ll be great to extend our birthday party and Country Music Month beyond Music City to New York City.”
Full details are available at opry.com/nyc.