A 2011 documentary conceived by late Nashville songwriter Will Gray titled Broke* (Reprised) will be screened at the Nashville Film Festival on Monday (April 18) at 5:30 p.m., followed by a panel discussion.

Both events will be held at Regal Green Hills Cinema. A fundraising concert at The Listening Room in downtown Nashville will take place later that night.

The industry panel will discuss whether things have improved for indie artists in the last five years. Panelists are moderator Dan Beck (the film’s executive producer), Rachey Whitney (head of country programming, Pandora), Ali Harnell (Sr. VP, AEG Live and co-manager of The Shadowboxers), Jonathan Levine (Sr. Executive Agent, Paradigm Talent Agency), Jed Hilly (Executive Director, Americana Music Association), Matt Lipkins (member of The Shadowboxers), and John Strohm (attorney, Loeb & Loeb).

The Listening Room event will take place from 8:30-10:30 p.m. with performances by Jill & Kate, The Rough & Tumble, Mel Washington, Jann Klose, and Reva and Andrew Russell English.

Gray created and directed the film, which chronicles the stories of artists and executives searching for ways to thrive in the face of music industry challenges. In 2011, it won the Nashville Film Festival’s Special Jury Prize. It was also selected for the Philadelphia Film + Music Festival and the CMJ Film Festival. This year’s screening is sold out.

The film follows Gray’s experiences over an 18-month period in the music industry. John Legend, Kelly Clarkson, Isaac Slade from The Fray, producers Don Was and Buddy Miller, and independent musicians Damien Horne, Emily Hope Price, Trent Dabbs, Hymns, Ben Kesler, and Reva Wiliams of Gretel all appear in the film.

“We’re honored to present a fifth anniversary screening of Will Gray’s Broke*,” said Brian Owens, the festival’s artistic director. “I was fortunate to get to know Will and his energy and enthusiasm were contagious. I hope those who knew him will recapture that energy and enthusiasm and those who didn’t will get a glimpse of what a great artist and person he was.”

Gray died from a rare form of cancer in 2013. At the time of his death, he had a publishing deal with Warner/Chappell and had written the song “Do You Remember” on Blake Shelton’s 2013 album, Based on a True Story.

He had also recorded eight songs with producer T Bone Burnett. Those songs will be part of a new, 14-song LP, honeysuckle wine, which will be released on Monday, both digitally and on vinyl. In addition, the event will coincide with the launch of TheWillGrayBlueprint.com, a website that will financially support indie artists.

Tickets are $10 in advance or $15 at the door.

If Merlefest weren’t already the name of a festival honoring guitarist Merle Watson, it could have been a fitting nickname for the musical extravaganza that was last night’s (April 12) All For The Hall concert, hosted by Keith Urban and Vince Gill. The event, now in its sixth year, instantly became a tribute to the late legendary Merle Haggard, who passed away on April 6, his 79th birthday.

Urban launched the event with two of his own hits, “Somewhere In My Car” and “John Cougar, John Deere, John 3:16,” before crediting Gill with being the genesis of All For The Hall.

“I would never do this event with out him,” said Urban. “I think this night is an excuse to shred and play guitar.”

Gill, who was celebrating his 59th birthday, took the stage and acknowledged the death of Haggard before performing “Tonight The Bottle Let Me Down” and “The Fightin’ Side Of Me.”

“Last Wednesday morning, I was out on the road and I woke up the news that my greatest hero had passed away,” said Gill. “What an amazing thing that he passed on his birthday. I want more than anything to honor the greatest inspiration I’ve ever had in my life.”

This year’s event supports the Country Music Hall of Fame and Museum’s education programs. Nearly halfway into the show, students from Nashville’s McGavock High School took the stage with songwriter/artists Georgia Middleman and Gary Burr to perform a song they all co-wrote, as part of the museum’s education program Words & Music. The songwriting program has helped 100,000 students learn to write song lyrics by teaming with some of Nashville’s top songwriters.

 

Though country music is still the backbone of the event, this year’s lineup also included Americana singer-songwriter (and Grammy winner) Jason Isbell and wife Amanda Shires, as well as ace guitarist and entertainer Peter Frampton, who performed the Buddy Holly classic “Peggy Sue,” followed by his own “Do You Feel Like We Do.”

Newcomers also made an indelible impression on the crowd, and notably, primarily relied on cover tunes of actual country songs in their sets, rather than following the trend of pop and rock songs set in recent years.

Chris Janson, a longtime fixture on Nashville’s music scene, worked the stage like a veteran. His frenetic onstage energy and top-shelf harmonica skills, along with his catchy hit “Buy Me A Boat,” enlivened the crowd. He followed with a rendition of Waylon Jennings’ “Ain’t Livin’ Long Like This” (the song was penned and recorded by Rodney Crowell, and later by Emmylou Harris).

“Entertainer of the Year!” Gill shouted after Janson’s set.

Keith Urban’s future tourmate Maren Morris offered a slowed down, swampy version of Dolly Parton’s “9 to 5,” followed by her own hit song, “My Church.”

Maddie & Tae proved they can handle traditional country just fine, with their spot on rendition of Lee Ann Womack’s “Never Again, Again,” followed by the tongue-in-cheek bro-country kiss-off, “Girl In A Country Song.”

Also on the bill were Emmylou Harris, Tracy Lawrence, Luke Bryan, Florida Georgia Line, and Sam Hunt, who turned the entire Bridgestone Arena into his own “House Party,” before paying his own tribute to The Hag with “The Way I Am.”

“The other night I was missing being able to go home and go fishing, or go turkey hunting, or go see my folks back in Georgia, and I started playing some old country songs. I started playing this old Merle Haggard song,” recalled Hunt. “The next day I had a co-write in town so I called up my manager and said, ‘Call up Jerry and see if maybe we can do ‘The Way I Am’ next week at the All For The Hall Show, and I walked into my co-write and I’m in there about an hour and a half, and my buddy Luke’s at his computer screen and out of the blue, he says, ‘Oh My Gosh…Merle Haggard just passed away.’ It sent chills up my spine and it gave me this real eerie feeling. I hadn’t even thought about Merle or that song until the night before. It was a sad day for country music, but it made me realize how grateful I am to be able to do what I’m doing, and how grateful I am for Merle Haggard and for these boys on stage behind me and all the people who have come before me in country music who have paved this road that I’m on.”

Bryan offered his slow burn, romantic “Strip It Down,” before turning his back to crowd, in order to watch Keith Urban and Vince Gill performing background guitar and vocals. “If Keith Urban and Vince Gill are playing with me, I’m going to watch this happen!” said Bryan, which sparked a few jokes from Urban, saying that the crowd likely wouldn’t mind the view.

Bryan offered his own tribute to Haggard with “Big City,” before a rendition of his own (appropriate) “I Don’t Want This Night To End.”

Florida Georgia Line turned in a respectable version of Alabama’s “I’m In A Hurry,” before offering “the song that changed our lives,” their breakout hit “Cruise.”

As the evening drew to a close, Urban announced that this year’s All For The Hall was its biggest year yet, bringing in nearly $750,000, and bringing the event’s six-year total to more than $3.5 million.

As photos of Haggard scrolled on the giant video screens, Urban and Gill performed “Sing Me Back Home,” followed by an all-star tribute to the Hag as many of the evening’s performers returned to the stage for “Mama Tried.”

The 24th Annual Tin Pan South Songwriters Festival Presented by Regions Bank wrapped up Saturday night (April 9) with some of the biggest crowds and most sellouts in the event’s history.

The benefit for Bonaparte’s Retreat at 3^rd & Lindsley drew a packed house to see Emmylou Harris host a round with Clare Bowen, Chris Carmack, Jonathan Jackson, Colin Linden, Brandon Young and special guests. The late show, starring Shane McAnally, Kacey Musgraves and Josh Osborne was equally overflowing. Perennial Tin Pan favorite Station Inn was as popular among festival goers as ever all week.

Fans filed into The Listening Room Café early show to see “My Church” singer/songwriter Maren Morris with Ryan Beaver, Ryan Hurd and Lucie Silvas, and every Bluebird Café show saw lines of hopeful patrons waiting for a chance to enter.

Tin Pan South’s newest venues, The Country and Whiskey Rhythm, saw lines out the door for many shows including a late show with Corey Crowder, Randy Montana, Jared Mullins and Jeremy Stover at the former, as well as the latter’s late show with Matt Ferranti, Jer Gregg, Stephen Saylers and Rachel Williams.

Awesome @TinPanSouth night with @LawsonNashville @AmandaCWilliams !!! Thanks @NSAIofficial for havin’ us! pic.twitter.com/MEMh02gFne

— Bridgette Tatum (@BridgetteTatum) April 11, 2016

Laughter abounded at The Douglas Corner late show with Mark Narmore, Paul Sikes and Adam Wheeler. The Hillbillies and Hell Raisers late show at Blue Bar, with Shannon Lawson, Bridgette Tatum and Amanda Williams, lived up to its billing.

Produced by Nashville Songwriters Association International (NSAI), Tin Pan South is the world’s largest all-songwriter festival. More than 350 talented songwriters performed 92 shows at 10 of Nashville’s top music venues. Thousands of music fans attend the event annually to hear songwriters tell stories behind hit songs they have written and perform the songs as they were originally composed. Regions Bank returned for the ninth year as the presenting sponsor of the event.